Knowledge

Green Bullfrog

Source 📝

197: 413: 408: 403: 398: 393: 350:, who played piano on the album, was named "Sorry" after his reputation of apologising if another take was required. Alexander was called "The Vicar" after Lawrence's habit of saying "hello, vicar" to him, while Paice was nicknamed "Speedy" owing to his fast playing style. Despite rumours at the time, 458:
and reissued on LP and CD. The re-release contained extra tracks not on the original release, and additional information and sleeve notes including an interview with Lawrence. It was the first release that properly credited all the musicians. Four tracks recorded by Green Bullfrog have been published
329:
For contractual reasons, the musicians were billed under pseudonyms. Lee was called "Pinta" after an in-joke where he would say "I'm only delivering the milk!" when a second take of a song was requested. Ashton was called "Bevy" because he liked to keep bottles of light ale under his organ. Bassist
342:) took the name "Sleepy" due to his habit of falling asleep at sessions. Blackmore was called "Boots" because he frequently wore suede cowboy boots, while Sullivan was nicknamed "The Boss" due to his respect from the others as one of the best session players. 449:
magazine in September 1978, which correctly identified himself, Paice, Lee and Sullivan on the album but mistakenly credited Glover. Both Blackmore and Glover were unimpressed with the front cover quotation. It was remixed at
438:
in March 1972 after Lawrence played some tracks to company president Mike Maitland. However, Maitland had left the company by the time the album was released, so it had little promotion and was commercially unsuccessful.
273:. He arrived at the session to deliver some guitar strings and was persuaded to stay. All the musicians had wanted to play together for some time, but were too busy with touring or session work to do so. Singer 442:
The album was re-released in 1980 under ECY Street Records in the US. The reissue had additional sleeve notes written by Ed Chapero. The front cover had a quote from Blackmore taken from an interview with
426:
was chosen by Lawrence. Hodges later said it was because Lawrence wanted to name every project after a colour. The first release of the session was on 19 March 1971 in the US by
31: 281:. He put down guide vocals during the main session, then re-recorded all his parts after everyone else had left. Strings and brass overdubs were added on 4 January 1971. 152:
The album listed pseudonyms in the credits for contractual reasons and was commercially unsuccessful. The musicians were eventually confirmed as including
310:
to make it more interesting to play. The guitar workout instrumental "Bullfrog" is a Deep Purple song "Jam Stew", which had been previously recorded at a
314:
session. Blackmore played the main riff once to Sullivan and Lee, who both immediately created guitar harmonies around it. The track also features
238:. However, the sessions did not work out, so the pair decided to invite other session musicians and Sutch alumni and record a studio jam. 326:'s "Makin' Time", which Blackmore and Lawrence had both wanted to record. Lawrence selected all the other songs for everyone to record. 1164: 261:. According to Lee, Blackmore and Paice arrived at the studio directly from Deep Purple gigs on both occasions. Session guitarist 1126: 1103: 1080: 1057: 149:, London in 1970, with later string and brass overdubs. It was originally released in 1971, with reissues in 1980 and 1991. 672: 470:
which was mixed, praising the quality of musicians, but felt there was "little  to truly engage the attention".
