Ghalib - Knowledge

1279:. Having finished the work to his satisfaction, and believing that Mirza Asadullah Khan Ghalib was a person who would appreciate his labors, he approached the great Ghalib to write a taqriz (in the convention of the times, a laudatory foreword) for it. Ghalib obliged, but what he produced was a short Persian poem castigating the Ai’n-e Akbari and, by implication, the imperial, sumptuous, literate and learned Mughal culture of which it was a product. The least that could be said against it was that the book had little value even as an antique document. Ghalib practically reprimanded Khan for wasting his talents and time on dead things. Worse, he highly praised the "sahibs of England" who at that time held all the keys to all the a’ins in this world. 1290: 1630: 1116: 1322: 1373: 303: 2296: 484: 745: 2168: 1334: 286: 1361: 1975: 2323: 314: 1352: 1343: 1313: 1087:, in most of Ghalib's verses, the identity and the gender of the beloved are indeterminate. The critic/poet/writer Shamsur Rahman Faruqui explains that the convention of having the "idea" of a lover or beloved instead of an actual lover/beloved freed the poet-protagonist-lover from the demands of realism. Love poetry in Urdu from the last quarter of the seventeenth century onwards consists mostly of "poems about love" and not "love poems" in the Western sense of the term. 4099: 1256:

situated in the Simla Market Area during his stay in Kolkata. He used to write his verses in Urdu but started writing his poetry in Persian after this visit. He realized that the literary circle of Calcutta was very different from his known world. During his stay in Kolkata, he attended many literary gatherings which were not courtly in nature unlike Delhi. These were far liberal and flexible in nature which is imperative for any individual with a creative bent of mind.

1436:, but where shall I find again the star of dawn I used to see on earth, and my crystal cup? Where in Paradise are the long walks of intoxicated friends in the night, or the drunken crowds shouting merrily? In that holy tavern, silent and still, how canst Thou introduce the sounds of the flute and the gay bustle of the taverns of this earth? Where shall I find, there, the intoxication of raining clouds? Where there is no autumn, how can spring exist? If the beautiful 1283:

would also have realized that Ghalib's reading of the situation, though not nuanced enough, was basically accurate. Khan may also have felt that he, being better informed about the English and the outside world, should have himself seen the change that now seemed to be just around the corner. Sir Khan never again wrote a word in praise of the Ai’n-e Akbari and in fact gave up taking an active interest in history and archaeology and became a social reformer.

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we would kiss her? Where will be, there, one who betrays us with false oaths of love? The beauties of Paradise will obey us and their lips will never say anything bitter; they will give us pleasure, but with a heart forever closed to the desire for pleasure. Will there be in Paradise oglings, the pleasure of coquettish glances from afar? Where will it be, in Paradise, the dear window in a well-known wall?.

2190:'s production, written by Mehdi Saheb. Mohd Ayub performed this role so many times that many theatre-goers used to call him Ghalib. The Sheila Bhatia production celebrated his famous ghazals which used to be presented one after another. Ghalib's character lacked subtlety and he was shown philandering with the courtesan, Chaudvin, famously played by Punjabi singer Madan Bala Sandhu. Later 1260:

Dair (Lamp of the Temple) and Bad-e Mukhalif (Adverse Winds). His letters bear a testimony of his tale of love with Calcutta. In a letter that he wrote to Mirza Ali Bakhsh Khan, he says how the city has stolen his heart and left him mesmerized. He referred to the city as a place which offered a remedy for everything except death and also praised the talented people of the city.

956:) from the Emperor, thus enabling him to add Mirza to his name. He was also an important courtier of the royal court of the Emperor. As the Emperor was himself a poet, Mirza Ghalib was appointed as his poet tutor in 1854. He was also appointed as a tutor of Prince Fakhr-ud Din Mirza, eldest son of Bahadur Shah II, (d. 10 July 1856). He was also appointed by the 46: 1521:) for questioning. He appeared in front of the colonel wearing a Central Asian Turkic style headdress. The colonel, bemused at his appearance, inquired in broken Urdu, "Well? You Muslim?", to which Ghalib replied sardonically, "Half?" The colonel asked, "What does that mean?" In response, Ghalib said, "I drink wine, but I don't eat pork." 852:. In one of his letters, he describes his marriage as the second imprisonment after the initial confinement that was life itself. The idea that life is one continuous painful struggle that can end only when life itself ends, is a recurring theme in his poetry. One of his couplets puts it in a nutshell: 1907:

This couplet has two meanings. On one hand, he says that there is loneliness all over the place, which is quite scary and makes him want to return to his secure and cosy home. On the other hand, a second meaning can be taken from this: there is this loneliness which resembles my home. My home is also

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The poem was unexpected, but it came at a time when Khan's thought and feelings were already inclining toward change. Ghalib seemed to be acutely aware of a European-sponsored change in world polity, especially Indian polity. Syed Ahmed Khan might well have been piqued at Ghalib's admonitions, but he

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Mirza Ghalib was a gifted letter writer. Not only Urdu poetry but prose is indebted to Mirza Ghalib. His letters gave foundation to easy and popular Urdu. Before Ghalib, letter writing in Urdu was highly ornamental. He made his letters "talk" by using words and sentences as if he were conversing with

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The word a’in can mean all or any of the following: character, convention, temperament, habit, rule, path, law (ecclesiastical or secular), creed, praxis, quality, intention, organization, management, system, decoration, beauty. (Lughat Nama-e Dehkhoda). There are about eighty meanings in all, which

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In another verse directed towards certain maulavis (clerics), he criticized them for their ignorance and arrogant certitude: "Look deeper, it is you alone who cannot hear the music of his secrets". In his letters, Ghalib frequently contrasted the narrow legalism of the Ulema with "its pre-occupation

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Mirza Ghalib’s journey to Kolkata, or erstwhile Calcutta made a huge difference in his literary journey. Mirza Ghalib came to the city of joy and fell in love. His love for Kolkata is depicted in one of his creations, Safar-e-Kalkattah where he talks about his stay in his humble abode, Haveli No 133

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are eternally in one's heart, what of the sweet thought of them? Where will be the sadness of separation and the joy of union? How could we be thankful to an unknown beauty? What will be the pleasure of a sure fruition of love, without waiting? Where shall we find, there, a girl who flees away when

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Mirza Ghalib’s sojourn in Calcutta widened the horizons of his literary journey. He established himself as one of the renowned poets in Calcutta and received both appreciation and criticism from the enlightened audience of the city. During this time, he penned two masnavis in Persian like Chiragh-e

2342:. The mural measuring 10 ft. x 42 ft. depicts Ghalibs life and his works. It also depicts the impact that Ghalib had on poetry and art in India. The mural is located outside a Municipal Garden near the Madanpura Area of Mumbai, which was once a hub for art, literature, writers and poets. 1106:

One of Ghalib's ambitions in life was to become the highest-ranking Ustaad for the royal Mughal Court. This position not only would prove his artistic mastership but also provide a salary of 400 rupees a month. Before becoming the official poet laureate of the court, Ghalib was paid a salary of 50

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Ghalib was not only a poet, he was also a prolific prose writer. His letters are a reflection of the political and social climate of the time. They also refer to many contemporaries like Mir Mehdi Majrooh, who himself was a good poet and Ghalib's lifelong acquaintance. The poems written by Ghalib

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Ghalib has been described as having been concerned about receiving pensions more so than building an estate or engaging in commerce. Ghalib was paid a monthly salary of 52 rupees and 8 annas from his uncle's government pension until 1827. He travelled to Calcutta and presented a petition to the

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Being a member of declining Mughal nobility and old landed aristocracy, he never worked for a livelihood, lived on either royal patronage of Mughal Emperors, credit, or the generosity of his friends. His fame came to him posthumously. He had himself remarked during his lifetime that he would be

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Ghalib’s poetry or shayari had smitten Mughal Badshah of Delhi, Bahadur Shah Zaffar. During the reign of the British, the badshah became a British pensioner. He was kept under strict supervision by the British along with his visitors including Ghalib as they grew suspicious of him. The shayari

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His letters were very informal; sometimes he would just write the name of the person and start the letter. He was very humorous and wrote very interesting letters. In a letter he wrote, "Main koshish karta hoon ke koi aisi baat likhoon jo padhe khush ho jaaye'" (I want to write lines such that

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Like many other Urdu poets, Ghalib was capable of writing profoundly religious poetry, yet was skeptical about some interpretations of the Islamic scriptures done by certain religious leaders. On the idea of paradise, he once wrote in his Persian masnavi (مثنوی), "Abr-i-Guhar Baar" :

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with teaching the baniyas and the brats, and wallowing in the problems of menstruation and menstrual bleeding" and real spirituality for which you had to "study the works of the mystics and take into one's heart the essential truth of God's reality and his expression in all things".

1718:, the then Mughal emperor with his seat in Delhi. There are some amusing anecdotes of the competition between Ghalib and Zauq and exchange of jibes between them. However, there was mutual respect for each other's talent. Both also admired and acknowledged the supremacy of 829:. He died in a battle in 1803 in Alwar and was buried at Rajgarh (Alwar, Rajasthan), when Ghalib was a little over 5 years old. He was then raised by his Uncle Mirza Nasrullah Baig Khan, but in 1806, Nasrullah fell off an elephant and died from related injuries. 2235:

are still being performed at various Indian cities. The name of play 'Main Gaya Waqt Nahin Hoon' was later changed to 'Anti-National Ghalib', which has had several successful shows in DelhiNCR. Now being produced under the banner of Aatrangi Pitaara Foundation.

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Contemporary Persian and Classical Persian are the same language, but writers since 1900 are classified as contemporary. At one time, Persian was a common cultural language of much of the non-Arabic Islamic world. Today it is the official language of

1175:(lanes) vanish. The havelis (mansions) of his friends were razed to the ground. Ghalib wrote that Delhi had become a desert. Water was scarce. Delhi was "a military camp". It was the end of the feudal elite to which Ghalib had belonged. He wrote: 1821:

In prose Ghalib brought a revolution in Urdu literature by developing an easy, simple and beautiful way of writing. Before Ghalib Urdu was a complex language, Ghalib introduced a simple style of prose in Urdu which is like a conversation.

