742:. Unlike funk carioca, brega funk has a glossy sound that features glistening syncopated MIDI pianos, synths, often filtered guitars, and the distinct pitched metallic snares called caixas, vocal chops are a common companion to the wonky kick rhythm and up-down bass inherited from brega, and even though the genre commonly ranges from 160 to 180 BPM, the half-time beat makes it feel slower than other funk subgenres. An example of the Brega funk genre is the song "Parabéns" by
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951:, creating a distinct and aggressive sound, with lyrics that address topics such as violence, drugs, sex and ostentation. Both VanMilli and MC Binn are two of the heavy-hitters in the genre. The term “Brazilian phonk” was popularized by the Norwegian producer William Rød, better known as Slowboy. The genre itself was popularised by Slowboy, FXRCE, $ pidxrs808, $ werve and many others.
671:, both of which had a growing audience in Brazil. The two eventually came to host parties together, infusing the heavy sounding records from Big Boy's (primarily) rock background with Lemos' funkier influences. Thus formed the Baile da Pesada, or "Heavy Dance", which brought (North American) funk music to the forefront of Rio's street scene as the city entered the 70's.
410:(another Miami-based genre) music from the US. The reason why these genres, very localized in the US, became popular and influential in Rio de Janeiro is due to proximity. Miami was a popular plane stop for Rio DJs to buy the latest American records. Along with the Miami influence came the longtime influence of the
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rival gang members and cops, intimidating opposers, claiming power over the favelas, robbery, drug use and the illicit life of drug dealers in general. Authorities view some of these lyrics as "recruiting" people to organized crime and inciting violence, and playing some of these songs are thus considered a crime.
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of criminality in the favelas is also frequently viewed as another negative consequence of funk carioca. Some funk songs, belonging to a style known as "proibidão" ("the forbidden"), have very violent lyrics and are sometimes composed by drug-dealing gangs. Its themes include praising the murders of
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Other indie video-documentaries have been made in Europe, especially in
Germany and Sweden. These generally focused on the social issues in the favelas. One of the most famous of these series of documentaries is Mr Catra the faithful (2005) by Danish filmmaker Andreas Rosforth Johnsen, broadcast by
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In Brazil, funk carioca lyrics are often criticized due to their violent and sexually explicit lyrics. Girls are called "cachorras" (bitches) and "popozudas" – women with large buttocks, and many songs revolve around sex. "Novinhas" (young/pubescent girls) are also a frequent theme in funk carioca
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started to emerge in Rio de
Janeiro. As time went on, DJs started to look for other rhythms of black music, but the original name did not remain. Funk carioca first emerged and is played throughout the state of Rio de Janeiro, but not only in the city of Rio, like Rio natives like to believe. Funk
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tempo, while a few artists composed them with actual drum machines. The most common drum beat was a loop of DJ Battery Brain's "808 volt", commonly referred to as "Voltmix", though Hassan's "Pump Up the Party" is also notable. Nowadays, carioca funk rhythms are mostly based on tamborzão rhythms
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is used to refer to the parties in which funk carioca is played. The history of these parties were important in shaping the
Brazilian funk scene, and in fact predate the genre itself. In the late '60s, legendary Brazilian DJ and radio personality Big Boy (born Newton Alvarenga Duarte) was on a
565:" theme. Funk carioca has always used a small catalog of rhythms and samples that almost all songs take from (commonly with several in the same song). Funk carioca songs can either be instrumental or include rapping, singing, or something in between the two. Popularized by Brazilians and other
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in 2008. The lyrical and thematic content of songs in this style focuses mainly on conspicuous consumption, as well as a focus on materialistic activities, glorification of style of urban life and ambitions to leave the favela. Since then, funk ostentação has been strongly associated with the
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More popular funk carioca artists usually compose two different sets of similar lyrics for their songs: one gentler, more "appropriate" version, and another with a harsher, cruder set of lyrics (not unlike the concept of "clean" and "explicit" versions of songs). The first version is the one
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documentary Eu Sou Feia Mas Tô Na Moda by filmmaker Denise Garcia which was co-produced by Tetine in London, and first shown in the city at the Slum Dunk Film
Program at Brady Arts Centre in Bricklane in March 2005. Apart from this, Tetine also produced two albums with experimental DIY
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Due to the lack of regulation and the locations where they usually take place, "bailes funk" are also very crime prone environments. They are popular hot spots for drug trade and consumption, dealers display power frequenting the parties heavily armed, and even murder rates are high.
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104.4. Their radio show was entirely dedicated to funk carioca and worked as a platform for the duo to produce and organize a series of film programmes as well as interviews and gigs involving funk carioca artists from Rio. Tetine were also responsible for the first screening of the
354:" has become increasingly popular among working classes in other parts of Brazil. In the whole country, funk carioca is most often simply known as "funk", although it is very musically different from what with "funk music" is internationally meant. In fact, it still shows its urban
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in 2006 through Essay
Recordings. He launched the international career of Popozuda Rock n´Roll artist Edu K, whose baile funk anthem was used in a soft drink commercial in Germany. Haaksman continued to produce and distribute many new baile funk records, especially the
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kick drum drops, and over-the-top loud mixing to the point of extreme distortion. Beat
Bruxaria (literally "Witchcraft Beat") is commonly associated with imagery of evil clowns and first reached notoriety online with producers such as DJ ARANA and DJ MENOR 7.
1035:, which was not a big hit in Brazil, was then used in a sports car commercial in Europe, and it helped increase the popularity of funk carioca. Brazilian duo Tetine compiled and mixed the compilation Slum Dunk Presents Funk Carioca, released by British label
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Proibidão is a derivative of funk carioca related to prohibited practices. The content of the genre involves the sale of illegal drugs and the war against police agencies, as well as the glorification and praise of the drug cartels, similar to gangsta rap.
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broadcast by local radio stations; the second is played in dance halls, parties, and in public by sound cars. Recurrent lyric topics in funk carioca are explicit sexual positions, the funk party, the police force, and the life of slum dwellers in the
896:. Mandelão is characterized by having simple and repetitive lyrics. The musical production is minimalist and raw, with heavy beats and blown basses, that create a catchy and danceable rhythm. Some of the instruments used in mandelão are the
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Fusion of funk carioca with pagode, the term also refers to parties where both genres are played, the origins of the subgenre can be traced back to the mid 90s, in 1997, the duo
Claudinho & Buchecha released the song Fuzuê on the album
1312:. Another large part of the lyrics is the use of the world around them – mainly the poverty that has enveloped the area. This is usually denounced in the lyrics and the hope for a better life is carried through many of their messages.
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released the 2005 compilation Colors Music #4: Rio Funk. Many small labels (notably
European label Arcade Mode and American labels Flamin´Hotz and Nossa) labels released several compilations and EPs in bootleg formats.
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carioca is mostly appealing to the youth. In the decade of the 1980s, anthropologist Herman Vianna was the first social scientist to take funk as an object to study in his masters thesis, which gave origin to the book
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and associations with illegalities. Despite these parallels, gqom and baile funk are distinct, especially in their production styles. Over time, it became common for musical artists to integrate baile funk with gqom.
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from all over the world, he gained popularity on air for his wide taste of music, as well as the relaxed way of presenting his programs. His success on air also attracted large audiences for parties he DJ'd in the
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Until the year 2000, funk carioca was only a regional phenomenon. Then the
European media began to report its peculiar combination of music, social issues with a strong sexual appeal (often pornographic).
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1091:, increased the popularity of funk carioca due to the strong sexual appeal of the music and dance, also known as Bonde das Popozudas. Many funk carioca artists started to do shows abroad at that time.
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Melodies are usually sampled. Older songs typically chopped up freestyle samples for the melody, or had none at all. Modern funk uses a set of samples from various sources, notably horn and accordion
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678:(sound teams). Soul music became the immediate focus of the parties, and quickly ushered in a new wave of Brazilian soul artists to the mainstream. Soon, the soul movement was overshadowed by
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527:, sex, violence, and social injustice. Social analysts believe that funk carioca is a genuine expression of the severe social issues that burden the poor and black people in Rio.
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For almost two decades afterwards, other DJs from the streets of Rio would use evolving forms of
African-American and American music in their own block parties, put together by
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Funk melody is based on electro rhythms but with a romantic lyrical approach. It has been noted for being powered by female artists. Among the popular funk melody singers are
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people, the saying "Bum-Cha-Cha, Bum Cha-Cha", "Bum-Cha-Cha, Cha Cha" or even "Boom-Pop-Pop, Pop, Pop" is a representation of the beat that comes along in most funk songs.
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667:, and soul music, and many described the tunes he played as 'heavy'. At the same time, Ademir Lemos had been hosting his own block parties centering more around soul and
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London-based artist Sandra D'Angelo was the first Italian singer-producer to bring funk carioca to Italy. She performed in London with MC Gringo at
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brought mainstream international popularity to funk carioca with her single Bucky Done Gun released in 2005, and brought attention to American DJ
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is viewed as a negative aspect of the funk carioca culture. Besides the moral considerations, in favelas, where sanitary conditions are poor and
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is close to nonexistent. This environment results in unwanted pregnancies, population overgrowth, and eventually the growth of the communities (
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in 2008. Sandra D'Angelo performed Baile Funk also in New York and produced tracks with EDU KA (Man Recordings) and DJ Amazing Clay from Rio.
