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Good Sam (1948 film)

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tribute to the Good Samaritan type. And that is understandable, for the story is such a cliché that it may not be easily distinguished as an outright travesty. ... But if you'll realize at the outset that the hero of this comic tale is not supposed to be taken as a proper example at all but is really something of a lampoon—a spoof of a popular movie type—then you'll certainly get more pleasure out of the antics than if you don't. Crowther praised Cooper's performance as a spoof of "every do-gooder that he has played since Mr. Deeds, plus a couple of memorable do-gooders that
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writes that the film “ ...balances comedy, pathos, and irony so freely within each scene that you don't know how the movie expects you to react. This ambiguity of affect marks the cinema of Leo McCarey. He's so fascinated by observing the nuances of human reactions, and how the emotions of different
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magazine review which chided Cooper for overacting, writing: "Mr. Cooper is now a grown man and his boyish bashfulness, sheepish grins, trembling lip and fluttering eyelids are actors' tricks he can surely do without"; Meyers blamed Cooper's maneuvers on the actor's efforts to "compensate for a poor
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evaluated the film positively, calling it "a mischievous sort of satire" and pointing out that the main character, who behaves like a saint towards everyone, should not be taken seriously. Crowrher wrote: “The principal danger in this picture is that people will take it seriously as a nobly intended
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Sam is unhappy, too. He's annoyed with the Butlers, who have crashed his car and can't pay to fix it. He also wants Claude to move out. Shirley Mae's troubles come to his door after she overdoses on pills. Though the Adamses surprise him with a check for $ 6,000 to repay their loan, Sam uses some of
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Sam is a department store manager whose boss, H.C. Borden, wants him to sell more and socialize less. Sam's a shoulder for clerk Shirley Mae to cry on when her romance breaks up. He also gives a $ 5,000 loan, without his wife's knowledge, to Mr. and Mrs. Adams, who need it to save a gas station they
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has played". He also lauded Sheridan's performance for cueing the reader to the fact the film should not be taken seriously, writing: "As a matter of fact, it is the lovely and willful sarcasm in her approach—the non-Pollyannaism—that keys the whole purpose of the film". He called McCarey's staging
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Lu is fed up with Sam's generosity, particularly when he ends up paying for the Butlers' car repairs, then letting the mechanic come over for home-cooked meals. The last straw for Lu comes when she learns they have a chance to put a down payment on a new house, except Sam has lent their nest egg to
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Sam Clayton is too good for his own good. A sermon by Rev. Daniels persuades him to help others in every way he can, including his wife Lu's good-for-nothing brother, Claude, who's been living with them rent-free for six months, and their neighbors the Butlers, who need a car for a vacation when
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and produced by McCarey's production company, Rainbow Productions. It received mixed reviews, with critics alternately liking and disliking the film based on whether they viewed it as a serious story or a spoof. The film was one of the top box-office draws of 1948, grossing $ 2.95 million.
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The film was shot in Los Angeles from August 4 to October 1947. In January 1948, McCarey reportedly filmed additional scenes to provide alternative endings for the film. Preview audiences were then asked to state which of the two endings they preferred. The unused ending is not known.
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marching band playing Christmas songs brings him back home. There the bank manager promises that he will receive the loan he asked for, and Borden surprises him with a promotion to vice-president of the store.
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gave the picture a weak nod, writing: "The film has several good laughs, and no doubt some people will find it amusing and even philosophical. Others will find it episodic, confused and even embarrassing".
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the money to pay for the annual Christmas charity dinner after he is robbed of the money he collected from employees and the bank refuses to give him a loan. He ends up in a bar, drinking copiously. A
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criticized McCarey's coaching of the actors for "bungling" the potential satirical comedy, resulting in Cooper giving "one of the most dopey, insipid performances of his long career".
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was asked to work on the script but refused, stating: " man who tried to lead in our times the life of an apostle would be an idiot and would be considered by others to be one".
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blamed Cooper's performance for slowing the film's pacing, due to his "languidness and too obviously premeditated performance in a pic that in itself is unusually long".
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marching band accompanies Cooper's drunken character home, director McCarey assembled a 25-piece band composed of students from several high schools in the
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Contemporary reviews also noted the miscasting of Sheridan, who typically played "sassy" characters but in this film was cast as a "bland" housewife.
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The film grossed $ 2.95 million in domestic and international receipts, giving it a ranking of no. 23 on the list of highest grossing films of 1948.
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Interior scenes of the church were modeled after the interior of the city's St. James Episcopal Church. The Rev. J. Herbert Smith, pastor of
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characters feed and counterpoint each other, that he lets scenes run on quite long; you get the feeling he'd just as soon they never end.
