Georg Solti - Knowledge

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Mor Stern was a religious man, but his son was less so. Late in life, Solti recalled, "I often upset him because I never stayed in the synagogue for longer than 10 minutes." Teréz Stern was from a musical family, and encouraged her daughter Lilly, by eight years the elder of the children, to sing, and György to accompany her on the piano. Solti remembered, "I made so many mistakes, but it was invaluable experience for an opera conductor. I learnt to swim with her." He was not a diligent student of the piano: "My mother kept telling me to practise, but what 10-year-old wants to play the piano when he could be out playing football?"

1459: 44: 424: 622:. The city's opera house had been destroyed in the war, and Solti undertook to build a new company and repertoire for its recently completed replacement. He also conducted the symphony concerts given by the opera orchestra. Frankfurt's was a less prestigious house than Munich's and he initially regarded the move as a demotion, but he found the post fulfilling and remained at Frankfurt from 1952 to 1961, presenting 33 operas, 19 of which he had not conducted before. Frankfurt, unlike Munich, could not attract many of the leading German singers. Solti recruited many rising young American singers such as 5089: 538: 787: 5320: 1419:, a holiday destination particularly frequented by celebrities where he owned a holiday house and used to spend the summer holidays with his wife and daughters. In Castiglione, the Georg Solti Accademia and the main piazza within the town's historic hamlet are named after Solti. Furthermore, Solti received a number of honours from Austria, Belgium, Denmark, France, Germany, Hungary, Italy, Portugal and the US. He received honorary fellowships or degrees from the 1011:

said, "Usually conductors are relaxed at rehearsals and tense at the concerts. Solti is the reverse. He is very tense at rehearsals, which makes us concentrate, but relaxed during the performance, which is a great asset to the orchestra." Peck recalled Solti's constant efforts to improve his own technique and interpretations, at one point experimentally dispensing with a baton, drawing a "darker and deeper, much more relaxed" tone from the players.

991: 496:, he was permitted to give piano recitals, but was still not allowed to conduct. During his exile, he met Hedwig (Hedi) Oeschli, daughter of a lecturer at Zürich University; they married in 1946. In his memoirs, he wrote of her, "She was very elegant and sophisticated. ... Hedi gave me a little grace and taught me good manners – although she never completely succeeded in this. She also helped me enormously in my career". 7159: 7147: 6635: 6265: 6232: 6213: 6124: 6084: 6016: 5983: 1003:

was essential. He ensured that it was engaged for many of his Decca sessions, and Giulini and he led it in a European tour in 1971, playing in 10 countries. This was the first time in its 80-year history that the orchestra had played outside of North America. The orchestra received plaudits from European critics, and was welcomed home at the end of the tour with a

876:, Solti found his early days as musical director marred by vituperative hostility from a small clique in the Covent Garden audience. Rotten vegetables were thrown at him, and his car was vandalised outside the theatre, with the words "Solti must go!" scratched on its paintwork. Some press reviews were strongly critical; Solti was so wounded by a review in 630:, to the extent that the house acquired the nickname "Amerikanische Oper am Main". In 1953, the West German government offered Solti German citizenship, which, being effectively stateless as a Hungarian exile, he gratefully accepted. He believed he could never return to Hungary, by then under communist rule. He remained a German citizen for two decades. 3260: 492:. Throughout the Second World War, Solti remained in Switzerland. He did not see his father again; Mor Stern died of diabetes in a Budapest hospital in 1943. Solti was reunited with his mother and sister after the war. In Switzerland, he could not obtain a work permit as a conductor, but earned his living as a piano teacher. After he won the 1942 810:, London. When first sounded out about the post, he had declined it. After 14 years of experience at Munich and Frankfurt, he was uncertain that he wanted a third successive operatic post. Moreover, founded only 15 years earlier, the Covent Garden company was not yet the equal of the best opera houses in Europe. 614:, which had not been given there before. In Munich, Solti achieved critical and popular success, but for political reasons, his position at the State Opera was never secure. The view persisted that a German conductor should be in charge; pressure mounted, and after five years, Solti accepted an offer to move to 570:

overture. Twenty years later, Solti said, "I'm sure it's a terrible record, because the orchestra was not very good at that time and I was so excited. It is horrible, surely horrible – but by now it has vanished." He had to wait two years for his next recording as a conductor, in London, Haydn's

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The orchestra's principal flute player, Donald Peck, commented that the relationship between a conductor and an orchestra is difficult to explain: "Some conductors get along with some orchestras and not others. We had a good match with Solti and he with us." Peck's colleague, violinist Victor Aitay,

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conferred the title "the Royal Opera" on the company in 1968. By this point, Solti was, in the words of his biographer Paul Robinson, "after Karajan, the most celebrated conductor at work". By the end of his decade as music director at Covent Garden Solti had conducted the company in 33 operas by 13

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and then with Dohnányi. Not all the academy's tutors were equally distinguished; Solti remembered with little pleasure the conducting classes run by Ernő Unger, "who instructed his pupils to use rigid little wrist motions. I attended the class for only two years, but I needed five years of practical

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Solti described his father as "a kind, sweet man who trusted everyone. He shouldn't have, but he did. Jews in Hungary were tremendously patriotic. In 1914, when war broke out, my father invested most of his money in a war loan to help the country. By the time the bonds matured, they were worthless."

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After relinquishing the position of music director in 1991, Solti continued to conduct the orchestra, and was given the title of music director laureate. He conducted 999 concerts with the orchestra. His 1,000th concert was scheduled for October 1997, around the time of his 85th birthday, but Solti

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One of the members of the Chicago Symphony described it to Solti as "the best provincial orchestra in the world." Many players remained from its celebrated decade under Reiner, but morale was low, and the orchestra was $ 5M in debt. Solti concluded that raising the orchestra's international profile

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suggests that Solti seized the breach of his Los Angeles contract as a convenient pretext to abandon the philharmonic in favour of Covent Garden. In his memoirs, though, Solti wrote that he wanted the Los Angeles position very much indeed. He originally considered holding both posts in tandem, but

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in 1936 and the impact was unbelievable. It was the first time I heard an ensemble singing absolutely precisely. It was fantastic. Then I never expected to meet Toscanini. It was a chance in a million. I had a letter of recommendation from the director of the Budapest Opera to the president of the

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In 2012, a series of events under the banner of "Solti @ 100" was announced, to mark the centenary of Solti's birth. Among the events were concerts in New York City and Chicago, and commemorative exhibitions in London, Chicago, Vienna, and New York City. In the same year, Solti was voted into the

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cycle that aimed to represent Wagner's intentions. The production was not well received by German critics, who expected radical reinterpretation of the operas. Solti's conducting was praised, but illnesses and last-minute replacements of leading performers affected the standard of singing. He was

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Known in his early years for the intensity of his music making, Solti was widely considered to have mellowed as a conductor in later years. He recorded many works two or three times at various stages of his career, and was a prolific recording artist, making more than 250 recordings, including 45

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In 1969, Solti became music director of the Chicago Symphony Orchestra, a post he held for 22 years. He conducted many recordings and high-profile international tours with the orchestra. Solti relinquished the position in 1991 and became the orchestra's music director laureate, a position he held

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The management of the orchestra had privately hoped for a triumvirate of famous conductors, with Karajan as chief and Solti and Giulini as guests, but Karajan declined. Karajan's biographer Richard Osborne comments that the outcome was probably fortunate for the Chicago Symphony, as it gained "a

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Solti later expressed doubt about this view of his tenure at Covent Garden. He maintained that if he had been an autocrat, he was a benign one, and stories that he terrified singers were exaggerated: "There were not many scandals in my Covent Garden career; a few, but not serious – not à la

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Solti took up the musical directorship of Covent Garden in August 1961. The press gave him a cautious welcome, but some concern arose that under him a drift away from the company's original policy of opera in English might occur. Solti, however, was an advocate of opera in the vernacular, and he

367:. Solti studied under the first three, for piano, chamber music, and composition, respectively. Some sources state that he also studied with Kodály, but in his memoirs, Solti recalled that Kodály, whom he would have preferred, turned him down, leaving him to study composition first with 983:, who made its reputation in the previous decade. Solti told the representatives of the orchestra that his commitments at Covent Garden made it impossible to give Chicago the eight months a year they sought. He suggested giving them three and a half months a year and inviting 3092: 945:

Solti's bald head and demanding rehearsal style earned him the nickname "The Screaming Skull". A music historian called him "the bustling, bruising Georg Solti – a man whose entire physical and mental attitude embodied the words 'I'm in charge'." Singers such as

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In the recording studios, Solti's career took off after 1956, when John Culshaw was put in charge of Decca's classical recording programme. Culshaw believed Solti to be "the great Wagner conductor of our time", and was determined to record the four operas of

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His podium personality, exuberant and forceful, was clearly imprinted upon his music-making as he snarled and ferociously stabbed his baton. ... It became a cliché to say he mellowed as he got older, but his performances remained thrilling right to the end.

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to stardom. On 14 July 1997 he conducted the last operatic music to be heard in the old house before it closed for more than two years for rebuilding. The previous day he had conducted what proved to be his last symphony concert. The work was Mahler's

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was not impressed with Solti's efforts, finding them "too violent, for he lashed at the orchestra and flogged the music so that he endangered the delicate, evocative atmosphere." At about this time Solti dropped the name "György" in favour of "Georg".

