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goes on beyond the walls of my own studio; that which makes hearts at home beat faster will not exist for me; and how offensive and unbearable it will be to watch the enthusiasm displayed around me for the rights of a German nationality, while my own nation perhaps bleeds to death in a struggle for existence. On the other hand, how serious my commitments are to my wife and children; and I shall use my talents where I am permitted to – at home I can make no use of them, and in two to three years I would come to the end of my career and sink into deep misery with all my children – I am sure of that.
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for fear for becoming stuck in a rut artistically. Gude received better treatment from the academy after he turned in his resignation, and it would take him a full five years to finally leave Düsseldorf. Although professors at the academy complained that their teaching prevented them from undertaking more lucrative endeavors, Gude was able to sell enough works to afford a modest house in Düsseldorf which stood in what is now
Hofgarten.
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610:, and that they used a very different style of painting from the continental artists. Whereas Gude and fellow continental artists would go out in nature and make sketches to act as studies for studio works, the British and Welsh painters set up their easels in the field and worked on their paintings with their subjects in front of them. Gude attempted to improve his reputation among the local painters with
618:'s spring shows in London in 1863 and 1864, but both were flops that Gude described as "useful but bitter medicine". Despite these setbacks – furthered by the strain the trip had put on Gude's finances due to lack of paintings being sold – Gude felt the trip was of great benefit to himself as an artist, writing to his brother-in-law
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director of
Karlsruhe from 1866 to 1868 and again from 1869 to 1870, where he introduced several of his own educational principles designed to develop pupil's individual talent. But Gude's reign as director at Karlsruhe was not without resistance to his methods, and it is this opposition that he cites as his reason for visiting the
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that these will meet with interest. They are also (unfortunately) of greater artistic value." By the time of the exhibition Gude had abandoned his previous style of painting large-scale compositions based on studies, and was working in mediums other than oil. In Berlin Gude began working more heavily in
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It is suspected that Gude was offered the professorship due to a recommendation from
Lessing. When Gude accepted the position at Karlsruhe the flow of Norwegian painters to the Düsseldorf Academy redirected to Karlsruhe, which would produce many of the Norwegian painters of the 1860s and 1870s, among
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At this time I feel oppressively and profoundly what it means to float about the world without a mother country – now I have obtained a post, and shall serve to the best of my powers the country that may shortly be at open war with my own native land; I shall express no sympathies and be deaf to what
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By the mid-19th century the academy in Düsseldorf had become a center for training
Norwegian artists, but within Norway there arose a debate as to whether the art was truly Norwegian as it did not originate in Norway, and was in fact produced by artists who had been trained in Germany. The debate was
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he blamed opposition and backbiting from two of his pupils. The landscape painting professorship was the bottom of the pay scale at the academy, and Gude was one of the few professors to be refused a raise when others received them in 1855. Others have suggested that Gude wished to leave the academy
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About this post of professor I can only say I cannot comprehend why I should not accept pay for being a teacher, since I really have to have pupils. All those who wished that I should be their teacher are here, and poor as church mice. If I become professor, they can now enter the
Academy. I will in
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In 1895 the
Christiania Art Society held a comprehensive retrospective of Gude's works including his paintings, oil studies, watercolors, sketches and etchings. When asked what should be shown at the exhibition Gude replied that "perhaps room could be found for studies and drawings; I rather think
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Gude writes that he see possibility for his own development in Düsseldorf, and that even if it would cause him to be known as a German artist instead of a
Norwegian, he would not be ashamed of the fact. In defense of Norwegian artists at the academy, Gude writes that they were not simply imitating
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Gude's artistic career was not one marked with drastic change and revolution, but was instead a steady progression that slowly reacted to general trends in the artistic world. Gude's early works are of idyllic, sun-drenched
Norwegian landscapes which present a romantic, yet still realistic view of
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and you, my compatriots in Norway, have no grounds for complaining that we have forgotten the dear, familiar and specific character with which God has endowed our land and our nation. That is so firmly entrenched in our being that it finds expression, whether we like it or not. Do not, therefore,
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Gude, along with most of the class of twelve, received a grade of "good" his first semester and was described as "talented". On his report card for the 1843–44 school year he was the only student to be described as "very talented", and the report for his fourth year said that he "paints
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whom Gude had good relations with. Because of this fact Gude received better pay than at the Düsseldorf
Academy, had spacious and rent-free accommodations and was given generous periods of leave which allowed him to travel in the summer to perform studies for future paintings. Gude served as the
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In 1880 Gude accepted a position to lead the master studio in landscape painting at the Academy of Art in Berlin, a position which gave him a spot on the academy's Senate. The Senate was responsible for upholding "all the artistic interests of the state" and membership was a mark of the highest
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that as early as 1874 in search of better conditions. Because of Gude's visits to Berlin, his relation with the Grand Duke became strained as the Grand Duke felt that the concessions he had made to Gude were so great that Gude should be grateful and not look for a professorships elsewhere. Gude
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It was sad to leave the lovely yet wild scenery that had become so dear to us, and a peaceful, quiet home it had been. My English stay was of great benefit to me in that I freed myself from many of the prevailing studio maxims by being alone and in a landscape so new to me that it forced me to
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who were, as Gude described, only out to capture the mood of the scene and were skeptical of the advantages of painting in the sunshine. Gude also took special interest in how light reflected in water while in Karlsruhe, as well as expanding his study of the human figure. Although Gude rarely
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In Düsseldorf Gude met Carl Friedrich Lessing who, while initially aloof, became Gude's friend and colleague. Their relationship was such a close one that Gude's eldest daughter eventually married one of Lessing's sons. The two artists differed in style though, with Lessing painting dramatic,
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where he would once again succeed Schirmer, and so he left Wales. Gude was hesitant to take the position as he felt that it was working for the enemy but was unable to support himself in Norway due to the lack of an art school. He wrote about his thoughts on the position to Kjerulf, stating:
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founded a Society for Landscape Composition that would meet a few times each year at Schirmer's home where Schirmer would offer advice on the composition of landscape paintings. Fifteen years later Gude began attending the meetings of the society with other students from his class, but as he
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Gude was finally accepted into the academy in the autumn of 1842 and joined Schirmer's landscape painting class where he made quick progress. The landscape painting class at the academy was new at the time, having been founded in 1839 as a counterpart to the more long standing
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letters, and that acclaim has consoled me after the scorn I have had to suffer in common with many an elderly artist. You recognized several studies from my portfolios, but all of them were more or less unfinished, and over the last two winters I finished them, truly
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In 1854 Gude was appointed the professor of landscape painting at the academy replacing his former teacher Schirmer. Gude was twenty-nine when appointed, making him the youngest professor at the academy. His appointment was partially political, in a conflict between
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Gude spent forty-five years as an art professor and so he played an important role in the development of Norwegian art by acting as a mentor to three generations of Norwegian artists. Young Norwegian artists flocked to wherever Gude was teaching, first at the
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artists. While small groups of artists living in the countryside in order to inspire each other, be closer to their subject and escape the city were common, Gude was one of the first Norwegian artists to live in such a manner. Gude rented a house overlooking
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in some of his painting, drawing the landscape himself and allowing Tidemand to paint the figures. Later Gude would work specifically on his figures while at Karlsruhe, and so began populating his paintings with them. Gude initially painted primarily with
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Gude served as a student teacher at the academy until 1844, before leaving to live in Christiania. On July 25, 1850, Gude married Betsy Charlotte Juliane Anker (1830–1912), the daughter of General Erik Anker, in Christiania (today called Oslo).
