188:
173:, a result of the collaboration made in 1446 for this room of the hotel. Resembling an altarpiece but functioning as an inducement to good decision making, this monumental painting shows the four doctors of the Church (Sts Gregory and Jerome at the left, Ambrose and Augustine at the right) in a courtyard around a massive Madonna and Child. The Virgin's celestial court is vividly rendered with marbled pink and grey architecture, rich deep colours, costly robes, and lovingly observed plant life.
380:(Book excerpt—translated into english): The grandiose triptych, a splendid result of the close collaboration between Antonio Vivarini and his brother-in-law Giovanni d'Alemagna, was made in 1446 for this room of the hotel (originally however on the wall opposite Titian's Presentation). Lively and rich is the coloristic orchestration, sparkling with gold not only in the pastille ornaments, but also in all those details that the refined imagination of the two artists wanted to embellish.
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Il grandioso trittico, splendido frutto della stretta collaborazione fra
Antonio Vivarini e il cognato Giovanni d'Alemagna, fu eseguito nel 1446 per questa stessa sala dell'Albergo (in origine peró sulla parete di fronte alla Presentazione di Tiziano). Vivace e ricca ne é l'orchestrazione
161:
Although it is difficult to distinguish the two artists' contributions, Giovanni is associated with the St Jerome (1444), which carries the signature 'Johannes'. This painting suggests that
Giovanni's work was generally flatter and more decorative than Antonio's more naturalistic style.
565:
Fabian, Claudia; Klier, Ute; Meßmer, Gabriele; Rebhan, Helga; Stephan-Bahle, Renate; Dannhauer, Paul
Gerhard; Grönbold, Günter; Ott, Sonja; Riesterer, Winfried; et al. ((Cholawka, Nadia), (Richter, Sigrid), (Tafferna, Lioba)) (2000).
146:
Giovanni d'Alemagna is remembered above all for the work done in Venice, characterized by decorative forms that recall Nordic influence. Between 1430 and 1435 he created a cycle called
Stories of Christ, which are still exhibited at the
168:
Giovanni and
Antonio signed and dated the triptych representing the Enthroned Madonna with Child and Saints for the wall behind the officers' bench of the recently expanded meeting room of the Scuola della Carità (now part of the
255:
Triptych of the Virgin and child in majesty surrounded by angels between the doctors of the Church (saints
Gregory, Jerome, Ambroise and Augustine, 1446, with Antonio Vivarini, tempera on panels, central
165:
Giovanni d'Alemagna and
Antonio Vivarini ran an shop in Venice that specialized in multi-tiered, multi-paneled altarpieces and fanciful Gothic frames, which they subcontracted to various woodworkers.
378:
coloristica, scintillante d'oro non solo negli ornati a pastiglia, ma anchi in tutti quei particolari che la raffinata fantasia dei due artisti volle impreziosire.
154:
According to
Ridolfo and Zanetti, Giovanni and Antonio Vivarini flourished about the year 1440, where they adduce authority for an altar-piece in
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Personennamen des
Mittelalters : PMA : Namensformen für 13,000 Personen gemäss den Regeln für die alphabetische Katalogisierung (RAK)
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Polyptych of Saint Sabina, 1443 and
Polyptych of the Virgin with Antonio Vivarini, San Zaccaria Church, San Tarasio chapel
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on religious paintings in Venice and Padua, that are preserved in the named cities together with those of Vivarini.
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Medieval personal names: MPN: Name forms for 13,000 people according to the rules for alphabetical cataloging (RAC)
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597:. Vol. 3. Translated by Roscoe, Thomas. W. Simpkin and R. Marshall, Stationers'-Hall Court, Ludgate Street.
