363:
he too has a ticket for the voyage to Africa. Garry tries to get him to leave, but as the doorbell rings a third time Roland bolts into the spare room and locks the door. The third caller is Joanna, who has also bought a ticket for the Africa voyage and has written a letter to Henry and Morris telling them everything. Liz arrives and saves the tottering situation, announcing that she too is travelling to Africa.
678:
many references to Coward's own life. Monica is "unmistakably Lorn
Loraine", Coward's long-serving and much-loved secretary. Morris has been seen as Coward's agent and sometime lover Jack Wilson, and Henry as Binkie Beaumont. Liz, played originally by Joyce Carey, is thought to be based partly on the actress herself, who was a member of Coward's inner circle.
362:
A week later, on the eve of Garry's departure on tour in Africa, he is once more alone in the flat. The doorbell rings and Daphne enters saying she has a ticket to sail with him to Africa. The doorbell rings again, and Daphne retreats to an adjoining room. The new caller is Roland, who announces that
177:
had been forming in Coward's mind over the previous three years, but he recalled in his memoirs that once he began writing it, the play was completed in six days. He described it as "a very light comedy ... written with the sensible object of providing me with a bravura part". He planned to appear in
785:
noted that "beneath the frantic surface is a subtle depiction of a man trapped by fame and his own image. ... Garry ... eagerly milks melodrama, hammily proclaiming his misfortunes, namely of being in perpetual service to his entourage. And having "acted" for so long offstage, he's reached the point
677:
wrote, "what a wonderful play it would be if – as Coward must have wanted – all those love affairs were about homosexuals". Whether or not Coward would have agreed, in the 1940s the transformation of real-life gay relationships into onstage straight ones was essential. The play nevertheless contains
314:
Daphne
Stillington, a young admirer of the actor Garry Essendine, has inveigled herself into the flat and has spent the night there. Garry is still asleep, and while waiting for him to wake, Daphne encounters in turn three of his employees: the housekeeper (Miss Erikson), valet (Fred), and secretary
366:
Henry and Morris arrive and berate Garry for his night with Joanna. Garry fights back by revealing the details of Morris and Joanna's affair, and Henry's extramarital adventures. Joanna angrily slaps Garry's face and leaves for good. Her departure goes unnoticed because Garry, Henry and Morris have
353:
Frantic comings and goings follow, with the flustered arrivals and departures of Morris and Henry, Roland's pursuit of Garry, and the arrival of a Lady
Saltburn, to whose niece Garry has promised an audition. The niece turns out to be Daphne Stillington, who recites the same Shelley poem, "We Meet
349:
Joanna emerges from the spare room wearing Garry's pyjamas just as Daphne did in Act I. She too encounters Miss
Erikson, Fred, and then Monica, who is horrified at her presence in such compromising circumstances. Liz arrives and puts pressure on Joanna by threatening to tell Morris that Joanna has
318:
Liz
Essendine, who left Garry years ago, nevertheless remains part of his tightly-knit 'family' along with Monica and his manager, Morris Dixon, and producer, Henry Lyppiatt. Liz tells Garry that she suspects that Morris is having an affair with Henry's glamorous wife Joanna, and is concerned that
702:
added, "One is tempted to cast discretion to the winds and predict that this will be remembered as the best comedy of its kind and generation ... one of those rare occasions when the critic must claim the privilege of his fellow-playgoers, simply to marvel, admire, and enjoy wholeheartedly." When
189:, told Coward that he would do more good for the war effort by entertaining the troops and the home front: "Go and sing to them when the guns are firing – that's your job!" Though disappointed, Coward followed this advice. He toured, acted and sang indefatigably in Europe, Africa and Asia.
33:
378:
Liz pours Garry a brandy and tells him she is not only going to Africa with him but is coming back to him for good. Garry suddenly remembers Daphne and Roland lurking in the adjoining rooms and tells Liz: "You're not coming back to me... I'm coming back to you", and they tiptoe out.
340:
Garry, alone in the flat, answers the doorbell to find Joanna. She claims (like Daphne in Act I) to have forgotten her own door key and asks Garry to accommodate her in his spare room. He correctly suspects her motives, but after much skirmishing allows himself to be seduced.
653:
called the play "among the most shameless, if liveliest, self-addressed valentines in theater history." Coward repeats one of his signature theatrical devices at the end of the play, where the main characters tiptoe out as the curtain falls – a device that he also used in
367:
become embroiled in what for them is a much more serious row when it emerges that Henry and Morris have committed Garry to appear at what he considers a shockingly unsuitable theatre. Garry objects: "I will not play a light French comedy to an auditorium that looks like a
90:
Coward starred as Garry during the original run, which began with a long provincial tour to accommodate wartime audiences. He reprised the role in the first
British revival and later in the United States and Paris. Subsequent productions have featured
326:
Morris and Henry arrive and discuss theatrical business with Garry. Henry leaves for a business trip abroad, and Garry privately interrogates Morris, who denies that he is having an affair with Joanna. Garry telephones Liz to reassure her.
