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he had a musical role with the RAF becoming a bandleader. After the War he completed his musical studies with
Herbert Fryer. He bought a harpsichord at auction and went on to develop a career as a harpsichordist. He continued to make occasional appearances as a pianist, for example in Mozart's music
97:, he favoured rather large 'revival' harpsichords with pedals, built in a modern style, that now are seen as "unauthentic" for Baroque music. While aspects of his interpretations may seem outdated by the standards of today's "historically informed
222:(1959). Its first performance was one of Malcolm's last services at Westminster Cathedral before he retired on 1 September 1959. He continued to play the organ, recording the Handel organ concertos for example. Malcolm was founding patron of
291:, who left Hungary to study with Malcolm, was a frequent concerto soloist under his baton, and the two recorded Mozart's complete works for piano duet together on the composer's own piano.
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for 12 years (1947–1959). He developed the choir's forthright, full-throated tone—often, but rather vacuously described as "continental"—which contrasted with that of
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Sextet, written for the group). As a mentor, he also influenced a number of musicians not necessarily associated with the harpsichord such as
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Rather than the Pleyel instruments favoured by
Landowska, Malcolm preferred a later generation of instruments by makers like Thomas Goff.
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works, he played modern harpsichord repertoire. His own composition "Bach before the Mast" (a humorous set of variations on
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praised the choir's 'staggering brilliance and authority', and proposed to write a piece for them. This resulted in the
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He also pursued a notable career as an organist and choir-trainer. After serving as organist-choirmaster of
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244:(composed in 1950, presumed lost but rediscovered in the Cathedral archives in 2011) is reminiscent of
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In the 1950s he participated in annual concerts featuring four harpsichordists, the three others being
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Wind
Ensemble (with whom he made one of his rare recordings as pianist in the first performance of the
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at the age of seven, where he studied under
Kathleen McQuitty FRCM until he was 19. He attended
38:(28 February 1917 – 10 October 1997) was an English pianist, organist, composer,
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Benjamin
Britten engaged Malcolm in 1960 to conduct the second and third performances of
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Malcolm was born and died in London. He is interred in the graveyard at
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which he released in the 1950s. He also wrote "Variations on a Theme of
472:(Madison, WI). McClatchy-Tribune Information Services. April 2008. via
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101:", his recordings and live performances introduced many people to the
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Malcolm's first instrument was the piano, and his first teacher was a
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490:"George Malcolm, CBE, KSG (1917-1997) Balliol's musician of genius"
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230:. Malcolm also composed for voices, a well-known piece being his
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373:. United States: Texas A&M University Press. p. 307.
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for his services as Master of Music at
Westminster Cathedral.
437:, callawaymedia.arts.uwa.edu.au. Retrieved 22 September 2014.
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464:"CLIP AND SAVE: JOHN BARKER'S BEST-OF-HANDEL LIST.(RHYTHM)"
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Malcolm's centenary was marked by
Balliol College in 2017.
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English keyboard player, composer and conductor (1917–1997)
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Oremus, The
Monthly Bulletin of Westminster Cathedral
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who recognised his talent and recommended him to the
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George
Malcolm CBE KSG (1917–1997) – An Appreciation
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599:Commanders of the Order of the British Empire
261:A devout Roman Catholic, Malcolm was awarded
160:'s Concertos for Four Harpsichords, one in a
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539:Biography from the website of Ian Partridge
369:Gamble, Stephen; Lynch, William C. (2011).
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156:. In 1957 this group also recorded two of
140:Collaborations with other harpsichordists
316:The Complete Harpsichord Works of Rameau
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534:Interview from The Harpsichord Magazine
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180:in a four-harpsichord concert with the
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204:in Clapham, he was Master of Music of
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634:People educated at Wimbledon College
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649:English male classical organists
624:20th-century classical musicians
428:Eileen Joyce (1908–1991) profile
619:20th-century classical pianists
579:English male classical pianists
544:George Malcolm official website
505:"Obituary from The Independent"
202:St Mary's Roman Catholic Church
629:20th-century English musicians
503:Amis, John (13 October 1997).
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418:The Faber Pocket Guide to Bach
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359:. Retrieved 22 September 2014.
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303:, Saintbury, Gloucestershire.
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371:Dennis Brain: A Life in Music
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469:The Wisconsin State Journal
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124:for a cover version of the
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574:English classical pianists
454:, December 1997, p. 10-11.
240:. His setting of Psalm 51
57:, and went on to study at
395:"World of George Malcolm"
281:English Chamber Orchestra
276:A Midsummer Night’s Dream
196:Organist and choir-master
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589:English Roman Catholics
584:English harpsichordists
433:18 January 2016 at the
287:orchestra. The pianist
61:, Oxford in the 1930s.
639:20th-century organists
228:Roman Catholic liturgy
51:Royal College of Music
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314:In 1967, he recorded
206:Westminster Cathedral
118:Johann Sebastian Bach
114:The Sailor's Hornpipe
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212:choirs at the time.
99:performance practice
614:Cathedral organists
476:. 28 October 2014 .
357:The Catholic Herald
190:Royal Festival Hall
120:) was written as a
30:George John Malcolm
301:St Nicholas Church
248:' 1951 version of
238:Ingrediente Domino
166:Pro Arte Orchestra
89:Harpsichord career
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510:Independent.co.uk
474:HighBeam Research
295:Burial and legacy
285:Northern Sinfonia
130:Bach goes to town
55:Wimbledon College
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162:Bach arrangement
116:in the style of
66:Second World War
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564:1997 deaths
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322:, London).
310:Discography
246:Ivor Atkins
232:Palm Sunday
164:, with the
108:As well as
103:harpsichord
64:During the
553:Categories
516:31 October
269:Conducting
71:four hands
170:Boris Ord
431:Archived
353:Obituary
326:See also
283:and the
255:Miserere
210:Anglican
235:introit
188:in the
158:Vivaldi
128:number
110:Baroque
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184:under
168:under
134:Mozart
122:B side
338:Notes
93:Like
518:2014
375:ISBN
176:and
152:and
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36:KSG
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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