265:
was invited as he had originally taught Blackmore how to play guitar and was greatly admired by him. Guitarist
1169: 1159: 1143: 711: 634: 508: 347: 169: 1049: 608: 562: 1095: 278: 937: 1174: 231: 241:
The backing tracks were recorded in two overnight sessions on 20 April and 23 May 1970 at
8: 323: 242: 146: 84: 451: 335: 270: 1122: 1099: 1076: 1053: 718: 641: 597: 530: 515: 254: 222:, who assembled a group of musicians with whom he had worked in the 1960s. Guitarist 204: 157: 732: 262: 235: 227: 185: 619: 493: 431: 119: 759: 658: 593: 555: 548: 526: 339: 219: 173: 142: 124: 1153: 1118: 739: 623: 586: 497: 445: 427: 319: 307: 289: 266: 112: 765: 665: 351: 343: 165: 107: 1041: 746: 704: 697: 645: 630: 519: 504: 455: 435: 331: 315: 311: 274: 250: 200: 196: 177: 153: 95: 725: 676: 292:. Sullivan rearranged Lawrence's "Lovin' You (Is Good for Me Baby)" in 223: 181: 1072: 690: 612: 601: 566: 534: 258: 161: 434:" and "Lovin' You Is Good for Me, Baby". It was issued in the UK by 257:
had previously worked with Lawrence and brought along their drummer
941: 467: 385: 355: 284:
A few originals (penned by Lawrence) were played, as well as many
30: 88: 285: 138: 100: 38: 654:"Lovin' You Is Good for Me Baby" (Lawrence/Corlett/Hutton)* 572:"Lovin' You Is Good for Me Baby" (Lawrence/Corlett/Hutton) 145:. The bulk of the album was recorded over two sessions at 992: 269:
was friends with Blackmore and worked in a music shop on
1026:(Media notes). Connoisseur Collection. 1991. NSP CD 503. 898: 896: 869: 230:, and the original idea had been to record with former 913: 911: 893: 859: 857: 855: 853: 807: 805: 803: 801: 955: 908: 881: 850: 798: 141:album recorded by an ad hoc band and produced by 1151: 249:pm. It was recorded live into four track tape. 390: 846:(Media notes). Connoisseur. 1991. NSP LP 503. 785:Credited to Lawrence alone on the original LP 466:Dave Thompson gave a retrospective review on 430:, as well as a single coupling the tracks " 977:(Media notes). ECY Street Records. ECY 16. 651:"I'm a Free Man" (Mark "Moogy" Klingman)* 454:, London in 1991 by Lawrence and engineer 29: 1069:Smoke on the Water: The Deep Purple Story 1004: 1002: 334:(who previously played with Blackmore in 1066: 902: 875: 581:Tracks marked * are on the original LP. 322:. The sessions also included a cover of 195: 1152: 1092:Country Boy: A Biography of Albert Lee 1040: 999: 961: 838: 836: 834: 832: 830: 828: 826: 824: 822: 820: 1112: 1089: 1012:(Media notes). Decca. 1972. DL-75269. 917: 887: 863: 811: 371: 932: 930: 928: 926: 358:did not attend any of the sessions. 226:had been working with Lawrence as a 817: 392: 13: 459:on the 2005 Blackmore compilation 14: 1186: 1165:Albums produced by Derek Lawrence 1137: 923: 473: 411: 406: 401: 396: 391: 16:Album produced by Derek Lawrence 1115:Black Knight: Ritchie Blackmore 1016: 981: 967: 779: 338:and would later be one half of 989:Get Away – Groups and Sessions 461:Get Away – Groups and Sessions 1: 792: 576: 191: 683: 483:Taken from the sleeve notes 277:had been recording with the 7: 1046:Chas and Dave: All About Us 1024:The Green Bullfrog Sessions 253:and former Sutch guitarist 10: 1191: 361: 70:20 April & 23 May 1970 379: 376: 218:was the idea of producer 118: 106: 94: 80: 63: 48: 37: 28: 23: 772: 245:, London, starting at 11 1067:Thompson, Dave (2004). 609:Walk a Mile in My Shoes 563:Walk a Mile in My Shoes 180:and session guitarists 52:19 March 1971 212: 1146:– Deep Purple Podcast 1113:Bloom, Jerry (2010). 1090:Watts, Derek (2008). 585:"Ain't Nobody Home" ( 556:Mark "Moogy" Klingman 478: 279:Les Humphries Singers 199: 1170:Decca Records albums 367:Professional ratings 232:Screaming Lord Sutch 554:"I'm a Free Man" ( 368: 243:De Lane Lea Studios 147:De Lane Lea Studios 1075:]. pp. 91–2. 