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1057:(1969–70), several layers, processes and kinds of movement can take place on different planes simultaneously. In spite of frequent markings of "senza tempo", the instrumentalists are not given linear freedom; Ligeti insists on keeping his texture under strict control at any given moment. The form is like a "precision mechanism". Ligeti was always fascinated by machines that do not work properly and by the world of technology and automation. The use of periodic mechanical noises, suggesting not-quite-reliable machinery, occurs in many of his works. The scoring is for flute (doubling piccolo), oboe (doubling oboe d'amore and cor anglais), clarinet, bass clarinet (doubling second clarinet), horn, trombone, harpsichord (doubling Hammond organ), piano (doubling celesta), and solo string quintet. He also wrote a Double Concerto for Flute, Oboe & Orchestra (1972).
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1050:(1968–69), completed a year before the Chamber Concerto, is scored for an ensemble of strings in twelve parts—seven violins, two violas, two cellos and a double bass—each of which may be taken by one player or several. The twelve are divided into two numerically equal groups but with the instruments in the first group tuned approximately a quarter-tone higher (four violins, a viola and a cello). As the group play, the one tuned higher inevitably tends to slide down toward the other, and both get nearer each other in pitch.
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956:(1962–65), is a composition for three singers and instrumental septet, to a text (of Ligeti's own devising) that is without semantic meaning. In these pieces, each singer has five roles to play, exploring five areas of emotion, and they switch from one to the other so quickly and abruptly that all five areas are present throughout the piece.
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was violently suppressed by the Soviet Army, Ligeti fled to Vienna with his ex-wife Vera Spitz. They remarried in 1957 and had a son together. He would not see
Hungary again for fourteen years, when he was invited there to judge a competition in Budapest. On his rushed escape to Vienna, he left most
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Gyorgy Ligeti, the
Central European composer whose music was among the most innovative of the last half of the 20th century – sometimes eerie, sometimes humorous usually fantastical and always polished – died yesterday in Vienna. He was 83. His family confirmed his death but declined to divulge the
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Ligeti's health deteriorated after the turn of the millennium; he died in Vienna on 12 June 2006, at the age of 83. Although it was known that he had been ill for several years and had used a wheelchair for the last three years of his life, his family declined to release details of the cause of his
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and melodic elements. Ligeti's music from the last two decades of his life is unmistakable for its rhythmic complexity. Writing about his first book of Piano Études, the composer claims this rhythmic complexity stems from two vastly different sources of inspiration: the
Romantic-era piano music of
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third movement is a machine-like studies, hard and mechanical, whereby the parts playing repeated notes create a "granulated" continuum. In the fourth, which is fast and threatening, everything that happened before is crammed together. Lastly, in strong contrast, the fifth movement spreads itself
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1295:—treats the pulse as a musical atom, a common denominator, a basic unit, which cannot be divided further. Different rhythms appear through multiplications of the basic pulse, rather than divisions: this is the principle of African music seized on by Ligeti. It also appears in the music of
1019:, is composed of two movements: the first begins with an almost imperceptible cello which slowly shifts into static tone clusters with the orchestra before reaching a crescendo and slowly decaying, while the second is a virtuoso piece of dynamic atonal melody on the part of the cello.
964:(1963–65) is a work for soprano and mezzo-soprano soloists, twenty-part chorus (four each of soprano, mezzo-soprano, alto, tenor, and bass), and orchestra. Though, at about half an hour, it is the longest piece he had composed up to that point, Ligeti sets only about half of the
1286:. In the earlier works, the pulse is something to be divided into two, three and so on. The effect of these different subdivisions, especially when they occur simultaneously, is to blur the aural landscape, creating the micropolyphonic effect of Ligeti's music.
774:(1953), though written according to Ligeti with a "Cartesian" approach, in which he "regarded all the music I knew and loved as being... irrelevant", the piece has been described by one biographer as from a world very close to Bartók's set of piano works,
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after four years of work. Like the Piano
Concerto, the Violin Concerto uses the wide range of techniques he had developed up until that point as well as the new ideas he was working out at the moment. Among other techniques, it uses a passacaglia,
1025:(1967), for full orchestra, is another example of micropolyphony, but the overall effect is closer to harmony, with complex woven textures and opacity of the sound giving rise to a harmonious effect. It has become a standard repertoire piece.
1334:." Initial sketches of the Concerto began in 1980, but it was not until 1985 that he found a way forward and the work proceeded more quickly. The Concerto explores many of the ideas worked out in the Études but in an orchestral context.
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Ligeti recalled that his first exposure to languages other than
Hungarian came one day while listening to a conversation between Romanian-speaking town police. Before that, he didn't know that other languages existed. He moved to
91:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge.
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in 1982, over four years after the opera. His music of the 1980s and 1990s continued to emphasise complex mechanical rhythms, often in a less densely chromatic idiom, tending to favour displaced major and minor triads and
498:. He secured this position with the help of Kodály and held it from 1950 to 1956. As a young teacher, Ligeti took the unusual step of regularly attending the lectures of an older colleague, the conductor, and musicologist
1467:, published by Edition Impronta, was used for the first revised performance of this work, realized by the Concerto Budapest Ligeti Ensemble with Szabolcs Zempléni as solo horn. The orchestra should have been conducted by
502:, a conservative Christian whose circle represented a safe haven for Ligeti. The composer acknowledged Bárdos's help and advice in the prefaces to his two harmony textbooks (1954 and 1956). Due to the restrictions of the
1319:... something great and important for all music history! His music is so utterly original, enjoyable, perfectly constructed, but at the same time emotional... for me it's the best music of any composer living today."
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with
Stockhausen and Koenig and was inspired by the sounds he heard there. However, he produced little electronic music of his own, instead concentrating on instrumental works which often contain electronic-sounding
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out. In each movement, the same basic configurations return, but each time their colouring or viewpoint is different, so that the overall form only really emerges when one listens to all five movements in context.
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of his
Hungarian compositions in Budapest, some of which are now lost. He took only what he considered to be his most important pieces. He later said, "I considered my old music of no interest. I believed in
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as one of the most innovative and influential among progressive figures of his time". From about 1960, Ligeti's work became better known and respected. His best-known work was written during the period from
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under the title 'Six
Bagatelles for Wind Quintet'. The Bagatelles were performed first in 1956, but not in their entirety: the last movement was censored by the Soviets for being too 'dangerous'.
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Most of these compositions establish timbre, rather than the traditionally-favored dimensions of pitch and rhythm, as their principal formal parameter, a practice that has come to be known as
930:, translated into blocks of sound. In this piece, Ligeti abandoned conventional music notation, instead using diagrams to represent general pitch areas, duration, and flurries of notes.
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1086:(1976), entitled "Self-portrait with Reich and Riley (and Chopin in the background)", commemorates this affirmation and influence. During the 1970s, he also became interested in the
829:, the First String Quartet is Ligeti's first work to suggest a personal style of composition. The string quartet was not performed until 1958, after he had fled Hungary for Vienna.
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587:] a lot of political fighting because different people, like Stockhausen, like Kagel wanted to be first. And I, personally, have no ambition to be first or to be important."
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government, communications between
Hungary and the West by then had become difficult, and Ligeti and other artists were effectively cut off from recent developments outside the
1311:, the music of Ligeti's youth. He described the music of Conlon Nancarrow, with its extremely complex explorations of polyrhythmic complexity, as "the greatest discovery since
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Cuciurean, John. 2000. "A Theory of Pitch, Rhythm, and
Intertextual Allusion for the Late Music of György Ligeti", Ph.D. dissertation. State University of New York at Buffalo.
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Apart from his far-reaching interest in different styles of music, from Renaissance to African music, Ligeti was also interested in literature (including the writers
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for piano (Book I, 1985; Book II, 1988–94; Book III, 1995–2001). Comprising eighteen compositions in all, the Études draw from a diverse range of sources, including
1618:, unlisted in the film credits, is heard in the cryptic final scenes. The music was used, and in some cases modified, without Ligeti's knowledge, and without full
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Many of Ligeti's earliest works were written for chorus and included settings of folk songs. His largest work in this period was a graduation composition for the
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780:. Ligeti's set comprises eleven pieces in all. The work is based on a simple restriction: the first piece uses exclusively one pitch A, heard in multiple
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Restricted in his musical style by the authorities of Communist Hungary, only when he reached the West in 1956 could Ligeti fully realise his passion for
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1031:(1968) consists of five movements. They differ widely from each other in their types of motion. In the first, the structure is largely broken up, as in
365:. Although he did not directly compose any film scores, excerpts of pieces composed by him were taken and adapted for film use. The sound design of
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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Ligeti's music appears to have been subsequently influenced by his electronic experiments, and many of the sounds he created resembled electronic
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contain numerous errors and inconsistencies. The revision of the piece, realized by the Italian composer Alessio Elia and published in the book
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composers in the latter half of the twentieth century" and "one of the most innovative and influential among progressive figures of his time".
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Crilly, Ciarán (2011). "The Bigger Picture: Ligeti's Music and the Films of Stanley Kubrick". In Louise Duchesneau; Wolfgang Marx (eds.).
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clearance. When he learned about the use of his music in the film, he "successfully sued for having had his music distorted" and they
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1123:(Nekrotzar) arrives in the fictional city of Breughelland and announces that the end of the world will occur at midnight. Musically,
825:(1953–1954), were written for the 'bottom drawer'. Composed of a single movement divided into seventeen contrasting sections linked
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1455:("With Pipes, Drums, Fiddles", 2000), and the eighteenth piano étude "Canon" (2001). The printed score and the manuscript of the
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before emigrating to Austria in 1956. He became an Austrian citizen in 1968. In 1973 he became professor of composition at the
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Ligeti's music is best known to the public not acquainted with 20th century classical music for its use in three films of
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4328:, translated by Ernest Bernhardt-Kabisch. Frankfurt-am-Main: Peter Lang GmbH, Internationaler Verlag der Wissenschaften.
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Content in this edit is translated from the existing Hungarian Knowledge article at ]; see its history for attribution.
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Between 1961 and 1971 he was guest professor for composition in Stockholm. In 1972 he became composer-in-residence at
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of Transylvania. However, after a year he returned to Franz Liszt Academy in Budapest, this time as a teacher of
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with his family when he was six years old. He did not return to the town of his birth until the 1990s. In 1940,
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Cuciurean, John. 2012. "Aspects of Harmonic Structure, Voice-Leading and Aesthetic Function in György Ligeti's
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structures. During this time, Ligeti also began to explore alternate tuning systems through the use of natural
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in which the individual instruments become hidden in a complex web of sound. According to Ligeti, after
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Petersen, Peter, and Albrecht Schneider. 2003. "György Ligetis Zehn Stücke für Bläserquintett (1968)."
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Analysis and Performance Aspects of György Ligeti's 'Études pour piano': 'Fanfares' and 'Arch-en ciel'
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figures and learned more contemporary musical styles and methods. These people included the composers
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34 (1967): 165–169. English as "States, Events, Transformations", translated by Jonathan W. Bernard.
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is heard during the "Star Gate" sequence, with portions also heard in the Overture and Intermission.
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Drott, Eric. 2011. "Lines, Masses, Micropolyphony: Ligeti's Kyrie and the 'Crisis of the Figure'".
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Wilson, Peter Niklas (1992). "Interkulturelle Fantasien: György Ligetis Klavieretüden Nr 7 und 8".
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and solo violin writing that ranges from the slow-paced and sweet-toned to the angular and fiery."
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In 1988, Ligeti completed his Piano Concerto, writing that "I present my artistic credo in the
1262:. Book I was written as preparation for the Piano Concerto, which contains a number of similar
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3764:. Woodbridge (Suffolk) and Rochester (New York): Boydell & Brewer. pp. 245–254.
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635:), painting, architecture, science, and mathematics. He was especially fascinated by the
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1626:. Kubrick sought permission and compensated Ligeti for use of his music in later films.
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is heard over the first three monolith encounters. An electronically altered version of
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A few weeks after arriving in Vienna, Ligeti left for Cologne. There he met several key
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György Ligeti's Le Grand Macabre: Postmodernism, Musico-Dramatic Form and the Grotesque
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Ligeti: Chamber Concerto, Ramifications, String Quartet No. 2, Aventures, Lux aeterna
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4189:"The John Tusa Interviews: Transcript of the John Tusa Interview with Gyorgy Ligeti"
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4453:"Musik für den Weltraum: Zum 100. Geburtstag von György Ligeti – neue musikzeitung"
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870:(1958)—before returning to instrumental music. A third work, originally entitled
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Metamorphosis in Music: The Compositions of György Ligeti in the 1950s and 1960s
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English as "Some Remarks on Boulez' 3rd Piano Sonata", translated by Leo Black.
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The difference between the earlier and later pieces lies in a new conception of
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Because of Soviet censorship, his most daring works from this period, including
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during events of the Holocaust. His brother Gábor, age 16, was deported to the
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3838:"Gyorgy Ligeti, Central-European Composer of Bleakness and Humor, Dies at 83"
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412:. Some sources say he was Auer's grandnephew, rather than great-grandnephew.
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4094:"Pierre-Laurent Aimard Opens a World of Imagination in Ligeti's Piano Music"
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4394:"Composer Mohammed Fairouz's Orchestral Take on the Tahrir Square Uprising"
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3138:, on the centenary of the composer's birth, within the Festival Ligeti 100.
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Upon arriving in Cologne, Ligeti began to write electronic music alongside
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2078:— (1987). "A Viennese Exponent of Understatement: Personal Reflections on
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draws on techniques not associated with Ligeti's previous work, including
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Ligeti's earliest works are often an extension of the musical language of
462:, Ligeti returned to his studies in Budapest, graduating in 1949 from the
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16, no. 2 (Spring–Summer): 19–24. Originally published in German, in the
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724:. The latter is a composer and percussionist based in the United States.
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music and develop new compositional techniques. After experimenting with
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Ligeti's Stylistic Crisis: Transformation in His Musical Style 1974–1985
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4144:"For György Ligeti on His 80th Birthday: Ligeti, Africa and Polyrhythm"
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Ligeti's work has also been used in numerous films by other directors.
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Shortly after its composition, Ligeti arranged six of the movements of
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to the source of your translation. A model attribution edit summary is
4920:
4703:
Interactive scores of Ligeti's piano works with Pierre-Laurent Aimard.
1471:, replaced due to indisposition by Gergely Vajda. Additionally, after
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by the Akros Percussion Collective with Nina Eidsheim, soprano at the
581:, because there was much factional in-fighting: "there were [
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page from Ligeti's publisher Schott, with non-proprietary audio files
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1993:
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992:"—dividing the latter sequence into two parts, "De die judicii" and "
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455:. His mother was the only person to survive in his immediate family.
319:, where he worked until retiring in 1989. He died in Vienna in 2006.
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4913:
3886:(Ph.D. thesis). Austin: University of Texas, Butler School of Music.
3710:"Ligeti and His Influences: Music to Wow both the Mind and the Body"
2098:
Sonus: A Journal of Investigations into Global Musical Possibilities
1289:
On the other hand, the later music—and a few earlier pieces such as
7058:
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2617:(in German). Vienna: Music Information Center Austria. 22 June 2006
1606:
is heard in the moon-bus scene en route to the Tycho monolith. The
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296:; 28 May 1923 – 12 June 2006) was a Hungarian-Austrian composer of
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2007:— (1958). "Pierre Boulez. Entscheidung und Automatik in der
8256:
6037:
4698:
Collection of research on Ligeti's music and links to recordings.
