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in 1576. The
Burbages originally had a 21-year lease of the site on which the theatre was built but owned the building outright. However, the landlord, Giles Allen, claimed that the building had become his with the expiry of the lease. On 28 December 1598, while Allen was celebrating Christmas at his
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was intended to be the seventh partner, but he sold out his share to the four minority sharers, leaving them with more than the originally planned 10 per cent). These initial proportions changed over time as new sharers were added. Shakespeare's share diminished from 1/8 to 1/14 (roughly 7 per cent),
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Large columns on either side of the stage supported a roof over the rear portion of the stage. The ceiling under this roof was called the "heavens," and was painted as a sky with clouds. A trapdoor in the heavens enabled performers to descend using some form of rope and harness. The stage was set in
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to reconstruct it as The Globe on some marshy gardens to the south of Maiden Lane, Southwark. While only a hundred yards from the congested shore of the Thames, the piece of land was situated close by an area of farmland and open fields. It was poorly drained and, notwithstanding its distance from
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The back wall of the stage had two or three doors on the main level, with a curtained inner stage in the centre (although not all scholars agree about the existence of this supposed "inner below"), and a balcony above it. The doors entered into the "tiring house" (backstage area) where the actors
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had to be created to carry the building above the flood level. The new theatre was larger than the building it replaced, with the older timbers being reused as part of the new structure; the Globe was not merely the old
Theatre newly set up at Bankside. It was probably completed by the summer of
437:. A theatrical cannon, set off during the performance, misfired, igniting the wooden beams and thatching. According to one of the few surviving documents of the event, no one was hurt except a man whose burning breeches were put out with a bottle of ale. It was rebuilt in the following year.
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was, according to this explanation, therefore adopted as the theatre's motto. It seems likely, however, that the link between the supposed motto from
Petronius and the theatre was made only later, originating with the industrious early Shakespeare biographer
521:-strewn earthen floor to watch the performance. During the excavation of the Globe in 1989 a layer of nutshells was found, pressed into the dirt flooring so as to form a new surface layer. Vertically around the yard were three levels of more expensive
529:, thrust out into the middle of the open-air yard. The stage was approximately 43 feet (13 m) in width, 27 feet (8 m) in depth and was raised about 5 feet (1.5 m) off the ground. On this stage, there was a
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eastwards as far as Porter Street and from Park Street southwards as far as the back of
Gatehouse Square. Conveniently within the "entertainment ghetto" already established at Southwark, it was being offered for rent by
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468:. It is an academic approximation of the original design, based on available evidence of the 1599 and 1614 buildings, and is located approximately 750 feet (230 m) from the site of the original theatre.
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The precise location of the building remained unknown until a small part of the foundations, including one original pier base, was discovered in 1989 by the
Department of Greater London Archaeology (now
409:, however, defers the opening date until September 1599, taking the "wooden O" reference to be disparaging and thus unlikely to be used in the Globe's inaugural staging. He suggests that the account of
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The Globe's detailed dimensions are unknown, but its shape and size can be estimated from scholarly inquiry over the last two centuries. The evidence suggests that it was a three-storey, open-air
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on the theatre's flag, but in mythology the figures of Atlas and
Hercules can be interchangeable, as one of the labours of Hercules was to relieve Atlas of his burden.
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by an ordinance dated 2 September 1642. It was pulled down in 1644–45 (the commonly cited document dating the act to 15 April 1644 is not reliable) to make room for
1945:
1953:
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Allen's court proceedings against Street and the
Burbages noted that the timber from The Theatre was "sett up…in an other forme" at Bankside. Quoted in
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Site of the Globe
Theatre, from Park Street; the dark line in the centre marks the foundation line. The white wall beyond is the rear of Anchor Terrace.
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on Park Street. The shape of the foundations is now replicated on the surface. As the majority of the foundations lies beneath 67–70 Anchor
Terrace, a
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385:, supported by the players and their friends, dismantled The Theatre beam by beam and transported it to Street's waterfront warehouse near
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in 1647. However, in 1988–89 the uncovering of a small part of the Globe's foundation suggested that it was a polygon of 20 sides.
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stealing the Globe's custom as "carrying off
Hercules and his load too" alludes to the metaphor. An elegy on the death of Globe actor
220:. It was destroyed by fire on 29 June 1613. A second Globe Theatre was built on the same site by June 1614 and stayed open until the
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witnessed on 21 September 1599, tells of the more likely first production. The first performance for which a firm record remains was
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took Oldys's conjecture further, by reporting that the motto was on the theatre's flag of a globe of the Earth on the shoulders of
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and parish records has identified the plot of land acquired for building The Globe as extending from the west side of modern-day
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approximately 100 feet (30 m) in diameter that could house up to 3,000 spectators. The Globe is shown as round on
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to admit extra daylight to the inner stage. The small building to the left supplied food- and ale-sellers at the theatre.
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has described how it was John of Salisbury's commentary, rather than the works of Petronius, that suggested the name.
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Conjectural reconstruction of the Globe theatre by C. Walter Hodges based on archaeological and documentary evidence
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Fitzpatrick, Tim (December 2011). "From archaeological remains to onion dome: At the upper limits of speculation".