995:. 2005. CMEDD1029. 452:Abbey Road Studios 366: 271:Charing Cross Road 213: 1160:1971 debut albums 1128:978-0-857-12053-3 1105:978-0-786-48295-5 1082:978-1-550-22618-8 1059:978-1-857-82826-9 878:, pp. 91–92. 719:Ritchie Blackmore 707:) – piano / organ 664:"Louisiana Man" ( 642:Lawdy Miss Clawdy 637:, Kenny Pickett)* 598:Ritchie Blackmore 531:Ritchie Blackmore 516:Lawdy Miss Clawdy 420: 419: 255:Ritchie Blackmore 207:attended the two 205:Ritchie Blackmore 158:Ritchie Blackmore 130: 129: 1182: 1132: 1109: 1086: 1063: 1028: 1027: 1020: 1014: 1013: 1006: 997: 996: 985: 979: 978: 971: 965: 959: 953: 952: 950: 948: 938:"Green Bullfrog" 934: 921: 915: 906: 900: 891: 885: 879: 873: 867: 861: 848: 847: 840: 815: 809: 786: 783: 733:Big Jim Sullivan 673:Who Do You Love? 511:, Kenny Pickett) 416: 415: 414: 410: 409: 405: 404: 400: 399: 395: 394: 369: 365: 306: 305: 304: 303: 263:Big Jim Sullivan 248: 236:Tony Dangerfield 186:Big Jim Sullivan 59: 57: 33: 21: 20: 1190: 1189: 1185: 1184: 1183: 1181: 1180: 1179: 1150: 1149: 1140: 1135: 1129: 1106: 1083: 1060: 1031: 1022: 1021: 1017: 1008: 1007: 1000: 991:(Media notes). 987: 986: 982: 973: 972: 968: 960: 956: 946: 944: 936: 935: 924: 916: 909: 901: 894: 886: 882: 874: 870: 862: 851: 842: 841: 818: 810: 799: 795: 790: 789: 784: 780: 775: 686: 657:"I Want You" ( 620:My Baby Left Me 579: 547:"I Want You" ( 494:My Baby Left Me 481: 476: 432:My Baby Left Me 412: 407: 402: 397: 364: 340:Chas & Dave 302: 297: 296: 295: 294: 293: 246: 194: 174:Chas & Dave 76: 55: 53: 44: 17: 12: 11: 5: 1188: 1178: 1177: 1172: 1167: 1162: 1148: 1147: 1144:Green Bullfrog 1139: 1138:External links 1136: 1134: 1133: 1127: 1110: 1104: 1087: 1081: 1064: 1058: 1037: 1030: 1029: 1015: 1010:Green Bullfrog 998: 980: 975:Green Bullfrog 966: 964:, p. 114. 954: 922: 920:, p. 138. 907: 892: 890:, p. 137. 880: 868: 849: 844:Green Bullfrog 816: 796: 794: 791: 788: 787: 777: 776: 774: 771: 770: 769: 763: 760:Derek Lawrence 751: 750: 743: 736: 729: 722: 715: 712:Matthew Fisher 708: 701: 694: 685: 682: 681: 680: 677:Ellas McDaniel 669: 662: 659:Tony Joe White 655: 652: 649: 638: 635:Eddie Phillips 627: 616: 605: 594:Derek Lawrence 590: 578: 575: 574: 573: 570: 559: 552: 549:Tony Joe White 539: 538: 527:Derek Lawrence 523: 512: 509:Eddie Phillips 501: 480: 477: 475: 472: 424:Green Bullfrog 418: 417: 388: 382: 381: 378: 374: 373: 363: 360: 348:Matthew Fisher 298: 290:cover versions 228:session player 220:Derek Lawrence 216:Green Bullfrog 209:Green Bullfrog 193: 190: 170:Matthew Fisher 143:Derek Lawrence 134:Green Bullfrog 128: 127: 125:Derek Lawrence 122: 116: 115: 110: 104: 103: 98: 92: 91: 82: 78: 77: 75: 74: 73:4 January 1971 71: 67: 65: 61: 60: 50: 46: 45: 43:Green Bullfrog 42: 35: 34: 26: 25: 24:Green Bullfrog 15: 9: 6: 4: 3: 2: 1187: 1176: 1173: 1171: 1168: 1166: 1163: 1161: 1158: 1157: 1155: 1145: 1142: 1141: 1130: 1124: 1120: 1119:Omnibus Press 1116: 1111: 1107: 1101: 1097: 1093: 1088: 1084: 1078: 1074: 1070: 1065: 1061: 1055: 1051: 1047: 1043: 1039: 1038: 1036: 1035: 1025: 1019: 1011: 1005: 1003: 994: 990: 984: 976: 970: 963: 958: 943: 939: 933: 931: 929: 927: 919: 914: 912: 905:, p. 91. 904: 903:Thompson 2004 899: 897: 889: 884: 877: 876:Thompson 2004 872: 866:, p. 98. 865: 860: 858: 856: 854: 845: 839: 837: 835: 833: 831: 829: 827: 825: 823: 821: 814:, p. 97. 