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1012:, that when Hopkins first met Dolben, on Dolben's 17th birthday in Oxford in February 1865, it "was, quite simply, the most momentous emotional event of undergraduate years, probably of his entire life." According to Robert Martin, "Hopkins was completely taken with Dolben, who was nearly four years his junior, and his private journal for confessions the following year proves how absorbed he was in imperfectly suppressed erotic thoughts of him." Martin considered it "probable that would have been deeply shocked at the reality of sexual intimacy with another person." Hopkins had composed two poems about Dolben, "Where art thou friend" and "The Beginning of the End". Robert Bridges, who edited the first edition of Dolben's poems as well as Hopkins's, cautioned that the second poem "must never be printed", though Bridges himself included it in the first edition (1918).
601:. His English roots and disagreement with the Irish politics of the time, along with his small stature (5 ft 2 in or 1.57 m), unprepossessing nature and personal oddities, reduced his effectiveness as a teacher. This and his isolation in Ireland deepened a gloom that was reflected in his poems of the time, such as "I Wake and Feel the Fell of Dark, not Day". They came to be known as the "terrible sonnets", not for their quality but according to Hopkins's friend Canon Richard Watson Dixon, because they reached the "terrible crystal", meaning they crystallised the melancholic dejection that plagued the latter part of Hopkins's life.
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general health suffered and his eyesight began to fail. He felt confined and dejected. As a devout Jesuit, he found himself in an artistic dilemma. To subdue an egotism that he felt would violate the humility required by his religious position, he decided never to publish his poems but
Hopkins realised that any true poet requires an audience for criticism and encouragement. This conflict between his religious obligations and his poetic talent made him feel he had failed at both.
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years later in June 1867. Hopkins's feeling for Dolben seems to have cooled by that time, but he was nonetheless greatly affected by his death. "Ironically, fate may have bestowed more through Dolben's death than it could ever have bestowed through longer life ... many of
Hopkins's best poems β impregnated with an elegiac longing for Dolben, his lost beloved and his muse β were the result." Hopkins's relationship with Dolben was explored in the 2017 novel
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appreciation of the importance of the role of
Hopkins's religious commitment to his writing, and cautions against assigning a priority of influence to any sexual instincts over other factors such as Hopkins's estrangement from his family. In 2009, biographer Paul Mariani found in Hopkins poems "an irreconcilable tension β on the one hand, the selflessness demanded by Jesuit discipline; on the other, the seeming self-indulgence of poetic creation."
371:(1854β1863). While studying Keats's poetry, he wrote "The Escorial" (1860), his earliest extant poem. Here he practised early attempts at asceticism. He once argued that most people drank more liquids than they really needed and bet that he could go without drinking for a week. He persisted until his tongue was black and he collapsed at drill. On another occasion, he abstained from salt for a week. Among his teachers at Highgate was
662:, "All his life Hopkins was haunted by the sense of personal bankruptcy and impotence, the straining of 'time's eunuch' with no more to 'spend'... " a sense of inadequacy, graphically expressed in his last sonnets. Toward the end of his life, Hopkins suffered several long bouts of depression. His "terrible sonnets" struggle with problems of religious doubt. He described them to Bridges as "he thin gleanings of a long weary while".
