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rush, and finding no gold, courageously starts out to run a dance hall. She has her little sister, Mildred Harris, with her, and strives to have the child lead the sheltered life. Along comes a preacher, played with superior strength and sincerity by
William Conklin, who in this role proves himself possessed in high degree of a nice sense of dramatic values. At once there is antagonism between Kate—who is a sort of Diana of the dance halls for personal chastity and a sense of justice—and the minister. He is lassoed in his pulpit and dragged to the dance hall, but Kate's sense of fair play is outraged by the act, and she makes the cowboys liberate him. He calls on her, and tells her he misses her at church. "And I've missed you at the dance hall," she says. "If you'll tend bar for me for an hour, I'll go to your church next Sunday," says Kate. And he takes her up, with a mixture of humor and devotion to the cause which makes a delicious combination of motive such as is seldom put over on the screen. Of course in the final film foot, she comes into the fold and the minister's embrace.
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448:. The Chicago Board of Censors issued the film an Adults Only permit and required the following changes: reel 1, flash gambling scenes and cut all scenes of women embracing men at the bar or women drinking at the bar; reel 2, flash two gambling scenes and cut all but one scene of girl pointing gun at minister and all but one scene of girl with gun holding back crowd at saloon; reel 3, cut close-up of blonde woman and man drinking at bar; reel 4, flash all gambling scenes and cut 5 scenes of man and girl embracing at bar; and reel 5, cut scene of shooting man.
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303:), who wants to clean up the town and sets up a church next to the saloon and dance hall. Initially, Mercedes is opposed to the church and there is immediate antagonism between her and the reverend. He and Mercedes come to respect each other, however, and she is so impressed by his sermons that she closes down her business.
396:"Attention to details in the modern photoplay is strenuous work, and particularly is this the case since motion picture "fans" are keenly critical of the most minute errors. Woe to the director who lets hero leave the house with a fedora hat and arrive at the cafe with a derby, or perform any other such discrepancy.
423:"Louise Glaum isn't "vamping" a single "vamp"—and she's wearing only one gown in "Golden Rule Kate" at Clune's Broadway, this week. I know this will sound to you just like announcing Bill Hart without Fritz, Mary Pickford without curls, the American people without a vote, or any other national calamity.
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Miss Glaum in this new production has a role radically different from her usual "siren" parts. It is a sort of feminized Bill Hart character she portrays as "The Sage Brush Hen," owner of a saloon and dance hall in
Paradise, Nev. The picture is full of striking dramatic situations, tense moments and
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Yet "Golden Rule Kate" is one of the most original piquant picture plays we've had in a blue moon, and Monte
Katterjohn should mark up a red-letter day on his calendar. In this two-dimension drama, Miss Glaum plays the role of a young woman who, having come to a new Nevada mining camp with the gold
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There is some unusually good acting done in this picture, which is directed by
Reginald Barker. Jack Gilbert plays "The Heller" with zest, not alone his acting, but his personality getting over wonderfully well. Gertrude Claire, one of the sweetest "mothers" in the films wins a golden place by her
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All through the production the action shifts from the dance hall to the church and from various interiors to the western street. Needless to say that the director and actors had a busy time of it, remembering all the infinitesimal details that combine to make the picture as artistically perfect as
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When her little sister is sexually abused, Mercedes blames the reverend and is filled with wrath. She begins a vigorous attack on the church and goes gunning for him. But the Heller discovers that it was actually
Mercedes' partner, Slick, who compromised Live's virtue and shoots him dead. After
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Mercedes learns that it was Slick and not the reverend who betrayed Live, she and the reverend become friends. She closes down the saloon and dance hall permanently and prepares to leave town with Live. The reverend then professes his love for her and begs her to stay.
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acting. It makes a strong human interest appeal, combining rapid-fire action, romance and comedy. Jack
Gilbert, Jack Richardson, Mildred Harris, William Conklin, Gertrude Claire and J. P. Lockney form a strong supporting cast for Miss Glaum."
292:), who is crippled, lives with her and she makes every effort to protect the child. A tough, but good-hearted businesswoman, Mercedes shows a tender side at home with Live. Her partner, Slick, and a cowboy called the Heller (played by
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The production is a big dramatic western play of the Bill Hart type, and all the exteriors were filmed at the Santa Monica ranch studios of the
Triangle, where a complete western town has been built for productions of this nature.
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In "Golden Rule Kate," in which Louise Glaum is being starred at Clune's
Broadway this week, Director Reginald Barker had all the trials that such alternating of scenes necessitates.
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acting in this picture; and there is a drunk played by someone whose name I do not know that is an artistic creation in itself."
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The Library of Congress American Silent Feature Film Survival Catalog:
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western was a big departure for Glaum. One of the leading
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508:"Official Cut-Outs by the Chicago Board of Censors"
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419:review of Wednesday, August 15, 1917, reads:
35:Louise Glaum and William Conklin in the film
337:as Olive "Live" Sumner, Kate's half-sister
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319:as Mercedes Murphy aka "Golden Rule Kate"
493:"General Reviews --- Clune's Broadway."
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664:English-language Western (genre) films
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456:Prints of the film still exist at the
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440:Like many American films of the time,
639:Silent American Western (genre) films
464:, although only in an abridged form.
446:city and state film censorship boards
348:Uncredited cast listed alphabetically
392:of Sunday, August 12, 1917, reads:
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649:Films directed by Reginald Barker
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644:Triangle Film Corporation films
634:American black-and-white films
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537:Progressive Silent Film List:
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659:1910s English-language films
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518:(10): 33. September 1, 1917
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624:1917 Western (genre) films
484:. Aug. 12, 1917. p. III 3.
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325:as Reverend Gavin McGregor
593:Golden Rule Kate synopsis
497:. Aug. 15, 1917. p. II 3.
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368:as "Nose Paint" Jonas
311:Cast in credits order
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111:Triangle Distributing
654:1910s American films
462:Academy Film Archive
458:Library of Congress
452:Preservation status
241:Motion Picture News
217:Monte M. Katterjohn
180:is a 1917 American
169:English intertitles
55:Monte M. Katterjohn
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512:Exhibitors Herald
495:Los Angeles Times
482:Los Angeles Times
386:Los Angeles Times
360:Josephine Headley
331:as "Slick" Barney
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372:Milton Ross
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619:1917 films
613:Categories
468:References
436:Censorship
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250:title role
129:1917-08-12
51:Written by
207:. It was
162:Languages
16:1917 film
598:AllMovie
522:July 14,
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278:Old West
252:in this
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71:Starring
585:at the
379:Reviews
276:is the
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185:Western
154:Country
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182:silent
166:Silent
417:Times
258:vamps
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576:IMDb
524:2015
272:The
268:Plot
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