350:
spent the night with Garry. Joanna retreats to the spare room when the doorbell rings, but the caller is not Morris but Roland Maule, who says he has an appointment with Garry. Monica leads him to an adjacent room to wait for Garry.
78:
The plot depicts a few days in the life of the successful and self-obsessed light comedy actor Garry
Essendine as he prepares to travel for a touring commitment in Africa. Amid a series of events bordering on
798:
agreed, noting that the leading character's surname, Essendine, is an anagram of "neediness", and commented, "Coward's comedy asks us to wonder: who needs whom most – the sun or the planets that orbit it?"
692:
commented, "Mr Coward's production is so inventive, and his own performance so adroit in its mockery of the vain, posturing, and yet self-scrutinising and self-amused matinee idol, that
185:
Between the outbreak of war and 1942 Coward worked for the
British government, first in its Paris propaganda office and then for the secret service. In 1942 the prime minister,
1898:
736:. It presents a masterly, exaggerated picture not only of the playwright but of his whole household, his court, his admirers, his lifestyle and his era." Brantley observed in
354:
Not as We Parted", with which he bade her farewell in Act I. Joanna flounces out from the spare room, Daphne faints with horror, Roland is entranced, and Garry is apoplectic.
83:, Garry has to deal with women who want to seduce him, placate both his long-suffering secretary and his wife, cope with a crazed young playwright, and overcome his impending
323:, whose play Garry has rashly agreed to critique. Liz leaves, and Roland rapidly becomes obsessively fascinated by Garry, who gets him off the premises as quickly as he can.
2925:
387:
The play has been regularly revived. Coward directed and starred in the first West End revival, in 1947. It ran for 528 performances; Carey once again played Liz,
1392:
792:, remarked that Garry's "susceptibility to flattery stems from a deep well of loneliness ... neediness ... drives Garry's hunger for affection". The reviewer of
1683:
208:
in London. Coward countered that in wartime conditions, "the provinces can't come to the West End any more, therefore the West End must go to the provinces".
2909:
1480:
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praised it as "a wittily impudent and neatly invented burlesque of a French farce." When it was first seen in the West End without Coward, in 1959,
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754:
said that despite its period setting the play was timeless, and commented, "As in all the greatest comedies in the language, those of
Shakespeare,
1029:
415:
492:
as Garry and closed in March 1947 after 158 performances. In 1958 Coward appeared in New York, San
Francisco and Los Angeles as Garry with
234:". After playing in twenty-two towns and cities in England, Scotland and Wales, the tour ended with a six-week run at the Haymarket.
1209:
2965:
2949:
319:
this might break up the family. Their discussion is interrupted by the arrival of Roland Maule, an aspiring young playwright from
315:(Monica). None of them display any surprise at her presence. Garry finally wakes and with practised smoothness ushers Daphne out.
1654:
2146:
2127:
2105:
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2067:
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2019:
1997:
1974:
1955:
2219:
2957:
2778:
772:, found the play "deeply unpleasant ... misogynistic and snobbish". Two years later the same paper's chief drama critic,
87:(he has recently turned forty). The character is a caricature of the author's real-life persona, as Coward acknowledged.
533:, with the central character renamed Max Aramont. The production toured, beginning in Brussels, before opening at the
2917:
1497:
3011:
2212:
63:
began while it was in rehearsal, and the British theatres closed. The title is drawn from a song in Shakespeare's
630:
161:, depicted the affairs of a star actor. The title "Present Laughter" is drawn from the song "O mistress mine" in
17:
2709:
649:
Coward acknowledged that the central character, the egocentric actor Garry Essendine, was a self-caricature.
75:("present mirth hath present laughter"). The play has been frequently revived in Britain, the US and beyond.
1852:
589:
as Daphne, and Joy Parker (Scofield's real wife) as Liz. In April 2013, a radio adaptation was broadcast on
3026:
2471:
2340:
1050:
375:." When that row has blown itself out, it is business as usual and Henry and Morris leave in good humour.
2690:
2631:
2388:
2259:
773:
463:
2717:
762:, the wit is both in the situations and the language." Reviewing the 2016 revival starring Samuel West,
750:
lies in its suggestion that actorly exaggeration and inner honesty are not mutually exclusive." In 1998
534:
2191:
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1379:
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was first staged at the beginning of a 25-week tour of Britain by Coward and his cast. His producer,
182:
began on 2 September; all theatres were closed by government order, and the production was shelved.
