293:
314:
335:
272:
251:
356:
20:
478:
292:
313:
97:(the young man of the landscapes). Although he produced drawings and paintings in this genre throughout his career, his interest shifted towards grand manner figure painting. Muziano painted religious and historical subjects in a style based largely on
334:
271:
250:
82:. Yet, a nearly autobiographical story of Muziano written by his confessor (unpublished until 1954) indicates instead that Muziano was born in Brescia, and left this town as a young man, and that his first apprenticeship was under
355:
362:
125:
Pinacoteca. Its techniques of spatial organization and narrative composition are more typical of the High
Renaissance than of Muziano's Mannerist contemporaries.
493:
113:, established his fame. Michelangelo himself pronounced its author one of the "first artists of that age". The painting was later placed in the church of
211:
128:
Muziano came to be the leading artist in Rome during the 1570-80s, painting in a style that appealed to
Counter-Reformation patrons. He worked for
559:
498:
564:
160:
574:
51:– 1592), was an Italian painter, one of the most prominent artists active in Rome in the mid-to-late sixteenth century.
90:
in 1544–46 in the town of Padua. He then spent time in Venice until 1549, but moved permanently to Rome about 1550.
175:). Muziano also designed mosaics for the Gregorian Chapel in the basilica, and was responsible for re-founding the
19:
569:
129:
579:
415:
184:
299:
450:, Volume 1; author Cesare Cittadella; published by Francesco Pomatelli in Ferrara, 1782, Page 162.
237:
164:
152:
529:
534:
171:(the other painting, a "Mass of St. Basil", is lost, although it is recorded in an etching by
549:
180:
436:
148:
74:
Accounts from the 16th to 20th centuries said that
Muziano began work under the tutelage of
554:
207:
114:
93:
Landscapes figured prominently in
Muziano's early work, leading the Romans to nickname him
8:
388:
Patrizia Tosini, Girolamo
Muziano 1532-1592: dalla maniera alla natura (Ugo Bozzi, 2008).
151:(although now removed to a corridor behind the sacristy), paintings for three chapels in
83:
459:
320:
168:
75:
447:
367:
346:
325:
304:
283:
262:
188:
137:
118:
87:
278:
172:
110:
543:
489:
484:
215:
133:
242:
122:
98:
341:
257:
163:. This last painting was one of two altarpieces that Muziano painted for
60:
502:. Vol. 19 (11th ed.). Cambridge University Press. p. 103.
448:
Catalogo istorico de' pittori e scultori ferraresi e delle opere loro.
200:
483:
This article incorporates text from a publication now in the
132:
from 1560 to 1566, and his frescoes for the
Cardinal's villas in
196:
102:
64:
31:
27:
79:
105:
of his figures, even in works depicting ascetic saints. His
300:
Hercules steals the Apples of the
Hesperides – Twelfth Labor
514:
Freedberg, Sydney J. (1993). Pelican
History of Art (ed.).
117:
above
Muziano's tomb; it was afterwards transferred to the
68:
462:; by Francesco Scannelli; Cesena (1657); page 191-192.
398:
396:
394:
206:
Muziano died in 1592, and was buried in the church of
391:
321:Hercules slays the Stymphalian Birds – Sixth Labor
228:Christ greets the Ambassadors of John the Baptist
541:
535:Brief bio of Muziano from the Web Gallery of Art
183:) in Rome (1577). His works can also be seen in
167:during his time as superintendent of works for
279:Hercules slaying Lernaean Hydra – Second Labor
342:Hercules captures Cretan Bull – Seventh Labor
101:, giving great prominence to the monumental
258:Hercules slaying Nemean Lion – First Labor
157:St Jerome preaching to Monks in the Desert
109:(1555), painted for the Colonna palace in
513:
488:
402:
18:
542:
518:. pp. 344–345 Penguin Books Ltd.