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Sansone, Livio. "The Localization of Global Funk in Bahia and Rio." Brazilian Popular Music & Globalization, 139. London: Routledge, 2002
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and Favela Chic Paris club were the pioneer travelers and producers. The funk carioca production was until then limited to playing in the
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the track "I Go to the Doctor", included in the LP L.I.C.K My Favela in 2005 and later on their album Let Your X's Be Y's, released by
912:. Funk mandelão is also marked by having its own choreography, which consists of fast and synchronized movements of the arms and legs.
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slums. From the mid-1990s on, it was a mainstream phenomenon in Brazil. Funk songs discuss topics as varied as poverty, human dignity,
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and pagode, in the lyrics, the duo pays tribute to pagode artists. Grupo Raça was successful with "Ela sambou, eu dancei", written by
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remained in Rio's party scene. DJs would incorporate local sound with Miami bass beats, including their own lyrics in Portuguese.
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in Polivalência from the album of the same name released in 2000, in 2020, she released Numanice, an EP dedicated to the pagode.
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614:. At the time, the then teenager Fernando Luís Mattos da Matta was interested in the discotheque when listening to the program
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how astonished he was with the sudden overseas interest in the genre. He would go on to travel in over 10 European countries.
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Francisco Oliveira (1997). "Claudinho & Buchecha – funk, charme, alegria e muito balanço editora - Editora Símbolo".
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before it was sold to the United States. All of these areas with similar music genres retain the influence of American
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and the Brazilian pop market. DJ Marlboro, a major composer of funk carioca's tunes declared in 2006 in the Brazilian
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and many black Brazilians identify as being part of this religion. This genre of music was mainly started by those in
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were brought with the enslaved Africans to the Americas. The same beat is found in Afro-religious music in the
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1209:, the debut album by German MC Gringo — the only non-Brazilian MC performing in the bailes of Rio de Janeiro.
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was the pioneer of this phenomenon, and was the first to engineer the sound that would become known in Rio as
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1752:"Pabllo Vittar lança brega-funk em parceria com Márcio Victor, do Psirico | Viver: Diário de Pernambuco"
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In 2001, for the first time, funk carioca tracks appeared on a non-Brazilian label. One example is the album
663:, which like his show, featured a wide array of different music. His sound mainly featured elements of rock,
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Mc Leozinho, made use of the cavaquinho in the song Sente a pegada from 2008. Artists such as MC Delano and
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or 150 BPM was created by DJs Polyvox and Rennan da Penha. In 2019, the funk carioca 150 BPM was adopted by
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2713:"G1 > Edição Rio de Janeiro – NOTÍCIAS – Vagner Love nega conhecer homens que aparecem armados em vídeo"
2646:"Folha Online – Cotidiano – Atlas aponta natalidade maior que a média em favelas da Grande SP – 22/11/2006"
2080:"Mulheres no pagode: conheça cantoras que comandam ritmo em Salvador e lutam por reconhecimento e respeito"
1028:. It contained three old-school funk carioca hits, including the song "Popozuda Rock n' Roll" by De Falla.
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1183:, which was released in July 2010 and documents the role, culture, and character of funk carioca in Rio's
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2106:"União da Ilha ensaia presença de pagode no meio da bateria e Laíla cria novo modelo de treino na rua"
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given its closer proximity to Brazil. The DJs took a liking to various forms of hip-hop, most notably
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2819:"In The Fight Club Of Rio" article on "corridor balls" at Free Radical by Canadian Nicole Veash 2000
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also use the cavaquinho in some songs, in 2015, Ludimilla also participated in a duet with the band
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Rasteirinha or Raggafunk is a slower style of Rio de Janeiro funk that rests around 96 BPM and uses
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2002:
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Yúdice, George. "The Funkification of Rio". In Microphone Fiends, 193–220. London: Routledge, 1994.
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1989:"Bibi Babydoll e o funk que virou hit na Ucrânia com gravação no cobertor e divulgação por R$ 30"
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919:”, sung by the Brazilian artist Bibi Babydoll, which reached the top of Spotify music charts in
473:, Louisiana, also has a similar beat. New Orleans, originally a French territory, was a hub for
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on Radio City of Rio de Janeiro (102.9 FM). Years later, Fernando would adopt the nickname of
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1975:"Qual vai ser o hit do carnaval? De pagodão a mandelão, conheça 10 músicas que chegam fortes"
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852:, created in 2016 by DJ GBR. Among rave funk's most popular songs is "É Rave Que Fala Né" by
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Funk carioca is different from the funk originated in the US. Starting in 1970, styles like
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2258:"Ludmilla entra com naturalidade no pagode em EP que transita entre a festa e a sofrência"
2203:"Arlindo Cruz comemora as 700 músicas gravadas e agradece a Deus em CD | Diversão | O Dia"
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In London, duo Tetine assembled a compilation album called Slum Dunk Presents Funk Carioca
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A particularly extreme subgenre of funk originating in the late 2010s and early 2020s in
596:(1988). During that decade, funk dances lost a bit of popularity due to the emergence of
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2310:"Brazil-era, please tell me what kind of drugs your baile funk/funk carioca DJs are on"
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in 2004. Tetine also ran the weekly radio show Slum Dunk on London's radio art station
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872:. "Ela É Do Tipo", by Kevin O Chris, is one of the most popular songs of the genre.
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2809:"Ghetto Fabulous" Observer Music Monthly article on Baile Funk by Alex Bellos 2005
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Article with Baile Funk master Sany Pitbull by Sabrina Fidalgo at Musibrasil 2007
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music, a pop version of soul and funk, especially after the release of the film
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2054:"Funk e pagode se misturam? Veja como isso vem acontecendo no universo do funk"
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personal mission to introduce Brazil to the best sounds from around the globe.
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1903:"Funk carioca acelera e chega a 150 bpm em renovação liderada pelo DJ Polyvox"
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318:. Despite its name, funk carioca has no musical correlation with the American
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Funk mandelão, also known as Ritmo dos Fluxos, is a subgenre that emerged in
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2028:"Como música brasileira ficou em primeiro lugar nas mais ouvidas da Ucrânia"
1957:"Drake canta em português em remix de 'Ela é do Tipo', com MC Kevin O Chris"
1770:"Pabllo Vittar lança o bregafunk 'Clima Quente' em parceria com Jerry Smith"
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1530:"A História do 'Tamborzão', a Levada Que Deu Cara ao Ritmo do Funk Carioca"
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2357:"Tejo, Black Alien & Speed – Follow Me Follow Me (Quem Que Caguetou?)"
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in Brazil, therefore a boiling pot of influences to derive the hall-mark.
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1396:"Musical conta história de 4 décadas do funk no Brasil; relembre 40 hits"
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Brazilian Phonk is a subgenre that combines elements of funk carioca and
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840:. "Fuleragem" by MC WM is the best known songs of the Rasteirinha genre.
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682:, but disco music was not easily embraced by many of the DJs hosting the
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2814:"Samba, That's So Last Year" article by Alex Bellos at The Guardian 2004
2690:"Vídeo » Proibidões nos bailes funks das favelas do Rio de janeiro"
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in the late 2010s, inspired by the Baile do Mandela, a popular party in
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1655:"Black Rio: The rise of black music and dances | Black Women of Brazil"
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534:, the main influence for the emergence of funk carioca was the single "
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1813:"Funk Ostentação symbolizes in SP emergegência da 'nova classe média'"
1628:"Big Boy: o brasileiro que tocou, em primeira mão, um hit dos Beatles"
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Caceres, Guillermo; Ferrari, Lucas; Palombini, Carlos (May 30, 2014).
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Carioca in its early days were mostly loops of electronic drums from
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1939:"Blocos do carnaval de rua do Rio adotam 'funk 150 bpm'; veja vídeo"
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on the tracks Baile Funk One, Baile Funk Two, and Baile Funk Three.