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45:
545:" only a few months before his ordination. His life as a Jesuit trainee, though rigorous, isolated and sometimes unpleasant, at least had some stability; the uncertain and varied work after ordination was even harder on his sensibilities. In October 1877, not long after completing "The Sea and the Skylark" and only a month after his ordination, Hopkins took up duties as sub-minister and teacher at
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1054:", over the gender, sexual-specific "homosexual" term. Hopkins's journal writings, they argue, offer a clear admiration for feminised beauty. In 2000, Justus George Lawler criticised Robert Martin's biography by suggesting that Martin "cannot see the heterosexual beam... for the homosexual biographical mote in his own eye... it amounts to a slanted
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Inscape, for
Hopkins, is the charged essence, the absolute singularity that gives each created thing its being; instress is both the energy that holds the inscape together and the process by which this inscape is perceived by an observer. We instress the inscape of a tulip, Hopkins would say, when we
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and rhythms of his subsequent poetry not present in his few remaining early works. It not only depicts the dramatic events and heroic deeds but tells of him reconciling the terrible events with God's higher purpose. The poem was accepted but not printed by a Jesuit publication. This rejection fed his
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in 1872, he saw how the two need not conflict. He continued to write a detailed prose journal in 1868β1875. Unable to suppress a desire to describe the natural world, he also wrote music, sketched, and for church occasions, wrote "verses", as he called them. He later wrote sermons and other religious
881:, with its emphasis on repeating sounds, accorded with his own style and became a prominent feature of his work. This reliance on similar-sounding words with close or differing senses means that his poems are best understood if read aloud. An important element in his work is Hopkins's own concept of
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Another indication of the nature of his feelings for Dolben is that
Hopkins's high Anglican confessor seems to have forbidden him to have any contact with Dolben except by letter. Hopkins never saw Dolben again, and any continuation of their relationship was abruptly ended by Dolben's drowning two
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During his lifetime, Hopkins published a few poems. It was only through the efforts of Robert
Bridges that his works were seen. Despite Hopkins burning all his poems on entering the Jesuit novitiate, he had already sent some to Bridges, who with some other friends, was one of the few people to see
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poetry was based on a rhythmic structure inherited from the Norman side of
English literary heritage. This structure is based on repeating "feet" of two or three syllables, with the stressed syllable falling in the same place on each repetition. Hopkins called this structure "running rhythm", and
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Several influences led to a melancholic state and restricted his poetic inspiration in his last five years. His workload was heavy. He disliked living in Dublin, away from
England and friends. He was disappointed at how far Dublin had fallen from its Georgian elegance of the previous century. His
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The decision to convert estranged
Hopkins from his family and from a number of acquaintances. After graduating in 1867, he was provided by Newman with a teaching post at the Oratory in Birmingham. While there he began to study the violin. On 5 May 1868 Hopkins firmly "resolved to be a religious."
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Hopkins became a skilled draughtsman. He found his early training in visual art supported his later work as a poet. His siblings drew a lot of inspiration from literature, religion, and the arts. In 1878, Milicent (1849β1946) enrolled in an
Anglican sisterhood. Kate (1856β1933) would help Hopkins
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Hopkins spent the last five years of his life as a classics professor at University College Dublin. Hopkins's isolation in 1885 was multiple: a Jesuit distanced from his Anglican family and his homeland, an Englishman teaching in Dublin during a time of political strife, and an unpublished poet
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noted that Hopkins engaged in a number of penitential practices, "but all of these self-inflictions were not self-inflictions to him, and they are his business β or are his understanding of what it was for him to be about his Father's business." Ricks takes issue with Martin's apparent lack of
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The image of the poet's estrangement from God figures in "I wake and feel the fell of dark, not day", in which he describes lying awake before dawn, likening his prayers to "dead letters sent To dearest him that lives alas! away." The opening line recalls Lamentations 3:2: "He hath led me, and
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notes that "the life expectancy of a man becoming a novice at twenty-one was twenty-three more years rather than the forty years of males of the same age in the general population." The brilliant student who had left Oxford with first-class honours failed his final theology exam. This almost
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12:1 in asking why the wicked prosper. It reflects the exasperation of a faithful servant who feels he has been neglected, and is addressed to a divine person ("Sir") capable of hearing the complaint, but seemingly unwilling to listen. Hopkins uses parched roots as a metaphor for despair.