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were tough to understand. He sometimes made the sentence syntax so complex that people had difficulty in understanding them. Once, Hakeem Agha Jaan Aish aka Aish Dehlvi, a poet of Ghalib's era, read a couplet in a Mushaira mocking Ghalib:

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in 1989, at the National School of Drama. This period also saw numerous college and university productions performed by students' groups. Writers whose scripts were popular during this period include Jameel Shaidai, Danish Iqbal and

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Ghalib held Persian in high regard, and his knowledge of the language was a point of pride for him. He believed his compositions in Persian were superior to those in Urdu, and hoped readers would evaluate him by the former:

2210:(Imprisonment of Life, 1983), written by Surendra Verma, talks about the personal life of the poet Ghalib, including his financial hardships and his tragic love for Katiba, a woman calligraphist, who was working on his 1701:

published a compilation of 11,337 poems by Ghalib titled "Kulliyat-e-Ghalib Farsi". A few years before his death, Ghalib had written over 11,000 Persian poems in Persian while also writing over 1,700 Urdu poems.

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playing his tawaif lover, Chaudvin. The film was released on 24 November 1961 and reached average status at the box-office, however, the music remains memorable in Pakistan to this day.

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Ghalib's life is the subject of hundreds of plays regularly performed in Northern India and Pakistan. These plays are based on his life and his personal and professional relationships.

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whoever reads them would enjoy them). Some scholars say that Ghalib would have the same place in Urdu literature based on his letters only. They have been translated into English by

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of 101 verses in dedication to a Naʽat. Ghalib described himself as a sinner who should be silent before Muhammad as he was not worthy of addressing him, who was praised by God.

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How canst Thou burn with a fire-mark in Hell a heart that finds no rest even in a garden? And, in Paradise, it is true that I shall drink at dawn the pure wine mentioned in the

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Ghalib placed a greater emphasis on seeking of God rather than ritualistic religious practices; although he followed Shia theology and had said many verses in praise of

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maestro’s pension was suspended by the British. This made Ghalib take a long journey to Calcutta to make an appeal about his pension to the British Governor General.

3944: 3815: 5710: 2970: 2852: 2661: 2198:, supported many very costly productions. This was perhaps the golden period of plays celebrating Ghalib's life, including many other productions such as 3880: 3128: 2952: 709:(body of work) is at least five times longer than his Urdu Divan, his fame rests on his poetry in Urdu. Today, Ghalib remains popular not only in the 3995: 4016: 3737: 2881:

A Millennium of Classical Persian Poetry: A Guide to the Reading & Understanding of Persian Poetry from the Tenth to the Twentieth Century

2159:, aired on DD National in 1989; various ghazals by Ghalib were rendered in different musical styles by singers and musicians in each episode. 1321: 3855: 4145: 3151:

Hayat-i-Javed (A Biography of Sir Sayyid) by Altaf Husain Hali (1901), translated by David J. Matthews (New Delhi: Rupa and Company, 1994),

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explained that he wanted to show the character of Shaalu (played by Shweta Tripathi) as a person whose hobby is to read Hindi poetry and

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There are conflicting reports regarding his relationship with his wife. She was considered to be pious, conservative, and God-fearing.

2503: 6306: 643: 2601: 6291: 3905:"Hindi Kavita - Kuch ban jaate hain - Uday Prakash: Varun Grover in Hindi Studio with Manish Gupta". Hindi Kavita. 25 October 2015. 2484: 3682: 1229:), drawn from his given name, Asadullah Khan. At some point early in his poetic career he also decided to adopt the pen-name of 3525: 938:'star of the state'). The conferment of these titles was symbolic of Mirza Ghalib's incorporation into the nobility of 1072:

was primarily an expression of anguished love; but Ghalib expressed philosophy, the travails, and mysteries of life and wrote

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had a distinctly lyrical flavour, was also a famous contemporary of Ghalib. One of the towering figures in Urdu literature

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He did edit another two historical texts over the next few years, but neither of them was anything like the Ai’n-e Akbari.

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was released in 1961. The film was directed and produced by Ataullah Hashmi for S.K. Pictures. The music was composed by

2338:) was inaugurated on 21 January 2019 at the Mirza Ghalib Road (formerly known as Clare Road) in the Nagpada Locality of 6236: 3096: 6246: 4073: 3692: 3496: 3378: 3351: 3251: 3045: 2905: 2739: 2442: 2391: 1961: 1642:

See my Persian so that you may see colorful pictures of many hues. Pass over my Urdu collection; it’s only a sketch.

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In 1810, at the age of thirteen, Ghalib married Umrao Begum, daughter of Nawab Ilahi Bakhsh (brother of the Nawab of

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Although Ghalib valued Persian over Urdu, his fame rests on his writings in Urdu. Numerous commentaries on Ghalib's

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When Ghalib was 14 years old a newly converted Muslim tourist from Iran (Abdus Samad, originally named Hormuzd, a

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during the chaos of 1857. None of his seven children survived beyond infancy. After his marriage, he settled in

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seem to have developed over the centuries. Most were available to Abul Fazl; all were available to Ghalib.

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which is used to write modern Urdu, but often called his language "Hindi"; one of his works was titled

1005: 817:, and then lived at the house of his father-in-law, Ghalib's grandfather. He was employed first by the 3734: 6301: 6281: 5356: 4273: 4217: 2372: 1672:, published in 1855, was a history of the universe from its creation to the death of Mughal Emperor 6311: 6251: 5856: 5799: 5740: 4804: 4627: 3207: 2461: 2386: 2203: 2124: 2109: 1494: 730: 691: 629: 592: 540: 504: 45: 3865: 6121: 5725: 5720: 5705: 5616: 5114: 2575: 1939: 1932: 1533:, poems in praise of Muhammad, which indicates that Ghalib was a devout Muslim. Ghalib wrote his 1167:

Ghalib was a chronicler of a turbulent period. One by one, Ghalib saw the bazaars – Khas Bazaar,

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kings. His paternal grandfather, Mirza Qoqan Baig, was a Seljuq Turk, and a descendant of Sultan

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Chapter 15: From Antiquary to Social Revolutionary: Sir Syed Ahmad Khan and Colonial Experience

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which has been staged more than three hundred times by Dr. Sayeed Alam. Danish Iqbal's play

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Mutaala-e-Ghalib, 2nd edition, Danish Mahal Aminuddaula park publisher Lakhnow, 1987, p. 9.

3080:"Calcutta changed Ghalib forever — from humiliation and grammar errors to his pension plea" 2555: 2377: 2307: 2300: 2195: 2059: 1511: 1061: 840:). He soon moved to Delhi, along with his younger brother, Mirza Yousuf, who had developed 3684:

The best of the best places in the world : the 100 most awe-inspiring places on earth

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Ghalib is often famous for his unique and peculiar style of poetry. For example, he says

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a deserted place just like this one. That duality is something which Ghalib thrives on.

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in Persian. His first published work in the language was a collection of poems titled

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in Delhi on 5 October 1857, three weeks after the British troops had entered through

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which showed a special doodle on its Indian home page for him on 27 December 2017.

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contains various examples of poetry and shaayari by Ghalib, along with works by

2214:. Over the years, it has been directed by numerous theatre directors, including 992:, but Persian and Turkish were also spoken at home. He received an education in 6146: 6131: 6126: 6116: 6055: 6050: 6045: 6025: 5996: 5961: 5896: 5876: 5866: 5809: 5745: 5700: 5685: 5563: 5528: 5496: 5456: 5435: 5430: 5415: 5346: 5331: 5228: 5098: 5063: 4917: 4827: 4686: 4491: 3476: 2264: 2239:

The late Sheila Bhatia began this trend on productions about Ghalib, in Delhi.

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compilations have been written by Urdu scholars. The first such elucidation or

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And Muhammad is His Messenger – The Veneration of the Prophet in Islamic Piety

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And Muhammad is His Messenger – The Veneration of the Prophet in Islamic Piety

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on 15 February 1869. The house where he lived in Gali Qasim Jaan, Ballimaran,

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Mirza Abdullah Baig (Ghalib's father) married Izzat-ut-Nisa Begum, an ethnic

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Wall Mural of Mirza Ghalib at the junction of Mirza Ghalib Road in Nagpada,

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rupees a month to write histories on the history of the House of Taimur.

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Ghalib started composing poetry at the age of 11. His first language was

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Ghalib was commemorated on his 220th birth anniversary by Search Engine

2223:. Ghalib also inspired a chain of comedies. One such classic comedy is 21:"Mirza Ghalib" redirects here. For other pages with similar titles, see 6207: 5911: 5819: 5766: 5301: 4726: 4635: 4586: 4571: 4538: 4486: 4470: 4457: 4400: 4278: 2330:, India, depicting the life and times of Ghalib and his impact on India 2113: 2031: 2015: 1946: in this section. Unsourced material may be challenged and removed. 1246: 771: 372: 328: 4660: 3735:"Ghalib forgotten on his 214th birth anniversary amid political chaos" 1782:

Interesting is the situation when you speak and the others understand

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It is not praised if you are the only one to understand what you speak

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What's the relation between the Preacher and the door of the tavern,

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finished his scholarly, well-researched, and illustrated edition of

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GĀLİB MİRZA ESEDULLAH - an article published in İslâm Ansiklopedisi

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but believe me, Ghalib, I am sure I saw him slip in as I departed.

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and its aftermath. Ghalib's last significant work in Persian was

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India After Gandhi: The History of the World's Largest Democracy

2353: 1576:, The Lamp of the Temple) which was composed during his trip to 1147: and enjoy the joy of meeting even when you are separated. 4878: 4675: 4441: 4431: 4426: 4370: 4365: 3232:"Appendix 2. Ghalib Concordance, with Standard Divan Numbers", 2339: 2335: 2327: 2267:. Explaining this as a conscious tribute, the film's lyricist 2248: 2078: 1553: 1090:

The first complete English translation of Ghalib's ghazals was

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who had immigrated to India from Samarkand during the reign of

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Anthology of Ghalib's Persian poetry released – ANDHRA PRADESH

1722:, a towering figure of 18th century Urdu Poetry. Another poet 1458:, who in his poems represent narrow-mindedness and hypocrisy: 5138: 4863: 4561: 3393: 2311: 1986: 1646:

The majority of Ghalib's poetic compositions in Persian were

1455: 1433: 1416: 1304: 939: 849: 845: 791: 167: 150: 136: 3615:

Sir Abdul Qadir (1947). "Ghalib as a master of Urdu prose".