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the river, was liable to flooding at times of particularly high tide; a "wharf" (bank) of raised earth with timber
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547:. Rush matting covered the stage, although this may only have been used if the setting of the play demanded it.
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1892:"The 1599 Globe and its modern replica: Virtual Reality modelling of the archaeological and pictorial evidence"
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This is Shakespeare's little essay on the motto of the new Globe Theatre which the company had just occupied.
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Cooper, Tarnya, ed. (2006). "A view from St Mary Overy, Southwark, looking towards Westminster, c. 1638".
613:, book three. This included a discourse on theatrical metaphors from the Bible and from many authors from
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2141: – The structure of the Globe by extrapolation from Hollar's sketch. University of Sydney.
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348:, owned double shares of the whole, or 25 per cent each; the other four men, Shakespeare, John Heminges,
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dressed and awaited their entrances. The floors above may have been used as storage for costumes and
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138:
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Stern, Tiffany (2010). "The Globe Theatre and the open-air amphitheatres". In Sanders, Julie (ed.).
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There would have been a ready understanding of the classical derivation. Shakespeare's complaint in
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the south-east corner of the building so as to be in shade during afternoon performances in summer.
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Stern, Tiffany (1997). "Was 'Totus mundus agit histrionem' ever the motto of the Globe Theatre?".
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Hollar sketched the building from life (see top), but only later assembled the drawings into this
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1657:. Translated by Trask, Willard R. (1953 ed.). Princeton University Press. pp. 139–140.
726:. Here the correct label has been restored. Tim Fitzpatrick, professor of performance studies at
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1395:: "the stagewill bring you to most perfect lightthough the scarecrows in the yard hoot at you".
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The Shakespere allusion-book : a collection of allusions to Shakespere from 1591 to 1700
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Shakespearean Playhouses a history of English theatres from the beginnings to the restoration
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243:", opened in 1997 approximately 750 feet (230 m) from the site of the original theatre.
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1128:. Cambridge New Shakespeare. Cambridge, England: Cambridge University Press. p. ix.
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At the base of the stage and surrounding it on three sides, there was an area called the
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Like all the other theatres in London, the Globe was closed down by the outbreak of the
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to which he once had access. This was repeated in good faith by his literary executor
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Another allusion, familiar to the contemporary theatre-goer, would have been to
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Moving Shakespeare Indoors Performance and Repertoire in the Jacobean Playhouse
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This article is about the historic theatre. For the modern reconstruction, see
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On 29 June 1613, the Globe Theatre went up in flames during a performance of
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for use by performers to enter from the "cellarage" area beneath the stage.
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261:
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Shakespeare: the evidence: unlocking the mysteries of the man and his work
603:("Theatre of the World"), a meditation by the twelfth-century philosopher
324:
The Globe Theatre is shown at the bottom centre of this London street map.
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and its famous reference to the performance crammed within a "wooden O".
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The Rose and the Globe – playhouses of Shakespeare's Bankside, Southwark
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617:. Reprinted in 1595, it was in wide circulation and much read. Critic
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1242:
568:
518:
386:
209:
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517:, where, for a penny, people (the "groundlings") would stand on the
1713:(ed.). "Hamlet, an apology for actors, and the sign of the Globe".
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Former buildings and structures in the London Borough of Southwark
1204:. Vol. Two. Oxford, England: Clarendon Press. pp. 32–33.
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The Globe was owned by actors who were also shareholders in the
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Not from Petronius, as some writers have averred, but from the
1457:
1153:. Cambridge, England: Cambridge University Press. p. 113.
1023:
626:
365:
1688:. Cambridge, England: Cambridge University Press. p. 76.
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This is no more than a pencil note in the margin of a copy of
500:'s sketch of the building, later incorporated into his etched
1736:
Playhouse and cosmos : Shakespearean theater as metaphor
1453:(2 ed.). Oxford, England: Oxford University Press. 1989.
999:
722:, when he mislabelled his images of The Globe and the nearby
252:
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816:
792:
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of 1616 showing The Globe (right) and the Bear Garden (left)
1613:
Egan, Gabriel (2001). "Globe theatre". In Dobson, Michael;
879:
840:
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The name of the Globe supposedly alludes to the Latin tag
212:, close to the south bank of the Thames, by Shakespeare's
1214:
563:("all the world plays the player"), in turn derived from
1421:. Englewood Cliffs, NJ: Prentice Hall. pp. 189–91.
660:
is making reference to the Globe Theatre's motto in his
1540:. Vol. 2. London: Chatto and Windus. p. 373.
1398:
1349:
Astington, John (2014). "Why the theatres changed". In
1286:"John Orrell, 68, Historian On New Globe Theater, Dies"
1126:
The Works of Shakespeare – Julius Caesar
804:
869:
867:
356:, owned a single share, or 12.5 per cent. (Originally
3355:
Burned buildings and structures in the United Kingdom
2069:
1599 : a year in the life of William Shakespeare
987:
399:
1599, possibly in time for the opening production of
1738:. Newark: University of Delaware Press. p. 38.
1625:. Oxford, England: Oxford University Press. p.
