526:
626:
743:
Briton being needed to complete the project. K2 Plant Hire promised that the
Pyramid "will be open to the public free of charge, 24 hours a day, 365 days a year. You will be able to do what you want with it. Climb it, paint it, polish it, eat your sandwiches on it or chip it away. It will stand for as long there is any of it left. It will promote nothing. Be sponsored by nobody. And owned by everybody.";
920:
sub-cult ... If there was fresh original talent, it is now tired and tested, only capable of flicking the nostalgia switch." Designing 2K's parody of the comeback, Drummond wrote that he and Cauty were "getting totally into the institution of 'The
Comeback', drawing on the sad, pathetic nature of the whole thing, the desperation of all concerned to exploit whatever they can from the myth ..."
944:' showmanship was to play his bass while standing on a rug ... this is hardly the pyjama-clad KLF, horns strapped to their heads, whizzing around the Barbican in wheelchairs with Zodiac Mindwarp in a pulpit and hundreds of sacked Liverpool dockers yelling "Fuck the millennium!" at the tops of their voices ..." Likewise, a 1999 feature on Drummond and Cauty in
794:
723:
973:"Fuck the Millennium" (or "***K the Millennium") was given an international single release on 13 October 1997, and as of March 2020 it remains the most recent musical work by the duo. The record was not a success in comparison to the KLF's earlier chart-topping endeavours, peaking at a number 28 in the UK Singles Chart.
823:"1997: What the fuck's going on?" referenced their similar graffiti of ten years earlier on the same wall of the arts establishment. The unusual show at the Barbican was typical of their previous confusing and humorous costumed appearances; moreover, the horns strapped to their foreheads were previously used in the KLF's
303:
catalogue, declaring that "For the foreseeable future, there will be no further record releases from any past, present or future name attached to our activities." In the four years following the KLF's retirement, Drummond and Cauty's musical output consisted of only a limited edition single released in
737:
Around the time of the single's release, further full-page adverts appeared in the national press, this time asking readers "***k The
Millennium: Yes/No?", with a telephone number—the "Millennium Crisis Line"—provided for voting: "If you want to fuck the millennium, press '1'. If not, press '2'." The
429:
looked forward to the event, saying that "It was just a matter of time before Jimmy Cauty and Bill
Drummond hatched another prank and put a grin back on the face of pop music." "You just ache for them to be No. 1 again ..." they said, but "One hopes they are not about to shoot themselves in
493:
with grey hair and, strapped to their foreheads, prominent horns that had been used regularly in the KLF's promotional videos. The duo wheeled around the stage in their wheelchairs, and at one point
Drummond was seen plucking feathers from a dead swan. They were supported by Acid Brass playing "What
539:
rationalised the spectacle: "They did what they always do: too many things at the same time. Their points are lost along with the plot. So, just to explain: ... Bill and Jimmy were dressed as old men as a comment on elderly pop groups making a comeback. The brass band playing house music tunes
919:
comeback" were recorded by him at the time and aired in 2000: "The history of rock 'n' roll has been littered with pathetic comebacks ... No comeback has ever worked. The motivation behind the comeback has never and will never be the same as when the group or artist first crawled out of their
742:
as there were
British 20th century births. The company estimated that the structure would require approximately 87 millions bricks; be 150-foot (46 m)-high; and take five years to complete, all at no cost to the taxpayer. Members of the public were urged to donate bricks, with 1.5 bricks per
963:
I wanted to stamp my feet and scream "But you don't understand, the whole show was about the crapness of the comeback, of blowing one's own myth. You are supposed to see that and applaud the fact that we have an incredible understanding and postmodern take on all things pop, at the same time as
302:
From 1987 to 1992, Jimmy Cauty and Bill
Drummond released music under names including the Justified Ancients of Mu Mu (The JAMs) and the KLF. Following a run of five consecutive UK top-five singles, The KLF executed a high-profile retirement from the music business and deleted their entire back
285:
Drummond and Cauty's campaign to "fuck the millennium" also involved a number of outlandish activities and proposals under the umbrella of their company K2 Plant Hire Ltd. These activities were intended to culminate in the construction of "The People's
Pyramid", a 150-foot-high (46 m)
964:
delivering the goods". And then I did understand. Everything was OK. The show was a success, the record stiffing at number twenty-eight in the charts was just what the doctor ordered. We had not only blown it, we had destroyed whatever remnants of credibility, bankability and myth we had left.
738:
adverts were placed by K2 Plant Hire Ltd., who duly claimed that 18,436 (89%) of respondents wished to fuck the millennium. Thus, on 31 October 1997, K2 Plant Hire announced plans to build the "Great
Northern Pyramid Of The People", or "The People's Pyramid", from as many
439:
38:
619:", and a rhythmically hardened remix of "What Time Is Love? (Pure Trance Original)". The lead vocals before and after the hymn consist mainly of chants, with over one hundred instances of the word "fuck"—there are 26 instances of the word in the short "Radio Edit" alone.
522:. These old reprobates, bearing a grandfatherly resemblance to messrs Cauty and Drummond, claimed to have just been asked along." Following the performance, every audience member received a "Fuck the Millennium" T-shirt, poster, and bumper sticker in a carrier bag.
273:
The song was released as a comeback single to mark the tenth anniversary of
Drummond and Cauty's first collaborations; however, the performance and single were also in part intended to mock the notion of the comeback. "Fuck the Millennium" reached number 28 in the
402:. Collaborative work ensued between Drummond, Cauty, and Deller, in which the Acid Brass rendition of their track was incorporated into a millennium-themed composition designed to mark the tenth anniversary of Drummond and Cauty's first work.
644:
892:. The "Fuck the Millennium" sleevenotes state that "The Justified Ancients of Mu Mu appear courtesy of The Five", a reference to the five Illuminati leaders of the novels. Drummond and Cauty took The JAMs' name from the fictional cult in
1378:
in 2017 after the death of Cauty's brother, Simon. The new pyramid is to be built from bricks containing human ashes; the first brick to be laid contained Simon Cauty's ashes. Jimmy Cauty emphasised that the project is serious and not a
290:, construction of which had begun earlier in the year—and for people to use as they saw fit, including painting it or chipping it away. The pyramid was never built but the JAMs rebooted the idea in 2017 at their next comeback event,
394:". Drummond attended the festival performance and heard "What Time Is Love?" performed as the encore, during which he excitedly telephoned Cauty. Cauty and Drummond together attended a 19 April Acid Brass performance at the
570:
who participated in the event at Drummond's invitation, wrote that Cauty and Drummond's latest venture was seemingly "bizarre and outrageous" but that "they appear to have, once again, struck a chord with a lot of people".
691:, Drummond and Cauty, multiple recordings of whom are overlain to simulate a congregation. Mark Manning evangelically narrates its lyrics, and between verses, Gimpo screams for "Bill!" (Drummond) and "Jimmy!" (Cauty).
698:
that the single may be "noisy and confrontational" but that "it looks set to provide these pop situationists with another... hit, tapping into the fear and anxiety many people feel about the end of the century".
2945:
2886:
2856:
2794:
2764:
2642:
2611:
2371:
2334:
2304:
2171:
2006:
1980:
1954:
1875:
1836:
1778:
1751:
1622:
1514:
1488:
1413:
831:
campaigns before and after the single's release resumed Drummond and Cauty's characteristic promotional tactic of cryptic, monochrome full-page adverts placed in UK national newspapers and music press.
