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typical of Indian Muslim tombs, this is the only instance of such a practice in Adil Shahi architecture. Mohammad Adil Shah's cenotaph is covered by a wooden canopy; Michell and
Zebrowski speculate that this is a later addition. A half-octagonal room is attached to the north facade of the building, though this is also a later addition.
345:
of
Mohammad Adil Shah, his younger wife Arus Bibi, his older wife, his favourite mistress Rhamba, his daughter, and a grandson. The cenotaphs mark the location of the actual tombs, which are found in a crypt underneath and accessed by a staircase under the western entrance of the mausoleum. Though
358:
in the
Islamic world. Its external diameter is nearly 44 m. The dome is built of brick and cemented with layers of lime. It has six small openings in its base as well as a flat section at its crown. The dome rests on a circular base, which is internally supported by interlocking
238:, and one of the largest single-chamber structures in the world. The architect of the structure is not known. Bianca Alfieri asserts that the building's size was a conscious decision made by Mohammed Adil Shah in order to rival the architecture of the
177:, and some of his relatives. Begun in the mid-17th century, the structure never reached completion. The mausoleum is notable for its scale and exceptionally large dome. The structure is an important example of Adil Shahi architecture.
382:
Around the base of the dome is a gallery, accessed by the staircases in the towers. It is known as the 'whispering gallery' since the faintest sound from here is heard across the dome, due to sound reflecting off the dome.
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views this as suggestive of the close relationship between the ruler and the saint. The mausoleum was never completed; construction may have halted in 1656 due to
Mohammed Adil Shah's death that year.
200:
The construction of the Gol Gumbaz began in the mid-17th century, during the close of
Mohammed Adil Shah's reign, which was from 1627 to 1656. It is located directly behind the
234:
The Gol Gumbaz is one of the most ambitious structures built by the Adil Shahi dynasty. It is the most technically advanced domed structure to have been erected in the
246:. Alternatively, Elizabeth Merklinger suggests that the size was an attempt to assert the stature of the Adil Shahi dynasty, in light of its later absorption by the
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m domed octagonal towers, each divided into seven floors and topped by a bulbous dome, line the four corners of the cube. The levels of the towers are marked by
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The interior is a huge single chamber that is approximately 41 m across and 60 m high. In the centre of the chamber floor is a raised platform bearing the
375:. Outside of Bijapur, this pendentive support system is virtually unknown. The conceptual origin of the Gol Gumbaz's pendentives is debated, though a
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of the arches contain medallion motifs, and the central arch on each side wall is filled with a stone screen containing doorways and windows.
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Despite the grand nature of the monument, the plan of the Gol Gumbaz is simple. It is a cube 47.5
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The mausoleum is contained in a larger walled complex, with other buildings such as a mosque, a
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815:"The Jami Masjid Miḥrāb of Bijapur: Inscribing Turkic Identities in a Contested Space"
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Interior of the mausoleum, including the pendentive support system of the dome.
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In Fisher's
Drawing Room Scrap Book, 1833 is a picture of Gol Gumbaz entitled
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m on each side, topped by a hemispherical dome of diameter approximately 44
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Sufis of
Bijapur, 1300-1700 : social roles of Sufis in medieval India
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696:. Mark Zebrowski. Cambridge: Cambridge University Press. pp. 92–94.
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321:. Atop the cornices are rows of small arches, themselves topped by large
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935:. Mark Zebrowski. Cambridge: Cambridge University Press. p. 134.
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777:. Mark Zebrowski. Cambridge: Cambridge University Press. p. 15.
441:, engraved by R. Sands and accompanied by a poetical illustration by
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Listen to unique sound recordings in Gol Gumbad: acoustics described
869:"Possible Seljuq Influence on the Dome of the Gol Gumbad in Bījāpūr"
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648:. F. Borromeo. London, WC: Laurence King Pub. pp. 168–170.
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The
Institute of Oriental Culture, University of Tokyo, Tokyo
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742:. Princeton, N.J.: Princeton University Press. p. 120.