1524:
1504:(2 ed.). Oxford University Press. p. 210.
1011:
852:
671:
372:, which had been built by Richard Burbage's father,
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864:
828:
2145:Comprehensive Guide to Shakespeare's Globe Theatre
1990:
1967:
1309:
630:(act 2, scene 3) likening the child actors of the
224:. As well as plays by Shakespeare, early works by
1221:. Cambridge University Press. pp. 439, 459.
580:, who claimed as his source a loaned copy of the
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1965:
1855:"Reconstructions of The Globe: A Retrospective"
1487:
1475:
968:
822:
798:
782:
780:
458:A modern reconstruction of the theatre, named "
413:, a Swiss tourist, describing a performance of
1294:, 28 September 2003, accessed 19 December 2012
897:
567:—"because all the world is a playground"—from
288:, no further excavations have been permitted.
2165:
1792:
1655:European Literature and the Latin Middle Ages
1463:
1376:
1374:
1092:
1072:The Globe Playhouse. Its design and equipment
1057:
1044:
981:
953:
885:
846:
239:A modern reconstruction of the Globe, named "
1733:
1594:(3). The Society for Theatre Research: 121.
1559:Ingleby, C. M.; Smith, Lucy Toulmin (1874).
1558:
1500:Egan, Gabriel (2015). Wells, Stanley (ed.).
1120:
964:
962:
777:
3112:
1966:Mulryne, J. R.; Shewring, Margaret (1997).
1686:Shakespeare and the Geography of Difference
1142:
926:
300:Second Globe Theatre, detail from Hollar's
2172:
2158:
2039:
1818:The Site of the Globe Playhouse, Southwark
1410:
1371:
1357:. Cambridge University Press. p. 21.
1005:
891:
565:quod fere totus mundus exerceat histrionem
49:
3340:17th-century disestablishments in England
1929:. Cambridge: Cambridge University Press.
1766:. Harmondsworth, England: Penguin Books.
1348:
1184:
1182:
959:
1997:. New Haven, CT: Yale University Press.
1943:
1758:
1493:
1218:The Cambridge History of British Theatre
1202:The Life and Letters of Sir Henry Wotton
873:
483:
475:
462:", opened in 1997, with a production of
327:
319:
307:
295:
204:was a theatre in London associated with
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2023:. University of Alberta. Archived from
1815:
1683:
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1208:
1040:
1038:
1029:
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810:
646:, in his introduction to an edition of
554:
14:
3302:
2139:"A reconstruction of the second Globe"
2085:
2011:
1988:
1816:Braines, William Westmoreland (1924).
1708:
1416:
1404:
1315:
1188:
1179:
1173:
1074:(2 ed.). London: John Constable.
858:
280:) beneath the car park at the rear of
272:, actors with the Chamberlain's Men.
55:The second Globe, preliminary sketch (
2924:Complete Works of William Shakespeare
2153:
1793:Bowsher, Julian; Miller, Pat (2009).
1585:
1330:
1254:
1148:
1069:
340:. Two of the six Globe shareholders,
2017:"Reconstructing Shakespeare's Globe"
1946:"The Discovery of the Globe Theatre"
1921:
1889:
1852:
1723:. Cambridge University Press: 35–37.
1612:
1499:
1336:
1303:
1297:
1215:Jane Milling; Peter Thomson (2004).
1035:
993:
3284:
1621:The Oxford Companion to Shakespeare
1502:The Oxford Companion to Shakespeare
1100:. London: Macmillan. p. 1030.
27:16th/17th-century theatre in London
24:
3099:Shakespeare's influence on Tolkien
1098:William Shakespeare Complete Works
364:The Globe was built in 1599 using
25:
3406:
2109:
1927:The Shakespearean Stage 1574–1642
513:, the name deriving from the old
503:Long View of London from Bankside
3283:
3274:
3273:
2627:
1561:Shakespeare's centurie of prayse
1327:Mulryne; Shewring (1997: 37; 44)
674:
662:"All the world's a stage" speech
1944:McCudden, Simon (Spring 1990).
1752:
1727:
1702:
1606:
1579:
1552:
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1435:
1342:
1321:
1278:
1235:
1114:
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1063:
1050:
974:
920:
712:
361:over the course of his career.
222:London theatre closures of 1642
3345:Archaeological sites in London
3320:1614 establishments in England
3310:1599 establishments in England
3104:Works titled after Shakespeare
1974:. Cambridge University Press.
1762:, ed. (1953). "Introduction".
1353:; Karim-Cooper, Farah (eds.).
747:
734:(centre) could have covered a
332:Position on modern street plan
84:Maiden Lane (now Park Street)
36:Globe Theatre (disambiguation)
13:
1:
3365:Demolished theatres in London
3264:Shakespeare and other authors
1896:Early Modern Literary Studies
1785:
1419:The making of theatre history
1070:Adams, John Cranford (1961).
755:"Fact Sheet: The First Globe"
56:
3146:Shakespeare Birthplace Trust
941:10.1080/17450918.2011.625445
573:Totus mundus agit histrionem
561:totus mundus agit histrionem
278:Museum of London Archaeology
7:
2952:English Renaissance theatre
2795:The Second Maiden's Tragedy
2774:The Merry Devil of Edmonton
2306:The Two Gentlemen of Verona
2071:. London: Faber and Faber.
