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Gebel el-Arak Knife

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956: 980: 921: 1536: 1261: 968: 897: 735: 1237: 999: 1064: 909: 882: 232: 1011: 723: 1103: 1117: 216: 870: 1089: 944: 268: 1178: 1502: 31: 1131: 1225: 591: 1210: 579: 1520: 448: 436: 1162: 1486: 615: 603: 1194: 1324: 412: 424: 1302: 6225: 1459:, dating to the Naqada III period. On one side, the handle of the knife shows two snakes encircling rosettes. The other side is arranged in four rows. The top and second rows depict scenes of predation with a leopard and a lion attacking ibexes. Beneath these is a domesticated heavy hunting dog wearing a collar pursued by a lion or another dog. Finally the bottom row represents a 1353:, and similar in size to the Gebel el-Arak knife. The handle of the knife, made of elephant ivory, is decorated with 227 animals carved in 10 registers on both faces. The figures are tightly packed and entirely cover the handle. They represent real animals, all depicted at approximatively the same size and arranged in processions by species: elephants (some walking on snakes), 465:, such as Béatrix Midant-Reynes, argue that the quality and amount of work required for the creation of the blade goes beyond what is required for a functional knife. Thus the purpose and value of the knife would be artistic, the blade being a demonstration of technical skills aiming at the beauty of the result. This hypothesis is strengthened by a detailed 955: 979: 750:(26.241.1) has similar imagery to the Gebel el-Arak Knife, although in much poorer condition, but confirming its authenticity. It shows a ship with raised bow and rounded ships (front), a column of armed soldiers and a row of sitting prisoners led by a standing man, in front of a decorated building (back). 920: 388:
undulations on the surface of the stone. Analysis of the shock waves on the surface of the blade reveals they were produced from the top to the bottom of the blade and from left to right, in a counterclockwise fashion. This work was probably made with pointed copper tools. The ripple-flaking of this
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At the time of purchase, its blade and handle were separated, as the seller did not realise that they fitted together. Boreux later proposed that the knife be restored, and that the blade and handle be joined together. This was done in March 1933 by Léon André, who worked mainly on consolidating the
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The perfect similarity between the blades of these knives and that of the Gebel el-Arak led scholar Diane L. Holmes to propose that the knives were all produced by a small number of workshops in one area and may be the product of a few craftsmen who practised this extremely specialized skill over a
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an archaic flint knife with an ivory handle of the greatest beauty. This is the masterpiece of predynastic sculpture executed with remarkable finesse and elegance. This is a work of great detail and the interest of what is represented extends even beyond the artistic value of the artefact. On one
835:, the two main rival Egyptian cities of the period, and that the victor was Abydos, the presence of the lion-fighting Mesopotamian king remaining unexplained and attributed to artistic influence from Mesopotamia. In effect, most of Egypt became unified under rulers from Abydos during the 1260: 1535: 639:
from top to bottom, one register after the other. The artisan first carved the main figures and then carved the places where the figures meet, such as the arms of the combatants. The depth of the carvings does not exceed 2 millimetres (0.079 in).
2863:"The penis - sheath, common on the Hierakonpolis figurines Baumgartel did not discuss (Quibell, Hierakonpolis I, pls . VII - VIII, X), occurs on both groups of fighting men on the Gebel el Arak Knife Handle (...) as well as the Bull Palette" in 1424:'s Early Egypt gallery, room 64, under the catalog number EA 68512. The blade of the knife is virtually identical in style to that of the Gebel el-Arak knife, although slightly larger. The iconography of the handle is similar to that of the 380:
Polishing of both sides of the blade. This operation is required before the ripple-flaking, see below. One side of the blade was left polished and did not receive further work, thus showing a smooth ground surface, maybe to imitate a metal
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and he grasps two lions standing against him. You can judge the importance of this asiatic representation we will own one of the most important prehistoric monuments, if not more. It is, in definitive, in tangible and summary form,
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Moloney, Norah. "The Earliest Evidence for People in Egypt: the First Tools." Petrie Museum of Egyptian Archaeology: Characters and Collections, edited by Alice Stevenson, 1st ed., UCL Press, London, 2015, pp. 28–29. JSTOR,
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on the bottom of the handle, but this is now gone. The assemblage supports the hypothesis that the knife was not functional: the tang of the blade is too short and the handle too thin for the knife to have been practical.
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and Egyptologist Georges Aaron Bénédite in February 1914 from a private antique dealer, M. Nahman, in Cairo. Bénédite immediately recognised the artefact's extraordinary state of preservation as well as its
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Egypt at Its Origins: Studies in Memory of Barbara Adams : Proceedings of the International Conference "Origin of the State, Predynastic and Early Dynastic Egypt," Krakow, 28 August - 1st September
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are represented on the outer margin of the handle. The only non-animal figure is a rosette, a royal symbol of Mesopotamian origin found on Egyptian artifacts of the predynastic period and until the
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The handle of the knife is carved on both sides with finely executed figures arranged in five horizontal registers. The side of the handle with the knob shows Mesopotamian influence featuring the
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Some authors consider that the knob or boss had to be worn outward, which implies that the side with the knob should be considered at the front face, and the smooth side as the back face.
1049:, showing a man fighting against two lions, the individual fighting scenes or the boats. Stylistically, the Gebel el-Arak Knife belongs to an important group of Naqada II ivory carvings. 3022: 628:
The handle is richly carved in low relief with a scene of a battle on the side that would have faced a right-handed user and with mythological themes on the other side. This side has a
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that would have supported the knife handle, keeping it level while resting on a level surface and also could have been used to thread a cord to hang it from the body as an ornament.
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The blade of the Gebel el-Arak knife as well as of other ripple-flake knives of the same period are considered the high point of the silex tool making techniques. Specialists of the
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The fighting figurines are armed with flint knives, clubs and also pear-shaped maces, which are considered as an innovation introduced from Mesopotamia, replacing the initial
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of the blade varies from 2 to 3 millimetres (0.12 in), which explains that the ivory is cracked there, with some pieces lost. At the bottom of the handle, the edge was
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At the time of its purchase by Bénédite, the knife handle was said by the dealer to have been found at the site of Gebel el-Arak (جبل العركى), a plateau near the village of
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Ripple-flaking on one side of the blade. This consists in uniformly removing long and thin strips of stone with parallel pressure flaking, creating a regular pattern of
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Several of the themes and designs visible in the Gebel el-Arak knife, can also be seen in other contemporary Egyptian works of art, such as the fresco from Tomb 100 at
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That the knife did indeed originate from Abydos is supported by the otherwise total absence of archaeological finds from Gebel el-Arak, while intensive excavations by
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of precious metal that would have reinforced the assemblage of the handle with the blade. At the time of the purchase, Bénédite reported that he could see traces of
2491:"Late Predynastic/Early Dynastic rock art scenes of Barbary sheep hunting in Egypt's Western Desert. From capturing wild animals to the women of the 'Acacia House'" 5078: 1177: 146:. At the time of its purchase, the knife handle was alleged by the seller to have been found at the site of Gebel el-Arak, but it is today believed to come from 5862: 4894: 4863: 4042: 3711: 3612: 804:
refrains from speculating on the identity of the ambiguous figure, referring to it as a "warrior". Modern scholarship generally attributes the back reliefs to
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of the tusk. Once extracted from the tusk, the handle was polished on both sides and hollowed out to receive the blade. The thickness of the handle around the
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Williams, Bruce; Logan, Thomas J.; Murnane, William J. (1987). "The Metropolitan Museum Knife Handle and Aspects of Pharaonic Imagery before Narmer".
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Williams, Bruce; Logan, Thomas J.; Murnane, William J. (1987). "The Metropolitan Museum Knife Handle and Aspects of Pharaonic Imagery before Narmer".
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Williams, Bruce; Logan, Thomas J.; Murnane, William J. (1987). "The Metropolitan Museum Knife Handle and Aspects of Pharaonic Imagery before Narmer".
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Shaven-headed attackers armed with maces and knives, against unarmed opponents with long hair, all wearing penile sheaths (Front, 1st register).
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Naked man with penile sheath (fragment) walking a dog on a leash (Back, 5th register). Naked and shaven-headed men are a regular fixture of the
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Another knife with very similar iconography, including depictions of warriors, prisoners and nearly identical types of ships can be seen in the
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canine tooth as was first thought. The handle was carved along the axis of the tusk, as evidenced by a dark spot located above the head of the "
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ensemble, and conserving the ivory handle. The most recent restoration of the knife was undertaken in 1997 by Agnès Cascio and Juliette Lévy.
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Porada, Edith (1993). "Why Cylinder Seals? Engraved Cylindrical Seal Stones of the Ancient Near East, Fourth to First Millennium B.C.".
1209: 5448: 853:(Accession number: 26.241.1). Numerous objects from the Naqada II period are similar to the Gebel el-Arak Knife in style and content. 6087: 5341: 1161: 1102: 6254: 6132: 6050: 5671: 5542: 5506: 5171: 4869: 4506: 4252: 4203: 3196:
The Predynastic Lithic Industries of Upper Egypt: a Comparative Study of the Lithic Traditions of Badari, Naqada and Hierakonpolis
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the seller did not suspect that the flint belonged with the handle and presented it to me as witness of the recent finds from
1501: 1412:, bought in the mid 19th century by Reverend G. Chester from an antique dealer who reported finding it in Sheikh Hamada, near 358:. Chert is widely available in Egypt and appears across the archaeological record as a material in lithic tool usage from the 6081: 5046: 4932: 4312: 3799: 2783: 2753: 2726: 2612: 2575: 2450: 2419: 2389: 2343: 2297: 2270: 1957: 1699: 5461: 5304: 4685: 4167: 632:
in its centre through which a strap could be passed. The carvings were executed on the polished surface of the tusk with a
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side is a hunting scene; on the other a scene of war or a raid. At the top of the hunting scene the hunter wears a large
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Midant-Reynes, Béatrix (1987). "Contribution à l'étude de la société prédynastique: le cas du couteau "Ripple-flake"".
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period and dated to 3800-3400 BCE. These figurines are generally carved on ivory tusks and seemingly wear long cloaks.
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Churcher, C. S. (1984). "A Zoological study of the ivory knife handle from Abu Zaidan". In Needler, Winifred (ed.).
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The Study of the Ancient Near East in the Twenty-first Century: The William Foxwell Albright Centennial Conference
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The Study of the Ancient Near East in the Twenty-first Century: The William Foxwell Albright Centennial Conference
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The Study of the Ancient Near East in the Twenty-first Century: The William Foxwell Albright Centennial Conference
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The Study of the Ancient Near East in the Twenty-first Century: The William Foxwell Albright Centennial Conference
590: 5899: 5792: 5779: 5409: 5322: 5190: 4913: 4857: 4567: 4549: 4406: 4240: 3198:. Cambridge Monographs in African Archaeology. Vol. 33. Oxford: British Archaeological Reports. p. 15. 3113:, Archéo-Nil: Revue de la société pour l'étude des cultures prépharaoniques de la vallée du Nil, 3, 57–74, 1993. 2925:, Actes du colloque organisé au musée du Louvre par le Service culturel les 3 et 4 avril 1998, 1999, p. 197–226, 1781: 1420:. The knife dates back to the late predynastic period, from ca. 3300 BC to 3100 BC, and is now on display at the 1200: 169: 64: 4116: 808:
influence, and more specifically attribute the design of the clothed wrestler to the Mesopotamian "priest-king"
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period. Similar portraits of men with beards and torus-like headgear also appear on numerous figurines of the
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side of the blade has no incidence on its sharpness, indicating that it may have served an artistic purpose.
