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Hall of Justice (studio)

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described the space in a 2011 cover story: "The windowless exterior was once painted brown, but the color has faded and flecked off. Cracked shingles curl up off the roof, and inside the studio, tattered walls and well-worn carpeting give it all the charm of an abandoned church basement."
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The complex first opened as a produce stand in 1911. It served as a retail location for most of the twentieth century, and was vacant by the 1970s. Jack Weaver purchased the space and named it Triangle Recording in 1976, recording a series of 7"s by bands like
109:. The triangular-shaped building, which has changed ownership and purpose throughout its century-old history, has functioned as a studio for rock bands since the 1970s. The windowless, unassuming space has been home to the recordings of albums by seminal 205:(1989) at Reciprocal. Hanzsek left the space in 1991, while engineer Rich Hinklin continued on, renaming the complex Word of Mouth. In 1993, the space was renamed again to John & Stu's, named after producers 197:
Chris Hanzsek and Jack Endino moved into the space in June 1986, renaming the studio Reciprocal Recording. The studio became famously responsible for all but inventing the
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In 2000, in partnership with Barsuk Records, musician and producer Chris Walla began overseeing the space. Walla began working as a producer with Nada Surf,
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Walla returned to the studio in 2011, and oversaw an extensive renovation of the space. Walla has continued to record bands in the space, including
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movement; Soundgarden and Nirvana recorded early demos at the studio, with the latter completing its debut album
1666: 937: 245:(2003). Death Cab took over the lease in 2004 and used the studio as a practice space for four years. In 2010, 2183: 1846: 1718: 1511: 745: 1615: 1537: 1356: 1871: 1563: 1246: 984: 2026: 2193: 2173: 654: 609: 241:, and the Decemberists, as well as with his main project Death Cab for Cutie, with whom he recorded 176: 1897: 685: 626: 2078: 152:
between 1976 and 1986. Later, the studio first became popularly known as a partial birthplace of
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Originally a produce stand, the building was first opened as a studio under the name
811: 760: 739: 430: 309: 191: 156:, with countless early acts of the genre utilizing the space, then widely known as 130: 102: 98: 26: 1796:"Death Cab For Cutie gutarist/producer Chris Walla reflects on 'Transatlanticism'" 1512:"Built to Spill - There's Nothing Wrong with Love Album Reviews, Songs & More" 906: 702: 452: 268: 255: 206: 1062: 335:
briefly oversaw the space and reverted to its former name between 2010 and 2011.
1976:"Minus The Bear Share First Song from 'VOIDS,' Their First Album in Five Years" 948: 931: 923: 883: 679: 662: 620: 569: 556: 517: 472: 438: 409: 388: 321: 287: 253:
took over the complex, reverting it to it former name Reciprocal. A writer for
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used the studio as a practice and recording space, including for