2049:. Oxford: Clarendon Press.
1970:Shakespeare's Globe Rebuilt
1734:van den Berg, Kent (1985).
1536:(1909). Monro, John (ed.).
1488:Mulryne & Shewring 1997
1476:Mulryne & Shewring 1997
969:Mulryne & Shewring 1997
823:Mulryne & Shewring 1997
799:Mulryne & Shewring 1997
667:
425:Every Man out of His Humour
246:
236:were first performed here.
10:
3411:
3390:Theatres completed in 1614
3385:Theatres completed in 1599
3120:Folger Shakespeare Library
2666:The Phoenix and the Turtle
2256:The Merry Wives of Windsor
1873:10.1017/CCOL0521660742.001
1096:; Rasmussen, Eric (2007).
449:closed all London theatres
291:
208:. It was built in 1599 at
29:
3375:Former theatres in London
3258:
3169:
3139:Royal Shakespeare Theatre
3134:Royal Shakespeare Company
3041:
2898:
2869:
2698:
2689:
2636:
2625:
2557:
2529:
2420:
2330:
2263:A Midsummer Night's Dream
2207:All's Well That Ends Well
2196:
2187:
1863:. Vol. 52. pp.
1464:Bowsher & Miller 2009
1450:Oxford English Dictionary
1058:Bowsher & Miller 2009
1045:Bowsher & Miller 2009
982:Bowsher & Miller 2009
954:Bowsher & Miller 2009
904:National Portrait Gallery
900:Searching for Shakespeare
886:Bowsher & Miller 2009
847:Bowsher & Miller 2009
471:
368:from an earlier theatre,
264:, who was a neighbour to
190:
182:
174:
159:
154:
144:
134:
95:
80:
76:
48:
2277:Pericles, Prince of Tyre
2122:Joseph Quincy Adams, Jr.
2117:Shakespearean Playhouses
1820:(2nd ed.). London:
1709:Dutton, Richard (1988).
1383:(1609), reprinted 1907,
1032:, pp. 122–123, 129.
705:
656:, 1953), perceives that
381:country home, carpenter
2285:The Taming of the Shrew
2135:The 1996 reconstruction
442:First English Civil War
3335:17th century in London
3330:16th century in London
3325:1642 disestablishments
3315:1613 disestablishments
2967:Lord Chamberlain's Men
2878:The Passionate Pilgrim
2651:comparison to Petrarch
2270:Much Ado About Nothing
2249:The Merchant of Venice
1890:Egan, Gabriel (2004).
1853:Egan, Gabriel (1999).
1684:Gillies, John (1994).
1563:(2 ed.). London:
489:
481:
338:Lord Chamberlain's Men
333:
325:
317:
305:
218:Lord Chamberlain's Men
139:Lord Chamberlain's Men
34:. For other uses, see
3157:Shakespeare Institute
3126:Shakespeare Quarterly
2645:Shakespeare's sonnets
2313:The Two Noble Kinsmen
1989:Nagler, A.M. (1958).
1651:Curtius, Ernst Robert
1417:Kuritz, Paul (1988).
1198:Smith, Logan Pearsall
1151:Ben Jonson in Context
487:
479:
331:
323:
311:
299:
257:Southwark Bridge Road
3013:Spelling of his name
2853:Vortigern and Rowena
2831:Thomas Lord Cromwell
2411:Troilus and Cressida
2341:Antony and Cleopatra
2235:Love's Labour's Lost
2221:The Comedy of Errors
2093:. London: Headline.
1954:London Archaeologist
1822:Hodder and Stoughton
1567:. pp. 409–410.
1256:Adams, Joseph Quincy
980:Location taken from
730:, describes how the
582:Harleian Manuscripts
555:Name, motto and flag
119:51.50667°N 0.09472°W
3395:William Shakespeare
3237:Richard Shakespeare
3219:Gilbert Shakespeare
3151:Shakespeare's Globe
3056:Authorship question
3051:Attribution studies
3018:Stratford-upon-Avon
2860:A Yorkshire Tragedy
2838:Thomas of Woodstock
2824:The Spanish Tragedy
2765:Love's Labour's Won
2757:The London Prodigal
2714:The Birth of Merlin
2673:The Rape of Lucrece
2659:A Lover's Complaint
2539:Quarto publications
2242:Measure for Measure
2181:William Shakespeare
2132:Shakespeare's Globe
2046:Shakespeare's Lives
1993:Shakespeare's Stage
1534:Furnival, Frederick
1530:Smith, Lucy Toulmin
1393:The Gull’s Hornbook
1194:"Letters of Wotton"
1008:, pp. 648–649.
