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1199:. Between 1938 and 1965, more than one hundred Rumberas films were made. The genre emerged as a response to the post-World War II entertainment demands. These films typically featured female protagonists known as "rumberas," who were glamorous and often portrayed as dancers or singers in cabarets or nightclubs. Key elements of rumberas films included lavish musical numbers, elaborate costumes, and melodramatic plots that often centered around the rumbera's rise from poverty to fame or her struggles in relationships. The popularity of rumberas films declined by the late 1950s as Mexican cinema diversified, but they remain a significant part of the country's cinematic history.
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587:, the film industry in the US and Europe declined, because the materials previously destined for film production now were for the new arms industry. Many countries began to focus on making films about war, leaving an opportunity for Mexico to produce commercial films for the Mexican and Latin American markets. The cultural landscape of the Golden Age of Mexican Cinema provided a conducive environment for the rise of a new generation of directors like
940:. Renowned for its humorous portrayal of characters traveling through various Mexican landscapes, celebrating the nation's cultural Mexican identity during the Golden Age of Mexican cinema. Cantinflas and Tin-Tan, Mario Moreno and Germån Valdés respectively, were iconic figures in Mexican cinema during the Golden Age. Cantinflas, known for his fast-talking, witty persona, became famous for his comedic timing and social commentary through films like
36:
2004:
1215:" marked a significant evolution in FernĂĄndez's directorial approach, focusing more on urban settings and themes that resonated with the emerging popularity of rumbera films. These films represented a departure from FernĂĄndez's earlier nationalistic and rural narratives, delving into urban concerns and narratives that aligned with evolving audience tastes and cinematic trends of the era.
1028:, better known as "Viruta and Capulina", were a comic duo who were found in the form of white humor win the affection of the people. Viruta and Capulina began their career together in 1952, although individually had worked on other projects. They filmed more than 25 films. Although they do not have a large number of films together, Manuel Palacios "ManolĂn" and
1018:, better known as "Resortes." Renowned for his distinctive and lively dance style, Resortes enjoyed a lengthy career spanning over 70 years in both film and television. His enduring popularity solidifies his status as an iconic figure in Mexican popular culture, celebrated for his vibrant performances and comedic prowess.
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Technical innovations came from
Hollywood. Wide screens, three-dimensional cinema, color improvement and stereo sound were some of the innovations introduced by American cinema during the early 1950s. At the time, the high cost of these technologies made it difficult for Mexico to compete; therefore,
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brought
Dolores del RĂo and her alleged rival MarĂa FĂ©lix together in the film. MarĂa FĂ©lix, known for her fierce independence and commanding presence, rose to fame as an emblematic actress of Mexican cinema's golden age. Often portraying strong, enigmatic characters, FĂ©lix captivated audiences with
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Meanwhile, Mexican cinema had been stalled by bureaucracy and difficulties with the union. Film production was now concentrated in a few hands, and the ability to see new filmmakers emerge was very difficult due to the demands on the directors on the part of the Union of
Workers of Cinematographic
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is a film classic, example of early
Mexican comedy, featuring JoaquĂn PardavĂ©'s iconic character, Don SimĂłn. JoaquĂn PardavĂ©, was a popular actor who captivated with the same dramatic or comic characters. PardavĂ© was also a composer and film director, and his beginnings in the industry from silent
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transmissions started in 1950. By 1956, TV antennas were common in
Mexican homes, and new media grew rapidly in the country outside the capital city. Despite the first black and white television pictures not having the clarity and sharpness of movie films, filmmakers immediately felt sharp
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as
Rosario Medina, a young heiress who has arrived from Spain to claim an inheritance. Corona is a ladies' man who uses his good looks, romantic songs, and legendary status to melt the hearts of women, but his carefree lifestyle is turned upside down when he falls in love with the heiress.
999:," was a prominent Mexican actor who commenced his career in the Carpas, with a prolific repertoire that includes over 30 films, Clavillazo remains celebrated as one of the most cherished and enduring figures in Mexican cinema and entertainment history. One of his most acclaimed movies is "
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The world was changing and so was the way film was produced by other countries. The elimination of censorship in the United States allowed a more bold and realistic treatment of many topics. In France, a young generation of filmmakers educated in film criticism began the
1063:, alongside influences from European operetta and Hollywood musicals. Legendary actors and singers such as Jorge Negrete, Pedro Infante, and MarĂa FĂ©lix became synonymous with the genre, captivating audiences with their charismatic performances. Other actors including
576:) is a boom period in the history of Mexican cinema, which began in 1932 and culminated in 1969. Characterized by the production of high-quality films that contributed to shaping Mexican national identity and culture. Films such as Luis Buñuel's "
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is a significant
Mexican film released in 1957, directed by Ismael RodrĂguez and starring Pedro Infante and MarĂa FĂ©lix. The film is renowned for its poignant portrayal of indigenous culture and themes of love, identity, and societal prejudice.