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provided the subject, and I had severe problems because Schirmer did not approve of the realistic rendering, and his suggestion that I should group the mountains more in accordance with the Classical ideal was impossible for me to
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any case be here for many years, so I might just as well paint in a studio twice as big and grand as any private one, especially if I receive a salary into the bargain. When I become tired of it, I can always hand in my notice.
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I believe that if Gude exhibited watercolours and study drawings, he would have the warmest admirers among painters. Let it rather happen now, while there can be controversy and a row and some lively discussion about his
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sparked by proposals to build an art school in Norway, and it was therefore essential for supporters of a Norwegian academy to argue that Norwegian values could not be instilled in the artists if they had to go abroad.
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Von Schadow however argued the Gude's art was in fact German in an attempt to defend his nomination of Gude to succeed Schirmer. He wrote of Gude that "His education is totally German, his style unwontedly elevated."
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In 1880 Gude had between five and eight students, but this number had shrunk to two or three by 1890. In part this reduction of pupils was due to a lack of interest in the Berlin academy, as explained to Gude by
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Throughout his tenure, Gude had private pupils in addition to his normal classes. As a professor Gude taught six hours of class, held two hours of office hours, took turns with other professors supervising the
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Over the course of his lifetime Gude won numerous medals, was inducted as an honorary member into many art academies, and was awarded the Grand Cross of the Order of St. Olav. He was the father of painter
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Gude was convinced that for Norwegian artists at the academy it was impossible to escape their heritage and that Norway influenced their art whether they wanted it to or not. On this subject he wrote:
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294:– who advised him to give up his ambitions of being a painter and to return to his regular studies before it was too late. Gude was rejected by the academy, but attracted the attention of
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As the century drew to a close the established art academies faced 'secession' movements from groups of artists looking to branch of into different style. Gude rallied around his friend
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remained at Karlsruhe for six more years after his first visits to the Berlin Academy of Art, but in 1880 he decided to retire from the Karlsruhe school to take up a position in Berlin.
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class. At the time figure painting was considered a more prestigious genre than landscape painting as it was thought only through painting the human body could true beauty be expressed.
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from 1880 to 1901, although he attracted few Norwegians to the Berlin Academy because by this time Berlin had been surpassed in prestige in the eyes of young Norwegian artists by Paris.
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in an effort to keep his art constantly fresh and evolving, and although these were never as well received by the public as his oil paintings, his fellow artists greatly admired them.
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progressed to greater levels of realism Gude began to make it clear that he did not agree with the ideas of composition Schirmer put forward during the meetings, saying specifically:
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class and attended staff meetings. In 1857 Gude handed in his resignation, officially citing family considerations and failing health as his reasons for resigning, although in his
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Many of Gude's peers moved on from the academy in Düsseldorf to other art institutes, but Gude decided to seek more direct contact with nature. Gude had gained a foothold in the
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in an effort to preserve the 'freshness' of his art. Although Gude did not heavily exhibit his watercolors they still gained admiration from follow painters, including
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interests Gude was seen as a neutral candidate because of his Norwegian roots. Gude was recommended for the position by the current Director of the academy
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insult us further with such ; it hurts our feelings, and thereby proves how unfounded it is, for otherwise it would be easy to treat it with indifference.
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portrayed humans for their own sake, he began populating his paintings with convincing, if sometimes anatomically incorrect, individuals.
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In Karlsruhe Gude continued to faithfully reproduce the landscapes he saw, a style that he passed on to his students by taking them to
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in a studio, basing his works on studies he had done earlier in the field. However, as Gude matured as a painter he began to paint
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If we learn something from Achenbach and Lessing, it is certainly not to our detriment; no one has ever said about me or
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Artists of the nineteenth century and their works: A handbook containing two thousand and fifty biographical sketches
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who wrote that he, as well as numerous other young artists, had more of a taste for French art than German.
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and other coastal subjects. Gude had difficulty with figure drawing initially and so collaborated with
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suggested that the young Gude should be sent to Düsseldorf to further his education in the arts.
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While Gude was a student, two different trends in landscaping were developing at the academy: a
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where he painted one of the ancient Roman bridges which was popular with artists of the time.
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historical works while Gude never once introduced historical events into his own paintings.
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Gude reports that the British and Welsh landscape painters were disdainful of artists from
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Gude retired from the Berlin Academy in 1901. He died two years later in Berlin in 1903.
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to be one of Norway's foremost landscape painters. He has been called a mainstay of
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or, so far as I know, any of us Norwegian Düsseldorfers that we copy and imitate.