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Fernando Croce on the other hand, asserts that "he leisurely treatment allows for the flowering of digressions like
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of the interactions between the main character and his wife, and with others, "bright, explosive—and absurd".
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The film was released on September 1, 1948. The original 130-minute cut is stored at the
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who is helpful to others at the expense of his own family. The film was directed by
765:"Gary Cooper Plays 'Good Sam' in Leo McCarey's Production at Radio City Music Hall" 532:, Meyers describes Cooper's acting in this film as "merely goofy". Meyers quotes a 481:
also praised the film as "smashing in its comic effect", "heartwarming and human".
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Filming was interrupted by Cooper's appearance as a friendly witness before the
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calls the film "an almost complete misfire" and a "lifeless comedy".
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felt the stylishly-outfitted Sheridan looked more at home "in a
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McCarey's production company, Rainbow Productions, borrowed
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was adapted for a September 25, 1950 presentation on
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he signed a "significant contract" with Warner Bros.
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The Decatur Daily Review. p. 42 822: 716: 658: 425:House Un-American Activities Committee 1116: 989: 842: 840: 755: 753: 683: 681: 679: 677: 675: 673: 671: 669: 667: 627: 625: 445: 1430:American romantic comedy-drama films 992:"Better Radio Programs for the Week" 915:Barrett, Michael (August 21, 2014). 570:'s sketch of a wizened sly pixie or 1445:Films scored by Robert Emmett Dolan 518:Writing in 2001, Cooper biographer 13: 837: 750: 664: 622: 14: 1486: 1425:1940s romantic comedy-drama films 1073: 942: 823:Thomas, Bob (September 1, 1948). 585:rates the film 60 percent fresh. 1009: 331:Bobby Dolan Jr. as Butch Clayton 990:Kirby, Walter (March 9, 1952). 983: 962: 936: 908: 880: 381:'s character. According to the 1435:American black-and-white films 816: 784: 722: 641:. January 5, 1949. p. 46. 588: 341: 174:130 minutes (original release) 1: 1440:Films directed by Leo McCarey 810:National Library of Australia 615: 450:Critical reviews were mixed. 336: 1465:1940s English-language films 1058:. Rowman & Littlefield. 542:Among 21st-century critics. 414:All Saints' Episcopal Church 313:as Chloe, the Claytons' maid 7: 1389:Rally Round the Flag, Boys! 420:, was a technical advisor. 154:September 1, 1948 10: 1491: 1055:Gary Cooper: American Hero 1021: 574:'s beautiful rendition of 430: 403: 364: 1151: 392:For the scene in which a 196: 188: 180: 168: 145: 135: 121: 111: 101: 91: 73: 65: 55: 45: 35: 26: 21: 875:Jewell & Harbin 1982 200:$ 2,950,000 (US rentals) 16:1948 film by Leo McCarey 1357:The Bells of St. Mary's 694:American Film Institute 383:American Film Institute 261: 235: 763:(September 17, 1948). 633:"Top Grossers of 1948" 600:starring Sheridan and 529:Mr. Deeds Goes to Town 377:, to play the wife of 1381:An Affair to Remember 1341:Once Upon a Honeymoon 1317:Make Way for Tomorrow 1293:Belle of the Nineties 893:Turner Classic Movies 471:A 1950 review by the 427:on October 23, 1947. 176:114 minutes (reissue) 1470:1940s American films 1173:Isn't Life Terrible? 735:Museum of Modern Art 357:and John D. Klorer. 353:based on a story by 271:as Samuel R. Clayton 241:theirs breaks down. 1189:Mighty Like a Moose 1034:. Arlington House. 