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Long-haired man (center) using a knife against shaven-headed baton-wielding enemies (Front, 2nd register)
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Hartung, Ulrich (1998). "Prädynastische Siegelabrollungen aus dem Friedhof U in Abydos (Umm el-Qaab)".
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Today a total of 17 similar ceremonial knives with decorated handles are known. These knives comprise:
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Similar portrait of a probable Uruk King-Priest with a brimmed round hat and large beard, excavated in
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H. Hanna Ed., Preprints of the International Conference on Heritage of Naqada and Qus Region, Volume I
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L'ivoire et la Pierre a Feu — Le Couteau Predynastique en Hippopotame de Shiqmim et le Lion d'Aristote
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Le couteau de Gebel el-'Arak, Étude sur un nouvelle objet préhistorique acquis par le musée du Louvre
1401:. The decoration of the handle is very similar to that of a predynastic hair comb, on display at the 827:. Some authors have suggested that the reliefs represent a battle between warriors of the cities of 374: 6279: 5986: 5613: 5574: 5379: 5259: 5033: 4500: 3467: 3343: 305:. However, the knife's true provenance is indicated by Bénédite in his letter to Boreux. He wrote: 221:
Gebel el-Arak Knife ivory handle (back), in the Departement of Pre-Dynastic Egyptian antiquities,
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Carved head of bearded man with torus-like headgear, reminiscent of the Mesopotamian king. Late
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Case, Humphrey; Payne, Joan Crowfoot (1962). "Tomb 100: The Decorated Tomb at Hierakonpolis".
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Case, Humphrey; Payne, Joan Crowfoot (1962). "Tomb 100: The Decorated Tomb at Hierakonpolis".
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motif, very common in Mesopotamian art, in the form of a figure wearing Mesopotamian clothing
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Whitehouse, H. (2002). "A Decorated Knife Handle from the 'Main Deposit' at Hierakonpolis".
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Shaven-headed men drowning, in a possible depiction of a naval battle. (Front, 4th register)
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Naqada IId carving, with dynastic rulers and animals, and kneeling soldiers on the reverse.
1155:, also dated to the same period, show similarities, such as the penile sheath worn by men. 992:
seals and artworks. Possibly part of the depiction of a naval battle. (Front, 3rd register)
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of the Naqada III period. The "snake twist around rosette" is another Mesopotamian motif.
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of the edge of the blade by micro-flaking. This step produces the sharpness of the blade.
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Treasures of the Louvre: From the fourth millennium B.C. to the dawn of the Renaissance
2113: 2105: 2058: 2050: 2002: 1994: 765: 30: 326: 93: 36: 5722: 5421: 4443: 4431: 4425: 4270: 4079: 3829: 3672: 3626: 3557: 3497: 3447: 3338: 3227: 3199: 3147: 3044: 3003: 2926: 2838: 2779: 2749: 2722: 2689: 2646: 2608: 2571: 2520: 2446: 2415: 2385: 2339: 2293: 2266: 2231: 2144: 2133: 2117: 2097: 2078:"The Metropolitan Museum Knife Handle and Aspects of Pharaonic Imagery before Narmer" 2062: 2042: 2006: 1986: 1953: 1929: 1856: 1761: 1731: 1695: 1667: 1617: 1560: 1394: 1346: 1046: 931: 887: 809: 761: 540: 466: 462: 238: 123: 3257: 6106: 5954: 5536: 5524: 5227: 4749: 4573: 4531: 4337: 4306: 3884: 3834: 3744: 3739: 3632: 3582: 3442: 3328: 3135: 3092: 2830: 2681: 2638: 2089: 2034: 1978: 1852: 890:, wearing a long skirt and trousers, as well as a brimmed hat (Back, 1st register). 330: 2918: 1714:
Letter of G. Benedite to C. Boreux, Département des Antiquités Egyptiennes, Louvre
6284: 6228: 6011: 4792: 4629: 3854: 3824: 3769: 3734: 3687: 3597: 3567: 3547: 3457: 3363: 3026: 2865: 2467: 1464: 1342: 1312: 1275: 1251: 556: 334: 322: 4129: 1311:, dating to Naqada III period, with 227 sculpted animals, now on display at the 5886: 4882: 3919: 3859: 3804: 3789: 3652: 3637: 3348: 1835:
Kelterborn, P. (1984). "Toward Replicating Egyptian Predynastic Flint Knives".
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Lioness attacking a wild bull (Back, 4th register), another Mesopotamian motif.
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on the Gebel el-Arak Knife at the top of the handle, dated circa 3300-3200 BC,
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Violence and Power in Ancient Egypt: Image and Ideology before the New Kingdom
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Mitteilungen des Deutschen Archäologischen Instituts Abteilung Kairo (MDAIK)
6119: 4768: 3874: 3682: 3602: 3572: 3532: 3487: 1152: 805: 548: 544: 536: 2921:: "Motive und Datierung der dekorierten prädynastischen Messergriffe", in 2165: 5626: 5530: 5311:
Madonna and Child with St John the Baptist and St Catherine of Alexandria
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UC 16294. The "snake twist around rosette" is another Mesopotamian motif.
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Man with torus-like headgear, reminiscent of the Mesopotamian king. Late
1020:. Possibly part of the depiction of a naval battle. (Front, 5th register) 989: 927: 359: 298: 258: 3258:
A complete narrative of the events portrayed on the Gebel el-Arak knife.
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Ancient Egyptian Warfare: Tactics, Weaponry and Ideology of the Pharaohs
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This side of the handle also contains a "knob", a perforated suspension
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Egyptian boat, in contrast with the black foreign boat with high prow.
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The blade of the knife is made of homogenous finely grained yellowish
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Francesca da Rimini and Paolo Malatesta Appraised by Dante and Virgil
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Ixion, King of the Lapiths, Deceived by Juno, Who He Wished to Seduce
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Francesca da Rimini and Paolo Malatesta Appraised by Dante and Virgil
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Mitteilungen des Deutschen Archäologischen Instituts, Abteilung Kairo
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The blade weights 92.3 grams, its precise dimensions are as follows:
393: 337:, the necropolis of predynastic and early dynastic rulers in Abydos. 172:
date. On 16 March 1914, he wrote to Charles Boreux, then head of the
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Portrait of Doña Isabel de Requesens y Enríquez de Cardona-Anglesola
3165: 2901: 2882: 2834: 2800: 2685: 2642: 2541: 2490: 2465:"most significant, domestic dogs, identifiable by their collars" in 2360: 2314: 1952:, 1992, Laboratoire de Recherche des Musées de France, pp. 187–194, 469:
of the blade which demonstrates that the knife has never been used.
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Collar-wearing domestic dogs (Back, 2nd register, around the knob).
817: 785: 529: 2445:. Cambridge University Press. p. xv-xvi, Illustration II b). 1802:, Fondation Eugène Piot, Monuments et mémoires, XXII, 1916 p. 1–34 180:, about the item the unsuspecting dealer had offered him. It was: 3512: 1460: 1378: 1370: 800:), who "journeyed upon the sea and came ashore at the mountains". 366:. The blade was produced from the original stone in five stages: 3275: 3253:
The Gebel el Arak knife, Depiction of a predynastic battle scene
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Crucifixion with the Virgin Mary, St John and St Mary Magdalene
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Williams, Bruce; Logan, Thomas J.; Murnane, William J. (1987).
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Project for the Transformation of the Grande Galerie du Louvre
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Catalogue général des Antiquites Égyptiennes du Musée du Caire
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From Egypt to Mesopotamia: a Study of Predynastic Trade Routes
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Shaven-headed man towing high-prowed boats, of a type seen on
249:. This work of art both shows the influence of Mesopotamia on 4643:
Camillus Handing the Falerian Schoolmaster over to his Pupils
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The Gebel el Arak knife, Images on the backside of the handle
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Image of knife from Petrie Museum, University College (16294)
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Venus and the Three Graces Presenting Gifts to a Young Woman
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Legends of Babylon and Egypt in Relation to Hebrew Tradition
35:
The Gebel el-Arak knife (back and front), on display at the
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Sticks, Stones, and Shadows: Building the Egyptian Pyramids
1437: 1433: 1362: 1358: 1350: 1183:
Male statuettes with shaven heads and penile sheaths, from
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Near Eastern and Middle Eastern antiquities in the Louvre
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Hendrickx, Stan; Adams, Barbara; Friedman, R. F. (2004).
1382: 1369:. Other less common animals interrupt the processions: a 163:
The Gebel el-Arak knife was bought for the Louvre by the
2902:"Royal Sculpture of the Predynastic and Archaic Periods" 1688:
Conference, William Foxwell Albright Centennial (1996).
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William Foxwell Albright Centennial Conference (1996).