200:, London. During his 10-year tenure, he introduced changes that raised standards to the highest international levels. Under his musical directorship, the status of the company was recognised with the grant of the title "the Royal Opera". He became an 7316: 309:

laws, including a requirement that state employees with foreign-sounding names must change them. Mor Stern, a self-employed merchant, felt no need to change his surname, but thought it prudent to change that of his children. He renamed them after

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Under the old repertory system, a company would have a certain number of operas in its repertoire, and they would be played throughout the season in a succession of one- or two-night performances, with little or no rehearsal each time. Under the

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This appointment came under the scope of another of Horthy's laws, requiring that state employees must be able to prove that their families had lived in Hungary for at least 50 years. Mor Stern went to the records office in his native village of

888:, persuaded him to stay with the company, and matters improved, helped by changes on which Solti insisted. The chorus and orchestra were strengthened, and in the interests of musical and dramatic excellence, Solti secured the introduction of the 970:, a British television presenter, sent to interview him. She, too, was married, but after pursuing her for three years, Solti persuaded her to divorce her husband. Solti and Valerie Pitts married on 11 November 1967. They had two daughters. 301:) and Móricz "Mor" Stern, both of whom were Jewish. In the aftermath of the First World War it became the accepted practice in Hungary for citizens with Germanic surnames to adopt Hungarian ones. The territorial revisionist regime of 1270:

Solti was one of the first conductors who came to international fame as a recording artist before being widely known in the concert hall or opera house. Gordon Parry, the Decca engineer who worked with Solti and Culshaw on the

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During his Frankfurt years, Solti made appearances with other opera companies and orchestras. He conducted in the Americas for the first time in 1952, giving concerts in Buenos Aires. In the same year, he made his debut at the

404:, insisted that Solti should go home to Budapest, where at that time Jews were not in danger. Other Jewish and anti-Nazi musicians also left Germany for Budapest. Among other musical exiles with whom Solti worked there were 1112:'s major works in concert and on record. Before performing Elgar's two symphonies, Solti studied the composer's own recordings made more than 40 years earlier, and was influenced by their brisk tempi and impetuous manner. 2019:

The international honours included the Médaille de Vermeil de la Ville de Paris, 1985; Loyola-Mellon Humanities Award, 1987; Medal of Merit, City of Chicago, 1987; Order of the Flag (Hungary), 1987; Gold Medal of the

488:. Solti hoped that Toscanini would help find him a post in the U.S. He was unable to do so, but Solti found work and security in Switzerland as vocal coach to tenor Max Hirzel, who was learning the role of Tristan in 458:. During that evening, news came of the German invasion of Austria. Many Hungarians feared that Hitler would next invade Hungary; he did not do so, but Horthy, to strengthen his partnership with the Nazis, instituted 830:

singers in the company, frequently casting them in his recordings and important productions in preference to overseas artists. He demonstrated his belief in vernacular opera with a triple bill in English of Ravel's

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Solti's recordings with the Chicago Symphony included the complete symphonies of Beethoven, Brahms, Bruckner, and Mahler. Most of his operatic recordings were with other orchestras, but his recordings of Wagner's

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In 1967, Solti was invited to become music director of the Chicago Symphony Orchestra. It was the second time he had been offered the post. The first had been in 1963 after the death of the orchestra's conductor,

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commented that "Patrons of Covent Garden today automatically expect any new production, and indeed any revival, to be as strongly cast as anything at the Met in New York, and as carefully presented as anything in

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After further work as a répétiteur at the opera in Budapest, and with his standing enhanced by his association with Toscanini, Solti was given his first chance to conduct, on 11 March 1938. The opera was Mozart's

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When Solti accepted the orchestra's second invitation, they agreed that Giulini should be appointed to share the conducting. Both conductors signed three-year contracts with the orchestra, effective from 1969.

1407:(honorary), 1968, and an honorary knighthood (KBE), 1971, which became a substantive knighthood when he took British citizenship in 1972, after which he was known as Sir Georg Solti. He was also awarded 1108:

from 1972 to 1975. From 1979 until 1983, he was also principal conductor of the London Philharmonic Orchestra. He continued to expand his repertoire. With the London Philharmonic, he performed many of

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Toscanini was the first great musical impression in my life. Before I heard him live in 1936, I had never heard a great opera conductor, not in Budapest, and it was like a lightning flash. I heard his

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As well as raising the orchestra's profile and helping it return to prosperity, Solti considerably expanded its repertoire. Under him, the Chicago Symphony gave its first cycles of the symphonies of

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said, "The performance of the London Philharmonic Orchestra under Georg Solti (a fine conductor who is new to me) is remarkable for rhythmic playing, richness of tone, and clarity of execution."

1976:, and to these qualities it adds, under Solti, a warm, human musical expressiveness that one associates with European rather than modern American orchestras." After one of the London concerts, 508:

in Munich in 1946. In normal circumstances, this prestigious post would have been an unthinkable appointment for a young and inexperienced conductor, but the leading German conductors such as

1494:. In 1997, to commemorate the 85th anniversary of his birth, the City of Chicago renamed the block of East Adams Street adjacent to Symphony Center as "Sir Georg Solti Place" in his memory. 1263:

Solti recorded throughout his career for the Decca Record Company. He made more than 250 recordings, including 45 complete opera sets. During the 1950s and 1960s, Decca had an alliance with

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Solti and Culshaw recalled Legge's words slightly differently, though the import was the same; Solti remembered Legge's words as, "A beautiful work, but you won't sell fifty copies."

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Solti regularly returned to Covent Garden as a guest conductor in the years after he relinquished the musical directorship, greeted with "an increasingly boisterous hero's welcome" (

1122:, wrote that Solti "conveys the authentic frisson of the great Elgarian moment more vividly than ever before on record." Late in his career he became enthusiastic about the music of 4442: 3136: 4936: 524:

proceedings against them. Under Solti's direction, the company rebuilt its repertoire and began to recover its prewar eminence. He benefited from the encouragement of the elderly

3839: 3677: 1188:, he formed the World Orchestra for Peace, which consisted of 81 musicians from 40 nations. The orchestra has continued to perform after his death, under the conductorship of 388:, coaching singers in their roles and playing at rehearsals, was a more fruitful preparation than Unger's classes for his intended career as a conductor. In 1932, he went to 7266: 910:

The company's repertory in the 1960s combined the standard operatic works with less familiar pieces. Among the most celebrated productions during Solti's time in charge was

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It's a marvelous thing to be musically happily married. ... I am and I know. I'm a romantic type of musician, and this is a romantic orchestra. That is our secret...

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recordings, observed, "Many people have said 'Oh well, of course John Culshaw made Solti.' This is not true. He gave him the opportunity to show what he could do."

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In 1951, Solti conducted at the Salzburg Festival for the first time, partly through the influence of Furtwängler, who was impressed by him. The work was Mozart's

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reviewer had complained of Solti's "supercharged, chromium-plated account of the score ... many details were simply glossed over ... heartless and featureless."

3363: 1199:). From 1972 to 1997, he conducted 10 operas, some of them in several seasons. Five were operas he had not conducted at the Royal Opera House before: Bizet's 1126:, whom he admitted he failed to appreciate fully during the composer's lifetime. He made commercial recordings of seven of Shostakovich's fifteen symphonies. 4435: 1367:

made in Vienna, produced by Culshaw, between 1958 and 1965. It has twice been voted the greatest recording ever made, the first poll being among readers of

1150:. By this stage in his career, he no longer liked abstract productions of Wagner, or modernistic reinterpretations, such as Patrice Chéreau's 1976 Bayreuth 4929: 3716: 7306: 7276: 59: 7246: 7226: 5351: 1290:, produced his recordings, Solti's career as a recording artist flourished from the mid-1950s. Among the orchestras with whom Solti recorded were the 1278:

Solti's first recordings were as a piano accompanist, playing at sessions in Zurich for violinist Georg Kulenkampff in 1947. Decca's senior producer,

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refused to do so again. Nevertheless, under Solti, the company was recognised as having achieved parity with the greatest opera houses in the world.

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After Solti's death, his widow and daughters set up the Solti Foundation to assist young musicians. Solti's memoirs, written with the assistance of

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later acknowledged that he had had a lucky escape, as he could have done justice to neither post had he attempted to hold both simultaneously.

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said that no fault could be found in Solti's "vivacious and sensitive" conducting. In the same year Solti made his first appearance with the

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announced his intention of making Covent Garden "quite simply, the best opera house in the world", and in the opinion of many he succeeded.

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invited to return to Bayreuth for the following season, but was unwell and withdrew on medical advice before the 1984 festival began.

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until his death. During his time as the Chicago Symphony Orchestra's eighth music director, he also served as music director of the

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in 2012. Solti was repeatedly honoured by the recording industry with awards throughout his career. From 1963 to 1998, he won 31

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wrote, "I am tempted to describe it as the United States' most completely accomplished orchestra. It has the fine attack of the

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in the south of France. He was 84. After a state ceremony in Budapest, his ashes were interred beside the remains of Bartók in

802:, breached his contract by appointing a deputy music director without Solti's approval. Although he admired the chosen deputy, 493: 131:, known for his appearances with opera companies in Munich, Frankfurt, and London, and as a long-serving music director of the 3880: 1180:, which was designed to introduce audiences to the symphony orchestra. In 1994, he directed the "Solti Orchestral Project" at 5926: 7251: 1735: 774: 1513:. In September 2007, as a tribute on the 10th anniversary of his death, Decca published a recording of his final concert. 7291: 5982: 4186: 7311: 3859: 7236: 5337: 5113: 4241: 4218: 4172: 4153: 4134: 4112: 4093: 4072: 4050: 4010: 3991: 3972: 3493: 3485: 2086: 2045: 389: 103: 6634: 3664: 3344: 1921: 1082: 332:

Solti enrolled at the Ernő Fodor School of Music in Budapest at the age of 10, transferring to the more prestigious

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wrote, "nobody could doubt that this is about the most formidably equipped orchestra in the world at present".

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system, works would be revived in blocks of perhaps 10 or more performances, fully rehearsed for each revival.

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Haltrecht, pp. 207 (Kubelik) and 271 (Solti); and Canning, Hugh. "Forget the booing, remember the triumph",

2029: 1184:, a training workshop for young American musicians. The following year, to mark the 50th anniversary of the 6264: 5106: 1283: 602: 553: 333: 321: 3004: 7256: 6083: 5599: 5140: 5053: 1404: 1286:), but Olof's younger colleague and successor, Culshaw, held Solti in high regard. As Culshaw, and later 669: 427: 381: 158: 4308: 2734: 2492: 2271: 750:

any.'") The success of the recording took the record industry by surprise. It featured for weeks in the

552:, not as a conductor, but as a piano accompanist. He made his first recording in 1947, playing Brahms's 484:

After his appearances in London, Solti went to Switzerland to seek out Toscanini, who was conducting in

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The faculty of the Franz Liszt Academy included some of the most eminent Hungarian musicians, including

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with Solti and the finest Wagner singers available. The cast Culshaw assembled for the cycle included

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At Munich and Frankfurt, the usual practice had been to give non-German operas in German translation.