1103:

Governor-General to keep receiving money from this pension.

6203: 4912: 4809: 3661:"Sad Poetry in Urdu images [100+] for Broken Heart" 3540:. The Hindu (20 March 2009). Retrieved on 18 December 2018. 2630: 2186:

days, the first phase of his stage portrayal culminated in

1711: 1222: 989: 807: 759: 698: 368: 105: 95: 3816:"'Anti-national' Mirza Ghalib defends himself in new play" 2877: 1580:

during the spring of 1827, Ghalib mused about the land of

1076:

on many other subjects, vastly expanding the scope of the

972:

recognized by later generations. After the decline of the

740:

A special commemorative cover of Ghalib released in India.

2564:] (in Urdu). New Delhi: Ghalib Institute. p. 13. 2136:

played the role of Ghalib in the serial, and it featured

1838:. The side view of Mazar-e-Ghalib is shown in the image. 1664:, released in 1845. He also created prose works, such as 1650:

dedicated to numerous patron rulers. Ghalib also created

874:

The prison of life and the bondage of sorrow are the same

3761:برصغیر کے عظیم شاعر مرزا غالب کی زندگی پر بننے والی فلم 3567: 3551:"The Tribune, Chandigarh, India – The Tribune Lifestyle" 3123: 3121: 2757:"Mirza Ghalib: The "Godless" Lover by Byjameela Siddiqi" 2290: 2152:, enjoying a cult following in the Indian subcontinent. 1413:

The object of my worship lies beyond perception's reach;

1196:

An ocean of blood churns around me - Alas! Was this all?

2922: 1263: 1198:

The future will show what more remains for me to see."

1145:

From a thousand miles, talk with the tongue of the pen,

3097:"THE AIN I AKBARI OF ABUL FAZL 'ALLAMI (5-VOLUME SET)" 2087:(1954). The musical score of the film was composed by 1808:

I don't need appreciation neither do I need any return

3118: 3483:, University of California Press, pp. 167–168, 2349: 2306:

A statue of Ghalib was inaugurated in early 2000 in

1866:

for my heart is left with no feeling besides blood.

1247:

A journey that changed Mirza Ghalib’s course of life

229: 197: 3970:"Mirza Ghalib: Legendary poet of the Urdu language" 3346:. University of North Carolina Press. p. 115. 3284:

The Last Mughal: The Fall of a Dynasty, Delhi, 1857

810:, UP, India. He had four sons and three daughters. 4008: 3373:. University of North Carolina Press. p. 81. 3366: 3339: 1516: 1000:at a young age. During Ghalib's period, the words 3881:"Secret Love: How Hindi poetry has become 'cool'" 3394:Ralph Russell; Khurshidul Islam (1994). "Ch. 7". 3280: 1810:Let not be if there is no meaning in my couplets 1083:In keeping with the conventions of the classical 6223: 3420: 2530:"No memorial for Ghalib at his birthplace, Agra" 2065: 1818:This style was the definition of his uniqueness 1454:He staunchly disdained the practices of certain 690:and finally deposed following the defeat of the 4194:Inscription of Xerxes the Great in Van Fortress 3780:"Movie on Ghalib's life elicits mixed response" 3708:Tiwari, Piyush; Rao, Jyoti (22 December 2017). 3614: 3562: 3560: 2797: 2656: 2654: 2501: 1705: 1620:Who holds the reins of the Final Catastrophe?'. 1529:A large part of Ghalib's poetry focuses on the 876:Why should man be free of sorrow before dying? 3528:, Publications of Ghalib Institute, New Delhi. 3310:, "Ghalib: The Poet and His Age" (1997), p.81. 3186:Indian Ocean World Centre Working Paper Series 3077: 3050:Recasting Classics 》 From ghazal to film music 3016:. Calcutta: Writers Workshop. pp. 83–84. 2824: 2432: 2317: 4139: 2754: 2482: 682:. During his lifetime, the already declining 637: 3557: 3276: 3274: 3272: 3270: 3268: 3266: 3264: 3262: 3133:Sir Syed Ahmed Khan : Memorial Lectures 3113:"Ain-E Akbari, 1855, Urdu by Sir Syed Ahmed" 2651: 2456: 2454: 2108:. The film starred Pakistani film superstar 2095:are likely to remain everlasting favorites. 1864:The happiness of the world is nothing for me 4066:Urdu letters of Mirza Asaduʼllāh Khan Galib 3842:"Ghalib has been called back to the court!" 3335: 3333: 3331: 2977:. Archived from the original on 7 June 2011 2397:Persian language in the Indian subcontinent 2242: 1471:پر اتنا جانتے ہیں کل وہ جاتا تھا کہ ہم نکلے 1467:کہاں مے خانہ کا دروازہ غالبؔ اور کہاں واعظ، 1449:, In his Persian masnavi, Abr-i-Guhar baar 4199:Achaemenid inscription in the Kharg Island 4146: 4132: 3760: 3009: 2968: 2938:with English translation of uncommon words 1894: 1884: 1606:Father and son are at each other's throat; 1470: 1466: 1404: 1400: 1187: 1183: 1136: 1132: 1119:A page from Ghalib's letters( in his hand) 952: 927: 906: 864: 860: 644: 630: 218: 186: 62: 60: 44: 6210:and one of the two official languages of 3707: 3259: 3241: 2451: 1962:Learn how and when to remove this message 1097: 861:قید حیات و بند غم ، اصل میں دونوں ایک ہیں 4068:, tr. by Daud Rahbar. SUNY Press, 1987. 4053:(in Urdu). New Delhi: Ghalib Institute. 3328: 3078:AFSHAN FAROOQI, MEHR (24 January 2021). 2599: 2437:. New Delhi: Penguin Books. p. 86. 2321: 2294: 2166: 2162: 2091:and his compositions of Ghalib's famous 1973: 1840: 1772:مزا کہنے کا جب ہے اک کہے اور دوسرا سمجھے 1770:اگر اپنا کہا تم آپ ہی سمجھے تو کیا سمجھے 1628: 1114: 1040: 896:bestowed upon Mirza Ghalib the title of 743: 735: 724: 694:; these are described through his work. 4046: 3878: 3798:"Mirza Ghalib: The Playful Muse (1989)" 3043: 2428: 2426: 2424: 2422: 1633:Cover Page of Ghalib's Qaat'i-e Burhaan 1604:Have all departed from this sorry land. 1596:(Who knew the secrets of whirling Time) 1327:Inscription in Mirza Ghalib's Mausoleum 6224: 4153: 4086:Encyclopaedia Iranica, Vol. X, Fasc. 3 4079: 3631: 3450: 2550: 1694:, a controversial Persian dictionary. 865:موت سے پہلے آدمی غم سے نجات پائے کیوں؟ 5170: 4331: 4215: 4165: 4127: 4014: 3568:"- The best platform for urdu poetry" 3470: 3468: 3446: 3444: 3421:Ramachandra Guha (2011). "Prologue". 3179: 3048:Indian Literature and Popular Cinema: 3037: 2946: 2944: 2831:. Penguin Books India. pp. 96–. 2727: 2723: 2721: 2695: 2691: 2689: 2687: 2685: 2683: 2368:Ghalib Study Centre, Ibn Sina Academy 2291:Statue in Jamia Millia Islamia, Delhi 1800:گر نہیں ہیں مرے اشعار میں معنی نہ سہی 1699:Maulana Azad National Urdu University 1559: 758:Mirza Ghalib was born in Kala Mahal, 3879:Lakhani, Somya (11 September 2016). 3474: 2950: 2884:. Ibex Publishers, Inc. p. 98. 2631:Mirza Asadullah Khan Ghalib (2000). 2603:Mirza Ghalib and the Mirs of Gujarat 2419: 1944:adding citations to reliable sources 1915: 1848: 1792: 1790:Ghalib felt bad for this and wrote: 1764: 1616:Why does not the Last Trumpet sound? 1610:Unity and Federation are undermined. 1460: 1394: 1378:Front gate of Ghalib's Tomb compound 1264:Mirza Ghalib and Sir Syed Ahmad Khan 1177: 1126: 1064:of Hyderabad during the rule of the 854: 3916:Pal, Sanchari (14 September 2016). 3915: 3475:Alam, Muzaffar (31 December 2019), 2878:Wheeler McIntosh Thackston (1994). 2202:'s play which was performed by the 1895: 1885: 1743: 1676:. Another such historical work was 1592:Said I one night to a pristine seer 1573: 1542: 1524: 1506: 1021: 951: 926: 905: 217: 185: 13: 4047:Tijarwi, Mohammad Mushtaq (2019). 4040: 4015:Jyoti, Punwani (29 January 2019). 3942: 3711:Delhi's Changing Built Environment 3465: 3441: 3397:Ghalib 1797–1869: Life and Letters 2941: 2718: 2680: 2536:. 27 December 2013. Archived from 2003:is now a museum dedicated to him. 1383: 1188:آتا ہے ابھی دیکھیے کیا کیا مرے آگے 1133:ہزار کوس سے بہ زبانِ قلم باتیں کرو 983: 798:, was awarded the sub-district of 686:was eclipsed and displaced by the 14: 6323: 6242:19th-century Mughal Empire people 4234:Counsels of Adurbad-e Mahrspandan 4093: 3864:. 11 January 2008. Archived from 3400:. Oxford University Press India. 2906:"Shamsur Rahman Faruqui explains" 2782:Genealogy of the Nawabs of Loharu 2392:List of Persian poets and authors 1854:مزے جہان کے اپنی نظر میں خاک نہیں 1825: 1405:قبلے کو اہل نظر قبلہ نما کہتے ہیں 1124:the reader. According to Ghalib: 844:at a young age and later died in 6307:Indian people of Turkish descent 5171: 4116: 3180:Sabri, Zahra (3 December 2016). 2502:Ras H. Siddiqui (27 July 2003). 2352: 2278: 1920: 1856:سواے خون جگر سو جگر میں خاک نہیں 1798:نہ ستائش کی تمنّا نہ صلے کی پروا 1710:Ghalib's closest rival was poet 1624: 1371: 1359: 1350: 1341: 1332: 1320: 1311: 1288: 942:. He also received the title of 887: 667:. He was popularly known by the 482: 312: 301: 284: 162:Mazar-e-Mirza Ghalib Tomb Near, 6292:Indian Persian-language writers 6173:Mohammad Ebrahim Bastani Parizi 5604:Mohammad Hanif (Iranian writer) 3988: 3962: 3936: 3909: 3898: 3872: 3848: 3834: 3808: 3790: 3772: 3751: 3728: 3701: 3675: 3653: 3608: 3594: 3585: 3543: 3531: 3519: 3414: 3387: 3360: 3313: 3301: 3225: 3200: 3173: 3164: 3154: 3145: 3106: 3090: 3071: 3003: 2962: 2929: 2915: 2898: 2871: 2845: 2818: 2791: 2775: 2748: 2600:Imam, Mir Jaffar; Imam (2003). 2171:Ghalib on a 1969 stamp of India 1931:needs additional citations for 1901:dasht ko dekh ke ghar yaad aayā 1680:, an eyewitness account of the 1668:, initially published in 1849. 1401:ہے پرے سرحد ادراک سے اپنا مسجود 1184:ہے موجزن اک قلزم خوں کاش یہی ہو 688:British East India Company rule 444: 5244:Mahmoud Mosharraf Azad Tehrani 4254:Karnamak-i Artaxshir-i Papakan 4082:"ḠĀLEB, Mīrzā ASAD-ALLĀH Khan" 3602:"Divan-e Ghalib: Ghazal index" 3453:"ḠĀLEB, Mīrzā ASAD-ALLĀH Khan" 3208:"Mirza Ghalib: A Liberal Poet" 3127:Shamsur Rahman Faruqi (2006). 3013:Creations & Transcreations 2855:. Megajoin.com. Archived from 2664:. Megajoin.com. Archived from 2637:. Pen Productions. p. 7. 2634:Persian poetry of Mirza Ghalib 2624: 2593: 2568: 2544: 2522: 2495: 2476: 2157:Mirza Ghalib: The Playful Muse 748:The statue of Mirza Ghalib in 527:(father of Urdu literature) - 1: 5352:Mohammad-Reza Shafiei Kadkani 4582:Abu'l Hasan Mihyar al-Daylami 4332: 3618:Famous Urdu poets and writers 2951:Naim, C.M. (September 2001). 2576:"Aḥmad Shah | Mughal emperor" 2483:Nicole Dastur (12 May 2007). 2462:"Mīrzā Asadullāh Khān Ghālib" 2412: 2194:, wife of the late President 2066:Films and TV serial on Ghalib 1852: 1796: 1768: 1518:Kamānḍing Āfīsar Karnal Brāūn 1464: 1398: 1181: 1130: 1031:'Perfume of Hindi'). 