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Bulletin de l'Institut Français d'Archéologie Orientale
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Pendant portraits of Marten Soolmans and Oopjen Coppit
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A Young Man Being Introduced to the Seven Liberal Arts
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Madonna and Child with Saint Peter and Saint Sebastian
2870:. American Research Center in Egypt. 1988. p. 36. 2335:
A History of Egypt: From Earliest Times to the Present
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garment: he head is covered by a hat like that of our
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The Virgin and Child Surrounded by the Holy Innocents
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The Doge on the Bucintoro near the Riva di Sant'Elena
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The precise dimensions of the handle are as follows:
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in Cairo from antique dealer M. Nahman, February 1914
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Ivory and flint knife dating from Egyptian prehistory
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Christopher Columbus Before the Council of Salamanca
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Equestrian Portrait of Joachim Murat, King of Naples
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Land grant to Marduk-apla-iddina I by Meli-Shipak II
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Predynastic and Archaic Egypt in the Brooklyn Museum
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Predynastic and Archaic Egypt in the Brooklyn Museum
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Gebel el-Arak knife, ripple-flaked side of the blade
126:(3500—3200 BC), showing Mesopotamian influence. The 3111:
Symbolic roles of canine figures on early monuments
5166:Holy Family with the Family of St John the Baptist 4180:The Lictors Bring to Brutus the Bodies of His Sons 4062:The Attributes of Music, the Arts and the Sciences 2132: 1666:(new ed.). Texas A & M University Press. 2163: 1471:Two worn and battered knives can be found at the 6241: 5247:Saints Bernardino of Siena and Louis of Toulouse 3895:Statue of the Tiber river with Romulus and Remus 2906:Journal of the American Research Center in Egypt 2887:Journal of the American Research Center in Egypt 2867:Journal of the American Research Center in Egypt 2805:Journal of the American Research Center in Egypt 2546:Journal of the American Research Center in Egypt 2486:Hendrickx, Stan; Riemer, Heiko; Förster, Frank; 2442:The Worlds of the Indian Ocean: A Global History 2365:Journal of the American Research Center in Egypt 2319:Journal of the American Research Center in Egypt 2166:"Le décor asiatique du couteau de Gebel el-Arak" 1639: 1637: 1635: 1633: 6178:Street Scene near the El Ghouri Mosque in Cairo 6165:Francis I, Charles V and the Duchess of Étampes 5317:Madonna and Child with St Rose and St Catherine 1811:Archives de la Direction des Musées de France, 1051: 855: 429:Gebel el-Arak knife, polished side of the blade 4463:Bonaparte Visiting the Plague Victims of Jaffa 715:Knife handle of the Metropolitan Museum of Art 118:, is an ivory and flint knife dating from the 4370:Coresus Sacrificing Himself to Save Callirhoe 4351:Study (Young Male Nude Seated Beside the Sea) 4056:The Attributes of Civilian and Military Music 3291: 1896: 1630: 5845:The Archangel Raphael Leaving Tobias' Family 4538:Joan of Arc at the Coronation of Charles VII 4526:Don Pedro of Toledo Kissing Henry IV's Sword 4043:Vulcan Presenting Venus with Arms for Aeneas 2627:For an image of a similar high-prowed boat: 2384:. American Univ in Cairo Press. p. 21. 2338:. American Univ in Cairo Press. p. 18. 2292:. University of Oklahoma Press. p. 42. 208:Mesopotamian king on the Gebel el-Arak knife 4920:Portrait of Alof de Wignacourt and his Page 4556:Portrait of Madame Marcotte de Sainte-Marie 2519:. Oxford University Press. pp. 14–15. 1760:. John Wiley & Sons. pp. 424–425. 1616:. Collection SOLO. Paris: Musée du Louvre. 1614:Le poignard égyptien dit "du Gebel el-Arak" 1218:incense burner fragments and reconstitution 1069:The first known Egyptian fresco, Tomb 100, 253:at an early date, in an example of ancient 3298: 3284: 2941: 2381:Ancient Egyptians: Life in the Pyramid Age 1834: 1687: 1607: 1605: 1603: 1601: 1599: 1597: 1595: 5342:Portrait of Sigismondo Pandolfo Malatesta 3102: 3100: 2820: 2767: 2765: 2671: 2481: 2479: 2130: 1593: 1591: 1589: 1587: 1585: 1583: 1581: 1579: 1577: 1575: 196:the first chapter of the history of Egypt 6133:Displaying the Body of Saint Bonaventure 6051:Christ on the Cross Adored by Two Donors 5672:Portrait of the Artist Holding a Thistle 5009:Allegory of Isabella d'Este's Coronation 4507:Normandy Thatched Cottage, Old Trouville 4253:Entry of the Crusaders in Constantinople 4204:Portrait of Madame Marie-Louise Trudaine 3038: 2718:Ancient Egypt: Anatomy of a Civilisation 2438: 2331: 2253: 2251: 2249: 2247: 1792: 874:Mesopotamian scenes, hunting of animals 5241:Saints Bonaventure and Anthony of Padua 4599:The Card Sharp with the Ace of Diamonds 4005:Gabrielle d'Estrées et une de ses sœurs 3064: 2771: 2741: 2407: 2403: 2401: 1753: 1611: 1525:Egyptian knife handle, circa 3200 BCE. 1477:National Archaeological Museum (France) 6242: 6088:Still Life of a Lamb's Head and Flanks 3543:Quintus Marcius trilingual inscription 3221: 3193: 3163: 3097: 2778:. John Wiley & Sons. p. 424. 2762: 2628: 2559: 2557: 2555: 2508: 2506: 2504: 2476: 2414:. John Wiley & Sons. p. 424. 2223: 1723: 1572: 510:Width of the blade inside the handle: 494:Thickness of the blade at its center: 333:were taking place at this time at the 301:, 40 kilometres (25 mi) south of 174:département des Antiquités égyptiennes 153: 6082:Portrait of the Marquise de la Solana 4617:Saint Sebastian Tended by Saint Irene 4313:A Young Tiger Playing with Its Mother 3971: 3380: 3317: 3279: 3159: 3157: 2880: 2816: 2814: 2798: 2593: 2591: 2589: 2587: 2539: 2433: 2431: 2377: 2358: 2312: 2285: 2244: 2164:Mesnil du Buisson, Robert du (1969). 2020: 2018: 2016: 1749: 1747: 1541:Prehistoric knife, Naqada II period, 776:(now both identified with the planet 5305:The Battle Between Love and Chastity 5147:Saint Francis Receiving the Stigmata 5116:The Virgin and Child with Saint Anne 5066:Saint Francis Receiving the Stigmata 4883:Three Scenes from the Life of Esther 4475:Napoléon on the Battlefield of Eylau 4168:The Intervention of the Sabine Women 3226:. Oxford: Blackwell. pp. 29ff. 3000:British Museum Book of Ancient Egypt 2714: 2597: 2512: 2495:Desert Animals in the Eastern Sahara 2398: 2186: 1825:www.jstor.org/stable/j.ctt1g69z2n.9. 1661: 1463:and an ibex The knife is now in the 1385:chasing after an oryx. Finally, two 142:, where it is now on display in the 4673:Landscape with Orpheus and Eurydice 3648:Cosmetic Spoon: Young Girl Swimming 3222:Grimal, Nicolas-Christophe (1992). 3164:Honoré, Emmanuelle (January 2007). 2823:The Journal of Egyptian Archaeology 2775:A Companion to Ancient Egyptian Art 2674:The Journal of Egyptian Archaeology 2552: 2501: 2411:A Companion to Ancient Egyptian Art 2265:. Peeters Publishers. p. 894. 2189:Legend, the Genesis of Civilisation 1757:A Companion to Ancient Egyptian Art 1167:Shaven-headed man with beard, from 784:said the central figure is the god 502:Length of blade inside the handle: 13: 6275:Sculpture of the Ancient Near East 6265:Egyptian antiquities in the Louvre 6076:Portrait of Ferdinand Guillemardet 6057:Portrait of Antonio de Covarrubias 5392:Portrait of Baldassare Castiglione 5286:Mystic Marriage of Saint Catherine 5141:The Healing of Justinian the Canon 4990:Mystic Marriage of Saint Catherine 3215: 3154: 2899: 2811: 2584: 2428: 2201:Sumerian King List column III, 1-5 2013: 1782:"Site officiel du musée du Louvre" 1744: 1645:"Site officiel du musée du Louvre" 1467:under the catalog number CG 14265. 1349:in the Tomb 32 at Abu Zeidan near 1045:–3200 BCE), with the scene of the 486:Width of the blade at its center: 354:, a type of Egyptian flint called 14: 6316: 5832:The Vegetable Market in Amsterdam 5697:Madonna and Child with Two Donors 4283:The Murder of the Bishop of Liège 3305: 3241: 2923:L'Art de l'Ancien Empire égyptien 1915:C2RMF report, M. Christensen 1999 1899:Studien zur Altägyptischen Kultur 1837:Journal of Archaeological Science 1329:Knife handle detail with animals. 