197:
413:
408:
403:
398:
393:
350:, who played piano on the album, was named "Sorry" after his reputation of apologising if another take was required. Alexander was called "The Vicar" after Lawrence's habit of saying "hello, vicar" to him, while Paice was nicknamed "Speedy" owing to his fast playing style. Despite rumours at the time,
458:
and reissued on LP and CD. The re-release contained extra tracks not on the original release, and additional information and sleeve notes including an interview with
Lawrence. It was the first release that properly credited all the musicians. Four tracks recorded by Green Bullfrog have been published
329:
For contractual reasons, the musicians were billed under pseudonyms. Lee was called "Pinta" after an in-joke where he would say "I'm only delivering the milk!" when a second take of a song was requested. Ashton was called "Bevy" because he liked to keep bottles of light ale under his organ. Bassist
342:) took the name "Sleepy" due to his habit of falling asleep at sessions. Blackmore was called "Boots" because he frequently wore suede cowboy boots, while Sullivan was nicknamed "The Boss" due to his respect from the others as one of the best session players.
449:
magazine in
September 1978, which correctly identified himself, Paice, Lee and Sullivan on the album but mistakenly credited Glover. Both Blackmore and Glover were unimpressed with the front cover quotation. It was remixed at
438:
in March 1972 after
Lawrence played some tracks to company president Mike Maitland. However, Maitland had left the company by the time the album was released, so it had little promotion and was commercially unsuccessful.
273:. He arrived at the session to deliver some guitar strings and was persuaded to stay. All the musicians had wanted to play together for some time, but were too busy with touring or session work to do so. Singer
442:
The album was re-released in 1980 under ECY Street
Records in the US. The reissue had additional sleeve notes written by Ed Chapero. The front cover had a quote from Blackmore taken from an interview with
426:
was chosen by
Lawrence. Hodges later said it was because Lawrence wanted to name every project after a colour. The first release of the session was on 19 March 1971 in the US by
31:
281:. He put down guide vocals during the main session, then re-recorded all his parts after everyone else had left. Strings and brass overdubs were added on 4 January 1971.
152:
The album listed pseudonyms in the credits for contractual reasons and was commercially unsuccessful. The musicians were eventually confirmed as including
310:
to make it more interesting to play. The guitar workout instrumental "Bullfrog" is a Deep Purple song "Jam Stew", which had been previously recorded at a
314:
session. Blackmore played the main riff once to
Sullivan and Lee, who both immediately created guitar harmonies around it. The track also features
238:. However, the sessions did not work out, so the pair decided to invite other session musicians and Sutch alumni and record a studio jam.
326:'s "Makin' Time", which Blackmore and Lawrence had both wanted to record. Lawrence selected all the other songs for everyone to record.
1164:
261:. According to Lee, Blackmore and Paice arrived at the studio directly from Deep Purple gigs on both occasions. Session guitarist
1126:
1103:
1080:
1057:
149:, London in 1970, with later string and brass overdubs. It was originally released in 1971, with reissues in 1980 and 1991.
672:
470:
which was mixed, praising the quality of musicians, but felt there was "little to truly engage the attention".
265:
was invited as he had originally taught
Blackmore how to play guitar and was greatly admired by him. Guitarist
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The backing tracks were recorded in two overnight sessions on 20 April and 23 May 1970 at
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292:. Sullivan rearranged Lawrence's "Lovin' You (Is Good for Me Baby)" in
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434:" and "Lovin' You Is Good for Me, Baby". It was issued in the UK by
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had previously worked with
Lawrence and brought along their drummer
941:
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355:
284:
A few originals (penned by
Lawrence) were played, as well as many
30:
88:
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138:
100:
38:
654:"Lovin' You Is Good for Me Baby" (Lawrence/Corlett/Hutton)*
572:"Lovin' You Is Good for Me Baby" (Lawrence/Corlett/Hutton)
145:. The bulk of the album was recorded over two sessions at
992:
269:
was friends with
Blackmore and worked in a music shop on
1026:(Media notes). Connoisseur Collection. 1991. NSP CD 503.
