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clear, but it may be performed in numerous ways and in different handholds, so that even accomplished dancers are confused. In dances such as swing and salsa, inside and outside turns most commonly refer to underarm turns done by the follower. Since in these dances the follower's right arm is normally used to lead a turn (most commonly by the leader's left arm, but sometimes by the leader's right arm when a cross-hand or "handshake" position is used), an inside turn is normally a left (counter-clockwise) turn, while an outside turn is a right (clockwise) turn. However, if the follower's left arm is used to initiate the turn, the intended direction of turning may be opposite. (Alternatively, the non-ambiguous terms "left turn" and "right turn" may be used.)
700:, the time step is a recognizable rhythmic tap combination. The term comes from the time of great tap dancers that used their distinctive time step to tell the band the desired tempo. Common tap time steps are classified as single, double and triple. The basic rhythm and tempo remain the same but the number of sounds that happen on the second and sixth count of an eight-count phrase denotes single (often a single step) double (usually a flap or slap-tap) or triple (commonly shuffle-step). While these are the universal time steps, dancers often choose to create their own time steps, following the pattern two bars repeated three times with a two bar
207:. Basically, the leader, on counts 2 and 3 of their basic step (assuming dancing on 1), does a quarter-left turn (90° counter-clockwise) while still holding on to the follower. On counts 4 and 5, the follower is led forward across the leader, i.e., firmly led with the leader's right hand on their back, so that the follower travels across to turn and face the opposite direction they were originally facing. At the same time, the leader does another quarter-left turn as necessary in order to follow the follower and face them. At the end of the move, the dancers have their positions exchanged.
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182:
is a basic step in the waltz. The leader steps forward on either foot whilst the follower steps backward on the opposing foot (e.g.: the leader steps forward on their right foot whilst the follower steps back on their left). Both partners will then step to the side on the other foot, and conclude the
444:
action which occurs when the moving foot swings to a stop across the track of the standing foot rather than closing next to it. In the Latin dances the combination of the crossed position and the turnout of the feet means that the rear toe will be pointed at the heel of the other foot, while in the
532:
The term is applied to an individual turn of a partner in the couple. Basically, it denotes the lead/follow connection directed "outside" of the center of the spinning individual. Inside and outside terminology can not be determined by relativity to partnership as such position alternates every 180
407:
The term is applied to an individual turn of a partner in the couple. Basically, it denotes a turn where the arm of the partner doing the turn begins by moving towards the "inside" of the couple (the line running from the center of one partner to the center of the other). The meaning is intuitively
738:
is probably the most basic dance move. It exists in almost every dance. Walks approximately correspond normal walking steps, taking into the account the basic technique of the dance in question. (For example, in Latin-dance walks the toe hits the floor first, rather than the heel.)
249:
This is a dance movement common in salsa, where the two dance partners facing each other change positions. The dance partners keep contact with one or two hands while stepping to rotate concentrically over 180 degrees around the same point in opposite directions.
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in the air with a sliding motion. To perform this dance one must raise one hand and then with the second hand meet the first one half way making a clapping sound; that hand must then fully extend. This motion is repeated to the beat of the music.
171:(French, "to chase") is a dance step with a triple step pattern used in many forms of dance. It is a gliding, flowing step with the feet essentially following a step–together–step pattern. Timing and length of steps vary from dance to dance.
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is the very basic step that defines the character of a dance. Often it is called just thus: "basic movement", "basic step" or the like. For some dances it is sufficient to know the basic step performed in different
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is a circular movement where two people, who are initially facing each other, walk around each other without or almost without turning, i.e., facing in the same direction (same wall) all the time.
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are dance moves in
International Standard and American Smooth dances. They are characterised by the partners crossing their outside legs behind their inside legs, arriving in promenade position.
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is a move in waltz and other
Standard dances. Both partners take a step forward, and then the lady walks in a half-circle in front of the man from his right to his left side.
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Standard dances the lack of turnout means the feet will be parallel. In
Standard the basic locking action is usually preceded and followed by a left
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degrees of rotation. Connection points and application of active side are consistent only with regard to the axis of rotation and direction of spin.
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The cross-body lead can be done with single-hand or double hand hold, with or without a follower's underarm turn, or leading the follower to do a
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while the other foot is held close and parallel to the support one. At the end of the turn the weight is transferred from one foot to the other.