943:Croce, Fernando F. 856:. December 31, 1947 830:Santa Cruz Sentinel 487:Santa Cruz Sentinel 437:Library of Congress 322:Dick Ross as Claude 283:as Reverend Daniels 211:is a 1948 American 130:Rainbow Productions 116:Robert Emmett Dolan 1450:RKO Pictures films 1397:Satan Never Sleeps 1301:Ruggles of Red Gap 1269:The Kid from Spain 1181:Long Fliv the King 1143:Films directed by 1108:TCM Movie Database 770:The New York Times 459:The New York Times 446:Critical reception 277:as Lucille Clayton 140:RKO Radio Pictures 1455:1948 comedy films 1407: 1406: 888:"Good Sam (1948)" 689:"Good Sam (1948)" 598:Lux Radio Theatre 204: 203: 1482: 1460:1948 drama films 1137: 1130: 1123: 1114: 1113: 1069: 1045: 1015: 1014: 1013: 1007: 1001: 999: 987: 981: 980: 979: 978: 966: 960: 959: 957: 955: 940: 934: 933: 931: 929: 912: 906: 905: 903: 901: 884: 878: 872: 866: 865: 863: 861: 844: 835: 834: 820: 814: 813: 807: 805: 788: 782: 781: 779: 777: 761:Crowther, Bosley 757: 748: 747: 745: 743: 726: 720: 714: 708: 707: 705: 703: 685: 662: 656: 643: 642: 629: 606:Stars in the Air 556:Writing for the 299:Clinton Sundberg 161: 159: 31: 19: 18: 1490: 1489: 1485: 1484: 1483: 1481: 1480: 1479: 1410: 1409: 1408: 1403: 1325:The Awful Truth 1245:Let's Go Native 1157:Society Secrets 1147: 1141: 1076: 1066: 1050:Meyers, Jeffrey 1042: 1024: 1019: 1018: 1008: 997: 995: 988: 984: 976: 974: 971:Good Sam (1948) 968: 967: 963: 953: 951: 941: 937: 927: 925: 913: 909: 899: 897: 886: 885: 881: 873: 869: 859: 857: 846: 845: 838: 821: 817: 803: 801: 790: 789: 785: 775: 773: 758: 751: 741: 739: 728: 727: 723: 715: 711: 701: 699: 687: 686: 665: 657: 646: 631: 630: 623: 618: 591: 583:Rotten Tomatoes 479:New South Wales 454:Bosley Crowther 448: 433: 406: 367: 349:was written by 344: 339: 334: 328:as Lulu Clayton 326:Lora Lee Michel 264: 238: 213:romantic comedy 175: 171: 164: 157: 155: 148: 131: 126: 124: 84: 80: 60: 17: 12: 11: 5: 1488: 1478: 1477: 1472: 1467: 1462: 1457: 1452: 1447: 1442: 1437: 1432: 1427: 1422: 1405: 1404: 1402: 1401: 1393: 1385: 1377: 1369: 1361: 1353: 1345: 1337: 1329: 1321: 1313: 1305: 1297: 1289: 1281: 1273: 1265: 1257: 1253:Part Time Wife 1249: 1241: 1233: 1229:Red Hot Rhythm 1225: 1217: 1209: 1201: 1193: 1185: 1177: 1169: 1161: 1152: 1149: 1148: 1140: 1139: 1132: 1125: 1117: 1111: 1110: 1099: 1088: 1075: 1074:External links 1072: 1071: 1070: 1064: 1046: 1040: 1023: 1020: 1017: 1016: 1004:Newspapers.com 982: 961: 935: 907: 879: 877:, p. 232. 867: 836: 815: 783: 749: 721: 719:, p. 209. 709: 663: 661:, p. 201. 644: 620: 619: 617: 614: 590: 587: 544:Leonard Maltin 520:Jeffrey Meyers 506:Christian Dior 447: 444: 432: 429: 405: 402: 394:Salvation Army 366: 363: 359:Sinclair Lewis 343: 340: 338: 335: 333: 332: 329: 323: 320: 314: 311:Louise Beavers 308: 307:as Mrs. Nelson 305:Minerva Urecal 302: 296: 295:as Shirley Mae 290: 289:as H.C. Borden 284: 278: 272: 265: 263: 260: 255:Salvation Army 237: 234: 225:Good Samaritan 202: 201: 198: 194: 193: 190: 186: 185: 182: 178: 177: 172: 169: 166: 165: 163: 162: 151: 149: 146: 143: 142: 137: 136:Distributed by 133: 132: 129: 127: 122: 119: 118: 113: 109: 108: 106:James C. McKay 103: 99: 98: 93: 92:Cinematography 89: 88: 75: 71: 70: 67: 63: 62: 61:John D. 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Index


Leo McCarey
Ken Englund
Gary Cooper
Ann Sheridan
Edmund Lowe
George Barnes
James C. McKay
Robert Emmett Dolan
RKO Radio Pictures
romantic comedy
drama film
Gary Cooper
Good Samaritan
Leo McCarey
Salvation Army
Gary Cooper
Ann Sheridan
Ray Collins
Edmund Lowe
Joan Lorring
Clinton Sundberg
Minerva Urecal
Louise Beavers
Ruth Roman
Lora Lee Michel
Ken Englund
Leo McCarey
Sinclair Lewis
Ann Sheridan

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