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Geets are also central to many cultures and communities across the globe and are used in a variety of contexts and purposes. Frequently, religious communities employ geets to not only express devotion but also to transmit knowledge of their faiths. For instance, in the
Satpanthi Ismaili communities
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is called Pada or Antara.Famous poet and lyricist
Golendra Patel, while defining 'song', has said that "Song is the soulful voice generated by the impact of human sympathy on the string between heart and mind, that is, song is the voice of life in its soulful nature."
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etc. Therefore, it has a beginning part known as
Prabandha which is followed by an Udgraah or Dhruv which is its part that is repeatedly sung and cannot be left out, the ending part is known as
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Shairi whose most important feature is its Indian ethos with the strain being feminine, and the tone, delicate and elegant; Urdu Geets mainly speak about feminine anguish.
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or
Hindavi forms part of what is known as proto-Hindi Literature whose origin can be traced to a far earlier period that produced the great historical lyric
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from love to heroism that later on in the
Ritikal introduced erotism in a big way. Urdu geets are basically found written in the
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language that took shape after the colonization of India by the
British and had subsequently become the court language in
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and Sawani. However, the boundary-line separating folk songs from classical songs cannot be easily traced and re-drawn.
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movement amalgamating the more ancient forms of
Sanskrit and Persian poetry brought to the fore the wide range of
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Geets are a significant part of Indian folk-literature meant for all memorable occasions, then they are known as
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whereas Hindi geets have retained the flavour drawn from earlier compositions in
Rajasthani dialect,
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In its classical form a Geet conforms to
Prabandha, a composition bound by Dhatu that comprises
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129:
547:"Geets Portal: A digital curation of the Ismaili community's devotional tradition of geets"
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390:), geets of devotion are composed and sung by community artistes. The Geets Portal at the
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Library is a digital curation of the
Ismaili community's devotional tradition of geets.
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535:'Folksong and Classical Song: The Discursive Formation of Dividing Practice'
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sung by different communities and sections of society. These
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Encyclopaedic Dictionary of Urdu Literature (2 Vol. set)
480:"Ratnakar kaal:Prabandh concept and various Prabandhas"
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and that part of the geet which is between Dhruv and
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293:. It has remained popular in all parts of the
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522:Encyclopaedic Dictionary of Urdu Literature
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316:, Dhrupad etc.; and Anga that comprises
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13:
498:Hindustani Sangeet Paddhati 4 Vols
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285:that can be sung alone or as a
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1:
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386:of South Asia (also known as
351:. The legendary singers Mian
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426:that has its roots in the
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392:University of Saskatchewan
349:Hindustani classical music
347:are the accepted forms of
261:(song or lyrical poetry) (
494:Vishnu Narayan Bhatkhande
560:Abida Samiuddin (2007).
116:Medieval to early Modern
406:its roots are found in
500:. Sangeet Karayalaya.
359:were Dhrupad singers.
319:swar, taal, pat, birud
297:particularly in the
295:Indian sub-continent
277:may refer to any
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23:Indian literature
16:Poem set to music
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64:Tamil Sangam
456:Brij Bhasha
432:Brij Bhasha
418:written by
404:Urdu poetry
586:Categories
466:References
444:Hindustani
210:Rajasthani
368:lok-geets
364:lok-geets
355:and Raja
269::گیت) in
97:Malayalam
496:(1990).
460:Maithali
430:and the
370:include
180:Maithili
170:Kokborok
165:Kashmiri
155:Gujarati
145:Bhojpuri
125:Assamese
54:Sanskrit
412:Dakhini
408:Dakhani
398:Context
345:Ghazals
333:Dhrupad
281:set to
273:and in
265::गीत) (
205:Punjabi
185:Marathi
175:Konkani
150:English
135:Bengali
87:Kannada
49:Prakrit
30:Ancient
568:
504:
436:Bhakti
428:Avadhi
388:Khojas
376:Kajari
372:Chaiti
353:Tansen
341:Thumri
328:Aabhog
324:Aabhog
314:Antara
310:Sthayi
291:chorus
289:or in
215:Sindhi
200:Nepali
190:Meitei
130:Awadhi
107:Telugu
452:Avadh
448:Delhi
440:rasas
422:. In
337:Khyal
299:Hindi
283:music
271:Hindi
263:Hindi
160:Hindi
59:Tamil
566:ISBN
502:ISBN
458:and
450:and
434:the
380:Hori
343:and
303:Urdu
301:and
287:duet
279:poem
275:Urdu
267:Urdu
259:Geet
220:Urdu
195:Mizo
140:Braj
102:Odia
44:Pali
402:In
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462:.
378:,
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510:.
247:e
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233:v
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89:(
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