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With the end of the war, Solti's luck changed dramatically. He was appointed musical director of the

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Solti wrote that, as far as he knew, he was the first unconverted Jew to conduct at the State Opera.

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music director who in the fullness of time would devote a large part of his life to the orchestra."

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would be a commercial disaster ("'Very nice,' he said, 'Very interesting. But of course you won't

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tetralogy, in September and October 1958. In their respective memoirs, Culshaw and Solti told how

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did not much admire Solti as a conductor (nor did Walter Legge, Olof's opposite number at EMI's

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In addition to the Munich appointment, Solti gained a recording contract in 1946. He signed for

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to take charge for a similar length of time. The orchestra declined to proceed on these lines.

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in the 1965–66 and 1966–67 seasons. In 1970, Solti led the company to Germany, where they gave

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Record industry awards to Solti included the Grand Prix Mondial du Disque (14 times) and 31

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system of scheduling performances, rather than the traditional repertory system. By 1967,

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Grand Crosses with Star and Sash of the Order of Merit of the Federal Republic of Germany

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His commercial recordings of Shostakovich symphonies were Nos. 1, 5, 8, 9, 10, 13 and 15.

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The family had no connection with Solt, and Stern appears to have selected it at random.

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that he almost left Covent Garden in despair. The chief executive of the Opera House,

127:; 21 October 1912 – 5 September 1997) was a Hungarian-British orchestral and operatic 7123: 7104: 6740: 6649: 6507: 6239: 6173: 6152: 5990: 5500: 5431: 5389: 5377: 5308: 5212: 5077: 4843: 4719: 4713: 4689: 4529: 4482: 4402: 4332: 4237: 4214: 4194: 4168: 4149: 4130: 4108: 4089: 4068: 4046: 4039: 4025: 4006: 3987: 3968: 3911: 2565: 2236: 2082: 1957: 1903: 1849: 1747: 1428: 1424: 1147: 1113: 911: 557: 530: 423: 417: 178: 162: 7016: 6963: 6318: 6138: 5164: 4963: 4612: 4559: 4547: 4395: 1819: 1590: 1571:

and found documents showing that his family had lived there for more than 250 years.

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Covent Garden: The Untold Story: Dispatches from the English Culture War, 1945–2000

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After graduating from the academy in 1930, Solti was appointed to the staff of the

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Faye Robinson. Solti frequently programmed works by American composers, including

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from 1962. Even before he took the post, the philharmonic's autocratic president,

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withdrew, Solti had made no complete recording of an opera until the sessions for

368: 302: 7002: 6995: 6907: 6886: 6858: 6837: 6816: 6761: 6623: 6581: 6528: 6311: 6194: 6079: 6051: 5964: 5779: 5769: 5743: 5656: 5635: 5584: 5549: 5545: 5495: 5413: 5401: 5146: 5071: 4981: 4861: 4807: 4506: 4465: 4341: 4264: 4060: 3884: 3864: 3843: 3816: 3778: 3717:"La morte di Solti Roccamare, un registro per le firme di cordoglio - Il Tirreno" 3615: 3592: 3469:"Orchestrating a return to musical roots – Dudley Moore and Sir Georg Solti" 3349: 3318: 3140: 2738: 2496: 2007: 1965: 1855: 1837: 1753: 1598: 1491: 1471: 1452: 1355: 1347: 1307: 1152: 845: 807: 648: 627: 542: 525: 467: 443: 209: 197: 153: 20: 5816: 5505: 5088: 4831: 3791: 3174: 2102: 1371:

magazine in 1999, and the second of professional music critics in 2011, for the

1335: 1034:. He introduced new works commissioned for the orchestra, such as Lutosławski's 7064: 7050: 7043: 6935: 6928: 6921: 6900: 6893: 6865: 6851: 6844: 6768: 6754: 6712: 6663: 6602: 6542: 6535: 6514: 6486: 6458: 6423: 6360: 6201: 6187: 6131: 6119: 6105: 5978: 5957: 5847: 5821: 5702: 5575: 5371: 5302: 5035: 5011: 4902: 4896: 4855: 4813: 4748: 4642: 4636: 4535: 4488: 4385: 4319: 4277: 1861: 1771: 1610: 1505:(1967) and a Grammy Lifetime Achievement Award (1996)). He held the record for 1458: 1383: 1343: 1327: 1303: 1189: 1185: 1076: 1055: 1027: 916: 711: 619: 598: 521: 513: 463: 405: 269:

as a recording artist, making him the Grammy Awards' most-awarded artist until

237: 193: 173:' influence on Hungarian politics, and being of Jewish background, he fled the 5296: 4837: 4085:

Antisemitism: a historical encyclopedia of prejudice and persecution, Volume 1

2185: 1897: 1399:

Commemorative plaque on the Maros utca building where Solti was born, Budapest

654: 412:, and Kleiber. Before Austria fell under Nazi control, Solti was assistant to 7175: 7078: 7071: 6670: 6656: 6642: 6588: 6493: 6479: 6430: 6346: 6180: 6004: 5857: 5852: 5811: 5774: 5759: 5692: 5666: 5615: 5589: 5200: 5182: 5176: 4987: 4957: 4760: 4736: 4624: 4198: 3438: 3012: 2267: 1891: 1498: 1319: 1181: 1031: 967: 947: 757: 730: 623: 549: 345: 306: 229: 29: 4347: 3943:"Winners of International Conductors' Competition Sir Georg Solti announced" 3915: 2006:, in a joint opera and ballet farewell. His successors, Sir Colin Davis and 1644: 356: 144: 7163: 7111: 7090: 7057: 6956: 6872: 6830: 6809: 6802: 6795: 6691: 6332: 6272: 6246: 6220: 6208: 6145: 6011: 5842: 5837: 5728: 5723: 5661: 5651: 5554: 5540: 5536: 5515: 5383: 5170: 5029: 4999: 4975: 4825: 4819: 4695: 4671: 4648: 4368: 4229: 1973: 1825: 1686: 1684:, however, had praised the conductor's "intelligence and sensitivity". and 1680: 1636: 1623: 1602: 1594: 1517: 1475: 1241:

Solti died suddenly, in his sleep, on 5 September 1997 while on holiday in

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conducting experience before I managed to unlearn what he had taught me".

287: 6616: 6609: 6549: 6472: 6437: 6304: 6166: 6044: 5806: 5738: 5733: 5671: 5580: 5065: 5059: 4993: 4618: 4606: 4577: 4412: 4029: 2003: 1331: 1279: 1225: 963: 951: 873: 803: 707: 409: 393: 4288: 3678:""Nautilus Issue 30: Transplanting the Musical Heart of Apocalypse Now"" 794:

In 1960, Solti signed a three-year contract to be music director of the

6416: 5796: 5707: 5510: 5425: 4944: 4884: 4328: 3247: 1977: 1867: 1264: 1156:, which he found grew boring on repetition. Together with the director 396:, but within a year, Krips, anticipating the imminent rise to power of 128: 5359: 1805:. The other operas Solti conducted before stepping down in 1972 were: 1104:

In addition to his tenure in Chicago, Solti was music director of the

1046:, an orchestral song-cycle, premiered by Solti and the orchestra with 270: 177:

in 1938. After conducting a season of Russian ballet in London at the

6698: 6684: 5764: 5697: 5531: 1879: 1765: 1541:, which occurs every two years in Frankfurt, is named in his honour. 1267:, and some of Solti's recordings were first issued on the RCA label. 990: 839: 761: 615: 476: 4041:

The Quiet Showman – Sir David Webster and the Royal Opera House

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has twice been voted the greatest recording ever made, in polls for

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side of Budapest. He was the younger of the two children of Teréz (

136: 4314: 4181: 228:

complete opera sets. The best-known of his recordings is probably

3535:"Quickfire revival sees hit-and-miss Gheorghui reprise star role" 1807: 1416: 1242: 1070: 1047: 485: 4338:"Music, First and Last": Scores from the Sir Georg Solti Archive 3015:, Grove Music Online Oxford Music Online, accessed 2 March 2012 2040:, 1993; Middle Cross, Order of Merit with Star (Hungary), 1993; 4146:

The Right Place, the Right Time: Tales of Chicago Symphony Days

1873: 1201: 1088: 1042:, which was dedicated to Solti. Another new work was Tippett's 814:

convinced Solti that it was his duty to take on Covent Garden.

401: 189: 170: 5128: 3143:, Royal Opera House Collections Online, accessed 3 March 2012 2731: 2489: 1338:. In concerto recordings, Solti conducted for, among others, 7158: 3781:, Léonie Sonning Music Foundation, accessed 28 February 2012 3486:"Georg Solti, Teacher, Leads Carnegie's Orchestral Workshop" 1718:

Toscanini or à la Karajan. I didn't have those, not really."