813: 808: 806: 804: 802: 797: 782: 778: 767: 764: 761: 758: 757: 756: 755: 748: 744: 741: 740:Rod Alexander 738:"The Vicar" ( 737: 734: 730: 727: 723: 720: 716: 713: 709: 706: 702: 699: 695: 692: 688: 687: 678: 674: 670: 667: 663: 660: 656: 653: 650: 647: 643: 639: 636: 632: 628: 625: 624:Arthur Crudup 621: 617: 614: 610: 606: 603: 599: 595: 591: 588: 587:Jerry Ragovoy 584: 583: 582: 571: 568: 564: 560: 557: 553: 550: 546: 545: 544: 543: 536: 532: 528: 524: 521: 517: 513: 510: 506: 502: 499: 498:Arthur Crudup 495: 491: 490: 489: 488: 484: 474:Track listing 471: 469: 464: 462: 457: 453: 448: 447: 446:Guitar Player 440: 437: 433: 429: 428:Decca Records 425: 389: 387: 384: 383: 375: 372:Review scores 370: 359: 357: 353: 349: 345: 341: 337: 333: 327: 325: 321: 320:Hammond organ 317: 313: 309: 308:compound time 301: 291: 287: 282: 280: 276: 272: 268: 267:Rod Alexander 264: 260: 256: 252: 244: 239: 237: 233: 229: 225: 221: 217: 210: 206: 202: 198: 189: 187: 183: 179: 175: 171: 167: 163: 159: 155: 150: 148: 144: 140: 136: 135: 126: 123: 121: 117: 114: 111: 109: 105: 102: 99: 97: 93: 90: 86: 83: 79: 72: 69: 68: 66: 62: 51: 47: 40: 36: 32: 27: 22: 19: 1114: 1091: 1068: 1045: 1042:Hodges, Chas 1033: 1032: 1023: 1018: 1009: 988: 983: 974: 969: 957: 945:. Retrieved 883: 871: 843: 781: 766:Martin Birch 753: 752: 731:"The Boss" ( 666:Doug Kershaw 592:"Bullfrog" ( 580: 541: 540: 525:"Bullfrog" ( 486: 485: 482: 465: 460: 444: 441: 423: 421: 352:Roger Glover 344:Procol Harum 328: 324:the Creation 299: 283: 240: 215: 214: 208: 166:Procol Harum 151: 133: 132: 131: 39:Studio album 18: 1175:Deep Purple 962:Hodges 2009 947:30 November 747:Earl Jordan 705:Tony Ashton 698:Chas Hodges 646:Lloyd Price 631:Makin' Time 520:Lloyd Price 505:Makin' Time 456:Peter Vince 436:MCA Records 336:the Outlaws 332:Chas Hodges 316:Tony Ashton 312:BBC Radio 1 288:-inflected 275:Earl Jordan 251:Deep Purple 201:Deep Purple 178:Chas Hodges 154:Deep Purple 85:De Lane Lea 1154:Categories 1050:John Blake 918:Bloom 2010 888:Bloom 2010 864:Watts 2008 812:Watts 2008 793:References 768:– engineer 762:– producer 754:Production 749:) – vocals 745:"Jordan" ( 742:) – guitar 735:) – guitar 728:) – guitar 726:Albert Lee 721:) – guitar 696:"Sleepy" ( 689:"Speedy" ( 577:CD reissue 422:The title 224:Albert Lee 192:Background 182:Albert Lee 56:1971-03-19 1096:McFarland 1073:ECW Press 724:"Pinta" ( 717:"Boots" ( 714:) – piano 710:"Sorry" ( 693:) – drums 691:Ian Paice 684:Personnel 613:Joe South 602:Ian Paice 567:Joe South 535:Ian Paice 259:Ian Paice 162:Ian Paice 1044:(2009). 942:AllMusic 703:"Bevy" ( 700:) – bass 542:Side two 487:Side one 468:AllMusic 386:AllMusic 356:Jon Lord 234:bassist 211:sessions 120:Producer 64:Recorded 49:Released 41: by 1034:Sources 362:Release 54: ( 1125:  1102:  1079:  1056:  380:Rating 377:Source 247:  89:London 81:Studio 773:Notes 286:blues 139:blues 137:is a 113:Decca 108:Label 101:Blues 96:Genre 1123:ISBN 1100:ISBN 1077:ISBN 1054:ISBN 949:2016 354:and 184:and 160:and 993:EMI 675:" ( 644:" ( 633:" ( 622:" ( 611:" ( 565:" ( 518:" ( 507:" ( 496:" ( 346:'s 318:on 203:'s 176:'s 168:'s 156:'s 1156:: 1121:. 1117:. 1098:. 1094:. 1071:. 1052:. 1048:. 1001:^ 940:. 925:^ 910:^ 895:^ 852:^ 819:^ 800:^ 661:)* 648:)* 626:)* 615:)* 604:)* 600:, 596:, 533:, 529:, 479:LP 463:. 188:. 172:, 164:, 87:, 1131:. 1108:. 1085:. 1062:. 951:. 679:) 671:" 668:) 640:" 629:" 618:" 607:" 589:) 569:) 561:" 558:) 551:) 537:) 522:) 514:" 503:" 500:) 492:" 300:9 58:)

Index


Studio album
De Lane Lea
London
Genre
Blues
Label
Decca
Producer
Derek Lawrence
blues
Derek Lawrence
De Lane Lea Studios
Deep Purple
Ritchie Blackmore
Ian Paice
Procol Harum
Matthew Fisher
Chas & Dave
Chas Hodges
Albert Lee
Big Jim Sullivan

Deep Purple
Ritchie Blackmore
Derek Lawrence
Albert Lee
session player
Screaming Lord Sutch
Tony Dangerfield

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.