763:Shakespeare's Globe
638:alludes to the god
632:Blackfriars Theatre
615:classical antiquity
523:stadium-style seats
460:Shakespeare's Globe
251:Examination of old
241:Shakespeare's Globe
206:William Shakespeare
149:Elizabethan theatre
115: /
69:Long View of London
45:
32:Shakespeare's Globe
3231:Edmund Shakespeare
3189:Hamnet Shakespeare
3086:Screen adaptations
2809:Sir John Oldcastle
2707:Arden of Faversham
2041:Schoenbaum, Samuel
1860:Shakespeare Survey
1716:Shakespeare Survey
1466:, pp. 136–37.
1339:, pp. 5.1–22.
1291:The New York Times
1249:in the library of
1122:Dover Wilson, John
906:. pp. 92–93.
490:
482:
350:Augustine Phillips
334:
326:
318:
306:
124:51.50667; -0.09472
43:
3297:
3296:
3201:Elizabeth Barnard
3165:
3164:
2894:
2893:
2623:
2622:
2321:The Winter's Tale
2126:Project Gutenberg
1830:2027/uc1.b4507942
1808:978-1-901992-85-4
1407:, pp. 23–24.
1284:Martin, Douglas.
1160:978-0-521-89571-2
1107:978-0-230-00350-7
996:, pp. 45–46.
913:978-0-300-11611-3
813:, pp. 17–45.
765:. 4 December 2015
759:Teach Shakespeare
728:Sydney University
664:(act 2 scene 7).
605:John of Salisbury
314:Visscher panorama
198:
197:
16:(Redirected from
3402:
3380:Outdoor theatres
3287:
3286:
3277:
3276:
3225:Joan Shakespeare
3207:John Shakespeare
3110:
3109:
3091:Shakespeare and
2802:Sejanus His Fall
2769:
2729:Double Falsehood
2696:
2695:
2680:Venus and Adonis
2631:
2404:Titus Andronicus
2390:Romeo and Juliet
2194:
2193:
2174:
2167:
2160:
2151:
2150:
2104:
2082:
2060:
2036:
2034:
2032:
2008:
1996:
1985:
1973:
1962:
1950:
1940:
1918:
1916:
1914:
1886:
1849:
1812:
1799:Museum of London
1779:
1778:
1760:Harrison, George
1756:
1750:
1749:
1731:
1725:
1724:
1706:
1700:
1699:
1681:
1675:
1674:
1647:
1641:
1640:
1636:978-0-19280614-7
1624:
1610:
1604:
1603:
1588:Theatre Notebook
1583:
1577:
1576:
1565:Trübner & Co
1556:
1550:
1549:
1522:
1516:
1515:
1497:
1491:
1485:
1479:
1473:
1467:
1461:
1455:
1454:
1439:
1433:
1432:
1414:
1408:
1402:
1396:
1378:
1369:
1368:
1346:
1340:
1334:
1328:
1325:
1319:
1313:
1307:
1306:, pp. 1–16.
1301:
1295:
1282:
1276:
1275:
1264:Houghton Mifflin
1251:Thomas Phillipps
1247:Survay of London
1239:
1233:
1232:
1212:
1206:
1205:
1186:
1177:
1171:
1165:
1164:
1146:
1140:
1139:
1118:
1112:
1111:
1090:
1084:
1083:
1067:
1061:
1054:
1048:
1042:
1033:
1027:
1021:
1015:
1009:
1003:
997:
991:
985:
978:
972:
966:
957:
951:
945:
944:
924:
918:
917:
895:
889:
883:
877:
871:
862:
856:
850:
844:
838:
832:
826:
820:
814:
808:
802:
796:
790:
784:
775:
774:
772:
770:
751:
739:
716:
684:
679:
678:
544:Romeo and Juliet
525:. A rectangular
498:Wenceslas Hollar
346:Cuthbert Burbage
344:and his brother
312:Detail from the
170:
168:
130:
129:
127:
126:
125:
120:
116:
113:
112:
111:
108:
61:
58:
53:
46:
42:
21:
3410:
3409:
3405:
3404:
3403:
3401:
3400:
3399:
3360:Burned theatres
3300:
3299:
3298:
3293:
3254:
3203:(granddaughter)
3161:
3108:
3037:
3003:Religious views
2981:Curtain Theatre
2902:
2890:
2865:
2816:Sir Thomas More
2762:
2736:Edmund Ironside
2685:
2632:
2619:
2593:Ghost character
2553:
2525:
2416:
2397:Timon of Athens
2326:
2183:
2178:
2112:
2107:
2101:
2079:
2057:
2030:
2028:
2027:on 6 March 2014
2005:
1982:
1948:
1937:
1912:
1910:
1883:
1809:
1788:
1783:
1782:
1757:
1753:
1746:
1732:
1728:
1707:
1703:
1696:
1682:
1678:
1665:
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1637:
1611:
1607:
1584:
1580:
1557:
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1523:
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1512:
1498:
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1470:
1462:
1458:
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1411:
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1399:
1379:
1372:
1365:
1347:
1343:
1335:
1331:
1326:
1322:
1314:
1310:
1302:
1298:
1283:
1279:
1266:. p. 264.
1240:
1236:
1229:
1213:
1209:
1192:(2 July 1613).