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26:
5422:
4914:
4509:
3696:
3602:
3577:
3562:
3502:
3477:
3472:
3457:
3437:
3340:
3194:
3189:
3076:
2910:
2903:
2829:"The Funk Phenomenon" article by Bruno Natal at XLR8R magazine 2005
2596:"Moonchild Sanelly is on the prowl in the "Where De Dee Kat" video"
1088:
909:
821:
611:
550:
454:
355:
4811:
1198:
in 2008. She performed her baile funk productions for the contest
5509:
5396:
5155:
4992:
4702:
4647:
3607:
3572:
3557:
3447:
3417:
2876:
1515:
1284:
are hardly available and due to lack of education and awareness,
1084:
1043:, Taty Quebra Barraco, Bonde do Tigrão amongst others. From 2002
924:
920:
853:
782:
Funk ostentação is a sub-genre of Rio de Janeiro funk created in
442:
351:
235:
5135:
2520:"Gqom is the explosive South African sound bursting into Europe"
5494:
5474:
5376:
4924:
4659:
4025:
3567:
3285:
3086:
2545:"Listen To A Thrilling New Lafawndah Song In Her Mix For Kenzo"
1486:"A noite em que a Soul Grand Prix enfrentou a Ditadura Militar"
1309:
1248:
1184:
1096:
988:
932:
888:. The term “mandelão” comes from “Mandela”, a reference to the
765:
512:
375:
326:
2621:"An introduction to baile funk's abrasive, addictive new wave"
837:
5504:
5381:
5294:
5221:
4892:
4816:
4801:
4664:
3552:
3542:
3352:
3145:
3123:
1725:"Notes on the historiography of Música soul and Funk carioca"
1125:
1031:
In 2003, the tune Quem Que Caguetou (Follow Me Follow Me) by
969:
897:
687:
686:. Many of these DJs bought records from the US, particularly
679:
597:
562:
458:
419:
383:
1921:"Como o 150 BPM se tornou o ritmo dominante do funk carioca"
5325:
5211:
2710:
1879:(in Brazilian Portuguese). December 7, 2019. Archived from
1242:
1130:, released by Brazilian label Bizarre Records in 2004, and
726:
There are a number of subgenres derived from funk carioca.
668:
647:
500:
music. One of the bands that was formed in this period was
493:
446:
319:
2845:
1605:
329:, "baile funk" refers not to the music, but to the actual
2232:"Cavaquinho pancadão: instrumento do samba invade o funk"
1055:
and interviewed artists in their radio show Slum Dunk on
1547:[The Lula / Tamborzão era and political sound].
1265:
songs. Some of these songs, however, are sung by women.
2497:
1542:
2180:| IMMuB – O maior catálogo online da música brasileira
1512:"Afrika Bambaataa celebra os 30 anos de ‘Planet Rock’"
1268:
The extreme banalization of sex and the incitement of
622:
and the radio would be known as the Rio "rock radio".
492:
During the 1970s, nightclubs in Rio de Janeiro played
2638:
1839:"Introducing Rasterinha, the Evolution of Baile Funk"
1680:"Funk Carioca Music: A Brief History of Funk Carioca"
1602:"RIOFUNK.org – INFORMATION ABOUT BAILE FUNK !!!"
350:, meaning "ball"). Although originated in Rio, "funk
2682:
1343:
1341:
1216:
claim the drum patterns used on their Top 40 single
915:
An example of the success of Mandelão was the song “
1873:"Five funk-rave explodes dance to us você conhecer"
1280:and social issues. In such communities, definitive
437:Many similar types of music genres can be found in
310:from Rio de Janeiro, blending the rap subgenres of
4629:
2156:
1859:"DJ Marlboro cria gênero Ragafunk em novo projeto"
1191:many European open and cable television channels.
2668:"G1 – Rio de Janeiro: notícias e vídeos da Globo"
1338:
1083:In 2004, dance clubs from Eastern Europe, mainly
968:, an instrument present in genres such as samba,
5522:
2741:
1394:RJ, José Raphael BerrêdoDo G1 (August 9, 2012).
1389:
1387:
2781:"The Sound of Brazil's Funk Carioca: NPR Music"
1463:"Origins of Funk Carioca | Eyes On Brazil"
4900:
2660:
2284:"Cliquemusic : Disco : POLIVALÊNCIA"
1596:
1594:
1573:"TAMBORZÃO baile funk beats (english version)"
1205:In 2008, Berlin label Man Recordings released
5310:
4615:
2861:
2494:"Andreas Rosforth Johnsen – Official website"
1454:
1384:
507:Funk carioca was popularized in the 1980s in
382:Funk carioca was once a direct derivative of
2749:"G1 – O Portal de Notícias da Globo – BUSCA"
2704:
1963:(in Brazilian Portuguese). November 6, 2019.
1819:(in Brazilian Portuguese). November 10, 2013
1545:"A Era Lula/Tamborzão política e sonoridade"
1003:that combines funk vocals with loud reverb,
2733:: CS1 maint: numeric names: authors list (
2112:(in Brazilian Portuguese). January 16, 2020
1591:
1549:Revista do Instituto de Estudos Brasileiros
1420:: CS1 maint: numeric names: authors list (
1247:Gqom, an electronic dance music genre from
638:Collecting records covering genres such as
5317:
5303:
4622:
4608:
2868:
2854:
2763:
2455:"M.I.A. – Piracy Funds Terrorism Volume 1"
1750:Pernambuco, Diario de (October 18, 2019).
1749:
1460:
1167:, who had worked on M.I.A.'s 2004 mixtape
140:Audio sample of a simple funk carioca beat
131:
1722:
1565:
1556:
1510:Carlos Albuquerque (September 12, 2012).
1428:
734:Brega funk born in Recife, influenced by
554:instead of the older drum machine loops.
111:Learn how and when to remove this message
2568:
2200:
1231:
1011:
365:
281:
2778:
2571:"DJ Lag: The gqom whisperer comes home"
2238:(in Brazilian Portuguese). June 5, 2016
1696:
1527:
848:Rave funk is a mix of funk carioca and
832:. It also incorporates influences from
5523:
2648:. .folha.uol.com.br. November 22, 2006
2226:
2224:
1652:
1634:(in Brazilian Portuguese). May 4, 2015
1579:from the original on December 14, 2021
549:or freestyle records and the 4–6 beat
370:Funk carioca was born in the 1980s in
47:Please improve this article by adding
5298:
4603:
4562:LGBT representations in hip hop music
2849:
2474:
2472:
2003:"Your Guide to Brazilian Phonk Music"
1558:10.11606/issn.2316-901X.v0i58p157-207
1364:
1063:released the seminal CD-compilations
341:
4891:
2569:Reporter, Staff (December 7, 2018).
2379:"Rio Baile Funk: Favela Booty Beats"
2335:"Various – Favela Chic: Funk Favela"
1786:
1528:Ribeiro, Eduardo (August 20, 2014).
610:and with its soundtrack of the band
561:, as well as the horn intro to the "
540:Afrika Bambaataa and Soulsonic Force
20:
2221:
1236:
1140:in 2005. Tetine also recorded with
1128:funk carioca tracks: Bonde do Tetão
931:. It spread throughout the rest of
279:Brazilian Portuguese pronunciation:
13:
2779:Artists, Various (July 21, 2005).
2469:
2286:. December 2, 2009. Archived from
1653:Travae, Marques (April 10, 2013).
1483:
1393:
942:
771:
14:
5552:
2802:
2711:Carolina Lauriano Do G1, no Rio.
1697:Origins, Music (April 27, 2020).
1065:Rio Baile Funk Favela Booty Beats
1059:. Berlin music journalist and DJ
864:In 2018, the Funk carioca of 150
702:, which changed the style of the
418:. Various African religions like
290:, in other parts of the world as
4580:
4579:
994:
875:
283:[ˈfɐ̃k(i)kɐɾiˈɔkɐ,-kaɾ-]
25:
2772:
2613:
2588:
2562:
2537:
2512:
2486:
2447:
2433:
2419:
2397:
2371:
2349:
2327:
2302:
2276:
2250:
2194:
2165:
2150:
2124:
2098:
2072:
2046:
2020:
1995:
1981:
1967:
1949:
1931:
1913:
1895:
1865:
1851:
1831:
1805:
1789:Funk carioca: crime ou cultura?
1780:
1762:
1743:
1716:
1690:
1672:
1646:
1620:
1536:
1220:were inspired by those used on
1080:" on his label Man Recordings.
1039:featuring funk artists such as
923:in 2023 and reached #3 on both
859:
5324:
2496:. Rosforth.com. Archived from
1521:
1504:
1477:
1445:
1365:Frere, Sasha (July 25, 2005).
1358:
809:
791:(new middle class) in Brazil.
749:
625:
337:in which the music is played (
1:
1791:. Terceiro Nome. p. 19.
1461:tudobeleza (August 7, 2008).
1332:
729:
396:traditional African religious
49:secondary or tertiary sources
4567:Feminist activism in hip hop
1465:. Eyesonbrazil.wordpress.com
1259:
843:
794:
768:, Babi and Copacabana Beat.
721:
706:once again. Still, the term
16:Genre of hip hop style music
7:
4557:Partner violence in hip hop
2875:
1551:(in Portuguese) (58): 157.
1315:
1076:series "Funk Mundial" and "
954:
515:, the city's predominantly
361:
10:
5557:
2159:Raça Brasil – Edição Extra
1723:Palombini, Carlos (2010).