1283: 6224: 6223: 5761:Portrait of Erasmus of Rotterdam 5540:(also attributed to Giorgione); 4624:Philippe de Champaigne 4611:Magdalene with the Smoking Flame 3483:Land grant to Munnabittu kudurru 2883:"Naqada IId, Birth of an Empire" 2801:"Naqada IId, Birth of an Empire" 2542:"Naqada IId, Birth of an Empire" 2361:"Naqada IId, Birth of an Empire" 2315:"Naqada IId, Birth of an Empire" 1534: 1518: 1500: 1484: 1322: 1300: 1259: 1235: 1223: 1208: 1192: 1176: 1160: 1129: 1115: 1101: 1087: 1062: 1009: 997: 978: 966: 954: 942: 919: 907: 895: 880: 868: 733: 721: 613: 601: 589: 577: 446: 434: 422: 410: 266: 230: 214: 29: 6255:1914 archaeological discoveries 5900:Helena Fourment with a Carriage 5780:Card Players in a Rich Interior 5449:The Incredulity of Saint Thomas 5410:Saint Michael Vanquishing Satan 5336:Piero della Francesca 4686:Pietà of Villeneuve-lès-Avignon 4407:The Woman with a Gambling Mania 3381: 3187: 3176: 3128:Journal of Near Eastern Studies 3119: 3093:available copyright-free online 3077: 3058: 3032: 3013: 2992: 2979: 2954: 2935: 2912: 2893: 2874: 2857: 2792: 2735: 2708: 2665: 2621: 2607:. Open Road Media. p. 22. 2533: 2459: 2371: 2352: 2325: 2306: 2279: 2230:. Eisenbrauns. pp. 10–14. 2217: 2204: 2195: 2180: 2157: 2124: 2082:Journal of Near Eastern Studies 2069: 2027:Journal of Near Eastern Studies 1971:Journal of Near Eastern Studies 1962: 1938: 1918: 1909: 1890: 1863: 1828: 1818: 1805: 1730:. Eisenbrauns. pp. 10–14. 687:1.3 centimetres (0.51 in) 679:2.0 centimetres (0.79 in) 671:1.2 centimetres (0.47 in) 497:0.6 centimetres (0.24 in) 481:18.8 centimetres (7.4 in) 370:Roughing of the original stone. 56:25.5 centimetres (10.0 in) 5806:The Money Changer and His Wife 4826:Antonello da Messina 4593:The Adoration of the Shepherds 4457:Bonaparte at the Pont d'Arcole 3845:Hercules and the lion of Nemea 3029:on the British Museum website. 2513:King, Leonard William (1918). 1774: 1717: 1708: 1681: 1655: 695:1.0 centimetre (0.39 in) 663:4.2 centimetres (1.7 in) 655:9.5 centimetres (3.7 in) 513:3.7 centimetres (1.5 in) 505:2.8 centimetres (1.1 in) 489:5.7 centimetres (2.2 in) 340: 1: 5906:Helena Fourment with Children 5659:Triptych of the Sedano family 4699:Principal Monuments of France 4544:Mademoiselle Caroline Rivière 3972: 3725:Altar of Domitius Ahenobarbus 3643:Bronze Sphinx of Thutmose III 3002:, Thames & Hudson, 1996, 1566: 1551:period of a few generations. 1147:Some of the figures found in 1074: 1039: 373:Preformation of the blade by 292: 68: 5819:Diptych of an elderly couple 5767:Portrait of Nicolaus Kratzer 5386:Madonna with the Blue Diadem 4996:Venus and Cupid with a Satyr 4186:The Loves of Paris and Helen 3930:Winged Victory of Samothrace 3900:The Exaltation of the Flower 3453:Sarcophagus of Eshmunazar II 3318: 2998:S. Quirke and A.J. Spencer: 2772:Hartwig, Melinda K. (2014). 2408:Hartwig, Melinda K. (2014). 1857:10.1016/0305-4403(84)90023-2 1754:Hartwig, Melinda K. (2014). 1029: 766:flanked by two upright lions 740:Outline of remaining designs 7: 5949:Dune Landscape near Haarlem 5875:Saint Matthew and the Angel 5710:Madonna of Chancellor Rolin 5416:Self-Portrait with a Friend 5028:An Old Man and his Grandson 4763:The Embarkation for Cythera 4667:The Inspiration of the Poet 4562:Portrait of Monsieur Bertin 4326:Bonaparte Crossing the Alps 4295:Portrait of Frédéric Chopin 4289:Orphan Girl at the Cemetery 4210:Portrait of Madame Récamier 3850:Judgement of Paris (mosaic) 3815:Dinos of the Gorgon Painter 3266:Poignard "du Gebel el-Arak" 2570:. Eisenbrauns. p. 14. 2472:. Putnam. 1966. p. 15. 2439:Beaujard, Philippe (2019). 2131:Watterson, Barbara (1997). 1694:. Eisenbrauns. p. 10. 1612:Delange, Élisabeth (2009). 1554: 782:Robert du Mesnil du Buisson 708:Egypt-Mesopotamia relations 694: 686: 678: 670: 662: 654: 512: 504: 496: 488: 480: 463:Predynastic period of Egypt 255:Egypt-Mesopotamia relations 158: 10: 6321: 5736:Catharina Both-van der Eem 5462:Portrait of a Clad Warrior 5368:Angel Holding a Phylactery 5047:Adoration of the Shepherds 4364:Adoration of the Shepherds 4259:Liberty Leading the People 4162:The Coronation of Napoleon 4156:Andromache Mourning Hector 4018:Artists in Isabey's Studio 3880:Sarcophagus of the Spouses 3865:Marcellus as Hermes Logios 3588:Victory Stele of Naram-Sin 3523:Nazimaruttaš kudurru stone 3224:A History of Ancient Egypt 2224:Cooper, Jerrol S. (1996). 1724:Cooper, Jerrol S. (1996). 1527:Metropolitan Museum of Art 1473:Metropolitan Museum of Art 1403:Metropolitan Museum of Art 851:Metropolitan Museum of Art 752:Metropolitan Museum of Art 748:Metropolitan Museum of Art 705: 701: 555:, and probably received a 524:The handle is made of the 199:(emphasis in the original) 6219: 6187: 6148: 6034: 6025:Perseus Freeing Andromeda 5869:Philosopher in Meditation 5597: 5543:Saint Jerome in Penitence 5481:Birth of John the Baptist 5228:The Carrying of the Cross 5172:Saint Jerome in Penitence 5160:Christ Carrying the Cross 4933:The Sermon of St. Stephen 4802: 4247:The Death of Sardanapalus 4216:Portrait of Pope Pius VII 3982: 3978: 3967: 3938: 3701: 3663:Khonsuemheb and the Ghost 3611: 3391: 3387: 3376: 3324: 3313: 3194:Holmes, Diane L. (1989). 2748:. Routledge. p. 94. 2721:. Routledge. p. 94. 1928:, 1984, p. 37 & 153, 1872:Dagger from Gebel el-Arak 1294:Ritual knife with animals 1109:Individual fighting scene 1054: 1016:Egyptian-type bow-shaped 863:(details of the reliefs) 858: 825:Egyptian disk-shaped mace 519: 130:was purchased in 1914 in 100: 89: 77: 60: 52: 44: 28: 23: 6000:van der Weyden 5575:The Battle of San Romano 5513:The Entombment of Christ 5507:The Crowning with Thorns 5380:Holy Family of Francis I 5329:Young Saint with a Sword 4819:Coronation of the Virgin 4501:The Flood of Saint-Cloud 3468:Investiture of Zimri-Lim 2742:Bestock, Laurel (2017). 2332:Thompson, Jason (2008). 1151:, or the enemies of the 746:The knife handle of the 596:front face of the handle 453:Detail of the serrations 441:Detail of the serrations 345: 6250:4th-millennium BC works 6101:The Birth of the Virgin 5857:Landscape with a Castle 4870:Portrait of a Young Man 4520:The Apotheosis of Homer 4389:The 1821 Derby at Epsom 4265:Lion Devouring a Rabbit 4174:Leonidas at Thermopylae 4068:Boy with a Spinning-Top 3890:Sleeping Hermaphroditus 3463:Hurrian foundation pegs 3438:Bushel with ibex motifs 3268:, official site of the 2715:Kemp, Barry J. (2007). 2187:Rohl, David M. (1988). 1950:La Pierre prehistorique 1815:, devis du 31 mars 1933 692:Thickness of the knob: 584:back face of the handle 543:", which is the tip of 5924:Marie de' Medici cycle 5355:Portrait of a Princess 5215:Triumph of the Virtues 5197:Madonna della Vittoria 5110:Saint John the Baptist 5053:Marriage of the Virgin 4661:The Funeral of Phocion 4568:Roger Freeing Angelica 4550:Oedipus and the Sphinx 4413:The Wounded Cuirassier 4401:The Raft of the Medusa 4332:The Children of Edward 4111:The Toilette of Esther 4031:The Brunette Odalisque 3538:Phoenician metal bowls 3083:James Edward Quibell: 2966:www.brooklynmuseum.org 2286:Isler, Martin (2001). 1123:Hunting dog on a leash 315: 277:and dated to 3300 BC. 203: 136:Georges Aaron Bénédite 96:, Sully wing, room 633 83:Georges Aaron Bénédite 6006:Annunciation Triptych 5961:Storm Off a Sea Coast 5851:Bathsheba at Her Bath 5685:Charles I at the Hunt 5519:Madonna of the Rabbit 5475:Adoration of the Magi 4395:The Charging Chasseur 4277:The Massacre at Chios 4192:Minerva Fighting Mars 3668:Raherka and Meresankh 3658:Great Sphinx of Tanis 3563:Stele of the Vultures 3433:Baal with Thunderbolt 3428:Assyrian lion weights 3344:Pavillon de l'Horloge 2139:. Blackwell. p.  1662:Mark, Samuel (2006). 1201:Gebel Sheikh Suleiman 1073:, Naqada II culture ( 569:details of the handle 307: 237:Mesopotamian king as 182: 48:Elephant ivory, flint 6260:Art of ancient Egypt 5912:Hercules and Omphale 5793:The Four Evangelists 5191:Judgement of Solomon 5135:Barbadori Altarpiece 5098:La belle ferronnière 4832:Christ at the Column 4731:A Mediterranean Port 4605:Joseph the Carpenter 4580:The Valpinçon Bather 4488:Jeune fille en buste 3925:Winged Lion of Vulci 3870:Nazareth Inscription 3518:Nazareth Inscription 3423:Amarna letter EA 367 3418:Amarna letter EA 365 3413:Amarna letter EA 364 3408:Amarna letter EA 362 2378:Kamil, Jill (1996). 