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in Philadelphia at United States Centennial Commission International Exhibition
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41.5 cm × 55.5 cm (16.3 in × 21.9 in)
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art market in the 1850s after his works were accepted into the galleries of
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is, and it is quite understandable that they want to 'take the helm' alone!
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for display, won Gude a number of medals, and earned him membership in the
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and espoused the merits of doing so to his students. Gude would paint with
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145 cm × 208 cm (57 in × 82 in)
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In December 1863 Gude was offered and accepted a professorship at the
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United States Centennial Commission: International Exhibition, 1876
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166:(March 13, 1825 – August 17, 1903) was a Norwegian
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1928:, vol. 1, Bostom: Houghton, Osgood and company, p. 317
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Champlin, John Denison; Perkins, Charles Callahan, eds. (1887),
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Grave of Hans Gude and family at the honorary burial ground in
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was so enthusiastically received that it was purchased by the
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I painted a large mountain view for which my studies of the
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1844:(in Norwegian), trans. Joan Fuglesang, Nasjonalgalleriet,
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Gude began his artistic career with private lessons from
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Hans Fredrik Gude by G. & A. Overbeck (firm), c. 1868
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Waters, Clara Erskine Clement; Hutton, Lawrence (1879),
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A Mirror of Nature: Nordic Landscape Painting 1840–1910
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Gude earned membership in the following art academies:
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coast where he drew material for numerous paintings of
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Haverkamp, Frode; Gude, Hans Fredrik (January 1992),
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At the Academy of Art in Düsseldorf Gude encountered
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while at Karlsruhe. The painting which was shown in
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Nordic Landscape Painting in the Nineteenth Century
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1842:From National Romanticism to Realism in Landscape
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1980:
1966:
1769:: CS1 maint: location missing publisher (
1726:, vol. 2 (Third ed.), New York:
1630:
1628:
1626:
1624:
1622:
1620:
1618:
1616:
1614:
1612:
448:
223:. Gude also served as a professor at the
31:
1839:
1692:
1680:
1642:
1599:
1174:1867 – Medal, 2nd class, Paris Exhibition
1171:1861 – Medal, 2nd class, Paris Exhibition
1165:1855 – Medal, 2nd class, Paris Exhibition
1948:The family tree of Hans Gude on Geni.com
1597:
1595:
1593:
1591:
1589:
1587:
1585:
1583:
1581:
1579:
1277:
1256:
1148:
917:All I have heard about it are your and
841:
653:from which Gude observed his first real
424:
367:
305:
229:
1657:
1609:
1503:
1501:
1499:
1497:
311:Bridal Procession on the Hardangerfjord
298:who provided him with private lessons.
4784:
1953:Biography on Norsk biografisk leksikon
1891:
1651:
1554:
1552:
1550:
1548:
1546:
1544:
1542:
1540:
1538:
1536:
1495:
1493:
1491:
1489:
1487:
1485:
1483:
1481:
1479:
1477:
1475:
1473:
1471:
1469:
1467:
1465:
1463:
1461:
1459:
1457:
1455:
1453:
1451:
1449:
1447:
1445:
1443:
1441:
1439:
1437:
1435:
1433:
1431:
1429:
1427:
1425:
1423:
1421:
1419:
1417:
1415:
1413:
1411:
1409:
1407:
1405:
1403:
1401:
1399:
1397:
1395:
1393:
1391:
1389:
1387:
1385:
1383:
1381:
1379:
1377:
1375:
1373:
1371:
1369:
1367:
1365:
1363:
1361:
1359:
1357:
1355:
1353:
1351:
1349:
1347:
1345:
1343:
1341:
1339:
1337:
1335:
1333:
1331:
1329:
1327:
1325:
1323:
1321:
1319:
1317:
1221:
1168:1860 – Gold medal at Berlin Exhibition
1162:1852 – Gold medal at Berlin Exhibition
660:
576:Francis Egerton, 1st Earl of Ellesmere
4713:Romanticism and the French Revolution
2347:
1961:
1576:
1534:
1532:
1530:
1528:
1526:
1524:
1522:
1520:
1518:
1516:
1315:
1313:
1311:
1309:
1307:
1305:
1303:
1301:
1299:
1297:
987:Tessefossen I Vaga I Middagsbelysning
847:official recognition of Gude's work.
170:painter and is considered along with
1723:Cyclopedia of Painters and Paintings
1201:Grand Cross of the Order of St. Olav
1144:
430:Fresh breeze off the Norwegian coast
406:, but only after Andreas Achenbach,
65:United Kingdoms of Sweden and Norway
4847:19th-century Norwegian male artists
1759:] (in Norwegian Bokmål), Bergen
637:While in Wales Gude was visited by
13:
1513:
1294:
243:and watercolorist and illustrator
219:and later at the School of Art in
14:
4863:
1941:
1902:, vol. XXVII, Philadelphia:
1805:
1674:
1570:
4827:Norwegian expatriates in Germany
4766:
4765:
1129:
1110:
1095:
1080:
1061:
1042:
1035:Spinnkusten längs Sörlandskusten
1027:
1008:
994:
979:
964:
673:
512:
388:
4837:19th-century Norwegian painters
2373:
1730:(published 1912), p. 183,
1509:National Romanticism to Realism
1187:A Fresh Breeze, Norwegian Coast
301:
263:in 1825 the son of Ove Gude, a
1892:Walker, Francis Amasa (1877),
1558:Minneapolis Institute of Arts
1206:Gude was also a member of the
958:List of paintings by Hans Gude
267:, and Marie Elisabeth Brandt.