709:
enthused about the track in the context of the duo's wider catalogue: "As soon as it starts you immediately remember the excitement that comes from hearing a KLF record for the first time. The original
869:"What Time Is Love? (Virtual Reality Mix)" and "America No More". "Fuck the Millennium" was a studio track promoted as a live recording and featuring sampled crowd noise, as were the KLF's self-named "
585:
A single, "Fuck the Millennium" was subsequently released, a studio-based recording falsely promoted as an edited version of the Barbican performance. Comparing the single with the live performance,
411:. The first proclaimed "They're Back. The Creators of Trance. The Lords of Ambient. The Kings of Stadium House. The Godfathers of Techno Metal. The Greatest Rave Band In The World. Ever! 2K. For
950:
reported their millennium activities with some warmth. "As a critique of the sponsor-saturated multi-million pound Millennium Dome," the editorial ran, "the 'people's pyramid' is unsurpassed."
642:
650:
A fusion of Drummond and Cauty's past works, with chants of "Fuck the Millennium". Gimpo's screams for "Bill" and "Jimmy" interrupt the opening chords of "Eternal Father, Strong to Save".
577:
said, "There was no press furore the next morning—merely the anticlimactic aftertaste left by 40-year-old men miming to a seven-year-old song ... 2K was unquestionably a failure."
643:
589:
said that "On CD, things become more orthodox, though no less entertaining, comprising an acid brass version of their classic, What Time Is Love? and a young man shouting rude words."
2811:
2234:
915:
and themselves were in keeping with Drummond and Cauty's tradition, this was also in part intended to be a self-parodying dredge of the KLF's "myth". Drummond's opinions of the "
2198:
896:, wherein the fictional JAMs are long-standing enemies of the Illuminati. K2 Plant Hire's "The People's Pyramid" recalled Drummond and Cauty's "Pyramid Blaster" logo (a
250:"Fuck the Millennium" was built around the KLF and Acid Brass' versions of "What Time Is Love?", and premiered at 2K's "1997 (What The Fuck's Going On?)" event at London's
2910:
976:
All formats contained at least one version of 2K's "Fuck the Millennium" and one of Acid Brass' "What Time Is Love?". The formats and track listings are tabulated below:
382:. Deller was described by one source as a prankster, a notion frequently applied to Drummond and Cauty themselves. In February 1997, Drummond was contacted by his former
1903:
2138:
2969:
714:
melody kicks in – and it hasn't dated a day. The chorus is given an extra kick by Acid Brass' massed ranks of horns and trumpets ... It is quite brilliant."
2102:
1555:
337:. Bill Drummond: "Originally we were going to invest the whole lot in some capital growth fund and spend it all on one big event, maybe at the millennium."
430:
the foot" because "the idea walks the tightrope between lunacy and brilliance ... the pop world's countdown to the millennium surely starts here."
687:". Drummond leads a crowd in chanting: "Fuck the millennium! We want it now!". Among the voices singing the three verses of the hymn are keyboardist
421:. It continued, "Jimmy Cauty and Bill Drummond invite you to a 23 minute performance during which the next 840 days of our lives will be discussed."
2470:
774:
on the eve of the millennium. Drummond and Cauty reportedly tried to use K2 Plant Hire's remaining funds to bid for purchase of the ancient
749:
noted the pointed contrast of the "intended virtues" of the People's Pyramid with "the drawbacks of the officially sponsored Millennium Dome".
286:
structure built from recycled bricks at no cost to the taxpayer and which would have no entry fee—in pointed contrast to the UK government's
3767:
2821:
3094:
635:
1365:
on 31 August; reportedly, a 2K spokesman ascribed this to the expectation that the concert would have been deprived of tabloid coverage.
2224:
1649:
851:", and in imagery used to illustrate the KLF's retirement press notice. Prior to entering the music business, Drummond had worked as a
503:
330:
2188:
730:
Cauty and Drummond were (and, as of February 2020, are) directors of K2 Plant Hire Ltd, a company incorporated and registered at
2873:
2843:
2781:
2751:
2688:
2629:
2598:
2358:
2321:
2291:
2158:
1993:
1967:
1941:
1862:
1823:
1801:
1765:
1738:
1609:
1501:
1475:
1400:
3679:
1323:
600:", drawing additionally on musical refrains and concepts from throughout Drummond and Cauty's canon. The track contains three main
3782:
2900:
2567:
3189:
2932:
3496:
278:
in October 1997. As of March 2020, the single remains the only international commercial release of music by the duo since
1913:
1434:
3777:
3772:
2263:
811:, from which The JAMs took their name. Their 1997 work, as 2K and K2 Plant Hire, continued many of these themes. Their
390:, who was helping to organise an arts festival in Liverpool and had noticed that Acid Brass' repertoire included the KLF's "
785:
alleged that despite K2 Plant Hire's bid being the highest, the owners of the monument refused to trade with the duo.
770:. "'Let's Grind' or 'How K2 Plant Hire Went To Work'" is a fictional account of K2 Plant Hire's plan to demolish
676:
345:
3522:
592:
The unedited studio recording of "Fuck the Millennium" is a 14-minute composition, a protest song based around the KLF's
415:
Only." The second stated "'Jeremy Deller presents '1997 What The Fuck's Going On'", a reference to The JAMs' debut album
2959:
2050:
2019:
3435:
1689:
1352:
According to McGuigan, the project ultimately consumed £628m in Lottery funding and nearly £200m in government funding.
1308:
1266:
417:
20:
1715:
352:
government agreed to go ahead with the "Millennium Experience" project, an exhibition to be housed in a purpose-built
3272:
3143:
3127:
3047:
3013:
2735:
2543:
2405:
1153:– Acid Brass performance of "What Time Is Love?", recorded by Richard Scott and conducted by Brian Hurdley. Original
928:
Contemporary press reaction to 2K and their Barbican performance was mixed but mostly negative. Since then, however,
357:
489:
character in a white coat with a megaphone". Drummond and Cauty were then unveiled as pyjama-clad, wheelchair-bound
3596:
3327:
1176:"The National Retired Life Boat Men's Choral Society" (Jimmy Cauty, Nick Coler and Bill Drummond) – hymnal singing
465:– who Drummond had first met in 1976 when he was recruited as the set designer for Campbell's stage production of
3117:
2092:
405:
A comeback of the KLF was implied by two black-and-white full-page adverts placed in the 21 August 1997 issue of
3237:
3757:
616:
3762:
941:
344:
were well underway by 1997 and had already become a hot – and controversial – political topic. Following the
3172:
1591:
815:
attitude was exhibited in their attempt to undermine the pop comeback. They allegedly defaced a wall of the
2464:
848:
3221:
2717:
761:
3463:
3456:
843:
3584:
3383:
3205:
1188:
797:
Advert inviting readers to vote by phone to agree or disagree with the proposal "***k the millennium"
1545:
3612:
3482:
3000:
2869:
1375:
1362:
1200:
807:
548:
band playing working-class music). The dockers were asked along because their cause is important."
291:
3699:
3658:
3633:
3355:
3292:
3241:
3225:
3209:
3176:
1430:
1327:
1312:
1297:
1270:
334:
244:
667:
The track is opened by Gimpo screaming "It's 1997: what the fuck is going on?". There follows a
525:
442:
Two "old reprobates": The KLF came out of retirement for 23 minutes to make an appearance as 2K.
3747:
3737:
3602:
3418:
3397:
3334:
2722:
1232:
Source except where stated: Sleevenotes, Blast First/Mute Records Catalogue Number BFFP 146 CDK
816:
766:
680:
322:
3084:
1112:
P – "Acid Brass / What Time Is Love (Version P – Royal Oak Mix)" (5:28) (remixed by
671:
version of "What Time Is Love? (Pure Trance Original)", with a house rhythm added, along with
3742:
3449:
3442:
3390:
3265:
3066:(8 September 2001). "The guide: Music: Colin Paterson wants more than pop in a performance".