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Enthroned Madonna with Child and Saints Gregory and Jerome (left), Ambrose and Augustine (right)
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The paintings have the epigraphs, which has been transmitted in different spellings like
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Geschichte der zeichnenden Künste von ihrer Wiederauflebung bis auf die neuesten Zeiten
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Coronation of the Virgin, 1444 with Antonio Vivarini, Church of San Pantalon, Venice
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In 1448, he worked at Vivarini's workshop, which was moved to Padua, together with
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From Giotta to Cézanne: an outline of the history of Western European painting
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Od Giotta do Cézanne'a : zarys historii malarstwa zachodnioeuropejskiego
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of the Body of Christ "or the Sepulcher", 1433, with Antonio Vivarini,
158:, which bears the inscription of Zuane e Antonio da Muran pense 1444.
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History of the drawing arts from their revival to the latest times
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488:] (in Italian). Vol. 1. Venice: Tipi del Gondoliere.
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Triptych by Giovanni d'Alemagna and Antonio Vivarini (1446),
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50:
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669:] (in Italian). Paris: Éditions Place des Victoires.
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503:] (in German). Zurich: Orell, Füssli und Compagnie.
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539:] (in German). Göttingen: Johann Friedrich Röwer.
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cm each, Gallerie dell'Accademia de Venise, Venice.
226:Decorations of the frescoes in the Ovetari chapel,
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313:. This article uses the most common spelling. See
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514:(3 ed.). London: Laurence King Publishing.
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375:(Book excerpt—original in italian by Manzutto):
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631:(in Italian). Vol. 7. Touring Editore.
180:and Nicolò Pizolo, in the decoration of the
625:Manzutto, Giuliano; Nicolini, Toni (1985).
134:, active in Italy, with his brother-in-law
508:Paoletti, John T.; Radke, Gary M. (2005).
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120: – 9 July 1450) was a
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204:, the exact date is unknown today.
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352:Zuane and Antonio da Muran pense
348:Zuane and Antonio de Muran pense
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246:, Chapel of San Tarasio, Venice
547:Painting in Renaissance Venice
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824:15th-century Italian painters
694:, Vol. 24, No. 47 (2003), pp.
661:Scirè, Giovanna Nepi (2008).
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106:[dʒoˈvannidaleˈmaɲɲa]
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814:15th-century German painters
728:Resources in other libraries
649:Allgemeines Künstler-Lexikon
439:Manzutto & Nicolini 1985
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184:, but died soon afterwards.
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654:General artist encyclopedia
496:Allgemeines Künstlerlexicon
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723:Resources in your library
550:. Yale University Press.
501:General artist dictionary
478:Boni, Filippo de (1840).
412:Paoletti & Radke 2005
319:Paoletti & Radke 2005
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218:Kunsthistorisches Museum
214:Triptych of Saint Jerome
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714:Giovanni d'Alemagna
602:Levey, Michael (1987).
544:Humfrey, Peter (1995).
481:Biografia degli artisti
264:cm and two sides of 339
228:Church of the Eremitani
195:Gallerie dell'Accademia
171:Gallerie dell'Accademia
646:Meyer, Julius (1872).
244:Church of San Zaccaria
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102:Italian pronunciation:
829:Italian male painters
591:Lanzi, Luigi (1828).
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819:German male painters
692:Artibus et Historiae
594:The School of Venice
303:Johannes de Alemania
200:He was the tutor of
295:Giovanni il Tedesco
291:Giovanni d'Alamagna
125:renaissance painter
98:Giovanni d'Alemagna
25:Giovanni d'Alemagna
331:Fabian et al. 2000
289:Diversely spelled
202:Quirizio da Murano
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676:978-2-8099-0019-4
111:Johannes Alamanus
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463:Scirè 2008
451:Meyer 1872
400:Lanzi 1828
388:References
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752:Biography
360:Boni 1840
315:Boni 1840
240:Polyptych
234:In Venice
149:Ca' d'Oro
142:Biography
764:Painting
268:cm × 138
260:cm × 200
132:ancestry
122:Venetian
91:Painting
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109:; born
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