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At the time of its construction, the Gol Gumbaz boasted the
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Landon, Letitia
Elizabeth (1832). "poetical illustration".
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The 'whispering gallery' found at the base of the dome.
379:influence has been suggested by multiple scholars.
546:Historical cannon displayed in front of Gol Gumbaz
297:The walls of the structure are built of dark grey
445:reflecting on the claim that he had a happy end.
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645:Islamic architecture of the Indian subcontinent
973:Landon, Letitia Elizabeth (1832). "picture".
932:Architecture and art of the Deccan sultanates
774:Architecture and art of the Deccan sultanates
693:Architecture and art of the Deccan sultanates
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367:is found, though on a smaller scale, in the
190:Monuments and Forts of the Deccan Sultanate
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305:. Each side wall of the cube bears three
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317:project from the building, supported by
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1045:Tourist attractions in Bijapur district
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976:Fisher's Drawing Room Scrap Book, 1833
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294:and contain staircases within.
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813:Mondini, Sara (5 August 2020),
736:Eaton, Richard Maxwell (1978).
462:Leaves at the base of the dome.
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994:Gol Gumbad on Survey of India
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642:Alfieri, Bianca Maria (2000).
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498:Tomb viewed from the gardens
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169:. It houses the remains of
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61:16.8300306°N 75.7360972°E
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929:Michell, George (1999).
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443:Letitia Elizabeth Landon
188:in 2014, under the name
173:, seventh sultan of the
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979:. Fisher, Son & Co.
970:. Fisher, Son & Co.
725:UNESCO "tentative list"
558:Ruins near the entrance
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821:, BRILL, p. 294,
594:Interior view of dome.
369:Jami Masjid of Bijapur
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278:Plan of the Gol Gumbaz
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66:16.8300306; 75.7360972
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1035:Sultanate of Bijapur
474:Carvings on the wall
435:Tomb of Mahomed Shah
244:Ibrahim Adil Shah II
153:, is a 17th-century
606:Postal stamp (1949)
522:A nearby building.
186:World Heritage Site
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1060:Tombs in Karnataka
486:Gol Gumbaz c. 1860
429:Art and literature
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230:Gol Gumbaz Terrace
175:Adil Shahi dynasty
171:Mohammad Adil Shah
115:Muhammad Adil Shah
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942:978-0-511-46884-1
836:978-90-04-43736-4
784:978-0-511-46884-1
749:978-1-4008-6815-5
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49:16°49′48.11″N
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912:"Gol Gumbaz"
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256:naqqar khana
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222:Architecture
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161:, a city in
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52:75°44′9.95″E
18:
570:Corner view
361:pendentives
157:located in
64: /
1019:Categories
612:References
263:dharmshala
208:Hashim Pir
151:Gol Gumbad
144:Round Dome
131:Gol Gumbaz
124:Gol Gumbad
22:Gol Gumbaz
951:268771115
885:0012-8376
845:234656650
793:268771115
758:706006768
712:268771115
343:cenotaphs
311:spandrels
163:Karnataka
155:mausoleum
98:Mausoleum
85:Karnataka
893:29756462
664:44536138
371:and the
365:vaulting
329:Interior
315:Cornices
103:Material
77:Location
996:website
916:Archnet
850:22 June
449:Gallery
323:merlons
319:corbels
303:plaster
292:arcades
214:saint;
196:History
159:Bijapur
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81:Bijapur
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309:; the
299:basalt
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260:and a
236:Deccan
203:dargah
182:UNESCO
1040:Domes
889:JSTOR
841:S2CID
167:India
89:India
947:OCLC
937:ISBN
881:ISSN
852:2021
831:ISBN
789:OCLC
779:ISBN
754:OCLC
744:ISBN
708:OCLC
698:ISBN
660:OCLC
650:ISBN
582:Tomb
350:Dome
212:Sufi
210:, a
135:lit.
95:Type
823:doi
437:by
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206:of
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