1187:
1180:
1172:
1168:
1161:
1147:
1143:
1136:
1119:
1115:
1108:
1091:
1087:
1068:
1064:
1055:
1051:
1043:
1036:
1028:
1024:
1016:
1012:
1006:Schoenbaum 1991
1004:
1000:
992:
988:
979:
975:
967:
960:
952:
948:
925:
921:
914:
896:
892:
884:
880:
872:
865:
857:
853:
845:
841:
833:
829:
821:
817:
809:
805:
797:
793:
786:Measured using
785:
778:
768:
766:
753:
752:
748:
743:
742:
717:
713:
708:
690:Curtain Theatre
680:
673:
670:
636:Richard Burbage
586:George Steevens
557:
474:
446:Long Parliament
342:Richard Burbage
294:
286:listed building
249:
214:playing company
166:
164:
123:
121:
117:
114:
109:
106:
104:
102:
101:
90:
88:
72:
59:
39:
28:
23:
22:
15:
12:
11:
5:
3408:
3398:
3397:
3392:
3387:
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3367:
3362:
3357:
3352:
3347:
3342:
3337:
3332:
3327:
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3317:
3312:
3295:
3294:
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3281:
3270:
3269:
3266:
3259:
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3255:
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3252:
3246:
3240:
3234:
3228:
3222:
3216:
3210:
3204:
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3192:
3186:
3180:
3173:
3171:
3167:
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3162:
3160:
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3154:
3148:
3143:
3142:
3141:
3131:
3130:
3129:
3116:
3114:
3107:
3106:
3101:
3096:
3088:
3083:
3078:
3073:
3068:
3063:
3058:
3053:
3047:
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3039:
3038:
3036:
3035:
3030:
3025:
3020:
3015:
3010:
3005:
3000:
2995:
2990:
2985:
2984:
2983:
2978:
2964:
2959:
2954:
2949:
2944:
2942:Collaborations
2939:
2934:
2933:
2932:
2927:
2915:
2909:
2907:
2896:
2895:
2892:
2891:
2889:
2888:
2881:
2873:
2871:
2867:
2866:
2864:
2863:
2856:
2849:
2841:
2834:
2827:
2820:
2812:
2805:
2798:
2791:
2784:
2777:
2770:
2760:
2753:
2746:
2739:
2732:
2725:
2717:
2710:
2702:
2700:
2693:
2687:
2686:
2684:
2683:
2676:
2669:
2662:
2655:
2654:
2653:
2640:
2638:
2634:
2633:
2626:
2624:
2621:
2620:
2618:
2617:
2612:
2607:
2602:
2597:
2596:
2595:
2590:
2585:
2577:
2572:
2567:
2561:
2559:
2555:
2554:
2552:
2551:
2546:
2541:
2535:
2533:
2531:Early editions
2527:
2526:
2524:
2523:
2515:
2508:
2507:
2506:
2499:
2492:
2477:
2470:
2469:
2468:
2461:
2449:
2442:
2434:
2426:
2424:
2418:
2417:
2415:
2414:
2407:
2400:
2393:
2386:
2379:
2372:
2365:
2358:
2351:
2344:
2336:
2334:
2328:
2327:
2325:
2324:
2317:
2309:
2302:
2295:
2288:
2281:
2273:
2266:
2259:
2252:
2245:
2238:
2231:
2224:
2217:
2214:As You Like It
2210:
2202:
2200:
2191:
2185:
2184:
2177:
2176:
2169:
2162:
2154:
2148:
2147:
2142:
2136:
2128:
2111:
2110:External links
2108:
2106:
2105:
2099:
2083:
2077:
2065:Shapiro, James
2061:
2055:
2037:
2021:History Trails
2009:
2003:
1986:
1980:
1963:
1941:
1935:
1919:
1887:
1881:
1850:
1813:
1807:
1789:
1787:
1784:
1781:
1780:
1764:As You Like It
1751:
1744:
1726:
1711:Wells, Stanley
1701:
1695:978-0521417198
1694:
1676:
1663:
1642:
1635:
1615:Wells, Stanley
1605:
1578:
1551:
1526:Ingleby, C. M.
1517:
1510:
1492:
1490:, p. 166.
1480:
1478:, p. 139.
1468:
1456:
1447:"tiring, n.".
1434:
1427:
1409:
1397:
1381:Dekker, Thomas
1370:
1363:
1341:
1329:
1320:
1308:
1296:
1277:
1234:
1228:978-0521650403
1227:
1207:
1178:
1166:
1159:
1141:
1134:
1113:
1106:
1094:Bate, Jonathan
1085:
1062:
1049:
1034:
1022:
1010:
998:
986:
973:
958:
956:, p. 112.
946:
935:(4): 432–451.
919:
912:
890:
878:
863:
861:, p. 251.