221:
199:, and the church of San Francesco in
560:Artists from the Province of Brescia
147:formerly the high altarpiece in the
437:"Accademia di S.Luca", Roma Segreta
13:
14:
591:
523:
143:His most noted paintings include
476:
354:
333:
312:
291:
270:
249:
453:
441:
430:
408:
382:
16:Italian painter (c. 1532–1592)
1:
565:16th-century Italian painters
375:
230:- Museo antico Tesoro- Loreto
45:
575:Italian Renaissance painters
516:Painting in Italy, 1500–1600
193:portrait of Vittoria Colonna
7:
460:Il microcosmo della pittura
195:), the Cathedral Museum of
130:Cardinal Ippolito II d'Este
10:
596:
507:
28:Museo dell'Opera del Duomo
416:"Resurrection of Lazarus"
185:Santa Caterina dei Funari
234:Landscape with waterfall
210:. Among his pupils were
161:Santa Maria degli Angeli
499:Encyclopædia Britannica
153:Santa Maria in Aracoeli
107:Resurrection of Lazarus
67:, but worked mainly in
54:
24:Resurrection of Lazarus
530:Italy cyberguide entry
363:Apotheosis of Hercules
34:
570:Italian male painters
181:Accademia di San Luca
22:
208:Santa Maria Maggiore
165:St. Peter's Basilica
121:, and now is in the
115:Santa Maria Maggiore
95:Il giovane dei paesi
84:Domenico Campagnola
580:Painters from Rome
222:Anthology of works
177:Academy of St Luke
149:church of the Gesù
35:
494:Muziano, Girolamo
169:Pope Gregory XIII
136:could be seen in
78:, an imitator of
587:
519:
503:
482:
480:
479:
463:
457:
451:
445:
439:
434:
428:
427:
425:
423:
418:. Vatican Museum
412:
406:
400:
389:
386:
358:
337:
316:
295:
274:
253:
241:Three paintings
50:
47:
38:Girolamo Muziano
595:
594:
590:
589:
588:
586:
585:
584:
540:
539:
526:
510:
492:, ed. (1911). "
477:
475:
467:
466:
458:
454:
446:
442:
435:
431:
421:
419:
414:
413:
409:
401:
392:
387:
383:
378:
371:
359:
350:
338:
329:
317:
308:
296:
287:
275:
266:
254:
224:
189:Palazzo Colonna
119:Quirinal Palace
88:Lambert Sustris
59:He was born in
57:
48:
17:
12:
11:
5:
593:
583:
582:
577:
572:
567:
562:
557:
552:
538:
537:
532:
525:
524:External links
522:
521:
520:
509:
506:
505:
504:
490:Chisholm, Hugh
465:
464:
452:
440:
429:
407:
390:
380:
379:
377:
374:
373:
372:
360:
353:
351:
339:
332:
330:
318:
311:
309:
297:
290:
288:
276:
269:
267:
255:
248:
245:
244:
239:
231:
223:
220:
212:Paolo Rossetti
173:Jacques Callot
56:
53:
15:
9:
6:
4:
3:
2:
592:
581:
578:
576:
573:
571:
568:
566:
563:
561:
558:
556:
553:
551:
548:
547:
545:
536:
533:
531:
528:
527:
517:
512:
511:
501:
500:
495:
491:
486:
485:public domain
474:
473:
472:
471:
461:
456:
449:
444:
438:
433:
417:
411:
404:
403:Chisholm 1911
399:
397:
395:
385:
381:
369:
365:
364:
357:
352:
348:
344:
343:
336:
331:
327:
323:
322:
315:
310:
306:
302:
301:
294:
289:
285:
281:
280:
273:
268:
264:
260:
259:
252:
247:
246:
243:
240:
238:
235:
232:
229:
226:
225:
219:
217:
216:Cesare Nebbia
214:of Cento and
213:
209:
204:
202:
198:
194:
190:
186:
182:
178:
174:
170:
166:
162:
158:
154:
150:
146:
145:Circumcision,
141:
139:
135:
131:
126:
124:
120:
116:
112:
108:
104:
100:
96:
91:
89:
85:
81:
77:
72:
70:
66:
62:
52:
43:
39:
33:
29:
25:
21:
550:1530s births
515:
497:
470:Attribution:
469:
468:
455:
443:
432:
420:. Retrieved
410:
384:
368:Villa d'Este
361:
347:Villa d'Este
340:
326:Villa d'Este
319:
305:Villa d'Este
298:
284:Villa d'Este
277:
263:Villa d'Este
256:
233:
227:
205:
192:
176:
156:
144:
142:
138:Villa d'Este
127:
106:
99:Michelangelo
94:
92:
73:
58:
41:
37:
36:
23:
555:1592 deaths
422:January 26,
61:Acquafredda
49: 1532
544:Categories
376:References
236:(drawing)
370:, Tivoli.
349:, Tivoli.
328:, Tivoli.
307:, Tivoli.
286:, Tivoli.
265:, Tivoli.
366:(1565),
345:(1565),
324:(1565),
303:(1565),
282:(1565),
261:(1565),
201:Frascati
76:Romanino
26:, 1556.
508:Sources
487::
197:Orvieto
123:Vatican
111:Subiaco
103:anatomy
65:Brescia
63:, near
42:Mutiani
32:Orvieto
481:
187:, the
155:, and
134:Tivoli
80:Titian
424:2012
86:and
69:Rome
55:Life
496:".
159:in
40:or
546::
393:^
218:.
203:.
140:.
71:.
46:c.
30:,
426:.
405:.
191:(
179:(
44:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