178:
both the new plays in the autumn of 1939, and they were in rehearsal for a pre-London tour when the
2842:
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As part of the "Play of the Week" series in August 1964 four Coward plays directed and produced by
1875:
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was first staged in the US in 1946; after an out-of-town tour it opened on 29 October 1946 at the
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In April and May 1939 Coward wrote two contrasting comedies, both with titles drawn from
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1907:
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in 1995, "Yes, Coward was a terrible snob, and there is a certain smugness about
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217:
216:
on 20 September 1942, Coward directed and the sets and costumes were designed by
201:
124:
84:
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where no one is willing to believe him when trying to be himself." Another, in
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128:
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Broadway Revival Info & Multimedia (BroadwayWorld International Database)
1985:
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546:
509:
447:
419:
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400:
292:
163:
100:
92:
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2096:
Mander, Raymond; Mitchenson, Joe; Day, Barry Day; Morley, Sheridan (2000) .
1903:
review, The Old Vic: Andrew Scott shines in glorious, revelatory production"
890:. "This happy breed", referring to the English nation, is a quotation from
713:
commented, "plays as funny as this are no longer being written in England."
496:
as Joanna. American successors in the role of Garry Essendine have included
2503:
2407:
2356:
2283:
2171:
2029:
1934:
1012:
957:
936:
911:
768:
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650:
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as Liz. The 1981 West End production starring Donald Sinden was filmed for
570:
562:
489:
439:
431:
427:
388:
286:
274:
256:
116:
108:
104:
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that it's best not to examine too closely", but, "The sneaking wisdom of
717:
626:
590:
513:
471:
459:
451:
280:
268:
132:
696:
is likely to be future mirth for as long as Mr Coward cares to run it."
2479:
2439:
2204:
1775:
1121:
1096:
1037:
435:
169:
153:, was set in a modest suburban household; the other, originally titled
71:
399:
in July 1947. The first West End revival after that was in 1965, with
204:, was opposed to so long a provincial tour, and wanted to open at the
2051:
1319:
1058:
705:
493:
423:
306:
All three acts of the play are set in Garry Essendine's London flat.
213:
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in Paris in 1948. In September 1996 a new French adaptation, titled
1007:
He won the Olivier Award for the role. The production, directed by
320:
32:
2163:
The Complete Works of William Shakespeare: The Cambridge Edition
230:; the three were advertised collectively as "Noel Coward in his
1210:"Coward, Sir Noël Peirce (1899–1973), playwright and composer"
844:
724:
is one of Coward's four great comedies of manners, along with
80:
876:
838:
1688:; Sinfully Charming, Noel Coward's 'Me' Requires Charisma"
1506:
867:
558:
414:(1978), who also played the role in a production at the
1216:, Oxford University Press, 2011. Retrieved 12 May 2019
703:
Coward brought the play back to the Haymarket in 1947,
1154:
Coward (1954), p. 3; and Mander and Mitchenson, p. 353
879:
873:
841:
686:
The notices for the first production were excellent.
529:
Coward directed and starred in a French translation,
173:("present mirth hath present laughter"). The plot of
1382:, British Theatre Guide, 2007. Retrieved 11 May 2019
882:
864:
861:
847:
835:
832:
1591:, Internet Broadway Database. Retrieved 11 May 2019
870:
829:
779:Reviewing the 2019 Old Vic production, a critic in
2055:
1943:
681:
1721:, 27 December 1998, p. 9 (Arts and books section)
1426:Nightingale, Benedict. "Hungry for ham and ego",
395:played Roland. Coward handed on the lead role to
3003:
1600:Mander and Mitchenson, p. 353; and Hoare, p. 379
802:
406:Notable successors in the role of Garry include
59:in 1939 but not produced until 1942 because the
1876:"Andrew Scott, brilliance and dark mischief in
1579:, BroadwayWorld.com. Retrieved 25 January 2010
1028:Fairbanks played Garry in a production at the
644:
220:. The repertory of the tour also consisted of
2220:
1065:as Roland Maule. It ran for 175 performances.
1354:Billington, Michael. "Coward without camp",
823:in the title is pronounced as the adjective
2155:
1678:
1676:
1199:Coward (1979), unnumbered introductory page
1049:Scott directed and starred in a revival at
549:in the lead role, now named Jean Delecour.
450:as Garry. More recent Garrys have included
2227:
2213:
1341:"A Charmed Circle Keeps its Comic Magic",
1563:
1561:
1516:"Andrew Scott wins British theatre award"
896:, Act 2, Scene 1; "sweet sorrow" is from
2234:
1717:Peter, John. "All present and correct",
1673:
1074:Langella starred in a production at the
31:
1842:, 27 June 1993, p. 8 (Features section)
1551:
1549:
1530:
1528:
1526:
1524:
1214:Oxford Dictionary of National Biography
1132:as Monica. It ran for 101 performances.
577:played the lead role for the BBC, with
446:revived the play in 2007 and 2008 with
14:
3004:
2136:
2114:
2076:
1983:
1941:
1924:
1558:
776:, called it an "imperishable comedy".