858: 720: 396: 23:Mirza Ghalib (disambiguation) 5147:Mahmud Khan Malek al-Sho'ara 3481:Literary Cultures in History 3044:Pauwels, Heidi R.M. (2007). 2610:, India: Rupa Publications. 2081:lover, Chaudvin in the film 1706:Contemporaries and disciples 1419:is a compass, nothing more. 774:) after the downfall of the 729:Clothes of Mirza Ghalib, at 680:Dabir-ul-Mulk, Najm-ud-Daula 460:Izzat-ut-Nisa Begum (mother) 458:Mirza Abdullah Baig (father) 7: 6272:19th-century Indian Muslims 5045:Mohammad Qoli Salim Tehrani 4115:(public domain audiobooks) 3367:Annemarie Schimmel (1985). 3340:Annemarie Schimmel (1985). 3319:Altaf Hussain Haali (1897) 2759:. Sufism.ru. Archived from 2728:Berkı, Kamıl Eşfak (1996). 2562:The Autobiography of Ghalib 2402:List of Urdu language poets 2345: 2318:Wall mural in Mumbai, India 1845:Side view of Mazar-e-Ghalib 1612:Despite these ominous signs 1517: 1206: 1137:ہجر میں وصال کے مزے لیا کرو 659:(1797–1869), also known as 230: 198: 10: 6328: 5131:Mirza Mohammad Taqi Sepehr 4216: 3714:. Routledge. p. 268. 3281:William Dalrymple (2009). 2485:"Remembering 1857 in 2007" 2435:Ghalib, The Man, The Times 1896:دشت کو دیکھ کے گھر یاد آیا 1614:Why has not Doomsday come? 1110: 531:(father of Urdu poetry) - 20: 6237:19th-century Indian poets 6199: 6155: 6109: 6015: 5841: 5759: 5650: 5541: 5521: 5505: 5449: 5403: 5387: 5357:Mohammad-Hossein Shahriar 5194: 5181: 5177: 5166: 5091: 5056: 4987: 4955: 4890: 4883:Emad al-Din Faqih Kermani 4846: 4719: 4600: 4450: 4358: 4342: 4338: 4327: 4274:Shahrestanha-ye Eranshahr 4224: 4211: 4174: 4161: 3856:"Ghalib and his troubles" 3489:10.1525/9780520926738-007 2995:: CS1 maint: unfit URL ( 2969:Ali Asghar (6 May 2003). 2373:Ghalib Academy, New Delhi 2229:Main Gaya Waqt Nahin Hoon 2155:Another television show, 2112:playing Ghalib and Madam 1911: 1891:koī vīrānī sī vīrānī hai 1366:Tombstone of Mirza Ghalib 1295:Mirza Ghalib's tomb near 1062:Ali Haider Nazm Tabatabai 806:) and finally settled in 625: 606: 591: 586: 575: 570: 555: 550: 523: 518: 503: 496: 475: 468: 454: 431: 417: 405: 392: 382: 364: 338: 324: 296: 279: 265: 248: 173: 158: 117: 79: 61: 55: 43: 36: 6247:Poets from British India 5772:Mirza Fatali Akhundzadeh 4805:Zartosht Bahram e Pazhdo 4628:Shahab al-Din Suhrawardi 4524:Fakhruddin As'ad Gurgani 4184:Old Persian inscriptions 4100:Works by or about Ghalib 4080:Rahman, Munibur (2000). 3740:22 February 2014 at the 3451:Rahman, Munibur (2000). 2798:Omkar Nath Koul (2008). 2696:Spear, Percival (1972). 2387:Ghalib Museum, New Delhi 2243:Ghalib's poetry in films 2204:National School of Drama 1886:کوئی ویرانی سی ویرانی ہے 1600:That goodness and faith, 1507:کمانڈنگ آفیسر کرنل براؤن 786:(1748–54). He worked in 731:Ghalib Museum, New Delhi 692:Indian Rebellion of 1857 657:Mirza Asadullah Beg Khan 593:Anjuman-i Taraqqi-i Urdu 83:Mirza Asadullah Beg Khan 25:. For other people, see 6122:Houshang Moradi Kermani 5726:Houshang Moradi Kermani 5721:Jaafar Modarres-Sadeghi 5706:Mohammad-Ali Jamalzadeh 5617:Zeyn al-Abedin Maraghei 5115:Zayn al-Abidin Shirvani 5081:Abbas Foroughi Bastami 4166: 3744:, Zaib Azkaar Hussain, 2923:"Dr. Sarfaraz K. Niazi" 2825:Pavan K. Varma (2008). 2804:. Dunwoody. p. 3. 2580:Encyclopædia Britannica 2433:Pavan K. Varma (1989). 2098:A Pakistani film named 2062:have sung his ghazals. 1875:Unique Style of writing 1608:Brother fights brother. 1598:'Sir you well perceive, 1066:last Nizam of Hyderabad 705:. Although his Persian 18:Indian poet (1797–1869) 6277:Persian-language poets 5574:Ghassem Hashemi Nezhad 5123:Reza-Qoli Khan Hedayat 4736:Shams al-Din Qays Razi 4479:Khwaja Abdullah Ansari 3922:www.thebetterindia.com 3746:The International News 2936:Roman transliterations 2911:. Columbia University. 2506:. Dawn. Archived from 2504:"Ghalib in California" 2331: 2303: 2172: 2122:produced a TV serial, 1982: 1905: 1862: 1846: 1806: 1778: 1644: 1634: 1622: 1495:anti-British Rebellion 1477: 1452: 1411: 1194: 1143: 1120: 1098:Pensions and Patronage 1092:Love Sonnets of Ghalib 1049: 1006:Hindi–Urdu controversy 872: 755: 741: 733: 6110:Children's literature 5967:Rasoul Mollagholipour 5857:Rakhshan Bani-E'temad 5800:Gholam-Hossein Sa'edi 5795:Alireza Koushk Jalali 5741:Gholam-Hossein Sa'edi 5627:Shahriyar Mandanipour 4859:Shah Ni'matullah Wali 4703:Kamal al-Din Esfahani 4544:Ayn-al-Quzat Hamadani 4315:Shikand-gumanig Vizar 4298:Anthology of Zadspram 3458:Encyclopaedia Iranica 3243:10.7312/ghal18206-008 2786:Queensland University 2325: 2299:Ghalib Statue at the 2298: 2170: 2163:Stage plays on Ghalib 2140:sung and composed by 2056:Nusrat Fateh Ali Khan 2006:Ghazal maestros like 1977: 1881: 1844: 1830:Ghalib was buried in 1640: 1632: 1590: 1430: 1415:For men who see, the 1118: 1068:. Before Ghalib, the 1044: 747: 739: 728: 6007:Sohrab Shahid-Saless 5872:Pouran Derakhshandeh 5852:Mohammad Reza Aslani 5790:Amir Reza Koohestani 5549:Ali Mohammad Afghani 5219:Mohammad Reza Aslani 4874:Fazlallah Astarabadi 4750:Afdal al-Din Kashani 4745:Nasīr al-Dīn al-Tūsī 4695:Fakhr al-Din al-Razi 4577:Afdal al-Din Kashani 4391:Abu Tahir Khosrovani 4179:Behistun Inscription 2801:Modern Hindi Grammar 2378:Mirza Ghalib College 2308:Jamia Millia Islamia 2301:Jamia Millia Islamia 2196:Fakhruddin Ali Ahmed 2128:(1988), telecast on 2060:Rahat Fateh Ali Khan 1940:improve this article 1564:In his Persian poem 976:and the rise of the 6257:Urdu-language poets 5932:Varuzh Karim-Masihi 5671:Abolhassan Etessami 5589:Mahmoud Dowlatabadi 5441:Abdul Ali Mustaghni 5426:Khalilullah Khalili 5366:Manouchehr Sheybani 5342:Tahereh Saffarzadeh 5249:Mohammad-Taqi Bahar 5206:Mehdi Akhavan-Sales 4838:Zu'l-Fiqar Shirvani 4683:Faramarz-e Khodadad 4269:Shabuhragan of Mani 4088:. pp. 258–259. 4004:. 20 February 2019. 3868:on 16 January 2008. 3786:. 25 December 2011. 3748:, 18 December 2011. 3624:. New Book Society. 3010:G. S. Amur (1992). 2755:Byjameela Siddiqi. 2552:Faruqi, Nisar Ahmed 2225:Ghalib in New Delhi 1270:Sir Syed Ahmed Khan 1010:Perso-Arabic script 1008:). Ghalib wrote in 1004:were synonyms (see 715:Hindustani diaspora 713:but also among the 711:Indian subcontinent 291:Maratha Confederacy 209:'Dominant') 100:Maratha Confederacy 6287:Writers from Delhi 6076:Ebrahim Pourdavoud 6061:Ahmad Kamyabi Mask 6031:Najaf Daryabandari 5892:Behrouz Gharibpour 5736:Shahrnush Parsipur 5711:Aboutorab Khosravi 5613:Aboutorab Khosravi 5477:Gulrukhsor Safieva 5395:Edward Haghverdian 5049:Rasa Salim Tehrani 4768:Abu'l Majd Tabrizi 4755:Fakhr-al-Din Iraqi 4411:Abusaeid Abolkheir 4350:Muhammad ibn Wasif 4305:Zand-i Wahman yasn 4264:Dana-i Menog Khrat 4249:Book of Arda Viraf 4155:Persian literature 4050:G̲h̲ālib aur Alvar 4001:The Times of India 3976:. 27 December 2017 3949:The Indian Express 3924:. The Better India 3885:The Indian Express 3820:The Indian Express 2971:"Ghalib's letters" 2859:on 3 November 2012 2668:on 3 November 2012 2540:on 1 January 2014. 2510:on 4 February 2009 2489:The Times of India 2332: 2304: 2231:and Sayeed's play 2184:Hindustani Theatre 2178:Starting from the 2173: 1983: 1847: 1732:Altaf Hussain Hali 1716:Bahadur Shah Zafar 1635: 1560:Views on Hindustan 1121: 1050: 894:Bahadur Shah Zafar 823:Nizam of Hyderabad 756: 742: 734: 717:around the world. 678:His honorific was 6297:People from Delhi 6219: 6218: 6195: 6194: 6191: 6190: 6142:Farhad Hasanzadeh 6081:Hamid Samandarian 6022:Amrollah Abjadian 5987:Fereydoun Rahnema 5952:Mohsen Makhmalbaf 5937:Samuel Khachikian 5922:Ebrahim Hatamikia 5833:Mohammad Yaghoubi 5829:Mirza Aqa Tabrizi 5696:Houshang Golshiri 5609:Houshang Golshiri 5569:Mahshid Amirshahi 5554:Ghazaleh Alizadeh 5537: 5536: 5472:Abolqasem Lahouti 5467:Iskandar Khatloni 5380:Fereydoon Moshiri 5327:Mohammad Mokhtari 5287:Forugh Farrokhzad 5239:Manouchehr Atashi 5162: 5161: 5158: 5157: 5151: 5143: 5135: 5127: 5119: 5111: 5103: 5084: 5073: 5036: 5032:Abdul-Qādir Bēdil 5025: 5012: 5004: 4975: 4971:Mohtasham Kashani 4967: 4943: 4935: 4927: 4823:Nozhat al-Majales 4819: 4777: 4764: 4760:Mahmud Shabistari 4727:Abu Tahir Tarsusi 4712: 4699: 4691: 4680: 4672: 4664: 4632: 4613:Suzani Samarqandi 4557:Abu-al-Faraj Runi 4548: 4520: 4512: 4508:Masud Sa'd Salman 4504: 4496: 4483: 4475: 4467: 4423: 4415: 4386:Abu Shakur Balkhi 4323: 4322: 4259:Cube of Zoroaster 4229:Ayadgar-i Zariran 4207: 4206: 3844:. 