642:. Mexico won the status of most favored nation. Thus, the Mexican film industry found new sources of materials and equipment and secured its position in the production of quality films worldwide. During World War II, the film industry in
1154:
Tropical music that was popular in Mexico and Latin
America since the 1930s was also reflected in Mexican cinema. Numerous music magazines were made in the 1940s and 1950s. In these productions it was common to see figures such as
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recognizing the best productions of the national cinema. The Ariel was instituted in 1946 and emphasized the thriving state of the industry. Nevertheless, the award was revived in 1972 and has taken place annually since then.
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served as the basis for the arguments of many films. Libertad
Lamarque also highlighted performances where music and songs were the main protagonists. Mexican musicals enjoyed international success, particularly in
1265:, Orol created a filmic universe and a particular style by mixing elements of classic film noir with Mexican folklore, urban environments, moral ambiguity, and existential crises. Examples include the classic film
658:
and the United States focused on making war films, which made it possible for the
Mexican film industry, with much more versatile themes in its films, to become dominant in the markets of Mexico and Latin America.
716:, which became the first classic of Mexican cinema; this film is referred to as the initiator of the "Mexican film industry". In the early 1940s began the emergence of great Mexican film studios settled in
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Cine Ăpera was one of the most important movie theaters during the Golden Age of Mexican Cinema from its inauguration in 1949 until its closure in 1998. This photograph, taken in 2020, shows its weathered
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competition from this new media, not only in Mexico but throughout the world. The competition forced the film industry to seek new ways to showcase its art, and in the treatment of subjects and genres.
1116:(1953) directed by Ismael RodrĂguez, starring Pedro Infante and Jorge Negrete. This film is a beloved classic of Mexican cinema, combining comedy and drama in a story of friendship and rivalry. Lastly
1443:
720:, they begin to support the mass production of films. Among the most important are CLASA Films, FILMEX, Films Mundiales, CinematogrĂĄfica CalderĂłn, PelĂculas Rodriguez and Producciones Mier y Brooks.
808:. In contrast, Dolores del RĂo gained prominence as one of the first Mexican actresses to achieve success in Hollywood during the early 20th century. Another pivotal film of Dolores in Mexico is "
1758:
Universidad de Guadalajara, Consejo Nacional para la Cultura y las Artes (CONACULTA), SecretarĂa de Cultura del Gobierno del Estado de Jalisco y el Instituto Mexicano de CinematografĂa (IMCINE)
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magazine as the 10th greatest film produced largely in Mexico. On the other hand, Tin-Tan showcased a unique blend of humor, music, and dance in films such as El Rey del Barrio (1949) and
970:. The phrase that gave that movie its name became a "Cantinflas" (or catchphrase) for the remainder of his career. The film was a breakthrough in Latin America and was later recognized by
831:(1946) directed by Roberto GavaldĂłn, starring Dolores del RĂo. A psychological thriller about twin sisters and their complicated relationship, showcasing GavaldĂłn's mastery of melodrama.
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One of the nations where Mexican cinema was most popular was Yugoslavia, where for much of the 1950s, Mexican films comprised the majority of the films that were screened. The 1950 film
1179:, a unique cinematic curiosity of Mexico, dedicated to the exaltation of the figure of the "rumba" (dancers of Afro-Antillean rhythms). The main figures of this genre were Cubans
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On April 15, 1957, the whole country mourned with the news of the death of Pedro Infante. His death was one of the markers of the end of the Golden Age of Mexican Cinema.
757:(1947) were considered pivotal works by FernĂĄndez and his team, and gave Mexican cinema enormous prestige, with their works being shown worldwide in major film festivals.