1699:"30 years of Funk Carioca"
1439:November 18, 2008, at the
1240:
813:
798:
775:
753:
740:Northeast region of Brazil
738:in the early 2010s in the
5536:Brazilian styles of music
5410:
5332:
5276:
5235:
5182:
5164:
5121:
5083:
5037:
5030:
5001:
4965:
4907:
4851:Música popular brasileira
4673:
4638:
4575:
4487:
4446:
4421:
4246:
4181:
4021:Bosnian and Herzegovinian
3994:
3882:
3760:
3749:
3715:
3646:
3635:
3511:
3486:
3396:
3385:
3304:
3257:
3053:
3042:
3034:Bristol underground scene
3001:
2928:
2885:
2264:(in Brazilian Portuguese)
2209:(in Brazilian Portuguese)
2182:(in Brazilian Portuguese)
2138:(in Brazilian Portuguese)
2086:(in Brazilian Portuguese)
1703:The Music Origins Project
1492:(in Brazilian Portuguese)
1402:(in Brazilian Portuguese)
339:Portuguese pronunciation:
249:
244:
210:
198:
165:
145:
130:
125:
2132:"Pancadão da Turbininha"
1276:low, this might lead to
1175:made a bootleg mixtape,
469:, which originates from
441:island nations such as;
2575:The Mail & Guardian
1228:, a funk carioca song.
1212:English indie pop band
1200:Edison Change the Music
1069:More Favela Booty Beats
1033:Black Alien & Speed
5428:List of funk musicians
4966:Fusion genres of Samba
4725:Brazilian thrash metal
2692:. OsMelhoresVideos.net
1731:(23 (Otoño)): 99–106.
1729:Historia Actual Online
1352:April 7, 2008, at the
1196:Notting Hill Arts Club
1169:Piracy Funds Terrorism
1110:which was released by
917:Automotivo Bibi Fogosa
594:The Carioca Funk World
592:, which translates to
379:
36:relies excessively on
5263:São Tomé and Príncipe
4876:Música Sertaneja Raiz
3735:Alternative reggaeton
3014:Universal Zulu Nation
2385:on September 26, 2008
1282:contraceptive methods
1232:Stylistic differences
1214:Everything Everything
1012:Recognition in Europe
369:
5541:2010s in Latin music
4500:Contemporary R&B
4309:Minneapolis/St. Paul
1977:. February 10, 2023.
1776:. February 20, 2020.
1756:Diário de Pernambuco
1608:on September 8, 2006
1587:– via YouTube.
1575:. January 15, 2007.
603:Saturday Night Fever
590:O Mundo Funk carioca
542:, released in 1982.
475:Atlantic slave trade
4632:Lusophone countries
3104:Chopped and screwed
3009:Five-Percent Nation
2841:by Carlos Palombini
2407:. Manrecordings.com
2290:on December 2, 2009
1787:Medeiros, Janaína.
1484:FP (June 5, 2022).
935:, mainly in former
211:Typical instruments
2751:. Busca2.globo.com
2500:on January 3, 2014
2441:"É BIG MIX O MANÉ"
1991:. August 16, 2023.
1861:. August 26, 2017.
1659:Black Brazil Today
1138:Kute Bash Records
1078:Baile Funk Masters
964:, the song uses a
789:nova classe média
451:Dominican Republic
380:
5518:
5517:
5392:Minneapolis sound
5292:
5291:
5117:
5116:
5113:
5112:
5109:
5108:
5026:
5025:
5022:
5021:
5009:Samba de Gafieira
4693:Brazilian hip hop
4653:Batidão romântico
4597:
4596:
4483:
4482:
3745:
3744:
3631:
3630:
3381:
3380:
2961:Feminist activism
2480:"Favela on Blast"
1686:. August 6, 2021.
1177:Favela on Blastin
1146:Soul Jazz Records
1132:L.I.C.K My Favela
1005:four-on-the-floor
616:Cidade Disco Club
574:bailes da pesada,
432:black communities
298:, or even simply
286:), also known as
272:
271:
166:Stylistic origins
136:
121:
120:
113:
95:
5548:
5402:Psychedelic funk
5319:
5312:
5305:
5296:
5295:
5192:Cante Alentejano
5035:
5034:
5028:
5027:
4935:Pagode romântico
4905:
4904:
4898:
4897:
4889:
4888:
4847:
4779:
4750:
4738:
4698:Brasília hip hop
4624:
4617:
4610:
4601:
4600:
4588:
4583:
4582:
4450:
4425:
4287:Washington, D.C.
4250:
4185:
3998:
3886:
3764:
3758:
3757:
3753:
3718:
3650:
3644:
3643:
3639:
3583:Na mele paleoleo
3515:
3490:
3400:
3394:
3393:
3389:
3308:
3261:
3057:
3051:
3050:
3046:
2920:
2913:
2906:
2899:
2892:
2879:
2870:
2863:
2856:
2847:
2846:
2797:
2796:
2794:
2792:
2776:
2770:
2767:
2761:
2760:
2758:
2756:
2745:
2739:
2738:
2732:
2724:
2722:
2720:
2708:
2702:
2701:
2699:
2697:
2686:
2680:
2679:
2677:
2675:
2670:. Rjtv.globo.com
2664:
2658:
2657:
2655:
2653:
2642:
2636:
2635:
2633:
2631:
2617:
2611:
2610:
2608:
2606:
2592:
2586:
2585:
2583:
2581:
2566:
2560:
2559:
2557:
2555:
2541:
2535:
2534:
2532:
2530:
2516:
2510:
2509:
2507:
2505:
2490:
2484:
2483:
2476:
2467:
2466:
2464:
2462:
2451:
2445:
2444:
2437:
2431:
2430:
2423:
2417:
2416:
2414:
2412:
2401:
2395:
2394:
2392:
2390:
2381:. Archived from
2375:
2369:
2368:
2366:
2364:
2353:
2347:
2346:
2344:
2342:
2331:
2325:
2324:
2322:
2320:
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2300:
2299:
2297:
2295:
2280:
2274:
2273:
2271:
2269:
2254:
2248:
2247:
2245:
2243:
2228:
2219:
2218:
2216:
2214:
2198:
2192:
2191:
2189:
2187:
2169:
2163:
2162:
2154:
2148:
2147:
2145:
2143:
2128:
2122:
2121:
2119:
2117:
2102:
2096:
2095:
2093:
2091:
2076:
2070:
2069:
2067:
2065:
2050:
2044:
2043:
2041:
2039:
2024:
2018:
2017:
2015:
2013:
1999:
1993:
1992:
1985:
1979:
1978:
1971:
1965:
1964:
1953:
1947:
1946:
1935:
1929:
1928:
1917:
1911:
1910:
1909:. March 8, 2018.
1899:
1893:
1892:
1890:
1888:
1869:
1863:
1862:
1855:
1849:
1848:
1844:Complex Networks
1835:
1829:
1828:
1826:
1824:
1809:
1803:
1802:
1784:
1778:
1777:
1766:
1760:
1759:
1747:
1741:
1740:
1720:
1714:
1713:
1711:
1709:
1694:
1688:
1687:
1676:
1670:
1669:
1667:
1665:
1650:
1644:
1643:
1641:
1639:
1624:
1618:
1617:
1615:
1613:
1604:. Archived from
1598:
1589:
1588:
1586:
1584:
1569:
1563:
1562:
1560:
1540:
1534:
1533:
1525:
1519:
1508:
1502:
1501:
1499:
1497:
1481:
1475:
1474:
1472:
1470:
1458:
1452:
1449:
1443:
1432:
1426:
1425:
1419:
1411:
1409:
1407:
1391:
1382:
1381:
1379:
1377:
1362:
1356:
1345:
1237:In African music
1112:Mr Bongo Records
1037:Mr Bongo Records
866:beats per minute
850:electronic music
606:(1977) starring
465:, among others.