898:
896:
869:
230:, and the original idea had been to record with former
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859:
857:
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908:
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141:album recorded by an ad hoc band and produced by
1151:
249:pm. It was recorded live into four track tape.
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846:(Media notes). Connoisseur. 1991. NSP LP 503.
785:Credited to Lawrence alone on the original LP
466:Dave Thompson gave a retrospective review on
430:, as well as a single coupling the tracks "
977:(Media notes). ECY Street Records. ECY 16.
651:"I'm a Free Man" (Mark "Moogy" Klingman)*
454:, London in 1991 by Lawrence and engineer
29:
1069:Smoke on the Water: The Deep Purple Story
1004:
1002:
334:(who previously played with Blackmore in
1066:
902:
875:
581:Tracks marked * are on the original LP.
322:. The sessions also included a cover of
195:
1152:
1092:Country Boy: A Biography of Albert Lee
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838:
836:
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1012:(Media notes). Decca. 1972. DL-75269.
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371:
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928:
926:
358:did not attend any of the sessions.
226:had been working with Lawrence as a
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459:on the 2005 Blackmore compilation
14:
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1165:Albums produced by Derek Lawrence
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16:Album produced by Derek Lawrence
1115:Black Knight: Ritchie Blackmore
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338:and would later be one half of
989:Get Away – Groups and Sessions
461:Get Away – Groups and Sessions
1:
792:
576:
191:
683:
483:Taken from the sleeve notes
277:had been recording with the
7:
1046:Chas and Dave: All About Us
1024:The Green Bullfrog Sessions
253:and former Sutch guitarist
10:
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361:
70:20 April & 23 May 1970
379:
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218:was the idea of producer
118:
106:
94:
80:
63:
48:
37:
28:
23:
772:
245:, London, starting at 11
1067:Thompson, Dave (2004).
609:Walk a Mile in My Shoes
563:Walk a Mile in My Shoes
180:and session guitarists
52:19 March 1971
212:
1146:– Deep Purple Podcast
1113:Bloom, Jerry (2010).
1090:Watts, Derek (2008).
585:"Ain't Nobody Home" (
556:Mark "Moogy" Klingman
478:
279:Les Humphries Singers
199:
1170:Decca Records albums
367:Professional ratings
232:Screaming Lord Sutch
554:"I'm a Free Man" (
368:
243:De Lane Lea Studios
147:De Lane Lea Studios
1075:]. pp. 91–2.
995:. 2005. CMEDD1029.
452:Abbey Road Studios
366:
271:Charing Cross Road
213:
1160:1971 debut albums
1128:978-0-857-12053-3
1105:978-0-786-48295-5
1082:978-1-550-22618-8
1059:978-1-857-82826-9
878:, pp. 91–92.
719:Ritchie Blackmore
707:) – piano / organ
664:"Louisiana Man" (
642:Lawdy Miss Clawdy
637:, Kenny Pickett)*
598:Ritchie Blackmore
531:Ritchie Blackmore
516:Lawdy Miss Clawdy
420:
419:
255:Ritchie Blackmore
207:attended the two
205:Ritchie Blackmore
158:Ritchie Blackmore
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938:"Green Bullfrog"
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733:Big Jim Sullivan
673:Who Do You Love?
511:, Kenny Pickett)
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263:Big Jim Sullivan
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236:Tony Dangerfield
186:Big Jim Sullivan
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991:(Media notes).
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657:"I Want You" (
620:My Baby Left Me
579:
547:"I Want You" (
494:My Baby Left Me
481:
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432:My Baby Left Me
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340:Chas & Dave
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174:Chas & Dave
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1144:Green Bullfrog
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1138:External links
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1010:Green Bullfrog
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975:Green Bullfrog
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964:, p. 114.
954:
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920:, p. 138.