176:Norwegian National Romanticism
143:Norwegian romantic nationalism
1:
4852:Düsseldorf school of painting
4822:19th-century Norwegian people
4736:Wanderer above the Sea of Fog
1989:Düsseldorf School of painting
1806:Gunnarsson, Torsten (1998) ,
1787:Minneapolis Institute of Arts
1750:
1708:
1663:
1090:Hans Gude and Adolph Tidemand
254:
180:Düsseldorf school of painting
16:Norwegian painter (1825–1903)
4802:Norwegian landscape painters
645:, and the three traveled to
282:Academy of Art in Düsseldorf
217:Academy of Art in Düsseldorf
178:. He is associated with the
7:
4807:Norwegian romantic painters
1637:Champlin & Perkins 1887
1208:Order of the Zähringer Lion
943:Prince Eugén, Duke of Närke
823:Academy of Fine Arts Vienna
819:Kunsthistorisches Hofmuseum
801:with his own students from
10:
4868:
4812:Norwegian realist painters
4653:Coleridge's theory of life
1904:J. B. Lippincott & Co.
955:
559:National Gallery of Norway
4745:
4708:Romanticism and economics
4645:
4537:
4284:
4106:
4051:
4020:
3944:
3893:
3842:
3801:
3710:
3654:
3618:
3572:
3563:
3408:
3352:
3301:
3260:
3219:
3173:
3115:
2985:
2864:
2786:
2723:Manuel Antônio de Almeida
2705:
2696:
2582:
2450:
2381:
2320:
2242:Friedrich Wilhelm Schadow
1995:
1894:"588. Hans Gude, Norway."
1757:The Gude Family in Norway
1699:Haverkamp & Gude 1992
1687:Haverkamp & Gude 1992
1289:Haverkamp & Gude 1992
1272:Haverkamp & Gude 1992
1137:Kaien på Feste i nær Moss
972:Landscape Study from Vågå
799:Eduard Schleich the Elder
715:
707:
697:
689:
681:
672:
667:
554:
546:
536:
528:
520:
511:
506:
207:later in life as well as
148:
138:
130:
112:
104:
93:
71:
42:
30:
23:
2488:German historical school
2333:Kunstakademie Düsseldorf
1604:Waters & Hutton 1879
1249:
1180:Nødhavn Ved Norskekysten
951:
499:
276:Johan Sebastian Welhaven
4842:Norwegian male painters
3135:Józef Ignacy Kraszewski
2252:Johann Wilhelm Schirmer
1728:Charles Scribner's Sons
449:Norwegian or German art
288:Johann Wilhelm Schirmer
125:Johann Wilhelm Schirmer
98:Cemetery of Our Saviour
4718:Romanticism in science
4673:Middle Ages in history
4668:List of Romantic poets
3380:Josiah Gilbert Holland
2197:Karl Friedrich Lessing
2047:William Holbrook Beard
1814:, trans. Nancy Adler,
1212:Order of the Red Eagle
1158:
1122:Ladies in the sunshine
938:
909:in 1902 Gude wrote to
876:
747:
635:
493:
478:
432:
423:
377:
366:
346:Carl Friedrich Lessing
318:
235:
156:1894
4688:Romantic epistemology
4678:Opium and Romanticism
3247:Stojadinović-Srpkinja
2473:Counter-Enlightenment
2137:Johann Wilhelm Cordes
2107:Joseph Niklaus Bütler
1824:Yale University Press
1751:Jansen, Ebba (1940),
1216:Order of Franz Joseph
1191:Calm, Christianiaford
1155:Vår Frelsers gravlund
1152:
956:Further information:
915:
911:Johan Martin Nielssen
865:
842:Berlin Academy of Art
835:Berlin Academy of Art
756:Johan Martin Nielssen
736:
624:
580:Marquess of Lansdowne
507:Eføybroen, Nord-Wales
482:
464:
428:
412:
371:
351:
344:In 1827 Schirmer and
309:
245:Agnes Charlotte Guide
233:
225:Berlin Academy of Art
4752:Age of Enlightenment
2394:England (literature)
2287:Zdzisław Suchodolski
2222:Victorine Nordenswan
2082:George Caleb Bingham
1920:"Hans Frederic Gude"
1753:Slekten Gude i Norge
1073:Fishermen from Rügen
627:observe more keenly.
172:Johan Christian Dahl
153:St. Olav Grand Cross
4703:Romantic psychology
2498:Hudson River School
2442:Sweden (literature)
2427:Russia (literature)
2328:Hudson River School
2267:Karl Ferdinand Sohn
2152:David Edward Cronin
1779:"Hans Fredrik Gude"
1718:"Hans Fredrik Gude"
1222:Academy memberships
1054:Resting on the path
830:Grand Duke of Baden
727:Baden School of Art
661:Baden School of Art
404:Wilhelm von Schadow
4817:Painters from Oslo
2688:White Mountain art
2629:Historical fiction
2437:Spain (literature)
2172:Ferdinand Fagerlin
2142:Ludwig des Coudres
2117:Wilhelm Camphausen
2072:Ludolph Berkemeier
2027:Peter Nicolai Arbo
1159:
1118:Damer i solskinnet
793:to paint the lake
719:Private Collection
433:
378:
319:
292:landscape painting
236:
4779:
4778:
4693:Romantic medicine
4663:List of romantics
4102:
4101:
3753:Felix Mendelssohn
3748:Fanny Mendelssohn
3559:
3558:
3273:Rosalía de Castro
3211:Soares dos Passos
2559:Transcendentalism
2523:Nazarene movement
2483:Düsseldorf School
2341:
2340:
2272:Eduard Steinbrück
2127:Gustaf Cederström
2012:Andreas Achenbach
1737:978-0-8046-0535-9
1185:1876 – Medal for
1145:Awards and honors
760:Kitty L. Kielland
723:
722:
568:
567:
355:Rondane Mountains
296:Andreas Achenbach
290:– a professor in
259:Gude was born in
164:Hans Fredrik Gude
