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Zarlino's compositions are more conservative in idiom than those of many of his contemporaries. His madrigals avoid the homophonic textures commonly used by other composers, remaining polyphonic throughout, in the manner of his motets. His works were published between 1549 and 1567, and include 41
484:. He was also one of the first theorists to offer an explanation for the prohibition of parallel fifths and octaves in counterpoint, and to study the effect and harmonic implications of the false relation.
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in 1558. Zarlino also described the 1/4-comma meantone and 1/3-comma meantone, considering all three temperaments to be usable. In more recent times, these have been approximated by the 50- 31- and 19-tone
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of 1571, he revised the numbering of modes to make the finales of the mode conform to the notes of the natural hexachord. He also wrote a treatise by the name of
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motets, mostly for five and six voices, and 13 secular works, mostly madrigals, for four and five voices. His 10 motets on the
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Atcherson, Walter. âKey and Mode in
Seventeenth- Century Music Theory Books.â Journal of Music Theory 17, no. 2 (1973): 210.
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based on proportions within the "Senario" (1, 2, 3, 4, 5, 6) and 8 is a departure from the previously established
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of St. Mark's, one of the most prestigious musical positions in Italy, and held it until his death. While
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543:"Zarlino: Modulationes sex vocum", Singer Pur, OEHMS CLASSICS 873 (2013)
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303:(31 January or 22 March 1517 â 4 February 1590) was an Italian
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636:. Vol. 1: Musicians. Oxford: Pergamon Press. p. 132.
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may have been the first theorist to describe a version of
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as a means of structuring harmony. His exposition of
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While he was a moderately prolific composer, and his
460:Zarlino was the first to theorize the primacy of
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315:. He made a large contribution to the theory of
652:The New Grove Dictionary of Music and Musicians
540:. Michael Noone, Ensemble Plus Ultra. GCD921406
374:he taught some of the principal figures of the
16:Italian music theorist and composer (1517â1590)
422:are polished and display a mastery of canonic
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23:1599 painting of Zarlino by an unknown artist
487:Zarlino's writings, primarily published by
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715:International Music Score Library Project
602:Learn how and when to remove this message
1032:Missa L'homme armé super voces musicales
565:This article includes a list of general
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339:. His early education was with the
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482:Ptolemy's intense diatonic scale
476:diatonic system as passed on by
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721:Free scores by Gioseffo Zarlino
711:Free scores by Gioseffo Zarlino
650:Article "Gioseffo Zarlino", in
362:In 1565, on the resignation of
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672:(revised ed.). New York:
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670:Music in the Renaissance
445:Dimostrationi harmoniche
378:of composers, including
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1404:Giovanni Battista Volpe
739:EncyclopĂŠdia Britannica
632:Illing, Robert (1963).
586:more precise citations.
443:, respectively. In his
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742:(11th ed.). 1911.
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61:Transition to Baroque
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1700:People from Chioggia
975:List of compositions
499:, as well as in the
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449:Sopplimenti Musicali
331:Zarlino was born in
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402:Works and influence
372:maestro di cappella
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924:St Mark's Basilica
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690:Gioseffo Zarlino,
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1103:Adieu mes amours
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358:
354:
350:
346:
342:
338:
334:
324:
322:
318:
314:
310:
306:
302:
291:
286:
284:
279:
277:
272:
271:
269:
268:
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255:
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238:
235:
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196:
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133:
132:
128:Major figures
125:
124:
116:
113:
111:
108:
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103:
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83:
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62:
58:
54:
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51:
45:
44:
41:
38:
37:
33:
29:
28:
21:
1508:Pietro Magri
1331:
1226:
1145:
1122:
1115:
1108:
1101:
1083:
1076:
1051:
1044:
1037:
1030:
1023:
1016:
1009:
1002:
995:
988:
881:
826:
825:
805:
800:Jacques Buus
791:
737:
727:(ChoralWiki)
691:
669:
651:
633:
627:
618:
598:
589:
570:
537:
513:
486:
459:
448:
444:
435:
428:Pietro Aaron
424:counterpoint
417:
411:
371:
367:
361:
353:Saint Mark's
348:
330:
317:counterpoint
300:
299:
258:
251:
219:
169:
59: /
1655:1590 deaths
1650:1517 births
1540:Matteo Tosi
854:(1533â1604)
842:(1527â1575)
836:(1525â1603)
830:(1517â1590)
584:introducing
501:Netherlands
474:Pythagorean
341:Franciscans
313:Renaissance
208:Major forms
1644:Categories
1516:Giulio Bas
592:April 2014
567:references
548:References
531:Recordings
195:Monteverdi
175:Palestrina
80:Burgundian
1622:Biography
1556:Luigi Vio
1110:El Grillo
785:Composers
505:Sweelinck
155:Tinctoris
57:Composers
1245:Category
1134:Scholars
1085:Miserere
912:See also
878:(d.1601)
866:(d.1587)
668:(1959).
478:Boethius
466:interval
432:meantone
333:Chioggia
309:composer
227:Madrigal
190:Victoria
145:Ockeghem
140:Binchois
105:Venetian
90:Colorist
47:Overview
32:a series
30:Part of
1596:Portals
1205:Related
723:in the
717:(IMSLP)
713:at the
707:(IMSLP)
645:Sources
580:improve
511:style.
509:Baroque
497:Germany
480:. See:
335:, near
311:of the
221:Chanson
170:Zarlino
160:Josquin
150:Busnois
1583:(2000)
1575:(1981)
1567:(1954)
1559:(1939)
1551:(1937)
1543:(1926)
1535:(1921)
1527:(1900)
1519:(1899)
1511:(1898)
1503:(1894)
1495:(1871)
1487:(1855)
1479:(1811)
1471:(1808)
1463:(1785)
1455:(1762)
1447:(1747)
1439:(1740)
1431:(1736)
1423:(1702)
1415:(1692)
1407:(1690)
1399:(1685)
1391:(1676)
1383:(1668)
1375:(1644)
1367:(1613)
1359:(1609)
1351:(1605)
1343:(1590)
1335:(1565)
1327:(1563)
1319:(1527)
1311:(1491)
1303:(1463)
1063:Motets
982:Masses
680:
658:
569:, but
493:France
420:motets
386:, and
337:Venice
215:Anthem
165:Tallis
135:Du Fay
1634:Music
525:Bible
464:over
462:triad
237:Motet
180:Lasso
100:Roman
678:ISBN
656:ISBN
307:and
232:Mass
185:Byrd
1287:at
351:of
1646::
736:.
676:.
527:.
495:,
398:.
382:,
359:.
355:,
323:.
34:on
1598::
1277:e
1270:t
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1073:"
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951:t
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770:e
763:t
756:v
686:.
605:)
599:(
594:)
590:(
576:.
455:.
289:e
282:t
275:v
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