1056:Hierakonpolis fresco 792:identifies him with 676:Length of the knob: 660:Width of the basis: 402:Details of the blade 144:Sully wing, room 633 5640:Lamentation (Pietà) 5588:The Wedding at Cana 5549:Woman with a Mirror 5374:La belle jardinière 5122:Virgin of the Rocks 4908:Death of the Virgin 4781:Jupiter and Antiope 4241:The Bride of Abydos 4235:The Barque of Dante 4198:Oath of the Horatii 4143:The Bridge at Narni 3946:Harbaville Triptych 3810:Diana of Versailles 3795:Boscoreale Treasure 3775:Borghese Collection 3730:Antinous Mondragone 3621:Gebel el-Arak Knife 3593:Worshipper of Larsa 3578:Tiara of Saitaferne 3553:Statue of Iddi-Ilum 3493:Manishtushu Obelisk 2637:(4): 566, image 8. 1879:on 16 November 2020 1849:1984JArSc..11..433K 860:Gebel el-Arak Knife 684:Width of the knob: 668:Average thickness: 154:Purchase and origin 124:Egyptian prehistory 116:Jebel el-Arak Knife 112:Gebel el-Arak Knife 24:Gebel el-Arak Knife 6295:Individual weapons 5653:Cervara Altarpiece 5299:Apollo and Daphnis 4984:Allegory of Virtue 4914:The Fortune Teller 4744:Allegory of Wealth 4438:The Father's Curse 3999:Diana the Huntress 3951:Lampsacus Treasure 3780:Borghese Gladiator 3765:Athena of Velletri 3755:Apollo Sauroctonos 3750:Apollo of Piombino 3693:Statue of Karomama 3678:Tomb of Akhethetep 3508:Namara inscription 3403:ʿAin Ghazal statue 3025:2015-10-18 at the 1924:Winifred Needler: 1786:cartelfr.louvre.fr 1649:cartelfr.louvre.fr 1095:Master of animals. 620:side of the handle 608:side of the handle 375:percussion flaking 6290:Prehistoric Egypt 6237: 6236: 6215: 6214: 6211: 6210: 5723:The Tree of Crows 5562:Pietà with Saints 5422:Small Holy Family 4649:Et in Arcadia ego 4444:The Village Bride 4432:The Broken Vessel 4426:The Bible Reading 4271:Mademoiselle Rose 3963: 3962: 3959: 3958: 3830:Furietti Centaurs 3673:Stela of Pasenhor 3627:The Seated Scribe 3558:Statue of Ebih-Il 3498:Masub inscription 3448:Code of Hammurabi 3372: 3371: 3354:Pyramide inversée 3339:Pavillon de Flore 3020:Pitt-Rivers knife 2962:"Brooklyn Museum" 2881:Josephson, Jack. 2799:Josephson, Jack. 2785:978-1-118-32509-4 2755:978-1-134-85626-8 2728:978-1-134-56389-0 2614:978-1-5040-6059-2 2577:978-0-931464-96-6 2540:Josephson, Jack. 2452:978-1-108-42456-1 2421:978-1-118-32509-4 2391:978-977-424-392-9 2359:Josephson, Jack. 2345:978-977-416-091-2 2313:Josephson, Jack. 2299:978-0-8061-3342-3 2272:978-90-429-1469-8 1958:978-2-9506212-0-7 1944:Francois Poplin: 1701:978-0-931464-96-6 1561:Master of Animals 1508:Pitt-Rivers knife 1493:Gebel-Tarif knife 1457:Gebel-Tarif knife 1410:Pitt-Rivers knife 1395:Scorpion Macehead 1347:Jacques de Morgan 1199:Petroglyphs from 1145: 1144: 1047:Master of animals 1027: 1026: 932:Sumerian religion 888:Master of animals 810:Master of Animals 762:Master of Animals 699: 698: 541:Master of Animals 535:, and not from a 517: 516: 467:use-wear analysis 239:Master of Animals 200: 108: 107: 6312: 6227: 6226: 6198: 6174: 6161: 6129: 6116: 6107:The Young Beggar 6097: 6072: 6047: 6021: 6002: 5983: 5970: 5955:The Ray of Light 5945: 5930:The Village Fête 5896: 5841: 5828: 5815: 5802: 5789: 5776: 5757: 5732: 5719: 5706: 5681: 5668: 5649: 5636: 5623: 5610: 5584: 5571: 5558: 5537:Pastoral Concert 5525:Man with a Glove 5503: 5490: 5471: 5458: 5445: 5431: 5364: 5351: 5338: 5320:(with Ingegno); 5295: 5282: 5269: 5256: 5237: 5224: 5181: 5156: 5131: 5088: 5075: 5062: 5043: 5024: 5005: 4978:Allegory of Vice 4974: 4961: 4942: 4929: 4904: 4879: 4854: 4845:The Four Seasons 4841: 4828: 4815: 4759: 4750:Hesselin Madonna 4740: 4727: 4714: 4695: 4682: 4655:The Four Seasons 4639: 4626: 4589: 4574:The Turkish Bath 4532:Grande Odalisque 4516: 4497: 4484: 4453: 4422: 4385: 4360: 4347: 4338:The Young Martyr 4322: 4307:Women of Algiers 4231: 4152: 4139: 4126: 4099:Aline Chassériau 4095: 4052: 4027: 4014: 3995: 3980: 3979: 3969: 3968: 3885:Sleeping Ariadne 3835:Gladiator Mosaic 3800:Cupid and Psyche 3745:Apollo of Mantua 3740:Apollo Belvedere 3633:Banishment Stela 3583:Vase of Entemena 3443:Cippi of Melqart 3389: 3388: 3378: 3377: 3329:Louvre Colonnade 3315: 3314: 3300: 3293: 3286: 3277: 3276: 3264: 3237: 3210: 3209: 3191: 3185: 3180: 3174: 3173: 3161: 3152: 3151: 3123: 3117: 3115:Available online 3104: 3095: 3081: 3075: 3074: 3062: 3056: 3054: 3036: 3030: 3017: 3011: 2996: 2990: 2983: 2977: 2976: 2974: 2972: 2958: 2952: 2951: 2939: 2933: 2916: 2910: 2909: 2900:Dreyer, Günter. 2897: 2891: 2890: 2878: 2872: 2871: 2861: 2855: 2854: 2818: 2809: 2808: 2796: 2790: 2789: 2769: 2760: 2759: 2739: 2733: 2732: 2712: 2706: 2705: 2669: 2663: 2662: 2631:The Art Bulletin 2625: 2619: 2618: 2595: 2582: 2581: 2561: 2550: 2549: 2537: 2531: 2530: 2510: 2499: 2498: 2488:Darnell, John C. 2483: 2474: 2473: 2463: 2457: 2456: 2435: 2426: 2425: 2405: 2396: 2395: 2375: 2369: 2368: 2356: 2350: 2349: 2329: 2323: 2322: 2310: 2304: 2303: 2283: 2277: 2276: 2255: 2242: 2241: 2221: 2215: 2208: 2202: 2199: 2193: 2192: 2184: 2178: 2177: 2161: 2155: 2154: 2138: 2128: 2122: 2121: 2073: 2067: 2066: 2022: 2011: 2010: 1966: 1960: 1942: 1936: 1922: 1916: 1913: 1907: 1906: 1894: 1888: 1887: 1886: 1884: 1875:, archived from 1867: 1861: 1860: 1832: 1826: 1822: 1816: 1809: 1803: 1796: 1790: 1789: 1778: 1772: 1771: 1751: 1742: 1741: 1721: 1715: 1712: 1706: 1705: 1685: 1679: 1677: 1659: 1653: 1652: 1641: 1628: 1627: 1609: 1538: 1522: 1504: 1488: 1387:electric catfish 1345:, discovered by 1326: 1304: 1263: 1239: 1227: 1212: 1196: 1180: 1164: 1133: 1119: 1105: 1091: 1079: 1076: 1066: 1052: 1044: 1041: 1013: 1001: 982: 970: 958: 946: 923: 911: 899: 884: 872: 856: 768:symbolising the 737: 725: 649: 648: 617: 605: 593: 581: 475: 474: 450: 438: 426: 414: 331:Thomas Eric Peet 270: 234: 218: 198: 90:Present location 73: 70: 33: 21: 20: 6320: 6319: 6315: 6314: 6313: 6311: 6310: 6309: 6280:31st century BC 6240: 6239: 6238: 6233: 6207: 6194: 6183: 6170: 6157: 6144: 6139:Saint Apollonia 6125: 6112: 6093: 6068: 6043: 6030: 6017: 6012:Braque Triptych 5998: 5979: 5966: 5941: 5892: 5837: 5824: 5811: 5798: 5785: 5772: 5753: 5748:The Lute Player 5728: 5715: 5702: 5677: 5664: 5645: 5632: 5619: 5606: 5593: 5580: 5567: 5554: 5499: 5486: 5467: 5454: 5441: 5427: 5360: 5347: 5334: 5291: 5278: 5265: 5252: 5233: 5220: 5209:Saint Sebastian 5177: 5152: 5127: 5084: 5071: 5058: 5039: 5020: 5001: 4970: 4957: 4938: 4925: 4900: 4875: 4858:Christ Blessing 4850: 4837: 4824: 4811: 4798: 4793:The Two Cousins 4755: 4736: 4723: 4710: 4691: 4678: 4635: 4630:Ex-Voto de 1662 4622: 4585: 4512: 4493: 4480: 4449: 4418: 4381: 4356: 4343: 4318: 4227: 4148: 4135: 4122: 4117:The Two Sisters 4091: 4048: 4023: 4010: 3991: 3974: 3955: 3934: 3855:Lady of Auxerre 3825:Eurytios Krater 3770:Barberini ivory 3735:Antioch mosaics 3710: 3697: 3688:Hunters Palette 3607: 3598:Yehawmilk Stele 3568:Stele of Zakkur 3548:Sidon Mithraeum 3458:Gudea cylinders 3396:and Middle East 3395: 3383: 3368: 3364:Medieval Louvre 3320: 3309: 3304: 3262: 3244: 3234: 3218: 3216:Further reading 3213: 3206: 3192: 3188: 3181: 3177: 3162: 3155: 3124: 3120: 3105: 3098: 3085:Archaic Objects 3082: 3078: 3063: 3059: 3051: 3037: 3033: 3027:Wayback Machine 3018: 3014: 2997: 2993: 2984: 2980: 2970: 2968: 2960: 2959: 2955: 2940: 2936: 2917: 2913: 2898: 2894: 2879: 2875: 2864: 2862: 2858: 2835:10.2307/3855778 2819: 2812: 2797: 2793: 2786: 2770: 2763: 2756: 2740: 2736: 2729: 2713: 2709: 2686:10.2307/3855778 2670: 2666: 2643:10.2307/3045984 2626: 2622: 2615: 2596: 2585: 2578: 2562: 2553: 2538: 2534: 2527: 2511: 2502: 2484: 2477: 2466: 2464: 2460: 2453: 2436: 2429: 2422: 2406: 2399: 2392: 2376: 2372: 2357: 2353: 2346: 2330: 2326: 2311: 2307: 2300: 2284: 2280: 2273: 2256: 2245: 2238: 2222: 2218: 2209: 2205: 2200: 2196: 2185: 2181: 2162: 2158: 2151: 2129: 2125: 2074: 2070: 2023: 2014: 1967: 1963: 1943: 1939: 1923: 1919: 1914: 1910: 1895: 1891: 1882: 1880: 1869: 1868: 1864: 1833: 1829: 1823: 1819: 1810: 1806: 1797: 1793: 1780: 1779: 1775: 1768: 1752: 1745: 1738: 1722: 1718: 1713: 1709: 1702: 1686: 1682: 1674: 1660: 1656: 1643: 1642: 1631: 1624: 1610: 1573: 1569: 1557: 1546: 1539: 1530: 1523: 1514: 1505: 1496: 1489: 1465:Egyptian Museum 1444:, oryxes and a 1343:Brooklyn Museum 1334: 1333: 1332: 1331: 1330: 1327: 1318: 1317: 1316: 1313:Brooklyn Museum 1305: 1296: 1295: 1286: 1279: 1276:Brooklyn Museum 1274:3800-3400 BCE, 1264: 1255: 1252:Brooklyn Museum 1250:3800-3400 BCE, 1240: 1231: 1228: 1219: 1213: 1204: 1197: 1188: 1181: 1172: 1165: 1139: 1138: 1134: 1125: 1124: 1120: 1111: 1110: 1106: 1097: 1096: 1092: 1081: 1077: 1067: 1042: 1032: 1021: 1014: 1005: 1002: 993: 983: 974: 971: 962: 959: 947: 935: 924: 915: 912: 903: 900: 891: 885: 873: 862: 