633:starring Peter O'Toole as Garry, with
192:
43:(Garry) in the original production of
2208:
2028:
1984:Farley, Alan (2013). "Interview with
1713:
1711:
1498:"Andrew Scott wins Olivier Award for
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1473:
1455:
1453:
1422:
1420:
1374:
1372:
1370:
1368:
1366:
1364:
1150:
1148:
1015:as Liz, who also won an Olivier, and
2050:
2006:
1834:Sherrin, Ned. "Noel's house party –
1546:
1521:
1326:
336:Scene 1, midnight, three days later.
2100:(second ed.). London: Oberon.
1964:
1632:, BBC Genome. Retrieved 11 May 2019
1616:, BBC Genome. Retrieved 11 May 2019
1577:"Present Laughter Cast Information"
24:
1708:
1567:Mander and Mitchenson, pp. 356–357
1470:
1450:
1417:
1361:
1290:Mander and Mitchenson, pp. 345–346
1202:
1145:
561:broadcast a radio production with
25:
3038:
2179:
593:, starring Samuel West as Garry.
1410:"Donald Sinden in Coward play",
857:
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237:
1891:
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1022:
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984:
967:
946:
929:
905:
682:Critical reception and analysis
631:1967 ITV broadcast a production
2718:Pretty Polly and Other Stories
2187:Present Laughter
2098:Theatrical Companion to Coward
2036:. London: Sinclair-Stevenson.
1226:
1193:
1184:
1175:
1166:
1157:
813:
519:
167:, Act 2, Scene 3, which urges
13:
1:
2156:Shakespeare, William (1936).
1992:. Bloomington: Author House.
1555:Mander and Mitchenson, p. 356
1534:Mander and Mitchenson, p. 354
1332:Mander and Mitchenson, p. 346
1268:Mander and Mitchenson, p. 347
1259:Mander and Mitchenson, p. 345
1138:
952:The production also featured
803:Notes, references and sources
596:
138:
2779:The Queen Was in the Parlour
2472:The Queen Was in the Parlour
1220:UK public library membership
1078:from 18 November 1996, with
1051:Circle in the Square Theatre
249:Miss Erikson – Molly Johnson
7:
2389:The Girl Who Came to Supper
2014:. London: Hamish Hamilton.
1091:This production was at the
645:Autobiographical references
464:Chichester Festival Theatre
382:
115:, and in the United States
55:is a comic play written by
27:Play written by Noël Coward
10:
3043:
2299:Noël Coward's Sweet Potato
2192:Internet Broadway Database
1967:The Letters of Noël Coward
1918:
1030:Kennedy Center, Washington
673:In the 1970s the director
416:Kennedy Center, Washington
357:
345:Scene 2, the next morning.
297:Lady Saltburn – Gwen Floyd
2976:
2901:
2770:
2763:
2728:
2701:
2650:
2399:
2324:
2243:
2166:. New York: Garden City.
2137:Morley, Sheridan (2005).
1661:. Retrieved 3 August 2018
1481:"Present Laughter review"
1461:"Present Laughter review"
1430:, 28 February 1996, p. 39
1093:American Airlines Theatre
330:
2034:Noël Coward, A Biography
1414:, 21 January 1981, p. 11
1241:Morley (2005), pp. 76–77
807:
552:
524:
309:
2753:The Noël Coward Diaries
2079:The Life of Noël Coward
1990:Speaking of Noel Coward
1799:, 21 October 1942, p. 6
1797:The Manchester Guardian
1705:Lahr, pp. 36, 84 and 91
1518:, RTÉ, 24 November 2019
1514:, 26 October 2020; and
1279:The Manchester Guardian
935:Finney's cast included
699:The Manchester Guardian
301:
1862:The Hollywood Reporter
1825:, 22 April 1965, p. 16
1778:, "Theatre and Life",
1659:British Film Institute
1345:, 22 April 1965, p. 16
1281:, 15 October 1942, p 1
782:The Hollywood Reporter
557:In September 1956 the
498:Douglas Fairbanks, Jr.
212:was first produced in
47:
2710:Pomp and Circumstance
2077:Lesley, Cole (1976).
2058:Coward the Playwright
1942:Coward, Noël (1979).
1929:. London: Heinemann.
1925:Coward, Noël (1954).
1696:, 9 August 1995, p. 9
1645:, 6 April 2013, p. 27
1479:Billington, Michael.
1439:Billington, Michael.
1323:, 17 April 1947, p. 6
1317:"Haymarket Theatre",
1308:Coward (1979), p. 246
1299:Coward (1979), p. 245
1232:Morley (1974), p. 246
1190:Coward (1954), p. 170
990:Monica was played by
541:was presented at the
252:Fred – Billy Thatcher
243:Daphne Stillington –
121:Douglas Fairbanks Jr.
35:
3012:Plays by Noël Coward
2950:Waiting in the Wings
2691:The Astonished Heart
2632:Waiting in the Wings
2416:I'll Leave It to You
2158:William Aldis Wright
1851:Matheou, Demetrios.