2580:"Reaktionen: "In einer Reihe mit Bartok, Stockhausen und Boulez""
1326:: I demonstrate my independence from criteria of the traditional
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969:
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860:. He completed only two works in this medium, however—the pieces
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After about three years' working with them, he fell out with the
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3883:
Historical Memory and György Ligeti's Sound-Mass Music 1958–1968
3862:
Der Wert des Zufalls – Ágnes Heller über ihr Leben und ihre Zeit
3450:
The Hitch-Hiker's Guide to the Galaxy: The Original Radio Script
1303:
and others; and significantly it shares much in common with the
1107:, thirteen years after its initial commission. Loosely based on
1098:, which he heard through the recordings of one of his students.
88:
19:"Ligeti" redirects here. For other people with the surname, see
2067:— (1978). "On Music and Politics", translated by Wes Blomster.
1806:
1475:, Ligeti planned to write a second opera, first to be based on
1268:
1143:, but would increasingly incorporate consonant harmonies (even
943:
781:
361:
He is best known by the public through the use of his music in
334:, Germany, his breakthrough came with orchestral works such as
8414:
Academic staff of the Hochschule für Musik und Theater Hamburg
2536:"Gyorgy Ligeti; influential composer of wry, startling pieces"
1978:
List of music students by teacher: K to M § György Ligeti
926:(1961–62, revised 1966) for solo organ, Ligeti continued with
7374:
4373:. Studia Slavica Musicologica 29. Berlin: Verlag Ernst Kuhn.
2269:"Gyorgy Ligeti, 83; a Mercurial Composer Who Despised Dogmas"
1779:
as background music to sections of narrative from the Guide.
981:
973:
400:, to Dr. Sándor Ligeti and Dr. Ilona Somogyi. His family was
2659:"Welcome to the website of composer/improvisor Lukas Ligeti"
2166:
2035:. English as "Metamorphoses of Musical Form", translated by
1991:
Ligeti, György (1957). "Zur III. Klaviersonate von Boulez".
1735:, and the first movement of the Cello Concerto were used in
1008:
piece whose text is also associated with the Latin Requiem.
431:
In 1941 Ligeti received his initial musical training at the
4231:
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2919:
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2127:, translated by Catherine Fourcassié. Geneva: Contrechamps.
1694:. The first movement of the Cello Concerto was used in the
1442:
and chamber orchestra (1998–99, revised 2003, dedicated to
1187:
1183:
761:
and was not performed publicly for a quarter of a century.
279:
273:
4693:
CompositionToday – Ligeti article and review of works
3961:(liner notes). Hamburg: Deutsche Grammophon. CD 423 244–2.
3849:
cause, saying only that he had been ill for several years.
8504:
Recipients of the Austrian Decoration for Science and Art
4457:
4257:
Ligeti's Laments: Nostalgia, Exoticism, and the Absolute.
3621:
3612:
3610:
2724:
2395:
1714:. The Cello Concerto and the Piano Concerto were used in
655:
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music!" He eventually took Austrian citizenship in 1968.
270:
267:
6217:
2885:
2883:
2017:
English as "Pierre Boulez: Decision and Automaticism in
1929:
Medal of Arts and Sciences of the City of Hamburg (2003)
1563:
1360:. In this section of the piece, the percussionists play
8574:
Members of the Széchenyi Academy of Literature and Arts
7735:
3931:
Lexikon verfolgter Musiker und Musikerinnen der NS-Zeit
3267:
2993:
2943:
2931:
2827:
2383:
2346:
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612:, Ligeti was the first composer featured in the annual
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His music has also been used in television and radio.
597:
In 1973 Ligeti became professor of composition at the
300:. He has been described as "one of the most important
80:
a machine-translated version of the Hungarian article.
8292:
3968:
Changing Tunes: The Use of Pre-Existing Music in Film
3241:
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2748:
2560:
2248:
2054:
11. Reprinted as "Zustände, Ereignisse, Wandlungen".
2029:— (1960). "Wandlungen der musikalischen Form".
685:
both paid tribute to Ligeti. His funeral was held at
8474:
Members of the European Academy of Sciences and Arts
8150:
Bach Prize of the Free and Hanseatic City of Hamburg
3029:
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Bach Prize of the Free and Hanseatic City of Hamburg
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and pseudo-quotations of other works and the use of
1074:(1972–73) were written before he heard the music of
893:" to describe the texture of the second movement of
276:
264:
84:
4326:
György Ligeti: Beyond Avant-Garde and Postmodernism
3666:"Classical Music in Movies: A Listing by Composers"
3583:"Boston welcomes 'second greatest' living composer"
3199:
2151:
1238:From 1985 to 2001, Ligeti completed three books of
1202:, he did not complete another major work until the
261:
8424:Honorary members of the Royal Philharmonic Society
3762:György Ligeti: Of Foreign Lands and Strange Sounds
3229:
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2113:: An Opera in Two Acts (Four Scenes) 1974–1977".
1675:
1425:. The third Madrigal is a setting of the English
8539:International Rostrum of Composers prize-winners
8384:Commandeurs of the Ordre des Arts et des Lettres
8340:
4213:. Klaviermusik des 20. Jahrhunderts (51): 63–84.
3966:Powrie, Phil; Stilwell, Robynn Jeananne (2006).
2984:
2982:
2195:
2193:
2091:— (1988). "On My Piano Concerto", translated by
1572:'s, which gained him a world-wide audience. The
1119:—Ligeti called it an "anti-anti-opera"—in which
832:
340:, for which he used a technique he later dubbed
7128:
3854:
3828:The New Grove Dictionary of Music and Musicians
3258:
3256:
2172:
1839:for Music Composition (Études for Piano) (1986)
1662:One motif from the second movement of Ligeti's
1548:, and his Cello Concerto; as well as his opera
8554:Recipients of the Pour le Mérite (civil class)
8419:Honorary members of the Royal Academy of Music
3965:
3556:
3447:
3413:
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109:accompanying your translation by providing an
71:Click for important translation instructions.
58:expand this article with text translated from
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1401:Other notable works from this period are the
903:(1961). This texture is a similar to that of
8534:Recipients of the Léonie Sonning Music Prize
8509:Recipients of the Grand Austrian State Prize
5558:
4645:
4559:The "Hamburgisches Konzert" by György Ligeti
3934:(in German). Hamburg: University of Hamburg.
3755:(DMA diss). Columbus: Ohio State University.
3253:
2783:. First published in New Hungarian Quarterly
2362:
1499:Ligeti has been described as "together with
938:(1962) is a work for one hundred mechanical
428:, thus Cluj became part of Hungary as well.
404:. He was the great-grandnephew of violinist
8379:Austrian people of Hungarian-Jewish descent
4536:
4270:Bauer, Amy, and Márton Kerékfy, eds. 2017.
3421:"Over Your Cities Grass Will Grow – review"
2605:
2603:
2209:
2207:
1582:includes excerpts from four of his pieces:
408:and second cousin of Hungarian philosopher
388:Ligeti was born in 1923 at Diciosânmartin (
8524:Royal Philharmonic Society Gold Medallists
8141:
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4446:Wihuri Foundation for International Prizes
2637:"György Ligeti ist tot; Ehrengrab in Wien"
2494:
2492:
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2488:
1464:The Hamburgisches Konzert by György Ligeti
1101:In 1977, Ligeti completed his only opera,
738:
157:
7565:
4991:Three Fantasies after Friedrich Hölderlin
4211:Melos: Jahrbuch für zeitgenössische Musik
3835:
3813:
3799:. Cambridge: Cambridge University Press.
3123:"Le infinite vibrazioni di György Ligeti"
2781:"A Budapest Interview with Gyorgy Ligeti"
2566:
2498:
2199:
2145:
1413:compositions that set English texts from
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720:He was survived by his wife Vera and son
4689:from Second Inversion and Michael Schell
4113:
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2119:. No. 59: "Time". pp. 206–214.
1786:
1666:is used at pivotal moments in Kubrick's
1165:
839:
689:. The memorial concert was performed by
654:
599:Hamburg Hochschule für Musik und Theater
529:
513:
435:, and during the summers privately with
317:Hochschule für Musik und Theater Hamburg
8559:Hungarian World War II forced labourers
7018:Afghanistan National Institute of Music
4605:, 14 June 2006, Retrieved 14 June 2006.
4473:
4130:Boston: Northeastern University Press.
4116:György Ligeti: Music of the Imagination
4088:
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1843:Austrian Decoration for Science and Art
518:In December 1956, two months after the
8569:Burials at the Vienna Central Cemetery
8469:Kyoto laureates in Arts and Philosophy
8341:
5953:Grawemeyer Award for Music Composition
4208:
4141:
4069:
4004:
3984:
3938:
3817:(2001). "Ligeti, György (Sándor)". In
3759:
3273:
3247:
3109:
3097:
3035:
3023:
3011:
2961:
2913:
2461:"At U. of C, a major homage to Ligeti"
2184:
1957:
1277:indigenous music of sub-Saharan Africa
557:, both then working on groundbreaking
344:. After writing his "anti-anti-opera"
8564:20th-century Hungarian male musicians
8549:Ernst von Siemens Music Prize winners
8122:
7709:
7539:
7102:
6685:
6191:
5924:
5570:
5557:
5103:
4711:
4674:requires proprietary realmedia player
4153:. Traditional Music and Composition.
4074:. Lanham, Maryland: Scarecrow Press.
3890:
3865:(in German). Wien: Edition Konturen.
3663:
3300:"Clarke, Kubrick, and Ligeti: A Tale"
3297:
3262:
2766:
2458:
2416:"Ligeti's Eerie Hungarian Rhapsodies"
2231:"György Ligeti, Composer – Biography"
2225:
2223:
2221:
1564:Music in the films of Stanley Kubrick
988:, skipping micropolyphony), and the "
734:List of compositions by György Ligeti
561:. During the summer, he attended the
451:and both of his parents were sent to
424:became part of Hungary following the
291:
8514:Recipients of the Praemium Imperiale
6219:Léonie Sonning Music Prize Laureates
4672:EssentialsofMusic.com: Gyorgy Ligeti
4555:
4517:
4371:György Ligeti: Style, Ideas, Poetics
4311:. Abingdon and New York: Routledge.
4183:
4161:
3915:
3791:
3750:
3644:
3580:
3515:
3466:
3235:
3221:(Original Motion Picture Soundtrack)
3136:Budapest Music Center on 28 May 2023
3125:by RAI with Alessio Elia on his book
3048:
2973:
2706:
2533:
2413:
2266:
2213:
2073:Darmstädter Beiträge zur Neuen Musik
2003:5: "Reports—Analyses" (1961): 56–58.
1872:Grand Austrian State Prize for Music
1828:Pour le Mérite for Sciences and Arts
1776:The Hitchhiker's Guide to the Galaxy
1688:'s 2010 psychological thriller film
605:, who later also became a composer.
369:'s films, particularly the music of
40:
8409:Franz Liszt Academy of Music alumni
5129:
4419:Trask, Simon. "The Pioneer". 1990.
4272:György Ligeti's Cultural Identities
3405:(Original Motion Picture Soundtrack
2459:Rhein, John von (18 October 2017).
2025:4: "Young Composers" (1960): 36–62.
1976:For Ligeti's notable students, see
1971:
1858:Prix de composition musicale de la
1745:, about the German post-war artist
1215:for horns (as in the Horn Trio and
1170:From left to right: György Ligeti,
984:, where the parts are a montage of
942:during his brief acquaintance with
449:Mauthausen-Gusen concentration camp
13:
8434:Hungarian male classical composers
4479:"A guide to György Ligeti's music"
4248:
3831:(2nd ed.). London: Macmillan.
3649:. New York: New American Library.
3148:Spinola, Julia (12 January 2010).
3062:"Concerto for Piano and Orchestra"
2369:. Psychology Press. p. 1005.
2218:
1848:Honorary Ring of the Vienna (1987)
1810:International Rostrum of Composers
1139:, Ligeti would abandon the use of
579:Cologne School of Electronic Music
14:
8585:
8439:Austrian male classical composers
4737:
4578:
4518:Marx, Wolfgang (11 August 2022).
4392:Sire, Adeline (25 January 2012).
4007:"The Late Works of György Ligeti"
3987:"György Ligeti's Musical Odyssey"
3668:. Braunschweig University Library
3298:Platt, Russell (12 August 2008).
3150:"Alle Teufel auf Prosperos Insel"
2588:(in German). Vienna. 12 June 2006
2064:31, no. 1 (Winter 1993): 164–171.
1860:Fondation Prince Pierre de Monaco
1791:Ligeti on a 2023 stamp of Moldova
1151:) into his work, albeit not in a
952:(1962), like its companion piece
8364:20th-century classical composers
8326:
8314:
8302:
5537:
5528:
5527:
5086:
5085:
4227:"Kosmos Ligeti – Die ganze Doku"
3836:Griffiths, Paul (13 June 2006).
3177:Clements, Andrew (9 July 2007).
2366:The International Who's Who 2004
2015:. 4: "Junge Komponisten": 38–63.
1908:Music Award of the UNESCO (1996)
1742:Over Your Cities Grass Will Grow
1491:, but neither came to fruition.
1488:Alice's Adventures in Wonderland
1339:
433:conservatory in Kolozsvár (Cluj)
257:
45:
8484:Naturalised citizens of Austria
4843:Trio for Violin, Horn and Piano
4687:The Late Works of György Ligeti
4678:György Ligeti's Musical Odyssey
4142:Taylor, Stephen Andrew (2003).
3781:György Ligeti: Artist Biography
3574:
3528:"Pour le Mérite: György Ligeti"
3520:
3395:
3369:
3343:
3335:(Music from the Motion Picture)
3325:
3291:
3211:
3128:
3115:
3054:
3041:
2839:
2795:
2779:Istvan Szigeti (29 July 1983).
2772:
2651:
2629:
2527:
2452:
2407:
2356:
2305:
2082:", translated by Inge Goodwin.
1997:. 5: "Berichte—Analyse": 38–40.
1643:2010: The Year We Make Contact
1204:Trio for Violin, Horn and Piano
1082:in 1972. But the second of his
567:Cologne Electronic Music Studio
466:. He studied under Pál Kadosa,
121:{{Translated|hu|Ligeti György}}
8449:Hungarian emigrants to Austria
5401:Modes of limited transposition
3880:Iverson, Jennifer Joy (2009).
3581:Dyer, Richard (7 March 1993).
3155:Frankfurter Allgemeine Zeitung
3134:The performance took place at
2534:Dyer, Richard (13 June 2006).
2260:
1676:Music in other films and media
1369:In 1993, Ligeti completed his
1015:(1966), which is dedicated to
293:[ˈliɡɛtiˈɟørɟˈʃaːndor]
119:You may also add the template
16:Hungarian composer (1923–2006)
1:
8444:Romanian emigrants to Hungary
8429:Hungarian classical composers
5598:Ernst von Siemens Music Prize
5005:Síppal, dobbal, nádihegedűvel
4539:Die Avantgarde war ein Irrtum
3797:The Music of Conlon Nancarrow
2847:György Ligeti: Cello Concerto
2363:Publications, Europa (2003).
