85:
The man's steps are the converse of the woman's, he starting with his left foot. The step is executed in closed position of the couple, and is usually performed several times in succession. The arrival of the feet in fourth position is usually punctuated with a slight
82:; one foot travelling sideways on a straight line, the other foot going from anterior to posterior fourth position, and vice versa. The step travels to the woman's right (the man's left), without turning.
116:
The sequence may start from any of the four steps and may break wherever it is convenient to move into another dance figure or in the opposite direction. The whole sequence is in the same direction.
119:
In some dances (e.g., Polka, Hustle, Electric Slide) it is an eight count figure, often split into two, mirroring each other and called "grapevine to the right" and "grapevine to the left".
201:
191:
247:
232:
44:
160:
187:
8:
64:
205:
197:
87:
48:
25:
79:
60:
56:
29:
226:
241:
209:
21:
183:
154:
37:
33:
71:
70:
Troy and
Margaret West Kinney described it in 1914 as part of the
157:, a popular Israeli folk dance that uses a grapevine-style step
138:
Step right foot to the left, crossing in front of the left foot
52:
40:
126:
Step left foot to the right, crossing in front of right foot
196:. Norwood, MA, US: The Plimpton Press. pp. 278–279.
28:
that shares a common appearance, with some variation, in
178:
176:
99:The most basic repeating sequence of steps may be;
173:
239:
43:. It includes side steps and steps across the
212:– via Internet Archive and HathiTrust.
182:
47:. The step is used, for example, in the
80:second and fourth positions of the feet
240:
193:The Dance: Its Place in Art and Life
78:The Grape-Vine is an alternation of
13:
14:
259:
220:
202:2027/dul1.ark:/13960/t2m66k028
1:
166:
106:Step behind the support foot,
7:
228:Right & Left Grapevines
148:
94:
10:
264:
112:Step across support foot.
161:Glossary of dance moves
144:Tap right against left
132:Tap left against right
92:
188:Kinney, Margaret West
76:
248:Social dance steps
65:freestyle aerobics
255:
229:
214:
213:
180:
263:
262:
258:
257:
256:
254:
253:
252:
238:
237:
227:
223:
218:
217:
181:
174:
169:
151:
97:
84:
83:
26:partner dancing
12:
11:
5:
261:
251:
250:
236:
235:
222:
221:External links
219:
216:
215:
190:(April 1914).
171:
170:
168:
165:
164:
163:
158:
150:
147:
146:
145:
142:
139:
136:
133:
130:
127:
124:
114:
113:
110:
107:
104:
96:
93:
63:as well as in
57:Electric Slide
9:
6:
4:
3:
2:
260:
249:
246:
245:
243:
234:
230:
225:
224:
211:
207:
203:
199:
195:
194:
189:
185:
179:
177:
172:
162:
159:
156:
153:
152:
143:
140:
137:
134:
131:
128:
125:
122:
121:
120:
117:
111:
108:
105:
102:
101:
100:
91:
89:
81:
75:
73:
68:
66:
62:
58:
54:
50:
46:
42:
39:
35:
31:
27:
23:
19:
192:
184:Kinney, Troy
118:
115:
98:
77:
69:
45:support foot
22:dance figure
17:
15:
155:Mayim Mayim
167:References
129:Step right
123:Step right
109:Side step,
103:Side step,
210:646847081
141:Step left
135:Step left
18:grapevine
242:Category
149:See also
95:Sequence
72:One-Step
30:ballroom
233:YouTube
49:foxtrot
208:
61:hustle
41:dances
36:, and
53:polka
20:is a
206:OCLC
67:.
59:and
38:folk
34:club
16:The
231:on
198:hdl
88:dip
24:in
244::
204:.
186:;
175:^
74:.
55:,
51:,
32:,
200::
90:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.