1681:
936:
held up the Barbican show as the model of a pop performance. "At one unfortunately memorable
874:
870:
861:
837:
812:
541:
478:
1639:
753:
noted drily that the idea "would appear to be far-fetched even by own standards" and that "
3556:
793:
447:
395:
251:
8:
3752:
3628:
3573:
3376:
3362:
3300:
2995:
2678:
1972:
1908:
1791:
1154:
916:
754:
597:
566:
407:
391:
383:
379:
236:
726:
Construction machinery and robed figures at the base of the envisaged "People's Pyramid"
1743:
308:
2559:
722:
514:(Acid Brass' and 2K's record label) suggested that "Two elderly gentlemen, reeking of
446:"1997 (What The Fuck's Going On?)" was performed by 2K as a one-off event at London's
3643:
3508:
3348:
3193:
3123:
3043:
3009:
2731:
2727:
2539:
2401:
1685:
1529:
1480:
1282:
901:
701:
684:
573:
499:
356:, at an estimated cost of £580 million, £450 million of which would be funded by the
349:
3704:
3638:
3258:
3151:
2816:
1426:
1293:
1210:
775:
672:
455:
275:
61:
2560:"K2 Plant Hire Limited – Overview (free company information from Companies House)"
494:
Time Is Love?"; a male choir's rendition of "K Cera Cera", joined by opera singer
3549:
3089:
3005:
2905:
2679:"KLF's Jimmy Cauty: 'We don't make records, we make pyramids out of dead people'"
2271:
2097:
2077:
946:
852:
835:
Seafaring was a recurring element of Drummond and Cauty's output, in lyrics from
779:
731:
458:
film of a brick made from the ashes of the K Foundation's million-pound bonfire.
425:
353:
287:
135:
3709:
3515:
3369:
3063:
2960:"The return of the KLF: pop's greatest provocateurs take on a post-truth world"
2354:
1899:
929:
897:
802:
561:
495:
341:
317:
240:
45:
3731:
3714:
3694:
3663:
3578:
3306:
3039:
3029:
2756:
2713:
2535:
2525:
2397:
2387:
2220:
2062:
2031:
1160:
1140:
1129:
937:
760:
K2 Plant Hire also contributed a short story, written by Drummond, to editor
711:
545:
486:
364:
259:
220:
208:
152:
141:
127:
2655:
Varley, Nick (5 November 1997). "The People's Pyramid challenges the dome".
1374:
The Pyramid was never built, but Cauty, Drummond and K2 Plant Hire Ltd
1128:"Fuck the Millennium" and "What Time Is Love?" were written and produced by
279:
254:
on 17 September 1997. The performance featured, amongst others, Acid Brass,
3684:
3590:
3068:
2964:
2786:
2657:
2603:
2504:
2456:
2363:
2326:
2296:
2267:
2229:
2058:
2027:
1998:
1946:
1867:
1770:
1705:
1644:
1614:
1550:
1227:, and the KLF's 1988 "Pure Trance Original" version of "What Time Is Love?"
1166:
933:
782:
745:
550:
535:
507:
474:
462:
326:
263:
255:
204:
108:
99:
3404:
3311:
2991:
2500:
2452:
2193:
1214:
1150:
1133:
828:
593:
529:
Liverpool dockers join Bill Drummond, Jimmy Cauty and Acid Brass on stage
511:
470:
387:
372:
333:
of it, money which was originally provisionally earmarked by the duo for
312:
212:
169:
156:
145:
123:
104:
71:
1361:
Originally scheduled for 2 September, but postponed due to the death of
239:". They were also inspired topically by the then-forthcoming end of the
3689:
3653:
3542:
3489:
1858:
1828:
1179:
1170:
1144:
885:
856:
771:
706:
688:
668:
659:
608:
605:
519:
482:
376:
368:
266:. 2K's lifespan was billed as the duration of the Barbican performance—
232:
228:
224:
117:
76:
880:
2K's lifespan was billed as the duration of the Barbican performance,
3341:
3033:
2529:
2423:
2391:
2163:
2143:
1113:
955:
881:
556:
490:
412:
267:
560:
commented that "the strongest point in its favour was its brevity".
2683:
1796:
1710:
1588:"Discography: The KLF (including The JAMS, The Timelords, 2K etc.)"
1119:
O – "Acid Brass / What Time Is Love (Original Version)" (4:39)
953:
Recounting the exploits of 2K, and the press reaction, in his book
820:
2812:"The Ice Kream Van Kometh: The Justified Ancients Of Mu Mu Return"
873:" of singles. The use of an English hymn is central to The JAMs' "
438:
3648:
3281:
2716:(1997) . "'Let's Grind' or 'How K2 Plant Hire Went To Work'". In
1587:
859:
also feature in several KLF Communications recordings: the album
216:
1255:
866:
515:
399:
304:
215:—better known as the Justified Ancients of Mu Mu (the JAMs) or
2225:"Bill Drummond: the five lessons I learned from Ken Campbell"
2189:"Embrace The Contradictions: The Strange World Of... The KLF"
739:
601:
1109:
K – "Acid Brass / What Time Is Love (Version K)" (4:33)
900:
suspended in front of a pyramid), itself a reference to the
554:
called the performance "a glorious, jaw-dropping mess", and
1103:
c – "***K the Millennium" (censored radio edit) (4:18)
824:
612:
37:
3250:
506:
chanting "Fuck the Millennium". A press release issued by
2937:
2878:
2848:
2634:
1506:
1457:
1405:
1204:
959:(published in the millennium year, 2000), Drummond said:
469:– and introduced by the music industry figure and pundit
450:
on 17 September 1997. The show began with a screening of
2884:
Archived (via the Library of Mu) on 16 September 2016.
2854:
Archived (via the Library of Mu) on 16 September 2016.
2762:
Archived (via the Library of Mu) on 16 September 2016.
2640:
Archived (via the Library of Mu) on 16 September 2016.
2609:
Archived (via the Library of Mu) on 16 September 2016.
2490:
2488:
2486:
2484:
2482:
2480:
2369:
Archived (via the Library of Mu) on 16 September 2016.
2332:
Archived (via the Library of Mu) on 16 September 2016.
2302:
Archived (via the Library of Mu) on 16 September 2016.
2169:
Archived (via the Library of Mu) on 16 September 2016.
2004:
Archived (via the Library of Mu) on 16 September 2016.
1952:
Archived (via the Library of Mu) on 16 September 2016.
1873:
Archived (via the Library of Mu) on 16 September 2016.
1834:
Archived (via the Library of Mu) on 16 September 2016.
1776:
Archived (via the Library of Mu) on 16 September 2016.
1749:
Archived (via the Library of Mu) on 16 September 2016.
1620:
Archived (via the Library of Mu) on 16 September 2016.
1512:
Archived (via the Library of Mu) on 16 September 2016.
1486:
Archived (via the Library of Mu) on 16 September 2016.
481:
appeared on stage as, respectively, "an axe-wielding "
375:
to interpret and perform classic acid house tracks as
2390:(2000). "Now That's What I Call Disillusionment, 2".
1049:
CD single (Japan) (inc. 4 stickers, 12-page booklet)
340:
The UK's preparations for celebrating the end of the
3122:(17 ed.). Guinness World Records. p. 569.
1411:
Archived (via the Library of Mu) on 11 October 2016.
2943:
Archived (via the Library of Mu) on 5 October 2007.
2792:
Archived (via the Library of Mu) on 4 October 2016.
2477:
1978:
Archived (via the Library of Mu) on 5 October 2007.
580:
2382:
2380:
2359:"They set fire to £1m and they're still not happy"
1671:
1669:
1667:
1100:m – "***K the Millennium" (radio edit) (4:18)
3119:Guinness Book of British Hit Singles & Albums
2805:
2803:
2182:
2180:
3729:
2672:
2670:
2668:
2213:
1792:"The KLF: Pop's saboteurs return after 23 years"
1469:
1467:
485:" in a vicar's collar and gold lame suit, and a
3173:"Official Scottish Singles Sales Chart Top 100"
2377:
1664:
1123:
540:was organised by Jeremy Deller as a comment on
360:. Construction of the Dome began in June 1997.