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751:, another poet who rejected conventional metre. Hopkins saw sprung rhythm as a way to escape the constraints of running rhythm, which he said inevitably pushed poetry written in it to become "same and tame". In this way, Hopkins's sprung rhythm can be seen as anticipating much of
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In a journal entry of 6 November 1865, Hopkins declared an ascetic intention for his life and work: "On this day by God's grace I resolved to give up all beauty until I had His leave for it." On 18 January 1866, Hopkins composed his most ascetic poem,
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publish a few of Hopkins's mature poems in anthologies, hoping to prepare for wider acceptance of his style. By 1930 Hopkins's work was seen as one of the most original literary advances of his century. It intrigued such leading 20th-century poets as
747:. Sprung rhythm is structured around feet with a variable number of syllables, generally between one and four syllables per foot, with the stress always falling on the first syllable in a foot. It is similar to the "rolling stresses" of
783:, Hopkins writes: "It makes one weep to think what English might have been; for in spite of all that Shakespeare and Milton have done... no beauty in a language can make up for want of purity." He took time to learn
348:(1854β1952) became a world-famous expert on archaic and colloquial Chinese. Arthur (1848β1930) and Everard (1860β1928) were highly successful artists. Cyril (1846β1932) would join his father's insurance firm.
470:, for philosophical studies, taking vows of poverty, chastity and obedience on 8 September 1870. He felt that his interest in poetry had stopped him devoting himself wholly to religion. However, on reading
395:(1863β1867). He began his time in Oxford as a keen socialite and prolific poet but seems to have alarmed himself with resulting changes in his behaviour. There he forged a lifelong friendship with
902:" aims to depict not the bird in general, but instead one instance and its relation to the breeze. This is just one interpretation of Hopkins's most famous poem, one which he felt was his best.
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332:, a professional artist, and other family members. Hopkins's initial ambition was to be a painter β he would continue to sketch throughout his life and was inspired as an adult by the work of
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in initiating the modernist movement in poetry. His experiments with elliptical phrasing, double meanings and quirky conversational rhythms turned out to be liberating to poets such as
490:, he was asked by his religious superior to write a poem to commemorate the foundering of a German ship in a storm. So in 1875 he took up poetry once more to write a lengthy piece, "
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striving to reconcile his artistic and religious callings. The poem "To seem the stranger" was written in Ireland between 1885 and 1886 and is a poem of isolation and loneliness.
1039:, arguably embody homoerotic themes, although the second poem was arranged by Robert Bridges from extant fragments. In 2006, M. M. Kaylor, argued for Hopkins's inclusion with the
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In 1970, Timothy d'Arch Smith, an antiquarian bookseller, ascribed to Hopkins suppressed homoerotic impulses which he views as taking on a degree of specificity after Hopkins met
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Much of Hopkins's historical importance has to do with the changes he brought to the form of poetry, which ran contrary to conventional ideas of metre. Prior to Hopkins, most
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Less than a week later, he made a bonfire of his poetry and gave it up almost entirely for seven years. He also felt a call to enter the ministry and decided to become a
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Anglicans. Catherine's sister, Maria Smith Giberne, taught her nephew Gerard to sketch. The interest was supported by his uncle, Edward Smith, his great-uncle
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although he wrote some of his early verse in running rhythm, he became fascinated with the older rhythmic structure of the Anglo-Saxon tradition, of which
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787:, which became a major influence on his writing. In the same letter to Bridges he calls Old English "a vastly superior thing to what we have now."
403:), which would be important to his development as a poet and in establishing his posthumous acclaim. Hopkins was deeply impressed with the work of
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many of them for some years. After Hopkins's death they were distributed to a wider audience, mostly fellow poets, and in 1918 Bridges, by then
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Some critics have argued that homoerotic readings are either highly tendentious or that they can be classified under the broader category of "
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and wrote one novel. Catherine (Smith) Hopkins was the daughter of a London physician, particularly fond of music and of reading, especially
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431:. In July, he decided to become a Roman Catholic and travelled to Birmingham in September to consult the leader of the Oxford converts,
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2246:"Book Review : A Very Private Life of a Victorian Poet : Gerard Manley Hopkins: A Very Private Life by Robert Bernard Martin"
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Notes No. 72. Poems of Gerard Manley Hopkins; now first published, edited with notes by Robert Bridges. London: Humphrey Milford, 1918.
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407:, who became one of his great contemporary influences. The two met in 1864. During this time he studied with the writer and critic
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and battled a deep sense of melancholic anguish. However, his last words on his deathbed were, "I am so happy, I am so happy".