1812:, 23 June 1947, p. 6
1358:, 2 April 1977, p. 8
629:as Roland Maule. In
617:as Garry Essendine,
605:were transmitted on
573:as Joanna. In 1974,
3027:Plays set in London
2640:Suite in Three Keys
2122:. London: Penguin.
2062:. London: Methuen.
1969:. London: Methuen.
1965:Day, Barry (2007).
1950:. London: Methuen.
1730:Hall, 19 April 1976
1398:The Washington Post
1181:Shakespeare, p. 327
1172:Shakespeare, p. 360
1163:Shakespeare, p. 708
1076:Walter Kerr Theatre
973:In this production
855:, and not the verb
789:The Financial Times
535:Théâtre Édouard VII
456:Theatre Royal, Bath
391:played Joanna, and
193:Original production
2737:Present Indicative
2341:Conversation Piece
2268:This Year of Grace
1782:, 2 May 1943, p. 2
1693:The New York Times
1641:"Radio Listings",
1626:"The Monday Play:
1589:"Present Laughter"
1543:Lesley, pp. 177–78
1441:"Present Laughter"
1401:, 16 November 1978
1393:"Merry 'Laughter'"
1380:"Present Laughter"
977:played Monica and
774:Michael Billington
739:The New York Times
583:Patricia Routledge
418:in the same year,
291:Joanna Lyppiatt –
261:Garry Essendine –
48:
2999:
2998:
2995:
2994:
2835:Design for Living
2745:Future Indefinite
2659:In Which We Serve
2592:Peace in Our Time
2544:Design for Living
2260:On with the Dance
2148:978-1-904341-88-8
2129:978-0-14-003863-7
2120:A Talent to Amuse
2107:978-1-84002-054-0
2088:978-0-224-01288-1
2069:978-0-413-48050-7
2043:978-1-85619-265-1
2021:978-0-241-11285-4
2012:Diaries 1972–1980
1999:978-1-4817-7324-9
1976:978-0-7136-8578-7
1957:978-0-413-46120-9
1927:Future Indefinite
1857:: Theater Review"
1757:Hoare, pp. 293–94
1655:"Joan Kemp-Welch"
1610:"John Gielgud in
1500:Pleasant Laughter
1218:(subscription or
1114:St. James Theatre
1055:Elizabeth Hubbard
1032:, in March 1975.
902:, Act 2, Scene 2.
279:Henry Lyppiatt –
206:Haymarket Theatre
187:Winston Churchill
16:(Redirected from
3034:
2966:Look After Lulu!
2958:Present Laughter
2942:Nude with Violin
2926:South Sea Bubble
2768:
2767:
2667:This Happy Breed
2624:Look After Lulu!
2616:Nude with Violin
2600:South Sea Bubble
2576:This Happy Breed
2568:Present Laughter
2229:
2222:
2215:
2206:
2205:
2198:Present Laughter
2175:
2152:
2141:. London: Haus.
2133:
2116:Morley, Sheridan
2111:
2092:
2081:. London: cape.
2073:
2061:
2047:
2025:
2003:
1980:
1961:
1949:
1938:
1912:
1901:Present Laughter
1895:
1889:
1878:Present Laughter
1874:Hemming, Sarah.
1872:
1866:
1855:Present Laughter
1849:
1843:
1840:The Sunday Times
1836:Present Laughter
1832:
1826:
1819:
1813:
1806:
1800:
1793:Present Laughter
1789:
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1767:
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1719:The Sunday Times
1715:
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1697:
1686:Present Laughter
1680:
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1612:Present Laughter
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1448:
1447:, 3 October 2007
1437:
1431:
1424:
1415:
1408:
1402:
1391:Coe, Richard L.
1389:
1383:
1378:Fisher, Philip.
1376:
1359:
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1130:Kristine Nielsen
1112:Produced at the
1110:
1104:
1089:
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1072:
1066:
1047:
1041:
1026:
1020:
1005:
999:
988:
982:
971:
965:
964:as Roland Maule.
950:
944:
933:
927:
909:
903:
899:Romeo and Juliet
889:
888:
885:
884:
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878:
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866:
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849:
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837:
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831:
817:
748:Present Laughter
744:Present Laughter
722:Present Laughter
694:Present Laughter
611:Present Laughter
587:Miriam Margolyes
579:Fenella Fielding
543:Théâtre de Paris
482:Plymouth Theatre
478:Present Laughter
444:National Theatre
267:Liz Essendine –
222:This Happy Breed
210:Present Laughter
198:Present Laughter
180:Second World War
175:Present Laughter
159:Present Laughter
150:This Happy Breed
61:Second World War
52:Present Laughter
45:Present Laughter
21:
3042:
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3037:
3036:
3035:
3033:
3032:
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3002:
3001:
3000:
2991:
2972:
2897:
2875:Relative Values
2859:Meet Me Tonight
2851:We Were Dancing
2827:Tonight Is Ours
2759:
2724:
2697:
2683:Brief Encounter
2646:
2560:Tonight at 8.30
2424:The Better Half
2395:
2320:
2314:Cowardy Custard
2276:Words and Music
2252:London Calling!