2132:
1897:Ernst von Siemens Music Prize
1853:Ordre des Arts et des Lettres
1452:Síppal, dobbal, nádihegedűvel
1432:Ligeti's last works were the
1353:Síppal, dobbal, nádihegedűvel
1330:, as well as the fashionable
383:
245:Ernst von Siemens Music Prize
8529:Wolf Prize in Arts laureates
8369:Austrian classical composers
4537:Klüppelholz, Werner (2023).
4448:". ( Accessed 5 March 2010).
4289:In zart fliessender Bewegung
3738:"In the Realm of the Senses"
3647:The Making of Kubrick's 2001
3403:The Killing of a Sacred Deer
3379:The Killing of a Sacred Deer
2611:"Abschied von György Ligeti"
2043:7 "Form—Space" (1964): 5–19.
2021:", translated by Leo Black.
1721:The Killing of a Sacred Deer
856:at the electronic studio of
464:Franz Liszt Academy of Music
378:
298:contemporary classical music
38:when mentioning individuals.
7:
8499:Rolf Schock Prize laureates
8459:Deutsche Grammophon artists
5451:Quartal and quintal harmony
5140:List of modernist composers
4584:Obituaries and remembrances
4359:. Oxford University Press.
4118:. London: Faber and Faber.
4051:"György Ligeti: Chronology"
3944:"The Prankster as Omnivore"
3787:. Accessed 22 October 2013.
2267:Swed, Mark (13 June 2006).
2173:Hauptfeld & Heller 2018
1983:
1084:Three Pieces for Two Pianos
697:. His ashes were buried at
375:, drew from Ligeti's work.
350:, Ligeti shifted away from
313:Hungarian People's Republic
10:
8590:
8464:Jewish classical composers
7063:Ensemble intercontemporain
4680:focusing on music used in
4596:Obituary for György Ligeti
4114:Steinitz, Richard (2003).
3957:Plaistow, Stephen (n.d.).
3708:Arnowitt, Michael (2009).
3637:
3286:Powrie & Stilwell 2006
2424:. Los Angeles. p. 267
2414:Swed, Mark (28 May 1989).
2125:Neuf essais sur la musique
1975:
1866:Léonie Sonning Music Prize
1708:was used in the 2014 film
1382:, comic juxtapositions...
1113:La balade du grand macabre
968:'s traditional text: the "
889:. Ligeti coined the term "
749:Cantata for Youth Festival
731:
83:Machine translation, like
25:
18:
8544:Jewish classical pianists
8156:
8043:
7980:
7849:
7744:
7573:
7438:
7331:
7236:
7137:
7041:
6926:
6811:
6720:
6638:
6567:
6496:
6425:
6354:
6283:
6242:
6225:
5961:
5604:
5564:
5515:
5494:
5364:
5324:
5153:
5146:
5137:
5083:
5067:
5032:
5014:
4905:
4856:
4818:
4779:
4754:
4745:
4541:(in German). Wolke V.-G.
4301:Perspectives of New Music
4293:Contemporary Music Review
3714:Michael Arnowitt homepage
3535:www.orden-pourlemerite.de
2863:"György Ligeti – Lontano"
2277:. Los Angeles. p. 89
2069:Perspectives of New Music
2061:Perspectives of New Music
1963:Honorary doctor from the
1782:
1655:, uses small portions of
1494:
1135:thirds and sixths. After
240:
230:
213:
197:
168:
156:
149:
60:the corresponding article
8399:Composers for pipe organ
6873:Dietrich Fischer-Dieskau
6321:Dietrich Fischer-Dieskau
5645:Dietrich Fischer-Dieskau
5559:Awards for György Ligeti
4461:(in German). 27 May 2023
4369:Lobanova. Marina. 2002.
4355:Levy, Benjamin R. 2017.
4345:. London: Robson Books.
4304:49, no. 1 (Winter):4–46.
4219:
4070:Searby, Michael (2010).
4030:"György Ligeti: Profile"
4005:Schell, Michael (2018).
3985:Schell, Michael (2017).
3381:(2017) – Soundtrack.net"
3355:(2014) – Soundtrack.net"
1834:University of Louisville
1409:(1988–93), a set of six
1096:Central African Republic
876:Pièce électronique Nr. 3
854:Gottfried Michael Koenig
844:Ligeti (1 February 1984)
727:
650:
555:Gottfried Michael Koenig
34:. This article uses
26:The native form of this
8494:Pupils of Zoltán Kodály
8081:Michelangelo Pistoletto
8022:Michelangelo Pistoletto
7357:Herzog & de Meuron
7145:Willard Van Orman Quine
6262:Witold Lutosławski
4562:. Impronta-Edition UG.
4520:I Don't Belong Anywhere
4504:Berliner Philharmoniker
3916:Knop, Frederik (2010).
3891:Jones, Elliott (n.d.).
3751:Chen, Yung-jen (2007).
3448:Adams, Douglas (1985).
2033:. 7: "Form—Raum": 5–17.
1933:Theodor W. Adorno Award
1905:for Musical Arts (1995)
1889:Honorary Member of the
1773:of the radio series of
1485:and later on Carroll's
1388:Bulgarian dance rhythms
1384:Hungarian folk melodies
1233:San Francisco Polyphony
1223:for strings (as in the
858:West German Radio (WDR)
822:Métamorphoses nocturnes
768:. Even his piano cycle
739:Compositions in Hungary
699:Vienna Central Cemetery
695:Arnold Schoenberg Choir
661:Vienna Central Cemetery
618:Rheingau Musik Festival
565:. Ligeti worked in the
563:Darmstädter Ferienkurse
539:Darmstädter Ferienkurse
130:For more guidance, see
7814:Eduardo Souto de Moura
5502:Second Viennese School
5495:Schools of composition
4886:Chromatische Phantasie
4666:www.gyoergy-ligeti.de/
4556:Elia, Alessio (2023).
4307:Edwards, Peter. 2016.
4049:Schott Music (n.d.b).
3970:. Ashgate Publishing.
3779:Cummings, Robert.
3537:. 2018. Archived from
3158:(in German). Frankfurt
2845:Robert Kirzinger.
2801:Robert Kirzinger.
2469:. Chicago. p. 4-3
2101:9, no. 1 (Fall): 8–13.
1951:Frankfurter Musikpreis
1891:Royal Academy of Music
1792:
1649:A later Kubrick film,
1191:
1094:-Linda tribe from the
919:, he "became famous".
845:
712:
663:
594:in the United States.
542:
8489:People from Târnăveni
8233:Karlheinz Stockhausen
7911:Mstislav Rostropovich
7614:Einojuhani Rautavaara
7567:Wihuri Sibelius Prize
6837:Karlheinz Stockhausen
6762:Mstislav Rostropovich
6658:Pierre-Laurent Aimard
6368:Mstislav Rostropovich
5867:Pierre-Laurent Aimard
5681:Karlheinz Stockhausen
5621:Mstislav Rostropovich
5486:Twelve-tone technique
4963:Mátraszentimrei dalok
4682:2001: A Space Odyssey
4599:, Plaistow, Stephen.
3645:Agel, Jerome (1970).
3564:"1986– Gyorgy Ligeti"
3219:2001: A Space Odyssey
3179:"Alice in Wonderland"
2317:"Prelude for Pygmies"
1918:Wihuri Sibelius Prize
1790:
1579:2001: A Space Odyssey
1558:Pierre-Laurent Aimard
1444:Marie-Luise Neunecker
1415:William Brighty Rands
1169:
1004:(1966) is a 16-voice
880:Institute of Sonology
850:Karlheinz Stockhausen
843:
820:String Quartet No. 1
691:Pierre-Laurent Aimard
658:
551:Karlheinz Stockhausen
535:Karlheinz Stockhausen
533:
514:After leaving Hungary
422:Northern Transylvania
372:2001: A Space Odyssey
358:for his later works.
132:Knowledge:Translation
103:copyright attribution
8479:Microtonal composers
8404:Composers for violin
8185:Johann Nepomuk David
7875:Krzysztof Penderecki
7636:Krzysztof Penderecki
7476:Anne Sofie von Otter
7405:Jean-Philippe Vassal
7138:Logic and philosophy
6752:Nikolaus Harnoncourt
6546:Lars Ulrik Mortensen
6451:Nikolaus Harnoncourt
6002:Krzysztof Penderecki
5855:Christoph Eschenbach
5777:Nikolaus Harnoncourt
5717:H. C. Robbins Landon
4819:Chamber/Instrumental
4748:List of compositions
4423:4, no. 6 (May): 54.
4259:Aldershot: Ashagte.
3942:(14 November 2005).
3922:Claudia Maurer Zenck
3736:(23 February 2007).
2325:. London. p. 68
1624:settled out of court
1438:for solo horn, four
1362:chromatic harmonicas
1186:World Music Days in
1109:Michel de Ghelderode
1029:String Quartet No. 2
687:Feuerhalle Simmering
670:Austrian Chancellor
643:and the writings of
484:Hungarian folk music
441:forced labor brigade
253:György Sándor Ligeti
235:List of compositions
32:Ligeti György Sándor
8394:Composers for piano
8389:Composers for cello
7840:Yoshiharu Tsukamoto
7676:Harrison Birtwistle
7590:Dmitri Shostakovich
6534:John Eliot Gardiner
6309:Dmitri Shostakovich
6176:Aleksandra Vrebalov
5978:Harrison Birtwistle
5735:Harrison Birtwistle
5627:Herbert von Karajan
4928:Pletykázó asszonyok
4500:"Clocks and clouds"
4274:. Routledge, 2017.
4169:. London: Phaidon.
4011:secondinversion.org
3991:SecondInversion.org
3897:candelalearning.com
3720:on 13 December 2009
3688:Munich Philharmonic
3570:on 23 October 2013.
2510:Anon. & n.d.(a)
2315:(17 October 2003).
1965:Universität Hamburg
1958:Honorary doctorates
1556:project of pianist
1538:Nouvelles Aventures
1378:, rapidly changing
1358:University of Akron
954:Nouvelles Aventures
874:but later known as
592:Stanford University
426:Second Vienna Award
8519:Transylvanian Jews
7804:David Chipperfield
7792:Álvaro Siza Vieira
7762:Giancarlo De Carlo
7738:Wolf Prize in Arts
7626:Witold Lutoslawski
7316:Nikolai G. Makarov
7292:Michael Aschbacher
7274:Richard P. Stanley
7032:Playing for Change
7028:Anne-Sophie Mutter
6913:José Antonio Abreu
6742:Witold Lutosławski
6510:Anne-Sophie Mutter
6398:Sviatoslav Richter
6362:Marie-Claire Alain
6339:Jean-Pierre Rampal
6291:Sergiu Celibidache
5966:Witold Lutosławski
5813:Anne-Sophie Mutter
5771:Reinhold Brinkmann
5663:Witold Lutosławski
5033:Other compositions
4477:(27 August 2012).
4388:18, no. 3:195–222.
4322:Floros, Constantin
4255:Bauer, Amy. 2011.
4151:The World of Music
4057:on 2 February 2013
4036:on 1 February 2013
3949:The New York Times
3855:Hauptfeld, Georg;
3843:The New York Times
3694:on 12 January 2014
3628:Schott Music n.d.b
3617:Schott Music n.d.a
2052:Bilder und Blätter
1912:Wolf Prize in Arts
1878:Praemium Imperiale
1851:Commandeur dans l'
1793:
1636:'s 1984 sequel to
1632:was used again in
1407:Nonsense Madrigals
1192:
1115:, it is a work of
1090:pipe music of the
846:
674:and Art Secretary
664:
659:Ligeti's grave in
645:Douglas Hofstadter
614:Komponistenporträt
543:
520:Hungarian uprising
482:research into the
480:ethnomusicological
311:, he lived in the
111:interlanguage link
36:Western name order
8290:
8289:
8284:
8283:
8251:Sofia Gubaidulina
8215:Hans Werner Henze
8197:Helmut Lachenmann
8116:
8115:
8028:Rosemarie Trockel
7857:Vladimir Horowitz
7736:Laureates of the
7703:
7702:
7533:
7532:
7524:Víkingur Ólafsson
7500:Herbert Blomstedt
7351:Torsten Andersson
7130:Rolf Schock Prize
7096:
7095:
7087:Esa-Pekka Salonen
7024:Grandmaster Flash
6847:Sofia Gubaidulina
6778:Bruce Springsteen
6714:Polar Music Prize
6712:Laureates of the
6679:
6678:
6611:Herbert Blomstedt
6487:Sofia Gubaidulina
6481:Hildegard Behrens
6457:Krystian Zimerman
6297:Arthur Rubinstein
6250:Leonard Bernstein
6185:
6184:
6122:Michel van der Aa
6116:Esa-Pekka Salonen
6086:Sebastian Currier
5918:
5917:
5807:Brian Ferneyhough
5747:Helmut Lachenmann
5705:Hans Werner Henze
5687:Leonard Bernstein
5551:
5550:
5360:
5359:
5097:
5096:
5057:Poème symphonique
4548:978-3-95593-324-1
4529:978-2-503-60240-0
4442:Wihuri Foundation
4379:978-3-928864-90-9
4365:978-0-19-938199-9
4351:978-1-86105-058-8
4334:978-3-631-65499-6
4317:978-1-4724-5698-4
4280:978-1-4724-7364-6
4265:978-1-4094-0041-7
4176:978-0-7148-3795-6
4136:978-1-55553-551-3
4125:978-0-571-17631-1
4081:978-0-8108-7250-9
3977:978-0-7546-5137-6
3872:978-3-902968-38-8
3806:978-0-521-02807-3
3771:978-1-84383-550-9
3656:978-0-451-07139-2
3544:on 18 August 2016
3459:978-0-330-29288-7
3429:. 13 October 2010
3383:. 20 October 2017
2421:Los Angeles Times
2376:978-1-85743-217-6
2274:Los Angeles Times
2075:13 (1973): 42–46.