72: 4022:

A Report on Opera and Ballet in the United Kingdom, 1966–69

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Solti's predecessors included prominent conductors such as

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charts, the sole classical album alongside best sellers by

336:

two years later. When he was 12, he heard a performance of

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After the war, Solti was appointed musical director of the

95: 4148:. Bloomington and Indianapolis: Indiana University Press. 962:

In 1964, Solti separated from his wife. He moved into the

520:

were prohibited from conducting pending the conclusion of

86: 83: 75: 69: 3665:"Anniversary of Sir Georg Solti's birth to be celebrated" 1372: 1302:

orchestras. Soloists in his operatic recordings included

936:. The public in Munich and Berlin were, according to the 441:

Salzburg Festival. He received me and said: "Do you know

256: 4450: 950:

described him as a bully, and after working with Solti,

3772:"Recipients of Leonie Sonning's Music Prize, 1959–2010" 5242: 3512:, World Orchestra for Peace, accessed 28 February 2012 1466:

In celebration of his 75th birthday in 1987, a bronze

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Sir Georg Solti International Conductors' Competition

104: 7267:

Knights Commander of the Order of the British Empire

4019: 3588:"Classical: An honourable homecoming – at last" 2753:, Metropolitan Opera Archives, accessed 10 June 2012 1172:

In 1991, Solti collaborated with actor and composer

220:

from 1972 until 1975 and principal conductor of the

92: 89: 5479: 3494:"Master and Pupils Mesh As Solti Project Concludes" 80: 5361:London Philharmonic Orchestra Principal Conductors 4038: 3552:"Opera buffs round off gala night with a takeaway" 3524:, World Orchestra for Peace, accessed 8 March 2012 2969:Tracey, Edmund. "Masterstrokes in a masterpiece", 1146:In 1983, Solti conducted for the only time at the 286:Solti was born György Stern on Maros utca, in the 4227: 3887:, The Solti Foundation, accessed 28 February 2012 2921:"Sir David Webster's 21 Years at Covent Garden", 2278:, Oxford Music Online, accessed 22 February 2012 2042:Grosses Verdienstkreuz mit Stern und Schulterband 1727:The operas new to the company's repertoire were: 7337:Commandeurs of the Ordre des Arts et des Lettres 7173: 4403:Music Director, Royal Opera House, Covent Garden 4346:There are also significant archival holdings at 4340:, virtual exhibit, Eda Kuhn Loeb Music Library, 4260:"Legacy of Solti reverberates in Orchestra Hall" 3454:Hewson, David. "Solti quits 'Ring' production", 2076: 1643: – the German Opera on the Rhine – at 169:. His career was interrupted by the rise of the 4211:On and Off the Record: A Memoir of Walter Legge 2367:"The electric conductor – Sir Georg Solti" 2132:"Classical: An honourable homecoming – at last" 1509:, until Beyoncé tied and later beat the record 1361:Solti's most celebrated recording was Wagner's 692:, and he continued to appear there until 1964. 1403:Honours awarded to Solti included the British 5927: 5465: 5345: 5228: 5114: 4930: 4436: 3792:"Milestone for Maestro Solti – Chicago style" 3200:Greenfield, Edward. "The great provincials", 973: 474:for a Russian ballet season. The reviewer in 175:increasingly harsh Hungarian anti-Jewish laws 7297:Recipients of the Léonie Sonning Music Prize 3660: 3658: 3604: 3602: 3030:"Twenty marvellous years at Covent Garden", 2982:Hope-Wallace, Philip. "Le Nozze di Figaro", 2718:"Glyndebourne Opera – 'Don Giovanni'", 2077:Olausson, Lena; Sangster, Catherine (2006). 642:. The following year, he was a guest at the 19:"Solti" redirects here. For other uses, see 5941: 4205: 3667:, Royal Opera House, accessed 15 March 2012 3618:, Decca Classics, accessed 22 February 2012 1622:Solti's successor at Munich was the German 1176:to create an eight-part television series, 1092:(1991) were made with the Chicago players. 7307:Royal Philharmonic Society Gold Medallists 7277:Naturalised citizens of the United Kingdom 5934: 5920: 5472: 5458: 5352: 5338: 5235: 5221: 5130:Chicago Symphony Orchestra Music Directors 5121: 5107: 4937: 4923: 4443: 4429: 3860:"Solti To Be Honored With Own Street Sign" 3169: 3167: 2655:Solti, pp. 100 (Watson) and 101 (Stahlman) 2361: 2359: 2357: 7247:Hungarian emigrants to the United Kingdom 7227:Grammy Lifetime Achievement Award winners 4376:Music Director, Dallas Symphony Orchestra 4350:, the British National Archives, and the 4036: 4024:. London: Arts Council of Great Britain. 3800:, 15 October 1987, accessed 21 March 2012 3747:"Vacanze a casa Solti - la Repubblica.it" 3655: 3599: 3441:. "A sand-blast and polish by a master", 3175:"Sir Georg Solti and the Record Industry" 3134:"Performance search results – Solti" 2908:"Solti's Success with Opera in English", 2877:"What Sort of Opera for Covent Garden?", 2124: 1522:Sir Georg Solti: The Making of a Maestro. 1294:, Chicago Symphony, London Philharmonic, 4162: 4102: 4059: 3908:Sir Georg Solti: The Making of a Maestro 3492:, 15 June 1994; and Oestreich, James R. 2741:, Georg Solti, accessed 23 February 2012 2499:, Georg Solti, accessed 23 February 2012 2431:"Covent Garden Ballet – Carnaval", 2081:. Oxford University Press. p. 362. 2052:(France), 1995; and Knight Grand Cross, 1457: 1394: 1390: 989: 826:promoted the development of British and 785: 536: 422: 375: 316: 42: 4121: 4000: 3981: 3962: 3905: 3212: 3210: 3196: 3194: 3192: 3190: 3164: 2819: 2817: 2815: 2813: 2354: 2263: 2261: 2259: 2257: 2255: 2253: 2190:Oxford Dictionary of National Biography 2101: 1139:Grove Dictionary of Music and Musicians 942:, "beside themselves with enthusiasm". 861:Grove Dictionary of Music and Musicians 638:as a guest conductor with the visiting 499: 16:Hungarian-British conductor (1912–1997) 7217:Conductors (music) awarded knighthoods 7197:20th-century German conductors (music) 7174: 4289:Two Conversations with Sir Georg Solti 3378: 3376: 3345:"Solti and Chicago: A Musical Romance" 3129: 3127: 3026: 3024: 2633: 2631: 2621: 2619: 2425: 2180: 2178: 2176: 2174: 2172: 2170: 2168: 2166: 2164: 2138:, 3 April 1998, accessed 20 March 2016 2054:Order of Merit of the Italian Republic 1381:. This recording is heard in the film 724:in 1957, in which he substituted when 494:Geneva International Piano Competition 245:, made between 1958 and 1965. Solti's 5915: 5453: 5333: 5216: 5102: 4918: 4424: 4257: 4020:Goodman, Lord; Lord Harewood (1969). 3550:Whitworth, Damian and Dalya Alberge. 3382:Greenfield, Edward. "Echoing Elgar", 2560: 2558: 2556: 2554: 2552: 2387: 2301: 2299: 2297: 2295: 2293: 2291: 2289: 2287: 2215: 2213: 2211: 2209: 2207: 2205: 2203: 2201: 2162: 2160: 2158: 2156: 2154: 2152: 2150: 2148: 2146: 2144: 684:. In 1960, he made his debut at the 295: 118: 4452:Léonie Sonning Music Prize Laureates 4258:Rhein, John von (7 September 1997). 4143: 4081: 3207: 3187: 2941: 2871: 2826: 2810: 2550: 2548: 2546: 2544: 2542: 2540: 2538: 2536: 2534: 2532: 2250: 2046:Ordem Militar de Sant'Iago da Espada 1387:during the helicopter attack scene. 1080:(1984) and his second recordings of 742:of Decca's rival EMI predicted that 7287:Jews who emigrated to escape Nazism 7222:Franz Liszt Academy of Music alumni 3709: 3373: 3124: 3021: 2956:"Mr. Solti Skates over the Score", 2915: 2628: 2616: 1694:security in the ensemble on stage". 966:, where not long afterwards he met 618:in 1952 as musical director of the 13: 7202:20th-century German male musicians 5244:Orchestre de Paris Music Directors 4251: 3910:. Chatsworth, CA: R M Associates. 3810:"Grant Park: Sir Georg Solti Bust" 2598:"Haydn Symphony No. 103 in E flat" 2284: 2198: 2141: 1944:After the orchestra played at the 577:symphony, in sessions produced by 276: 192:in 1946. In 1952, he moved to the 14: 7348: 7242:Hungarian male conductors (music) 4301: 3291:Blyth, Alan. "Chicago SO/Solti", 3009:The New Grove Dictionary of Opera 2529: 2394:"Sir Georg Solti – Obituary" 2079:Oxford BBC Guide to Pronunciation 1223:, and a celebrated production of 528:, in whose presence he conducted 7157: 7145: 6633: 6263: 6230: 6211: 6122: 6082: 6014: 5981: 5318: 5087: 4167:. London: Macdonald and Jane's. 3986:. London: Secker & Warburg. 3967:. London: Secker & Warburg. 3935: 3922: 3899: 3890: 3871: 3853: 3826: 3803: 3784: 3765: 3739: 3696: 3670: 3639: 3630: 3621: 3580: 3561: 3544: 3527: 3515: 3503: 3478: 3461: 3448: 3432: 3415: 3398: 3389: 3364:"Living an Adventure to the End" 3356: 3337: 3328: 3307: 3298: 3285: 3272: 2221:"Georg Solti – A Childhood" 2013: 1992: 1983: 1938: 1690:spoke of "tremendous verve plus 790:Royal Opera House, Covent Garden 781: 65: 7327:Naturalized citizens of Germany 7207:British male conductors (music) 3254: 3219: 3155: 3146: 3115: 3102: 3085: 3076: 3067: 3058: 3046: 3037: 2998: 2989: 2976: 2963: 2950: 2928: 2902: 2893: 2884: 2862: 2853: 2844: 2835: 2801: 2792: 2783: 2774: 2765: 2756: 2744: 2725: 2712: 2703: 2694: 2685: 2676: 2667: 2658: 2649: 2640: 2607: 2591: 2582: 2573: 2520: 2511: 2502: 2483: 2474: 2465: 2456: 2447: 2438: 2412: 2403: 2378: 2345: 2336: 2327: 2318: 1928: 1721: 1711: 1697: 1668: 1659: 1650: 1629: 1616: 1583: 1574: 1560: 204:of the coastal holiday town of 7332:German male conductors (music) 7322:Hungarian emigrants to Germany 7212:Burials at Farkasréti Cemetery 7192:20th-century British musicians 4082:Levy, Richard S., ed. (2005). 4067:. London: Simon and Schuster. 3181:41.2 (Fall 2010), pp. 200–232 2230: 2186:"Solti, Sir Georg (1912–1997)" 2095: 2070: 2048:(Portugal), 1994; Commandeur, 1998:Solti conducted the finale of 1968:, the classic elegance of the 1639:", a play on the title of the 1551: 1099: 939:Frankfurter Allgemeine Zeitung 281: 273:surpassed his record in 2023. 1: 7232:Hungarian classical musicians 6706:Arturo Benedetti Michelangeli 4287:Duffie, Bruce (October 1995) 4236:. London: Chatto and Windus. 4129:. London: Chatto and Windus. 3797:The Christian Science Monitor 3278:Mann, William. "Chicago SO", 2938:, 19 July 1986, p. 11 (Davis) 2063: 2050:Ordre des Arts et des Lettres 1252: 1214:Die Entführung aus dem Serail 688:in New York City, conducting 384:. He found that working as a 222:London Philharmonic Orchestra 4037:Haltrecht, Montague (1975). 3723:(in Italian). Archived from 2490:"Salzburg & Swiss exile" 2010:also conducted at this gala. 1507:most Grammy wins of all time 593:compared it favourably with 40:when mentioning individuals. 7: 7252:20th-century Hungarian Jews 4946:Bayerisches Staatsorchester 4352:Metropolitan Opera Archives 4213:. London: Faber and Faber. 