2239:
2233:
2182:
2149:
2130:
2108:
2089:
2070:
2044:
2022:
2000:
1977:
1958:
1921:
1916:
1915:
1908:The Independent
1896:
1892:
1885:Financial Times
1880:at the Old Vic"
1873:
1869:
1850:
1846:
1833:
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1682:Brantley, Ben.
1681:
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1487:, 27 April 2018
1478:
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1336:
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1289:
1285:
1277:"Opera House",
1276:
1272:
1267:
1263:
1258:
1254:
1249:
1245:
1240:
1236:
1231:
1227:
1217:
1208:Hoare, Philip.
1207:
1203:
1198:
1194:
1189:
1185:
1180:
1176:
1171:
1167:
1162:
1158:
1153:
1146:
1141:
1136:
1128:as Joanna, and
1111:
1107:
1090:
1086:
1073:
1069:
1048:
1044:
1036:played Liz and
1027:
1023:
1017:Sophie Thompson
1009:Matthew Warchus
1006:
1002:
989:
985:
975:Gabrielle Drake
972:
968:
962:Julian Fellowes
951:
947:
934:
930:
926:, Roland Maule.
916:Phyllis Calvert
914:played Monica,
910:
906:
860:
856:
828:
824:
818:
814:
810:
805:
795:The Independent
684:
647:
603:Joan Kemp-Welch
599:
555:
531:Joyeux Chagrins
527:
522:
502:George C. Scott
385:
373:Wembley Stadium
360:
333:
312:
304:
285:Morris Dixon –
273:Roland Maule –
240:
218:Gladys Calthrop
202:Binkie Beaumont
195:
141:
125:George C. Scott
85:mid-life crisis
28:
23:
22:
18:Garry Essendine
15:
12:
11:
5:
3040:
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2516:
2508:
2500:
2492:
2488:This Was a Man
2484:
2476:
2468:
2460:
2452:
2444:
2436:
2432:The Young Idea
2428:
2420:
2412:
2403:
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2397:
2396:
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2377:
2373:After the Ball
2369:
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2181:
2180:External links
2178:
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2004:
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1981:
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1939:
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1914:
1913:
1911:, 26 June 2019
1897:Taylor, Paul.
1890:
1888:, 26 June 2019
1867:
1865:, 26 June 2019
1844:
1827:
1814:
1801:
1791:"Opera House:
1784:
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1520:
1512:Irish Examiner
1496:Noah, Sherna.
1489:
1469:
1467:, 30 June 2016
1459:Gardner, Lyn.
1449:
1432:
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1126:Cobie Smulders
1105:
1101:Harriet Harris
1084:
1080:Allison Janney
1067:
1061:as Monica and
1042:
1040:played Monica.
1034:Jane Alexander
1021:
1011:also featured
1000:
998:played Joanna.
992:Sarah Woodward
983:
979:Jenny Seagrove
966:
960:as Monica and
954:Dinah Sheridan
945:
928:
924:Richard Briers
922:, Joanna, and
904:
811:
809:
806:
804:
801:
683:
680:
646:
643:
639:BBC Television
635:Honor Blackman
625:as Joanna and
623:Barbara Murray
619:Ursula Howells
615:Peter Wyngarde
598:
595:
567:Nora Swinburne
554:
551:
526:
523:
521:
518:
506:Frank Langella
488:. It featured
393:Robert Eddison
384:
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359:
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255:Monica Reed –
253:
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140:
137:
129:Frank Langella
26:
9:
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4:
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2918:Blithe Spirit
2915:
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2891:Blithe Spirit
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2803:Private Lives
2800:
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2675:Blithe Spirit
2672:
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2584:Blithe Spirit
2581:
2578:
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2573:
2570:
2569:
2565:
2562:
2561:
2557:
2554:
2553:
2552:Point Valaine
2549:
2546:
2545:
2541:
2538:
2537:
2533:
2530:
2529:
2525:
2522:
2521:
2520:Private Lives
2517:
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2509:
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2456:Fallen Angels
2453:
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2030:Hoare, Philip
2027:
2023:
2017:
2013:
2009:
2005:
2001:
1995:
1991:
1987:
1986:Judy Campbell
1982:
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1808:"Haymarket",
1805:
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1766:Hoare, p. 294