329:, disposed of the KLF's earnings, including by
2957:
2951:
2800:
2177:
3266:
2946:Knowledge:WikiProject The KLF/LibraryOfMu/438
2887:Knowledge:WikiProject The KLF/LibraryOfMu/297
2857:Knowledge:WikiProject The KLF/LibraryOfMu/465
2795:Knowledge:WikiProject The KLF/LibraryOfMu/479
2765:Knowledge:WikiProject The KLF/LibraryOfMu/462
2665:
2643:Knowledge:WikiProject The KLF/LibraryOfMu/457
2624:
2622:
2620:
2612:Knowledge:WikiProject The KLF/LibraryOfMu/499
2593:
2591:
2589:
2587:
2585:
2372:Knowledge:WikiProject The KLF/LibraryOfMu/452
2335:Knowledge:WikiProject The KLF/LibraryOfMu/384
2305:Knowledge:WikiProject The KLF/LibraryOfMu/442
2172:Knowledge:WikiProject The KLF/LibraryOfMu/456
2081:, 30 August 1997, Pop & Jazz section p25.
2007:Knowledge:WikiProject The KLF/LibraryOfMu/439
1981:Knowledge:WikiProject The KLF/LibraryOfMu/436
1955:Knowledge:WikiProject The KLF/LibraryOfMu/437
1904:"Yes, this is the cutting edge of rave music"
1876:Knowledge:WikiProject The KLF/LibraryOfMu/445
1837:Knowledge:WikiProject The KLF/LibraryOfMu/271
1784:
1779:Knowledge:WikiProject The KLF/LibraryOfMu/202
1752:Knowledge:WikiProject The KLF/LibraryOfMu/496
1623:Knowledge:WikiProject The KLF/LibraryOfMu/387
1515:Knowledge:WikiProject The KLF/LibraryOfMu/356
1489:Knowledge:WikiProject The KLF/LibraryOfMu/444
1464:
1414:Knowledge:WikiProject The KLF/LibraryOfMu/309
968:
940:gig ..." the paper said, "the extent of
3182:
3166:
2708:
2706:
1986:
1939:
1894:
1892:
1890:
1888:
1886:
1884:
1581:
1579:
1577:
1575:
1573:
819:the day after the Barbican performance: the
679:", "Don't Take Five (Take What You Want)", "
3238:"Official Independent Singles Chart Top 50"
3231:
3215:
2898:
2862:
2469:: CS1 maint: numeric names: authors list (
2285:
2283:
2281:
801:Drummond and Cauty's works are both highly
3273:
3259:
2990:
2782:"1987 (What the Fuck Is Going On?) review"
2617:
2582:
1474:Perry, Andrew; Upton, Sam (October 1997).
1473:
325:"). Drummond and Cauty's art project, the
36:
2958:Ellis-Petersen, Hannah (23 August 2017).
2775:
2773:
2703:
2442:
2440:
2438:
2436:
2434:
2349:
2347:
2345:
2343:
1898:
1881:
1824:"Big in Japan – Where are they now?"
1730:
1640:"The Millennium Dome: a troubled history"
1607:
1570:
3062:
3028:
2712:
2524:
2520:
2518:
2516:
2514:
2386:
2315:
2313:
2278:
2219:
2136:
2132:
2130:
2128:
2126:
2124:
2122:
2120:
1935:
1933:
1931:
1853:
1851:
1849:
1847:
1845:
1675:
1585:
1427:"KLF | full Official Chart History"
981:
792:
721:
524:
437:
3291:Aka: The Justified Ancients of Mu Mu •
3115:
2319:
2258:
2256:
2254:
2252:
1633:
1631:
3730:
3199:
2972:from the original on 21 September 2017
2844:"Pre-millennium tension hits new high"
2809:
2779:
2770:
2676:
2654:
2431:
2353:
2340:
2289:
2186:
2090:
2045:
2043:
2041:
1763:
1757:
1739:"Media Pranksters KLF Re-emerge As 2K"
1718:from the original on 18 September 2005
1637:
1603:
1601:
1594:from the original on 29 February 2020.
1586:Longmire, Ernie; et al. (2020) .
1543:
1106:M – "***K the Millennium" (13:57)
19:For the song by the band Scooter, see
3680:List of The KLF's creative associates
3254:
3222:"Official Dance Singles Chart Top 40"
3097:from the original on 30 November 2020
2913:from the original on 15 December 2013
2868:
2691:from the original on 26 February 2020
2570:from the original on 25 February 2020
2511:
2310:
2201:from the original on 26 November 2021
2147:. p. 20 – via archive.org.
2137:Sinclair, David (22 September 1997).
2117:
2091:Barber, Nicholas (7 September 1997).
1928:
1857:
1842:
1804:from the original on 25 February 2020
1736:
1706:"The Dome – from conception to birth"
1652:from the original on 20 December 2019
1558:from the original on 26 November 2021
1219:Various samples from the JAMs albums
461:The live performance was directed by
315:"), and a charitable contribution to
219:. The song was inspired musically by
3082:
2899:O'Neill, Declan (21 November 2005).
2249:
1912:. London. p. 26. Archived from
1628:
1455:KLF Communications advertisement in
1437:from the original on 17 October 2020
611:, a choral rendition of the English
346:1997 United Kingdom general election
3768:Song recordings produced by the KLF
2038:
1737:Flint, Charlie (2 September 1997).
1598:
1376:resurrected and revised the concept
498:; the Viking Society in costume as
235:classics; these include the KLF's "
13:
3607:
2901:"Bill Drummond: Agent provocateur"
2446:
2290:Daoust, Phil (20 September 1997).
2237:from the original on 23 March 2020
2159:"K Foundation Burn a Million Quid"
1764:Stubbs, David (16 February 1991).
1544:Collin, Matthew (25 August 2003).
923:
624:
604:parts: a house section led by the
518:, caused havoc in their motorised
21:Fuck the Millennium (Scooter song)
14:
3794:
3436:1987 (What the Fuck Is Going On?)
2752:"All bound for *millennium* land"
2266:(press release & biography).
2105:from the original on 1 March 2020
1940:O'Reilly, John (29 August 1997).
1221:1987 (What the Fuck Is Going On?)
1169:– "Reverend Bitumen Hoarfrost"'s
473:. Drummond's creative associates
418:1987 (What the Fuck Is Going On?)
3597:K Foundation Burn a Million Quid
3206:"Official Singles Chart Top 100"
2677:Youngs, Ian (26 November 2018).
717:
675:from The JAMs' 1987 recordings "
658:Problems playing this file? See
640:
581:Composition and studio recording
371:concept, collaborating with the
3136:
3109:
3076:
3056:
3022:
2984:
2925:
2892:
2836:
2744:
2648:
2552:
2414:
2187:Graham, Ben (1 February 2017).
2151:
2084:
2069:
2012:
1994:"Justified and (Very) Ancient?"
1960:
1816:
1698:
1638:Dennis, Jon (9 November 2000).
1608:Reid, Jim (25 September 1994).
1368:
1355:
1346:
1029:CD single (France), 12" single
533:In a comprehensive assessment,
227:" project, where a traditional
3783:Songs written by Bill Drummond
3497:The "What Time Is Love?" Story
2810:Pilley, Max (24 August 2017).
2607:(News item). 15 November 1997.
1676:McGuigan, Jim (1 March 2004).
1537:
1520:
1494:
1449:
1419:
1401:"Timelords gentlemen, please!"