1786:
British Film Institute (BFI) Publishing en asociaciĂłn con el Instituto Mexicano de CinematografĂa (IMCINE) y el Consejo Nacional para la Cultura y las Artes (CONACULTA)
634:, and the film industries of these regions were severely affected. Europe due to its location and the United States because the materials used to produce films (such as
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Known for their vibrant music, dance sequences, and melodramatic storytelling, Mexican musicals often incorporated elements of traditional Mexican folk music, such as
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819:(1948) directed by Ismael RodrĂguez, starring Pedro Infante. This film is a classic of Mexican cinema, known for its emotional storyline and iconic performances.
1373:, which premiered in 1952 in Yugoslavia, was one of the most popular films of the decade in that nation. The popularity of Mexican films led to the so-called
1337:(1958) directed by JuliĂĄn Soler, is also comedic horror films of the 1950s that parodies classic horror tropes while incorporating Mexican cultural elements.
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Although the 1960s are considered the Golden Age of Horror and science fiction in Mexican cinema, during the Golden Age there were some remarkable works.
1311:(1957) directed by Fernando MĂ©ndez, this film marks the revival of Mexican horror in the mid-1950s and features a vampire who terrorizes a Mexican town.
1092:(1936) directed by Fernando de Fuentes, is considered the earliest and most influential Mexican musical, a soundtrack that popularized ranchera music. "
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Mexican cinema continued to produce works of superb quality and began to explore other genres such as comedy, romance and musical. In 1943, the film
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Entre 1936 y 1956 la industria cinematogrĂĄfica en MĂ©xico alcanzĂł uno de sus mejores momentos, considerado como la Ăpoca de Oro del cine mexicano.
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theaters that were popular in Mexico during the early 20th century. ¥Ay, qué tiempos, señor don Simón! (1941) directed by Julio Bracho, starring
580:" (The Forgotten Ones) illuminated the social realities of Mexico, leaving a profound impact on audiences both within the country and abroad.
1964:
638:) became scarce and were rationed. In 1942, when German submarines destroyed a Mexican tanker, Mexico joined the Allies in the war against
17:
1466:[Between 1936 and 1956 the film industry in Mexico reached one of its best moments, considered the Golden Age of Mexican cinema.]
551:
1992:
924:. In this film, Cantinflas plays a bumbling employee who becomes entangled in humorous situations while trying to impress his boss and
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Production (STPC). Three of the most important film studios disappeared between 1957 and 1958: Tepeyac, Clasa Films and Azteca.
1960:
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Erase una vez el cine: diccionario-- realizadores, actrices, actores, pelĂculas, capĂtulos del cine mundial y latinoamericano
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also made dozens of musical films that served as a platform to promote Mexican music. The songs of important composers like
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1970:
1112:, a comedy musical stars Pedro Infante and features lively musical numbers that highlight his charm and singing talent.
703:, were huge blockbusters that showed that Mexico had the equipment and talent needed to sustain a strong film industry.
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916:"Tin-Tan". Tin-Tan was another comedic legend known for his charismatic persona and improvisational skills.
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812:" (1944), a melodrama that showcased her ability to portray complex emotions with grace and sensitivity.
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905:, explores family dynamics and romance, blending humor with heartfelt moments of early Mexican comedy.
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1104:. It showcases Negrete's powerful singing voice and became one of the defining films of his career.
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1936:
Paxman, Andrew. "Who Killed the Mexican Film Industry? The Decline of the Golden Age, 1946-1960."
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Also in 1958, the Mexican Academy of Motion Picture Arts and Sciences decided to discontinue the
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to iconic status, revered not only in Mexico but also throughout Hispanic communities worldwide.
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1321:(1952), the film that first introduced wrestlers to the genre. Other works in the genre include
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films made him a "symbolic father" of all Mexican comedians from the Thirties to the Sixties.
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genre popular in Hollywood in the 1930s and 1940s was represented by the actor and director
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1295:(1934) directed by Fernando de Fuentes, this early Mexican horror film is set in a haunted
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1479:"SituaciĂłn actual de la mĂșsica folklĂłrica chilena. SegĂșn el Atlas del Folklore de Chile"
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1307:(the Weeping Woman), a ghostly figure said to roam rivers mourning her lost children.
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A feature of rumberas cinema were the exotic dances performed by women. In the image,
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1923:
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Mckee Irwin, Robert (Spring 2010). "Mexican Golden Age Cinema in Tito's Yugoslavia".
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communities worldwide, due to their universal themes and infectious musical numbers.
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craze, as Mexican music and fashions were much imitated in Yugoslavia in the 1950s.