1763:
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1748:Hoare, p. 293
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1296:
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1265:
1256:
1250:Farley, p. 14
1247:
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917:
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734:Blithe Spirit
731:
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624:
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584:
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575:Paul Scofield
572:
568:
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547:Michel Sardou
544:
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511:
510:Victor Garber
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469:
466:, 2018), and
465:
461:
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449:
448:Alex Jennings
445:
441:
437:
433:
429:
425:
421:
420:Donald Sinden
417:
413:
412:Peter O'Toole
409:
408:Albert Finney
404:
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401:Nigel Patrick
398:
397:Hugh Sinclair
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364:
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294:
293:Judy Campbell
290:
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245:Jennifer Gray
242:
241:
238:Original cast
235:
233:
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227:Blithe Spirit
223:
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164:Twelfth Night
160:
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122:
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114:
110:
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102:
101:Donald Sinden
98:
97:Peter O'Toole
94:
93:Albert Finney
88:
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82:
76:
74:
73:
68:
67:
66:Twelfth Night
62:
58:
54:
53:
46:
42:
39:(Roland) and
38:
34:
30:
19:
3022:Comedy plays
2985:High Spirits
2983:
2964:
2956:
2948:
2940:
2932:
2924:
2916:
2908:
2889:
2881:
2873:
2867:Pretty Polly
2865:
2857:
2849:
2843:Bitter Sweet
2841:
2833:
2825:
2817:
2811:Bitter Sweet
2809:
2801:
2793:
2785:
2777:
2751:
2743:
2735:
2716:
2708:
2689:
2681:
2673:
2665:
2657:
2638:
2630:
2622:
2614:
2606:
2598:
2590:
2582:
2574:
2567:
2566:
2558:
2550:
2542:
2534:
2526:
2518:
2510:
2504:The Marquise
2502:
2494:
2486:
2478:
2470:
2462:
2454:
2446:
2438:
2430:
2422:
2414:
2408:The Rat Trap
2406:
2387:
2379:
2371:
2365:Ace of Clubs
2363:
2357:Pacific 1860
2355:
2347:
2339:
2333:Bitter Sweet
2331:
2312:
2304:
2298:
2292:Sigh No More
2290:
2284:Set to Music
2282:
2274:
2266:
2258:
2250:
2197:
2186:
2162:
2138:
2119:
2097:
2078:
2057:
2033:
2011:
1989:
1966:
1945:
1926:
1906:
1900:
1893:
1883:
1877:
1870:
1860:
1854:
1847:
1839:
1835:
1830:
1822:
1817:
1809:
1804:
1796:
1792:
1787:
1780:The Observer
1779:
1771:
1762:
1753:
1744:
1739:Lahr, p. 158
1735:
1726:
1718:
1701:
1691:
1685:
1666:
1650:
1642:
1637:
1627:
1621:
1611:
1605:
1596:
1584:
1572:
1539:
1511:
1505:
1499:
1492:
1485:The Guardian
1484:
1465:The Guardian
1464:
1445:The Guardian
1444:
1435:
1427:
1411:
1406:
1396:
1387:
1356:The Guardian
1355:
1350:
1342:
1337:
1328:
1318:
1313:
1304:
1295:
1286:
1278:
1273:
1264:
1255:
1246:
1237:
1228:
1213:
1204:
1195:
1186:
1177:
1168:
1159:
1108:
1099:as Liz, and
1087:
1070:
1045:
1024:
1013:Indira Varma
1003:
986:
969:
958:Gwen Watford
948:
939:as Liz, and
937:Eleanor Bron
931:
912:Avice Landon
907:
897:
891:
820:
815:
793:
787:
780:
778:
769:The Guardian
767:
747:
743:
737:
733:
729:
725:
721:
715:
710:
704:
697:
693:
689:The Observer
687:
685:
672:
667:
661:
655:
651:Ben Brantley
648:
610:
609:, including
600:
571:Mary Wimbush
563:John Gielgud
556:
538:
530:
528:
512:(2010), and
490:Clifton Webb
477:
476:
468:Andrew Scott
442:(2006). The
440:Simon Callow
438:(2003), and
432:Ian McKellen
428:Peter Bowles
405:
389:Moira Lister
386:
377:
365:
361:
352:
348:
339:
325:
317:
313:
305:
287:Dennis Price
275:James Donald
257:Beryl Measor
231:
225:
221:
209:
197:
196:
184:
174:
168:
162:
158:
155:Sweet Sorrow
154:
148:
142:
117:Clifton Webb
113:Andrew Scott
109:Simon Callow
105:Ian McKellen
89:
77:
70:
64:
51:
50:
49:
44:
37:James Donald
29:
2934:Red Peppers
2883:Easy Virtue
2795:Easy Virtue
2764:Adaptations
2528:Post-Mortem
2464:Easy Virtue
2306:Oh, Coward!