20 August 2022. 3721:978-1-317-44136-6 3434:978-0-330-54020-9 3427:. Pan Macmillan. 3407:978-0-19-563506-5 3294:978-1-4088-0092-8 3115:,"Sir Syed Today" 3064:978-11-34-06255-3 2891:978-0-936347-50-9 2838:978-0-14306-481-7 2811:978-1-931546-06-5 2644:978-81-87581-00-0 2617:978-81-291-0057-3 2334:A wall mural (or 2233:Ghalib Ke Khutoot 2192:Begum Abida Ahmed 2073:plays Ghalib and 1972: 1971: 1964: 1872: 1871: 1836:Nizamuddin Auliya 1834:near the tomb of 1832:Hazrat Nizamuddin 1816: 1815: 1788: 1787: 1755:Yaadgaar-e-Ghalib 1752: 1602:Fidelity and love 1551: 1515: 1487: 1486: 1425: 1424: 1392:. Ghalib states: 1390:Alī ibn Abī Ṭālib 1204: 1203: 1162:The Oxford Ghalib 1153: 1152: 1030: 1002:"Hindi" and Urdu" 937: 916: 892:In 1850, Emperor 882: 881: 762:into a family of 697:He wrote in both 654: 653: 610:Literature Portal 464: 463: 393:Years active 383:Literary movement 240: 228: 208: 196: 164:Nizamuddin Dargah 127:Gali Qasim Jaan, 6319: 6302:Poets from Delhi 6282:People from Agra 6163:Aydin Aghdashloo 5992:Rasul Sadr Ameli 5982:Kambuzia Partovi 5942:Abbas Kiarostami 5927:Abdolreza Kahani 5907:Ebrahim Golestan 5887:Farrokh Ghaffari 5882:Bahman Farmanara 5815:Abbas Nalbandian 5691:Ebrahim Golestan 5658:Jalal Al-e-Ahmad 5594:Soudabeh Fazaeli 5492:Mirzo Tursunzoda 5487:Payrav Sulaymoni 5322:Shams Langeroodi 5278:Parviz Eslampour 5234:Aminollah Rezaei 5201:Ahmadreza Ahmadi 5192: 5191: 5179: 5178: 5168: 5167: 5149: 5141: 5133: 5125: 5117: 5109: 5101: 5082: 5071: 5040:Naw'i Khabushani 5034: 5023: 5010: 5002: 4973: 4965: 4941: 4933: 4925: 4869:Abu Ali Qalandar 4817: 4775: 4762: 4710: 4697: 4689: 4678: 4670: 4658: 4651:Najm al-Din Razi 4630: 4546: 4518: 4510: 4502: 4494: 4481: 4473: 4465: 4421: 4413: 4340: 4339: 4329: 4328: 4294:Dadestan-i Denig 4213: 4212: 4163: 4162: 4148: 4141: 4134: 4125: 4124: 4120: 4119: 4104:Internet Archive 4089: 4062: 4034: 4033: 4031: 4029: 4012: 4006: 4005: 3992: 3986: 3985: 3983: 3981: 3966: 3960: 3959: 3957: 3955: 3940: 3934: 3933: 3931: 3929: 3913: 3907: 3906: 3902: 3896: 3895: 3893: 3891: 3876: 3870: 3869: 3852: 3846: 3845: 3838: 3832: 3831: 3829: 3827: 3812: 3806: 3805: 3794: 3788: 3787: 3776: 3770: 3769: 3765: 3755: 3749: 3732: 3726: 3725: 3705: 3699: 3698: 3679: 3673: 3672: 3670: 3668: 3657: 3651: 3650: 3648: 3646: 3635: 3629: 3625: 3623: 3612: 3606: 3605: 3598: 3592: 3589: 3583: 3582: 3580: 3578: 3564: 3555: 3554: 3547: 3541: 3535: 3529: 3523: 3517: 3516: 3515: 3513: 3472: 3463: 3462: 3448: 3439: 3438: 3418: 3412: 3411: 3391: 3385: 3384: 3364: 3358: 3357: 3337: 3326: 3322:Yaadgaar e Haali 3317: 3311: 3305: 3299: 3298: 3278: 3257: 3256: 3245: 3229: 3223: 3222: 3220: 3218: 3204: 3198: 3197: 3177: 3171: 3168: 3162: 3158: 3152: 3149: 3143: 3125: 3116: 3110: 3104: 3094: 3088: 3087: 3075: 3069: 3068: 3041: 3035: 3034: 3032: 3030: 3007: 3001: 3000: 2994: 2986: 2984: 2982: 2966: 2960: 2959: 2957: 2948: 2939: 2933: 2927: 2926: 2919: 2913: 2912: 2910: 2902: 2896: 2895: 2875: 2869: 2868: 2866: 2864: 2849: 2843: 2842: 2822: 2816: 2815: 2795: 2789: 2779: 2773: 2772: 2770: 2768: 2752: 2746: 2745: 2725: 2716: 2715: 2713: 2711: 2702: 2698:"Ghalib's Delhi" 2693: 2678: 2677: 2675: 2673: 2658: 2649: 2648: 2628: 2622: 2621: 2597: 2591: 2590: 2588: 2586: 2572: 2566: 2565: 2548: 2542: 2541: 2526: 2520: 2519: 2517: 2515: 2499: 2493: 2492: 2480: 2474: 2473: 2471: 2469: 2458: 2449: 2448: 2430: 2362: 2357: 2356: 2253:Akbar Allahabadi 2134:Naseeruddin Shah 2106:Tassaduq Hussain 2000:Ghalib ki Haveli 1979:Ghalib ki Haveli 1967: 1960: 1956: 1953: 1947: 1924: 1916: 1898: 1897: 1888: 1887: 1849: 1793: 1765: 1747: 1745: 1691:Burhaan-e-Qaat'i 1688:, a critique of 1686:Qaat'i-e Burhaan 1662:May-ḵāna-ye ārzū 1584:(India) and how 1575: 1546: 1544: 1525:Naʽats of Ghalib 1520: 1510: 1508: 1472: 1468: 1461: 1450: 1406: 1402: 1395: 1375: 1363: 1354: 1345: 1336: 1324: 1315: 1292: 1189: 1185: 1178: 1138: 1134: 1127: 1025: 1023: 955: 954: 932: 930: 929: 911: 909: 908: 866: 862: 855: 834:Ferozepur Jhirka 819:Nawab of Lucknow 751:Ghalib ki Haveli 663:, was an Indian 646: 639: 632: 543:(Baba-e-Urdu) - 486: 466: 465: 448: 446: 401: 400: 1808–1869 398: 317: 316: 315: 306: 305: 304: 289: 288: 287: 235: 233: 223: 221: 220: 203: 201: 191: 189: 188: 154: 124: 121:15 February 1869 113: 92:27 December 1797 91: 89: 74: 66: 65: 64: 48: 34: 33: 6327: 6326: 6322: 6321: 6320: 6318: 6317: 6316: 6312:Kashmiri people 6252:Mughal nobility 6222: 6221: 6220: 6215: 6187: 6178:Ehsan Yarshater 6151: 6137:Poopak NikTalab 6105: 6096:Ahmad Tafazzoli 6011: 6002:Parviz Shahbazi 5957:Dariush Mehrjui 5917:Abolfazl Jalili 5837: 5755: 5716:Mostafa Mastoor 5681:Simin Daneshvar 5646: 5642:Iraj Pezeshkzad 5637:Mansour Koushan 5584:Simin Daneshvar 5533: 5517: 5501: 5445: 5399: 5383: 5374:She'r-e Nimaa'i 5337:Yadollah Royaee 5312:Siavash Kasraie 5292:Hossein Monzavi 5282:Parvin E'tesami 5269:Hushang Ebtehaj 5259:Simin Behbahani 5214:Qeysar Aminpour 5190: 5173: 5154: 5087: 5077:Neshat Esfahani 5052: 5008:Asir-e Esfahani 4983: 4951: 4886: 4842: 4795:Bahram-e-Pazhdo 4732:Awhadi Maraghai 4715: 4641:Falaki Shirvani 4618:Hassan Ghaznavi 4596: 4592:Mahsati Ganjavi 4552:Uthman Mukhtari 4446: 4354: 4334: 4319: 4310:Drakht-i Asurig 4220: 4203: 4170: 4157: 4152: 4117: 4109:Works by Ghalib 4096: 4043: 4041:Further reading 4038: 4037: 4027: 4025: 4013: 4009: 3994: 3993: 3989: 3979: 3977: 3968: 3967: 3963: 3953: 3951: 3943:Grover, Varun. 3941: 3937: 3927: 3925: 3914: 3910: 3904: 3903: 3899: 3889: 3887: 3877: 3873: 3854: 3853: 3849: 3840: 3839: 3835: 3825: 3823: 3814: 3813: 3809: 3796: 3795: 3791: 3778: 3777: 3773: 3768:. 9 March 2021. 3757: 3756: 3752: 3742:Wayback Machine 3733: 3729: 3722: 3706: 3702: 3695: 3681: 3680: 3676: 3666: 3664: 3659: 3658: 3654: 3644: 3642: 3637: 3636: 3632: 3621: 3613: 3609: 3600: 3599: 3595: 3590: 3586: 3576: 3574: 3566: 3565: 3558: 3549: 3548: 3544: 3536: 3532: 3524: 3520: 3511: 3509: 3499: 3473: 3466: 3449: 3442: 3435: 3419: 3415: 3408: 3392: 3388: 3381: 3365: 3361: 3354: 3338: 3329: 3318: 3314: 3306: 3302: 3295: 3279: 3260: 3254: 3231: 3230: 3226: 3216: 3214: 3206: 3205: 3201: 3178: 3174: 3169: 3165: 3159: 3155: 3150: 3146: 3126: 3119: 3111: 3107: 3095: 3091: 3076: 3072: 3065: 3057:. p. 153. 3042: 3038: 3028: 3026: 3024: 3008: 3004: 2988: 2987: 2980: 2978: 2967: 2963: 2955: 2949: 2942: 2934: 2930: 2921: 2920: 2916: 2908: 2904: 2903: 2899: 2892: 2876: 2872: 2862: 2860: 2851: 2850: 2846: 2839: 2823: 2819: 2812: 2796: 2792: 2780: 2776: 2766: 2764: 2753: 2749: 2742: 2726: 2719: 2709: 2707: 2700: 2694: 2681: 2671: 2669: 2660: 2659: 2652: 2645: 2629: 2625: 2618: 2598: 2594: 2584: 2582: 2574: 2573: 2569: 2557:غالب کی آپ بیتی 2549: 2545: 2528: 2527: 2523: 2513: 2511: 2500: 2496: 2481: 2477: 2467: 2465: 2460: 2459: 2452: 2445: 2431: 2420: 2415: 2358: 2351: 2348: 2320: 2293: 2281: 2245: 2216:Ram Gopal Bajaj 2165: 2089:Ghulam Mohammed 2068: 2052:Lata Mangeshkar 1968: 1957: 1951: 1948: 1937: 1925: 1914: 1904: 1899: 1893: 1889: 1868: 1865: 1859: 1857: 1855: 1828: 1812: 1809: 1803: 1801: 1799: 1784: 1781: 1775: 1773: 1771: 1758: 1708: 1627: 1617: 1615: 1613: 1611: 1609: 1607: 1605: 1603: 1601: 1599: 1597: 1593: 1562: 1535:Abr-i gauharbar 1527: 1483: 1480: 1474: 1469: 1451: 1445: 1421: 1414: 1408: 1403: 1386: 1384:Religious views 1379: 1376: 1367: 1364: 1355: 1346: 1337: 1328: 1325: 1316: 1307: 1297:Chausath Khamba 1293: 1266: 1249: 1235:all conquering, 1209: 1200: 1197: 1191: 1186: 1149: 1146: 1140: 1135: 1113: 1100: 1060:was written by 1045:Ghalib poem in 986: 984:Literary career 890: 878: 875: 869: 867: 863: 804:Bulandshahr, UP 770:(in modern-day 723: 650: 620:Pakistan Portal 617: 612: 608: 607:Related Portals 601:Literary Prizes 599: 595: 511: 507: 498:Urdu literature 492: 491: 490: 489: 488: 487: 