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In 1874, Hopkins returned to Manresa House to teach classics. While studying in the Jesuit house of theological studies,
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publish the first edition of his poetry. Hopkins's youngest sister Grace (1857β1945) set many of his poems to music.
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appreciate the particular delicacy of its petals, when we are enraptured by its specific, inimitable shade of pink."
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Alfred William Garrett, William Alexander Comyn Macfarlane and Hopkins (left to right), by Thomas C. Bayfield, 1866
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557:, then moving to Manchester, Liverpool and Glasgow. While ministering in Oxford, he became a founding member of
259:), as the eldest of probably nine children to Manley and Catherine Hopkins, nΓ©e Smith. He was christened at the
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certainly meant that despite his ordination in 1877, Hopkins would not progress in the order. In 1877 he wrote
411:, who tutored him in 1866 and remained a friend until Hopkins left Oxford for the second time in October 1879.
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UCD Letters, including 43 letters and postcards written to Alexander William Mowbray, between 1863 and 1888.
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Ricks called Hopkins "the most original poet of the Victorian age." Hopkins is considered as influential as
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schools, although he does share their descriptive love of nature and he is often seen as a precursor to
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Hopkins chose the austere and restrictive life of a Jesuit and was gloomy at times. His biographer
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Love in earnest: some notes on the lives and writings of English 'Uranian' poets from 1889 to 1930
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1680:, 3rd ed.: 2 (Kindle Location 22019). McFarland & Company, Inc., Publishers. Kindle Edition.
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Pomplun, Trent, "The Theology of Gerard Manley Hopkins: From John Duns Scotus to the Baroque",
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677:"No Worst, There is None" and "Carrion Comfort" are also counted among the "terrible sonnets".
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814:. This use of compound adjectives, similar to the Old English use of compound nouns via
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He uses many archaic and dialect words but also coins new words. One example of this is
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ambivalence about his poetry, most of which remained unpublished until after his death.
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Jackson, Timothy F., "The Role of the Holy Spirit in Gerard Manley Hopkins's Poetry",
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appeared in 1948 (eventually reaching a fourth edition, 1967, with N. H. Mackenzie).
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The Gerard Manley Hopkins Building in University College Dublin is named after him.
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The Early Poetic Manuscripts and Note-books of Gerard Manley Hopkins in Facsimile
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set Hopkins's poem Spring and Fall: To a Young Child to music on her 2010 album
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priest, whose posthumous fame places him among the leading English poets. His
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1571:"A Newly Discovered Version of a Verse Translation by Gerard Manley Hopkins"
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Works and Criticism of Gerard Manley Hopkins: A Comprehensive Bibliography
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A queer chivalry : the homoerotic asceticism of Gerard Manley Hopkins
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919: As a skate's heel sweeps smooth on a bow-bend: the hurl and gliding
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512:). The work displays both the religious concerns and some of the unusual
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1094:. Hopkins also had a direct influence on the Ghanaian poet and novelist
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911: dom of daylight's dauphin, dapple-dawn-drawn Falcon, in his riding
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Sagar, Keith, 2005. "Hopkins and the Religion of the Diamond Body", in
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1377:"Poetry Foundation Biography Poetry Foundation. Accessed 18 March 2010"
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incident, a maritime disaster in which 157 people died, including five
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near Sheffield. In July 1878 he became curate at the Jesuit church in
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Notable collections of Hopkins's manuscripts and publications are in
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2641:. Ed. Robert Bridges. London: Humphrey Milford, 1918. Via HathiTrust
2498:"Hopkins-Stricken: Gerard Manley Hopkins, a Selective Bibliography."
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The Correspondence of Gerard Manley Hopkins and Richard Watson Dixon
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The Correspondence of Gerard Manley Hopkins and Richard Watson Dixon
1043:, a group whose writings derived, in many ways, from prose works of
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2434:(manuscript Ph. D. dissertation approved by University of Calcutta)
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Resting Places: The Burial Sites of More Than 14,000 Famous Persons
1545:"Ricks, Christopher. "The art and faith of Gerard Manley Hopkins",
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The Later Poetic Manuscripts of Gerard Manley Hopkins in Facsimile
945:, published a collected edition; an expanded edition, prepared by
913: Of the rolling level underneath him steady air, and striding
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755:. His work has no great affinity with either of the contemporary
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Manley Hopkins moved his family to Hampstead in 1852, near where
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Stirred for a bird, β the achieve of, the mastery of the thing!