2237:Noël Coward
2139:Noël Coward
2008:Hall, Peter
1946:Plays: Four
1821:"Theatre",
1776:Brown, Ivor
1670:Lahr, p. 34
1502:stage role"
1124:as Morris,
1118:Kate Burton
1063:Nathan Lane
996:Lisa Dillon
941:Diana Quick
764:Lyn Gardner
718:Ned Sherrin
627:James Bolam
591:BBC Radio 4
585:as Monica,
581:as Joanna,
569:as Liz and
545:, starring
520:Adaptations
514:Kevin Kline
460:Rufus Hound
452:Samuel West
371:edition of
281:Gerald Case
269:Joyce Carey
263:Noël Coward
232:Play Parade
145:Shakespeare
133:Kevin Kline
69:that urges
57:Noël Coward
41:Noël Coward
3017:1939 plays
3006:Categories
2787:The Vortex
2480:Semi-Monde
2440:The Vortex
2052:Lahr, John
1504: [
1139:References
1122:Reg Rogers
1103:as Monica.
1097:Lisa Banes
1038:Ilka Chase
1019:as Monica.
943:as Joanna.
893:Richard II
752:John Peter
675:Peter Hall
597:Television
565:as Garry,
436:Rik Mayall
403:as Garry.
170:carpe diem
139:Background
72:carpe diem
2910:Cavalcade
2819:Cavalcade
2608:Quadrille
2536:Cavalcade
2512:Home Chat
2448:Hay Fever
2381:Sail Away
2235:Works by
1823:The Times
1810:The Times
1643:The Times
1428:The Times
1412:The Times
1343:The Times
1320:The Times
1222:required)
1059:Dana Ivey
981:, Joanna.
819:The word
726:Hay Fever
711:The Times
706:The Times
663:Hay Fever
539:Bagatelle
494:Eva Gabor
474:, 2019).
458:, 2016),
424:Tom Conti
410:(1977),
214:Blackpool
2349:Operette
2325:Musicals
2118:(1974).
2054:(1982).
2032:(1995).
2010:(1983).
1120:as Liz,
1057:as Liz,
956:as Liz,
756:Congreve
720:wrote, "
716:In 1993
621:as Liz,
516:(2017).
508:(1996),
504:(1982),
500:(1975),
486:Broadway
434:(1998),
430:(1996),
426:(1993),
422:(1981),
383:Revivals
321:Uckfield
157:, later
2977:Musical
2729:Memoirs
2496:Sirocco
2190:at the
2172:5156462
2160:(ed.).
1935:5002107
1919:Sources
1510:],
1116:, with
1095:, with
1082:as Liz.
1053:, with
918:, Liz,
821:present
613:, with
472:Old Vic
358:Act III
147:. One,
2988:(1964)
2969:(1967)
2961:(1967)
2953:(1965)
2945:(1964)
2937:(1962)
2929:(1956)
2921:(1956)
2913:(1955)
2894:(2020)
2886:(2008)
2878:(2000)
2870:(1967)
2862:(1952)
2854:(1942)
2846:(1940)
2838:(1933)
2830:(1933)
2822:(1933)
2814:(1933)
2806:(1930)
2798:(1928)
2790:(1928)
2782:(1927)
2756:(1982)
2748:(1954)
2740:(1937)
2721:(1964)
2713:(1960)
2694:(1950)
2686:(1945)
2678:(1945)
2670:(1944)
2662:(1942)
2643:(1966)
2635:(1960)
2627:(1959)
2619:(1956)
2611:(1952)
2603:(1951)
2595:(1946)
2587:(1941)
2579:(1939)
2571:(1939)
2563:(1936)
2555:(1934)
2547:(1932)
2539:(1931)
2531:(1930)
2523:(1930)
2515:(1927)
2507:(1927)
2499:(1927)
2491:(1926)
2483:(1926)
2475:(1926)
2467:(1925)
2459:(1925)
2451:(1925)
2443:(1924)
2435:(1923)
2427:(1922)
2419:(1920)
2411:(1918)
2392:(1963)
2384:(1961)
2376:(1954)
2368:(1950)
2360:(1946)
2352:(1938)
2344:(1934)
2336:(1929)
2317:(1972)
2309:(1972)
2301:(1968)
2295:(1945)
2287:(1939)
2279:(1932)
2271:(1928)
2263:(1925)
2255:(1923)
2244:Revues
2170:
2145:
2126:
2104:
2085:
2066:
2040:
2018:
1996:
1973:
1954:
1933:
369:Gothic
331:Act II
2771:Films
2702:Prose
2651:Films
2400:Plays
808:Notes
766:, in
760:Wilde
553:Radio
525:Stage
310:Act I
81:farce
2168:OCLC
2143:ISBN
2124:ISBN
2102:ISBN
2083:ISBN
2064:ISBN
2038:ISBN
2016:ISBN
1994:ISBN
1971:ISBN
1952:ISBN
1931:OCLC
758:and
732:and
666:and
302:Plot
224:and
131:and
111:and
1988:".
1838:",
1507:sic
607:ITV
559:BBC
484:on
3008::
2902:TV
1905:,
1882:,
1859:,
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1690:,
1675:^
1657:,
1560:^
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