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is usually applied when two or more steps are taken in the same direction. A single step, e.g., forward, is called just thus: "step forward".
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French for "chain", a series of quick turns starting from second position going to first position alternating on either flat feet or on
423:
Moving the knee upwards and then quickly kicking downwards with the foot. The ankle is stretched, that is, the toes are pointing down.
183:
figure by closing the first foot beside the second (hence the name "closed" of the step). Each step takes up a full beat of the music.
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sometimes refers to steps in place that mark the characteristic rhythm of the dance, "2-3-cha-cha-cha" for Cha-cha-cha, "1,2,3,4" for
43:
is a movement where the dancer shifts the weight from the ball of one foot to the other and back. This is mostly used in jazz and
577:. A toe of the straight leg draws a semicircle on the floor. In ballroom dances the direction is usually from the front to back.
139:. During the second and fourth step it is advised the foot to travel along two sides of the box, rather than along its diagonal.
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is a dance move in which the person stays in the same place and creates an illusion like a running man by dragging his feet.
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is a dance technique that presents the illusion of the dancer being pulled backwards while attempting to walk forward, like
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usually means turning or spinning on one foot while touching the standing leg with the opposite leg in a bent position.
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A step taken forward into the space occupied by the partner, while the partner steps backwards. During this step feet
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269:, in which the leader makes three or four steps forward, with the third one (right foot) done outside the follower.
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or vine starts with a side step, then the working leg goes behind, then stepping to the side, then join.
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is a dance figure named so because the steps rest in the four corners of a square. It is used, e.g., in
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Rhythm varies, e.g., it is "1-2-3,4-5-6" in Waltz and "slow quick quick, slow quick quick" in Rumba.
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and some other figures are those in which the dance couple rotates to the left (counter-clockwise).
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and some other figures are those in which the dance couple rotates to the right (clockwise).
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is a full left (counter-clockwise) turn in one measure of music. It is danced in waltz,
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or Suzy Q is a step where the feet perform alternating cross steps and side steps with
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is a move in which the person makes rhythmic wave like movements lying on the ground.
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dances. In case of the open impetus, it brings the couple from a closed position into
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and describes certain "hooking actions" in some dances of Latin
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and quickstep. It can be used, for example, to navigate a corner of the ballroom.
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Curved walks are done along a curve, rather than along a straight line.
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316:(leg action) and salsa (arm action and foot action) in particular.
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118:. The leader begins with the left foot and proceeds as follows.
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955:(10th ed.). London: Imperial Society of Teachers of Dance.
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507:(e.g., to the left of the left moving foot). During this step
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A ballroom dance move, which is the turn on the heel of the
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853:. International Choreographed Ballroom Dance Assiciation
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lock step is often featured when cha-cha is danced in
160:with progression along a straight line or circle.
749:Walks can be done in various dance positions: in
1962:
725:, "1,2,3,...5,6,7,..." for "salsa on one", etc.
191:Cross-body lead is a common and useful move in
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51:Basic (step / figure / movement / or pattern)
717:In various rhythmic ballroom/social dances,
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511:of both partners do not overlap. See also
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905:(2002). "Definition of technical terms".
503:A step taken with the partner beside the
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375:is a kind of leader's heel turn used in
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909:(10th ed.). Taylor & Francis.
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152:Glossary of ballet terms § Chaînés
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146:Chaînés / chainé turns / chaines turns
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351:, in which the feet are kept apart.
395:of both partners overlap. See also
296:performed without partner contact.
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617:is a common right-turning move in
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440:is an alternative variation of a
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1905:Dance in mythology and religion
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848:"Glossary of Round Dance Terms"
819:Glossary of partner dance terms
742:In dance descriptions the term
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637:that simulates the motion of a
599:forward walk with twisted knees
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678:The thunder clap is a form of
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574:Ballet glossary#Rond de jambe
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619:international standard waltz
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875:"Left Box (Reverse) Turn"
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131:: Backwards-side-together
814:Glossary of ballet terms
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601:originally performed by
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125:: Forward-side-together
953:The Ballroom Technique
457:with a one-hand hold.
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68:to enjoy it socially.