4107:. London: Faber and Faber. 4088:. Santa Barbara: ABC-CLIO. 3984:Putting the Record Straight 3850:, accessed 28 February 2012 3837:Solti Bust (in Grant Park)" 3751:Archivio - la Repubblica.it 3569:"Solti dies in sleep at 84" 2780:Culshaw (1967), pp. 273–274 2107:"Obituary: Sir Georg Solti" 1635:"The American Opera on the 808:Covent Garden Opera Company 541:Solti (l) with the pianist 428:Hungarian State Opera House 392:in Germany as assistant to 198:Covent Garden Opera Company 10: 7353: 4268:. Chicago. pp. 49, 59 4103:Morrison, Richard (2004). 3956: 2567:Decca Classical, 1929–2009 2038:Order of Leopold (Belgium) 2030:Léonie Sonning Music Prize 2022:Royal Philharmonic Society 2002:, with the singers led by 1256: 974:Chicago Symphony Orchestra 678:Chicago Symphony Orchestra 133:Chicago Symphony Orchestra 27: 18: 7312:Jewish classical pianists 7033: 6980: 6778: 6566: 6282: 5949: 5866: 5830: 5788: 5752: 5716: 5680: 5644: 5608: 5568: 5524: 5488: 5367: 5316: 5250: 5136: 5085: 4953: 4871: 4800: 4729: 4658: 4587: 4516: 4475: 4458: 4409: 4400: 4392: 4382: 4373: 4365: 4360: 3574:The Independent on Sunday 2771:Culshaw (1967), pp. 52–53 1736:A Midsummer Night's Dream 1490:, near Orchestra Hall in 1480:Lincoln Park Conservatory 1413:Castiglione della Pescaia 1411:from the coastal town of 775:A Midsummer Night's Dream 562:Zurich Tonhalle Orchestra 255:magazine in 1999 and the 206:Castiglione della Pescaia 151:. In the 1930s, he was a 7237:Hungarian male musicians 6382:Dietrich Fischer-Dieskau 4554:Dietrich Fischer-Dieskau 4105:Orchestra – The LSO 3932:, accessed 10 April 2012 3823:, accessed 21 March 2012 3282:, 6 September 1971, p. 8 3034:, 13 January 1967, p. 14 2881:, 9 December 1960, p. 18 1544: 1229:(1994), which propelled 796:Los Angeles Philharmonic 662:. In 1954, he conducted 139:, he studied there with 36:. This article uses 28:The native form of this 7272:Music directors (opera) 7262:Kennedy Center honorees 7036:record label executives 6298:Victoria de los Ángeles 5943:Gramophone Hall of Fame 5481:Kennedy Center Honorees 4948:General Music Directors 4495:Witold Lutosławski 4163:Robinson, Paul (1979). 4001:Glossop, Peter (2004). 3906:Maniura, Peter (1997). 3896:Solti and Sachs, passim 3883:28 October 2021 at the 3777:6 February 2012 at the 3614:3 November 2012 at the 3324:(subscription required) 3269:, 6 October 1971, p. 20 3228:Music Educators Journal 3183:(subscription required) 3112:, 24 October 1968, p. 3 3017:(subscription required) 2737:8 February 2007 at the 2495:8 February 2007 at the 2314:(subscription required) 2280:(subscription required) 2194:(subscription required) 1886:Der fliegende Holländer 1478:, Chicago, outside the 1462:Solti's grave, Budapest 1364:Der Ring des Nibelungen 1259:Georg Solti discography 1065:Der fliegende Holländer 699:Der Ring des Nibelungen 242:Der Ring des Nibelungen 5285:Christoph von Dohnányi 4348:CSO Rosenthal Archives 4207:Schwarzkopf, Elisabeth 4183:Sackville-West, Edward 3982:Culshaw, John (1982). 3963:Culshaw, John (1967). 3652:, December 1999, p. 40 3445:, 17 August 1983, p. 8 3421:Heyworth, Peter. "Why 3266:Chicago Daily Defender 3204:, 4 October 1971, p. 8 3082:Haltrecht, pp. 289–290 2925:, 12 April 1965, p. 14 2807:Culshaw (1967), p. 124 2613:Sackville-West, p. 355 1960:, the radiance of the 1784:Die Frau ohne Schatten 1641:Deutsche Oper am Rhein 1463: 1421:Royal College of Music 1400: 1134: 1021:Sir Georg Solti (1973) 1018: 995: 934:Richard Rodney Bennett 882:The Marriage of Figaro 856: 791: 597:'s rival recording by 545: 470:debut, conducting the 455:The Marriage of Figaro 449: 430: 325: 224:from 1979 until 1983. 52: 7292:Pupils of Béla Bartók 6950:Mstislav Rostropovich 6522:Elisabeth Schwarzkopf 6254:Michael Tilson Thomas 5595:Mstislav Rostropovich 4891:Pierre-Laurent Aimard 4601:Mstislav Rostropovich 4313:The Solti Foundation 4144:Peck, Donald (2007). 3821:Chicago Park District 3721:Archivio - Il Tirreno 3706:, 12 June 1971, p. 10 3646:"Gramophone Classics" 3386:, 11 July 1972, p. 10 3295:5 October 1971, p. 17 2789:Culshaw (1967), p. 91 2762:Culshaw (1967), p. 52 2588:Culshaw (1967), p. 32 2579:Culshaw (1967), p. 31 2435:, 15 July 1938, p. 14 2247:, October 1982, p. 22 2026:Frankfurt Music Prize 1844:The Tales of Hoffmann 1730:La damnation de Faust 1461: 1398: 1391:Honours and memorials 1129: 1096:died that September. 1074:(1979), Schoenberg's 1014: 993: 880:of his conducting of 868:Like his predecessor 852: 789: 670:Glyndebourne Festival 540: 432: 426: 382:Hungarian State Opera 376:Pianist and conductor 320: 159:Hungarian State Opera 46: 7034:Producers/engineers/ 6501:Anne Sofie von Otter 6092:Nikolaus Harnoncourt 5822:Shirley Temple Black 5291:Christoph Eschenbach 4779:Lars Ulrik Mortensen 4684:Nikolaus Harnoncourt 4283:continued on page 59 4187:Desmond Shawe-Taylor 3842:20 June 2010 at the 3815:29 July 2013 at the 3627:Culshaw (1982) p. 88 3412:, August 1981, p. 25 3404:Greenfield, Edward. 3362:Tommasini, Anthony. 3234:(8): 111–115. 1969. 2973:, 2 June 1963, p. 23 2960:, 31 May 1963, p. 15 2912:, 18 June 1962, p. 5 2526:Culshaw (1967), p 30 2422:, 2 July 1938, p. 10 2418:"Opera and Ballet", 2324:Solti, pp. 17 and 22 2105:(8 September 1997). 2034:Kennedy Center Award 1802:La forza del destino 1742:Iphigénie en Tauride 1472:Dame Elisabeth Frink 1409:honorary citizenship 1068:(1976), Beethoven's 872:, and his successor 506:Bavarian State Opera 500:Munich and Frankfurt 305:enacted a series of 186:Bavarian State Opera 7024:The Tallis Scholars 6989:Alban Berg Quartett 6727:Sergei Rachmaninoff 6445:Dmitri Hvorostovsky 6113:Herbert von Karajan 6099:Christopher Hogwood 6073:Carlo Maria Giulini 6066:John Eliot Gardiner 6059:Wilhelm Furtwängler 5261:Herbert von Karajan 5048:Wolfgang Sawallisch 5018:Hans Knappertsbusch 5006:Hans Knappertsbusch 4767:John Eliot Gardiner 4542:Dmitri Shostakovich 4294:The Instrumentalist 4193:. London: Collins. 4127:Herbert von Karajan 4045:. London: Collins. 3949:, 25 September 2012 3702:Birthday Honours", 3458:, 26 May 1984, p. 5 3370:, 21 September 1997 3353:, 7 May 1973, p. 56 3139:9 July 2019 at the 3108:"The Royal Opera", 3099:, 14 September 1997 3055:in Lebrecht, p. 281 2986:, 31 May 1963, p. 9 2732:"Career highlights" 2722:, 8 July 1954, p. 5 2270:and José A. Bowen. 1607:Hans Knappertsbusch 1300:Vienna Philharmonic 1292:Berlin Philharmonic 1247:Farkasréti Cemetery 1116:, music critic for 1086:(1995) and Verdi's 985:Carlo Maria Giulini 734:, the first of the 716:Wolfgang Windgassen 644:San Francisco Opera 640:Hamburg State Opera 554:First Violin Sonata 518:Herbert von Karajan 510:Wilhelm Furtwängler 472:London Philharmonic 334:Franz Liszt Academy 322:Franz Liszt Academy 7257:Hungarian refugees 7010:The King's Singers 6943:Jean-Pierre Rampal 6915:Anne-Sophie Mutter 6734:Sviatoslav Richter 6631:Marc-André Hamelin 6596:Vladimir Ashkenazy 6326:Montserrat Caballé 6031:Sergiu Celibidache 4743:Anne-Sophie Mutter 4631:Sviatoslav Richter 4595:Marie-Claire Alain 4572:Jean-Pierre Rampal 4524:Sergiu Celibidache 4005:. Oxford: Guidon. 4003:Yorkshire Baritone 3947:BBC Music Magazine 3928:"Sir Georg Solti" 3727:on 28 October 2021 3636:Schwarzkopf, p. 79 3586:Pappenheim, Mark. 3577:, 7 September 1997 3498:The New York Times 3490:The New York Times 3484:Holland, Bernard. 3368:The New York Times 3261:"Symphony returns" 3226:"Bulletin Board". 3093:"A life on record" 3043:Goodman, pp. 57–59 2823:Solti, pp. 124–125 2604:, July 1950, p. 16 2400:, 8 September 1997 2306:"Solti, Sir Georg" 2276:Grove Music Online 2272:"Solti, Sir Georg" 2237:Greenfield, Edward 2184:Follows, Stephen. 2130:Pappenheim, Mark. 1946:Edinburgh Festival 1916:Tristan und Isolde 1832:Le nozze di Figaro 1464: 1401: 1352:Vladimir Ashkenazy 1106:Orchestre de Paris 1005:ticker-tape parade 996: 956:Queen Elizabeth II 819:Montague Haltrecht 792: 686:Metropolitan Opera 672:. The reviewer in 660:Tristan und Isolde 636:Edinburgh Festival 603:Royal Philharmonic 599:Sir Thomas Beecham 546: 431: 326: 218:Orchestre de Paris 161:and worked at the 53: 38:Western name order 7133: 7132: 7124:Kenneth Wilkinson 7105:Goddard Lieberson 6824:Jacqueline du Pré 6741:Arthur Rubinstein 6650:Vladimir Horowitz 6508:Luciano Pavarotti 6240:Leopold Stokowski 6174:Yevgeny Mravinsky 6153:Charles Mackerras 5991:Leonard Bernstein 5909: 5908: 5688:Jacques d'Amboise 5501:Katharine Hepburn 5447: 5446: 5432:Vladimir Jurowski 5420:Franz Welser-Möst 5390:William Steinberg 5378:Eduard van Beinum 5327: 5326: 5210: 5209: 5096: 5095: 5078:Vladimir Jurowski 4912: 4911: 4844:Herbert Blomstedt 4720:Sofia Gubaidulina 4714:Hildegard Behrens 4690:Krystian Zimerman 4530:Arthur Rubinstein 4483:Leonard Bernstein 4419: 4418: 4410:Succeeded by 4383:Succeeded by 4361:Cultural offices 3941:Franks, Rebecca. 3868:, 22 October 1997 3790:Eckert, Thor Jr. 3406:"Sir Georg Solti" 3343:Bender, William. 