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2008:
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1283:" (1952), known for its atmospheric cinematography and exploration of corruption.
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a 1950 Mexican drama film directed by Alberto Gout and starring NinĂłn Sevilla and
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not for some years was it able to produce films incorporating these innovations.
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are remembered for their great chemistry in the theaters and later in the films.
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948:(1964). But it was in 1940 that he finally became a movie star, after shooting
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898:
828:
700:
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1530:
Latino American Cinema: An Encyclopedia of Movies, Stars, Concepts, and Trends
1228:
1175:. However, the musical film in Mexico was mostly represented by the so-called
988:
963:
592:
41:
2514:
1571:
1560:"MarĂa FĂ©lix, 87, Feisty Heroine Who Reigned Supreme in Mexican Cinema, Dies"
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69:(1936), film considered to be the first of the Golden Age of Mexican Cinema.
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980:(1951), which made him immensely popular for his charismatic performances.
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1303:(1933) Directed by RamĂłn PeĂłn, this film draws from the Mexican legend of
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and is considered one of the earliest examples of Mexican horror cinema.
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Many other comedians achieved recognition in Mexican cinema. From comic
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862:(right) comedian, during the late 1930s teamed up with the rising star
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had claimed the careers of several filmmakers. The Swedish film with
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877:
805:
655:
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1014:.. Another notable artist who emerged from the Carpas tradition was
1275:" (1951), which blends noir aesthetics with Mexican melodrama, and
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35:
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Mexican cinema of the Golden Age is also credited with propelling
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792:" (1946). Her acting career consists of 47 films made in Mexico,
639:
1444:"#AGNResguarda documentos de la Ăpoca de Oro del Cine Mexicano"
1374:
797:
643:
623:
1889:, Berkeley: University of California Press, 3rd edition 2005.
1954:
1708:
1706:
954:("There's the rub", literally "There lies the detail"), with
801:
793:
651:
647:
995:
Antonio Espino y Mora, widely recognized by his stage name "
595:, among others. Simultaneously, it propelled actors such as
1831:
La aventura del cine mexicano: En la época de oro y después
1813:
Albores del Cine Mexicano (Beginning of the Mexican Cinema)
885:
1938:
Estudios Interdisciplinarios de América Latina y el Caribe
1718:
1703:
1271:(1948) and notable examples include Emilio FernĂĄndez's "
1207:. It's considered a masterpiece of the Rumberas film. "
683:
Since the beginning of talkies in Mexico, films such as
912:(1949) directed by Gilberto MartĂnez Solares, starring
1869:
Bellezas del cine mexicano/Beauties of Mexican Cinema
773:
was the first Spanish-language film to be awarded a
1887:
Mexican Cinema: Reflections of a Society, 1896â2004
1915:
1845:Mexico's Cinema: A Century of Film and Filmmakers
729:brought together a team comprising the filmmaker
2512:
1913:
1866:
1096:" (1941) directed by Joselito RodrĂguez, stars
920:(1957) Directed by Miguel M. Delgado, starring
1810:
1686:"Deep focus: the Golden Age of Mexican cinema"
1618:"Deep focus: the Golden Age of Mexican cinema"
1593:"Deep focus: the Golden Age of Mexican cinema"
897:(1946) directed by Ismael RodrĂguez, starring
1986:
1643:"Las 100 mejores pelĂculas del cine mexicano"
545:
1965:Consejo Nacional para la Cultura y las Artes
1862:. Vol. 4, no. 1. pp. 151â160.
1857:
1724:
1712:
815:Other noticeable films of this era include
706:One of the first blockbusters was the film
1993:
1979:
851:Comedy in the Golden Age of Mexican cinema
612:Norteño music into Chilean popular culture
552:
538:
1847:, Wilmington, Delaware: SR Books, 1999.
1798:Mexican Cinema, Mexican Woman (1940â1950)
1476:
1150:performing at the Tropicana cabaret 1950.
839:
823:(1953) directed by Luis Buñuel, starring
1470:
1344:
1222:
1141:
1039:
982:
854:
661:
1768:GARCĂA, Gustavo y AVIĂA, Rafael (1993)
1673:MMStudio:10 Greatests Mexican Comedians
1501:
14:
2513:
1744:SecretarĂa de EducaciĂłn PĂșblica (SEP)
1557:
1551:
1506:. MĂ©xico: Lom Ediciones. p. 390.
