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to buy his property out from under him. She offers to give control back to him if he drops Nini and the cancan, but he refuses. Fortunately for
Danglard, Alexandre, a timid, wealthy prince, falls in love with Nini and, although she barely knows him and does not reciprocate his feelings, buys the property from Lola and gives it back to Danglard.
279:. Struck by the suppleness and charm of a young laundress named Nini, he persuades her to take dancing lessons for a new show he is planning. He sells Le Paravent Chinois and, with additional funds from Baron Walter, a banker who is infatuated with Lola, buys and tears down La Reine Blanche, intending to replace it with a new venue—the
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life with
Alexandre or a conventional one with Paulo, but she will not be happy with him because he does not care for anything except the shows and performers that he is creating, and those change all the time. Everyone rushes off, ready to try performing with the unrehearsed Lola in Nini's place, but Nini decides to dance after all.
286:
Tryouts, rehearsals, and demolition progress fairly smoothly, until
Danglard is injured at the construction site in a fight with Paulo, Nini's jealous boyfriend. Danglard falls behind on his payments while he recuperates, and Lola, who is jealous of Danglard's growing relationship with Nini, arranges
294:
On opening night, the house is packed and the audience is rapturous. Seeing
Danglard kiss Esther after her song and follow her into her dressing room, Nini declares that she will not perform in the climactic cancan unless she can have Danglard all to herself. He responds that she can have a fabulous
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Construction of the Moulin Rouge proceeds, and preparations get underway for opening night. Danglard begins to shift his focus from Nini to his newest discovery, Esther
Georges, a maid who he is turning into a singer. Lola tells Alexandre that Nini's relationship with Danglard is more than
270:
In Paris in the late 1880s, Henri
Danglard owns a fashionable, but not very profitable, night club called Le Paravent Chinois, where the main attraction is a solo belly dance by his mistress Lola. One night, he accompanies a group of friends to La Reine Blanche, a simple dance hall in
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Danglard stays backstage alone and listens nervously to how his new cancan is received. Once he knows his new venture is a success, he joins the euphoric audience and hears a woman singing along behind him. He asks if she wants to go on the stage, and she says she does.
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professional, and, when this is confirmed, the prince shoots himself. Lola feels terrible and apologizes to everyone. Alexandre recovers, and Nini agrees to go out on the town with him for one night, after which he returns to his home country alone.
594:, with its vegetable carts and piles of artificial stones is painful to look at. The actors act. The audience gets bored. The dance rehearsals are Degas all right, but the kind that appears on Post Office calendars."
590:, Bernard Chardère did not receive the film so positively, however, criticising the music, the sets, and even the final cancan scene. He wrote: "The phoniness of the
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called the film a milestone in the history of colour of cinema, saying: "Every scene is a cartoon in movement Madame
Guibole's dance class reminds us of a
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of the 19th century, with its popular singers and dancers. Visually, the film evokes the paintings of
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as the
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Beranger, Jean; Garey, Howard B. (1956). "The
Illustrious Career of Jean Renoir".
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as an aspiring dancer who ends up working behind the scenes at the Moulin Rouge
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Ronald Bergan (22 September 1995). "Pierre Olaf: Surreal world of a pierrot".
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Pâquerette as Prunelle, formerly the "Queen of the Cancan", now a beggar
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The film received the Grand Prix de l'Academie du Cinéma in 1956.
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sketch." While he did not consider it as important a film as
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Bergstrom, Janet (1996). "Jean Renoir's Return to France".
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Franco Pastorino as Paulo, Nini's boyfriend, who is a baker
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Soundtrack available: essays on film and popular music
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Jean Raymond as Paulus, the singer at the Petit Casino
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as Barjolin, a financier acquaintance of Baron Walter
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as Coudrier, a financier acquaintance of Baron Walter
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Louis Lumière / conversation avec Langlois et Renoir
821:. Boston, Mass: G.K. Hall & Company. p. 33.
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as Casimir "le Serpentin", a comic singer and dancer
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Gaston Gabaroche as Oscar, the pianist and conductor
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Lydia Johnson as Madame Guibolle, the dance teacher
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as Eleonore, Barjolin's date at Le Paravent Chinois
513:Annik Morice Thérèse, Nini's friend at the laundry
395:as BĂ©atrix, Coudrier's date at Le Paravent Chinois
401:as Savate, La GĂ©nisse's pimp and a petty criminal
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819:Jean Renoir, a guide to references and resources
242:(1952), had celebrated the 18th-century Italian
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760:A cry from the heart: the life of Edith Piaf
480:as the owner of the Bal de la Reine Blanche
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545:in Paris. The sets were designed by the
362:as Bidon, Savate's friend and accomplice
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330:as Esther Georges, a maid-turned-singer
246:, this work is a homage to the Parisian
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333:Cora Vaucaire provided Esther's voice
605:to his "Great Movies" list in 2012.