851:
839:
827:
815:
803:
791:
776:
745:
744:
741:
740:
710:
709:
707:
704:
703:
702:
697:
692:
686:
685:
669:
666:
649:As You Like It
644:G. B. Harrison
556:
553:
527:stage platform
473:
470:
411:Thomas Platter
302:View of London
293:
290:
282:Anchor Terrace
248:
245:
196:
195:
192:
188:
187:
184:
180:
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99:
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82:
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54:
26:
9:
6:
4:
3:
2:
3407:
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3333:
3331:
3328:
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3321:
3318:
3316:
3313:
3311:
3308:
3307:
3305:
3290:
3282:
3280:
3272:
3271:
3267:
3265:
3261:
3260:
3257:
3250:
3249:Thomas Quiney
3247:
3244:
3241:
3239:(grandfather)
3238:
3235:
3232:
3229:
3226:
3223:
3220:
3217:
3214:
3211:
3208:
3205:
3202:
3199:
3196:
3195:Judith Quiney
3193:
3190:
3187:
3184:
3181:
3178:
3177:Anne Hathaway
3175:
3174:
3172:
3168:
3158:
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3149:
3147:
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3140:
3137:
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3132:
3128:
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3123:
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3117:
3115:
3111:
3105:
3102:
3100:
3097:
3095:
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3089:
3087:
3084:
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3079:
3077:
3074:
3072:
3069:
3067:
3064:
3062:
3059:
3057:
3054:
3052:
3049:
3048:
3046:
3044:
3040:
3034:
3031:
3029:
3026:
3024:
3021:
3019:
3016:
3014:
3011:
3009:
3006:
3004:
3001:
2999:
2996:
2994:
2991:
2989:
2986:
2982:
2979:
2977:
2974:
2973:
2972:
2968:
2965:
2963:
2960:
2958:
2957:Globe Theatre
2955:
2953:
2950:
2948:
2945:
2943:
2940:
2938:
2935:
2931:
2928:
2926:
2925:
2921:
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2910:
2908:
2906:
2901:
2897:
2887:
2886:
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2879:
2875:
2874:
2872:
2868:
2862:
2861:
2857:
2855:
2854:
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2828:
2826:
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2813:
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2806:
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2799:
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2789:
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2782:
2778:
2776:
2775:
2771:
2767:
2766:
2761:
2759:
2758:
2754:
2752:
2751:
2747:
2745:
2744:
2740:
2738:
2737:
2733:
2731:
2730:
2726:
2723:
2722:
2718:
2716:
2715:
2711:
2709:
2708:
2704:
2703:
2701:
2697:
2694:
2692:
2688:
2682:
2681:
2677:
2675:
2674:
2670:
2668:
2667:
2663:
2661:
2660:
2656:
2652:
2649:
2648:
2647:
2646:
2642:
2641:
2639:
2635:
2630:
2616:
2613:
2611:
2608:
2606:
2603:
2601:
2598:
2594:
2591:
2589:
2586:
2584:
2581:
2580:
2578:
2576:
2573:
2571:
2570:Late romances
2568:
2566:
2565:Problem plays
2563:
2562:
2560:
2556:
2550:
2547:
2545:
2542:
2540:
2537:
2536:
2534:
2532:
2528:
2521:
2520:
2516:
2514:
2513:
2509:
2505:
2504:
2500:
2498:
2497:
2493:
2490:
2489:
2485:
2484:
2483:
2482:
2478:
2476:
2475:
2471:
2467:
2466:
2462:
2460:
2459:
2455:
2454:
2453:
2450:
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2440:
2439:
2435:
2433:
2432:
2428:
2427:
2425:
2423:
2419:
2413:
2412:
2408:
2406:
2405:
2401:
2399:
2398:
2394:
2392:
2391:
2387:
2385:
2384:
2380:
2378:
2377:
2373:
2371:
2370:
2366:
2364:
2363:
2362:Julius Caesar
2359:
2357:
2356:
2352:
2350:
2349:
2345:
2343:
2342:
2338:
2337:
2335:
2333:
2329:
2323:
2322:
2318:
2315:
2314:
2310:
2308:
2307:
2303:
2301:
2300:
2299:Twelfth Night
2296:
2294:
2293:
2289:
2287:
2286:
2282:
2279:
2278:
2274:
2272:
2271:
2267:
2265:
2264:
2260:
2258:
2257:
2253:
2251:
2250:
2246:
2244:
2243:
2239:
2237:
2236:
2232:
2230:
2229:
2225:
2223:
2222:
2218:
2216:
2215:
2211:
2209:
2208:
2204:
2203:
2201:
2199:
2195:
2192:
2190:
2186:
2182:
2175:
2170:
2168:
2163:
2161:
2156:
2155:
2152:
2146:
2143:
2140:
2137:
2134:
2133:
2129:
2127:
2123:
2119:
2118:
2114:
2113:
2102:
2100:9780747205821
2096:
2092:
2088:
2084:
2080:
2078:0-571-21480-0
2074:
2070:
2066:
2062:
2058:
2056:0-19-818618-5
2052:
2048:
2047:
2042:
2038:
2026:
2022:
2018:
2014:
2010:
2006:
2004:0-300-02689-7
2000:
1995:
1994:
1987:
1983:
1981:0-521-59988-1
1977:
1972:
1971:
1964:
1961:(6): 143–144.