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Secreted desires: the major Uranians - Hopkins, Pater and Wilde
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2441:. (Washington, D.C., The Catholic University of America Press)
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The Fire that Breaks: Gerard Manley Hopkins's Poetic Legacies
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Spicelegium Poeticum, A Gathering of Verses by Manley Hopkins
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Stones ring; like each tucked string tells, each hung bell's
818:, concentrates his images, communicating to his readers the
701: Landscape plotted and piecedβfold, fallow, and plough;
1496:"Gerard Manley Hopkins, Poet Priest Artist Writer Musician"
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had lived 30 years before and close to the green spaces of
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The Blackwell companion to the Bible in English literature
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In 1884, Hopkins became a professor of Greek and Latin at
1933:
Martin, Robert Bernard, "Digby Augustus Stewart Dolben",
1653:"Gerard Manley Hopkins, a terrible teacher who hated UCD"
885:, which was derived in part from the medieval theologian
697: For rose-moles all in stipple upon trout that swim;
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In September 1868, Hopkins began his Jesuit novitiate at
367:. When he was ten years old, Gerard was sent to board at
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Gerard Manley Hopkins: His Experiments in Poetic Diction
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High there, how he rung upon the rein of a wimpling wing
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2232:"Review: Martin, 'A Very Private Life'", Kirkus Reviews
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Hopkins re-constructed: life, poetry, and the tradition
1412:(2nd ed.). Oxford University Press. pp. 1, 6.
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The Letters of Gerard Manley Hopkins to Robert Bridges
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Kojo Laing, Robert Browning and Affiliative Literature
949:, appeared in 1930, and a greatly expanded edition by
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As a poet, Hopkins's father published works including
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White, Norman. "Hopkins, Gerard Manley (1844β1889)".
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Added richness comes from Hopkins's extensive use of
703: And Γ‘ll trΓ‘des, their gear and tackle and trim.
195:(28 July 1844 β 8 June 1889) was an English poet and
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Infectious disease deaths in the Republic of Ireland
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Bow swung finds tongue to fling out broad its name;
2486:(January 2015, 95#1, pp: 1β34, DOI: 10.1086/678532)
865:, which he had acquired while studying theology at
708: Whatever is fickle, freckled (who knows how?)
283:, and close friend of the eccentric philanthropist
850:As kingfishers catch fire, dragonflies draw flame;
710: With swift, slow; sweet, sour; adazzle, dim;
695: For skies of couple-colour as a brinded cow;
561:, established in 1878 for Catholic members of the
1628:New English key notes 2013, Mentor Books, Dublin.
845:, both at the end of lines and internally as in:
621:in 1889 at the age of 44 years and was buried in
2721:People associated with University College Dublin
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2456:Logos: A Journal of Catholic Thought and Culture
1877:. London: Routledge & K. Paul. p. 188.
1870:
1467:Journal entry (6 November 1865), as reported in
2503:Westover, Daniel and Thomas Alan Holmes, 2020.
2458:(Winter 2006), vol. 9, no. 1, pp. 108β127)
2451:(Chichester: Wiley-Blackwell, pp. 563β576)
921: Rebuffed the big wind. My heart in hiding
674:brought me into darkness, but not into light."
504:nuns who had been leaving Germany due to harsh
2696:Converts to Roman Catholicism from Anglicanism
2567:Hopkins Society, Ireland. Retrieved 12-05-2015
2372:(Jeremy Northam) (Naxos Audio Books: NA190012)
1909:Martin, Robert Bernard (16 June 2011). "III".