272: 264: 210: 1872:"The Decemberists – Picaresque (2021, Tiger's Eye Vinyl, Vinyl)" 1461:"Screaming Trees - Buzz Factory Album Reviews, Songs & More" 1770:"The Long Winters – The Worst You Can Do Is Harm (2006, Vinyl)" 328: 198: 153: 1383:"Green River - Dry as a Bone Album Reviews, Songs & More" 1319: 1264: 522: 1159: 1157: 2079:"Kississippi – Mood Ring (2021, Red Translucent, Vinyl)" 1154: 1209: 1137:"Reciprocal Recording: The Story of a Recording Studio" 213:
utilized the space to track dozens of bands, including
2019: 1847:"The Thermals – More Parts Per Million (2003, Vinyl)" 1400: 1641:"Explore Sleater-Kinney's Dig Me Out (in 5 Minutes)" 1350: 1348: 1240: 1238: 1217:"Phil Ek: Recording Fleet Foxes' Helplessness Blues" 1295: 1293: 1247:"Fleet Foxes & The Year's Most Beautiful Album" 1659: 1183: 1864: 1813: 1762: 1426: 1345: 1235: 1056: 1054: 343:More recent artists to utilize the space include 209:and Stuart Hallerman. Goodmanson, Hallerman, and 2150: 1889: 1787: 1736: 1607: 1581: 1290: 2045: 1967: 1616:"An Inside Look at 'The Lonesome Crowded West'" 1685: 1435:"The Grunge Era Kicked Off 30 Years Ago Today" 1357:"Ratboys Share New Song "It's Alive!": Listen" 1106: 1104: 1051: 180:The building as an antique store in the 1970s. 1452: 324:made two albums when it was John & Stu's. 2071: 1839: 1711: 1478: 1008:"History – Hall of Justice Recording Studio" 1667:"All Hands on the Bad One - Sleater-Kinney" 1486:"Tad – God's Balls (1989, Gatefold, Vinyl)" 1374: 1101: 1026: 1694:"Death Cab for Cutie on "The Photo Album"" 1555: 1529: 2159:2000 establishments in Washington (state) 1947: 1822:"The Postal Service's 'Give Up' Turns 20" 1503: 1270: 1189: 1948:Explosion, Special (December 15, 2017). 1633: 338: 327: 316: 299: 282: 175: 25: 2179:Recording studios in Washington (state) 1999: 1921: 1819: 1587: 1432: 1354: 1244: 2189:American companies established in 2000 2151: 1793: 1742: 1613: 1327:"Kites fly a second album on no sleep" 1299: 1271:Appleford, Steve (September 9, 2012). 2051: 1973: 1060: 1941: 1820:DeVille, Chris (February 17, 2023). 1691: 1458: 1110: 641:Where Have All The Merrymakers Gone? 2164:Buildings and structures in Seattle 2052:Yeung, Neil Z. (October 16, 2020). 2000:Grandpa, Great (October 25, 2019). 1993: 1950:"To Infinity, by Special Explosion" 1614:Swayze, Scott (February 17, 2022). 290:recorded their first album, 1989's 168:under its current name since 2000. 13: 2002:"Four of Arrows, by Great Grandpa" 1915: 1895: 1794:Wasoba, Ryan (November 20, 2013). 1743:Cramer, Stephen (April 23, 2002). 1380: 1190:Greenwald, Andy (April 10, 2004). 1061:Crane, Larry (November 27, 1999). 160:(1986–91). After several years as 14: 2205: 2100: 1974:Bayer, Jonah (January 11, 2017). 1924:"Plastic Cough, by Great Grandpa" 1561: 1535: 1300:Murphy, Tom (February 13, 2017). 1245:Peisner, David (April 11, 2011). 1129: 1097:. September 17, 2011. p. 16. 561:Abandoned In Utero Demo Sessions 1509: 1433:Freeman, Phil (August 1, 2018). 1355:Brodsky, Rachel (June 6, 2023). 1012:Hall of Justice Recording Studio 184: 1922:Grandpa, Great (July 7, 2017). 1111:Gaar, Gillian G. (2018-11-20). 576:There's Nothing Wrong with Love 232: 1692:Fink, Matt (August 15, 2023). 1080: 278: 33:The building pictured in 2017. 