470: 469:Urdu literature 459: 450: 447: 1810) 442: 438: 424: 399: 331: 313: 311: 310: 302: 300: 285: 283: 261: 244: 241:'Lion') 144: 143: 126: 122: 103: 102: 93: 87: 85: 84: 75: 68: 51: 39: 30: 19: 12: 11: 5: 6325: 6315: 6314: 6309: 6304: 6299: 6294: 6289: 6284: 6279: 6274: 6269: 6264: 6259: 6254: 6249: 6244: 6239: 6234: 6217: 6216: 6200: 6197: 6196: 6193: 6192: 6189: 6188: 6186: 6185: 6180: 6175: 6170: 6165: 6159: 6157: 6153: 6152: 6150: 6149: 6147:Ramak NikTalab 6144: 6139: 6134: 6132:Hengameh Mofid 6129: 6127:Babak NikTalab 6124: 6119: 6117:Samad Behrangi 6113: 6111: 6107: 6106: 6104: 6103: 6098: 6093: 6088: 6083: 6078: 6073: 6068: 6063: 6058: 6056:Saleh Hosseini 6053: 6051:Ramak NikTalab 6048: 6046:Sadegh Hedayat 6043: 6038: 6036:Mohammad Ghazi 6033: 6028: 6026:Jaleh Amouzgar 6023: 6019: 6017: 6013: 6012: 6010: 6009: 6004: 5999: 5997:Mohammad Sadri 5994: 5989: 5984: 5979: 5974: 5969: 5964: 5962:Reza Mirkarimi 5959: 5954: 5949: 5944: 5939: 5934: 5929: 5924: 5919: 5914: 5909: 5904: 5899: 5897:Bahman Ghobadi 5894: 5889: 5884: 5879: 5877:Asghar Farhadi 5874: 5869: 5867:Hajir Darioush 5864: 5859: 5854: 5849: 5845: 5843: 5839: 5838: 5836: 5835: 5830: 5827: 5822: 5817: 5812: 5810:Hengameh Mofid 5807: 5802: 5797: 5792: 5787: 5782: 5777: 5776:Mohsen Yalfani 5774: 5769: 5763: 5761: 5757: 5756: 5754: 5753: 5748: 5746:Bahram Sadeghi 5743: 5738: 5733: 5728: 5723: 5718: 5713: 5708: 5703: 5701:Sadegh Hedayat 5698: 5693: 5688: 5686:Nader Ebrahimi 5683: 5678: 5673: 5668: 5663: 5660: 5654: 5652: 5648: 5647: 5645: 5644: 5639: 5634: 5629: 5624: 5619: 5614: 5611: 5606: 5601: 5596: 5591: 5586: 5581: 5576: 5571: 5566: 5564:Reza Amirkhani 5561: 5556: 5551: 5545: 5543: 5539: 5538: 5535: 5534: 5532: 5531: 5529:Muhammad Iqbal 5525: 5523: 5519: 5518: 5516: 5515: 5509: 5507: 5503: 5502: 5500: 5499: 5497:Satim Ulugzade 5494: 5489: 5484: 5479: 5474: 5469: 5464: 5459: 5457:Sadriddin Ayni 5453: 5451: 5447: 5446: 5444: 5443: 5438: 5436:Massoud Nawabi 5433: 5431:Youssof Kohzad 5428: 5423: 5418: 5416:Wasef Bakhtari 5413: 5407: 5405: 5401: 5400: 5398: 5397: 5391: 5389: 5385: 5384: 5382: 5377: 5367: 5364: 5359: 5354: 5349: 5347:Sohrab Sepehri 5344: 5339: 5334: 5332:Nosrat Rahmani 5329: 5324: 5319: 5314: 5309: 5304: 5299: 5294: 5289: 5284: 5279: 5276: 5271: 5266: 5261: 5256: 5251: 5246: 5241: 5236: 5231: 5229:Ahmad NikTalab 5226: 5221: 5216: 5211: 5210:Hormoz Alipour 5208: 5203: 5198: 5196: 5189: 5188: 5185: 5183: 5175: 5174: 5164: 5163: 5160: 5159: 5156: 5155: 5153: 5152: 5144: 5136: 5128: 5120: 5112: 5104: 5099:Yaghma Jandaqi 5095: 5093: 5089: 5088: 5086: 5085: 5079: 5074: 5066: 5064:Hatef Esfahani 5060: 5058: 5054: 5053: 5051: 5050: 5047: 5042: 5037: 5029: 5026: 5018: 5013: 5011:(c. 1620–1648) 5005: 4997: 4991: 4989: 4985: 4984: 4982: 4981: 4976: 4968: 4959: 4957: 4953: 4952: 4950: 4949: 4944: 4936: 4928: 4920: 4918:Kamal Khujandi 4915: 4910: 4905: 4900: 4894: 4892: 4888: 4887: 4885: 4884: 4881: 4876: 4871: 4866: 4861: 4856: 4850: 4848: 4844: 4843: 4841: 4840: 4835: 4830: 4828:Khwaju Kermani 4825: 4820: 4812: 4807: 4802: 4797: 4792: 4778: 4770: 4765: 4757: 4752: 4747: 4742: 4737: 4734: 4729: 4723: 4721: 4717: 4716: 4714: 4713: 4705: 4700: 4692: 4687:Nizami Ganjavi 4684: 4681: 4673: 4665: 4653: 4648: 4643: 4638: 4633: 4625: 4620: 4615: 4610: 4604: 4602: 4598: 4597: 4595: 4594: 4589: 4584: 4579: 4574: 4569: 4564: 4559: 4554: 4549: 4541: 4536: 4531: 4526: 4521: 4513: 4505: 4497: 4492:Qatran Tabrizi 4489: 4484: 4476: 4468: 4460: 4454: 4452: 4448: 4447: 4445: 4444: 4439: 4434: 4429: 4424: 4416: 4408: 4403: 4398: 4393: 4388: 4383: 4373: 4368: 4362: 4360: 4356: 4355: 4353: 4352: 4346: 4344: 4336: 4335: 4325: 4324: 4321: 4320: 4318: 4317: 4312: 4307: 4302: 4299: 4296: 4291: 4286: 4281: 4276: 4271: 4266: 4261: 4256: 4251: 4246: 4244:Book of Jamasp 4241: 4236: 4231: 4225: 4222: 4221: 4209: 4208: 4205: 4204: 4202: 4201: 4196: 4191: 4186: 4181: 4175: 4172: 4171: 4159: 4158: 4151: 4150: 4143: 4136: 4128: 4122: 4121: 4106: 4095: 4094:External links 4092: 4091: 4090: 4077: 4063: 4042: 4039: 4036: 4035: 4007: 3987: 3961: 3935: 3908: 3897: 3871: 3847: 3833: 3807: 3789: 3771: 3750: 3727: 3720: 3700: 3693: 3674: 3652: 3639:"Mirza Ghalib" 3630: 3607: 3593: 3584: 3556: 3542: 3530: 3518: 3497: 3464: 3440: 3433: 3413: 3406: 3386: 3379: 3359: 3352: 3327: 3312: 3300: 3293: 3287:. Bloomsbury. 3258: 3252: 3224: 3199: 3172: 3163: 3153: 3144: 3135:. Viva Books. 3117: 3105: 3089: 3070: 3063: 3036: 3022: 3002: 2961: 2940: 2928: 2914: 2897: 2890: 2870: 2853:"Mirza Ghalib" 2844: 2837: 2817: 2810: 2790: 2774: 2763:on 18 May 2013 2747: 2740: 2717: 2679: 2662:"Mirza Ghalib" 2650: 2643: 2623: 2616: 2592: 2567: 2554:, ed. (1997). 2543: 2521: 2494: 2475: 2450: 2443: 2417: 2416: 2414: 2411: 2410: 2409: 2404: 2399: 2394: 2389: 2384: 2375: 2370: 2364: 2363: 2347: 2344: 2319: 2316: 2292: 2289: 2280: 2277: 2265:Dushyant Kumar 2247:The 2015 film 2244: 2241: 2221:Devender Singh 2200:Surendra Verma 2164: 2161: 2071:Bharat Bhushan 2067: 2064: 1970: 1969: 1928: 1926: 1919: 1913: 1910: 1882: 1870: 1869: 1860: 1827: 1826:Ghalib's grave 1824: 1814: 1813: 1804: 1786: 1785: 1776: 1720:Meer Taqi Meer 1707: 1704: 1626: 1623: 1566:Chiragh-i-Dair 1561: 1558: 1526: 1523: 1485: 1484: 1475: 1443: 1423: 1422: 1409: 1385: 1382: 1381: 1380: 1377: 1370: 1368: 1365: 1358: 1356: 1349: 1347: 1340: 1338: 1331: 1329: 1326: 1319: 1317: 1310: 1308: 1294: 1287: 1265: 1262: 1248: 1245: 1241:most excellent 1208: 1205: 1202: 1201: 1192: 1151: 1150: 1141: 1112: 1109: 1099: 1096: 985: 982: 889: 886: 880: 879: 870: 722: 719: 652: 651: 649: 648: 641: 634: 626: 623: 622: 604: 603: 589: 588: 584: 583: 573: 572: 568: 567: 553: 552: 548: 547: 545:Muhammad Iqbal 521: 520: 516: 515: 501: 500: 494: 493: 481: 480: 479: 478: 477: 476: 473: 472: 471:ادبیاتِ اُردُو 462: 461: 456: 452: 451: 440: 436: 435: 433: 429: 428: 419: 418:Notable awards 415: 414: 411:Diwan-e-Ghalib 407: 403: 402: 394: 390: 389: 384: 380: 379: 366: 362: 361: 340: 336: 335: 326: 322: 321: 298: 294: 293: 281: 277: 276: 267: 263: 262: 260: 259: 256: 252: 250: 246: 245: 243: 242: 210: 177: 175: 171: 170: 160: 156: 155: 125:(aged 71) 119: 115: 114: 81: 77: 76: 59: 57: 53: 52: 50:Ghalib in 1868 49: 41: 40: 37: 17: 9: 6: 4: 3: 2: 6324: 6313: 6310: 6308: 6305: 6303: 6300: 6298: 6295: 6293: 6290: 6288: 6285: 6283: 6280: 6278: 6275: 6273: 6270: 6268: 6265: 6263: 6260: 6258: 6255: 6253: 6250: 6248: 6245: 6243: 6240: 6238: 6235: 6233: 6230: 6229: 6227: 6213: 6209: 6205: 6198: 6184: 6183:Ahmad Kasravi 6181: 6179: 6176: 6174: 6171: 6169: 6168:Ali Latifiyan 6166: 6164: 6161: 6160: 6158: 6154: 6148: 6145: 6143: 6140: 6138: 6135: 6133: 6130: 6128: 6125: 6123: 6120: 6118: 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5758: 5752: 5749: 5747: 5744: 5742: 5739: 5737: 5734: 5732: 5729: 5727: 5724: 5722: 5719: 5717: 5714: 5712: 5709: 5707: 5704: 5702: 5699: 5697: 5694: 5692: 5689: 5687: 5684: 5682: 5679: 5677: 5674: 5672: 5669: 5667: 5664: 5661: 5659: 5656: 5655: 5653: 5651:Short stories 5649: 5643: 5640: 5638: 5635: 5633: 5632:Abbas Maroufi 5630: 5628: 5625: 5623: 5622:Ahmad Mahmoud 5620: 5618: 5615: 5612: 5610: 5607: 5605: 5602: 5600: 5599:Reza Ghassemi 5597: 5595: 5592: 5590: 5587: 5585: 5582: 5580: 5579:Reza Baraheni 5577: 5575: 5572: 5570: 5567: 5565: 5562: 5560: 5557: 5555: 5552: 5550: 5547: 5546: 5544: 5540: 5530: 5527: 5526: 5524: 5520: 5514: 5511: 5510: 5508: 5504: 5498: 5495: 5493: 5490: 5488: 5485: 5483: 5482:Loiq Sher-Ali 5480: 5478: 5475: 5473: 5470: 5468: 5465: 5463: 5460: 5458: 5455: 5454: 5452: 5448: 5442: 5439: 5437: 5434: 5432: 5429: 5427: 5424: 5422: 5419: 5417: 5414: 5412: 5411:Nadia Anjuman 5409: 5408: 5406: 5402: 5396: 5393: 5392: 5390: 5386: 5381: 5378: 5375: 5371: 5368: 5365: 5363: 5362:Ahmad Shamlou 5360: 5358: 5355: 5353: 5350: 5348: 5345: 5343: 5340: 5338: 5335: 5333: 5330: 5328: 5325: 5323: 5320: 5318: 5315: 5313: 5310: 5308: 5305: 5303: 5300: 5298: 5297:Hushang Irani 5295: 5293: 5290: 5288: 5285: 5283: 5280: 5277: 5275: 5272: 5270: 5267: 5265: 