1393:
1185:Donald Johnson – live drumming
1151:The Williams Fairey Brass Band
617:Eternal Father, Strong to Save
502:; and the politically topical
433:
1:
3523:The White Room Director's Cut
2638:(News item). 8 November 1997.
2320:Sharkey, Alix (21 May 1994).
1386:
363:Also in 1997, British artist
3778:Songs written by Jimmy Cauty
3773:Turn of the third millennium
3116:Roberts, David, ed. (2004).
2874:"Welcome To The Sheep Seats"
2093:"Stadium, palladium, tedium"
1124:Personnel (studio recording)
805:and rife with references to
7:
3503:Samplecity thru Trancentral
3280:
3083:Boyd, Brian (29 May 1999).
911:Although the references to
849:America: What Time Is Love?
10:
3799:
3710:Tony Thorpe/The Moody Boys
2564:beta.companieshouse.gov.uk
2322:"Trash Art & Kreation"
2167:(review). 3 November 1997.
2139:"Stop the millennium dumb"
1678:Rethinking Cultural Policy
1502:"Yasser, they can boogie!"
1071:
1048:
1028:
1009:
969:Formats and track listings
373:Williams Fairey Brass Band
331:burning one million pounds
297:
18:
3672:
3621:
3566:
3534:
3474:
3427:
3384:Last Train to Trancentral
3320:
3288:
3190:2K – ***k the Millennium"
1546:"Obituary: Miomir Grujić"
1236:
984:
788:
280:The KLF's 1992 retirement
163:
151:
133:
115:
98:
82:
70:
60:
52:
44:
35:
30:
3613:Welcome to the Dark Ages
3483:1987 (The JAMs 45 Edits)
3093:. Home News section p2.
3001:The Illuminatus! Trilogy
2051:"Jeremy Dellar Presents"
1363:Diana, Princess of Wales
1339:
1182:– Arranger and conductor
890:The Illuminatus! Trilogy
808:The Illuminatus! Trilogy
694:Neil McCormick wrote in
467:The Illuminatus! Trilogy
292:Welcome to the Dark Ages
3659:Solid Gold Chartbusters
3634:Lori and the Chameleons
3398:Justified & Ancient
3242:Official Charts Company
3226:Official Charts Company
3210:Official Charts Company
3177:Official Charts Company
2528:(2000). "Wheelchairs".
1863:"The Return of The KLF"
1766:"Pranks for the Memory"
1431:Official Charts Company
982:Format (and countries)
757:might pose a problem."
335:millennium celebrations
159: singles chronology
3603:K Foundation art award
3335:Whitney Joins the JAMs
1942:"The horny old devils"
1163:– spoken contributions
1072:CD single (elsewhere)
966:
884:. The number is given
798:
727:
681:Whitney Joins The JAMs
629:
530:
443:
262:, and was directed by
199:", sometimes spelled "
3758:1997 in British music
2292:"Blast from the past"
1682:Open University Press
961:
871:Stadium House Trilogy
796:
725:
636:"Fuck the Millennium"
628:
528:
441:
31:"***k the Millennium"
3763:Mute Records singles
3443:Who Killed The JAMs?
3356:Doctorin' the Tardis
3328:All You Need Is Love
3085:"Millennium Matters"
3032:(2000). "Thrashed".
2996:Wilson, Robert Anton
2872:(29 February 1992).
2852:. 27 September 1997.
2780:Cranna, Ian (1987).
2327:The Guardian Weekend
2223:(18 November 2014).
1968:"2K at the Barbican"
1225:Who Killed The JAMs?
838:Who Killed The JAMs?
677:All You Need Is Love
564:, a journalist from
448:Barbican Arts Centre
396:Queen Elizabeth Hall
252:Barbican Arts Centre
3557:Who Killed the KLF?
3412:Fuck the Millennium
3377:Kylie Said to Jason
3301:One World Orchestra
2824:on 26 February 2020
2497:***K the Millennium
2465:cite AV media notes
2449:Fuck the Millennium
2357:(26 October 1997).
1916:on 26 February 2016
1909:The Daily Telegraph
1902:(11 October 1998).
1714:. 6 February 2000.
1510:. 13 November 1993.
755:planning permission
696:The Daily Telegraph
567:The Daily Telegraph
201:***k the Millennium
197:Fuck the Millennium
179:***k the Millennium
3391:It's Grim Up North
3363:What Time Is Love?
2630:"2K: Brickin' it!"
2599:"People's Pyramid"
2427:. 11 October 1997.
1800:. 23 August 2017.
1476:"Millennial Mu Mu"
1189:Mark "Spike" Stent
875:It's Grim up North
799:
728:
630:
598:What Time Is Love?
531:
444:
392:What Time Is Love?
237:What Time Is Love?
3723:
3722:
3509:Solid State Logik
3349:Burn the Bastards
3299:• K Foundation •
3152:Music & Media
2941:. 30 August 1997.
2274:on 27 March 2006.
2065:on 27 March 2006.
2034:on 27 March 2006.
2002:. 20 August 1997.
1976:. 27 August 1997.
1527:"Help LP diary".
1337:
1336:
1283:Sverigetopplistan
1233:
1201:Kick Out the Jams
1092:
1091:
685:Burn the Bastards
645:
504:Liverpool Dockers
342:second millennium
243:and the plans to
241:second millennium
193:
192:
189:
188:
66:Parr Street, Konk
16:1997 single by 2K
3790:
3275:
3268:
3261:
3252:
3251:
3245:
3235:
3229:
3219:
3213:
3203:
3197:
3186:
3180:
3170:
3164:
3163:
3161:
3159:
3148:
3144:"Top 10 Hungary"
3140:
3134:
3133:
3113:
3107:
3106:
3104:
3102:
3080:
3074:
3073:
3060:
3054:
3053:
3026:
3020:
3019:
2988:
2982:
2981:
2979:
2977:
2955:
2949:
2948:
2942:
2929:
2923:
2922:
2920:
2918:
2896:
2890:
2889:
2883:
2866:
2860:
2859:
2853:
2840:
2834:
2833:
2831:
2829:
2820:. Archived from
2817:Drowned in Sound
2807:
2798:
2797:
2791:
2777:
2768:
2767:
2761:
2760:. February 1998.
2748:
2742:
2741:
2710:
2701:
2700:
2698:
2696:
2674:
2663:
2662:
2652:
2646:
2645:
2639:
2626:
2615:
2614:
2608:
2595:
2580:
2579:
2577:
2575:
2556:
2550:
2549:
2522:
2509:
2508:
2492:
2475:
2474:
2468:
2460:
2451:(Sleeve notes).
2444:
2429:
2428:
2418:
2412:
2411:
2384:
2375:
2374:
2368:
2351:
2338:
2337:
2331:
2317:
2308:
2307:
2301:
2287:
2276:
2275:
2270:. Archived from
2260:
2247:
2246:
2244:
2242:
2217:
2211:
2210:
2208:
2206:
2184:
2175:
2174:
2168:
2155:
2149:
2148:
2134:
2115:
2114:
2112:
2110:
2088:
2082:
2073:
2067:
2066:
2061:. Archived from
2047:
2036:
2035:
2030:. Archived from
2016:
2010:
2009:
2003:
1990:
1984:
1983:
1977:
1964:
1958:
1957:
1951:
1937:
1926:
1925:
1923:
1921:
1896:
1879:
1878:
1872:
1861:(October 1997).