2995:Haltrecht, p. 279 2947:Haltrecht, p. 271 2899:Haltrecht, p. 295 2868:Haltrecht, p. 264 2859:Haltrecht, p. 258 2850:Haltrecht, p. 259 2841:Haltrecht, p. 237 2832:Haltrecht, p. 257 2375:, 9 December 1990 2241:"Sir Georg Solti" 2044:(Germany), 1993; 1922:Die Meistersinger 1850:Der Rosenkavalier 1760:L'heure espagnole 1748:Orfeo ed Euridice 1486:in 2006 in a new 1474:was dedicated in 1164:, he presented a 1148:Bayreuth Festival 1114:Edward Greenfield 1083:Die Meistersinger 886:Sir David Webster 834:L'heure espagnole 766:Der Rosenkavalier 558:Georg Kulenkampff 531:Der Rosenkavalier 460:anti-semitic laws 418:Salzburg Festival 179:Royal Opera House 163:Salzburg Festival 7344: 7282:People from Buda 7162: 7161: 7150: 7149: 7148: 7141: 7126: 7119: 7114: 7107: 7100: 7093: 7086: 7081: 7074: 7067: 7060: 7053: 7046: 7026: 7019: 7012: 7005: 6998: 6991: 6973: 6966: 6959: 6952: 6945: 6938: 6931: 6924: 6917: 6910: 6903: 6896: 6889: 6882: 6875: 6868: 6861: 6854: 6847: 6840: 6833: 6826: 6819: 6812: 6805: 6798: 6791: 6781:woodwind players 6771: 6764: 6757: 6750: 6743: 6736: 6729: 6722: 6720:Maurizio Pollini 6715: 6708: 6701: 6694: 6687: 6680: 6678:Gustav Leonhardt 6673: 6666: 6659: 6652: 6645: 6638: 6637: 6626: 6619: 6612: 6605: 6598: 6591: 6584: 6577: 6575:Leif Ove Andsnes 6559: 6557:Fritz Wunderlich 6552: 6545: 6538: 6531: 6524: 6517: 6510: 6503: 6496: 6489: 6482: 6475: 6468: 6466:Simon Keenlyside 6461: 6454: 6452:Gundula Janowitz 6447: 6440: 6433: 6426: 6419: 6412: 6410:Nicolai Ghiaurov 6405: 6403:Angela Gheorghiu 6398: 6391: 6389:Kirsten Flagstad 6384: 6377: 6375:Kathleen Ferrier 6370: 6363: 6356: 6354:Feodor Chaliapin 6349: 6342: 6335: 6328: 6321: 6314: 6307: 6300: 6293: 6275: 6268: 6267: 6261:Arturo Toscanini 6256: 6249: 6242: 6235: 6234: 6223: 6216: 6215: 6204: 6197: 6190: 6183: 6176: 6169: 6162: 6160:Neville Marriner 6155: 6148: 6141: 6134: 6127: 6126: 6115: 6108: 6101: 6094: 6087: 6086: 6075: 6068: 6061: 6054: 6047: 6040: 6038:Riccardo Chailly 6033: 6026: 6024:Benjamin Britten 6019: 6018: 6007: 6000: 5993: 5986: 5985: 5974: 5972:Daniel Barenboim 5967: 5960: 5936: 5929: 5922: 5913: 5912: 5631:Stephen Sondheim 5474: 5467: 5460: 5451: 5450: 5354: 5347: 5340: 5331: 5330: 5322: 5273:Daniel Barenboim 5237: 5230: 5223: 5214: 5213: 5195:Daniel Barenboim 5123: 5116: 5109: 5100: 5099: 5091: 5042:Joseph Keilberth 4939: 4932: 4925: 4916: 4915: 4879:Barbara Hannigan 4850:Leonidas Kavakos 4791:Daniel Barenboim 4566:Olivier Messiaen 4501:Benjamin Britten 4445: 4438: 4431: 4422: 4421: 4393:Preceded by 4366:Preceded by 4358: 4357: 4315:official website 4309:official website 4281: 4275: 4273: 4247: 4224: 4202: 4191:The Record Guide 4178: 4159: 4140: 4123:Osborne, Richard 4118: 4099: 4078: 4061:Lebrecht, Norman 4056: 4044: 4033: 4016: 3997: 3978: 3950: 3939: 3933: 3926: 3920: 3919: 3903: 3897: 3894: 3888: 3878:"The Foundation" 3875: 3869: 3857: 3851: 3830: 3824: 3807: 3801: 3788: 3782: 3769: 3763: 3762: 3760: 3758: 3743: 3737: 3736: 3734: 3732: 3713: 3707: 3700: 3694: 3693: 3691: 3689: 3684:on 28 April 2021 3680:. Archived from 3674: 3668: 3662: 3653: 3643: 3637: 3634: 3628: 3625: 3619: 3606: 3597: 3584: 3578: 3565: 3559: 3548: 3542: 3533:Kettle, Martin. 3531: 3525: 3522:"Valery Gergiev" 3519: 3513: 3507: 3501: 3482: 3476: 3473:The Sunday Times 3467:Jenkins, Garry. 3465: 3459: 3452: 3446: 3436: 3430: 3419: 3413: 3402: 3396: 3393: 3387: 3380: 3371: 3360: 3354: 3341: 3335: 3332: 3326: 3325: 3322:, 11 April 1969 3311: 3305: 3302: 3296: 3289: 3283: 3276: 3270: 3258: 3252: 3251: 3223: 3217: 3214: 3205: 3198: 3185: 3184: 3173:Patmore, David. 3171: 3162: 3159: 3153: 3150: 3144: 3131: 3122: 3119: 3113: 3106: 3100: 3097:The Sunday Times 3089: 3083: 3080: 3074: 3071: 3065: 3064:Morrison, p. 217 3062: 3056: 3050: 3044: 3041: 3035: 3028: 3019: 3018: 3002: 2996: 2993: 2987: 2980: 2974: 2967: 2961: 2954: 2948: 2945: 2939: 2932: 2926: 2919: 2913: 2906: 2900: 2897: 2891: 2888: 2882: 2875: 2869: 2866: 2860: 2857: 2851: 2848: 2842: 2839: 2833: 2830: 2824: 2821: 2808: 2805: 2799: 2796: 2790: 2787: 2781: 2778: 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932:, a new work by 864: 843:, and Puccini's 800:Dorothy Chandler 704:Kirsten Flagstad 682:Ravinia Festival 590:The Record Guide 462:, mirroring the 414:Arturo Toscanini 307:Hungarianisation 300: 290:district of the 238:Richard Wagner's 202:honorary citizen 167:Arturo Toscanini 122: 120:[ˈʃolti] 117: 110: 107: 102: 101: 98: 97: 94: 91: 88: 85: 82: 78: 77: 74: 71: 62: 7352: 7351: 7347: 7346: 7345: 7343: 7342: 7341: 7172: 7171: 7168: 7156: 7152:Classical music 7146: 7144: 7136: 7134: 7129: 7122: 7117: 7110: 7103: 7096: 7089: 7084: 7077: 7070: 7063: 7056: 7049: 7042: 7035: 7029: 7022: 7015: 7008: 7003:Beaux Arts Trio 7001: 6996:Amadeus Quartet 6994: 6987: 6976: 6969: 6962: 6955: 6948: 6941: 6934: 6927: 6920: 6913: 6908:Nathan Milstein 6906: 6899: 6892: 6887:Wynton Marsalis 6885: 6878: 6871: 6864: 6859:Steven Isserlis 6857: 6850: 6843: 6838:Arthur Grumiaux 6836: 6829: 6822: 6817:Kyung Wha Chung 6815: 6808: 6801: 6794: 6787: 6780: 6774: 6767: 6762:Grigory Sokolov 6760: 6753: 6746: 6739: 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Georg Solti 5621:Arthur Mitchell 5604: 5585:Joanne Woodward 5564: 5550:Harold Nicholas 5520: 5496:Dizzy Gillespie 5484: 5478: 5448: 5443: 5414:Klaus Tennstedt 5402:Bernard Haitink 5363: 5358: 5328: 5323: 5314: 5246: 5241: 5211: 5206: 5159:Artur Rodziński 5147:Frederick Stock 5141:Theodore Thomas 5132: 5127: 5097: 5092: 5083: 5072:Kirill Petrenko 5054:Peter Schneider 4982:Richard Strauss 4949: 4943: 4913: 4908: 4867: 4862:Hans Abrahamsen 4808:Cecilia Bartoli 4796: 4725: 4654: 4583: 4512: 4507:Boris Christoff 4471: 4466:Igor Stravinsky 4454: 4449: 4415: 4406: 4398: 4388: 4379: 4371: 4342:Harvard Library 4304: 4271: 4269: 4265:Chicago Tribune 4254: 4252:Further reading 4244: 4221: 4175: 4156: 4137: 4115: 4096: 4075: 4053: 4013: 3994: 3975: 3965:Ring Resounding 3959: 3954: 3953: 3940: 3936: 3927: 3923: 3904: 3900: 3895: 3891: 3885:Wayback Machine 3876: 3872: 3865:Chicago Tribune 3858: 3854: 3848:Explore Chicago 3844:Wayback Machine 3831: 3827: 3817:Wayback Machine 3808: 3804: 3789: 3785: 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Haitink 1997: 1993: 1988: 1984: 1943: 1939: 1933: 1929: 1910:Götterdämmerung 1838:The Magic Flute 1772:Moses and Aaron 1754:Gianni Schicchi 1726: 1722: 1716: 1712: 1702: 1698: 1673: 1669: 1664: 1660: 1655: 1651: 1634: 1630: 1621: 1617: 1599:Richard Strauss 1588: 1584: 1579: 1575: 1565: 1561: 1556: 1552: 1547: 1492:Symphony Center 1393: 1356:Kyung-wha Chung 1348:Clifford Curzon 1316:Plácido Domingo 1308:Joan Sutherland 1296:London Symphony 1261: 1255: 1144: 1136: 1102: 1040:Fourth Symphony 1024: 1020: 976: 917:Moses and Aaron 866: 858: 846:Gianni Schicchi 837:, Schoenberg's 784: 628:Sylvia Stahlman 564:in Beethoven's 556:with violinist 543:Nikita Magaloff 526:Richard Strauss 502: 378: 299: Rosenbaum 284: 279: 277:Life and career 210:British citizen 115: 108: 105: 79: 68: 64: 58: 56:Sir Georg Solti 41: 24: 21:Solti (surname) 17: 12: 11: 5: 7350: 7340: 7339: 7334: 7329: 7324: 7319: 7314: 7309: 7304: 7299: 7294: 7289: 7284: 7279: 7274: 7269: 7264: 7259: 7254: 7249: 7244: 7239: 7234: 7229: 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Robert Fine 7061: 7054: 7051:Bernard Coutaz 7047: 7044:Emile Berliner 7039: 7037: 7031: 7030: 7028: 7027: 7020: 7017:Takács Quartet 7013: 7006: 6999: 6992: 6984: 6982: 6978: 6977: 6975: 6974: 6967: 6964:Andrés Segovia 6960: 6953: 6946: 6939: 6936:Itzhak Perlman 6932: 6929:Emmanuel Pahud 6925: 6922:David Oistrakh 6918: 6911: 6904: 6901:Yehudi Menuhin 6897: 6894:Albrecht Mayer 6890: 6883: 6876: 6869: 6866:Fritz Kreisler 6862: 6855: 6852:Heinz Holliger 6848: 6845:Jascha Heifetz 6841: 6834: 6827: 6820: 6813: 6806: 6799: 6792: 6784: 6782: 6776: 6775: 6773: 6772: 6769:Mitsuko Uchida 6765: 6758: 6755:Artur Schnabel 6751: 6744: 6737: 6730: 6723: 6716: 6713:Murray Perahia 6709: 6702: 6695: 6688: 6681: 6674: 6667: 6664:Wilhelm Kempff 6660: 6653: 6646: 6639: 6627: 6620: 6613: 6606: 6603:Alfred Brendel 6599: 6592: 6585: 6578: 6570: 6568: 6564: 6563: 6561: 6560: 6553: 6546: 6543:Kiri Te Kanawa 6539: 6536:Renata Tebaldi 6532: 6525: 6518: 6515:Leontyne Price 6511: 6504: 6497: 6490: 6487:Birgit 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4536:Yehudi Menuhin 4533: 4527: 4520: 4518: 4514: 4513: 4511: 4510: 4504: 4498: 4492: 4489:Birgit Nilsson 4486: 4479: 4477: 4473: 4472: 4470: 4469: 4462: 4460: 4456: 4455: 4448: 4447: 4440: 4433: 4425: 4417: 4416: 4411: 4408: 4399: 4396:Rafael Kubelík 4394: 4390: 4389: 4386:Donald Johanos 4384: 4381: 4372: 4367: 4363: 4362: 4356: 4355: 4344: 4335: 4326: 4317: 4311: 4303: 4302:External links 4300: 4299: 4298: 4285: 4278:Newspapers.com 4253: 4250: 4249: 4248: 4242: 4234:Solti on Solti 4228:Solti, Georg; 4225: 4219: 4203: 4179: 4173: 4160: 4154: 4141: 4135: 4119: 4113: 4100: 4094: 4079: 4073: 4057: 4051: 4034: 4017: 4011: 3998: 3992: 3979: 3973: 3958: 3955: 3952: 3951: 3934: 3921: 3898: 3889: 3870: 3852: 3825: 3802: 3783: 3764: 3738: 3708: 3695: 3669: 3654: 3638: 3629: 3620: 3609:"Solti, Georg" 3598: 3596:, 3 April 1998 3579: 3567:Fay, Stephen. 