428:African diaspora
345:
343:[ˈbajli]
340:
285:
280:
199:Cultural origins
186:
138:
137:
123:
122:
116:
109:
105:
102:
96:
94:
53:
29:
21:
5556:
5555:
5551:
5550:
5549:
5547:
5546:
5545:
5521:
5520:
5519:
5514:
5406:
5328:
5323:
5293:
5288:
5272:
5231:
5227:Portuguese rock
5178:
5160:
5105:
5079:
5018:
4997:
4961:
4952:Samba de breque
4901:Rio urban samba
4887:
4861:Sertanejo music
4841:
4773:
4744:
4732:
4669:
4634:
4628:
4598:
4593:
4586:
4571:
4537:Music sequencer
4479:
4448:
4442:
4423:
4417:
4416:
4382:Outside the US:
4379:
4375:Native American
4248:
4242:
4183:
4177:
3996:
3990:
3884:
3878:
3762:
3752:Regional scenes
3751:
3741:
3716:
3711:
3648:
3637:
3627:
3513:
3507:
3488:
3482:
3453:Psychedelic rap
3398:
3387:
3377:
3306:
3300:
3259:
3253:
3214:Progressive rap
3055:
3044:
3038:
2997:
2924:
2918:
2911:
2904:
2897:
2890:
2881:
2877:
2874:
2805:
2800:
2790:
2788:
2777:
2773:
2768:
2764:
2754:
2752:
2747:
2746:
2742:
2726:
2725:
2718:
2716:
2709:
2705:
2695:
2693:
2688:
2687:
2683:
2673:
2671:
2666:
2665:
2661:
2651:
2649:
2644:
2643:
2639:
2629:
2627:
2619:
2618:
2614:
2604:
2602:
2594:
2593:
2589:
2579:
2577:
2567:
2563:
2553:
2551:
2543:
2542:
2538:
2528:
2526:
2518:
2517:
2513:
2503:
2501:
2492:
2491:
2487:
2478:
2477:
2470:
2460:
2458:
2453:
2452:
2448:
2439:
2438:
2434:
2425:
2424:
2420:
2410:
2408:
2403:
2402:
2398:
2388:
2386:
2377:
2376:
2372:
2362:
2360:
2355:
2354:
2350:
2340:
2338:
2333:
2332:
2328:
2318:
2316:
2308:
2307:
2303:
2293:
2291:
2282:
2281:
2277:
2267:
2265:
2256:
2255:
2251:
2241:
2239:
2230:
2229:
2222:
2212:
2210:
2199:
2195:
2185:
2183:
2171:
2170:
2166:
2155:
2151:
2141:
2139:
2130:
2129:
2125:
2115:
2113:
2104:
2103:
2099:
2089:
2087:
2078:
2077:
2073:
2063:
2061:
2060:(in Portuguese)
2052:
2051:
2047:
2037:
2035:
2034:(in Portuguese)
2026:
2025:
2021:
2011:
2009:
2001:
2000:
1996:
1987:
1986:
1982:
1973:
1972:
1968:
1955:
1954:
1950:
1937:
1936:
1932:
1919:
1918:
1914:
1901:
1900:
1896:
1886:
1884:
1871:
1870:
1866:
1857:
1856:
1852:
1837:
1836:
1832:
1822:
1820:
1811:
1810:
1806:
1799:
1785:
1781:
1768:
1767:
1763:
1748:
1744:
1721:
1717:
1707:
1705:
1695:
1691:
1678:
1677:
1673:
1663:
1661:
1651:
1647:
1637:
1635:
1626:
1625:
1621:
1611:
1609:
1600:
1599:
1592:
1582:
1580:
1571:
1570:
1566:
1541:
1537:
1526:
1522:
1509:
1505:
1495:
1493:
1490:Saravá Cultural
1482:
1478:
1468:
1466:
1459:
1455:
1450:
1446:
1441:Wayback Machine
1433:
1429:
1413:
1412:
1405:
1403:
1392:
1385:
1375:
1373:
1367:"Brazilian Wax"
1363:
1359:
1354:Wayback Machine
1346:
1339:
1335:
1318:
1286:family planning
1262:
1245:
1239:
1234:
1181:Favela on Blast
1101:Isto É magazine
1061:Daniel Haaksman
1051:also broadcast
1049:Eliete Mejorado
1014:
997:
957:
945:
943:Brazilian phonk
878:
870:carnival blocks
862:
846:
818:
812:
803:
797:
780:
778:Funk ostentação
774:
772:Funk ostentação
758:
752:
732:
724:
628:
502:Soul Grand Prix
416:Colonial Brazil
364:
338:
278:
268:
240:
194:
182:
161:
141:
132:
117:
106:
100:
97:
54:
52:
46:
42:primary sources
30:
17:
12:
11:
5:
5554:
5544:
5543:
5538:
5533:
5516:
5515:
5513:
5512:
5507:
5502:
5497:
5492:
5487:
5482:
5477:
5472:
5467:
5462:
5457:
5456:
5455:
5450:
5445:
5440:
5430:
5425:
5420:
5414:
5412:
5408:
5407:
5405:
5404:
5399:
5394:
5389:
5384:
5379:
5374:
5369:
5368:
5367:
5357:
5352:
5347:
5342:
5336:
5334:
5330:
5329:
5322:
5321:
5314:
5307:
5299:
5290:
5289:
5287:
5286:
5280:
5278:
5274:
5273:
5271:
5270:
5265:
5260:
5255:
5250:
5245:
5239:
5237:
5233:
5232:
5230:
5229:
5224:
5219:
5214:
5209:
5204:
5199:
5194:
5188:
5186:
5180:
5179:
5177:
5176:
5170:
5168:
5162:
5161:
5159:
5158:
5153:
5148:
5143:
5138:
5133:
5127:
5125:
5119:
5118:
5115:
5114:
5111:
5110:
5107:
5106:
5104:
5103:
5098:
5093:
5087:
5085:
5081:
5080:
5078:
5077:
5072:
5067:
5062:
5057:
5052:
5047:
5041:
5039:
5032:
5024:
5023:
5020:
5019:
5017:
5016:
5011:
5005:
5003:
5002:Ballroom dance
4999:
4998:
4996:
4995:
4990:
4985:
4980:
4975:
4969:
4967:
4963:
4962:
4960:
4959:
4954:
4949:
4944:
4939:
4938:
4937:
4932:
4922:
4917:
4911:
4909:
4908:Main subgenres
4902:
4895:
4886:
4885:
4880:
4879:
4878:
4873:
4871:Música Caipira
4868:
4858:
4853:
4848:
4836:
4835:
4834:
4829:
4824:
4814:
4809:
4804:
4799:
4794:
4789:
4788:
4787:
4786:
4785:
4768:
4758:
4757:
4756:
4751:
4739:
4727:
4720:Brazilian rock
4717:
4715:Brazilian jazz
4712:
4711:
4710:
4705:
4700:
4690:
4685:
4679:
4677:
4671:
4670:
4668:
4667:
4662:
4657:
4656:
4655:
4644:
4642:
4636:
4635:
4627:
4626:
4619:
4612:
4604:
4595:
4594:
4592:
4591:
4576:
4573:
4572:
4570:
4569:
4564:
4559:
4554:
4549:
4544:
4539:
4534:
4529:
4524:
4523:
4522:
4517:
4512:
4502:
4497:
4491:
4489:
4485:
4484:
4481:
4480:
4478:
4477:
4472:
4467:
4466:
4465:
4454:
4452:
4449:South American
4444:
4443:
4441:
4440:
4435:
4429:
4427:
4419:
4418:
4415:
4414:
4409:
4404:
4399:
4394:
4389:
4380:
4378:
4377:
4372:
4367:
4365:Asian American
4362:
4361:
4360:
4355:
4345:
4344:
4343:
4338:
4333:
4323:
4322:
4321:
4316:
4311:
4306:
4301:
4291:
4290:
4289:
4284:
4279:
4274:
4269:
4257:United States:
4255:
4254:
4252:
4249:North American
4244:
4243:
4241:
4240:
4235:
4230:
4225:
4220:
4215:
4210:
4205:
4200:
4195:
4189:
4187:
4184:Middle Eastern
4179:
4178:
4176:
4175:
4170:
4165:
4160:
4155:
4150:
4145:
4140:
4135:
4130:
4125:
4120:
4115:
4110:
4105:
4100:
4095:
4090:
4085:
4080:
4075:
4070:
4065:
4060:
4055:
4050:
4045:
4040:
4039:
4038:
4033:
4023:
4018:
4013:
4008:
4002:
4000:
3992:
3991:
3989:
3988:
3983:
3978:
3973:
3968:
3963:
3958:
3953:
3948:
3943:
3938:
3933:
3928:
3927:
3926:
3916:
3911:
3906:
3901:
3896:
3890:
3888:
3880:
3879:
3877:
3876:
3871:
3866:
3861:
3856:
3851:
3846:
3841:
3840:
3839:
3829:
3824:
3819:
3814:
3809:
3804:
3799:
3794:
3789:
3784:
3779:
3774:
3768:
3766:
3755:
3747:
3746:
3743:
3742:
3740:
3739:
3738:
3737:
3727:
3721:
3719:
3713:
3712:
3710:
3709:
3704:
3699:
3694:
3689:
3684:
3683:
3682:
3672:
3671:
3670:
3668:Florida breaks
3665:
3663:Baltimore club
3654:
3652:
3641:
3633:
3632:
3629:
3628:
3626:
3625:
3620:
3615:
3613:Urban Pasifika
3610:
3605:
3600:
3595:
3593:Romany hip hop
3590:
3585:
3580:
3575:
3570:
3565:
3560:
3555:
3550:
3548:Hip hop galsen
3545:
3540:
3535:
3530:
3525:
3519:
3517:
3509:
3508:
3506:
3505:
3500:
3494:
3492:
3484:
3483:
3481:
3480:
3475:
3470:
3465:
3460:
3455:
3450:
3445:
3443:New jack swing
3440:
3435:
3430:
3425:
3420:
3415:
3410:
3404:
3402:
3391:
3383:
3382:
3379:
3378:
3376:
3375:
3370:
3365:
3360:
3355:
3350:
3345:
3344:
3343:
3338:
3333:
3328:
3326:Brooklyn drill
3318:
3312:
3310:
3302:
3301:
3299:
3298:
3293:
3288:
3283:
3282:
3281:
3271:
3265:
3263:
3255:
3254:
3252:
3251:
3246:
3241:
3236:
3231:
3230:
3229:
3224:
3216:
3211:
3210:
3209:
3199:
3198:
3197:
3187:
3182:
3177:
3172:
3171:
3170:
3160:
3155:
3154:
3153:
3143:
3138:
3133:
3132:
3131:
3121:
3116:
3111:
3106:
3101:
3096:
3095:
3094:
3084:
3079:
3074:
3073:
3072:
3061:
3059:
3048:
3040:
3039:
3037:
3036:
3031:
3026:
3021:
3016:
3011:
3005:
3003:
2999:
2998:
2996:
2995:
2990:
2985:
2980:
2975:
2970:
2965:
2964:
2963:
2958:
2948:
2943:
2938:
2932:
2930:
2926:
2925:
2923:
2922:
2915:
2908:
2901:
2894:
2886:
2883:
2882:
2873:
2872:
2865:
2858:
2850:
2844:
2843:
2831:
2826:
2821:
2816:
2811:
2804:
2803:External links
2801:
2799:
2798:
2771:
2762:
2740:
2715:. G1.globo.com
2703:
2681:
2659:
2637:
2612:
2587:
2561:
2536:
2511:
2485:
2468:
2446:
2432:
2427:"Funk Mundial"
2418:
2396:
2370:
2348:
2326:
2301:
2275:
2249:
2220:
2207:odia.ig.com.br
2201:daniela.lima.