1855:
1840:
1839:
1833:
1820:
1814:
1813:
1811:
1809:
1788:
1782:
1781:
1775:
1761:
1755:
1754:
1748:
1734:
1728:
1727:
1725:
1723:
1702:
1696:
1695:
1673:
1662:
1661:
1659:
1657:
1635:
1626:
1625:
1619:
1605:
1596:
1595:
1583:
1568:
1567:
1565:
1563:
1541:
1535:
1534:
1524:
1518:
1517:
1511:
1498:
1492:
1491:
1485:
1471:
1462:
1453:
1447:
1446:
1444:
1442:
1423:
1417:
1416:
1410:
1397:
1380:
1372:
1366:
1359:
1353:
1350:
1241:
1240:
1231:
1211:Theme from Shaft
1157:by Rodney Newton
1010:Cassette single
979:
978:
888:significance in
817:National Theatre
803:self-referential
780:Psychogeographer
776:Rollright Stones
762:Sarah Champion's
647:
646:
627:
358:National Lottery
348:in May, the new
276:UK Singles Chart
165:
164:
138:
120:
94:
93:
89:
40:
28:
27:
3798:
3797:
3793:
3792:
3791:
3789:
3788:
3787:
3728:
3727:
3724:
3719:
3668:
3617:
3562:
3550:2023: A Trilogy
3530:
3470:
3423:
3419:The Magnificent
3316:
3284:
3279:
3249:
3248:
3236:
3232:
3220:
3216:
3204:
3200:
3194:Singles Top 100
3187:
3183:
3171:
3167:
3157:
3155:
3146:
3142:
3141:
3137:
3130:
3114:
3110:
3100:
3098:
3090:The Irish Times
3081:
3077:
3064:Paterson, Colin
3061:
3057:
3050:
3027:
3023:
3016:
3006:Dell Publishing
2989:
2985:
2975:
2973:
2956:
2952:
2944:
2933:"Special K gig"
2931:
2930:
2926:
2916:
2914:
2906:The Independent
2897:
2893:
2885:
2867:
2863:
2855:
2842:
2841:
2837:
2827:
2825:
2808:
2801:
2793:
2778:
2771:
2763:
2750:
2749:
2745:
2738:
2718:Champion, Sarah
2711:
2704:
2694:
2692:
2675:
2666:
2653:
2649:
2641:
2628:
2627:
2618:
2610:
2597:
2596:
2583:
2573:
2571:
2558:
2557:
2553:
2546:
2523:
2512:
2507:. BFFP 146 CDK.
2494:
2493:
2478:
2462:
2461:
2459:. BFFP 146 CDK.
2445:
2432:
2421:"Singled out".
2420:
2419:
2415:
2408:
2385:
2378:
2370:
2355:Sawyer, Miranda
2352:
2341:
2333:
2318:
2311:
2303:
2288:
2279:
2262:
2261:
2250:
2240:
2238:
2218:
2214:
2204:
2202:
2185:
2178:
2170:
2157:
2156:
2152:
2135:
2118:
2108:
2106:
2098:The Independent
2089:
2085:
2078:The Independent
2074:
2070:
2055:mutelibtech.com
2049:
2048:
2039:
2024:mutelibtech.com
2018:
2017:
2013:
2005:
1992:
1991:
1987:
1979:
1966:
1965:
1961:
1953:
1938:
1929:
1919:
1917:
1900:McCormick, Neil
1897:
1882:
1874:
1856:
1843:
1835:
1832:. January 1992.
1822:
1821:
1817:
1807:
1805:
1790:
1789:
1785:
1777:
1762:
1758:
1750:
1735:
1731:
1721:
1719:
1704:
1703:
1699:
1692:
1674:
1665:
1655:
1653:
1636:
1629:
1621:
1610:"Money to burn"
1606:
1599:
1584:
1571:
1561:
1559:
1542:
1538:
1533:. January 1996.
1526:
1525:
1521:
1513:
1500:
1499:
1495:
1487:
1472:
1465:
1454:
1450:
1440:
1438:
1425:
1424:
1420:
1412:
1399:
1398:
1394:
1389:
1384:
1383:
1373:
1369:
1360:
1356:
1351:
1347:
1342:
1248:
1239:
1126:
971:
947:The Irish Times
926:
924:After the event
791:
732:Companies House
720:
665:
664:
656:
654:
653:
652:
651:
648:
641:
638:
631:
625:
583:
436:
426:The Independent
354:Millennium Dome
323:The Magnificent
300:
288:Millennium Dome
207:by the band 2K—
182:
173:
134:
116:
91:
87:
86:
56:13 October 1997
24:
17:
12:
11:
5:
3796:
3786:
3785:
3780:
3775:
3770:
3765:
3760:
3755:
3750:
3745:
3740:
3721:
3720:
3718:
3717:
3712:
3707:
3702:
3697:
3692:
3687:
3682:
3676:
3674:
3673:Related people
3670:
3669:
3667:
3666:
3661:
3656:
3651:
3646:
3641:
3636:
3631:
3625:
3623:
3619:
3618:
3616:
3615:
3610:
3605:
3600:
3593:
3588:
3581:
3576:
3570:
3568:
3564:
3563:
3561:
3560:
3553:
3546:
3538:
3536:
3532:
3531:
3529:
3528:
3527:
3526:
3519:
3516:Come Down Dawn
3512:
3500:
3493:
3486:
3478:
3476:
3472:
3471:
3469:
3468:
3464:The Black Room
3460:
3457:The White Room
3453:
3446:
3439:
3431:
3429:
3425:
3424:
3422:
3415:
3408:
3401:
3394:
3387:
3380:
3373:
3370:3 a.m. Eternal
3366:
3359:
3352:
3345:
3338:
3331:
3324:
3322:
3318:
3317:
3315:
3314:
3309:
3289:
3286:
3285:
3278:
3277:
3270:
3263:
3255:
3247:
3246:
3230:
3214:
3198:
3181:
3165:
3135:
3128:
3108:
3075:
3055:
3048:
3030:Drummond, Bill
3021:
3014:
2983:
2950:
2924:
2891:
2861:
2835:
2799:
2769:
2743:
2736:
2714:Drummond, Bill
2702:
2664:
2647:
2616:
2581:
2551:
2544:
2526:Drummond, Bill
2510:
2476:
2430:
2413:
2406:
2388:Drummond, Bill
2376:
2339:
2309:
2277:
2248:
2221:Drummond, Bill
2212:
2176:
2150:
2116:
2101:. p. 12.
2083:
2068:
2037:
2020:"They're Back"
2011:
1985:
1959:
1927:
1880:
1841:
1815:
1783:
1756:
1729:
1697:
1691:978-0335207015
1690:
1684:. p. 79.
1663:
1627:
1597:
1569:
1536:
1519:
1493:
1463:
1461:, 16 May 1992.
1448:
1418:
1409:. 16 May 1992.