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993:'s distant cousin, friend, and fellow Etonian
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699:Fresh-firecoal chestnut-falls; finches' wings;
466:. Two years later he moved to St Mary's Hall,
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917:In his ecstasy! then off, off forth on swing,
909:I caught this morning morning's minion, king-
712:He fathers-forth whose beauty is past change:
706:All things counter, original, spare, strange;
613:After several years' ill health and bouts of
451:, which officially forbade Jesuits to enter.
2308:"Interview | A Conversation with Ron Hansen"
1847:"LibGuides: Manuscript Collections: Hopkins"
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1456:Gerard Manley Hopkins and His Contemporaries
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16:English poet and Catholic priest (1844β1889)
2557:at St Beuno's retreat. Retrieved 18-03-2010
2479:(London: Flamingo/HarperCollins Publishers)
2477:Gerard Manley Hopkins β A Very Private Life
2215:"To seem the stranger lies my lot, my life"
1776:Linguistic purism in the Germanic languages
1724:"To seem the stranger lies my lot, my life"
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1469:Extremity: A Study of Gerard Manley Hopkins
1458:, Liddon, Newman, Darwin, and Pater p. 175.
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665:"Thou Art Indeed Just, Lord" (1889) echoes
2198:: CS1 maint: location missing publisher (
1911:Gerard Manley Hopkins: A Very Private Life
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1694:Gerard Manley Hopkins: A Very Private Life
1521:"Gerard Manley Hopkins: A Brief Biography"
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1010:Gerard Manley Hopkins: A Very Private Life
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2465:(New York and London: Garland Publishing)
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1774:Langer, Nils; Winifred V. Davies (2005).
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1761:""Pied Beauty" at the Poetry Foundation"
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1354:Oxford Dictionary of National Biography
1224:sings God's Grandeur on his 2018 album
812:rolling level underneath him steady air
2648:
2634:: recordings of individual short poems
2213:Hopkins, Gerard M. (13 January 2003).
2128:
2083:
2050:
1976:
1950:English Literature: Nineteenth Century
1908:
1899:
1689:
1639:Gerard Manley Hopkins: Poems and Prose
1443:Gerard Manley Hopkins: Poems and Prose
1427:Gerard Manley Hopkins: Poems and Prose
1407:
1340:Gerard Manley Hopkins: Poems and Prose
1214:in a recording to accompany his novel
1077:
2243:
1565:
1530:
1500:Gerard Manley Hopkins' poems to music
1131:Well-known works by Hopkins include:
1114:, dramatises Hopkins' composition of
524:Blue plaque commemorating Hopkins in
324:. Both parents were deeply religious
300:A Philosopher's Stone and Other Poems
2011:
1795:, Manchester University Press, p. 1.
1650:
1390:
1388:
1386:
1371:
1369:
1367:
1365:
1363:
935:written 30 May 1877, published 1918.
2423:Abbott, Claude Colleer, ed., 1955.
2412:Abbott, Claude Colleer, ed., 1955.
1844:
1808:Domestico, Anthony (9 March 2009).
1170:
852:As tumbled over rim in roundy wells
693:Glory be to God for dappled thingsβ
401:Poet Laureate of the United Kingdom
13:
2726:People educated at Highgate School
2406:
2306:O'Donnell, Brennan (Spring 2008).
1810:"Inscape, Instress & Distress"
1741:Boudway, Matthew (25 April 2011).
794:, which seems from its context in
770:
553:, London, and in December that of
271:in London. He was also for a time
247:Gerard Manley Hopkins was born in
14:
2757:
2676:Alumni of Balliol College, Oxford
2520:
2516:(Oxford: Oxford University Press)
2468:MacKenzie, Norman H.. ed., 1991.
2461:MacKenzie, Norman H., ed., 1989.
2427:(London: Oxford University Press)
2244:Casey, Constance (18 June 1991).
1778:. Walter de Gruyter. p. 328.
1383:
1360:
1351:
1151:The Windhover: To Christ our Lord
1126:
1031:Some of Hopkins's poems, such as
2629:
2604:
2084:Kaylor, Michael Matthew (2006).
2051:Kaylor, Michael Matthew (2006).