2193:
2164:
2149:
2123:
2097:
2071:
2045:
2019:
1994:
1980:
1966:
1948:
1930:
1912:
1894:
1883:on May 2, 2021
1864:
1850:
1830:
1804:
1797:
1779:
1761:
1742:
1715:
1689:
1671:
1645:
1619:
1590:
1564:
1535:
1520:
1503:
1476:
1453:
1444:
1427:
1400:Rio de Janeiro
1383:
1371:The New Yorker
1357:
1336:
1334:
1331:
1330:
1329:
1324:
1322:Surra de Bunda
1317:
1314:
1261:
1258:
1241:Main article:
1238:
1235:
1233:
1230:
1024:, released by
1013:
1010:
996:
993:
956:
953:
944:
941:
894:Nelson Mandela
877:
874:
861:
858:
845:
842:
814:Main article:
811:
808:
799:Main article:
796:
793:
776:Main article:
773:
770:
754:Main article:
751:
748:
731:
728:
723:
720:
676:equipes de som
627:
624:
517:Afro-Brazilian
509:Rio de Janeiro
372:Rio de Janeiro
363:
360:
322:by any means.
296:Brazilian funk
270:
269:
267:
266:
261:
256:
250:
247:
246:
242:
241:
239:
238:
233:
230:
225:
220:
214:
212:
208:
207:
204:Rio de Janeiro
200:
196:
195:
193:
192:
187:
180:
175:
169:
167:
163:
162:
160:
159:
156:
153:
149:
147:
143:
142:
139:
128:
127:
119:
118:
60:"Funk carioca"
33:
31:
24:
15:
9:
6:
4:
3:
2:
5553:
5542:
5539:
5537:
5534:
5532:
5529:
5528:
5526:
5511:
5508:
5506:
5503:
5501:
5498:
5496:
5493:
5491:
5488:
5486:
5483:
5481:
5478:
5476:
5473:
5471:
5468:
5466:
5463:
5461:
5458:
5454:
5451:
5449:
5446:
5444:
5443:Funk paulista
5441:
5439:
5436:
5435:
5434:
5431:
5429:
5426:
5424:
5421:
5419:
5416:
5415:
5413:
5409:
5403:
5400:
5398:
5395:
5393:
5390:
5388:
5385:
5383:
5380:
5378:
5375:
5373:
5370:
5366:
5363:
5362:
5361:
5358:
5356:
5353:
5351:
5348:
5346:
5343:
5341:
5338:
5337:
5335:
5331:
5327:
5320:
5315:
5313:
5308:
5306:
5301:
5300:
5297:
5285:
5282:
5281:
5279:
5275:
5269:
5266:
5264:
5261:
5259:
5256:
5254:
5253:Guinea-Bissau
5251:
5249:
5246:
5244:
5241:
5240:
5238:
5234:
5228:
5225:
5223:
5220:
5218:
5215:
5213:
5210:
5208:
5205:
5203:
5200:
5198:
5195:
5193:
5190:
5189:
5187:
5185:
5181:
5175:
5172:
5171:
5169:
5167:
5163:
5157:
5154:
5152:
5149:
5147:
5144:
5142:
5139:
5137:
5134:
5132:
5129:
5128:
5126:
5124:
5120:
5102:
5099:
5097:
5094:
5092:
5091:Bahian pagode
5089:
5088:
5086:
5082:
5076:
5073:
5071:
5068:
5066:
5063:
5061:
5060:Samba de roda
5058:
5056:
5055:Samba-corrido
5053:
5051:
5050:Samba-chulado
5048:
5046:
5043:
5042:
5040:
5036:
5033:
5029:
5015:
5012:
5010:
5007:
5006:
5004:
5000:
4994:
4991:
4989:
4986:
4984:
4981:
4979:
4976:
4974:
4971:
4970:
4968:
4964:
4958:
4955:
4953:
4950:
4948:
4945:
4943:
4940:
4936:
4933:
4931:
4930:Bahian pagode
4928:
4927:
4926:
4923:
4921:
4918:
4916:
4913:
4912:
4910:
4906:
4903:
4899:
4896:
4894:
4890:
4884:
4881:
4877:
4874:
4872:
4869:
4867:
4864:
4863:
4862:
4859:
4857:
4854:
4852:
4849:
4845:
4840:
4837:
4833:
4830:
4828:
4825:
4823:
4820:
4819:
4818:
4815:
4813:
4810:
4808:
4805:
4803:
4800:
4798:
4795:
4793:
4790:
4784:
4781:
4780:
4777:
4772:
4769:
4767:
4764:
4763:
4762:
4759:
4755:
4752:
4748:
4743:
4740:
4736:
4731:
4728:
4726:
4723:
4722:
4721:
4718:
4716:
4713:
4709:
4708:Vigilante rap
4706:
4704:
4701:
4699:
4696:
4695:
4694:
4691:
4689:
4686:
4684:
4681:
4680:
4678:
4676:
4672:
4666:
4663:
4661:
4658:
4654:
4651:
4650:
4649:
4646:
4645:
4643:
4641:
4637:
4633:
4625:
4620:
4618:
4613:
4611:
4606:
4605:
4602:
4590:
4589:
4578:
4577:
4574:
4568:
4565:
4563:
4560:
4558:
4555:
4553:
4550:
4548:
4545:
4543:
4540:
4538:
4535:
4533:
4530:
4528:
4525:
4521:
4518:
4516:
4515:Record player
4513:
4511:
4508:
4507:
4506:
4503:
4501:
4498:
4496:
4493:
4492:
4490:
4486:
4476:
4473:
4471:
4468:
4464:
4461:
4460:
4459:
4456:
4455:
4453:
4451:
4445:
4439:
4436:
4434:
4431:
4430:
4428:
4426:
4420:
4413:
4410:
4408:
4405:
4403:
4400:
4398:
4395:
4393:
4390:
4388:
4385:
4384:
4383:
4376:
4373:
4371:
4368:
4366:
4363:
4359:
4356:
4354:
4351:
4350:
4349:
4346:
4342:
4339:
4337:
4334:
4332:
4329:
4328:
4327:
4324:
4320:
4317:
4315:
4312:
4310:
4307:
4305:
4302:
4300:
4297:
4296:
4295:
4292:
4288:
4285:
4283:
4280:
4278:
4277:New York City
4275:
4273:
4270:
4268:
4265:
4264:
4263:
4260:
4259:
4258:
4253:
4251:
4245:
4239:
4236:
4234:
4231:
4229:
4226:
4224:
4223:Saudi Arabian
4221:
4219:
4216:
4214:
4211:
4209:
4206:
4204:
4201:
4199:
4196:
4194:
4191:
4190:
4188:
4186:
4180:
4174:
4171:
4169:
4166:
4164:
4161:
4159:
4156:
4154:
4151:
4149:
4146:
4144:
4141:
4139:
4136:
4134:
4131:
4129:
4126:
4124:
4121:
4119:
4116:
4114:
4111:
4109:
4106:
4104:
4101:
4099:
4096:
4094:
4091:
4089:
4086:
4084:
4081:
4079:
4076:
4074:
4071:
4069:
4066:
4064:
4061:
4059:
4056:
4054:
4051:
4049:
4046:
4044:
4041:
4037:
4034:
4032:
4029:
4028:
4027:
4024:
4022:
4019:
4017:
4014:
4012:
4009:
4007:
4004:
4003:
4001:
3999:
3993:
3987:
3984:
3982:
3979:
3977:
3974:
3972:
3969:
3967:
3964:
3962:
3959:
3957:
3954:
3952:
3949:
3947:
3944:
3942:
3939:
3937:
3934:
3932:
3929:
3925:
3922:
3921:
3920:
3917:
3915:
3912:
3910:
3907:
3905:
3902:
3900:
3897:
3895:
3892:
3891:
3889:
3887:
3881:
3875:
3872:
3870:
3867:
3865:
3862:
3860:
3857:
3855:
3854:South African
3852:
3850:
3847:
3845:
3842:
3838:
3837:Port Harcourt
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3618:Vigilante rap
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3588:Nuyorican rap
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3141:Freestyle rap
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3099:Chipmunk soul
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2136:revista piauí
2133:
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2101:
2085:
2081:
2075:
2059:
2058:kondzilla.com
2055:
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2008:
2004:
1998:
1990:
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1496:September 13,
1491:
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1298:
1297:glamorization
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1278:public health
1275:
1274:sex education
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1143:
1142:Deize Tigrona
1139:
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1131:
1127:
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1121:post-feminist
1117:
1113:
1109:
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1042:
1041:Deize Tigrona
1038:
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1018:
1009:
1006:
1002:
995:Beat Bruxaria
992:
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891:
890:South African
887:
883:
876:Funk mandelão
873:
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744:Pabllo Vittar
741:
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608:John Travolta
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533:
530:According to
528:
526:
522:
518:
514:
510:
505:
503:
499:
495:
490:
488:
484:
483:African music
480:
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264:funk paulista
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72:
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65:
62: –
61:
57:
56:Find sources:
50:
44:
43:
39:
34:This article
32:
28:
23:
22:
19:
5531:Funk carioca
5433:Funk carioca
5432:
5217:Hip hop tuga
5101:Samba reggae
5075:Samba-raiado
5070:Samba junino
5045:Samba-batido
5031:Bahian samba
4988:Samba reggae
4957:Samba-enredo
4947:Samba-canção
4942:Partido alto
4771:Electrobrega
4584:
4532:Hip hop skit
4527:Drum machine
4488:Other topics
4381:
4282:Philadelphia
4256:
3725:Funk carioca
3724:
3675:Ghetto house
3533:Boomba music
3423:Hip hop soul
3336:Sample drill
3331:Jersey drill
3158:Instrumental
2838:
2835:Funk Carioca
2834:
2789:. Retrieved
2784:
2774:
2765:
2753:. Retrieved
2743:
2717:. Retrieved
2706:
2694:. Retrieved
2684:
2672:. Retrieved
2662:
2650:. Retrieved
2640:
2628:. Retrieved
2624:
2615:
2603:. Retrieved
2599:
2590:
2578:. Retrieved
2574:
2564:
2552:. Retrieved
2548:
2539:
2527:. Retrieved
2523:
2514:
2502:. Retrieved
2498:the original
2488:
2459:. Retrieved
2449:
2435:
2421:
2409:. Retrieved
2399:
2387:. Retrieved
2383:the original
2373:
2361:. Retrieved
2351:
2339:. Retrieved
2329:
2317:. Retrieved
2314:resetera.com
2313:
2304:
2292:. Retrieved
2288:the original
2278:
2266:. Retrieved
2261:
2252:
2240:. Retrieved
2235:
2211:. Retrieved
2206:
2196:
2184:. Retrieved
2176:
2167:
2158:
2152:
2140:. Retrieved
2135:
2126:
2114:. Retrieved
2110:Carnavalesco
2109:
2100:
2088:. Retrieved
2083:
2074:
2062:. Retrieved
2057:
2048:
2036:. Retrieved
2031:
2022:
2010:. Retrieved
2006:
1997:
1983:
1969:
1960:
1951:
1942:
1933:
1925:www.vice.com
1924:
1915:
1906:
1897:
1887:February 13,
1885:. Retrieved
1881:the original
1876:
1867:
1853:
1842:
1833:
1821:. Retrieved
1816:
1807:
1788:
1782:
1773:
1764:
1755:
1745:
1728:
1718:
1708:December 11,
1706:. Retrieved
1702:
1692:
1683:
1674:
1664:December 11,
1662:. Retrieved
1658:
1648:
1636:. Retrieved
1631:
1622:
1610:. Retrieved
1606:the original
1581:. Retrieved
1567:
1548:
1538:
1523:
1506:
1494:. Retrieved
1489:
1479:
1467:. Retrieved
1456:
1447:
1430:
1404:. Retrieved
1399:
1374:. Retrieved
1370:
1360:
1306:
1302:
1294:
1267:
1263:
1246:
1226:Pon de Floor
1211:
1206:
1204:
1199:
1193:
1189:
1180:
1176:
1158:
1153:Irma Records
1150:
1137:
1136:released by
1133:
1129:
1116:Resonance Fm
1107:
1105:
1082:
1077:
1068:
1067:in 2004 and
1064:
1057:Resonance Fm
1053:Funk Carioca
1045:Bruno Verner
1030:
1021:
1019:
1015:
998:
982:
974:Arlindo Cruz
961:
958:
946:
937:Soviet Union
914:
886:Praia Grande
879:
863:
860:Funk 150 BPM
847:
819:
804:
788:
781:
759:
733:
725:
716:funk carioca
715:
707:
703:
683:
675:
673:
637:
631:
629:
615:
601:
593:
589:
584:
580:
576:
573:
571:
556:
544:
529:
525:black people
521:racial pride
506:
491:
467:Bounce music
436:
381:
358:influences.
347:
335:discotheques
324:
306:-influenced
299:
295:
291:
287:
275:Funk carioca
274:
273:
259:melodic funk
218:Drum machine
178:electro-funk
126:Funk carioca
107:
98:
88:
81:
74:
67:
55:
35:
18:
5485:Rare groove
5465:Liquid funk
5460:Funky house
5453:Rasteirinha
5438:Funk melody
5372:Funktronica
5284:Latin music
5084:Urban sambo
5038:Rural sambo
4973:Samba-choro
4842: [
4832:Rasteirinha
4822:Funk melody
4783:Tecno brega
4774: [
4745: [
4733: [
4630:Music from
4552:Video vixen
4547:Synthesizer
4520:Turntablism
4505:Disc jockey
4438:New Zealand
4218:Palestinian
4113:Montenegrin
3904:Bangladeshi
3899:Azerbaijani
3638:Derivatives
3623:Zenji flava
3598:Songo-salsa
3528:Bongo flava
3408:Country rap
3296:Memphis rap
3279:Mafioso rap
3274:Gangsta rap
3249:Underground
3244:Turntablism
3168:Chicano rap
3070:Hipster hop
3065:Alternative
2839:Música Soul
2791:December 5,
2504:December 5,
2461:December 5,
2389:December 5,
2363:December 5,
2341:December 5,
1774:Hashtag Pop
1684:MasterClass
1638:December 8,
1290:favelização
1270:promiscuity
1222:Major Lazer
1218:Cough Cough
1159:The artist
1093:DJ Marlboro
1022:Favela Chic
949:drift phonk
902:synthesizer
826:tambourines
816:Rasteirinha
810:Rasteirinha
756:Funk melody
750:Funk melody
712:DJ Marlboro
626:Bailes funk
620:DJ Marlboro
567:Afro-Latino
536:Planet Rock
532:DJ Marlboro
487:Latin music
471:New Orleans
463:Puerto Rico
412:slave trade
392:Latin music
316:gangsta rap
308:music genre
288:favela funk
232:synthesizer
202:Mid-1980s,
152:Favela funk
146:Other names
5525:Categories
5500:Swamp rock
5490:Samba rock
5480:Post-disco
5365:Funk metal
5340:Avant-funk
5326:Funk music
5243:East Timor
5207:Desgarrada
5202:Chamarrita
5174:Marrabenta
5166:Mozambique
5123:Cape Verde
5096:Samba afro
5065:Samba duro
5014:Samba rock
4983:Samba-jazz
4978:Samba-funk
4920:Bossa nova
4839:Guitarrada
4797:Chamarrita
4766:Brega funk
4754:Samba rock
4742:Rock Rural
4433:Australian
4412:Salvadoran
4348:West Coast
4294:Midwestern
4272:New Jersey
4262:East Coast
4108:Macedonian
4083:Portuguese
3976:Sri Lankan
3966:Philippine
3931:Indonesian
3874:Zimbabwean
3849:Senegalese
3687:Glitch hop
3680:Ghettotech
3649:Electronic
3538:Cumbia rap
3498:Trap metal
3433:Industrial
3348:Latin trap
3307:Trap music
3291:Horrorcore
3234:Snap music
3218:Religious
3185:Mumble rap
3180:Miami bass
3136:East Coast
3029:Golden age
3024:New school
3019:Old-school
2983:Production
2936:Battle rap
2919:Beatboxing
2755:August 18,
2719:August 18,
2696:August 18,
2674:August 18,
2652:August 18,
2411:August 18,
2294:August 12,
2268:August 12,
2242:August 12,
2213:August 12,
2186:August 12,
2173:"Geraldão"
2142:August 12,
2116:August 13,
2090:August 13,
2064:August 12,
2038:August 17,
1817:Globo News
1632:EBC Rádios
1583:August 18,
1469:August 18,
1376:August 18,
1333:References
1327:Miami bass
1253:heavy bass
1151:In Italy,
966:cavaquinho
929:Kazakhstan
830:beatboxing
730:Brega funk
692:Miami bass
632:baile funk
577:black soul
547:Miami bass
388:Miami bass
312:Miami bass
292:baile funk
223:turntables
173:Miami bass
155:baile funk
71:newspapers
38:references
5470:Neurofunk
5448:Proibidão
5418:Acid jazz
5387:Jazz-funk
5360:Funk rock
5355:Free funk
5350:Deep funk
5345:Brit funk
5268:Sri Lanka
5141:Coladeira
4730:Forrocore
4495:Auto-Tune
4475:Colombian
4458:Brazilian
4397:Dominican
4353:Northwest
4314:Wisconsin
4267:Baltimore
4173:Ukrainian
4153:Slovenian
4118:Norwegian
4093:Icelandic
4088:Hungarian
4043:Bulgarian
3981:Taiwanese
3971:Singapore
3961:Pakistani
3951:Mongolian
3946:Malaysian
3859:Tanzanian
3817:Mauritian
3730:Reggaeton
3702:Freestyle
3658:Breakbeat
3523:Afroswing
3489:Rap metal
3468:Rap opera
3428:Hip house
3316:Afro trap
3269:Dirty rap
3222:Christian
3207:Conscious
3202:Political
3129:Crunkcore
3114:Cloud rap
3045:Subgenres
2973:Festivals
2630:August 1,
2625:The FADER
2605:August 1,
2600:The FADER
2580:August 1,
2554:August 1,
2549:The FADER
2529:August 1,
2457:. discogs
2359:. discogs
2337:. discogs
2178:immub.org
2007:Soundtrap
1877:Kondzilla
1737:1696-2060
1406:August 1,
1260:Criticism
1148:in 2008.