758: 757: 756: 755: 743: 742: 741: 738: 730: 729: 726: 717: 716: 710: 704: 626: 625: 624: 621: 618: 609: 606: 597: 594: 585: 582: 571: 570: 522: 459: 458: 457: 454: 451: 442: 439: 430: 427: 418: 415: 404: 403: 348: 343: 327:Édouard Naville 323:Flinders Petrie 319:Émile Amélineau 295: 286: 285: 284: 283: 282: 271: 263: 262: 235: 227: 226: 219: 210: 209: 161: 156: 94:Musée du Louvre 71: 40: 37:Musée du Louvre 17: 12: 11: 5: 6318: 6308: 6307: 6305:Gerzeh culture 6302: 6297: 6292: 6287: 6282: 6277: 6272: 6267: 6262: 6257: 6252: 6235: 6234: 6232: 6231: 6220: 6217: 6216: 6213: 6212: 6209: 6208: 6206: 6205: 6191: 6189: 6185: 6184: 6182: 6181: 6168: 6154: 6152: 6146: 6145: 6143: 6142: 6123: 6110: 6091: 6066: 6040: 6038: 6032: 6031: 6029: 6028: 6015: 5996: 5987:The Astronomer 5977: 5964: 5939: 5890: 5887:Slaughtered Ox 5835: 5822: 5809: 5796: 5783: 5770: 5751: 5742:The Gypsy Girl 5726: 5713: 5700: 5675: 5662: 5643: 5630: 5617: 5603: 5601: 5595: 5594: 5592: 5591: 5578: 5565: 5552: 5497: 5484: 5465: 5452: 5439: 5438:(with Raphael) 5425: 5389:(with Penni); 5358: 5345: 5332: 5289: 5276: 5263: 5250: 5231: 5218: 5175: 5150: 5125: 5082: 5069: 5056: 5037: 5018: 5015:Reign of Comus 4999: 4968: 4955: 4936: 4923: 4898: 4873: 4848: 4835: 4822: 4808: 4806: 4800: 4799: 4797: 4796: 4753: 4734: 4721: 4708: 4689: 4676: 4633: 4620: 4583: 4510: 4491: 4478: 4447: 4416: 4379: 4354: 4341: 4316: 4225: 4146: 4133: 4120: 4089: 4046: 4021: 4008: 3988: 3986: 3976: 3975: 3965: 3964: 3961: 3960: 3957: 3956: 3954: 3953: 3948: 3942: 3940: 3936: 3935: 3933: 3932: 3927: 3922: 3920:Venus of Arles 3917: 3915:Venus Genetrix 3912: 3907: 3905:Venus and Mars 3902: 3897: 3892: 3887: 3882: 3877: 3872: 3867: 3862: 3860:Las Incantadas 3857: 3852: 3847: 3842: 3837: 3832: 3827: 3822: 3817: 3812: 3807: 3805:Diana of Gabii 3802: 3797: 3792: 3790:Borghese Venus 3787: 3782: 3777: 3772: 3767: 3762: 3757: 3752: 3747: 3742: 3737: 3732: 3727: 3722: 3716: 3714: 3699: 3698: 3696: 3695: 3690: 3685: 3680: 3675: 3670: 3665: 3660: 3655: 3653:Dendera zodiac 3650: 3645: 3640: 3638:Bentresh stela 3635: 3630: 3623: 3617: 3615: 3609: 3608: 3606: 3605: 3600: 3595: 3590: 3585: 3580: 3575: 3570: 3565: 3560: 3555: 3550: 3545: 3540: 3535: 3530: 3525: 3520: 3515: 3510: 3505: 3500: 3495: 3490: 3485: 3480: 3475: 3470: 3465: 3460: 3455: 3450: 3445: 3440: 3435: 3430: 3425: 3420: 3415: 3410: 3405: 3399: 3397: 3385: 3384: 3374: 3373: 3370: 3369: 3367: 3366: 3361: 3356: 3351: 3349:Louvre Pyramid 3346: 3341: 3336: 3331: 3325: 3322: 3321: 3311: 3310: 3303: 3302: 3295: 3288: 3280: 3274: 3273: 3260: 3255: 3250: 3243: 3242:External links 3240: 3239: 3238: 3232: 3217: 3214: 3212: 3211: 3204: 3186: 3175: 3153: 3140:10.1086/373253 3134:(4): 245–285. 3118: 3096: 3076: 3057: 3049: 3043:. The Museum. 3031: 3012: 2991: 2987:online catalog 2978: 2953: 2934: 2931:978-2110042644 2911: 2892: 2873: 2856: 2810: 2791: 2784: 2761: 2754: 2734: 2727: 2707: 2664: 2620: 2613: 2583: 2576: 2551: 2532: 2525: 2500: 2475: 2458: 2451: 2427: 2420: 2397: 2390: 2370: 2351: 2344: 2324: 2305: 2298: 2278: 2271: 2243: 2236: 2216: 2203: 2194: 2179: 2156: 2149: 2123: 2094:10.1086/373253 2068: 2039:10.1086/373253 2033:(4): 245–285. 2012: 1983:10.1086/373253 1961: 1937: 1917: 1908: 1889: 1862: 1827: 1817: 1804: 1791: 1773: 1766: 1743: 1736: 1716: 1707: 1700: 1680: 1673:978-1585445301 1672: 1654: 1629: 1622: 1570: 1568: 1565: 1564: 1563: 1556: 1553: 1548: 1547: 1540: 1533: 1531: 1524: 1517: 1515: 1512:British Museum 1506: 1499: 1497: 1490: 1483: 1469: 1468: 1453: 1422:British Museum 1406: 1399:Narmer palette 1393:, such as the 1328: 1321: 1320: 1319: 1306: 1299: 1298: 1297: 1293: 1292: 1291: 1290: 1285: 1284:Similar knives 1282: 1281: 1280: 1265: 1258: 1256: 1241: 1234: 1232: 1229: 1222: 1220: 1214: 1207: 1205: 1198: 1191: 1189: 1182: 1175: 1173: 1166: 1159: 1143: 1142: 1141: 1140: 1136: 1135: 1128: 1126: 1122: 1121: 1114: 1112: 1108: 1107: 1100: 1098: 1094: 1093: 1086: 1082: 1068: 1059: 1058: 1031: 1028: 1025: 1024: 1023: 1022: 1015: 1008: 1006: 1003: 996: 994: 984: 977: 975: 972: 965: 963: 960: 953: 949: 948:Battle scenes 939: 938: 937: 936: 925: 918: 916: 913: 906: 904: 901: 894: 892: 886: 879: 875: 865: 864: 812:images of the 802:Nicolas Grimal 745: 744: 739: 732: 731: 727: 720: 719: 718: 714: 713: 712: 711: 703: 700: 697: 696: 693: 689: 688: 685: 681: 680: 677: 673: 672: 669: 665: 664: 661: 657: 656: 653: 652:Total length: 623: 622: 619: 612: 610: 607: 600: 598: 595: 588: 586: 583: 576: 573: 572: 568: 567: 566: 521: 518: 515: 514: 511: 507: 506: 503: 499: 498: 495: 491: 490: 487: 483: 482: 479: 478:Total length: 456: 455: 452: 445: 443: 440: 433: 431: 428: 421: 419: 416: 409: 406: 405: 401: 400: 399: 398: 397: 390: 382: 378: 371: 347: 344: 342: 339: 294: 291: 272: 265: 264: 236: 229: 228: 220: 213: 212: 211: 207: 206: 205: 204: 160: 157: 155: 152: 106: 105: 102: 101:Identification 98: 97: 91: 87: 86: 79: 75: 74: 72: 3450 BC 62: 58: 57: 54: 50: 49: 46: 42: 41: 34: 26: 25: 15: 9: 6: 4: 3: 2: 6317: 6306: 6303: 6301: 6298: 6296: 6293: 6291: 6288: 6286: 6283: 6281: 6278: 6276: 6273: 6271: 6268: 6266: 6263: 6261: 6258: 6256: 6253: 6251: 6248: 6247: 6245: 6230: 6222: 6221: 6218: 6204: 6203: 6197: 6193: 6192: 6190: 6186: 6180: 6179: 6173: 6169: 6167: 6166: 6160: 6156: 6155: 6153: 6151: 6147: 6141: 6140: 6135: 6134: 6128: 6124: 6122: 6121: 6115: 6111: 6109: 6108: 6103: 6102: 6096: 6092: 6090: 6089: 6084: 6083: 6078: 6077: 6071: 6067: 6065: 6064: 6059: 6058: 6053: 6052: 6046: 6042: 6041: 6039: 6037: 6033: 6027: 6026: 6020: 6016: 6014: 6013: 6008: 6007: 6001: 5997: 5995: 5994: 5993:The Lacemaker 5989: 5988: 5982: 5978: 5976: 5975: 5969: 5965: 5963: 5962: 5957: 5956: 5951: 5950: 5944: 5940: 5938: 5937: 5932: 5931: 5926: 5925: 5920: 5919: 5914: 5913: 5908: 5907: 5902: 5901: 5895: 5891: 5889: 5888: 5883: 5882: 5881:Self-Portrait 5877: 5876: 5871: 5870: 5865: 5864: 5859: 5858: 5853: 5852: 5847: 5846: 5840: 5836: 5834: 5833: 5827: 5823: 5821: 5820: 5814: 5810: 5808: 5807: 5801: 5797: 5795: 5794: 5788: 5784: 5782: 5781: 5775: 5774:de Hooch 5771: 5769: 5768: 5763: 5762: 5756: 5752: 5750: 5749: 5744: 5743: 5738: 5737: 5731: 5727: 5725: 5724: 5718: 5714: 5712: 5711: 5705: 5704:van Eyck 5701: 5699: 5698: 5693: 5692: 5687: 5686: 5680: 5679:van Dyck 5676: 5674: 5673: 5667: 5663: 5661: 5660: 5655: 5654: 5648: 5644: 5642: 5641: 5635: 5631: 5629: 5628: 5622: 5618: 5616: 5615: 5614:Ship of Fools 5609: 5605: 5604: 5602: 5600: 5596: 5590: 5589: 5583: 5579: 5577: 5576: 5570: 5566: 5564: 5563: 5557: 5553: 5551: 5550: 5545: 5544: 5539: 5538: 5533: 5532: 5527: 5526: 5521: 5520: 5515: 5514: 5509: 5508: 5502: 5498: 5496: 5495: 5494:Self Portrait 5489: 5485: 5483: 5482: 5477: 5476: 5470: 5466: 5464: 5463: 5457: 5453: 5451: 5450: 5444: 5440: 5437: 5436: 5430: 5426: 5424: 5423: 5418: 5417: 5412: 5411: 5406: 5405: 5404:Saint Michael 5400: 5399: 5394: 5393: 5388: 5387: 5382: 5381: 5376: 5375: 5370: 5369: 5363: 5359: 5357: 5356: 5350: 5346: 5344: 5343: 5337: 5333: 5331: 5330: 5325: 5324: 5319: 5318: 5313: 5312: 5307: 5306: 5301: 5300: 5294: 5290: 5288: 5287: 5281: 5277: 5275: 5274: 5268: 5264: 5262: 5261: 5255: 5251: 5249: 5248: 5243: 5242: 5236: 5232: 5230: 5229: 5223: 5219: 5217: 5216: 5211: 5210: 5205: 5204: 5199: 5198: 5193: 5192: 5187: 5186: 5180: 5176: 5174: 5173: 5168: 5167: 5162: 5161: 5155: 5151: 5149: 5148: 5143: 5142: 5137: 5136: 5130: 5126: 5124: 5123: 5118: 5117: 5112: 5111: 5106: 5105: 5100: 5099: 5094: 5093: 5087: 5083: 5081: 5080: 5074: 5070: 5068: 5067: 5061: 5057: 5055: 5054: 5049: 5048: 5042: 5038: 5036: 5035: 5030: 5029: 5023: 5019: 5017: 5016: 5011: 5010: 5004: 5000: 4998: 4997: 4992: 4991: 4986: 4985: 4980: 4979: 4973: 4969: 4967: 4966: 4960: 4956: 4954: 4953: 4948: 4947: 4941: 4937: 4935: 4934: 4928: 4924: 4922: 4921: 4916: 4915: 4910: 4909: 4903: 4899: 4897: 4896: 4891: 4890: 4885: 4884: 4878: 4874: 4872: 4871: 4866: 4865: 4860: 4859: 4853: 4849: 4847: 4846: 4840: 4836: 4834: 4833: 4827: 4823: 4821: 4820: 4814: 4810: 4809: 4807: 4805: 4801: 4795: 4794: 4789: 4788: 4783: 4782: 4777: 4776: 4775:L'Indifférent 4771: 4770: 4765: 4764: 4758: 4754: 4752: 4751: 4746: 4745: 4739: 4735: 4733: 4732: 4726: 4722: 4720: 4719: 4713: 4709: 4707: 4706: 4701: 4700: 4694: 4690: 4688: 4687: 4681: 4677: 4675: 4674: 4669: 4668: 4663: 4662: 4657: 4656: 4651: 4650: 4645: 4644: 4638: 4634: 4632: 4631: 4625: 4621: 4619: 4618: 4613: 4612: 4607: 4606: 4601: 4600: 4595: 4594: 4588: 4584: 4582: 4581: 4576: 4575: 4570: 4569: 4564: 4563: 4558: 4557: 4552: 4551: 