1945:Polar Music Prize
1903:Rolf Schock Prize
1684:was also used in
1524:, which includes
1396:Renaissance music
1309:Balkan folk music
1180:Michael Daugherty
1072:Clocks and Clouds
935:Poème symphonique
928:clusters of notes
672:Wolfgang Schüssel
641:Benoit Mandelbrot
629:Jorge Luis Borges
537:lecturing at the
250:
249:
143:
142:
72:
68:
8581:
8331:
8330:
8329:
8319:
8318:
8317:
8307:
8306:
8305:
8298:
8227:Alfred Schnittke
8209:Olivier Messiaen
8179:Wolfgang Fortner
8143:
8136:
8129:
8120:
8119:
8075:Louise Bourgeois
8051:Eduardo Chillida
8016:Louise Bourgeois
7915:Daniel Barenboim
7861:Olivier Messiaen
7832:Elizabeth Diller
7730:
7723:
7716:
7707:
7706:
7620:Olivier Messiaen
7602:Benjamin Britten
7560:
7553:
7546:
7537:
7536:
7512:Barbara Hannigan
7369:Susan Rothenberg
7175:Solomon Feferman
7123:
7116:
7109:
7100:
7099:
6706:
6699:
6692:
6683:
6682:
6646:Barbara Hannigan
6617:Leonidas Kavakos
6558:Daniel Barenboim
6333:Olivier Messiaen
6268:Benjamin Britten
6212:
6205:
6198:
6189:
6188:
6110:Louis Andriessen
6074:George Tsontakis
6056:Aaron Jay Kernis
6032:Simon Bainbridge
5945:
5938:
5931:
5922:
5921:
5891:Georges Aperghis
5885:Tabea Zimmermann
5879:Rebecca Saunders
5801:Daniel Barenboim
5741:Maurizio Pollini
5615:Olivier Messiaen
5609:Benjamin Britten
5591:
5584:
5577:
5568:
5567:
5555:
5554:
5541:
5531:
5530:
5507:Darmstadt School
5441:Post-romanticism
5151:
5150:
5124:
5117:
5110:
5101:
5100:
5089:
5088:
5068:Related articles
5060:(100 metronomes)
5023:Le Grand Macabre
4970:Éjszaka – Reggel
4892:Three Bagatelles
4879:Musica ricercata
4808:Hamburg Concerto
4792:Chamber Concerto
4755:Orchestral works
4732:
4725:
4718:
4709:
4708:
4662:
4660:
4658:
4642:
4640:
4638:
4621:
4620:
4618:Official website
4590:The BBC obituary
4573:
4552:
4533:
4514:
4512:
4510:
4495:
4493:
4491:
4470:
4468:
4466:
4421:Music Technology
4416:
4414:
4412:
4403:. Archived from
4295:31/2–3: 221–238.
4244:
4242:
4240:
4214:
4205:
4203:
4201:
4180:
4158:
4148:
4129:
4110:
4108:
4106:
4092:(20 July 2015).
4085:
4066:
4064:
4062:
4053:. Archived from
4045:
4043:
4041:
4032:. Archived from
4021:
4019:
4017:
4001:
3999:
3997:
3981:
3962:
3953:
3935:
3912:
3910:
3908:
3903:on 11 April 2019
3899:. Archived from
3893:"Micropolyphony"
3887:
3876:
3851:
3832:
3810:
3788:
3775:
3756:
3747:
3734:Benjamin, George
3729:
3727:
3725:
3716:. Archived from
3704:
3703:
3701:
3699:
3690:. Archived from
3677:
3675:
3673:
3660:
3631:
3625:
3619:
3614:
3605:
3604:
3598:
3596:
3588:The Boston Globe
3578:
3572:
3571:
3566:. Archived from
3560:
3554:
3553:
3551:
3549:
3543:
3532:
3524:
3518:
3513:
3464:
3463:
3445:
3439:
3438:
3436:
3434:
3417:
3411:
3399:
3393:
3392:
3390:
3388:
3373:
3367:
3366:
3364:
3362:
3347:
3341:
3329:
3323:
3322:
3320:
3318:
3295:
3289:
3283:
3277:
3271:
3265:
3260:
3251:
3245:
3239:
3233:
3227:
3215:
3209:
3203:
3197:
3196:
3194:
3192:
3174:
3168:
3167:
3165:
3163:
3145:
3139:
3132:
3126:
3121:Radio interview
3119:
3113:
3107:
3101:
3095:
3089:
3083:
3077:
3076:
3074:
3072:
3058:
3052:
3045:
3039:
3033:
3027:
3021:
3015:
3009:
3003:
2997:
2991:
2986:
2977:
2971:
2965:
2959:
2953:
2947:
2941:
2935:
2929:
2923:
2917:
2911:
2905:
2899:
2893:
2887:
2878:
2877:
2875:
2873:
2859:
2853:
2843:
2837:
2831:
2825:
2819:
2813:
2799:
2793:
2792:
2790:
2788:
2776:
2770:
2764:
2758:
2752:
2746:
2740:
2734:
2728:
2722:
2716:
2710:
2704:
2698:
2692:
2686:
2680:
2674:
2673:
2671:
2669:
2655:
2649:
2648:
2646:
2644:
2633:
2627:
2626:
2624:
2622:
2607:
2598:
2597:
2595:
2593:
2576:
2570:
2564:
2558:
2557:
2551:
2549:
2541:The Boston Globe
2531:
2525:
2519:
2513:
2507:
2501:
2496:
2483:
2482:
2476:
2474:
2456:
2450:
2444:
2438:
2437:
2431:
2429:
2411:
2405:
2399:
2393:
2387:
2381:
2380:
2360:
2354:
2348:
2339:
2338:
2332:
2330:
2309:
2303:
2297:
2291:
2290:
2284:
2282:
2264:
2258:
2252:
2246:
2245:
2243:
2241:
2227:
2216:
2211:
2202:
2197:
2188:
2182:
2176:
2170:
2164:
2158:
2149:
2143:
2120:
2111:Le Grand Macabre
2109:(Winter 1959). "
2037:Cornelius Cardew
2034:
2016:
1998:
1972:Notable students
1941:, Hungary (2003)
1920:, Finland (2000)
1899:, Germany (1993)
1837:Grawemeyer Award
1816:Berlin Art Prize
1716:Yorgos Lanthimos
1698:1995 crime film
1664:Musica ricercata
1610:sequence of his
1554:Inside the Score
1550:Le Grand Macabre
1473:Le Grand Macabre
1458:Hamburg Concerto
1435:Hamburg Concerto
1423:Heinrich Hoffman
1390:, references to
1343:
1305:additive rhythms
1252:Conlon Nancarrow
1196:Le Grand Macabre
1176:Conlon Nancarrow
1161:Le Grand Macabre
1137:Le Grand Macabre
1125:Le Grand Macabre
1104:Le Grand Macabre
1055:Chamber Concerto
976:" (a completely
835:Le Grand Macabre
816:Musica ricercata
805:Musica ricercata
795:
794:
789:
788:
771:Musica ricercata
759:Composer's Union
745:Budapest Academy
710:
684:
637:fractal geometry
559:electronic music
496:musical analysis
402:Hungarian Jewish
390:Dicsőszentmárton
363:film soundtracks
347:Le Grand Macabre
328:electronic music
295:
290:
286:
285:
282:
281:
278:
275:
272:
269:
266:
263:
223:Academic teacher
204:
178:
176:
161:
147:
146:
122:
116:
89:Google Translate
70:
66:
49:
48:
41:
21:Ligeti (surname)
8589:
8588:
8584:
8583:
8582:
8580:
8579:
8578:
8339:
8338:
8337:
8327:
8325:
8321:Classical music
8315:
8313:
8303:
8301:
8293:
8291:
8286:
8285:
8280:
8245:Adriana Hölszky
8221:Aribert Reimann
8167:Philipp Jarnach
8152:
8147:
8117:
8112:
8097:Lawrence Weiner
8093:Laurie Anderson
8087:Olafur Eliasson
8057:Claes Oldenburg
8039:
8010:Gerhard Richter
7976:
7931:Plácido Domingo
7845:
7820:Phyllis Lambert
7740:
7734:
7704:
7699:
7652:Magnus Lindberg
7630:Joonas Kokkonen
7610:Usko Meriläinen
7596:Igor Stravinsky
7569:
7564:
7534:
7529:
7434:
7363:Giuseppe Penone
7345:Claes Oldenburg
7327:
7286:Endre Szemerédi
7280:Luis Caffarelli
7268:Elliott H. Lieb
7232:
7181:Jaakko Hintikka
7151:Michael Dummett
7133:
7127:
7097:
7092:
7073:Angélique Kidjo
7069:Chris Blackwell
7037:
6998:Cecilia Bartoli
6938:Ennio Morricone
6922:
6807:
6738:Dizzy Gillespie
6716:
6710:
6680:
6675:
6634:
6629:Hans Abrahamsen
6575:Cecilia Bartoli
6563:
6492:
6421:
6350:
6279:
6274:Boris Christoff
6238:
6233:Igor Stravinsky
6221:
6216:
6186:
6181:
6170:Julian Anderson
6134:Hans Abrahamsen
6092:Peter Lieberson
6026:Ivan Tcherepnin
6014:Tōru Takemitsu
5996:John Corigliano
5957:
5956:
5949:
5919:
5914:
5903:George Benjamin
5837:Friedrich Cerha
5831:Aribert Reimann
5795:Henri Dutilleux
5759:Arditti Quartet
5600:
5595:
5560:
5552:
5547:
5524:
5511:
5490:
5416:New Objectivity
5369:
5367:
5356:
5320:
5142:
5133:
5131:Modernist music
5128:
5098:
5093:
5079:
5063:
5028:
5010:
4901:
4852:
4831:String Quartets
4814:
4802:Violin Concerto
4775:
4750:
4741:
4736:
4656:
4654:
4647:"György Ligeti"
4636:
4634:
4616:
4615:
4581:
4576:
4570:
4549:
4530:
4508:
4506:
4498:
4489:
4487:
4464:
4462:
4451:
4410:
4408:
4391:
4339:Griffiths, Paul
4251:
4249:Further reading
4238:
4236:
4225:
4222:
4217:
4199:
4197:
4177:
4146:
4126:
4104:
4102:
4082:
4060:
4058:
4039:
4037:
4015:
4013:
3995:
3993:
3978:
3918:"György Ligeti"
3906:
3904:
3873:
3815:Griffiths, Paul
3807:
3772:
3723:
3721:
3697:
3695:
3684:"György Ligeti"
3682:
3681:Anon. n.d.(a).
3671:
3669:
3657:
3640:
3635:
3634:
3626:
3622:
3615:
3608:
3594:
3592:
3579:
3575:
3562:
3561:
3557:
3547:
3545:
3541:
3530:
3526:
3525:
3521:
3514:
3467:
3460:
3446:
3442:
3432:
3430:
3419:
3418:
3414:
3400:
3396:
3386:
3384:
3375:
3374:
3370:
3360:
3358:
3349:
3348:
3344:
3330:
3326:
3316:
3314:
3296:
3292:
3284:
3280:
3272:
3268:
3261:
3254:
3246:
3242:
3234:
3230:
3216:
3212:
3204:
3200:
3190:
3188:
3175:
3171:
3161:
3159:
3146:
3142:
3133:
3129:
3120:
3116:
3108:
3104:
3096:
3092:
3084:
3080:
3070:
3068:
3060:
3059:
3055:
3046:
3042:
3034:
3030:
3022:
3018:
3010:
3006:
2998:
2994:
2987:
2980:
2972:
2968:
2960:
2956:
2948:
2944:
2936:
2932:
2924:
2920:
2912:
2908:
2900:
2896:
2888:
2881:
2871:
2869:
2861:
2860:
2856:
2844:
2840:
2832:
2828:
2820:
2816:
2803:György Ligeti:
2800:
2796:
2786:
2784:
2777:
2773:
2765:
2761:
2753:
2749:
2741:
2737:
2729:
2725:
2717:
2713:
2705:
2701:
2693:
2689:
2681:
2677:
2667:
2665:
2663:lukasligeti.com
2657:
2656:
2652:
2642:
2640:
2635:
2634:
2630:
2620:
2618:
2609:
2608:
2601:
2591:
2589:
2578:
2577:
2573:
2565:
2561:
2547:
2545:
2532:
2528:
2520:
2516:
2508:
2504:
2497:
2486:
2472:
2470:
2466:Chicago Tribune
2457:
2453:
2445:
2441:
2427:
2425:
2412:
2408:
2400:
2396:
2388:
2384:
2377:
2361:
2357:
2349:
2342:
2328:
2326:
2310:
2306:
2298:
2294:
2280:
2278:
2265:
2261:
2253:
2249:
2239:
2237:
2235:karstenwitt.com
2229:
2228:
2219:
2212:
2205:
2198:
2191:
2183:
2179:
2171:
2167:
2159:
2152:
2144:
2140:
2135:
2130:
2104:
2080:Friedrich Cerha
2028:
2006:
1990:
1986:
1981:
1974:
1960:
1914:, Israel (1996)
1893:, London (1992)
1868:(Denmark, 1990)
1797:Beethoven Prize
1785:
1739:'s documentary
1686:Martin Scorsese
1678:
1659:for orchestra.
