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17:
106:. His preferred teaching arrangement was having three or four students present at each lesson: each would get their turn while the others observed and learned thereby. He was said to be a strict, exacting instructor not given to flattery, but who enthusiastically praised his students upon exceptional achievement. Many of Giovanni’s students became international opera stars including
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Strange as it may seem, father and son never understood each other and were never on good terms. They were both high strung, highly temperamental, and perhaps got on each other’s nerves. At any rate, there was a jealousy between them that was never overcome. The father said that his son was no
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musician, and the son answered by saying: ‘At my father’s death he had great fame and no money; at my death I will have a reasonable amount of fame and a large income.” When the misunderstanding between the two became unbearable the younger man went into the music profession for himself.
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There was famously bad blood between the elder and younger
Lamperti, eventually resulting in a bitter schism between the studios and followers of Francesco and Giovanni. A pupil of both Lampertis described the hostile situation thus:
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is the only book (other than the maxims recalled and published posthumously by his pupil
William E. Brown) that Giovanni ever wrote on his method.
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for his father at the conservatory, Giovanni knew better than anyone else the method his father taught (which he claimed descended from the great
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54:
98:). Appropriating it for teaching his own students, Giovanni also began teaching voice at the Milan conservatory and then for 20 years in
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Text for this article has been excerpted by permission of the author from the introduction to G.B. Lamperti
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178:. Edited by Lillian Strongin. New York: Taplinger Publishing Co., 1931.
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226:, Bel Canto Masters Study Series (Pitch Perfect Publishing, 2009).
132:
List of music students by teacher: K to M#Giovanni
Battista Lamperti
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99:
103:
16:
63:
165:. English translation by Theodore Baker, New York: 1905.
219:, (Nicolas Slonimsky, Ed.) New York: G. Schirmer, 1958
176:Vocal Wisdom: Maxims of Giovanni Battista Lamperti
44:Vocal Wisdom: Maxims of Giovanni Battista Lamperti
256:
62:Giovanni Battista Lamperti was born in 1839 in
30:(24 June 1839 – 18 March 1910) was an Italian
217:Baker's Biographical Dictionary of Musicians
249:International Music Score Library Project
245:Free scores by Giovanni Battista Lamperti
53:
20:Giovanni Battista Lamperti portrayed by
15:
171:. (8 volumes of solfeggi and vocalises)
257:
58:Portrait of Giovanni Battista Lamperti
285:Academic staff of Milan Conservatory
82:and studied voice and piano at the
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195:Interview with Lena Doria Devine,
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14:
296:
238:
156:
34:and son of the singing teacher
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1:
182:
7:
153:He died in Berlin in 1910.
70:to Italian singing teacher
10:
301:
210:
28:Giovanni Battista Lamperti
163:Die Technik des Bel Canto
148:The Technics of Bel Canto
40:The Technics of Bel Canto
224:The Technic of Bel Canto
280:Italian music educators
86:. A student and later
38:. He is the author of
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59:
42:(1905) and source for
24:
140:
57:
19:
275:Musicians from Milan
174:William Earl Brown.
203:, October 25, 1893.
201:The Musical Courier
72:Francesco Lamperti
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36:Francesco Lamperti
25:
232:978-0-557-09735-7
124:Marcella Sembrich
96:Antonio Bernacchi
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204:
193:
116:Agnes Huntington
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169:Scuola di Canto
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108:Irene Abendroth
68:Austrian Empire
52:
50:Life and career
32:singing teacher
22:Wilhelm Höffert
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11:
5:
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239:External links
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128:Roberto Stagno
120:Franz Nachbaur
102:, followed by
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197:New York Post
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112:David Bispham
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78:at the great
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199:. Qtd. from
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157:Publications
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84:conservatory
74:. He was a
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43:
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27:
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270:1910 deaths
265:1839 births
88:accompanist
259:Categories
183:References
94:-teacher
80:cathedral
76:chorister
92:castrato
46:(1931).
251:(IMSLP)
247:at the
211:Sources
130:. See:
100:Dresden
230:
126:, and
104:Berlin
64:Milan
228:ISBN
122:, ,
261::
134:.
118:,
114:,
110:,
66:,
234:.
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