4546: 4545: 4540: 4539: 4534: 4533: 4528: 4527: 4522: 4521: 4515: 4511: 4509: 4508: 4503: 4502: 4496: 4492: 4490: 4489: 4483: 4479: 4477: 4476: 4471: 4470: 4465: 4464: 4459: 4458: 4452: 4448: 4446: 4445: 4440: 4439: 4434: 4433: 4428: 4427: 4421: 4417: 4415: 4414: 4409: 4408: 4403: 4402: 4397: 4396: 4391: 4390: 4384: 4380: 4378: 4377: 4372: 4371: 4366: 4365: 4359: 4355: 4353: 4352: 4346: 4342: 4340: 4339: 4334: 4333: 4328: 4327: 4321: 4317: 4315: 4314: 4309: 4308: 4303: 4302: 4297: 4296: 4291: 4290: 4285: 4284: 4279: 4278: 4273: 4272: 4267: 4266: 4261: 4260: 4255: 4254: 4249: 4248: 4243: 4242: 4237: 4236: 4230: 4226: 4224: 4223: 4222:Self-Portrait 4218: 4217: 4212: 4211: 4206: 4205: 4200: 4199: 4194: 4193: 4188: 4187: 4182: 4181: 4176: 4175: 4170: 4169: 4164: 4163: 4158: 4157: 4151: 4147: 4145: 4144: 4138: 4134: 4132: 4131: 4125: 4121: 4119: 4118: 4113: 4112: 4107: 4106: 4105:Self-Portrait 4101: 4100: 4094: 4090: 4088: 4087: 4082: 4081: 4076: 4075: 4070: 4069: 4064: 4063: 4058: 4057: 4051: 4047: 4045: 4044: 4039: 4038: 4037:Diana Bathing 4033: 4032: 4026: 4022: 4020: 4019: 4013: 4009: 4007: 4006: 4001: 4000: 3994: 3990: 3989: 3987: 3985: 3981: 3977: 3970: 3966: 3952: 3949: 3947: 3944: 3943: 3941: 3937: 3931: 3928: 3926: 3923: 3921: 3918: 3916: 3913: 3911: 3910:Venus de Milo 3908: 3906: 3903: 3901: 3898: 3896: 3893: 3891: 3888: 3886: 3883: 3881: 3878: 3876: 3873: 3871: 3868: 3866: 3863: 3861: 3858: 3856: 3853: 3851: 3848: 3846: 3843: 3841: 3840:Hera Borghese 3838: 3836: 3833: 3831: 3828: 3826: 3823: 3821: 3818: 3816: 3813: 3811: 3808: 3806: 3803: 3801: 3798: 3796: 3793: 3791: 3788: 3786: 3785:Borghese Vase 3783: 3781: 3778: 3776: 3773: 3771: 3768: 3766: 3763: 3761: 3760:Ares Borghese 3758: 3756: 3753: 3751: 3748: 3746: 3743: 3741: 3738: 3736: 3733: 3731: 3728: 3726: 3723: 3721: 3718: 3717: 3715: 3713: 3708: 3704: 3700: 3694: 3691: 3689: 3686: 3684: 3681: 3679: 3676: 3674: 3671: 3669: 3666: 3664: 3661: 3659: 3656: 3654: 3651: 3649: 3646: 3644: 3641: 3639: 3636: 3634: 3631: 3629: 3628: 3624: 3622: 3619: 3618: 3616: 3614: 3613:Ancient Egypt 3610: 3604: 3601: 3599: 3596: 3594: 3591: 3589: 3586: 3584: 3581: 3579: 3576: 3574: 3571: 3569: 3566: 3564: 3561: 3559: 3556: 3554: 3551: 3549: 3546: 3544: 3541: 3539: 3536: 3534: 3531: 3529: 3528:Neirab steles 3526: 3524: 3521: 3519: 3516: 3514: 3511: 3509: 3506: 3504: 3501: 3499: 3496: 3494: 3491: 3489: 3486: 3484: 3481: 3479: 3476: 3474: 3473:Lament for Ur 3471: 3469: 3466: 3464: 3461: 3459: 3456: 3454: 3451: 3449: 3446: 3444: 3441: 3439: 3436: 3434: 3431: 3429: 3426: 3424: 3421: 3419: 3416: 3414: 3411: 3409: 3406: 3404: 3401: 3400: 3398: 3394: 3390: 3386: 3379: 3375: 3365: 3362: 3360: 3357: 3355: 3352: 3350: 3347: 3345: 3342: 3340: 3337: 3335: 3332: 3330: 3327: 3326: 3323: 3316: 3312: 3308: 3307:Louvre Museum 3301: 3296: 3294: 3289: 3287: 3282: 3281: 3278: 3271: 3267: 3261: 3259: 3256: 3254: 3251: 3249: 3246: 3245: 3235: 3233:0-631-19396-0 3229: 3225: 3220: 3219: 3207: 3201: 3197: 3190: 3184: 3179: 3171: 3167: 3160: 3158: 3149: 3145: 3141: 3137: 3133: 3129: 3122: 3116: 3112: 3108: 3103: 3101: 3094: 3090: 3086: 3080: 3072: 3068: 3061: 3052: 3046: 3042: 3035: 3028: 3024: 3021: 3016: 3009: 3005: 3001: 2995: 2988: 2982: 2967: 2963: 2957: 2949: 2945: 2938: 2932: 2928: 2924: 2920: 2915: 2907: 2903: 2896: 2888: 2884: 2877: 2869: 2868: 2860: 2852: 2848: 2844: 2840: 2836: 2832: 2828: 2824: 2817: 2815: 2806: 2802: 2795: 2787: 2781: 2777: 2776: 2768: 2766: 2757: 2751: 2747: 2746: 2738: 2730: 2724: 2720: 2719: 2711: 2703: 2699: 2695: 2691: 2687: 2683: 2679: 2675: 2668: 2660: 2656: 2652: 2648: 2644: 2640: 2636: 2632: 2624: 2616: 2610: 2606: 2605: 2600: 2594: 2592: 2590: 2588: 2579: 2573: 2569: 2568: 2560: 2558: 2556: 2547: 2543: 2536: 2528: 2526:9783748182030 2522: 2518: 2517: 2509: 2507: 2505: 2496: 2492: 2489: 2482: 2480: 2471: 2470: 2462: 2454: 2448: 2444: 2443: 2434: 2432: 2423: 2417: 2413: 2412: 2404: 2402: 2393: 2387: 2383: 2382: 2374: 2366: 2362: 2355: 2347: 2341: 2337: 2336: 2328: 2320: 2316: 2309: 2301: 2295: 2291: 2290: 2282: 2274: 2268: 2264: 2263: 2254: 2252: 2250: 2248: 2239: 2237:9780931464966 2233: 2229: 2228: 2220: 2213: 2207: 2198: 2190: 2183: 2175: 2171: 2167: 2160: 2152: 2150:0-631-21195-0 2146: 2142: 2137: 2136: 2135:The Egyptians 2127: 2119: 2115: 2111: 2107: 2103: 2099: 2095: 2091: 2087: 2083: 2079: 2072: 2064: 2060: 2056: 2052: 2048: 2044: 2040: 2036: 2032: 2028: 2021: 2019: 2017: 2008: 2004: 2000: 1996: 1992: 1988: 1984: 1980: 1976: 1972: 1965: 1959: 1955: 1951: 1947: 1941: 1935: 1931: 1927: 1921: 1912: 1904: 1900: 1893: 1878: 1874: 1873: 1866: 1858: 1854: 1850: 1846: 1843:(6): 433–53. 1842: 1838: 1831: 1821: 1814: 1808: 1801: 1798:G. Bénédite: 1795: 1787: 1783: 1777: 1769: 1767:9781444333503 1763: 1759: 1758: 1750: 1748: 1739: 1737:9780931464966 1733: 1729: 1728: 1720: 1711: 1703: 1697: 1693: 1692: 1684: 1675: 1669: 1665: 1658: 1650: 1646: 1640: 1638: 1636: 1634: 1625: 1623:9782757202524 1619: 1615: 1608: 1606: 1604: 1602: 1600: 1598: 1596: 1594: 1592: 1590: 1588: 1586: 1584: 1582: 1580: 1578: 1576: 1571: 1562: 1559: 1558: 1552: 1544: 1543:Petrie Museum 1537: 1532: 1528: 1521: 1516: 1513: 1509: 1503: 1498: 1494: 1487: 1482: 1481: 1480: 1478: 1474: 1466: 1462: 1458: 1454: 1451: 1447: 1446:barbary sheep 1443: 1439: 1435: 1431: 1427: 1423: 1419: 1415: 1411: 1407: 1404: 1400: 1396: 1392: 1388: 1384: 1380: 1376: 1372: 1368: 1364: 1360: 1356: 1352: 1348: 1344: 1340: 1336: 1335: 1325: 1314: 1310: 1303: 1289: 1277: 1273: 1269: 1262: 1257: 1253: 1249: 1245: 1238: 1233: 1226: 1221: 1217: 1211: 1206: 1202: 1195: 1190: 1186: 1185:Hierakonpolis 1179: 1174: 1170: 1169:Hierakonpolis 1163: 1158: 1157: 1156: 1154: 1150: 1149:Hierakonpolis 1132: 1127: 1118: 1113: 1104: 1099: 1090: 1085: 1084: 1083: 1072: 1071:Hierakonpolis 1065: 1061: 1060: 1057: 1053: 1050: 1048: 1037: 1036:Hierakonpolis 1019: 1012: 1007: 1000: 995: 991: 988: 981: 976: 969: 964: 957: 952: 951: 950: 945: 941: 940: 933: 929: 922: 917: 910: 905: 898: 893: 889: 883: 878: 877: 876: 871: 867: 866: 861: 857: 854: 852: 847: 845: 840: 838: 834: 833:Hierakonpolis 830: 826: 821: 819: 815: 811: 807: 803: 799: 798:Biblical Cush 795: 794:Meskiagkasher 791: 787: 783: 779: 775: 774:Evening Stars 771: 767: 763: 753: 749: 736: 724: 709: 691: 690: 683: 682: 675: 674: 667: 666: 659: 658: 651: 650: 647: 644: 641: 638: 635: 631: 616: 611: 604: 599: 592: 587: 580: 575: 574: 565: 562: 558: 554: 550: 546: 542: 538: 534: 531: 527: 509: 508: 501: 500: 493: 492: 485: 484: 477: 476: 473: 470: 468: 464: 449: 444: 437: 432: 425: 420: 413: 408: 407: 395: 391: 387: 383: 379: 376: 372: 369: 368: 367: 365: 361: 357: 353: 338: 336: 332: 328: 324: 320: 314: 312: 306: 304: 300: 290: 280: 279:Louvre Museum 276: 269: 260: 256: 252: 248: 244: 240: 233: 224: 223:Louvre Museum 217: 202: 197: 192: 188: 181: 179: 175: 171: 166: 151: 149: 145: 141: 137: 133: 129: 125: 121: 117: 113: 103: 99: 95: 92: 88: 84: 80: 76: 66: 63: 59: 55: 51: 47: 43: 38: 32: 27: 22: 19: 6200: 6195: 6176: 6171: 6163: 6158: 6137: 6131: 6126: 6120:The Clubfoot 6118: 6113: 6105: 6099: 6094: 6086: 6080: 6074: 6069: 6061: 6055: 6049: 6044: 6023: 6018: 6010: 6004: 5999: 5991: 5985: 5980: 5972: 5967: 5959: 5953: 5947: 5942: 5934: 5928: 5922: 5916: 5910: 5904: 5898: 5893: 5885: 5879: 5873: 5867: 5861: 5855: 5849: 5843: 5838: 5830: 5825: 5817: 5812: 5804: 5799: 5791: 5786: 5778: 5773: 5765: 5759: 5754: 5746: 5740: 5734: 5729: 5721: 5716: 5708: 5703: 5695: 5689: 5683: 5678: 5670: 5665: 5657: 5651: 5646: 5638: 5633: 5625: 5620: 5612: 5607: 5586: 5581: 5573: 5568: 5560: 5555: 5547: 5541: 5535: 5529: 5523: 5517: 5511: 5505: 5500: 5492: 5487: 5479: 5473: 5468: 5460: 5455: 5447: 5442: 5433: 5428: 5420: 5414: 5408: 5402: 5398:Saint George 5396: 5390: 5384: 5378: 5372: 5366: 5361: 5353: 5348: 5340: 5335: 5327: 5323:St Sebastian 5321: 5315: 5309: 5303: 5297: 5292: 5284: 5280:Parmigianino 5279: 5273:Ancient Rome 5271: 5266: 5258: 5253: 5245: 5239: 5234: 5226: 5221: 5213: 5207: 5201: 5195: 5189: 5183: 5178: 5170: 5164: 5158: 5153: 5145: 5139: 5133: 5128: 5120: 5114: 5108: 5102: 5096: 5090: 5085: 5077: 5072: 5064: 5059: 5051: 5045: 5040: 5032: 5026: 5021: 5013: 5007: 5002: 4994: 4988: 4982: 4976: 4971: 4963: 4958: 4950: 4944: 4939: 4931: 4926: 4918: 4912: 4906: 4901: 4893: 4887: 4881: 4876: 4868: 4862: 4856: 4851: 4843: 4838: 4830: 4825: 4817: 4813:Fra Angelico 4812: 4791: 4785: 4779: 4773: 4769:The Faux Pas 4767: 4761: 4756: 4748: 4742: 4737: 4729: 4724: 4716: 4711: 4703: 4697: 4692: 