229:, beginning with a group of travellers cast up on an island together and meeting its inhabitants. Montgomery, known as "little god", sees himself as master of the cast, like Prospero. But Lesser notes the book is not about plot but about language, and she found it more satisfying and well done than
183:
The novel is somewhat unconventional and non-linear in its construction. It begins with a group of travelers disembarking on a small island in the Irish Sea after their ship runs aground. There they stumble upon a house inhabited by
Professor Kreutznaer, his assistant Licht, and an unnamed
188:
Much of the latter half of the book focuses on
Montgomery's account of his experiences after having been released from prison, his reflections on the crime (the murder of a young woman) he committed, and his continuing struggle with the ghosts of his past and the nature of his perceptions.
204:. The narrator mentions "Cythera" several times and, to a certain degree, the characters are modelled on those in the painting. It is revealed that Kreutznaer and one of the travellers—a man named Felix—are acquainted with one another, and that Felix had been involved in
220:
described the novel as "violently obsessed with art", and an example of
Banville's interest in "humankind's strange mixture of passions for the beautiful and the violent, especially in combination," similar to that of the film director
184:
character who figures centrally in the novel and who is referred to only as "Little God." It is later revealed that Little God can be identified with
Freddie Montgomery, the narrator of
29:
236:
Banville described this as the second novel in a "triptych", saying he wanted to focus and reveal characters in language, as figures in a triptych are revealed in paint.
175:", to make "an investigation of the way in which the imagination works." This novel features many of the same characters and relates to events of the previous novel.
262:
208:. The novel ends with the travellers re-embarking and leaving the island, with many of the central issues and tensions left unresolved.
196:
by a fictional Dutch artist named
Vaublin plays a central role in the novel. The fictional painting is based to a large extent on
314:
551:
546:
114:
541:
536:
307:
197:
531:
395:
484:
387:
300:
363:
163:
125:
8:
508:
492:
154:
60:
355:
339:
109:
411:
283:
222:
419:
403:
379:
347:
138:
525:
427:
324:
158:
42:
500:
279:
168:
465:
446:
292:
205:
93:
89:
172:
201:
28:
192:Kreutznaer's relationship to a painting entitled
523:
225:. She notes that it recalls Shakespeare's play,
171:. The second in what Banville described as a "
308:
278:"Kreutznaer" is the historic family name of
322:
315:
301:
27:
257:
255:
253:
251:
249:
524:
161:. It was his first novel since 1989's
296:
246:
13:
14:
563:
167:, which was shortlisted for the
178:
272:
1:
263:"Violently Obsessed with Art"
239:
211:
7:
198:The Embarkation for Cythera
16:1993 novel by John Banville
10:
568:
552:Nonlinear narrative novels
547:Secker & Warburg books
476:
457:
438:
331:
133:
120:
108:
100:
84:
76:
66:
56:
48:
38:
26:
542:Picador (imprint) books
537:Novels by John Banville
282:'s ship-wrecked hero,
186:The Book of Evidence.
364:The Book of Evidence
231:The Book of Evidence
164:The Book of Evidence
126:The Book of Evidence
23:
493:The Last September
267:The New York Times
218:The New York Times
61:Secker and Warburg
21:
532:1993 Irish novels
519:
518:
356:The Newton Letter
340:Doctor Copernicus
146:
145:
77:Publication place
559:
317:
310:
303:
294:
293:
287:
276:
270:
269:, Nov. 28, 1993.
259:
216:Wendy Lesser in
194:The Golden World
134:Followed by
121:Preceded by
68:Publication date
31:
24:
20:
567:
566:
562:
561:
560:
558:
557:
556:
522:
521:
520:
515:
472:
453:
434:
388:The Untouchable
327:
321:
291:
290:
284:Robinson Crusoe
277:
273:
261:Lesser, Wendy.
260:
247:
242:
223:Peter Greenaway
214:
181:
85:Media type
69:
34:
17:
12:
11:
5:
565:
555:
554:
549:
544:
539:
534:
517:
516:
514:
513:
505:
497:
489:
480:
478:
474:
473:
471:
470:
461:
459:
455:
454:
452:
451:
442:
440:
436:
435:
433:
432:
424:
420:The Infinities
416:
408:
400:
392:
384:
376:
368:
360:
352:
344:
335:
333:
329:
328:
320:
319:
312:
305:
297:
289:
288:
271:
244:
243:
241:
238:
213:
210:
180:
177:
144:
143:
135:
131:
130:
122:
118:
117:
112:
106:
105:
102:
98:
97:
86:
82:
81:
78:
74:
73:
70:
67:
64:
63:
58:
54:
53:
50:
46:
45:
40:
36:
35:
32:
15:
9:
6:
4:
3:
2:
564:
553:
550:
548:
545:
543:
540:
538:
535:
533:
530:
529:
527:
511:
510:
506:
503:
502:
498:
495:
494:
490:
487:
486:
482:
481:
479:
475:
468:
467:
463:
462:
460:
456:
449:
448:
444:
443:
441:
439:Short stories
437:
430:
429:
428:Ancient Light
425:
422:
421:
417:
414:
413:
409:
406:
405:
401:
398:
397:
393:
390:
389:
385:
382:
381:
377:
374:
373:
369:
366:
365:
361:
358:
357:
353:
350:
349:
345:
342:
341:
337:
336:
334:
330:
326:
325:John Banville
318:
313:
311:
306:
304:
299:
298:
295:
285:
281:
275:
268:
264:
258:
256:
254:
252:
250:
245:
237:
234:
232:
228:
224:
219:
209:
207:
203:
199:
195:
190:
187:
176:
174:
170:
166:
165:
160:
159:John Banville
156:
152:
151:
142:
140:
136:
132:
129:
127:
123:
119:
116:
115:0-436-19991-2
113:
111:
107:
103:
99:
95:
91:
87:
83:
79:
75:
71:
65:
62:
59:
55:
51:
47:
44:
43:John Banville
41:
37:
33:First edition
30:
25:
19:
507:
501:Albert Nobbs
499:
491:
483:
477:Screenwriter
464:
445:
426:
418:
410:
402:
394:
386:
378:
371:
370:
362:
354:
346:
338:
280:Daniel Defoe
274:
266:
235:
230:
226:
217:
215:
193:
191:
185:
182:
179:Plot summary
169:Booker Prize
162:
149:
148:
147:
137:
124:
18:
485:Reflections
466:Todtnauberg
447:Long Lankin
227:The Tempest
206:art forgery
526:Categories
240:References
323:Works by
212:Reception
157:novel by
94:Paperback
90:Hardcover
57:Publisher
173:triptych
49:Language
509:The Sea
412:The Sea
396:Eclipse
202:Watteau
88:Print (
80:Ireland
52:English
22:Ghosts
512:(2013)
504:(2011)
496:(1999)
488:(1984)
469:(2006)
450:(1970)
431:(2012)
423:(2009)
415:(2005)
407:(2002)
404:Shroud
399:(2000)
391:(1997)
383:(1995)
380:Athena
375:(1993)
372:Ghosts
367:(1989)
359:(1982)
351:(1981)
348:Kepler
343:(1976)
332:Novels
150:Ghosts
141:
139:Athena
128:
92:&
39:Author
458:Plays
153:is a
101:Pages
155:1993
110:ISBN
72:1993
200:by
104:224
528::
265:,
248:^
233:.
316:e
309:t
302:v
286:.
96:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.