161:
160:
121:Andreas Achenbach
47:Hans Fredrik Gude
4859:
4769:
4768:
4728:Evolution theory
3570:
3569:
2703:
2702:
2564:Ukrainian school
2368:
2361:
2354:
2345:
2344:
2217:Bengt Nordenberg
2207:Albert de Meuron
2112:Alexandre Calame
2042:Hans von Bartels
2022:Hermann Anschütz
2017:Oswald Achenbach
1982:
1975:
1968:
1959:
1958:
1936:
1935:
1933:
1914:
1913:
1911:
1888:
1862:(in Norwegian),
1854:
1836:
1813:
1802:
1800:
1798:
1789:. Archived from
1774:
1768:
1760:
1747:
1746:
1744:
1702:
1696:
1690:
1684:
1678:
1672:
1666:
1661:
1655:
1649:
1640:
1634:
1607:
1601:
1574:
1568:
1562:
1560:Mirror of Nature
1556:
1511:
1505:
1292:
1286:
1275:
1269:
1133:
1114:
1099:
1084:
1069:Fisker fra Rügen
1065:
1046:
1031:
1012:
998:
983:
968:
936:
895:Anton von Werner
874:
752:Frederik Collett
745:
677:
665:
664:
643:Frederik Collett
633:
516:
504:
503:
491:
476:
462:German artists:
421:
408:Oswald Achenbach
374:By the Mill Pond
364:
272:Johannes Flintoe
117:Johannes Flintoe
78:
56:
54:
35:
21:
20:
4867:
4866:
4862:
4861:
4860:
4858:
4857:
4856:
4782:
4781:
4780:
4775:
4774:
4763:
4755:
4741:
4698:Romantic poetry
4683:Romantic ballet
4658:German idealism
4641:
4607:Lacoue-Labarthe
4533:
4280:
4098:
4047:
4016:
3997:Rimsky-Korsakov
3940:
3889:
3838:
3797:
3706:
3650:
3614:
3555:
3404:
3348:
3297:
3256:
3215:
3169:
3111:
3052:Maria Edgeworth
2988:
2981:
2860:
2782:
2692:
2671:Romantic genius
2601:Gesamtkunstwerk
2578:
2539:Sturm und Drang
2446:
2377:
2372:
2342:
2337:
2316:
2307:Fritz von Wille
2302:Clara von Wille
2292:Adolph Tidemand
2282:Bernhard Studer
2257:Adolf Schrödter
2247:Caspar Scheuren
2202:Ascan Lutteroth
2122:August Cappelen
2097:Friedrich Boser
2087:Georg Bleibtreu
2037:Anders Askevold
2000:
1998:
1991:
1986:
1944:
1939:
1931:
1929:
1909:
1907:
1878:
1852:
1834:
1796:
1794:
1793:on May 16, 2010
1777:
1762:
1761:
1742:
1740:
1738:
1711:
1706:
1705:
1697:
1693:
1685:
1681:
1675:Gunnarsson 1998
1673:
1669:
1662:
1658:
1650:
1643:
1635:
1610:
1602:
1577:
1571:Gunnarsson 1998
1569:
1565:
1557:
1514:
1506:
1295:
1287:
1278:
1270:
1257:
1252:
1224:
1147:
1140:
1134:
1125:
1115:
1106:
1100:
1091:
1085:
1076:
1066:
1057:
1047:
1038:
1032:
1023:
1013:
1004:
1002:Hardanger fjord
999:
990:
984:
975:
969:
960:
954:
937:
934:
901:"the so-called
875:
872:
844:
809:Gude's painted
780:Christian Krohg
772:Marcus Grønvold
768:Eilif Peterssen
764:Nicolai Ulfsten
746:
743:
663:
639:Adolph Tidemand
634:
631:
620:Theodor Kjerulf
502:
492:
489:
477:
474:
457:In a letter to
451:
422:
419:
391:
365:
362:
339:classical trend
324:figure painting
315:Adolph Tidemand
304:
284:
257:
192:Adolph Tidemand
157:
155:
123:
119:
100:in Oslo, Norway
89:
80:
76:
75:August 17, 1903
67:
58:
52:
50:
49:
48:
38:
26:
17:
12:
11:
5:
4865:
4855:
4854:
4849:
4844:
4839:
4834:
4829:
4824:
4819:
4814:
4809:
4804:
4799:
4794:
4777:
4776:
4756:
4748:
4747:
4746:
4743:
4742:
4740:
4739:
4732:
4731:
4730:
4725:
4715:
4710:
4705:
4700:
4695:
4690:
4685:
4680:
4675:
4670:
4665:
4660:
4655:
4649:
4647:
4646:Related topics
4643:
4642:
4640:
4639:
4634:
4629:
4624:
4619:
4614:
4609:
4604:
4599:
4594:
4589:
4584:
4579:
4574:
4569:
4564:
4559:
4554:
4549:
4543:
4541:
4535:
4534:
4532:
4531:
4526:
4521:
4516:
4511:
4506:
4501:
4496:
4491:
4486:
4481:
4476:
4471:
4466:
4461:
4456:
4451:
4446:
4441:
4436:
4431:
4426:
4421:
4416:
4411:
4406:
4401:
4396:
4391:
4386:
4381:
4376:
4374:Gallen-Kallela
4371:
4366:
4361:
4356:
4351:
4349:David d'Angers
4346:
4341:
4336:
4331:
4326:
4321:
4316:
4311:
4306:
4301:
4296:
4290:
4288:
4286:Visual artists
4282:
4281:
4279:
4278:
4273:
4268:
4263:
4258:
4253:
4248:
4246:Schleiermacher
4243:
4238:
4233:
4228:
4223:
4218:
4213:
4208:
4203:
4198:
4193:
4188:
4183:
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4048:
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4035:
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4024:
4022:
4018:
4017:
4015:
4014:
4009:
4004:
3999:
3994:
3989:
3984:
3979:
3974:
3969:
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3959:
3954:
3948:
3946:
3942:
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3933:
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3913:
3908:
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3811:
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3803:
3799:
3798:
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3785:
3780:
3775:
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3760:
3755:
3750:
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3740:
3735:
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3725:
3720:
3714:
3712:
3708:
3707:
3705:
3704:
3699:
3694:
3689:
3684:
3679:
3674:
3669:
3664:
3658:
3656:
3652:
3651:
3649:
3648:
3643:
3638:
3633:
3628:
3622:
3620:
3616:
3615:
3613:
3612:
3607:
3602:
3597:
3592:
3587:
3582:
3576:
3574:
3567:
3561:
3560:
3557:
3556:
3554:
3553:
3548:
3543:
3538:
3533:
3528:
3523:
3518:
3513:
3511:Oehlenschläger
3508:
3503:
3498:
3493:
3488:
3483:
3478:
3473:
3468:
3463:
3458:
3453:
3448:
3443:
3438:
3433:
3428:
3423:
3418:
3412:
3410:
3406:
3405:
3403:
3402:
3397:
3392:
3387:
3382:
3377:
3372:
3367:
3362:
3356:
3354:
3350:
3349:
3347:
3346:
3341:
3336:
3331:
3326:
3321:
3316:
3311:
3305:
3303:
3299:
3298:
3296:
3295:
3290:
3285:
3280:
3275:
3270:
3264:
3262:
3258:
3257:
3255:
3254:
3249:
3244:
3239:
3234:
3229:
3223:
3221:
3217:
3216:
3214:
3213:
3208:
3203:
3198:
3193:
3188:
3183:
3181:Castelo Branco
3177:
3175:
3171:
3170:
3168:
3167:
3162:
3157:
3152:
3147:
3142:
3137:
3132:
3127:
3121:
3119:
3113:
3112:
3110:
3109:
3104:
3099:
3094:
3089:
3084:
3079:
3074:
3069:
3064:
3059:
3054:
3049:
3044:
3039:
3034:
3029:
3024:
3019:
3014:
3009:
3004:
2999:
2993:
2991:
2983:
2982:
2980:
2979:
2974:
2969:
2964:
2959:
2954:
2949:
2944:
2939:
2934:
2929:
2924:
2919:
2914:
2909:
2907:Brothers Grimm
2904:
2899:
2894:
2889:
2884:
2879:
2874:
2868:
2866:
2862:
2861:
2859:
2858:
2853:
2848:
2843:
2838:
2833:
2828:
2823:
2818:
2813:
2808:
2803:
2798:
2792:
2790:
2784:
2783:
2781:
2780:
2775:
2770:
2765:
2760:
2755:
2750:
2745:
2740:
2735:
2730:
2725:
2720:
2715:
2709:
2707:
2700:
2694:
2693:
2691:
2690:
2685:
2678:
2673:
2668:
2663:
2658:
2653:
2648:
2643:
2638:
2631:
2626:
2625:
2624:
2619:
2609:
2607:Gothic fiction
2604:
2597:
2595:British Marine
2592:
2586:
2584:
2580:
2579:
2577:
2576:
2571:
2566:
2561:
2556:
2549:
2544:
2543:
2542:
2530:
2525:
2520:
2515:
2510:
2505:
2500:
2495:
2493:Gothic revival
2490:
2485:
2480:
2475:
2470:
2465:
2460:
2454:
2452:
2448:
2447:
2445:
2444:
2439:
2434:
2429:
2424:
2419:
2414:
2409:
2404:
2396:
2391:
2385:
2383:
2379:
2378:
2371:
2370:
2363:
2356:
2348:
2339:
2338:
2336:
2335:
2330:
2324:
2322:
2318:
2317:
2315:
2314:
2309:
2304:
2299:
2294:
2289:
2284:
2279:
2277:Hermine Stilke
2274:
2269:
2264:
2259:
2254:
2249:
2244:
2239:
2234:
2229:
2224:
2219:
2214:
2212:Heinrich Mücke
2209:
2204:
2199:
2194:
2189:
2187:Lars Hertervig
2184:
2179:
2174:
2169:
2164:
2159:
2154:
2149:
2144:
2139:
2134:
2132:Fanny Churberg
2129:
2124:
2119:
2114:
2109:
2104:
2099:
2094:
2092:Arnold Böcklin
2089:
2084:
2079:
2074:
2069:
2064:
2059:
2054:
2049:
2044:
2039:
2034:
2029:
2024:
2019:
2014:
2009:
2007:Victoria Åberg
2003:
2001:
1996:
1993:
1992:
1985:
1984:
1977:
1970:
1962:
1956:
1955:
1950:
1943:
1942:External links
1940:
1938:
1937:
1915:
1889:
1876:
1855:
1850:
1837:
1832:
1803:
1775:
1748:
1736:
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1135:
1128:
1126:
1116:
1109:
1107:
1101:
1094:
1092:
1086:
1079:
1077:
1067:
1060:
1058:
1050:Hvile på stien
1048:
1041:
1039:
1033:
1026:
1024:
1016:Under eketreet
1014:
1007:
1005:
1000:
993:
991:
985:
978:
976:
970:
963:
953:
950:
932:
873:Harriet Backer
870:
861:Harriet Backer
843:
840:
741:
721:
720:
717:
713:
712:
709:
705:
704:
699:
695:
694:
691:
687:
686:
683:
679:
678:
670:
669:
662:
659:
641:together with
629:
566:
565:
556:
552:
551:
548:
544:
543:
538:
534:
533:
530:
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522:
518:
517:
509:
508:
501:
498:
487:
472:
450:
447:
417:
390:
387:
360:
335:romantic trend
303:
300:
283:
280:
256:
253:
159:
158:
150:
146:
145:
140:
136:
135:
132:
131:Known for
128:
127:
114:
110:
109:
106:
102:
101:
95:
91:
90:
81:
79:(aged 78)
73:
69:
68:
59:
57:March 13, 1825
46:
44:
40:
39:
36:
28:
27:
24:
15:
9:
6:
4:
3:
2:
4864:
4853:
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4407:
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4380:
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4360:
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4297:
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4264:
4262:
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4239:
4237:
4234:
4232:
4229:
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4224:
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4219:
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4214:
4212:
4209:
4207:
4204:
4202:
4199:
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4189:
4187:
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4182:
4179:
4177:
4174:
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4169:
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4159:
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4149:
4147:
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4142:
4139:
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4129:
4127:
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4122:
4119:
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4095:
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4019:
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4008:
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3998:
3995:
3993:
3990:
3988:
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3866:
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3800:
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3647:
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3642:
3639:
3637:
3634:
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3629:
3627:
3624:
3623:
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3617:
3611:
3608:
3606:
3603:
3601:
3598:
3596:
3593:
3591:
3588:
3586:
3583:
3581:
3578:
3577:
3575:
3571:
3568:
3566:
3562:
3552:
3549:
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3544:
3542:
3539:
3537:
3534:
3532:
3529:
3527:
3524:
3522:
3519:
3517:
3514:
3512:
3509:
3507:
3504:
3502:
3499:
3497:
3494:
3492:
3489:
3487:
3484:
3482:
3479:
3477:
3474:
3472:
3469:
3467:
3466:Nikolai Gogol
3464:
3462:
3459:
3457:
3454:
3452:
3449:
3447:
3444:
3442:
3439:
3437:
3434:
3432:
3429:
3427:
3424:
3422:
3419:
3417:
3414:
3413:
3411:
3407:
3401:
3398:
3396:
3393:
3391:
3388:
3386:
3383:
3381:
3378:
3376:
3373:
3371:
3368:
3366:
3363:
3361:
3358:
3357:
3355:
3351:
3345:
3342:
3340:
3337:
3335:
3332:
3330:
3327:
3325:
3322:
3320:
3317:
3315:
3312:
3310:
3307:
3306:
3304:
3300:
3294:
3291:
3289:
3286:
3284:
3281:
3279:
3276:
3274:
3271:
3269:
3266:
3265:
3263:
3259:
3253:
3250:
3248:
3245:
3243:
3240:
3238:
3235:
3233:
3230:
3228:
3225:
3224:
3222:
3218:
3212:
3209:
3207:
3204:
3202:
3199:
3197:
3194:
3192:
3189:
3187:
3184:
3182:
3179:
3178:
3176:
3172:
3166:
3163:
3161:
3158:
3156:
3153:
3151:
3148:
3146:
3143:
3141:
3138:
3136:
3133:
3131:
3128:
3126:
3123:
3122:
3120:
3118:
3114:
3108:
3105:
3103:
3100:
3098:
3097:P. B. Shelley
3095:
3093:
3090:
3088:
3085:
3083:
3080:
3078:
3077:Mary Robinson
3075:
3073:
3070:
3068:
3065:
3063:
3060:
3058:
3055:
3053:
3050:
3048:
3045:
3043:
3040:
3038:
3035:
3033:
3030:
3028:
3025:
3023:
3020:
3018:
3015:
3013:
3010:
3008:
3005:
3003:
3000:
2998:
2995:
2994:
2992:
2990:
2984:
2978:
2975:
2973:
2970:
2968:
2965:
2963:
2960:
2958:
2955:
2953:
2950:
2948:
2945:
2943:
2940:
2938:
2935:
2933:
2930:
2928:
2925:
2923:
2920:
2918:
2915:
2913:
2910:
2908:
2905:
2903:
2900:
2898:
2895:
2893:
2890:
2888:
2885:
2883:
2880:
2878:
2875:
2873:
2870:
2869:
2867:
2863:
2857:
2854:
2852:
2849:
2847:
2844:
2842:
2839:
2837:
2834:
2832:
2829:
2827:
2824:
2822:
2819:
2817:
2814:
2812:
2809:
2807:
2806:Chateaubriand
2804:
2802:
2799:
2797:
2794:
2793:
2791:
2789:
2785:
2779:
2776:
2774:
2771:
2769:
2766:
2764:
2761:
2759:
2756:
2754:
2751:
2749:
2746:
2744:
2741:
2739:
2736:
2734:
2731:
2729:
2726:
2724:
2721:
2719:
2716:
2714:
2711:
2710:
2708:
2704:
2701:
2699:
2695:
2689:
2686:
2684:
2683:
2679:
2677:
2674:
2672:
2669:
2667:
2664:
2662:
2659:
2657:
2654:
2652:
2649:
2647:
2644:
2642:
2639:
2637:
2636:
2635:Mal du siècle
2632:
2630:
2627:
2623:
2620:
2618:
2615:
2614:
2613:
2610:
2608:
2605:
2603:
2602:
2598:
2596:
2593:
2591:
2588:
2587:
2585:
2581:
2575:
2572:
2570:
2567:
2565:
2562:
2560:
2557:
2555:
2554:
2550:
2548:
2545:
2541:
2540:
2536:
2535:
2534:
2531:
2529:
2526:
2524:
2521:
2519:
2516:
2514:
2511:
2509:
2506:
2504:
2501:
2499:
2496:
2494:
2491:
2489:
2486:
2484:
2481:
2479:
2476:
2474:
2471:
2469:
2466:
2464:
2461:
2459:
2456:
2455:
2453:
2449:
2443:
2440:
2438:
2435:
2433:
2430:
2428:
2425:
2423:
2420:
2418:
2415:
2413:
2410:
2408:
2405:
2403:
2400:
2397:
2395:
2392:
2390:
2387:
2386:
2384:
2380:
2376:
2369:
2364:
2362:
2357:
2355:
2350:
2349:
2346:
2334:
2331:
2329:
2326:
2325:
2323:
2319:
2313:
2310:
2308:
2305:
2303:
2300:
2298:
2295:
2293:
2290:
2288:
2285:
2283:
2280:
2278:
2275:
2273:
2270:
2268:
2265:
2263:
2262:Theodor Schüz
2260:
2258:
2255:
2253:
2250:
2248:
2245:
2243:
2240:
2238:
2235:
2233:
2232:Sofie Ribbing
2230:
2228:
2227:Axel Nordgren
2225:
2223:
2220:
2218:
2215:
2213:
2210:
2208:
2205:
2203:
2200:
2198:
2195:
2193:
2192:Marcus Larson
2190:
2188:
2185:
2183:
2180:
2178:
2177:Julius Geertz
2175:
2173:
2170:
2168:
2165:
2163:
2160:
2158:
2155:
2153:
2150:
2148:
2147:Ernest Crofts