1391:
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1120:
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1003:
1000:
997:
994:
991:
987:
986:
983:
970:
967:
930:Colin Paterson
925:
922:
902:all-seeing eye
898:ghetto blaster
844:The White Room
827:costumes. The
790:
787:
719:
716:
655:
649:
639:
634:
633:
632:
623:
622:
621:
582:
579:
562:Neil McCormick
496:Sally Bradshaw
435:
432:
318:The Help Album
299:
296:
191:
190:
187:
186:
184:
175:
161:
160:
149:
148:
139:
131:
130:
121:
113:
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102:
96:
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84:
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68:
67:
64:
58:
57:
54:
50:
49:
42:
41:
33:
32:
15:
9:
6:
4:
3:
2:
3795:
3784:
3781:
3779:
3776:
3774:
3771:
3769:
3766:
3764:
3761:
3759:
3756:
3754:
3751:
3749:
3748:Protest songs
3746:
3744:
3741:
3739:
3738:The KLF songs
3736:
3735:
3733:
3726:
3716:
3715:Tammy Wynette
3713:
3711:
3708:
3706:
3703:
3701:
3698:
3696:
3693:
3691:
3688:
3686:
3683:
3681:
3678:
3677:
3675:
3671:
3665:
3664:Transit Kings
3662:
3660:
3657:
3655:
3652:
3650:
3647:
3645:
3642:
3640:
3637:
3635:
3632:
3630:
3627:
3626:
3624:
3622:Related bands
3620:
3614:
3611:
3609:
3608:K2 Plant Hire
3606:
3604:
3601:
3599:
3598:
3594:
3592:
3589:
3587:
3586:
3582:
3580:
3577:
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3518:
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3513:
3511:
3510:
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3501:
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3480:
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3473:
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3465:
3461:
3459:
3458:
3454:
3452:
3451:
3447:
3445:
3444:
3440:
3438:
3437:
3433:
3432:
3430:
3428:Studio albums
3426:
3420:
3416:
3413:
3409:
3406:
3402:
3399:
3395:
3392:
3388:
3385:
3381:
3378:
3374:
3371:
3367:
3364:
3360:
3357:
3353:
3350:
3346:
3343:
3339:
3336:
3332:
3329:
3325:
3323:
3319:
3313:
3310:
3308:
3307:Bill Drummond
3305:
3304:
3303:
3302:
3298:
3294:
3293:The Timelords
3287:
3283:
3276:
3271:
3269:
3264:
3262:
3257:
3256:
3253:
3243:
3239:
3234:
3227:
3223:
3218:
3211:
3207:
3202:
3195:
3191:
3185:
3178:
3174:
3169:
3154:
3153:
3145:
3139:
3131:
3129:0-85112-199-3
3125:
3121:
3120:
3112:
3096:
3092:
3091:
3086:
3079:
3071:
3070:
3065:
3059:
3051:
3049:0-316-85385-2
3045:
3041:
3040:Little, Brown
3037:
3036:
3031:
3025:
3017:
3015:1-56731-237-3
3011:
3007:
3003:
3002:
2997:
2993:
2987:
2971:
2967:
2966:
2961:
2954:
2947:
2940:
2939:
2934:
2928:
2912:
2908:
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2902:
2895:
2888:
2881:
2880:
2875:
2871:
2865:
2858:
2851:
2850:
2845:
2839:
2823:
2819:
2818:
2813:
2806:
2804:
2796:
2789:
2788:
2783:
2776:
2774:
2766:
2759:
2758:
2757:Fortean Times
2753:
2747:
2739:
2737:0-340-70771-2
2733:
2729:
2725:
2724:
2719:
2715:
2709:
2707:
2690:
2686:
2685:
2680:
2673:
2671:
2669:
2661:. p. 10.
2660:
2659:
2651:
2644:
2637:
2636:
2631:
2625:
2623:
2621:
2613:
2606:
2605:
2600:
2594:
2592:
2590:
2588:
2586:
2569:
2565:
2561:
2555:
2547:
2545:0-316-85385-2
2541:
2537:
2536:Little, Brown
2533:
2532:
2527:
2521:
2519:
2517:
2515:
2506:
2502:
2498:
2491:
2489:
2487:
2485:
2483:
2481:
2472:
2466:
2458:
2454:
2450:
2443:
2441:
2439:
2437:
2435:
2426:
2425:
2417:
2409:
2407:0-316-85385-2
2403:
2399:
2398:Little, Brown
2395:
2394:
2389:
2383:
2381:
2373:
2366:
2365:
2360:
2356:
2350:
2348:
2346:
2344:
2336:
2329:
2328:
2323:
2316:
2314:
2306:
2299:
2298:
2293:
2286:
2284:
2282:
2273:
2269:
2265:
2259:
2257:
2255:
2253:
2236:
2232:
2231:
2226:
2222:
2216:
2200:
2196:
2195:
2190:
2183:
2181:
2173:
2166:
2165:
2160:
2154:
2146:
2145:
2140:
2133:
2131:
2129:
2127:
2125:
2123:
2121:
2104:
2100:
2099:
2094:
2087:
2080:
2079:
2072:
2064:
2060:
2056:
2052:
2046:
2044:
2042:
2033:
2029:
2025:
2021:
2015:
2008:
2001:
2000:
1995:
1989:
1982:
1975:
1974:
1969:
1963:
1956:
1949:
1948:
1943:
1936:
1934:
1932:
1915:
1911:
1910:
1905:
1901:
1895:
1893:
1891:
1889:
1887:
1885:
1877:
1870:
1869:
1864:
1860:
1854:
1852:
1850:
1848:
1846:
1838:
1831:
1830:
1825:
1819:
1803:
1799:
1798:
1793:
1787:
1780:
1773:
1772:
1767:
1760:
1753:
1746:
1745:
1740:
1733:
1717:
1713:
1712:
1707:
1701:
1693:
1687:
1683:
1679:
1672:
1670:
1668:
1651:
1647:
1646:
1641:
1634:
1632:
1624:
1617:
1616:
1611:
1604:
1602:
1593:
1589:
1582:
1580:
1578:
1576:
1574:
1557:
1553:
1552:
1547:
1540:
1532:
1531:
1523:
1516:
1509:
1508:
1503:
1497:
1490:
1483:
1482:
1477:
1470:
1468:
1460:
1459:
1452:
1436:
1432:
1428:
1422:
1415:
1408:
1407:
1402:
1396:
1392:
1377:
1371:
1364:
1358:
1349:
1345:
1332:
1329:
1325:
1322:
1321:
1317:
1314:
1310:
1307:
1306:
1302:
1299:
1295:
1292:
1291:
1287:
1284:
1280:
1279:
1275:
1272:
1268:
1265:
1264:
1260:
1257:
1253:
1252:
1246:
1244:Chart (1997)
1243:
1242:
1234:
1226:
1222:
1218:
1216:
1212:
1208:
1206:
1202:
1198:
1197:
1196:
1190:
1187:
1184:
1181:
1178:
1175:
1172:
1168:
1165:
1162:
1159:
1156:
1152:
1149:
1146:
1142:
1141:Jeremy Deller
1139:
1138:
1137:
1135:
1131:
1130:Bill Drummond
1118:
1115:
1111:
1108:
1105:
1102:
1099:
1098:
1097:
1096:
1088:
1086:
1083:
1080:
1077:
1074:
1070:
1066:
1063:
1060:
1057:
1054:
1051:
1047:
1044:
1042:
1040:
1037:
1034:
1031:
1027:
1024:
1022:
1020:
1018:
1015:
1012:
1008:
1004:
1001:
998:
995:
992:
989:
988:
985:Track number
980:
977:
974:
965:
960:
958:
957:
951:
949:
948:
943:
942:Richard Jones
939:
938:Stereophonics
935:
931:
921:
918:
917:rock 'n' roll
914:
909:
907:
904:icon used in
903:
899:
895:
891:
887:
886:numerological
883:
878:
876:
872:
868:
864:
863:
858:
855:. Samples of
854:
850:
846:
845:
840:
839:
833:
830:
826:
822:
818:
814:
810:
809:
804:
795:
786:
784:
781:
777:
773:
769:
768:
763:
758:
756:
752:
748:
747:
741:
735:
733:
724:
718:K2 Plant Hire
715:
713:
712:ambient house
708:
704:
703:
697:
692:
690:
686:
682:
678:
674:
670:
663:
661:
637:
620:
618:
614:
610:
607:
603:
599:
595:
590:
588:
578:
576:
575:
569:
568:
563:
559:
558:
553:
552:
547:
546:working-class
543:
542:class culture
538:
537:
527:
523:
521:
517:
513:
509:
505:
501:
497:
492:
488:
484:
480:
476:
472:
468:
464:
459:
457:
453:
449:
440:
431:
428:
427:
422:
420:
419:
414:
410:
409:
403:
401:
397:
393:
389:
385:
381:
378:
374:
370:
367:launched his
366:
365:Jeremy Deller
361:
359:
355:
351:
347:
343:
338:
336:
332:
328:
324:
320:
319:
314:
310:
306:
295:
293:
289:
283:
281:
277:
271:
269:
265:
261:
257:
253:
248:
246:
242:
238:
234:
230:
226:
222:
221:Jeremy Deller
218:
214:
210:
209:Bill Drummond
206:
202:
198:
185:
180:
176:
171:
167:
166:
162:
158:
154:
150:
147:
143:
142:Bill Drummond
140:
137:
132:
129:
128:Bill Drummond
125:
122:
119:
118:Songwriter(s)
114:
110:
106:
103:
101:
97:
85:
81:
78:
75:
73:
69:
65:
63:
59:
55:
51:
47:
43:
39:
34:
29:
26:
22:
3743:1997 singles
3725:
3705:Ricardo Lyte
3700:Glenn Hughes
3629:Big in Japan
3595:
3591:K Foundation
3583:
3555:
3548:
3541:
3521:
3514:
3507:
3502:
3495:
3488:
3481:
3475:Compilations
3467:(unreleased)
3462:
3455:
3448:
3441:
3434:
3411:
3296:
3290:
3233:
3217:
3201:
3184:
3168:
3156:. Retrieved
3150:
3138:
3118:
3111:
3099:. Retrieved
3088:
3078:
3069:The Observer
3067:
3058:
3034:
3024:
2999:
2992:Shea, Robert
2986:
2974:. Retrieved
2965:The Guardian
2963:
2953:
2936:
2927:
2915:. Retrieved
2904:
2894:
2877:
2870:Kelly, Danny
2864:
2847:
2838:
2826:. Retrieved
2822:the original
2815:
2785:
2755:
2746:
2721:
2693:. Retrieved
2682:
2658:The Guardian
2656:
2650:
2633:
2604:Melody Maker
2602:
2572:. Retrieved
2563:
2554:
2530:
2505:Mute Records
2496:
2457:Mute Records
2448:
2422:
2416:
2392:
2364:The Observer
2362:
2325:
2297:The Guardian
2295:
2272:the original
2268:Mute Records
2239:. Retrieved
2230:The Guardian
2228:
2215:
2203:. Retrieved
2192:
2162:
2153:
2142:
2107:. Retrieved
2096:
2086:
2076:
2071:
2063:the original
2059:Mute Records
2054:
2032:the original
2028:Mute Records
2023:
2014:
1999:Melody Maker
1997:
1988:
1971:
1962:
1947:The Guardian
1945:
1918:. Retrieved
1914:the original
1907:
1906:. The Arts.
1868:SKY Magazine
1866:
1827:
1818:
1806:. Retrieved
1795:
1786:
1771:Melody Maker
1769:
1759:
1742:
1732:
1720:. Retrieved
1709:
1700:
1677:
1654:. Retrieved
1645:The Guardian
1643:
1615:The Observer
1613:
1560:. Retrieved
1551:The Guardian
1549:
1539:
1528:
1522:
1505:
1496:
1479:
1456:
1451:
1439:. Retrieved
1421:
1404:
1395:
1370:
1357:
1348:
1230:
1224:
1220:
1194:
1167:Mark Manning
1127:
1094:
1093:
975:
972:
962:
954:
952:
945:
934:The Observer
927:
913:Illuminatus!
912:
910:
906:Illuminatus!
905:
894:Illuminatus!
893:
889:
879:
860:
842:
836:
834:
806:
800:
783:Stewart Home
765:
759:
751:The Guardian
750:
746:Melody Maker
744:
740:house bricks
736:
729:
700:
695:
693:
666:
657:
591:
586:
584:
572:
565:
555:
551:The Guardian
549:
536:The Observer
534:
532:
487:shop steward
483:salvationist
475:Mark Manning
466:
463:Ken Campbell
460:
451:
445:
424:
423:
416:
406:
404:
384:Big in Japan
380:arrangements
362:
339:
327:K Foundation
316:
301:
284:
272:
264:Ken Campbell
256:Mark Manning
249:
245:celebrate it
205:protest song
200:
196:
194:
178:
25:
3685:Isaac Bello
3574:Discography
3405:K Cera Cera
3312:Jimmy Cauty
2828:26 February
2695:26 February
2574:25 February
2501:Blast First
2495:2K (1997).
2453:Blast First
2447:2K (1997).
2194:The Quietus
2075:Lewis, A.,
1859:Frith, Mark
1808:26 February
1562:29 February
1441:29 February
1215:Isaac Hayes
1171:evangelical
1155:arrangement
1134:Jimmy Cauty
857:evangelists
829:advertising
705:journalist
594:house music
520:wheelchairs
512:Blast First
500:lifeboatmen
471:Tony Wilson
434:Performance
388:Jayne Casey
313:K Cera Cera
213:Jimmy Cauty
170:K Cera Cera
146:Jimmy Cauty
136:Producer(s)
124:Jimmy Cauty
105:Blast First
3753:1997 songs
3732:Categories
3690:Nick Coler
3654:Blacksmoke
3644:Disco 2000
3543:The Manual
3490:Shag Times
2976:23 October
2723:Disco 2000
1387:References
1294:UK Singles
1180:Nick Coler
1145:Acid Brass
882:23 minutes
853:trawlerman
813:subversive
772:Stonehenge
767:Disco 2000
764:anthology
707:Mark Frith
689:Nick Coler
669:brass band
660:media help
609:Acid Brass
606:brass band
491:pensioners
454:, a short
452:This Brick
413:23 minutes
369:Acid Brass
268:23 minutes
233:acid house
229:brass band
225:Acid Brass
77:Acid house
3639:Brilliant
3450:Chill Out
3342:Down Town
2424:The Times
2164:Big Issue
2144:The Times
1744:Billboard
1254:Hungary (
1249:position
1195:Samples:
1173:narration
1114:Pan Sonic
862:Chill Out
734:in 1995.
587:The Times
557:The Times
386:bandmate
309:Palestine
3567:Projects
3095:Archived
2998:(1984).
2970:Archived
2911:Archived
2689:Archived
2684:BBC News
2568:Archived
2241:10 March
2235:Archived
2205:10 March
2199:Archived
2103:Archived
1973:Time Out
1920:11 March
1802:Archived
1797:BBC News
1722:13 March
1716:Archived
1711:BBC News
1656:14 March
1650:Archived
1592:Archived
1556:Archived
1435:Archived
1324:UK Indie
1309:UK Dance
1281:Sweden (
1267:Scotland
1191:– mixing
865:and the
821:graffiti
408:Time Out
203:", is a
153:Drummond
53:Released
3649:The Orb
3321:Singles
3282:The KLF
3101:1 March
3004:. USA:
2917:2 March
2728:Sceptre
2720:(ed.).
2109:1 March
1147:concept
867:B-sides
683:" and "
673:samples
596:track "
298:Context
217:the KLF
183:(1997)
174:(1993)
3126:
3046:
3012:
2734:
2542:
2499:(CD).
2404:
1688:
1530:Select
1481:Select
1256:Mahasz
1237:Charts
789:Themes
702:Select
602:segued
574:Select
516:Dettol
400:London
350:Labour
305:Israel
231:plays
155:&
83:Length
62:Studio
46:Single
3695:Gimpo
3585:Space
3579:Films
3535:Other
3158:6 May
3147:(PDF)
1379:joke.
1340:Notes
1213:" by
1203:" by
1161:Gimpo
847:and "
479:Gimpo
377:brass
260:Gimpo
157:Cauty
100:Label
72:Genre
48:by 2K
3160:2018
3124:ISBN
3103:2020
3044:ISBN
3010:ISBN
2978:2017
2919:2020
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