1001:Sao Paulo
978:Mr. Catra
882:São Paulo
844:Rave funk
834:reggaeton
822:atabaques
801:Proibidão
795:Proibidão
787:emerging
784:São Paulo
722:Subgenres
700:freestyle
630:The term
439:Caribbean
424:candomble
408:freestyle
400:candomble
254:Proibidão
245:Subgenres
190:freestyle
5423:Afrobeat
5184:Portugal
4915:Batucada
4866:Funknejo
4827:Funknejo
4587:Category
4510:DJ mixer
4463:Brasília
4424:Oceanian
4387:Canadian
4326:Southern
4228:Tunisian
4213:Lebanese
4198:Egyptian
4128:Romanian
4048:Croatian
4036:Scottish
4011:Austrian
4006:Albanian
3997:European
3956:Nepalese
3936:Japanese
3894:Armenian
3864:Togolese
3844:Nigerien
3832:Nigerian
3827:Namibian
3822:Moroccan
3812:Malawian
3797:Ghanaian
3787:Botswana
3782:Beninese
3772:Algerian
3697:Illbient
3603:Scam rap
3578:Motswako
3563:Igbo rap
3514:Regional
3503:Nu metal
3478:Trip hop
3473:Rap rock
3458:Punk rap
3438:Jazz rap
3341:UK drill
3260:Hardcore
3239:Southern
3195:Chap hop
3190:Nerdcore
3092:Road rap
3077:Boom bap
2956:Feminism
2951:Activism
2912:Emceeing
2905:Graffiti
2891:Breaking
2729:cite web
2319:June 30,
2012:June 15,
1823:April 2,
1612:June 12,
1577:Archived
1437:Archived
1416:cite web
1350:Archived
1316:See also
1089:Bulgaria
985:Ludmilla
955:Pagofunk
939:states.
910:computer
908:and the
659:area of
657:Zona Sul
612:Bee Gees
551:afrobeat
455:Barbados
362:Overview
356:Afrobeat
206:, Brazil
101:May 2015
5510:Zamrock
5411:Related
5397:Nu-funk
5277:Related
5156:Tabanka
5131:Batuque
4993:Sambass
4883:Vanerão
4856:Seresta
4792:Calypso
4703:Stronda
4648:Kizomba
4542:Sampler
4470:Chilean
4407:Mexican
4402:Haitian
4336:Memphis
4331:Atlanta
4304:Detroit
4299:Chicago
4233:Turkish
4208:Israeli
4203:Iranian
4163:Swedish
4158:Spanish
4143:Serbian
4138:Russian
4103:Italian
4063:Finnish
4026:British
4016:Belgian
3914:Chinese
3909:Burmese
3869:Zambian
3802:Ivorian
3792:Gambian
3777:Angolan
3763:African
3608:Stronda
3573:Low bap
3558:Hiplife
3448:Pop rap
3418:Emo rap
3413:Electro
3399:General
3373:UK trap
3151:Jerkin'
3109:Chopper
3087:British
3056:General
3002:History
2988:Theater
2946:Fashion
2929:Culture
2878:Hip hop
2785:NPR.org
2405:"Edu K"
2236:O Globo
1907:O Globo
1516:O Globo
1310:favelas
1207:Gringão
1185:favelas
1097:ghettos
1085:Romania
962:A Forma
925:Belarus
921:Ukraine
906:sampler
892:leader
854:Kevinho
696:electro
513:favelas
479:hip hop
443:Jamaica
404:hip-hop
398:music,
376:favelas
352:carioca
346:, from
331:parties
304:hip hop
302:, is a
236:rapping
228:sampler
184:hip hop
85:scholar
5495:Skweee
5475:P-Funk
5377:G-funk
5333:Genres
5146:Funaná
4925:Pagode
4675:Brazil
4660:Kuduro
4640:Angola
4358:Alaska
4238:Yemeni
4193:Arabic
4148:Slovak
4133:Romany
4123:Polish
4073:German
4068:French
4031:Celtic
3941:Korean
3919:Indian
3807:Kenyan
3568:Kwaito
3286:G-funk
3227:Jewish
3119:Comedy
3082:Bounce
2993:Genres
2524:Mixmag
1795:
1735:
1249:Durban
989:Molejo
933:Europe
766:Perlla
762:Anitta
704:bailes
684:bailes
650:, and
583:, and
422:, and
327:Brazil
87:
80:
73:
66:
58:
5505:Timba
5382:Go-go
5258:Macau
5236:Other
5222:Pimba
5197:Chula
5151:Morna
4893:Samba
4846:]
4817:Frevo
4812:Forró
4807:Chula
4802:Choro
4778:]
4761:Brega
4749:]
4737:]
4688:Baião
4665:Semba
4392:Cuban
4370:Latin
4341:Miami
4319:Omaha
4168:Swiss
4098:Irish
4078:Greek
4058:Dutch
4053:Czech
3885:Asian
3717:Other
3707:Wonky
3692:Grime
3553:Hipco
3543:Genge
3463:Ragga
3368:Tread
3358:Plugg
3353:Phonk
3321:Drill
3163:Latin
3146:Hyphy
3124:Crunk
2978:Music
2941:Dance
2898:DJing
2787:. NPR
1961:IstoE
1173:Diplo
1165:Diplo
1126:queer
970:choro
898:piano
736:brega
688:Miami
680:disco
665:psych
598:disco
581:shaft
563:Rocky
559:stabs
538:" by
459:Haiti
420:vodun
384:samba
348:baile
92:JSTOR
78:books
5212:Fado
5136:Colá
3986:Thai
3924:Desi
3363:Rage
3175:Lofi
2968:LGBT
2837:and
2793:2013
2757:2013
2735:link
2721:2013
2698:2013
2676:2013
2654:2013
2632:2024
2607:2024
2582:2024
2556:2024
2531:2024
2506:2013
2463:2013
2413:2013
2391:2008
2365:2013
2343:2013
2321:2024
2296:2021
2270:2021
2244:2021
2215:2021
2188:2021
2161:(6).
2144:2021
2118:2021
2092:2021
2066:2021
2040:2023
2014:2024
1889:2020
1825:2017
1793:ISBN
1733:ISSN
1710:2022
1666:2022
1640:2022
1614:2014
1585:2013
1498:2022
1471:2013
1422:link
1408:2023
1378:2013
1295:The
1243:Gqom
1087:and
1047:and
927:and
836:and
828:and
708:funk
694:and
669:funk
652:soul
648:jazz
644:rock
585:funk
498:soul
496:and
494:funk
485:and
447:Cuba
406:and
320:funk
314:and
300:funk
294:and
158:funk
64:news
5248:Goa
4683:Axé
1553:doi
1292:).
1224:'s
1161:MIA
1026:BMG
838:axé
661:Rio
640:pop
523:of
511:'s
414:in
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