5262: 5260: 5257: 5255: 5254:Reza Baraheni 5252: 5250: 5247: 5245: 5242: 5240: 5237: 5235: 5232: 5230: 5227: 5225: 5222: 5220: 5217: 5215: 5212: 5209: 5207: 5204: 5202: 5199: 5197: 5193: 5187: 5186: 5184: 5180: 5176: 5169: 5165: 5148: 5145: 5140: 5137: 5132: 5129: 5124: 5121: 5116: 5113: 5108: 5105: 5100: 5097: 5096: 5094: 5090: 5080: 5078: 5075: 5070: 5067: 5065: 5062: 5061: 5059: 5055: 5048: 5046: 5043: 5041: 5038: 5033: 5030: 5027: 5022: 5019: 5017: 5016:Kalim Kashani 5014: 5009: 5006: 5001: 4998: 4996: 4993: 4992: 4990: 4986: 4980: 4979:'Orfi Shirazi 4977: 4972: 4969: 4964: 4961: 4960: 4958: 4954: 4948: 4945: 4940: 4937: 4932: 4929: 4924: 4921: 4919: 4916: 4914: 4911: 4909: 4906: 4904: 4903:Salman Savaji 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4469: 4464: 4463:Nasir Khusraw 4461: 4459: 4456: 4455: 4453: 4449: 4443: 4440: 4438: 4437:Kisai Marvazi 4435: 4433: 4430: 4428: 4425: 4420: 4417: 4412: 4409: 4407: 4404: 4402: 4399: 4397: 4396:Shahid Balkhi 4394: 4392: 4389: 4387: 4384: 4381: 4377: 4374: 4372: 4369: 4367: 4364: 4363: 4361: 4357: 4351: 4348: 4347: 4345: 4341: 4337: 4330: 4326: 4316: 4313: 4311: 4308: 4306: 4303: 4300: 4297: 4295: 4292: 4290: 4287: 4285: 4284:Menog-i Khrad 4282: 4280: 4277: 4275: 4272: 4270: 4267: 4265: 4262: 4260: 4257: 4255: 4252: 4250: 4247: 4245: 4242: 4240: 4237: 4235: 4232: 4230: 4227: 4226: 4223: 4219: 4214: 4210: 4200: 4197: 4195: 4192: 4190: 4187: 4185: 4182: 4180: 4177: 4176: 4173: 4169: 4164: 4160: 4156: 4149: 4144: 4142: 4137: 4135: 4130: 4129: 4126: 4114: 4110: 4107: 4105: 4101: 4098: 4097: 4087: 4083: 4078: 4075: 4074:0-88706-412-4 4071: 4067: 4064: 4060: 4056: 4052: 4051: 4045: 4044: 4024: 4023: 4022:Mumbai Mirror 4018: 4011: 4003: 4002: 3997: 3991: 3975: 3974:aljazeera.com 3971: 3965: 3950: 3946: 3939: 3923: 3919: 3912: 3901: 3886: 3882: 3875: 3867: 3863: 3862: 3857: 3851: 3843: 3837: 3822:. 26 May 2017 3821: 3817: 3811: 3803: 3802:Indiancine.ma 3799: 3793: 3785: 3781: 3775: 3767: 3764: 3754: 3747: 3743: 3739: 3736: 3731: 3723: 3717: 3713: 3712: 3704: 3696: 3694:9781780201580 3690: 3686: 3685: 3678: 3662: 3656: 3640: 3634: 3628: 3620: 3619: 3611: 3603: 3597: 3588: 3573: 3569: 3563: 3561: 3552: 3546: 3539: 3534: 3527: 3526:Serial No. 84 3522: 3508: 3504: 3500: 3498:9780520926738 3494: 3490: 3486: 3482: 3478: 3471: 3469: 3460: 3459: 3454: 3447: 3445: 3436: 3430: 3426: 3425: 3417: 3409: 3403: 3399: 3398: 3390: 3382: 3380:9780807841280 3376: 3372: 3371: 3363: 3355: 3353:9780807841280 3349: 3345: 3344: 3336: 3334: 3332: 3324: 3323: 3316: 3309: 3308:Ralph Russell 3304: 3296: 3290: 3286: 3285: 3277: 3275: 3273: 3271: 3269: 3267: 3265: 3263: 3255: 3253:9780231544009 3249: 3244: 3239: 3235: 3228: 3213: 3209: 3203: 3195: 3191: 3187: 3183: 3176: 3167: 3157: 3148: 3142: 3138: 3134: 3130: 3124: 3122: 3114: 3109: 3102: 3101:Gorgias Press 3098: 3093: 3085: 3081: 3074: 3066: 3060: 3056: 3052: 3051: 3049: 3040: 3025: 3019: 3015: 3014: 3006: 2998: 2992: 2976: 2972: 2965: 2954: 2947: 2945: 2937: 2932: 2924: 2918: 2907: 2901: 2893: 2887: 2883: 2882: 2874: 2858: 2854: 2848: 2840: 2834: 2830: 2829: 2821: 2813: 2807: 2803: 2802: 2794: 2788: 2787: 2783: 2778: 2762: 2758: 2751: 2743: 2741:9789753894401 2737: 2733: 2732: 2724: 2722: 2706: 2699: 2692: 2690: 2688: 2686: 2684: 2667: 2663: 2657: 2655: 2646: 2640: 2636: 2635: 2627: 2619: 2613: 2609: 2605: 2604: 2596: 2581: 2577: 2571: 2563: 2559: 2558: 2553: 2547: 2539: 2535: 2531: 2525: 2509: 2505: 2498: 2490: 2486: 2479: 2463: 2457: 2455: 2446: 2444:0-14-011664-8 2440: 2436: 2429: 2427: 2425: 2423: 2418: 2408: 2405: 2403: 2400: 2398: 2395: 2393: 2390: 2388: 2385: 2383: 2379: 2376: 2374: 2371: 2369: 2366: 2365: 2361: 2360:Poetry portal 2355: 2350: 2343: 2341: 2337: 2329: 2324: 2315: 2313: 2309: 2302: 2297: 2288: 2286: 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1670:Mehr-e nīmrūz 1667: 1663: 1659: 1658: 1653: 1649: 1643: 1639: 1631: 1625:Persian works 1621: 1618: 1594: 1589: 1587: 1583: 1579: 1571: 1567: 1557: 1555: 1549: 1540: 1536: 1532: 1522: 1519: 1513: 1504: 1500: 1499:Kashmiri Gate 1496: 1491: 1482: 1476: 1473: 1463: 1462: 1459: 1457: 1448: 1442: 1439: 1435: 1429: 1420: 1418: 1410: 1407: 1397: 1396: 1393: 1391: 1374: 1369: 1362: 1357: 1353: 1348: 1344: 1339: 1335: 1330: 1323: 1318: 1314: 1309: 1306: 1302: 1298: 1291: 1286: 1285: 1284: 1280: 1278: 1277:Ai’n-e Akbari 1275: 1271: 1261: 1257: 1253: 1244: 1242: 1239: 1236: 1232: 1228: 1224: 1220: 1216: 1215: 1211:His original 1199: 1193: 1190: 1180: 1179: 1176: 1174: 1170: 1165: 1163: 1159: 1158:Ralph Russell 1148: 1142: 1139: 1129: 1128: 1125: 1117: 1108: 1104: 1095: 1093: 1088: 1086: 1081: 1079: 1075: 1071: 1067: 1063: 1059: 1055: 1048: 1043: 1039: 1037: 1032: 1028: 1019: 1015: 1011: 1007: 1003: 999: 995: 991: 981: 979: 975: 974:Mughal Empire 969: 967: 963: 960:as the royal 959: 949: 945: 941: 935: 924: 920: 919:Najm-ud-daula 914: 903: 899: 898:Dabir-ul-Mulk 895: 888:Mughal titles 885: 877: 871: 868: 857: 856: 853: 851: 847: 843: 842:schizophrenia 839: 835: 830: 828: 824: 821:and then the 820: 816: 811: 809: 805: 801: 797: 793: 789: 785: 781: 777: 773: 769: 766:who moved to 765: 761: 753: 752: 746: 738: 732: 727: 718: 716: 712: 708: 704: 700: 695: 693: 689: 685: 684:Mughal Empire 681: 677: 673: 670: 666: 662: 658: 647: 642: 640: 635: 633: 628: 627: 624: 621: 618: 616: 611: 605: 602: 598: 597:Urdu movement 594: 590: 585: 582: 578: 574: 569: 566: 562: 558: 554: 549: 546: 542: 538: 534: 530: 526: 522: 519:Major figures 517: 514: 510: 509:Urdu language 506: 502: 499: 495: 485: 474: 467: 457: 453: 434: 430: 427: 426:Najm-ud-Daula 423: 422:Dabir-ul-Mulk 420: 416: 413: 412: 408: 404: 395: 391: 388: 387:Urdu Movement 385: 381: 378: 374: 370: 367: 363: 360: 356: 352: 348: 344: 341: 337: 334: 330: 327: 323: 320: 319:British India 309: 308:Mughal Empire 299: 295: 292: 282: 278: 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Britannica 2434: 2333: 2305: 2282: 2269:Varun Grover 2257:Basheer Badr 2246: 2238: 2232: 2228: 2224: 2211: 2208:Qaid-e-Hayat 2207: 2183: 2179: 2177: 2174: 2156: 2154: 2146:Chitra Singh 2142:Jagjit Singh 2137: 2125:Mirza Ghalib 2123: 2118: 2099: 2097: 2092: 2084:Mirza Ghalib 2082: 2069: 2044:Begum Akhtar 2012:Mehdi Hassan 2008:Jagjit Singh 2005: 1998: 1984: 1958: 1949: 1938:Please help 1933:verification 1930: 1906: 1900: 1890: 1883: 1878: 1874: 1873: 1863: 1853: 1829: 1820: 1817: 1807: 1797: 1789: 1779: 1769: 1760: 1754: 1735: 1727: 1709: 1696: 1689: 1685: 1677: 1669: 1665: 1661: 1655: 1651: 1647: 1645: 1641: 1636: 1619: 1595: 1591: 1565: 1563: 1534: 1528: 1492: 1488: 1478: 1465: 1453: 1447:Mirza Ghalib 1431: 1426: 1412: 1399: 1387: 1281: 1267: 1258: 1254: 1250: 1240: 1237: 1234: 1230: 1226: 1212: 1210: 1195: 1182: 1166: 1161: 1154: 1144: 1131: 1122: 1105: 1101: 1091: 1089: 1084: 1082: 1077: 1073: 1069: 1057: 1053: 1051: 1033: 1013: 987: 970: 943: 918: 897: 891: 883: 873: 859: 831: 812: 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4482:(1006–1088) 4474:(1058–1111) 4466:(1004–1088) 4301:Warshtmansr 3980:27 December 3512:28 December 3217:17 November 3086:. theprint. 3084:theprint.in 2407:Urdu poetry 2150:magnum opus 2130:DD National 2040:Asha Bhosle 1985:He died in 1714:, tutor of 1682:1857 revolt 1543:ابر گہر بار 1493:During the 1274:Abul Fazl's 1169:Urdu Bazaar 1036:Zoroastrian 1014:Ode-e-Hindi 978:British Raj 944:Mirza Nosha 505:By category 437:Umrao Begum 333:British era 297:Citizenship 280:Nationality 231:ʼAsad 56:Native name 6226:Categories 6208:Tajikistan 5912:Ali Hatami 5820:Akbar Radi 5767:Reza Abdoh 5506:Uzbekistan 5450:Tajikistan 5302:Iraj Mirza 4636:Adib Sabir 4572:Borzu-Nama 4539:Manuchehri 4487:Asadi Tusi 4471:Al-Ghazali 4458:Bābā Tāher 4422:(980–1037) 4414:(967–1049) 4279:Bundahishn 4059:1132238536 3141:9386385449 3023:8171893910 2710:25 October 2413:References 2114:Noor Jehan 2077:plays his 2048:Ghulam Ali 2032:Noor Jehan 2016:Iqbal Bano 1981:, interior 1952:April 2022 1666:Panj ahang 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