1977:Kaylor, Michael Matthew (2006).
1722:Allbery, Debra (24 April 2012).
1267:
1253:
1239:
1222:Paul Kelly (Australian musician)
822:of the poet's perceptions of an
680:
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1487:
1408:Abbott, Claude Colleer (1955).
565:. He taught Greek and Latin at
435:. Newman received him into the
320:, literature and the novels of
310:(1892). He reviewed poetry for
2639:Poems of Gerard Manley Hopkins
2622:Works by Gerard Manley Hopkins
2611:Poems of Gerard Manley Hopkins
2587:Works by Gerard Manley Hopkins
2514:Hopkins β A literary Biography
2475:Martin, Robert Bernard, 1992.
2472:(New York: Garland Publishing)
2383:"The Wreck of the Deutschland"
2129:Lawler, Justus George (2000).
1871:D'Arch Smith, Timothy (1970).
1793:An Introduction to Old English
1690:Bayley, John (25 April 1991).
1471:(1978) by John Robinson, p. 1.
1461:
1448:
1401:
1345:
861:Hopkins was influenced by the
604:
576:In the late 1880s Hopkins met
1:
2731:People from Stratford, London
2686:Burials at Glasnevin Cemetery
2437:Cohen, Edward H., ed., 1969.
2360:, and the "Terrible Sonnets".
2055:The Bugler's First Communion,
1396:Gerard Manley Hopkins: A Life
1317:
1287:(translated by G. M. Hopkins)
1164:
979:
889:. Anthony Domestico explains,
355:Hopkins, painted 24 July 1866
2666:19th-century English Jesuits
2370:The Great Poets: G.M Hopkins
2342:The Wreck of the Deutschland
2340:, 2003. 27 poems, including
1983:. Brno: Masaryk University.
1212:The Wreck of The Deutschland
1158:The Wreck of the Deutschland
1117:The Wreck of the Deutschland
1068:
1033:The Bugler's First Communion
777:linguistic purism in English
740:is the most famous example.
555:St Aloysius's Church, Oxford
492:The Wreck of the Deutschland
391:Hopkins studied classics at
7:
2628:(public domain audiobooks)
2614:public domain audiobook at
2500:(Berkeley Electronic Press)
1651:Edge, Simon (22 May 2017).
1494:O'Leary, Sean (July 2006).
1298:(invented by G. M. Hopkins)
1232:
1193:American singer/songwriter
968:; and the Foley Library at
810:) but often without, as in
775:Hopkins was a supporter of
720:"Pied Beauty" written 1877.
654:"The sonnets of desolation"
447:. He paused first to visit
10:
2762:
2671:19th-century English poets
2509:(Clemson University Press)
2430:Chakrabarti, Tapan Kumar,
2263:Hankinson, Joseph (2023).
2164:Saville, Julia F. (2000).
2096:. Michael Matthew Kaylor.
2063:. Michael Matthew Kaylor.
1851:researchguides.gonzaga.edu
1356:. Oxford University Press.
1186:reads Hopkins's poetry in
1168:
2701:Deaths from typhoid fever
2493:, (London: Chaucer Press)
2275:10.1007/978-3-031-18776-6
1696:by Robert Bernard Martin"
1394:Ruggles, Eleanor (1944),
984:
798:to mean a combination of
648:
599:University College Dublin
214:Only after his death did
203:β notably his concept of
169:
159:
139:
129:
118:
101:
79:
74:
66:
61:
51:
42:
23:
2561:Annual Literary Festival
808:dapple-dawn-drawn falcon
627:St Francis Xavier Church
586:, who introduced him to
462:, under the guidance of
287:. One of his uncles was
176:Heythrop College, London
2418:Oxford University Press
2135:. New York: Continuum.
1593:10.1093/notesj/32.3.363
1585:Oxford University Press
1519:Everett, Glenn (1988),
1338:Gardner, W. H. (1963),
1102:". The American author
1008:wrote in his biography
779:. In an 1882 letter to
567:Mount St Mary's College
547:Mount St Mary's College
425:The Habit of Perfection
393:Balliol College, Oxford
377:Philip Stanhope Worsley
180:Balliol College, Oxford
2706:English Catholic poets
2542:. Retrieved 18-03-2010
2496:Stiles, Cheryl, 2010.