3560: 3558:, 15 July 1997 3543: 3541:, 10 July 2010 3526: 3514: 3502: 3500:, 24 June 1994 3477: 3460: 3447: 3439:Levin, Bernard 3431: 3414: 3397: 3388: 3372: 3355: 3336: 3327: 3306: 3297: 3284: 3271: 3253: 3218: 3206: 3186: 3163: 3154: 3145: 3123: 3114: 3101: 3084: 3075: 3066: 3057: 3045: 3036: 3020: 2997: 2988: 2975: 2962: 2949: 2940: 2927: 2914: 2901: 2892: 2883: 2870: 2861: 2852: 2843: 2834: 2825: 2809: 2800: 2791: 2782: 2773: 2764: 2755: 2743: 2724: 2711: 2702: 2693: 2684: 2675: 2666: 2657: 2648: 2639: 2627: 2615: 2606: 2602:The Gramophone 2590: 2581: 2572: 2528: 2519: 2510: 2501: 2482: 2473: 2464: 2455: 2446: 2437: 2424: 2411: 2402: 2386: 2377: 2353: 2344: 2335: 2326: 2317: 2283: 2268:Jacobs, Arthur 2249: 2229: 2197: 2140: 2123: 2094: 2087: 2068: 2067: 2065: 2062: 2059: 2058: 2012: 1991: 1982: 1937: 1927: 1820:Così fan tutte 1720: 1710: 1696: 1674:The anonymous 1667: 1658: 1649: 1628: 1615: 1611:Clemens Krauss 1591:Hans von Bülow 1582: 1573: 1569:Balatonfőkajár 1559: 1549: 1548: 1546: 1543: 1532:"Hall of Fame" 1392: 1389: 1384:Apocalypse Now 1378:Music Magazine 1344:Julius Katchen 1328:Kiri Te Kanawa 1324:Carlo Bergonzi 1312:Régine Crespin 1304:Birgit Nilsson 1257:Main article: 1254: 1251: 1236:Fifth Symphony 1190:Valery Gergiev 1186:United Nations 1162:William Dudley 1158:Sir Peter Hall 1153:Centenary Ring 1128: 1101: 1098: 1077:Moses und Aron 1056:Elliott Carter 1036:Third Symphony 1013: 975: 972: 870:Rafael Kubelík 851: 783: 780: 712:Birgit Nilsson 620:Oper Frankfurt 584:The Gramophone 522:denazification 514:Clemens Krauss 501: 498: 490:Wagner's opera 464:Nuremberg Laws 406:Otto Klemperer 377: 374: 342:Fifth Symphony 303:Admiral Horthy 283: 280: 278: 275: 262:Music Magazine 194:Oper Frankfurt 15: 9: 6: 4: 3: 2: 7349: 7338: 7335: 7333: 7330: 7328: 7325: 7323: 7320: 7318: 7315: 7313: 7310: 7308: 7305: 7303: 7300: 7298: 7295: 7293: 7290: 7288: 7285: 7283: 7280: 7278: 7275: 7273: 7270: 7268: 7265: 7263: 7260: 7258: 7255: 7253: 7250: 7248: 7245: 7243: 7240: 7238: 7235: 7233: 7230: 7228: 7225: 7223: 7220: 7218: 7215: 7213: 7210: 7208: 7205: 7203: 7200: 7198: 7195: 7193: 7190: 7188: 7185: 7183: 7180: 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Hough 6654: 6651: 6647: 6644: 6643:Angela Hewitt 6640: 6636: 6632: 6628: 6625: 6621: 6618: 6614: 6611: 6607: 6604: 6600: 6597: 6593: 6590: 6589:Claudio Arrau 6586: 6583: 6579: 6576: 6572: 6571: 6569: 6565: 6558: 6554: 6551: 6547: 6544: 6540: 6537: 6533: 6530: 6526: 6523: 6519: 6516: 6512: 6509: 6505: 6502: 6498: 6495: 6494:Jessye Norman 6491: 6488: 6484: 6481: 6480:Anna Netrebko 6477: 6474: 6470: 6467: 6463: 6460: 6456: 6453: 6449: 6446: 6442: 6439: 6435: 6432: 6431:Marilyn Horne 6428: 6425: 6421: 6418: 6414: 6411: 6407: 6404: 6400: 6397: 6396:Renée Fleming 6393: 6390: 6386: 6383: 6379: 6376: 6372: 6369: 6365: 6362: 6358: 6355: 6351: 6348: 6347:Enrico Caruso 6344: 6341: 6340:José Carreras 6337: 6334: 6330: 6327: 6323: 6320: 6316: 6313: 6309: 6306: 6302: 6299: 6295: 6292: 6288: 6287: 6285: 6281: 6274: 6270: 6266: 6262: 6258: 6255: 6251: 6248: 6244: 6241: 6237: 6233: 6229: 6225: 6222: 6218: 6214: 6210: 6206: 6203: 6199: 6196: 6192: 6189: 6185: 6182: 6181:Riccardo Muti 6178: 6175: 6171: 6168: 6164: 6161: 6157: 6154: 6150: 6147: 6143: 6140: 6136: 6133: 6129: 6125: 6121: 6117: 6114: 6110: 6107: 6103: 6100: 6096: 6093: 6089: 6085: 6081: 6077: 6074: 6070: 6067: 6063: 6060: 6056: 6053: 6049: 6046: 6042: 6039: 6035: 6032: 6028: 6025: 6021: 6017: 6013: 6009: 6006: 6005:Pierre Boulez 6002: 5999: 5995: 5992: 5988: 5984: 5980: 5976: 5973: 5969: 5966: 5962: 5959: 5955: 5954: 5952: 5948: 5944: 5937: 5932: 5930: 5925: 5923: 5918: 5917: 5914: 5902: 5899: 5897: 5894: 5892: 5889: 5887: 5884: 5882: 5879: 5877: 5874: 5872: 5871:Complete list 5869: 5868: 5865: 5859: 5858:Stevie Wonder 5856: 5854: 5853:Jason Robards 5851: 5849: 5846: 5844: 5841: 5839: 5836: 5835: 5833: 5829: 5823: 5820: 5818: 5815: 5813: 5812:Willie Nelson 5810: 5808: 5804: 5801: 5799: 5798: 5794: 5793: 5791: 5787: 5781: 5778: 5776: 5775:Jessye Norman 5773: 5771: 5768: 5766: 5763: 5761: 5760:Lauren Bacall 5758: 5757: 5755: 5751: 5745: 5742: 5740: 5737: 5735: 5732: 5730: 5727: 5725: 5722: 5721: 5719: 5715: 5709: 5706: 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3564: 3557: 3553: 3547: 3540: 3536: 3530: 3523: 3518: 3511: 3506: 3499: 3495: 3491: 3487: 3481: 3475:, 13 May 1990 3474: 3470: 3464: 3457: 3451: 3444: 3440: 3435: 3428: 3425:went wrong", 3424: 3418: 3411: 3407: 3401: 3395:Solti, p. 228 3392: 3385: 3379: 3377: 3369: 3365: 3359: 3352: 3351: 3346: 3340: 3331: 3321: 3320: 3315: 3310: 3301: 3294: 3288: 3281: 3275: 3268: 3267: 3262: 3257: 3249: 3245: 3241: 3237: 3233: 3229: 3222: 3213: 3211: 3203: 3197: 3195: 3193: 3191: 3180: 3176: 3170: 3168: 3161:Solti, p. 137 3158: 3149: 3142: 3138: 3135: 3130: 3128: 3118: 3111: 3105: 3098: 3094: 3088: 3079: 3070: 3061: 3054: 3049: 3040: 3033: 3027: 3025: 3014: 3013:Stanley Sadie 3010: 3006: 3001: 2992: 2985: 2979: 2972: 2966: 2959: 2953: 2944: 2937: 2931: 2924: 2918: 2911: 2905: 2896: 2887: 2880: 2874: 2865: 2856: 2847: 2838: 2829: 2820: 2818: 2816: 2814: 2804: 2798:Solti, p. 113 2795: 2786: 2777: 2768: 2759: 2752: 2747: 2740: 2736: 2733: 2728: 2721: 2715: 2709:Solti, p. 102 2706: 2697: 2688: 2682:Solti, p. 105 2679: 2670: 2664:Solti, p. 100 2661: 2652: 2646:Solti, p. 127 2643: 2634: 2632: 2622: 2620: 2610: 2603: 2599: 2594: 2585: 2576: 2569: 2568: 2561: 2559: 2557: 2555: 2553: 2551: 2549: 2547: 2545: 2543: 2541: 2539: 2537: 2535: 2533: 2523: 2514: 2505: 2498: 2494: 2491: 2486: 2477: 2468: 2459: 2450: 2441: 2434: 2428: 2421: 2415: 2406: 2399: 2395: 2390: 2381: 2374: 2373: 2368: 2362: 2360: 2358: 2348: 2339: 2330: 2321: 2311: 2307: 2302: 2300: 2298: 2296: 2294: 2292: 2290: 2288: 2277: 2273: 2269: 2264: 2262: 2260: 2258: 2256: 2254: 2246: 2242: 2238: 2233: 2227:, 1 July 1995 2226: 2222: 2216: 2214: 2212: 2210: 2208: 2206: 2204: 2202: 2191: 2187: 2181: 2179: 2177: 2175: 2173: 2171: 2169: 2167: 2165: 2163: 2161: 2159: 2157: 2155: 2153: 2151: 2149: 2147: 2145: 2137: 2133: 2127: 2112: 2108: 2104: 2103:Goodwin, Noël 2098: 2090: 2088:0-19-280710-2 2084: 2080: 2073: 2069: 2055: 2051: 2047: 2043: 2039: 2035: 2031: 2027: 2023: 2016: 2009: 2005: 2001: 1995: 1986: 1979: 1975: 1971: 1967: 1963: 1959: 1955: 1954:New York Phil 1951: 1947: 1941: 1931: 1924: 1923: 1918: 1917: 1912: 1911: 1906: 1905: 1900: 1899: 1894: 1893: 1892:Das Rheingold 1888: 1887: 1882: 1881: 1876: 1875: 1870: 1869: 1864: 1863: 1858: 1857: 1852: 1851: 1846: 1845: 1840: 1839: 1834: 1833: 1828: 1827: 1822: 1821: 1816: 1815: 1810: 1809: 1804: 1803: 1798: 1797: 1792: 1791: 1790:Eugene Onegin 1786: 1785: 1780: 1779: 1774: 1773: 1768: 1767: 1762: 1761: 1756: 1755: 1750: 1749: 1744: 1743: 1738: 1737: 1732: 1731: 1724: 1714: 1707: 1700: 1693: 1689: 1688: 1683: 1682: 1677: 1671: 1662: 1653: 1646: 1642: 1638: 1632: 1625: 1619: 1612: 1608: 1604: 1600: 1596: 1592: 1586: 1577: 1570: 1563: 1554: 1550: 1542: 1540: 1535: 1533: 1531: 1524: 1523: 1519: 1514: 1512: 1508: 1504: 1500: 1499:Grammy Awards 1495: 1493: 1489: 1485: 1481: 1477: 1473: 1469: 1468:bust of Solti 1460: 1456: 1455:universities. 1454: 1450: 1446: 1442: 1438: 1434: 1430: 1426: 1422: 1418: 1414: 1410: 1406: 1397: 1388: 1386: 1385: 1380: 1379: 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Born in 116:Hungarian: 7118:Ted Perry 6981:Ensembles 6699:Radu Lupu 6685:Lang Lang 5998:Karl Böhm 5765:Bob Dylan 5698:B.B. King 5532:Roy Acuff 4785:Arvo Pärt 4199:474839729 3704:The Times 3556:The Times 3456:The Times 3443:The Times 3293:The Times 3280:The Times 3110:The Times 3032:The Times 2958:The Times 2923:The Times 2910:The Times 2879:The Times 2720:The Times 2433:The Times 2420:The Times 2398:The Times 2225:The Times 1970:Cleveland 1966:Leinsdorf 1958:Bernstein 1948:, critic 1904:Siegfried 1880:Rigoletto 1766:Erwartung 1044:Byzantium 896:The Times 878:The Times 840:Erwartung 762:Pat Boone 753:Billboard 726:Karl Böhm 680:, at the 674:The Times 616:Frankfurt 574:Drum Roll 477:The Times 390:Karlsruhe 338:Beethoven 288:Hegyvidék 212:in 1972. 129:conductor 47:Solti by 6880:Yo-Yo Ma 5803:Fred Ebb 4773:Yo-Yo Ma 4324:AllMusic 4232:(1997). 4209:(1982). 4189:(1955). 4125:(1998). 4063:(2000). 3916:48093380 3881:Archived 3840:Archived 3813:Archived 3775:Archived 3612:Archived 3423:The Ring 3137:Archived 2735:Archived 2493:Archived 2032:, 1992; 2028:, 1992; 2024:, 1989; 2000:Falstaff 1796:Falstaff 1778:Arabella 1706:stagione 1208:Parsifal 1028:Bruckner 926:Falstaff 891:stagione 721:Arabella 611:Idomeneo 601:and the 437:Falstaff 400:and the 208:, and a 137:Budapest 7138:Portals 6283:Singers 5483:(1990s) 3957:Sources 3835:{{sic}} 3688:9 April 3510:History 3248:3392541 2056:, 1996. 1856:Elektra 1808:Fidelio 1511:in 2023 1433:Harvard 1417:Tuscany 1243:Antibes 1071:Fidelio 1048:soprano 930:Victory 770:Britten 668:at the 649:Elektra 486:Lucerne 271:Beyoncé 157:at the 123:; 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