4684: 4679: 4671: 4665: 4659: 4653: 4647: 4641: 4636: 4628: 4623: 4615: 4609: 4603: 4597: 4591: 4587:La Tour 4586: 4578: 4572: 4566: 4560: 4554: 4548: 4542: 4536: 4530: 4524: 4518: 4513: 4505: 4499: 4494: 4486: 4481: 4473: 4467: 4461: 4455: 4450: 4442: 4436: 4430: 4424: 4419: 4411: 4405: 4399: 4393: 4387: 4382: 4374: 4368: 4362: 4357: 4349: 4344: 4336: 4330: 4324: 4319: 4311: 4305: 4299: 4293: 4287: 4281: 4275: 4269: 4263: 4257: 4251: 4245: 4239: 4233: 4228: 4220: 4214: 4208: 4202: 4196: 4190: 4184: 4178: 4172: 4166: 4160: 4154: 4149: 4141: 4136: 4130:Village Fête 4128: 4123: 4115: 4109: 4103: 4097: 4092: 4086:Saying Grace 4084: 4078: 4072: 4066: 4060: 4054: 4049: 4041: 4035: 4029: 4024: 4016: 4011: 4003: 3997: 3992: 3875:Rampin Rider 3683:Bull Palette 3625: 3620: 3603:Ziwiye hoard 3573:Tayma stones 3533:Osorkon Bust 3488:Lion of Mari 3223: 3195: 3189: 3178: 3169: 3131: 3127: 3121: 3110: 3088: 3084: 3079: 3070: 3066: 3060: 3040: 3034: 3015: 2999: 2994: 2981: 2969:. Retrieved 2965: 2956: 2947: 2943: 2937: 2922: 2919:E. G. Dreyer 2914: 2905: 2895: 2886: 2876: 2866: 2859: 2826: 2822: 2804: 2794: 2774: 2744: 2737: 2717: 2710: 2677: 2673: 2667: 2634: 2630: 2623: 2603: 2566: 2545: 2535: 2515: 2494: 2468: 2461: 2441: 2410: 2380: 2373: 2364: 2354: 2334: 2327: 2318: 2308: 2288: 2281: 2260: 2226: 2219: 2211: 2206: 2197: 2188: 2182: 2173: 2169: 2159: 2134: 2126: 2085: 2081: 2071: 2030: 2026: 1974: 1970: 1964: 1949: 1945: 1940: 1925: 1920: 1911: 1902: 1898: 1892: 1881:, retrieved 1877:the original 1871: 1865: 1840: 1836: 1830: 1820: 1812: 1807: 1799: 1794: 1785: 1776: 1756: 1726: 1719: 1710: 1690: 1683: 1663: 1657: 1648: 1613: 1549: 1507: 1492: 1470: 1456: 1426:ritual knife 1425: 1409: 1339:ritual knife 1338: 1309:ritual knife 1308: 1287: 1153:Bull Palette 1146: 1055: 1033: 859: 848: 841: 822: 806:Mesopotamian 759: 728:Knife handle 645: 642: 627: 537:hippopotamus 523: 471: 460: 385: 349: 335:Umm el-Qa'ab 316: 308: 296: 287: 195: 183: 173: 162: 115: 111: 109: 18: 6300:Uruk period 6063:Saint Louis 5627:The Beggars 5531:Pardo Venus 5260:Dead Christ 5185:Crucifixion 5022:Ghirlandaio 4301:The Picador 3720:Albani lion 3503:Mesha Stele 3382:Antiquities 3359:Cour Carrée 3334:Lescot Wing 3263:(in French) 3107:John Baines 2989:of the MET. 1475:and at the 1442:hartebeests 1418:Upper Egypt 1391:1st dynasty 1078: 3500 1043: 3500 990:Uruk period 928:Art of Uruk 545:pulp cavity 364:New Kingdom 360:Paleolithic 341:Description 299:Nag Hammadi 259:Uruk period 165:philologist 65:Naqada II d 6244:Categories 5488:Tintoretto 5469:Signorelli 5254:Palmezzano 5034:Visitation 4902:Caravaggio 4877:Botticelli 4839:Arcimboldo 4093:Chassériau 4074:The Buffet 3820:Dying Gaul 3205:0860546012 3073:: 187–217. 3050:0872730999 3008:0500279020 2889:: 169–170. 2497:: 189-244. 2367:: 165–175. 2321:: 166–167. 2088:(4): 251. 1977:(4): 245. 1934:0872730999 1905:: 185–225. 1567:References 1080:–3200 BCE) 837:Naqada III 790:David Rohl 754:(26.241.1) 706:See also: 637:microburin 362:up to the 293:Provenance 122:period of 81:Bought by 78:Discovered 6159:Bonington 5839:Rembrandt 5717:Friedrich 5349:Pisanello 5203:Parnassus 5104:Mona Lisa 4972:Correggio 4927:Carpaccio 4383:Géricault 4358:Fragonard 4320:Delaroche 4229:Delacroix 3993:Anonymous 3973:Paintings 3939:Byzantine 3393:Near East 3148:162209013 2950:: 425–46. 2843:0307-5133 2694:0307-5133 2651:0004-3079 2599:Shaw, Ian 2118:162209013 2102:0022-2968 2063:162209013 2047:0022-2968 2007:162209013 1991:0022-2968 1272:Naqada II 1248:Naqada II 1030:Parallels 1018:Nile boat 814:Late Uruk 561:gold leaf 394:serration 120:Naqada II 6229:Category 6188:American 6127:Zurbarán 6045:El Greco 5968:Scheffer 5943:Ruisdael 5787:Jordaens 5634:Christus 5599:Northern 5582:Veronese 5443:Salviati 5293:Perugino 5179:Mantegna 5086:Leonardo 5041:Giordano 4940:Carracci 4712:Scheffer 4376:The Bolt 4361::  4345:Flandrin 3712:Etruscan 3319:Building 3091:, 1904, 3023:Archived 2985:See the 2829:: 5–18. 2601:(2019). 2210:Grimal, 2176:: 63–83. 1555:See also 1270:- Early 1268:Naqada I 1246:- Early 1244:Naqada I 987:Sumerian 839:period. 818:Naqada I 530:elephant 187:Chaldean 159:Purchase 138:for the 45:Material 6199::  6175::  6162::  6150:English 6130::  6117::  6098::  6095:Murillo 6073::  6048::  6036:Spanish 6022::  6019:Wtewael 6003::  5984::  5981:Vermeer 5971::  5946::  5897::  5842::  5829::  5816::  5813:Memling 5803::  5790::  5777::  5758::  5755:Holbein 5733::  5720::  5707::  5682::  5669::  5650::  5637::  5624::  5621:Bruegel 5611::  5585::  5572::  5569:Uccello 5559::  5504::  5491::  5472::  5459::  5456:Savoldo 5446::  5432::  5365::  5362:Raphael 5352::  5339::  5296::  5283::  5270::  5257::  5238::  5235:Moretto 5225::  5222:Martini 5182::  5157::  5132::  5092:Bacchus 5089::  5076::  5063::  5044::  5025::  5006::  4975::  4962::  4959:Cimabue 4952:Hunting 4946:Fishing 4943::  4930::  4905::  4880::  4855::  4852:Bellini 4842::  4829::  4816::  4804:Italian 4787:Pierrot 4760::  4757:Watteau 4741::  4728::  4715::  4696::  4683::  4680:Quarton 4640::  4637:Poussin 4627::  4590::  4517::  4498::  4485::  4454::  4423::  4386::  4348::  4323::  4232::  4153::  4140::  4127::  4096::  4080:The Ray 4053::  4050:Chardin 4028::  4025:Boucher 4015::  3996::  3513:Narundi 2971:9 March 2851:3855778 2702:3855778 2659:3045984 2214:, p. 36 2212:op.cit. 1883:9 March 1845:Bibcode 1461:griffin 1430:jackals 1379:bustard 1371:giraffe 1341:of the 770:Morning 702:Reliefs 553:beveled 176:of the 170:archaic 114:, also 104:E 11517 61:Created 6285:Knives 6196:Leutze 6114:Ribera 5894:Rubens 5800:Matsys 5501:Titian 5429:Romano 5267:Panini 5073:Guardi 5060:Giotto 4965:Maestà 4725:Vernet 4693:Robert 4514:Ingres 4482:Guérin 4420:Greuze 4124:Claude 4012:Boilly 3984:French 3703:Greece 3270:Louvre 3230:  3202:  3146:  3047:  3006:  2929:  2849:  2841:  2782:  2752:  2725:  2700:  2692:  2680:: 17. 2657:  2649:  2611:  2574:  2548:: 166. 2523:  2449:  2418:  2388:  2342:  2296:  2269:  2234:  2147:  2116:  2110:544868 2108:  2100:  2061:  2055:544868 2053:  2045:  2005:  1999:544868 1997:  1989:  1956:  1932:  1764:  1734:  1698:  1670:  1620:  1450:Abydos 1381:and a 1367:bovids 1363:oryxes 1355:storks 1216:Qustul 829:Abydos 528:of an 520:Handle 381:blade. 311:Abydos 303:Abydos 243:Abydos 178:Louvre 148:Abydos 140:Louvre 6172:Lewis 5826:Metsu 5666:Dürer 5647:David 5608:Bosch 5154:Lotto 5129:Lippi 5003:Costa 4738:Vouet 4150:David 4137:Corot 3144:S2CID 2847:JSTOR 2698:JSTOR 2655:JSTOR 2114:S2CID 2106:JSTOR 2059:S2CID 2051:JSTOR 2003:S2CID 1995:JSTOR 1813:AE 16 1432:, an 1414:Sohag 1375:heron 1359:lions 778:Venus 634:silex 557:crimp 526:ivory 392:Fine 356:chert 352:flint 346:Blade 251:Egypt 247:Egypt 191:Gudea 132:Cairo 128:knife 67:from 6070:Goya 5730:Hals 5556:Tura 4495:Huet 4451:Gros 3707:Rome 3705:and 3228:ISBN 3200:ISBN 3045:ISBN 3004:ISBN 2973:2018 2927:ISBN 2839:ISSN 2780:ISBN 2750:ISBN 2723:ISBN 2690:ISSN 2647:ISSN 2609:ISBN 2572:ISBN 2521:ISBN 2447:ISBN 2416:ISBN 2386:ISBN 2340:ISBN 2294:ISBN 2267:ISBN 2262:2002 2232:ISBN 2145:ISBN 2098:ISSN 2043:ISSN 1987:ISSN 1954:ISBN 1930:ISBN 1885:2018 1762:ISBN 1732:ISBN 1696:ISBN 1668:ISBN 1618:ISBN 1491:The 1455:The 1438:deer 1436:, a 1434:ibis 1408:The 1397:and 1377:, a 1373:, a 1365:and 1351:Edfu 1337:The 1307:The 930:and 831:and 772:and 630:knob 549:tang 533:tusk 329:and 275:Uruk 110:The 53:Size 3136:doi 3087:in 2831:doi 2682:doi 2639:doi 2090:doi 2035:doi 1979:doi 1948:in 1853:doi 1416:in 1383:dog 844:lug 780:). 134:by 6246:: 6136:; 6104:; 6085:; 6079:; 6060:; 6054:; 6009:; 5990:; 5958:; 5952:; 5933:; 5927:; 5921:; 5915:; 5909:; 5903:; 5884:; 5878:; 5872:; 5866:; 5860:; 5854:; 5848:; 5764:; 5745:; 5739:; 5694:; 5688:; 5656:; 5546:; 5534:; 5528:; 5522:; 5516:; 5510:; 5478:; 5419:; 5413:; 5407:; 5401:; 5395:; 5383:; 5377:; 5371:; 5326:; 5314:; 5308:; 5302:; 5244:; 5212:; 5206:; 5200:; 5194:; 5188:; 5169:; 5163:; 5144:; 5138:; 5119:; 5113:; 5107:; 5101:; 5095:; 5050:; 5031:; 5012:; 4993:; 4987:; 4981:; 4949:; 4917:; 4911:; 4892:; 4886:; 4867:; 4861:; 4790:; 4784:; 4778:; 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Index


Musée du Louvre
Naqada II d
Georges Aaron Bénédite
Musée du Louvre
Naqada II
Egyptian prehistory
knife
Cairo
Georges Aaron Bénédite
Louvre
Sully wing, room 633
Abydos
philologist
archaic
Louvre
Chaldean
Gudea

Louvre Museum

Master of Animals
Abydos
Egypt
Egypt
Egypt-Mesopotamia relations
Uruk period

Uruk
Louvre Museum

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