405:. Walker bought it in the early 1980s from an old jazzman who played in clubs. He plugged it into two Burman amplifiers, "and the sound was there – a full resonance, and totally bell-like with the sustain on it through 250 watts of amplification in stereo. You can feel the thing vibrating, it's a huge sound. I tune the guitar in D (below bottom E) and my strings are really thick, I use an 062 on the bottom , and because of the way I tune the guitar, the strings still have the same response as a normal guitar would. The amplification makes the bottom end sound unreal. the sound of the guitar is a lot sharper, a lot clearer than other ones I've heard." By 2013, Walker was using slightly lighter gauge strings, with 058s on the bottom.
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rhythm as well. As one instrument, I think it has the most pleasing sound, the attack, the rhythm". Concerning his guitar playing, Walker explained: "If you hit a chord and press down on the bridge, it bends all six notes at once, that's probably one of the odder aspects of my technique. If you want to get technical—things like augmented fourths and sevenths have a certain unnerving effect, a bit like a tingle up the spine. I go for a lot of those in my chord structures".
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Walker tuned his guitar a whole tone lower than standard, an unusual choice in the 1980s. "It suits the resonance and the volume of the thing, and you can use heavier strings
Basically if I play an E-position chord, it's D." Walker said that "a guitar has a lot of musical capability, but it has the
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and their sound on their cover version of "Sabre Dance" because "it used the guitar as a musical instrument to convey an atmosphere, it wasn't normal guitar playing which people feel they have to play, certain rhythms, certain solos, certain scales". Walker also named
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In the 1980s, Walker used ADT units made by Bell, one on each amplifier: "It's got from a really tight delay to a single short delay, and a pitch bend on it", and an
Electro Harmonix Deluxe Memory Man Delay.
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on the bill. After Walker played about two chords, his mother's verdict was: "We'll take it." He worked at that time, "two real jobs" that allowed him to save money. He then bought another guitar, a
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album was released in
October 1980. He recorded fifteen studio albums with the band between 1980 and 2015. Walker and Coleman were the only constant members of the group until Walker's death.
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came out in
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Walker later moved to London to study architecture and became a founding member of
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praised Walker's guitar playing, which he described as "this effortless playing producing a monstrous sound".
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Walker died in Prague on 26 November 2023, two days after suffering a stroke. He was 64.
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When he was ten years old, Walker was deeply marked by the guitar sound in the song "
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with his partner
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in the shop, she suggested he try it in remembrance of a concert she attended with
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Touring May Be 'Pandemonium' but Rock
Guitarist Found Romance at St. Andrew's Hall
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in 2006, he produced UK girl punk rock act Mary–Jane at Faust
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804:"KILLING JOKE Guitarist KEVIN 'GEORDIE' WALKER Dead At 64"
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536:"Geordie Walker, Guitarist for Killing Joke, Dies at 64"
342:(1978) as an influence because their original guitarist
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Kay, Max (June 1984). "Max Kay
Interviews Geordie".
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606:"Killing Joke guitarist Geordie Walker has died"
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1695:Andrew Weiss
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1680:Chris Vrenna
1675:JG Thirlwell
1670:Louis Svitek
1655:Bill Rieflin
1650:Trent Reznor
1615:Charles Levi
1610:Keith Levene
1585:Michael Gira
1525:Meg Lee Chin
1500:Jello Biafra
1475:Steve Albini
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1395:Transmission
1385:Murder, Inc.
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1081:Killing Joke
1031:Killing Joke
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998:Troy Gregory
984:John Bechdel
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930:Killing Joke
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812:. Retrieved
808:Blabbermouth
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290:supergroups
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227:
214:Killing Joke
205:
202:Kevin Walker
201:
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178:Murder, Inc.
173:Killing Joke
157:Years active
87:(2023-11-26)
57:Kevin Walker
39:Ilosaarirock
18:
1925:2023 deaths
1920:1958 births
1899:Discography
1874:Demo albums
1800:Live albums
1620:Lydia Lunch
1605:Algis Kizys
1560:Hanin Elias
1555:Taime Downe
1545:Mike Dillon
1520:Danny Carey
1485:Paul Barker
1480:Gry Bagøien
1365:Discography
1348:Pandemonium
1236:Empire Song
1132:Live albums
1119:Turn to Red
1071:Pandemonium
1046:Fire Dances
1041:Revelations
1012:Ben Calvert
1008:Ted Parsons
942:Jaz Coleman
814:26 November
788:26 November
762:10 November
670:"Mary–Jane"
616:26 November
590:26 November
564:11 December
486:26 November
280:self-titled
274:Turn to Red
269:Jaz Coleman
246:Leon School
230:Sabre Dance
166:Formerly of
116:gothic rock
1914:Categories
1790:8 Bit Head
1645:Paul Raven
1630:Nivek Ogre
1625:Jim Marcus
1565:The Enigma
1550:Edsel Dope
1530:JS Clayden
1490:Leila Bela
1299:Adorations
1264:Me or You?
1051:Night Time
1015:Reza Udhin
1003:Dave Grohl
964:Paul Raven
853:1190832462
635:. AllMusic
542:3 December
421:References
371:Jimmy Page
358:Walker at
344:John McKay
339:The Scream
323:Influences
148:Instrument
140:Occupation
68:1958-12-18
53:Birth name
1700:David Yow
1690:Dean Ween
1595:Marc Heal
1375:Brilliant
1278:A New Day
1243:Chop-Chop
1076:Democracy
734:5 January
698:2 January
389:Equipment
242:Bletchley
210:post-punk
161:1979–2023
126:synth-pop
106:Post-punk
1370:Niceland
1341:Exorcism
1271:Eighties
1208:Wardance
871:AllMusic
708:cite web
610:Kerrang!
516:8 August
401:sideman
360:Hellfest
143:Musician
121:new wave
41:festival
1775:Dubhead
1570:En Esch
1455:Pigface
1380:Pigface
1313:America
1222:Requiem
1193:Singles
880:Discogs
250:Geordie
188:Pigface
1306:Sanity
1215:Change
851:
841:
676:2 June
639:2 June
585:Medium
313:Prague
212:group
151:Guitar
99:Genres
92:Prague
1101:Pylon
1096:MMXII
956:Youth
481:Uncut
413:Death
350:Style
232:" by
1722:Fook
1575:Flea
894:IMDb
849:OCLC
839:ISBN
816:2023
790:2023
764:2013
736:2011
714:link
700:2023
678:2020
641:2019
618:2023
592:2023
566:2015
544:2023
518:2014
488:2023
362:2022
294:and
82:Died
62:Born
1856:EPs
1717:Gub
1111:EPs
892:at
869:at
783:NME
381:of
373:of
240:to
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