1960:
1956:
1955:
1947:
1942:
1938:
1936:0-521-42240-X
1932:
1928:
1924:
1920:
1909:
1905:
1901:
1897:
1893:
1888:
1884:
1882:0-521-66074-2
1878:
1874:
1870:
1866:
1862:
1861:
1856:
1851:
1847:
1843:
1839:
1835:
1831:
1827:
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1819:
1814:
1810:
1804:
1800:
1796:
1791:
1790:
1777:
1773:
1769:
1765:
1761:
1755:
1747:
1745:0-87413-244-4
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3350:Brend family
3251:(son-in-law)
3245:(son-in-law)
3183:Susanna Hall
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3113:Institutions
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2937:Coat of arms
2930:Translations
2922:
2918:Bibliography
2885:To the Queen
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2029:. Retrieved
2025:the original
2020:
2013:Orrell, John
1992:
1969:
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1923:Gurr, Andrew
1911:. Retrieved
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1025:
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1018:Shapiro 2005
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888:, p. 4.
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835:Shapiro 2005
830:
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811:Braines 1924
806:
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788:Google Earth
767:. Retrieved
758:
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250:
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201:
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155:Construction
67:
40:
3289:WikiProject
2976:The Theatre
2962:Handwriting
2788:The Puritan
2579:Characters
2544:First Folio
2512:Richard III
2292:The Tempest
2087:Wilson, Ian
2031:10 December
1445:—dressing:
1405:Nagler 1958
1316:Orrell 1989
1174:Nagler 1958
929:Shakespeare
859:Wilson 1993
724:Bear Garden
700:The Theatre
444:, when the
370:The Theatre
354:Thomas Pope
122: /
97:Coordinates
60: 1638
3304:Categories
3213:Mary Arden
3197:(daughter)
3185:(daughter)
3061:Bardolatry
2971:King's Men
2913:Birthplace
2600:Chronology
2519:Henry VIII
2446:Richard II
2438:Edward III
2348:Coriolanus
1902:: 5.1–22.
1786:References
1272:1072672737
902:. London:
769:27 January
732:onion dome
434:Henry VIII
396:revetments
378:Shoreditch
226:Ben Jonson
183:Demolished
107:51°30′24″N
3243:John Hall
3233:(brother)
3221:(brother)
3153:(replica)
3093:Star Trek
3081:Memorials
3076:Influence
3066:Festivals
3008:Sexuality
2998:Portraits
2993:New Place
2845:Ur-Hamlet
2781:Mucedorus
2691:Apocrypha
2431:King John
2422:Histories
2369:King Lear
2332:Tragedies
2228:Cymbeline
1908:1201-2459
1846:19680911M
1772:700383178
1600:0040-5523
1573:690802639
1546:603995070
1337:Egan 2004
1304:Egan 1999
1243:John Stow
1080:556737149
994:Gurr 1991
607:, in his
569:Petronius
515:inn-yards
453:tenements
387:Bridewell
210:Southwark
110:00°5′41″W
86:Southwark
3279:Category
3227:(sister)
3215:(mother)
3209:(father)
2721:Cardenio
2610:Settings
2558:See also
2481:Henry VI
2452:Henry IV
2198:Comedies
2089:(1993).
2067:(2005).
2043:(1991).
2015:(1989).
1925:(1991).
1653:(1948).
1617:(eds.).
1443:attiring
1258:(1917).
1245:'s 1598
1124:(1968).
695:The Rose
668:See also
594:Hercules
531:trapdoor
421:Jonson's
247:Location
64:Hollar's
3071:Gardens
2947:Editors
2750:Locrine
2743:Fair Em
2575:Henriad
2474:Henry V
2383:Othello
2376:Macbeth
1913:25 July
1838:3157657
1200:(ed.).
465:Henry V
402:Henry V
304:, 1647.
292:History
191:Rebuilt
186:1644–45
165: (
91:England
81:Address
3268:† Lost
3179:(wife)
3170:Family
3043:Legacy
2615:Scenes
2355:Hamlet
2097:
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1253:: see
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1078:
910:
658:Jaques
627:Hamlet
472:Layout
391:Thames
366:timber
352:, and
253:leases
216:, the
175:Closed
160:Opened
89:London
62:) for
3191:(son)
3033:Grave
3023:Style
2988:Music
2905:works
2870:Poems
2699:Plays
2637:Poems
2189:Plays
2124:from
2120:, by
1949:(PDF)
1441:from
1196:. In
706:Notes
640:Atlas
539:props
376:, in
135:Owner
66:1647
3028:Will
2903:and
2900:Life
2095:ISBN
2073:ISBN
2051:ISBN
2033:2007
1999:ISBN
1976:ISBN
1931:ISBN
1915:2007
1904:ISSN
1877:ISBN
1865:1–16
1834:OCLC
1803:ISBN
1768:OCLC
1740:ISBN
1690:ISBN
1659:ISBN
1631:ISBN
1596:ISSN
1569:OCLC
1542:OCLC
1506:ISBN
1423:ISBN
1385:ISBN
1359:ISBN
1268:OCLC
1223:ISBN
1155:ISBN
1130:ISBN
1102:ISBN
1076:OCLC
908:ISBN
771:2023
720:View
519:rush
511:yard
268:and
232:and
200:The
194:1614
178:1642
167:1599
163:1599
145:Type
2588:L–Z
2583:A–K
1869:doi
1826:hdl
1627:166
937:doi
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