1570:Stanley Kubrick
1566:
1497:
1405:(1994) and the
1371:Violin Concerto
1367:
1366:
1365:
1350:Performance of
1349:
1344:
1256:Thelonious Monk
1250:, Béla Bartók,
1225:Violin Concerto
1190:, Austria, 1982
1174:, Vera Ligeti,
1164:
838:
798:chromatic scale
792:
791:
786:
785:
741:
736:
730:
706:
678:
653:
516:
478:. He conducted
386:
381:
367:Stanley Kubrick
288:
260:
256:
226:
209:
208:Vienna, Austria
206:
202:
193:
180:
174:
172:
164:
152:
139:
138:
137:
120:
114:
73:
50:
46:
39:
24:
17:
12:
11:
5:
8587:
8577:
8576:
8571:
8566:
8561:
8556:
8551:
8546:
8541:
8536:
8531:
8526:
8521:
8516:
8511:
8506:
8501:
8496:
8491:
8486:
8481:
8476:
8471:
8466:
8461:
8456:
8454:Hungarian Jews
8451:
8446:
8441:
8436:
8431:
8426:
8421:
8416:
8411:
8406:
8401:
8396:
8391:
8386:
8381:
8376:
8371:
8366:
8361:
8356:
8351:
8336:
8335:
8323:
8311:
8288:
8287:
8282:
8281:
8279:
8278:
8272:
8266:
8260:
8254:
8248:
8242:
8236:
8230:
8224:
8218:
8212:
8206:
8200:
8194:
8188:
8182:
8176:
8170:
8164:
8161:Paul Hindemith
8157:
8154:
8153:
8146:
8145:
8138:
8131:
8123:
8114:
8113:
8111:
8110:
8100:
8090:
8084:
8078:
8072:
8066:
8060:
8054:
8047:
8045:
8041:
8040:
8038:
8037:
8031:
8025:
8019:
8013:
8007:
8001:
7995:
7984:
7982:
7978:
7977:
7975:
7974:
7968:
7958:
7951:Paul McCartney
7948:
7945:Murray Perahia
7938:
7928:
7925:Claudio Abbado
7918:
7908:
7898:
7888:
7881:Yehudi Menuhin
7878:
7868:
7853:
7851:
7847:
7846:
7844:
7843:
7836:Momoyo Kaijima
7829:
7823:
7817:
7811:
7808:Peter Eisenman
7801:
7795:
7789:
7779:
7765:
7755:
7748:
7746:
7742:
7741:
7733:
7732:
7725:
7718:
7710:
7701:
7700:
7698:
7697:
7694:Tristan Murail
7691:
7685:
7679:
7673:
7667:
7664:Kaija Saariaho
7661:
7655:
7649:
7643:
7640:Aulis Sallinen
7633:
7623:
7617:
7599:
7593:
7587:
7584:Paul Hindemith
7581:
7574:
7571:
7570:
7563:
7562:
7555:
7548:
7540:
7531:
7530:
7528:
7527:
7521:
7515:
7509:
7503:
7497:
7491:
7485:
7482:Mauricio Kagel
7479:
7473:
7470:Kaija Saariaho
7467:
7464:Kronos Quartet
7461:
7455:
7449:
7446:Ingvar Lidholm
7442:
7440:
7436:
7435:
7433:
7432:
7426:
7420:
7414:
7408:
7398:
7392:
7386:
7383:Ryue Nishizawa
7372:
7366:
7360:
7354:
7348:
7342:
7335:
7333:
7329:
7328:
7326:
7325:
7319:
7313:
7310:Ronald Coifman
7307:
7304:Richard Schoen
7301:
7295:
7289:
7283:
7277:
7271:
7265:
7259:
7253:
7247:
7244:Elias M. Stein
7240:
7238:
7234:
7233:
7231:
7230:
7224:
7221:Per Martin-Löf
7214:
7211:Saharon Shelah
7208:
7202:
7196:
7190:
7184:
7178:
7172:
7166:
7160:
7154:
7148:
7141:
7139:
7135:
7134:
7126:
7125:
7118:
7111:
7103:
7094:
7093:
7091:
7090:
7080:
7066:
7056:
7045:
7043:
7039:
7038:
7036:
7035:
7021:
7011:
7001:
6991:
6988:Evelyn Glennie
6984:Emmylou Harris
6981:
6971:
6968:Kaija Saariaho
6964:Youssou N'Dour
6961:
6951:
6944:Kronos Quartet
6941:
6930:
6928:
6924:
6923:
6921:
6920:
6906:
6896:
6886:
6883:Valery Gergiev
6876:
6866:
6856:
6850:
6840:
6829:Burt Bacharach
6826:
6815:
6813:
6809:
6808:
6806:
6805:
6802:Iannis Xenakis
6795:
6785:
6775:
6765:
6755:
6745:
6735:
6728:Paul McCartney
6724:
6722:
6718:
6717:
6709:
6708:
6701:
6694:
6686:
6677:
6676:
6674:
6673:
6670:Emmanuel Pahud
6667:
6664:Evelyn Glennie
6661:
6655:
6649:
6642:
6640:
6636:
6635:
6633:
6632:
6626:
6623:Mariss Jansons
6620:
6614:
6608:
6602:
6596:
6590:
6584:
6581:Kaija Saariaho
6578:
6571:
6569:
6565:
6564:
6562:
6561:
6555:
6549:
6543:
6537:
6531:
6525:
6519:
6516:Alfred Brendel
6513:
6507:
6500:
6498:
6494:
6493:
6491:
6490:
6484:
6478:
6472:
6466:
6460:
6454:
6448:
6442:
6436:
6429:
6427:
6423:
6422:
6420:
6419:
6413:
6410:Peter Schreier
6407:
6404:Heinz Holliger
6401:
6395:
6389:
6383:
6380:Rafael Kubelík
6377:
6371:
6365:
6358:
6356:
6352:
6351:
6349:
6348:
6342:
6336:
6330:
6327:Mogens Wöldike
6324:
6318:
6315:Andrés Segovia
6312:
6306:
6303:Yehudi Menuhin
6300:
6294:
6287:
6285:
6281:
6280:
6278:
6277:
6271:
6265:
6259:
6256:Birgit Nilsson
6253:
6246:
6244:
6240:
6239:
6237:
6236:
6229:
6227:
6223:
6222:
6215:
6214:
6207:
6200:
6192:
6183:
6182:
6180:
6179:
6173:
6167:
6161:
6155:
6149:
6143:
6137:
6131:
6125:
6119:
6113:
6107:
6101:
6095:
6089:
6083:
6077:
6071:
6065:
6062:Kaija Saariaho
6059:
6053:
6047:
6041:
6035:
6029:
6023:
6017:
6011:
6005:
5999:
5993:
5987:
5981:
5975:
5969:
5962:
5959:
5958:
5951:
5948:
5947:
5940:
5933:
5925:
5916:
5915:
5913:
5912:
5906:
5900:
5894:
5888:
5882:
5876:
5870:
5864:
5858:
5852:
5846:
5843:Mariss Jansons
5840:
5834:
5828:
5825:Michael Gielen
5822:
5816:
5810:
5804:
5798:
5792:
5789:Alfred Brendel
5786:
5780:
5774:
5768:
5765:Mauricio Kagel
5762:
5756:
5750:
5744:
5738:
5732:
5729:Claudio Abbado
5726:
5720:
5714:
5711:Heinz Holliger
5708:
5702:
5696:
5693:Peter Schreier
5690:
5684:
5678:
5675:Andrés Segovia
5672:
5669:Yehudi Menuhin
5666:
5660:
5654:
5651:Elliott Carter
5648:
5642:
5636:
5630:
5624:
5618:
5612:
5605:
5602:
5601:
5594:
5593:
5586:
5579:
5571:
5565:
5562:
5561:
5549:
5548:
5546:
5545:
5535:
5521:Romantic music
5517:
5516:
5513:
5512:
5510:
5509:
5504:
5498:
5496:
5492:
5491:
5489:
5488:
5483:
5478:
5473:
5468:
5463:
5458:
5453:
5448:
5443:
5438:
5433:
5428:
5426:Pandiatonicism
5423:
5418:
5413:
5411:New Complexity
5408:
5403:
5398:
5393:
5388:
5383:
5378:
5372:
5370:
5365:
5362:
5361:
5358:
5357:
5355:
5354:
5353:
5352:
5347:
5342:
5337:
5331:United States
5328:
5326:
5322:
5321:
5319:
5318:
5317:
5316:
5311:
5306:
5298:
5297:
5296:
5288:
5287:
5286:
5278:
5277:
5276:
5268:
5267:
5266:
5261:
5253:
5252:
5251:
5246:
5241:
5236:
5231:
5226:
5218:
5217:
5216:
5208:
5207:
5206:
5198:
5197:
5196:
5188:
5187:
5186:
5181:
5176:
5171:
5166:
5157:
5155:
5148:
5144:
5143:
5138:
5135:
5134:
5127:
5126:
5119:
5112:
5104:
5095:
5094:
5084:
5081:
5080:
5078:
5077:
5075:Micropolyphony
5071:
5069:
5065:
5064:
5062:
5061:
5053:
5045:
5036:
5034:
5030:
5029:
5027:
5026:
5018:
5016:
5012:
5011:
5009:
5008:
5001:
4994:
4987:
4980:
4973:
4966:
4959:
4952:
4945:
4938:
4931:
4924:
4917:
4909:
4907:
4903:
4902:
4900:
4899:
4894:
4889:
4882:
4875:
4868:
4860:
4858:
4854:
4853:
4851:
4850:
4845:
4840:
4833:
4828:
4822:
4820:
4816:
4815:
4813:
4812:
4804:
4799:
4797:Piano Concerto
4794:
4789:
4787:Cello Concerto
4783:
4781:
4777:
4776:
4774:
4773:
4766:
4758:
4756:
4752:
4751:
4746:
4743:
4742:
4735:
4734:
4727:
4720:
4712:
4706:
4705:
4700:
4695:
4690:
4684:
4675:
4669:
4663:
4643:
4623:
4607:
4606:
4592:
4580:
4579:External links
4577:
4575:
4574:
4568:
4553:
4547:
4534:
4528:
4515:
4496:
4471:
4449:
4439:
4417:
4407:on 21 May 2013
4389:
4382:
4367:
4353:
4336:
4319:
4305:
4296:
4285:
4282:
4268:
4252:
4250:
4247:
4246:
4245:
4221:
4218:
4216:
4215:
4206:
4181:
4175:
4159:
4139:
4124:
4111:
4086:
4080:
4067:
4046:
4022:
4002:
3982:
3976:
3963:
3954:
3936:
3926:Peter Petersen
3913:
3888:
3877:
3871:
3852:
3833:
3811:
3805:
3789:
3776:
3770:
3757:
3748:
3730:
3705:
3678:
3664:Anon. (2011).
3661:
3655:
3641:
3639:
3636:
3633:
3632:
3620:
3606:
3601:Newspapers.com
3573:
3555:
3519:
3465:
3458:
3440:
3412:
3394:
3368:
3342:
3333:Shutter Island
3324:
3304:The New Yorker
3290:
3278:
3266:
3252:
3240:
3228:
3210:
3198:
3169:
3140:
3127:
3114:
3102:
3090:
3078:
3053:
3040:
3028:
3016:
3004:
2992:
2978:
2966:
2954:
2942:
2930:
2918:
2906:
2894:
2879:
2854:
2838:
2826:
2814:
2794:
2771:
2759:
2747:
2735:
2723:
2711:
2699:
2687:
2675:
2650:
2628:
2599:
2571:
2567:Griffiths 2006
2559:
2554:Newspapers.com
2526:
2514:
2502:
2499:Griffiths 2006
2484:
2479:Newspapers.com
2451:
2439:
2434:Newspapers.com
2406:
2394:
2382:
2375:
2355:
2340:
2335:Newspapers.com
2304:
2292:
2287:Newspapers.com
2259:
2247:
2217:
2203:
2200:Griffiths 2001
2189:
2177:
2165:
2150:
2146:Griffiths 2001
2137:
2136:
2134:
2131:
2129:
2128:
2121:
2102:
2089:
2076:
2065:
2044:
2026:
2004:
1987:
1985:
1982:
1973:
1970:
1969:
1968:
1959:
1956:
1955:
1954:
1948:
1942:
1936:
1930:
1927:
1921:
1915:
1909:
1906:
1900:
1894:
1887:
1881:
1875:
1869:
1863:
1856:
1849:
1846:
1840:
1831:
1825:
1819:
1813:
1804:
1784:
1781:
1737:Sophie Fiennes
1691:Shutter Island
1677:
1674:
1669:Eyes Wide Shut
1565:
1562:
1496:
1493:
1346:
1345:
1338:
1337:
1336:
1324:Piano Concerto
1217:Piano Concerto
1163:
1157:
1117:Absurd theatre
1111:'s 1934 play,
1017:Siegfried Palm
1013:Cello Concerto
897:(1958–59) and
891:micropolyphony
837:
831:
740:
737:
729:
726:
703:grave of honor
652:
649:
515:
512:
385:
382:
380:
377:
342:micropolyphony
248:
247:
242:
238:
237:
232:
228:
227:
225:
224:
221:
217:
215:
211:
210:
207:
205:(aged 83)
199:
195:
194:
183:Diciosânmartin
181:
170:
166:
165:
163:Ligeti in 1984
162:
154:
153:
150:
141:
140:
136:
135:
128:
117:
95:
92:
81:
74:
55:
54:
53:
51:
44:
15:
9:
6:
4:
3:
2:
8586:
8575:
8572:
8570:
8567:
8565:
8562:
8560:
8557:
8555:
8552:
8550:
8547:
8545:
8542:
8540:
8537:
8535:
8532:
8530:
8527:
8525:
8522:
8520:
8517:
8515:
8512:
8510:
8507:
8505:
8502:
8500:
8497:
8495:
8492:
8490:
8487:
8485:
8482:
8480:
8477:
8475:
8472:
8470:
8467:
8465:
8462:
8460:
8457:
8455:
8452:
8450:
8447:
8445:
8442:
8440:
8437:
8435:
8432:
8430:
8427:
8425:
8422:
8420:
8417:
8415:
8412:
8410:
8407:
8405:
8402:
8400:
8397:
8395:
8392:
8390:
8387:
8385:
8382:
8380:
8377:
8375:
8374:Austrian Jews
8372:
8370:
8367:
8365:
8362:
8360:
8357:
8355:
8352:
8350:
8349:György Ligeti
8347:
8346:
8344:
8334:
8324:
8322:
8312:
8310:
8300:
8299:
8296:
8276:
8273:
8270:
8267:
8264:
8263:Pierre Boulez
8261:
8258:
8255:
8252:
8249:
8246:
8243:
8240:
8239:Wolfgang Rihm
8237:
8234:
8231:
8228:
8225:
8222:
8219:
8216:
8213:
8210:
8207:
8204:
8203:György Ligeti
8201:
8198:
8195:
8192:
8189:
8186:
8183:
8180:
8177:
8174:
8173:Boris Blacher
8171:
8168:
8165:
8162:
8159:
8158:
8155:
8151:
8144:
8139:
8137:
8132:
8130:
8125:
8124:
8121:
8108:
8104:
8103:Fujiko Nakaya
8101:
8098:
8094:
8091:
8088:
8085:
8082:
8079:
8076:
8073:
8070:
8069:James Turrell
8067:
8064:
8061:
8058:
8055:
8052:
8049:
8048:
8046:
8042:
8035:
8034:Cindy Sherman
8032:
8029:
8026:
8023:
8020:
8017:
8014:
8011:
8008:
8005:
8004:Anselm Kiefer
8002:
7999:
7996:
7993:
7992:Antoni Tàpies
7989:
7986:
7985:
7983:
7979:
7972:
7971:György Kurtág
7969:
7966:
7965:Olga Neuwirth
7962:
7961:Stevie Wonder
7959:
7956:
7952:
7949:
7946:
7942:
7941:Jessye Norman
7939:
7936:
7932:
7929:
7926:
7922:
7921:Giya Kancheli
7919:
7916:
7912:
7909:
7906:
7905:Riccardo Muti
7902:
7901:Pierre Boulez
7899:
7896:
7895:György Ligeti
7892:
7889:
7886:
7885:Luciano Berio
7882:
7879:
7876:
7872:
7869:
7866:
7862:
7858:
7855:
7854:
7852:
7848:
7841:
7837:
7833:
7830:
7827:
7824:
7821:
7818:
7815:
7812:
7809:
7805:
7802:
7799:
7796:
7793:
7790:
7787:
7786:Aldo van Eyck
7783:
7780:
7777:
7773:
7769:
7766:
7763:
7759:
7758:Fumihiko Maki
7756:
7753:
7752:Ralph Erskine
7750:
7749:
7747:
7743:
7739:
7731:
7726:
7724:
7719:
7717:
7712:
7711:
7708:
7695:
7692:
7689:
7688:Jukka Tiensuu
7686:
7683:
7680:
7677:
7674:
7671:
7670:György Kurtág
7668:
7665:
7662:
7659:
7656:
7653:
7650:
7647:
7646:György Ligeti
7644:
7641:
7637:
7634:
7631:
7627:
7624:
7621:
7618:
7615:
7611:
7607:
7603:
7600:
7597:
7594:
7591:
7588:
7585:
7582:
7579:
7578:Jean Sibelius
7576:
7575:
7572:
7568:
7561:
7556:
7554:
7549:
7547:
7542:
7541:
7538:
7525:
7522:
7519:
7518:György Kurtág
7516:
7513:
7510:
7507:
7506:Wayne Shorter
7504:
7501:
7498:
7495:
7492:
7489:
7486:
7483:
7480:
7477:
7474:
7471:
7468:
7465:
7462:
7459:
7456:
7453:
7452:György Ligeti
7450:
7447:
7444:
7443:
7441:
7437:
7430:
7427:
7424:
7421:
7418:
7417:Andrea Branzi
7415:
7412:
7411:Doris Salcedo
7409:
7406:
7402:
7399:
7396:
7395:Marlene Dumas
7393:
7390:
7387:
7384:
7380:
7379:Kazuyo Sejima
7376:
7373:
7370:
7367:
7364:
7361:
7358:
7355:
7352:
7349:
7346:
7343:
7340:
7337:
7336:
7334:
7330:
7323:
7322:Jonathan Pila
7320:
7317:
7314:
7311:
7308:
7305:
7302:
7299:
7296:
7293:
7290:
7287:
7284:
7281:
7278:
7275:
7272:
7269:
7266:
7263:
7262:Yuri I. Manin
7260:
7257:
7254:
7251:
7248:
7245:
7242:
7241:
7239:
7235:
7228:
7225:
7222:
7218:
7215:
7212:
7209:
7206:
7205:Ruth Millikan
7203:
7200:
7197:
7194:
7193:Hilary Putnam
7191:
7188:
7185:
7182:
7179:
7176:
7173:
7170:
7167:
7164:
7161:
7158:
7155:
7152:
7149:
7146:
7143:
7142:
7140:
7136:
7131:
7124:
7119:
7117:
7112:
7110:
7105:
7104:
7101:
7088:
7084:
7081:
7078:
7074:
7070:
7067:
7064:
7060:
7057:
7054:
7050:
7049:Anna Netrebko
7047:
7046:
7044:
7040:
7033:
7029:
7025:
7022:
7019:
7015:
7012:
7009:
7008:Wayne Shorter
7005:
7002:
6999:
6995:
6992:
6989:
6985:
6982:
6979:
6978:Peter Sellars
6975:
6972:
6969:
6965:
6962:
6959:
6955:
6952:
6949:
6945:
6942:
6939:
6935:
6932:
6931:
6929:
6925:
6918:
6914:
6910:
6909:Peter Gabriel
6907:
6904:
6903:Renée Fleming
6900:
6897:
6894:
6890:
6889:Sonny Rollins
6887:
6884:
6880:
6877:
6874:
6870:
6867:
6864:
6863:György Ligeti
6860:
6857:
6854:
6853:Keith Jarrett
6851:
6848:
6844:
6843:Miriam Makeba
6841:
6838:
6834:
6830:
6827:
6824:
6820:
6817:
6816:
6814:
6810:
6803:
6799:
6798:Stevie Wonder
6796:
6793:
6789:
6786:
6783:
6779:
6776:
6773:
6772:Pierre Boulez
6769:
6768:Joni Mitchell
6766:
6763:
6759:
6756:
6753:
6749:
6746:
6743:
6739:
6736:
6733:
6732:Baltic states
6729:
6726:
6725:
6723:
6719:
6715:
6707:
6702:
6700:
6695:
6693:
6688:
6687:
6684:
6671:
6668:
6665:
6662:
6659:
6656:
6653:
6650:
6647:
6644:
6643:
6641:
6637:
6630:
6627:
6624:
6621:
6618:
6615:
6612:
6609:
6606:
6603:
6600:
6597:
6594:
6591:
6588:
6585:
6582:
6579:
6576:
6573:
6572:
6570:
6566:
6559:
6556:
6553:
6550:
6547:
6544:
6541:
6538:
6535:
6532:
6529:
6528:Keith Jarrett
6526:
6523:
6522:György Kurtág
6520:
6517:
6514:
6511:
6508:
6505:
6504:Michala Petri
6502:
6501:
6499:
6495:
6488:
6485:
6482:
6479:
6476:
6475:András Schiff
6473:
6470:
6467:
6464:
6461:
6458:
6455:
6452:
6449:
6446:
6443:
6440:
6437:
6434:
6433:György Ligeti
6431:
6430:
6428:
6424:
6417:
6414:
6411:
6408:
6405:
6402:
6399:
6396:
6393:
6392:Pierre Boulez
6390:
6387:
6384:
6381:
6378:
6375:
6372:
6369:
6366:
6363:
6360:
6359:
6357:
6353:
6346:
6343:
6340:
6337:
6334:
6331:
6328:
6325:
6322:
6319:
6316:
6313:
6310:
6307:
6304:
6301:
6298:
6295:
6292:
6289:
6288:
6286:
6282:
6275:
6272:
6269:
6266:
6263:
6260:
6257:
6254:
6251:
6248:
6247:
6245:
6241:
6234:
6231:
6230:
6228:
6224:
6220:
6213:
6208:
6206:
6201:
6199:
6194:
6193:
6190:
6177:
6174:
6171:
6168:
6165:
6164:Olga Neuwirth
6162:
6159:
6156:
6153:
6150:
6147:
6146:Bent Sørensen
6144:
6141:
6140:Andrew Norman
6138:
6135:
6132:
6129:
6128:Đuro Živković
6126:
6123:
6120:
6117:
6114:
6111:
6108:
6105:
6102:
6099:
6096:
6093:
6090:
6087:
6084:
6081:
6080:György Kurtág
6078:
6075:
6072:
6069:
6066:
6063:
6060:
6057:
6054:
6051:
6050:Pierre Boulez
6048:
6045:
6042:
6039:
6036:
6033:
6030:
6027:
6024:
6021:
6018:
6015:
6012:
6009:
6006:
6003:
6000:
5997:
5994:
5991:
5988:
5985:
5982:
5979:
5976:
5973:
5972:György Ligeti
5970:
5967:
5964:
5963:
5960:
5954:
5946:
5941:
5939:
5934:
5932:
5927:
5926:
5923:
5910:
5907:
5904:
5901:
5898:
5897:Olga Neuwirth
5895:
5892:
5889:
5886:
5883:
5880:
5877:
5874:
5871:
5868:
5865:
5862:
5859:
5856:
5853:
5850:
5847:
5844:
5841:
5838:
5835:
5832:
5829:
5826:
5823:
5820:
5817:
5814:
5811:
5808:
5805:
5802:
5799:
5796:
5793:
5790:
5787:
5784:
5783:Wolfgang Rihm
5781:
5778:
5775:
5772:
5769:
5766:
5763:
5760:
5757:
5754:
5753:György Kurtág
5751:
5748:
5745:
5742:
5739:
5736:
5733:
5730:
5727:
5724:
5723:György Ligeti
5721:
5718:
5715:
5712:
5709:
5706:
5703:
5700:
5699:Luciano Berio
5697:
5694:
5691:
5688:
5685:
5682:
5679:
5676:
5673:
5670:
5667:
5664:
5661:
5658:
5655:
5652:
5649:
5646:
5643:
5640:
5639:Pierre Boulez
5637:
5634:
5633:Rudolf Serkin
5631:
5628:
5625:
5622:
5619:
5616:
5613:
5610:
5607:
5606:
5603:
5599:
5592:
5587:
5585:
5580:
5578:
5573:
5572:
5569:
5563:
5556:
5544:
5540:
5536:
5534:
5526:
5525:
5523:
5522:
5514:
5508:
5505:
5503:
5500:
5499:
5497:
5493:
5487:
5484:
5482:
5479:
5477:
5474:
5472:
5469:
5467:
5464:
5462:
5459:
5457:
5454:
5452:
5449:
5447:
5444:
5442:
5439:
5437:
5434:
5432:
5429:
5427:
5424:
5422:
5419:
5417:
5414:
5412:
5409:
5407:
5404:
5402:
5399:
5397:
5394:
5392:
5389:
5387:
5386:Expressionism
5384:
5382:
5379:
5377:
5374:
5373:
5371:
5363:
5351:
5348:
5346:
5343:
5341:
5338:
5336:
5333:
5332:
5330:
5329:
5327:
5323:
5315:
5312:
5310:
5307:
5305:
5302:
5301:
5299:
5295:
5292:
5291:
5289:
5285:
5282:
5281:
5279:
5275:
5272:
5271:
5269:
5265:
5262:
5260:
5257:
5256:
5254:
5250:
5247:
5245:
5242:
5240:
5237:
5235:
5232:
5230:
5227:
5225:
5222:
5221:
5219:
5215:
5212:
5211:
5209:
5205:
5202:
5201:
5199:
5195:
5192:
5191:
5189:
5185:
5182:
5180:
5177:
5175:
5172:
5170:
5167:
5165:
5162:
5161:
5159:
5158:
5156:
5152:
5149:
5145:
5141:
5136:
5132:
5125:
5120:
5118:
5113:
5111:
5106:
5105:
5102:
5092:
5082:
5076:
5073:
5072:
5070:
5066:
5059:
5058:
5054:
5052:(harpsichord)
5051:
5050:
5046:
5043:
5042:
5038:
5037:
5035:
5031:
5025:
5024:
5020:
5019:
5017:
5013:
5007:
5006:
5002:
5000:
4999:
4998:Magyar Etüdök
4995:
4993:
4992:
4988:
4986:
4985:
4981:
4979:
4978:
4974:
4972:
4971:
4967:
4965:
4964:
4960:
4958:
4957:
4953:
4951:
4950:
4949:Kállai kettős
4946:
4944:
4943:
4942:Haj, ifjuság!
4939:
4937:
4936:
4932:
4930:
4929:
4925:
4923:
4922:
4918:
4916:
4915:
4911:
4910:
4908:
4904:
4898:
4895:
4893:
4890:
4888:
4887:
4883:
4881:
4880:
4876:
4874:
4873:
4869:
4867:
4866:
4862:
4861:
4859:
4855:
4849:
4846:
4844:
4841:
4839:
4838:
4837:Baladă și joc
4834:
4832:
4829:
4827:
4824:
4823:
4821:
4817:
4810:
4809:
4805:
4803:
4800:
4798:
4795:
4793:
4790:
4788:
4785:
4784:
4782:
4778:
4772:
4771:
4767:
4765:
4764:
4763:Ramifications
4760:
4759:
4757:
4753:
4749:
4744:
4740:
4739:György Ligeti
4733:
4728:
4726:
4721:
4719:
4714:
4713:
4710:
4704:
4701:
4699:
4696:
4694:
4691:
4688:
4685:
4683:
4679:
4676:
4673:
4670:
4667:
4664:
4653:. 28 May 1923
4652:
4648:
4644:
4632:
4631:György Ligeti
4628:
4624:
4619:
4614:
4613:
4612:
4611:
4604:
4603:
4598:
4597:
4593:
4591:
4588:
4587:
4586:
4585:
4571:
4569:9783000752407
4565:
4561:
4560:
4554:
4550:
4544:
4540:
4535:
4531:
4525:
4521:
4516:
4505:
4501:
4497:
4486:
4485:
4480:
4476:
4472:
4460:
4459:
4454:
4450:
4447:
4443:
4440:
4438:
4434:
4430:
4426:
4422:
4418:
4406:
4402:
4401:
4395:
4390:
4387:
4383:
4380:
4376:
4372:
4368:
4366:
4362:
4358:
4354:
4352:
4348:
4344:
4343:György Ligeti
4340:
4337:
4335:
4331:
4327:
4323:
4320:
4318:
4314:
4310:
4306:
4303:
4302:
4297:
4294:
4290:
4286:
4283:
4281:
4277:
4273:
4269:
4266:
4262:
4258:
4254:
4253:
4234:
4233:
4228:
4224:
4223:
4212:
4207:
4196:
4195:
4190:
4186:
4182:
4178:
4172:
4168:
4167:György Ligeti
4164:
4163:Toop, Richard
4160:
4156:
4152:
4145:
4140:
4137:
4133:
4127:
4121:
4117:
4112:
4101:
4100:
4095:
4091:
4087:
4083:
4077:
4073:
4068:
4056:
4052:
4047:
4035:
4031:
4027:
4023:
4012:
4008:
4003:
3992:
3988:
3983:
3979:
3973:
3969:
3964:
3960:
3955:
3951:
3950:
3945:
3941:
3940:Kozinn, Allan
3937:
3933:
3932:
3927:
3923:
3919:
3914:
3902:
3898:
3894:
3889:
3885:
3884:
3878:
3874:
3868:
3864:
3863:
3858:
3857:Heller, Ágnes
3853:
3850:
3845:
3844:
3839:
3834:
3830:
3829:
3824:
3820:
3819:Stanley Sadie
3816:
3812:
3808:
3802:
3798:
3794:
3790:
3786:
3782:
3777:
3773:
3767:
3763:
3758:
3754:
3749:
3745:
3744:
3739:
3735:
3731:
3719:
3715:
3711:
3706:
3693:
3689:
3685:
3679:
3667:
3662:
3658:
3652:
3648:
3643:
3642:
3629:
3624:
3618:
3613:
3611:
3602:
3591:. p. 228
3590:
3589:
3584:
3577:
3569:
3565:
3559:
3540:
3536:
3529:
3523:
3517:
3512:
3510:
3508:
3506:
3504:
3502:
3500:
3498:
3496:
3494:
3492:
3490:
3488:
3486:
3484:
3482:
3480:
3478:
3476:
3474:
3472:
3470:
3461:
3455:
3451:
3444:
3428:
3427:
3422:
3416:
3410:
3406:
3404:
3398:
3382:
3380:
3372:
3357:. 12 May 2014
3356:
3354:
3346:
3340:
3336:
3334:
3328:
3313:
3309:
3305:
3301:
3294:
3287:
3282:
3275:
3270:
3264:
3259:
3257:
3249:
3244:
3237:
3232:
3226:
3222:
3220:
3214:
3207:
3202:
3186:
3185:
3180:
3173:
3157:
3156:
3151:
3144:
3137:
3131:
3124:
3118:
3111:
3106:
3099:
3094:
3087:
3086:Steinitz 2003
3082:
3067:
3063:
3057:
3050:
3044:
3037:
3032:
3025:
3020:
3013:
3008:
3001:
3000:Steinitz 2003
2996:
2990:
2989:Arnowitt 2009
2985:
2983:
2975:
2970:
2963:
2958:
2951:
2950:Steinitz 2003
2946:
2939:
2938:Steinitz 2003
2934:
2927:
2926:Steinitz 2003
2922:
2915:
2910:
2903:
2902:Plaistow n.d.
2898:
2891:
2890:Plaistow n.d.
2886:
2884:
2868:
2864:
2858:
2852:
2848:
2842:
2835:
2834:Steinitz 2003
2830:
2823:
2822:Plaistow n.d.
