221:"The musical significance of the two 'From Spirituals To Swing' concerts is difficult to deny. Equally important, however, were the social and political implications. The racial impact cannot be overlooked as African-American artists were being presented to an integrated audience at Carnegie Hall at a time when such an occurrence was, if not unheard of, extremely rare. The strong ties between the jazz world and the political Left were also obvious in the two sponsors of the programs: The Marxist 'New Masses' and the Theater Arts Committee which was an openly Left-wing organization. John Hammond was an independent iconoclast. In his efforts to foster social justice and integration he found himself at times in step with civil rights groups and Communists (though Hammond himself was never a member of the Communist Party). The impact of the integration of musicians and jazz audiences in the 1930s and 1940s was very influential on the racial history of our country. 'From Spirituals To Swing' was not only a musical milestone in the history of jazz, it was also a socially significant even coming at a time when our nation, as well as the world, was entering a period of inconceivable upheaval and change."
215:, "n 1938... conceived a concert at Carnegie Hall in New York City to showcase African-American music from its raw beginnings to the most current jazz. Hammond... was one of the most influential talent scouts and record producers in history, having 'discovered' artists from Billie Holiday and Count Basie to Bob Dylan and Bruce Springsteen. The concert, which would be titled 'From Spirituals To Swing', would depict the common themes that existed in Black music from its origins in Africa, through gospel and blues, dixieland and eventually to swing."
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as a triple CD set in 1999. Inside were two documents: a modern brochure describing the contents of the box set, and a reproduction of the original 1938 program for the show. The program was entitled: "The New Masses
Presents An Evening Of African American Negro Music - 'From Spirituals To Swing'
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The recordings of the concerts commissioned by
Hammond were acetate sound checks, and only transferred to tape in 1953 and released in 1959, with faked announcements recorded by Hammond the previous year. The album was reissued by
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Ed Lewis, Harry Edison, Buck
Clayton, Shad Collins, Dicky Wells, Dan Minor, Benny Morton, Earle Warren, Lester Young, Buddy Tate, Jack Washington, Count Basie, Freddie Green, Walter Page, Jo Jones
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craze of the late 1930s and early 1940s dates from these concerts. Johnson and Turner, along with Lewis and Ammons, continued as an act after the concerts with their appearances at the
202:, involving African American performers. Hammond had difficulty gaining sponsorship for the event because it involved African American artists and an integrated audience. However,
235:, as did many of the other performers. The stage moves and musical ecstasy of the gospel performers were new to the white audience, and presaged much that appeared later in
218:"On December 23, 1938, 'From Spirituals To Swing' was presented to a sold-out house... Its success prompted another concert on Christmas Eve of 1939..."
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booklet, copyright 1999 by
Vanguard Records, A Welk Music Group Company, 2700 Pennsylvania Avenue, Santa Monica, California, 90404
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The Benny
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Young, William H.; Young, Nancy K.; Young, Nancy K. (2005).
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Orchestra
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364:Mitchell's Christian Singers
168:Mitchell's Christian Singers
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645:From Spirituals To Swing
629:From Spirituals to Swing
123:From Spirituals to Swing
877:The Benny Goodman Story
845:Taking a Chance on Love
789:Benny Goodman in Moscow
571:Du Noyer, Paul (2003).
420:The Golden Gate Quartet
307:(tenor sax, clarinet);
852:Why Don't You Do Right
358:Sister Rosetta Tharpe
126:was the title of two
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401:The Kansas City Six:
331:Oran "Hot Lips" Page
43:improve this article
797:Benny Goodman Today
459:(electric guitar),
172:Golden Gate Quartet
465:Fletcher Henderson
382:with Albert Ammons
360:with Albert Ammons
247:List of performers
198:and leading up to
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410:Leonard Ware
347:Pete Johnson
305:Lester Young
299:(alto sax);
297:Earle Warren
293:Benny Morton
283:(trumpets);
281:Shad Collins
277:Buck Clayton
273:Harry Edison
230:Cafe Society
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132:John Hammond
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41:Please help
36:verification
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749:Smoke Rings
519:Helen Humes
473:Nick Fatool
386:Sonny Terry
317:Walter Page
285:Dicky Wells
259:Count Basie
184:Sonny Terry
156:Helen Humes
140:Count Basie
99:August 2011
615:2011-02-14
555:References
537:Recordings
490:Buddy Tate
432:(2nd bass)
352:Joe Turner
315:(guitar);
233:night club
196:spirituals
69:newspapers
649:boxed set
467:(piano),
463:(vibes),
289:Dan Minor
261:Orchestra
213:boxed set
918:Category
859:Symphony
741:Up Swing
725:Air Play
471:(bass),
321:Jo Jones
319:(bass);
269:Ed Lewis
128:concerts
903:Commons
486:Ida Cox
475:(drums)
323:(drums)
190:Concert
83:scholar
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