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1074:. BallroomDancers.com
1053:. BallroomDancers.com
1032:. BallroomDancers.com
1011:. BallroomDancers.com
990:. BallroomDancers.com
969:. BallroomDancers.com
934:. BallroomDancers.com
932:"Double reverse spin"
877:. BallroomDancers.com
776:The various kinds of
538:Direction of movement
413:Direction of movement
262:is a basic figure in
91:
72:Body roll / body wave
1870:Dance and disability
642:irrigation sprinkler
499:Outside partner step
397:outside partner step
137:full weight transfer
1976:Glossaries of dance
1915:Dance on television
1030:"Natural spin turn"
763:sweetheart position
712:International Style
513:inside partner step
387:Inside partner step
264:International Style
235:double reverse spin
229:Double reverse spin
135:Every step is with
755:promenade position
682:that incorporates
381:promenade position
308:" means "hook" in
218:Dos-Ă -dos / dosado
96:
1958:
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1910:Dance occupations
1847:Wallis and Futuna
615:natural spin turn
540:for more detail.
415:for more detail.
347:A variant of the
106:ballroom dances:
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1945:History of dance
1930:Dance technology
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1277:Neo-Burlesque
1275:
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1188:
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1182:open position
1180:
1178:
1175:
1173:
1172:close embrace
1170:
1169:
1168:
1165:
1163:
1160:
1159:
1157:
1155:Participation
1153:
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1129:
1128:
1125:
1121:
1114:
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1107:
1102:
1100:
1095:
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1091:
1073:
1067:
1052:
1051:"Side whisks"
1046:
1031:
1025:
1010:
1004:
989:
983:
968:
962:
954:
948:
933:
927:
918:
916:9780878301539
912:
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724:
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709:
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688:
685:
681:
670:
660:
658:
657:swivel action
654:
645:
643:
640:
636:
632:
622:
620:
616:
606:
604:
600:
593:Shorty George
590:
588:
578:
576:
575:
564:
562:
561:Reverse turns
553:
551:
541:
539:
534:
530:
529:
527:
516:
514:
510:
506:
496:
494:
484:
482:
481:Natural turns
473:
472:
468:
458:
456:
455:open position
452:
448:
443:
439:
424:
416:
414:
409:
400:
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374:
364:
362:
352:
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329:
327:
317:
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297:
295:
291:
280:
279:Floss (dance)
270:
268:
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261:
251:
242:
240:
236:
226:
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215:
213:
208:
206:
202:
198:
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184:
181:
180:Closed change
175:Closed change
172:
170:
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94:
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81:
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69:
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63:
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48:
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42:
33:
31:
16:
1935:Dance troupe
1880:Dance awards
1775:Pontic Greek
1501:
1482:Dance theory
1472:Choreography
1384:Contemporary
1076:. Retrieved
1066:
1055:. Retrieved
1045:
1034:. Retrieved
1024:
1013:. Retrieved
1003:
992:. Retrieved
982:
971:. Retrieved
961:
952:
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936:. Retrieved
926:
906:
879:. Retrieved
855:. Retrieved
799:
787:
775:
767:
748:
743:
741:
733:
718:
714:cha-cha-cha.
677:
674:Thunder clap
651:
628:
612:
596:
584:
571:
570:
559:
556:Reverse turn
547:
535:
531:
523:
522:
519:Outside turn
502:
493:support foot
490:
479:
476:Natural turn
464:
435:
422:
410:
406:
390:
370:
361:support foot
358:
346:
323:
303:
287:
260:feather step
257:
254:Feather step
248:
232:
221:
209:
203:, rumba and
193:Latin dances
190:
178:
167:
155:
141:
134:
128:
122:
97:
75:
57:basic figure
54:
39:
27:
15:
1971:Dance moves
1765:Philippines
1750:Netherlands
1740:Middle East
1292:Table dance
1257:Go go dance
1237:Competitive
903:Moore, Alex
698:tap dancing
587:Running man
581:Running man
526:Inside turn
509:feet tracks
505:moving foot
403:Inside turn
241:and tango.