2818:
2812:
2808:
2806:
2798:
2782:
2775:
2768:
2763:
2756:
2751:
2744:
2743:Steinitz 2003
2739:
2732:
2731:Steinitz 2003
2727:
2720:
2719:Steinitz 2003
2715:
2708:
2703:
2696:
2695:Steinitz 2003
2691:
2684:
2683:Steinitz 2003
2679:
2664:
2660:
2654:
2638:
2632:
2616:
2615:music austria
2612:
2606:
2604:
2587:
2586:
2581:
2575:
2568:
2563:
2555:
2543:
2542:
2537:
2530:
2523:
2522:Steinitz 2003
2518:
2511:
2506:
2500:
2495:
2493:
2491:
2489:
2480:
2468:
2467:
2462:
2455:
2448:
2447:Benjamin 2007
2443:
2435:
2423:
2422:
2417:
2410:
2403:
2402:Steinitz 2003
2398:
2391:
2390:Steinitz 2003
2386:
2378:
2372:
2368:
2367:
2359:
2352:
2351:Steinitz 2003
2347:
2345:
2336:
2324:
2323:
2318:
2314:
2308:
2301:
2300:Steinitz 2003
2296:
2288:
2276:
2275:
2270:
2263:
2256:
2255:Steinitz 2003
2251:
2236:
2232:
2226:
2224:
2222:
2215:
2210:
2208:
2201:
2196:
2194:
2186:
2181:
2174:
2169:
2162:
2157:
2155:
2147:
2142:
2138:
2126:
2122:
2118:
2117:
2112:
2108:
2107:Peter Sellars
2103:
2100:
2099:
2094:
2090:
2087:
2086:
2081:
2077:
2074:
2070:
2066:
2063:
2062:
2057:
2053:
2049:
2045:
2042:
2038:
2032:
2027:
2024:
2020:
2014:
2010:
2005:
2002:
1996:
1995:
1989:
1988:
1979:
1966:
1962:
1961:
1952:
1949:
1946:
1943:
1940:
1939:Kossuth Prize
1937:
1934:
1931:
1928:
1925:
1922:
1919:
1916:
1913:
1910:
1907:
1904:
1901:
1898:
1895:
1892:
1888:
1885:
1882:
1879:
1876:
1873:
1870:
1867:
1864:
1861:
1857:
1854:
1850:
1847:
1844:
1841:
1838:
1835:
1832:
1829:
1826:
1823:
1820:
1817:
1814:
1811:
1808:
1805:
1802:
1798:
1795:
1794:
1789:
1780:
1778:
1777:
1772:
1771:Fit the Sixth
1768:
1767:Fit the Fifth
1764:
1763:Fit the First
1761:were used in
1760:
1756:
1752:
1748:
1747:Anselm Kiefer
1744:
1743:
1738:
1734:
1730:
1725:
1723:
1722:
1717:
1713:
1712:
1707:
1703:
1702:
1697:
1693:
1692:
1687:
1683:
1673:
1671:
1670:
1665:
1660:
1658:
1654:
1653:
1647:
1645:
1644:
1639:
1635:
1631:
1627:
1625:
1621:
1617:
1613:
1609:
1605:
1601:
1597:
1593:
1589:
1585:
1581:
1580:
1575:
1571:
1561:
1559:
1555:
1551:
1547:
1543:
1539:
1535:
1531:
1527:
1523:
1519:
1514:
1510:
1506:
1502:
1492:
1490:
1489:
1484:
1483:
1478:
1474:
1470:
1466:
1465:
1460:
1459:
1454:
1453:
1449:
1445:
1441:
1440:natural horns
1437:
1436:
1430:
1428:
1424:
1420:
1419:Lewis Carroll
1416:
1412:
1408:
1404:
1399:
1397:
1393:
1389:
1385:
1381:
1377:
1376:microtonality
1372:
1363:
1359:
1355:
1354:
1348:
1342:
1335:
1333:
1332:postmodernism
1329:
1325:
1320:
1318:
1314:
1310:
1306:
1302:
1298:
1294:
1293:
1287:
1285:
1280:
1278:
1274:
1270:
1265:
1261:
1257:
1253:
1249:
1245:
1241:
1236:
1234:
1230:
1226:
1222:
1218:
1214:
1210:
1205:
1201:
1197:
1189:
1185:
1181:
1177:
1173:
1168:
1162:
1156:
1154:
1150:
1146:
1142:
1138:
1134:
1130:
1126:
1122:
1118:
1114:
1110:
1106:
1105:
1099:
1097:
1093:
1089:
1085:
1081:
1077:
1073:
1069:
1068:
1063:
1058:
1056:
1051:
1049:
1048:
1047:Ramifications
1043:
1040:
1039:
1034:
1030:
1026:
1024:
1020:
1018:
1014:
1009:
1007:
1003:
1002:
997:
995:
991:
987:
983:
979:
975:
971:
967:
963:
962:
957:
955:
951:
947:
945:
941:
937:
936:
931:
929:
925:
920:
918:
914:
910:
906:
902:
901:
896:
892:
888:
883:
881:
877:
873:
869:
868:
863:
859:
855:
851:
842:
836:
833:From 1956 to
830:
828:
824:
823:
817:
812:
810:
806:
801:
800:are present.
799:
783:
779:
778:
773:
772:
767:
762:
760:
756:
755:
750:
746:
735:
725:
723:
718:
716:
715:
709:
704:
700:
696:
692:
688:
682:
677:
673:
668:
662:
657:
648:
646:
642:
638:
634:
630:
626:
625:Lewis Carroll
621:
619:
615:
611:
606:
604:
600:
595:
593:
588:
586:
585:
580:
575:
573:
568:
564:
560:
556:
552:
548:
540:
536:
532:
528:
526:
521:
511:
509:
505:
501:
497:
493:
489:
485:
481:
477:
476:Sándor Veress
473:
472:Zoltán Kodály
469:
468:Ferenc Farkas
465:
461:
456:
454:
450:
446:
445:Horthy regime
442:
438:
434:
429:
427:
423:
419:
413:
411:
407:
403:
399:
395:
392:; renamed to
391:
376:
374:
373:
368:
364:
359:
357:
353:
349:
348:
343:
339:
338:
333:
329:
325:
320:
318:
314:
310:
305:
303:
299:
294:
284:
254:
246:
243:
239:
236:
233:
229:
222:
219:
218:
216:
212:
200:
196:
192:
188:
184:
171:
167:
160:
155:
151:György Ligeti
148:
145:
133:
129:
126:
118:
112:
108:
104:
100:
96:
93:
90:
86:
82:
79:
76:
75:
69:
63:
61:
56:You can help
52:
43:
42:
37:
33:
29:
28:personal name
22:
8275:Jörg Widmann
8202:
8191:Ernst Krenek
8107:Richard Long
8063:Bruce Nauman
7998:Jasper Johns
7988:Marc Chagall
7955:Ádám Fischer
7935:Simon Rattle
7894:
7826:Moshe Safdie
7776:Denys Lasdun
7745:Architecture
7645:
7606:Erik Bergman
7494:Andrew Manze
7488:Gidon Kremer
7458:Jorma Panula
7451:
7439:Musical arts
7429:Rem Koolhaas
7423:Francis Alÿs
7401:Anne Lacaton
7339:Rafael Moneo
7298:Yitang Zhang
7250:Andrew Wiles
7227:David Kaplan
7199:Derek Parfit
7187:Thomas Nagel
7083:Nile Rodgers
7053:Diane Warren
6879:Led Zeppelin
6869:Gilberto Gil
6862:
6792:Ravi Shankar
6782:Eric Ericson
6748:Quincy Jones
6599:Martin Fröst
6593:Simon Rattle
6587:Jordi Savall
6463:Yuri Bashmet
6439:Eric Ericson
6432:
6416:Gidon Kremer
5971:
5722:
5657:Gidon Kremer
5519:
5481:Tone cluster
5436:Polytonality
5381:Experimental
5055:
5047:
5041:Artikulation
5039:
5021:
5003:
4996:
4989:
4982:
4975:
4968:
4961:
4954:
4947:
4940:
4933:
4926:
4919:
4912:
4906:Vocal/Choral
4884:
4877:
4870:
4865:Due capricci
4863:
4848:Viola Sonata
4835:
4826:Cello Sonata
4806:
4768:
4761:
4738:
4681:
4655:. Retrieved
4651:Schott Music
4650:
4635:. Retrieved
4633:. 1 May 2021
4630:
4609:
4608:
4602:The Guardian
4600:
4595:
4583:
4582:
4558:
4538:
4519:
4507:. Retrieved
4503:
4488:. Retrieved
4484:The Guardian
4482:
4475:Service, Tom
4463:. Retrieved
4456:
4420:
4409:. Retrieved
4405:the original
4397:
4386:Musiktheorie
4385:
4370:
4356:
4342:
4325:
4308:
4299:
4292:
4288:
4271:
4256:
4237:. Retrieved
4230:
4210:
4198:. Retrieved
4192:
4166:
4154:
4150:
4115:
4103:. Retrieved
4099:The Guardian
4097:
4090:Service, Tom
4071:
4059:. Retrieved
4055:the original
4038:. Retrieved
4034:the original
4026:Schott Music
4014:. Retrieved
4010:
3994:. Retrieved
3990:
3967:
3958:
3947:
3929:
3905:. Retrieved
3901:the original
3896:
3882:
3861:
3847:
3841:
3826:
3823:John Tyrrell
3796:
3761:
3752:
3743:The Guardian
3741:
3722:. Retrieved
3718:the original
3713:
3696:. Retrieved
3692:the original
3670:. Retrieved
3646:
3623:
3599:– via
3593:. Retrieved
3586:
3576:
3568:the original
3558:
3546:. Retrieved
3539:the original
3534:
3522:
3449:
3443:
3431:. Retrieved
3426:The Guardian
3424:
3415:
3402:
3397:
3385:. Retrieved
3378:
3371:
3359:. Retrieved
3352:
3345:
3332:
3327:
3315:. Retrieved
3303:
3293:
3281:
3269:
3243:
3231:
3218:
3213:
3206:Service 2015
3201:
3189:. Retrieved
3184:The Guardian
3182:
3172:
3160:. Retrieved
3153:
3143:
3130:
3117:
3105:
3093:
3081:
3069:. Retrieved
3066:Schott Music
3056:
3043:
3031:
3019:
3007:
2995:
2969:
2957:
2945:
2933:
2921:
2909:
2897:
2870:. Retrieved
2867:Schott Music
2857:
2841:
2829:
2817:
2804:
2797:
2785:. Retrieved
2774:
2762:
2755:Iverson 2009
2750:
2738:
2726:
2714:
2702:
2690:
2678:
2666:. Retrieved
2662:
2653:
2641:. Retrieved
2631:
2619:. Retrieved
2614:
2590:. Retrieved
2585:Der Standard
2583:
2574:
2562:
2552:– via
2546:. Retrieved
2544:. p. 23
2539:
2529:
2517:
2505:
2477:– via
2471:. Retrieved
2464:
2454:
2442:
2432:– via
2426:. Retrieved
2419:
2409:
2397:
2385:
2365:
2358:
2333:– via
2327:. Retrieved
2322:The Guardian
2320:
2313:Service, Tom
2307:
2295:
2285:– via
2279:. Retrieved
2272:
2262:
2250:
2238:. Retrieved
2234:
2180:
2168:
2161:Cummings n.d
2141:
2124:
2116:Grand Street
2114:
2110:
2096:
2093:Robert Cogan
2083:
2072:
2068:
2059:
2055:
2051:
2047:
2040:
2030:
2022:
2019:Structure 1a
2018:
2012:
2009:Structure 1a
2008:
2000:
1992:
1884:Balzan Prize
1800:
1799:of Bonn for
1774:
1758:
1754:
1750:
1740:
1732:
1728:
1726:
1719:
1718:' 2017 film
1710:
1705:
1699:
1696:Michael Mann
1689:
1681:
1679:
1667:
1663:
1661:
1656:
1650:
1648:
1641:
1637:
1629:
1628:
1615:
1611:
1607:
1603:
1599:
1595:
1591:
1587:
1583:
1577:
1567:
1553:
1549:
1545:
1541:
1537:
1533:
1529:
1525:
1521:
1517:
1498:
1486:
1480:
1472:
1469:Peter Eötvös
1463:
1456:
1450:
1433:
1431:
1406:
1403:Viola Sonata
1400:
1368:
1364:(3 May 2009)
1351:
1323:
1321:
1297:Philip Glass
1290:
1288:
1281:
1237:
1232:
1228:
1195:
1193:
1172:Lukas Ligeti
1160:
1149:minor triads
1136:
1124:
1112:
1102:
1100:
1083:
1071:
1065:
1059:
1054:
1052:
1045:
1044:
1036:
1032:
1027:
1022:
1021:
1010:
1005:
999:
998:
959:
958:
953:
949:
948:
933:
932:
923:
921:
916:
912:
908:
898:
894:
884:
875:
871:
867:Artikulation
865:
861:
847:
834:
821:
815:
813:
809:wind quintet
804:
802:
775:
769:
763:
754:Cello Sonata
753:
748:
742:
719:
702:
669:
665:
622:
607:
596:
589:
582:
576:
544:
517:
508:Eastern Bloc
500:Lajos Bárdos
492:counterpoint
460:World War II
457:
430:
414:
410:Ágnes Heller
406:Leopold Auer
396:in 1941) in
389:
387:
370:
360:
354:and towards
352:chromaticism
345:
335:
321:
306:
252:
251:
203:(2006-06-12)
201:12 June 2006
187:Transylvania
144:
107:edit summary
98:
67:(March 2024)
65:
62:in Hungarian
57:
31:
8359:2006 deaths
8354:1923 births
7891:Zubin Mehta
7871:Isaac Stern
7798:Jean Nouvel
7768:Frank Gehry
7658:Per Nørgård
7389:Mona Hatoum
7332:Visual arts
7237:Mathematics
7217:Dag Prawitz
7169:Saul Kripke
6974:Chuck Berry
6948:Patti Smith
6893:Steve Reich
6833:Robert Moog
6823:Isaac Stern
6788:Ray Charles
6605:Thomas Adès
6469:Per Nørgård
6445:Georg Solti
6386:Miles Davis
6374:Isaac Stern
6345:Janet Baker
6104:York Höller
6044:Thomas Adès
5984:Chinary Ung
5873:Beat Furrer
5861:Per Nørgård
5849:Peter Gülke
5819:Klaus Huber
5431:Polyrhythms
5406:Neotonality
5294:Szymanowski
4984:Lux Aeterna
4857:Piano music
4780:Concertante
4770:Atmosphères
4622:(in German)
4522:. Brepols.
4235:(in German)
4194:BBC Radio 3
4157:(2): 83–94.
4105:11 December
3907:22 November
3698:22 November
3672:21 November
3274:Crilly 2011
3248:Crilly 2011
3110:Kozinn 2005
3098:Schell 2018
3036:Taylor 2003
3024:Taylor 2003
3012:Taylor 2003
2962:Wilson 1992
2914:Schell 2017
2872:22 November
2807:, for organ
2787:18 November
2639:(in German)
2185:Searby 2010
2048:Apparitions
1924:Kyoto Prize
1733:Atmosphères
1652:The Shining
1634:Peter Hyams
1630:Lux Aeterna
1604:Lux Aeterna
1600:Atmosphères
1588:Lux Aeterna
1584:Atmosphères
1546:Lux Aeterna
1526:Atmosphères
1518:Apparitions
1509:Stockhausen
1482:The Tempest
1477:Shakespeare
1301:Steve Reich
1248:polyrhythms
1229:Atmosphères
1200:harpsichord
1080:Terry Riley
1076:Steve Reich
1070:(1968) and
1001:Lux Aeterna
917:Atmosphères
913:Apparitions
909:Atmosphères
900:Atmosphères
895:Apparitions
872:Atmosphères
864:(1957) and
827:motivically
777:Mikrokosmos
766:Béla Bartók
747:, entitled
679: [
676:Franz Morak
633:Franz Kafka
610:Walter Fink
608:Invited by
547:avant-garde
541:, July 1957
525:twelve-tone
337:Atmosphères
324:avant-garde
302:avant-garde
214:Occupations
179:28 May 1923
8343:Categories
8269:Unsuk Chin
7772:Jørn Utzon
7682:Unsuk Chin
7256:Mikio Sato
7163:John Rawls
7157:Dana Scott
6994:Max Martin
6954:Paul Simon
6917:El Sistema
6899:Pink Floyd
6758:Elton John
6652:Unsuk Chin
6098:Brett Dean
6068:Unsuk Chin
6020:John Adams
6008:Karel Husa
5990:Joan Tower
5909:Unsuk Chin
5476:Surrealism
5471:Stochastic
5461:Sound mass
5396:Microtonal
5368:techniques
5366:Genres and
5314:Stravinsky
5274:Skalkottas
5179:Schoenberg
4935:Lakodalmas
4627:"Composer"
4200:23 January
4185:Tusa, John
4061:21 October
4040:14 January
3793:Gann, Kyle
3724:4 February
3433:31 January
3387:13 January
3263:Anon. 2011
3088:, 315–316.