1: 1165:"Death Cab, Full Speed Ahead" 993: 746:The Worst You Can Do Is Harm 7: 2105: 10: 2210: 2169:Companies based in Seattle 1800:Alternative Press Magazine 171: 1192:"Bright Lights, Big City" 913: 855: 795: 752: 709: 655:The Lonesome Crowded West 616: 610:The Curtain Hits the Cast 516: 513: 420: 395: 364: 60: 50: 42: 38: 24: 20:Hall of Justice Recording 1698:Under the Radar Magazine 1141:Revolution Come and Gone 686:All Hands on the Bad One 627:Fake Can Be Just as Good 16:Seattle recording studio 1088:"The Age of Innoncents" 2135:47.65833°N 122.36389°W 1459:Fennessy, Kathleen C. 789:More Parts per Million 404:Dale Crover demo tape 348: 336: 325: 314: 297: 181: 30: 546:1000 Smiling Knuckles 342: 331: 320: 303: 286: 179: 81:(as John & Stu's) 29: 2184:Triangular buildings 2140:47.65833; -122.36389 1588:Kent-Abbott, David. 1034:"Triangle Recording" 1014:. September 10, 2016 832:The Weight Is a Gift 799:Death Cab for Cutie 756:Death Cab for Cutie 158:Reciprocal Recording 86:(as Hall of Justice) 2131: /  1896:Wilson, MacKenzie. 1331:The West Australian 720:Songs About Leaving 697:Death Cab for Cutie 305:Death Cab for Cutie 194:and the Blackouts. 123:Death Cab for Cutie 107:Seattle, Washington 55:Seattle, Washington 21: 2033:. October 30, 2018 1171:. October 21, 2005 849:Helplessness Blues 769:The Postal Service 349: 337: 326: 315: 298: 182: 150:Triangle Recording 76:(as Word of Mouth) 31: 19: 1954:Special Explosion 1414:. October 1, 2013 1333:. August 27, 2015 1122:978-1-947026-19-3 991: 990: 954:Impossible Weight 872:Special Explosion 733:Knock Knock Knock 593:Return to Olympus 507:Fist Sized Chunks 490:The Winding Sheet 113:bands, including 91: 90: 87: 82: 77: 72: 67: 46:4230 Leary Way NW 2201: 2194:Ballard, Seattle 2174:Music of Seattle 2146: 2145: 2143: 2142: 2141: 2136: 2132: 2129: 2128: 2127: 2124: 2094: 2093: 2091: 2089: 2075: 2069: 2068: 2066: 2064: 2049: 2043: 2042: 2040: 2038: 2023: 2017: 2016: 2014: 2012: 1997: 1991: 1990: 1988: 1986: 1971: 1965: 1964: 1962: 1960: 1945: 1939: 1938: 1936: 1934: 1919: 1913: 1912: 1910: 1908: 1893: 1887: 1886: 1884: 1882: 1868: 1862: 1861: 1859: 1857: 1843: 1837: 1836: 1834: 1832: 1817: 1811: 1810: 1808: 1806: 1791: 1785: 1784: 1782: 1780: 1766: 1760: 1759: 1757: 1755: 1740: 1734: 1733: 1731: 1729: 1715: 1709: 1708: 1706: 1704: 1689: 1683: 1682: 1680: 1678: 1663: 1657: 1656: 1654: 1652: 1637: 1631: 1630: 1628: 1626: 1620:Vinyl Me, Please 1611: 1605: 1604: 1602: 1600: 1585: 1579: 1578: 1576: 1574: 1559: 1553: 1552: 1550: 1548: 1533: 1527: 1526: 1524: 1522: 1507: 1501: 1500: 1498: 1496: 1482: 1476: 1475: 1473: 1471: 1456: 1450: 1449: 1447: 1445: 1430: 1424: 1423: 1421: 1419: 1404: 1398: 1397: 1395: 1393: 1378: 1372: 1371: 1369: 1367: 1352: 1343: 1342: 1340: 1338: 1323: 1317: 1316: 1314: 1312: 1297: 1288: 1287: 1285: 1283: 1268: 1262: 1261: 1259: 1257: 1242: 1233: 1232: 1230: 1228: 1223:. 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Index


Seattle, Washington
recording studio
Ballard
Seattle, Washington
indie rock
Nirvana
Soundgarden
Death Cab for Cutie
Fleet Foxes
the Decemberists
Sleater-Kinney
Built to Spill
Modest Mouse
grunge
Chris Walla

Pell Mell
grunge
John Goodmanson
Phil Ek
Sleater-Kinney
Harvey Danger
Built to Spill
Modest Mouse
Hot Hot Heat
Robin Pecknold
Fleet Foxes
Spin
Lo Moon

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