522:Sylvine Delannoy as Titine, a dancer
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1354:Italian musical comedy-drama films
519:Michèle Nadal as Bigoudi, a dancer
318:as Nini, a laundress-turned-dancer
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1369:Films scored by Georges Van Parys
1329:French musical comedy-drama films
1198:The Little Theatre of Jean Renoir
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739:, Duke University Press. p. 137.
735:Robertson Wojcik, Pamela (2001).
258:, including Renoir's own father,
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1289:1950s musical comedy-drama films
1174:The Doctor's Horrible Experiment
492:Pierre Moncorbier as the bailiff
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407:as Madame Olympe, Nini's mother
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455:Mario Juillard as Bruno Balpe
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807:, by Jean Douchet, p.27
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564:magazine in May 1955,
383:as Capitain Valorgueil
150:9 April 1955
1324:Films set in cabarets
1087:The Rules of the Game
956:The Little Match Girl
932:The Whirlpool of Fate
260:Pierre-Auguste Renoir
1190:The Elusive Corporal
881:Criterion Collection
628:A Day in the Country
451:Cabaret du Chat Noir
449:, the singer at the
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339:Jean-Roger Caussimon
136:Gaumont Film Company
1359:1950s Italian films
1182:Picnic on the Grass
1015:Chotard and Company
707:Yale French Studies
353:as Prince Alexandre
210:Only the French Can
1364:1950s French films
1319:Films set in Paris
1233:Alain Renoir (son)
1127:Partie de campagne
1063:La Grande Illusion
1039:Life Belongs to Us
756:Crosland, Margaret
556:Critical reception
399:Jean-Marc Tennberg
244:commedia dell’arte
126:Franco London Film
55:André-Paul Antoine
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1166:Elena and Her Men
1103:This Land Is Mine
575:Rules of the Game
566:François Truffaut
543:Joinville Studios
529:Laurence Bataille
405:Valentine Tessier
360:Jacques Jouanneau
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1299:MarĂa FĂ©lix
1095:Swamp Water
975:Sound films
917:Jean Renoir
762:, Arcadia.
599:Roger Ebert
502:LĂ©o Campion
469:Pierre Olaf
447:Paul Delmet
387:Albert RĂ©my
322:MarĂa FĂ©lix
252:Edgar Degas
231:MarĂa FĂ©lix
219:Jean Renoir
170:104 minutes
102:Borys Lewin
82:MarĂa FĂ©lix
62:Produced by
52:Jean Renoir
43:Jean Renoir
39:Directed by
1279:1955 films
1273:Categories
991:La Chienne
639:References
578:(1939) or
537:Production
508:Rosy Varte
478:Max Dalban
463:Uncredited
417:Édith Piaf
310:Jean Gabin
273:Montmartre
223:Jean Gabin
193:Box office
154:1955-04-09
119:Production
74:Jean Gabin
65:Louis Wipf
49:Written by
1142:The River
948:Marquitta
592:Rue Lepic
345:Dora Doll
175:Countries
98:Edited by
1129:" (1946)
866:AllMovie
758:(2002).
550:Max Douy
430:Patachou
425:Eldorado
254:and the
185:Language
108:Music by
70:Starring
1209:Related
964:Le Bled
879:at the
801:Positif
723:2929115
692:1773418
587:Positif
473:Pierrot
152: (
121:company
1201:(1970)
1193:(1962)
1185:(1959)
1177:(1959)
1169:(1956)
1161:(1955)
1153:(1952)
1145:(1951)
1137:(1947)
1122:(1946)
1114:(1945)
1106:(1943)
1098:(1941)
1090:(1939)
1082:(1938)
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1058:(1936)
1050:(1936)
1042:(1936)
1034:(1935)
1026:(1934)
1018:(1933)
1010:(1932)
1002:(1932)
994:(1931)
986:(1931)
967:(1929)
959:(1928)
951:(1927)
943:(1926)
935:(1925)
766:
743:
721:
690:
601:added
277:cancan
229:, and
188:French
178:France
57:(idea)
719:JSTOR
688:JSTOR
609:Notes
570:Degas
488:valet
180:Italy
1031:Toni
940:Nana
855:IMDb
797:Arts
764:ISBN
741:ISBN
562:Arts
303:Cast
266:Plot
864:at
853:at
711:doi
680:doi
445:as
432:as
419:as
1275::
717:.
686:.
676:17
674:.
655:.
552:.
262:.
225:,
1125:"
909:e
902:t
895:v
725:.
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631:.
156:)
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