1974:
1756:Historia documental del cine mexicano
1526:
1454:from the original on 23 October 2022
1393:made its appearance, while in Japan
1951:More of 100 Years of Mexican Cinema
1918:Mexican Movies in the United States
1533:. United States: ABC-CLIO. p.
784:her performances in films such as "
24:
1914:AGRASĂNCHEZ JR.., Rogelio (2006).
1734:
25:
2542:
1944:
1867:AGRASĂNCHEZ JR., Rogelio (2001).
1811:DĂVALOS OROZCO, Federico (1996).
1315:greatest contributions come with
1241:at the City Theater in March 1948
1128:
2071:
2002:
1782:PARANAGUĂ, Paulo Antonio (1995)
1237:, at Kleine-Gartmanplantsoen in
91:
48:
34:
27:Period in Mexican cinema history
1922:. McFarland & Company Inc.
1871:. Archivo FĂlmico AgrasĂĄnchez.
1754:GARCĂA RIERA, Emilio (1992â97)
1678:
1286:
1903:, Taylor & Francis, 2005,
1770:Ăpoca de oro del cine mexicano
1742:Ăpoca de oro del cine mexicano
1665:
1635:
1610:
1585:
1520:
1495:
1436:
1030:Estanislao Shilinsky Bachanska
1003:" (1956) for popularizing the
574:Ăpoca de Oro del Cine Mexicano
13:
1:
1429:
867:
761:was awarded in 1946 with the
2521:Golden Age of Mexican cinema
1800:University of Arizona Press
1740:GARCĂA RIERA, Emilio (1986)
1502:Mouesca, Jacqueline (2001).
1335:El Castillo de los Monstruos
1218:
781:The Soldiers of Pancho Villa
566:Golden Age of Mexican Cinema
18:Golden Age of Mexican cinema
7:
1829:AYALA BLANCO, Jorge (1997)
10:
2547:
1796:HERSHFIELD, Joanne (1996)
1558:Dillon, Sam (2002-04-09).
1477:Dannemann, Manuel (1975).
1412:
1340:
1135:
1035:
880:couples (in the style of
848:
617:
2080:
2069:
2015:
1094:ÂĄAy Jalisco, no te rajes!
844:
1527:Baugh, Scott L. (2012).
1385:movement. In Italy, the
1293:El Fantasma del Convento
1268:Gangsters Versus Cowboys
1118:Here Comes Martin Corona
1090:AllĂĄ en el Rancho Grande
709:AllĂĄ en el Rancho Grande
66:AllĂĄ en el Rancho Grande
1940:29, no. 1 (2018): 9-33.
1901:Mexican National Cinema
1484:Revista Musical Chilena
866:(left) for three films
2531:Golden ages (metaphor)
1450:(in Mexican Spanish).
1351:
1273:En la palma de tu mano
1253:. Inspired by popular
1242:
1151:
1052:
992:
991:in LĂłpez Park, Orizaba
873:
840:Cinematographic genres
680:
573:
1967:de MĂ©xico (Conaculta)
1348:
1318:The Magnificent Beast
1226:
1145:
1043:
986:
901:, Pedro Infante, and
858:
696:The Woman of the Port
665:
101:List of Mexican films
1257:and figures such as
1181:MarĂa Antonieta Pons
1114:Dos tipos de cuidado
1077:José Alfredo Jiménez
1026:Marco Antonio Campos
926:Primero soy mexicano
908:Other films include
767:Cannes Film Festival
699:(1934), directed by
689:(1932), directed by
1419:Estudios Churubusco
1330:LadrĂłn de CadĂĄveres
1148:Evangelina Elizondo
1108:(1951) directed by
1049:MarĂa Elena MarquĂ©s
951:AhĂ estĂĄ el detalle
918:El bolero de Raquel
817:Nosotros los pobres
714:Fernando de Fuentes
1653:on 8 February 2010
1564:The New York Times
1448:Gobierno de MĂ©xico
1424:Televisa San Ăngel
1359:Mexican television
1352:
1263:Edward G. Robinson
1243:
1157:Damaso Perez Prado
1152:
1053:
1016:Adalberto MartĂnez
1010:, particularly in
993:
874:
681:
2508:
2507:
1961:Cineteca Nacional
1843:MACIEL, David R.