205:cha-cha-cha
41:Ball change
36:Ball change
24:Apple Jacks
1965:Categories
1832:Uzbekistan
1600:Azerbaijan
1509:Musicality
1477:Connection
1434:Postmodern
1404:Historical
1287:Striptease
1282:Pole dance
1232:Ceremonial
1187:slow dance
1078:2020-06-09
1057:2020-06-09
1036:2020-06-09
1015:2020-05-02
994:2020-05-02
973:2020-06-09
938:2020-06-09
881:2020-06-09
857:2020-06-04
825:References
708:Time steps
635:dance move
294:dance turn
150:See also:
1837:Venezuela
1800:Sri Lanka
1795:Singapore
1755:Nicaragua
1685:Indonesia
1590:Australia
1459:Technique
1357:formation
1272:Lap dance
967:"Impetus"
723:pasodoble
719:time step
691:Time step
631:sprinkler
625:Sprinkler
609:Spin turn
550:pirouette
544:Pirouette
487:Open turn
447:side lead
438:lock step
432:Lock step
355:Heel turn
349:heel turn
343:Heel pull
332:Head roll
326:grapevine
320:Grapevine
292:dance, a
284:Free spin
239:quickstep
212:free spin
1852:Zimbabwe
1805:Thailand
1730:Malaysia
1715:Kiribati
1625:Cameroon
1620:Cambodia
1610:Bulgaria
1585:Assyrian
1554:national
1549:Regional
1529:Spotting
1524:Sequence
1502:glossary
1449:Two-step
1394:Flamenco
1379:Breaking
1374:Boogaloo
1352:Ballroom
1297:Twerking
1262:Grinding
1247:Ecstatic
808:See also
684:clapping
663:Telemark
467:moonwalk
461:Moonwalk
377:Standard
245:Enchufla
195:such as
100:box step
93:Box step
84:Box step
62:handhold
1862:Related
1842:Vietnam
1815:Ukraine
1725:Kurdish
1695:Ireland
1675:Hungary
1665:Georgia
1650:Denmark
1640:Croatia
1605:Belarus
1595:Austria
1580:Armenia
1570:Albania
1534:Turnout
1419:Lyrical
1399:Hip-hop
1242:Concert
1167:Partner
1136:Outline
765:, etc.
653:Suzie Q
648:Suzie Q
449:. The
373:impetus
367:Impetus
310:Spanish
267:foxtrot
116:foxtrot
1810:Turkey
1790:Serbia
1785:Russia
1780:Romani
1770:Poland
1735:Mexico
1700:Israel
1670:Greece
1655:Europe
1630:Canada
1565:Africa
1556:dances
1514:Pointe
1487:Graham
1467:Ballet
1424:Modern
1347:Ballet
1334:Styles
1319:Street
1314:Sacred
1252:Erotic
1224:Social
1212:square
1197:contra
1192:circle
1072:"Wing"
913:
639:garden
442:chassé
393:tracks
306:Gancho
300:Gancho
223:Dosado
169:Chassé
164:Chassé
158:relevé
64:s and
1745:Nepal
1720:Korea
1710:Japan
1705:Italy
1680:India
1635:China
1539:Turns
1497:Moves
1439:Swing
1429:Polka
1414:Latin
1369:Belly
1362:waltz
1207:round
1131:Index
1120:Dance
851:(PDF)
778:whisk
772:Whisk
702:break
680:dance
633:is a
567:Rondé
451:Latin
273:Floss
201:mambo
197:salsa
112:waltz
108:rumba
1760:Peru
1690:Iran
1645:Cuba
1575:Arab
1519:Pole
1409:Jazz
1342:Acro
1304:Folk
1202:line
1162:Solo
911:ISBN
802:Worm
800:The
796:Worm
790:wing
788:The
784:Wing
744:walk
736:walk
734:The
730:Walk
629:The
613:The
585:The
572:See
536:See
524:Cf.
471:this
465:The
419:Kick
411:See
371:The
324:The
258:The
233:The
98:The
78:this
45:jive
30:this
1444:Tap
1324:War
696:In
427:L–Z
288:In
19:A–K
1967::
890:^
866:^
833:^
761:,
757:,
753:,
659:.
644:.
605:.
597:A
548:A
515:.
436:A
399:.
383:.
214:.
199:,
110:,
80:.
55:A
47:.
32:.
1558:)
1552:(
1112:e
1105:t
1098:v
1081:.
1060:.
1039:.
1018:.
997:.
976:.
941:.
921:.
919:.
884:.
860:.
704:.
528:.
304:"
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