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677:Ellas McDaniel
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659:Tony Joe White
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635:Eddie Phillips
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594:Derek Lawrence
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549:Tony Joe White
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527:Derek Lawrence
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509:Eddie Phillips
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424:Green Bullfrog
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348:Matthew Fisher
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290:cover versions
228:session player
220:Derek Lawrence
216:Green Bullfrog
209:Green Bullfrog
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170:Matthew Fisher
143:Derek Lawrence
134:Green Bullfrog
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125:Derek Lawrence
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73:4 January 1971
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43:Green Bullfrog
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24:Green Bullfrog
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1119:Omnibus Press
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905:, p. 91.
904:
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876:Thompson 2004
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866:, p. 98.
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738:"The Vicar" (
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624:Arthur Crudup
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587:Jerry Ragovoy
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474:Track listing
471:
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448:
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446:Guitar Player
440:
437:
433:
429:
428:Decca Records
425:
389:
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372:Review scores
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321:
320:Hammond organ
317:
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309:
308:compound time
301:
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267:Rod Alexander
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1042:Hodges, Chas
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945:. Retrieved
883:
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781:
766:Martin Birch
753:
752:
731:"The Boss" (
666:Doug Kershaw
592:"Bullfrog" (
580:
541:
540:
525:"Bullfrog" (
486:
485:
482:
465:
460:
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441:
423:
421:
352:Roger Glover
344:Procol Harum
328:
324:the Creation
299:
283:
240:
215:
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208:
166:Procol Harum
151:
133:
132:
131:
39:Studio album
18:
1175:Deep Purple
962:Hodges 2009
947:30 November
747:Earl Jordan
705:Tony Ashton
698:Chas Hodges
646:Lloyd Price
631:Makin' Time
520:Lloyd Price
505:Makin' Time
456:Peter Vince
436:MCA Records
336:the Outlaws
332:Chas Hodges
316:Tony Ashton
312:BBC Radio 1
288:-inflected
275:Earl Jordan
251:Deep Purple
201:Deep Purple
178:Chas Hodges
154:Deep Purple
85:De Lane Lea
1154:Categories
1050:John Blake
918:Bloom 2010
888:Bloom 2010
864:Watts 2008
812:Watts 2008
793:References
768:– engineer
762:– producer
754:Production
749:) – vocals
745:"Jordan" (
742:) – guitar
735:) – guitar
728:) – guitar
726:Albert Lee
721:) – guitar
696:"Sleepy" (
689:"Speedy" (
577:CD reissue
422:The title
224:Albert Lee
192:Background
182:Albert Lee
56:1971-03-19
1096:McFarland
1073:ECW Press
724:"Pinta" (
717:"Boots" (
714:) – piano
710:"Sorry" (
693:) – drums
691:Ian Paice
684:Personnel
613:Joe South
602:Ian Paice
567:Joe South
535:Ian Paice
259:Ian Paice
162:Ian Paice
1044:(2009).
942:AllMusic
703:"Bevy" (
700:) – bass
542:Side two
487:Side one
468:AllMusic
386:AllMusic
356:Jon Lord
234:bassist
211:sessions
120:Producer
64:Recorded
49:Released
41: by
1034:Sources
362:Release
54: (
1125:
1102:
1079:
1056:
380:Rating
377:Source
247:
89:London
81:Studio
773:Notes
286:blues
139:blues
137:is a
113:Decca
108:Label
101:Blues
96:Genre
1123:ISBN
1100:ISBN
1077:ISBN
1054:ISBN
949:2016
354:and
184:and
160:and
993:EMI
675:" (
644:" (
633:" (
622:" (
611:" (
565:" (
518:" (
507:" (
496:" (
346:'s
318:on
203:'s
176:'s
168:'s
156:'s
1156::
1121:.
1117:.
1098:.
1094:.
1071:.
1052:.
1048:.
1001:^
940:.
925:^
910:^
895:^
852:^
819:^
800:^
661:)*
648:)*
626:)*
615:)*
604:)*
600:,
596:,
533:,
529:,
479:LP
463:.
188:.
172:,
164:,
87:,
1131:.
1108:.
1085:.
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951:.
679:)
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300:9
58:)
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