1234:La mujer de todos
968:Dolores Camarillo
910:El rey del barrio
825:Arturo de CĂłrdova
562:
561:
108:Mexican Animation
16:(Redirected from
2538:
2526:Cinema of Mexico
2075:
2048:Cinematographers
2009:Cinema of Mexico
2007:
2006:
2005:
1995:
1988:
1981:
1972:
1971:
1953:en el sitio del
1933:
1921:
1882:
1863:
1860:The Global South
1826:
1728:
1725:Mckee Irwin 2010
1722:
1716:
1713:Mckee Irwin 2010
1710:
1701:
1700:
1698:
1696:
1682:
1676:
1669:
1663:
1662:
1660:
1658:
1649:. Archived from
1639:
1633:
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1614:
1608:
1607:
1605:
1603:
1589:
1583:
1582:
1580:
1578:
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1549:
1548:
1544:978-031-3380-365
1524:
1518:
1517:
1513:978-956-2823-364
1499:
1493:
1492:
1474:
1468:
1467:
1461:
1459:
1440:
1277:Roberto GavaldĂłn
1227:Marquee listing
1110:Ismael RodrĂguez
1086:Spanish-speaking
928:(1950) starring
882:Laurel and Hardy
872:
869:
759:MarĂa Candelaria
748:MarĂa Candelaria
739:Pedro Armendariz
735:Gabriel Figueroa
731:Emilio FernĂĄndez
630:participated in
589:Emilio FernĂĄndez
583:In 1939, during
554:
547:
540:
95:
75:
74:
63:Protagonists of
56:Esther FernĂĄndez
52:
38:
21:
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2076:
2067:
2011:
2003:
2001:
1999:
1947:
1930:
1899:NOBLE, Andrea,
1879:
1823:
1737:
1735:Further reading
1732:
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1711:
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1415:
1343:
1289:
1281:La noche avanza
1259:Humphrey Bogart
1245:In Mexico, the
1221:
1140:
1134:
1069:Antonio Aguilar
1038:
960:JoaquĂn PardavĂ©
930:JoaquĂn PardavĂ©
895:Los tres GarcĂa
890:JoaquĂn PardavĂ©
870:
853:
847:
842:
810:Las Abandonadas
743:Dolores del RĂo
733:, photographer
620:
605:Dolores del RĂo
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2019:
2017:
2013:
2012:
1998:
1997:
1990:
1983:
1975:
1969:
1968:
1958:
1946:
1945:External links
1943:
1942:
1941:
1934:
1928:
1911:
1897:
1885:MORA, Carl J.
1883:
1877:
1864:
1855:
1841:
1827:
1821:
1808:
1794:
1784:Mexican Cinema
1780:
1766:
1752:
1736:
1733:
1730:
1729:
1727:, p. 161.
1717:
1715:, p. 160.
1702:
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1487:(in Spanish).
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1427:
1426:
1421:
1414:
1411:
1395:Akira Kurosawa
1391:Ingmar Bergman
1371:Un dĂa de vida
1342:
1339:
1288:
1285:
1255:Gangster films
1220:
1217:
1213:Victims of Sin
1185:Amalia Aguilar
1169:MarĂa Victoria
1133:
1127:
1106:A Toda MĂĄquina
1037:
1034:
1022:Gaspar Henaine
938:Flor Silvestre
899:Fernando Soler
849:Main article:
846:
843:
841:
838:
788:" (1943) and "
701:Arcady Boytler
691:Antonio Moreno
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2093:
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2088:
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2085:
2083:
2082:Films by year
2079:
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2064:
2063:Screenwriters
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2010:
1996:
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1989:
1984:
1982:
1977:
1976:
1973:
1966:
1962:
1959:
1956:
1952:
1949:
1948:
1939:
1935:
1931:
1929:0-7864-2545-8
1925:
1920:
1919:
1912:
1910:
1909:0-415-23010-1
1906:
1902:
1898:
1896:
1895:0-7864-2083-9
1892:
1888:
1884:
1880:
1878:968-5077-11-8
1874:
1870:
1865:
1861:
1856:
1854:
1853:0-8420-2682-7
1850:
1846:
1842:
1840:
1839:970-05-0376-3
1836:
1833:ed. Grijalba
1832:
1828:
1824:
1822:968-6932-45-3
1818:
1814:
1809:
1807:
1806:0-8165-1636-7
1803:
1799:
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1793:
1792:0-85170-515-4
1789:
1785:
1781:
1779:
1778:968-6932-68-2
1775:
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1764:968-895-343-1
1761:
1757:
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1751:
1750:968-29-0941-4
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1647:Somo Magazine
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1491:(131): 38â86.