3047:Quoted in
2928:, 271–272.
2643:7 November
2133:References
2123:— (2001).
1574:soundtrack
1448:song cycle
1411:a cappella
1328:avantgarde
1260:Bill Evans
1246:, African
1221:scordatura
1129:quotations
1088:polyphonic
1006:a cappella
986:melismatic
946:movement.
940:metronomes
732:See also:
458:Following
437:Pál Kadosa
384:Early life
356:polyrhythm
289:Hungarian:
175:1923-05-28
8309:Biography
8044:Sculpture
7865:Josef Tal
7782:Frei Otto
7132:laureates
7077:Arvo Pärt
7014:Metallica
6859:B.B. King
6819:Bob Dylan
6552:Arvo Pärt
6158:Lei Liang
6152:Joël Bons
5955:laureates
5456:Serialism
5376:Atonality
5304:Prokofiev
5147:Composers
5049:Continuum
4872:Invention
4429:0957-6606
4411:24 August
4400:The World
4028:(n.d.a).
3516:Knop 2010
3312:0028-792X
3236:Agel 1970
3049:Gann 1995
2974:Chen 2007
2767:Jones n.d
2707:Toop 1999
2668:3 January
2240:3 January
2214:Tusa 2001
2041:Die Reihe
2031:Die Reihe
2023:Die Reihe
2013:Die Reihe
2001:Die Reihe
1994:Die Reihe
1620:copyright
1616:Aventures
1596:Aventures
1534:Aventures
1292:Continuum
1213:harmonics
1209:polymodal
1155:context.
1133:consonant
1067:Continuum
1038:pizzicato
1033:Aventures
1011:Ligeti's
994:Lacrimosa
990:Dies irae
978:chromatic
970:Introitus
950:Aventures
905:polyphony
862:Glissandi
714:Ehrengrab
708:‹See Tfd›
620:in 1990.
504:communist
453:Auschwitz
394:Târnăveni
379:Biography
125:talk page
8083:(2006/7)
8077:(2002/3)
8053:(1984/5)
8024:(2006/7)
8018:(2002/3)
8012:(1994/5)
7981:Painting
7897:(1995/6)
7788:(1996/7)
7754:(1983/4)
7612:, &
7059:Iggy Pop
6958:Yo-Yo Ma
6540:Yo-Yo Ma
5533:Category
5466:Spectral
5391:Futurism
5325:Americas
5309:Scriabin
5280:Hungary
5255:Germany
5239:Messiaen
5234:Koechlin
5210:Finland
5200:Czechia
5194:Pousseur
5190:Belgium
5160:Austria
5091:Category
4444:. n.d. "
4437:24835173
4398:BBC/PRI
4341:. 1997.
4324:. 2014.
4187:(2001).
4165:(1999).
3928:(eds.).
3859:(2018).
3825:(eds.).
3795:(1995).
3785:AllMusic
3409:AllMusic
3353:Godzilla
3339:AllMusic
3276:, 245n2.
3225:AllMusic
3187:. London
2851:AllMusic
2811:AllMusic
2805:Volumina
2733:, 63–64.
2404:, 73–74.
1984:Writings
1759:Volumina
1755:Melodien
1711:Godzilla
1530:Volumina
1446:), the
1427:alphabet
1392:Medieval
1380:textures
1275:and the
1273:Schumann
1153:diatonic
1141:pastiche
1062:sonorism
972:", the "
924:Volumina
887:textures
818:and his
793:♯
787:♯
711:German:
693:and the
572:textures
307:Born in
220:Composer
101:provide
8333:Hungary
8295:Portals
8257:Tan Dun
6038:Tan Dun
5518: ←
5446:Process
5335:Antheil
5300:Russia
5290:Poland
5270:Greece
5264:Strauss
5244:Milhaud
5229:Jolivet
5220:France
5214:Bergman
4977:Requiem
4956:Pápainé
4921:Bujdosó
4016:4 April
3996:4 April
3638:Sources
2353:, 70–73
1801:Requiem
1751:Lontano
1729:Lontano
1706:Requiem
1682:Lontano
1657:Lontano
1612:Requiem
1592:Requiem
1542:Requiem
1522:Lontano
1264:motivic
1244:gamelan
1182:at the
1053:In the
1023:Lontano
966:Requiem
961:Requiem
782:octaves
667:death.
616:of the
488:harmony
443:by the
398:Romania
332:Cologne
309:Romania
191:Romania
123:to the
105:in the
64:.
8277:(2023)
8271:(2019)
8265:(2015)
8259:(2011)
8253:(2007)
8247:(2003)
8241:(1999)
8235:(1995)
8229:(1992)
8223:(1987)
8217:(1983)
8211:(1979)
8205:(1975)
8199:(1972)
8193:(1966)
8187:(1963)
8181:(1960)
8175:(1957)
8169:(1954)
8163:(1951)
8109:(2023)
8099:(2017)
8089:(2014)
8071:(1998)
8065:(1993)
8059:(1989)
8036:(2020)
8030:(2011)
8006:(1990)
8000:(1986)
7994:(1981)
7973:(2024)
7967:(2021)
7957:(2018)
7947:(2015)
7937:(2012)
7927:(2008)
7917:(2004)
7907:(2000)
7887:(1991)
7877:(1987)
7867:(1982)
7842:(2022)
7828:(2019)
7822:(2016)
7816:(2013)
7810:(2010)
7800:(2005)
7794:(2001)
7778:(1992)
7764:(1988)
7696:(2023)
7690:(2020)
7684:(2017)
7678:(2015)
7672:(2012)
7666:(2009)
7660:(2006)
7654:(2003)
7648:(2000)
7642:(1983)
7638:&
7632:(1973)
7628:&
7622:(1971)
7616:(1965)
7598:(1963)
7592:(1958)
7586:(1955)
7580:(1953)
7526:(2022)
7520:(2020)
7514:(2018)
7508:(2017)
7502:(2014)
7496:(2011)
7490:(2008)
7484:(2005)
7478:(2003)
7472:(2001)
7466:(1999)
7460:(1997)
7454:(1995)
7448:(1993)
7431:(2022)
7425:(2020)
7419:(2018)
7413:(2017)
7407:(2014)
7397:(2011)
7391:(2008)
7385:(2005)
7371:(2003)
7365:(2001)
7359:(1999)
7353:(1997)
7347:(1995)
7341:(1993)
7324:(2022)
7318:(2020)
7312:(2018)
7306:(2017)
7300:(2014)
7294:(2011)
7288:(2008)
7282:(2005)
7276:(2003)
7270:(2001)
7264:(1999)
7258:(1997)
7252:(1995)
7246:(1993)
7229:(2022)
7223:(2020)
7213:(2018)
7207:(2017)
7201:(2014)
7195:(2011)
7189:(2008)
7183:(2005)
7177:(2003)
7171:(2001)
7165:(1999)
7159:(1997)
7153:(1995)
7147:(1993)
7089:(2024)
7079:(2023)
7065:(2022)
7055:(2020)
7034:(2019)
7020:(2018)
7010:(2017)
7000:(2016)
6990:(2015)
6980:(2014)
6970:(2013)
6960:(2012)
6950:(2011)
6940:(2010)
6919:(2009)
6905:(2008)
6895:(2007)
6885:(2006)
6875:(2005)
6865:(2004)
6855:(2003)
6849:(2002)
6839:(2001)
6825:(2000)
6804:(1999)
6794:(1998)
6784:(1997)
6774:(1996)
6764:(1995)
6754:(1994)
6744:(1993)
6734:(1992)
6730:/ the
6672:(2024)
6666:(2023)
6660:(2022)
6654:(2021)
6648:(2020)
6631:(2019)
6625:(2018)
6619:(2017)
6613:(2016)
6607:(2015)
6601:(2014)
6595:(2013)
6589:(2012)
6583:(2011)
6577:(2010)
6560:(2009)
6554:(2008)
6548:(2007)
6542:(2006)
6536:(2005)
6530:(2004)
6524:(2003)
6518:(2002)
6512:(2001)
6506:(2000)
6489:(1999)
6483:(1998)
6477:(1997)
6471:(1996)
6465:(1995)
6459:(1994)
6453:(1993)
6447:(1992)
6441:(1991)
6435:(1990)
6418:(1989)
6412:(1988)
6406:(1987)
6400:(1986)
6394:(1985)
6388:(1984)
6382:(1983)
6376:(1982)
6370:(1981)
6364:(1980)
6347:(1979)
6341:(1978)
6335:(1977)
6329:(1976)
6323:(1975)
6317:(1974)
6311:(1973)
6305:(1972)
6299:(1971)
6293:(1970)
6276:(1969)
6270:(1968)
6264:(1967)
6258:(1966)
6252:(1965)
6235:(1959)
6178:(2024)
6172:(2023)
6166:(2022)
6160:(2021)
6154:(2019)
6148:(2018)
6142:(2017)
6136:(2016)
6130:(2014)
6124:(2013)
6118:(2012)
6112:(2011)
6106:(2010)
6100:(2009)
6094:(2008)
6088:(2007)
6082:(2006)
6076:(2005)
6070:(2004)
6064:(2003)
6058:(2002)
6052:(2001)
6046:(2000)
6040:(1998)
6034:(1997)
6028:(1996)
6022:(1995)
6016:(1994)
6010:(1993)
6004:(1992)
5998:(1991)
5992:(1990)
5986:(1989)
5980:(1987)
5974:(1986)
5968:(1985)
5911:(2024)
5905:(2023)
5899:(2022)
5893:(2021)
5887:(2020)
5881:(2019)
5875:(2018)
5869:(2017)
5863:(2016)
5857:(2015)
5851:(2014)
5845:(2013)
5839:(2012)
5833:(2011)
5827:(2010)
5821:(2009)
5815:(2008)
5809:(2007)
5803:(2005)
5797:(2004)
5791:(2004)
5785:(2002)
5779:(2002)
5773:(2001)
5767:(2000)
5761:(1999)
5755:(1998)
5749:(1997)
5743:(1996)
5737:(1995)
5731:(1994)
5725:(1993)
5719:(1992)
5713:(1991)
5707:(1990)
5701:(1989)
5695:(1988)
5689:(1987)
5683:(1986)
5677:(1985)
5671:(1984)
5665:(1983)
5659:(1982)
5653:(1981)
5647:(1980)
5641:(1979)
5635:(1978)
5629:(1977)
5623:(1976)
5617:(1975)
5611:(1974)
5543:Portal
5345:Cowell
5340:Carter
5284:Bartók
5249:Varèse
5184:Webern
5174:Mahler
5169:Krenek
5154:Europe
5044:(tape)
4914:Magány
4897:Études
4811:(horn)
4657:28 May
4637:28 May
4566:
4545:
4526:
4509:28 May
4490:28 May
4465:28 May
4435:
4427:
4377:
4363:
4349:
4332:
4315:
4278:
4263:
4239:28 May
4173:
4134:
4122:
4078:
3974:
3869:
3803:
3768:
3653:
3595:22 May
3548:10 May
3456:
3361:28 May
3317:28 May
3310:
3250:, 246.
3071:7 June
3002:, 292.
2952:, 244.
2940:, 230.
2836:, 144.
2548:22 May
2473:22 May
2428:22 May
2392:, 250.
2373:
2329:22 May
2281:22 May
1967:(1988)
1953:(2005)
1947:(2004)
1935:(2003)
1926:(2001)
1886:(1991)
1880:(1991)
1874:(1990)
1862:(1988)
1855:(1988)
1845:(1987)
1830:(1975)
1824:(1975)
1818:(1972)
1812:(1969)
1807:UNESCO
1803:(1967)
1783:Awards
1769:, and
1757:, and
1704:. The
1511:, and
1501:Boulez
1495:Legacy
1421:, and
1313:Webern
1269:Chopin
1258:, and
1240:Études
1219:) and
1194:After
1178:, and
1159:After
980:quasi-
944:Fluxus
631:, and
494:, and
241:Awards
7850:Music
7375:SANAA
7042:2020s
7004:Sting
6934:Björk
6927:2010s
6812:2000s
6721:1990s
6639:2020s
6568:2010s
6497:2000s
6426:1990s
6355:1980s
6284:1970s
6243:1960s
6226:1950s
5421:Noise
5259:Reger
5224:Henry
5015:Opera
4610:Other
4220:Films
4147:(PDF)
3920:. In
3542:(PDF)
3531:(PDF)
3238:, 12.
3191:5 May
3162:5 May
3038:, 87.
3026:, 86.
3014:, 83.
2976:, 37.
2757:, 92.
2745:, 75.
2721:, 60.
2709:, 38.
2697:, 54.
2685:, 52.
2621:5 May
2592:6 May
2302:, 31.
2257:, 20.
2175:, 22.
2105:with
2085:Tempo
2056:Melos
1608:Kyrie
1505:Berio
1284:pulse
1145:major
1121:Death
1092:Banda
982:fugue
974:Kyrie
922:With
728:Music
722:Lukas
701:in a
683:]
651:Death
603:Lukas
231:Works
85:DeepL
5350:Ives
5204:Hába
5164:Berg
4659:2023
4639:2023
4564:ISBN
4543:ISBN
4524:ISBN
4511:2023
4492:2023
4467:2023
4433:OCLC
4425:ISSN
4413:2012
4375:ISBN
4361:ISBN
4347:ISBN
4330:ISBN
4313:ISBN
4276:ISBN
4261:ISBN
4241:2023
4232:Arte
4202:2012
4171:ISBN
4132:ISBN
4120:ISBN
4107:2015
4076:ISBN
4063:2009
4042:2011
4018:2018
3998:2018
3972:ISBN
3909:2015
3867:ISBN
3801:ISBN
3766:ISBN
3726:2010
3700:2015
3674:2015
3651:ISBN
3597:2020
3550:2018
3454:ISBN
3435:2016
3389:2018
3363:2014
3319:2023
3308:ISSN
3288:, 7.
3193:2019
3164:2019
3073:2018
2904:, 2.
2874:2015
2824:, 4.
2789:2010
2670:2023
2645:2013
2623:2019
2594:2019
2550:2020
2475:2020
2430:2020
2371:ISBN
2331:2020
2283:2020
2242:2023
2187:, 3.
1701:Heat
1638:2001
1594:and
1536:and
1513:Cage
1394:and
1317:Ives
1315:and
1271:and
1231:and
1188:Graz
1184:ISCM
1147:and
1078:and
915:and
852:and
807:for
553:and
474:and
418:Cluj
198:Died
169:Born
99:must
97:You
78:View
4458:nmz
4291:."
3783:at
3407:at
3337:at
3223:at
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2011:".
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