1701:London Review of Books
1692:"Pork Chops | Review:
1178:Back to Beauty's Giver
1112:Santa Clara University
1020:
995:Digby Mackworth Dolben
926:
896:
873:. The poetic forms of
859:
717:
633:, located in Georgian
529:
419:
356:
291:, a politician of the
289:Charles Gordon Hopkins
2555:Gerard Manley Hopkins
2527:Gerard Manley Hopkins
2512:White, Norman, 1992.
2250:The Los Angeles Times
2018:The Hopkins Conundrum
1913:. Faber & Faber.
1482:Gerard Manley Hopkins
1275:United Kingdom portal
1216:The Hopkins Conundrum
1171:Β§ External links
1026:The Hopkins Conundrum
1019:Gerard Manley Hopkins
1018:
1006:Robert Bernard Martin
951:William Henry Gardner
929:The first stanza of "
905:
891:
847:
685:
625:, after a funeral in
534:Robert Bernard Martin
523:
437:Roman Catholic Church
417:
387:Oxford and priesthood
354:
243:Early life and family
188:Gerard Manley Hopkins
31:Gerard Manley Hopkins
1845:Plowman, Stephanie.
1789:Brook, George Leslie
1480:Kitchen, P. (1978),
1312:Inscape (visual art)
1307:Inscape and instress
958:Campion Hall, Oxford
563:University of Oxford
439:on 21 October 1866.
373:Richard Watson Dixon
277:St John-at-Hampstead
265:St John's, Stratford
2581:UCD Digital Library
2571:The Hopkins Society
2529:, S.J. Conference,
2484:Journal of Religion
2170:. Charlottesville.
2021:. Lightning Books.
1834:. 30 December 2022.
1743:"Hopkins Agonistes"
1454:Jude Nixon (1993),
1078:Influence on others
974:Spokane, Washington
643:unipolar depression
494:", inspired by the
2711:English male poets
1763:. 3 November 2022.
1569:(September 1985).
1379:. 3 November 2022.
1021:
970:Gonzaga University
714: Praise him.
623:Glasnevin Cemetery
617:, Hopkins died of
571:Stonyhurst College
559:The Newman Society
530:
480:St Beuno's College
420:
405:Christina Rossetti
357:
330:Richard James Lane
123:Glasnevin Cemetery
2681:Anglo-Welsh poets
2591:Project Gutenberg
2546:Profile and poems
2540:Poetry Foundation
2536:Profile and poems
2284:978-3-031-18775-9
1637:Gardner, (1963),
1576:Notes and Queries
1553:The New Criterion
1549:, September 1991"
1547:The New Criterion
1525:The Victorian Web
1062:Christopher Ricks
877:and particularly
569:, Sheffield, and
433:John Henry Newman
318:German philosophy
185:
184:
125:, Dublin, Ireland
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2600:Internet Archive
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962:Bodleian Library
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875:Welsh literature
765:modernist poetry
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293:Hawaiian Kingdom
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2583:Collection.
2354:Pied Beauty
2318:30 November
2119:40.2 (2002)
2013:Edge, Simon
1641:, p. xxvii.
1587:: 363β364.
1445:, p. xviii.
1144:Pied Beauty
1088:W. H. Auden
1084:T. S. Eliot
887:Duns Scotus
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641:or chronic
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472:Duns Scotus
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449:Switzerland
334:John Ruskin
326:high-church
229:W. H. Auden
221:T. S. Eliot
105:8 June 1889
2741:Sonneteers
2650:Categories
2090:in Kaylor
1856:4 December
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1747:Commonweal
1609:6941186639
1429:, p. xvii.
1318:References
1208:Simon Edge
1169:See also:
1165:Recordings
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980:Influences
879:cynghanedd
867:St Beuno's
796:Inversnaid
753:free verse
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2550:Poets.org
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