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1198:
1194:
1190:
1189:NinĂłn Sevilla
1186:
1182:
1178:
1177:Rumberas film
1174:
1170:
1166:
1165:Rita Montaner
1162:
1161:Toña la Negra
1158:
1149:
1144:
1139:
1138:Rumberas film
1131:
1126:
1123:
1119:
1115:
1111:
1107:
1103:
1099:
1098:Jorge Negrete
1095:
1091:
1087:
1083:
1082:Latin America
1078:
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1066:
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1050:
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985:
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979:
978:El Ceniciento
975:
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965:
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956:SofĂa Ălvarez
953:
952:
947:
943:
942:El Analfabeto
939:
935:
931:
927:
923:
919:
915:
914:Germån Valdés
911:
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629:
628:United States
625:
615:
613:
608:
606:
602:
601:Pedro Infante
598:
594:
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586:
581:
579:
578:Los Olvidados
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68:
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57:
51:
43:
37:
19:
2043:Horror films
1937:
1917:
1900:
1886:
1868:
1859:
1844:
1830:
1812:
1797:
1783:
1769:
1755:
1741:
1720:
1693:. Retrieved
1689:
1680:
1672:
1667:
1655:. Retrieved
1651:the original
1646:
1637:
1625:. Retrieved
1621:
1612:
1600:. Retrieved
1596:
1587:
1575:. Retrieved
1563:
1553:
1529:
1522:
1503:
1497:
1488:
1482:
1472:
1463:
1456:. Retrieved
1447:
1438:
1403:
1399:
1379:
1370:
1368:
1364:
1356:
1353:
1328:
1327:(1954), and
1322:
1316:
1313:Chano Urueta
1290:
1287:Horror films
1266:
1244:
1232:
1209:SalĂłn MĂ©xico
1205:Andrea Palma
1195:and Mexican
1193:Rosa Carmina
1153:
1129:
1122:Sara Montiel
1102:Gloria MarĂn
1073:AgustĂn Lara
1065:Luis Aguilar
1054:
1045:Luis Aguilar
1020:
1006:
994:
971:
949:
946:El Padrecito
934:Luis Aguilar
907:
903:Abel Salazar
875:
860:Manuel Medel
814:
786:Doña Bårbara
779:
775:Golden Globe
770:
758:
752:
746:
745:. The films
724:
722:
707:
705:
694:
684:
682:
674:
667:Lupita Tovar
632:World War II
621:
609:
585:World War II
582:
565:
563:
115:Horror films
79:
64:
2033:Films (AâZ)
1406:Ariel Award
1229:Maria FĂ©lix
1197:Meche Barba
1173:Los Panchos
989:Sara GarcĂa
964:Sara GarcĂa
944:(1961) and
871: 1938
763:Golden Palm
751:(1943) and
726:Wild Flower
718:Mexico City
671:Donald Reed
597:MarĂa FĂ©lix
593:Luis Buñuel
42:Tito GuĂzar
2515:Categories
2038:Golden Age
1657:28 January
1430:References
1397:appeared.
1387:Neorealism
1357:The first
1309:El Vampiro
1305:La Llorona
1301:La Llorona
1201:Aventurera
1136:See also:
1012:Costa Rica
997:Clavillazo
987:Statue of
922:Cantinflas
864:Cantinflas
2090:1896â1919
2058:Producers
2028:Directors
1772:ed. ClĂo
1572:0362-4331
1251:Juan Orol
1247:film noir
1239:Amsterdam
1231:'s film,
1219:Film Noir
1057:rancheras
1007:pura vida
1001:Pura Vida
878:slapstick
806:Argentina
790:Enamorada
771:The Pearl
754:The Pearl
656:Argentina
636:cellulose
80:Cinema of
1815:. ClĂo.
1458:20 April
1452:Archived
1383:New Wave
1333:(1956).
1324:La Bruja
1130:Rumberas
1061:mariachi
741:actress
737:, actor
626:and the
622:In 1939
2053:Editors
1413:Studios
1350:façade.
1341:Decline
1297:convent
1211:" and "
1051:in 1955
1036:Musical
1005:phrase
829:La Otra
640:Germany
618:Origins
570:Spanish
2023:Actors
2016:Topics
1926:
1907:
1893:
1875:
1851:
1837:
1819:
1804:
1790:
1776:
1762:
1748:
1695:6 June
1627:6 June
1602:6 June
1570:
1541:
1510:
1375:Yu-Mex
1120:stars
966:, and
845:Comedy
798:France
679:(1932)
644:France
624:Europe
603:, and
84:Mexico
2100:1930s
2095:1920s
1955:ITESM
1577:8 May
1132:films
1047:with
973:Somos
833:Tizoc
802:Italy
794:Spain
686:Santa
676:Santa
652:Spain
648:Italy
493:2020s
451:2010s
409:2000s
367:1990s
325:1980s
283:1970s
241:1960s
199:1950s
157:1940s
150:1930s
143:1920s
136:1910s
129:1900s
122:1890s
2500:2024
2495:2023
2490:2022
2485:2016
2480:2015
2475:2014
2470:2013
2465:2012
2460:2011
2455:2010
2450:2009
2445:2008
2440:2007
2435:2006
2430:2005
2425:2004
2420:2003
2415:2002
2410:2001
2405:2000
2400:1999
2395:1998
2390:1997
2385:1996
2380:1995
2375:1994
2370:1993
2365:1992
2360:1991
2355:1990
2350:1989
2345:1988
2340:1987
2335:1986
2330:1985
2325:1984
2320:1983
2315:1982
2310:1981
2305:1980
2300:1979
2295:1978
2290:1977
2285:1976
2280:1975
2275:1974
2270:1973
2265:1972
2260:1971
2255:1970
2250:1969
2245:1968
2240:1967
2235:1966
2230:1965
2225:1964
2220:1963
2215:1962
2210:1961
2205:1960
2200:1959
2195:1958
2190:1957
2185:1956
2180:1955
2175:1954
2170:1953
2165:1952
2160:1951
2155:1950
2150:1949
2145:1948
2140:1947
2135:1946
2130:1945
2125:1944
2120:1943
2115:1942
2110:1941
2105:1940
1963:del
1924:ISBN
1905:ISBN
1891:ISBN
1873:ISBN
1849:ISBN
1835:ISBN
1817:ISBN
1802:ISBN
1788:ISBN
1774:ISBN
1760:ISBN
1746:ISBN
1697:2024
1659:2006
1629:2024
1604:2024
1579:2018
1568:ISSN
1539:ISBN
1508:ISBN
1460:2023
1279:'s "
1261:and
1191:and
1100:and
1084:and
1067:and
1059:and
1024:and
936:and
886:tent
804:and
693:and
669:and
591:and
564:The
528:2029
525:2028
522:2027
519:2026
516:2025
512:2024
509:2023
506:2022
503:2021
500:2020
486:2019
483:2018
480:2017
477:2016
474:2015
470:2014
467:2013
464:2012
461:2011
458:2010
444:2009
441:2008
438:2007
435:2006
432:2005
428:2004
425:2003
422:2002
419:2001
416:2000
402:1999
399:1998
396:1997
393:1996
390:1995
386:1994
383:1993
380:1992
377:1991
374:1990
360:1989
357:1988
354:1987
351:1986
348:1985
344:1984
341:1983
338:1982
335:1981
332:1980
318:1979
315:1978
312:1977
309:1976
306:1975
302:1974
299:1973
296:1972
293:1971
290:1970
276:1969
273:1968
270:1967
267:1966
264:1965
260:1964
257:1963
254:1962
251:1961
248:1960
234:1959
231:1958
228:1957
225:1956
222:1955
218:1954
215:1953
212:1952
209:1951
206:1950
192:1949
189:1948
186:1947
183:1946
180:1945
176:1944
173:1943
170:1942
167:1941
164:1940
1690:BFI
1622:BFI
1597:BFI
1535:313
1171:or
1075:or
765:at
712:by
673:in
2517::
1705:^
1688:.
1645:.
1620:.
1595:.
1566:.
1562:.
1537:.
1489:29
1481:.
1462:.
1446:.
1187:,
1183:,
1167:,
1163:,
1159:,
962:,
958:,
932:,
868:c.
821:Ăl
800:,
796:,
777:.
769:.
654:,
650:,
646:,
614:.
599:,
572::
1994:e
1987:t
1980:v
1957:.
1932:.
1881:.
1825:.
1699:.
1661:.
1631:.
1606:.
1581:.
1547:.
1516:.
568:(
553:e
546:t
539:v
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