2145:
2143:
2140:
2138:
2135:
2133:
2130:
2128:
2125:
2123:
2120:
2118:
2115:
2113:
2110:
2108:
2105:
2103:
2100:
2098:
2095:
2093:
2090:
2088:
2085:
2083:
2080:
2078:
2075:
2073:
2070:
2068:
2065:
2063:
2060:
2058:
2055:
2053:
2052:August Becker
2050:
2048:
2045:
2043:
2040:
2038:
2035:
2033:
2030:
2028:
2025:
2023:
2020:
2018:
2015:
2013:
2010:
2008:
2005:
2004:
2002:
1994:
1990:
1983:
1978:
1976:
1971:
1969:
1964:
1963:
1960:
1954:
1951:
1949:
1946:
1945:
1927:
1926:
1921:
1916:
1906:, p. 105
1905:
1901:
1900:
1895:
1890:
1887:
1883:
1879:
1877:82-03-17072-2
1873:
1869:
1865:
1861:
1856:
1853:
1851:82-90744-87-0
1847:
1843:
1838:
1835:
1833:0-300-07041-1
1829:
1825:
1821:
1817:
1812:
1811:
1804:
1792:
1788:
1784:
1780:
1776:
1772:
1766:
1758:
1754:
1749:
1739:
1733:
1729:
1725:
1724:
1719:
1714:
1713:
1700:
1695:
1688:
1683:
1676:
1671:
1665:
1660:
1654:, p. 105
1653:
1648:
1646:
1639:, p. 183
1638:
1633:
1631:
1629:
1627:
1625:
1623:
1621:
1619:
1617:
1615:
1613:
1606:, p. 317
1605:
1600:
1598:
1596:
1594:
1592:
1590:
1588:
1586:
1584:
1582:
1580:
1572:
1567:
1561:
1555:
1553:
1551:
1549:
1547:
1545:
1543:
1541:
1539:
1537:
1535:
1533:
1531:
1529:
1527:
1525:
1523:
1521:
1519:
1517:
1510:
1504:
1502:
1500:
1498:
1496:
1494:
1492:
1490:
1488:
1486:
1484:
1482:
1480:
1478:
1476:
1474:
1472:
1470:
1468:
1466:
1464:
1462:
1460:
1458:
1456:
1454:
1452:
1450:
1448:
1446:
1444:
1442:
1440:
1438:
1436:
1434:
1432:
1430:
1428:
1426:
1424:
1422:
1420:
1418:
1416:
1414:
1412:
1410:
1408:
1406:
1404:
1402:
1400:
1398:
1396:
1394:
1392:
1390:
1388:
1386:
1384:
1382:
1380:
1378:
1376:
1374:
1372:
1370:
1368:
1366:
1364:
1362:
1360:
1358:
1356:
1354:
1352:
1350:
1348:
1346:
1344:
1342:
1340:
1338:
1336:
1334:
1332:
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1020:Under the Oak
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784:Frits Thaulow
781:
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773:
769:
765:
761:
757:
753:
740:
735:
732:
728:
718:
714:
710:
706:
703:
702:Oil on canvas
700:
696:
692:
688:
684:
680:
676:
671:
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658:
656:
652:
648:
644:
640:
628:
623:
621:
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616:Royal Academy
613:
609:
608:the continent
604:
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581:
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541:Oil on canvas
539:
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463:
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397:
389:Professorship
386:
382:
375:
370:
359:
356:
350:
347:
342:
340:
336:
331:
327:
325:
317:and Hans Gude
316:
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94:Resting place
92:
88:
87:German Empire
84:
74:
70:
66:
62:
45:
41:
34:
29:
22:
19:
4764:
4757:
4750:
4734:
4454:Porto-Alegre
4398:
4108:Philosophers
3992:Rachmaninoff
3441:Chavchavadze
3431:Baratashvili
3191:João de Deus
3160:Wincenty Pol
2952:Küchelbecker
2680:
2646:Noble savage
2633:
2599:
2574:Wallenrodism
2551:
2537:
2468:Coppet group
2402:(literature)
2297:Carl d'Unker
2237:Raphael Ritz
2181:
2167:Eugen Dücker
2102:Anton Bütler
2077:Edward Beyer
2067:Edward Bergh
2057:Jakob Becker
1930:, retrieved
1924:
1908:, retrieved
1898:
1859:
1841:
1809:
1795:. Retrieved
1791:the original
1782:
1756:
1752:
1741:, retrieved
1722:
1701:, p. 30
1694:
1689:, p. 26
1682:
1670:
1659:
1566:
1559:
1508:
1291:, p. 60
1274:, p. 59
1225:
1205:
1190:
1186:
1178:
1136:
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1117:
1102:
1087:
1072:
1068:
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1049:
1034:
1019:
1015:
1001:
986:
971:
947:
939:
923:
916:
892:
877:
866:
849:
845:
827:
811:Fra Chiemsee
810:
808:
795:en plein air
794:
788:
776:Otto Sinding
748:
737:
724:
668:Fra Chiemsee
636:
625:
605:
584:Lledr Valley
569:
494:
483:
479:
465:
456:
452:
438:nude drawing
434:
429:
413:
392:
383:
379:
373:
352:
343:
332:
328:
320:
310:
302:As a student
285:
269:
258:
249:Otto Lessing
237:
213:
201:en plein air
184:
163:
162:
77:(1903-08-17)
18:
4797:1903 deaths
4792:1825 births
4444:Michałowski
4276:Wackenroder
4241:F. Schlegel
4236:A. Schlegel
4012:Tchaikovsky
3901:Bortkiewicz
3773:R. Schumann
3768:C. Schumann
3733:Kalkbrenner
3702:Saint-Saëns
3007:Anne Brontë
2892:Eichendorff
2877:B. v. Arnim
2872:A. v. Arnim
2682:Weltschmerz
2641:Medievalism
2590:Blue flower
2518:Nationalist
2463:Bohemianism
2375:Romanticism
2312:Kilian Zoll
2162:Ernst Deger
2062:Gunnar Berg
2032:Louis Asher
1820:Connecticut
1664:Jansen 1940
1652:Walker 1877
612:exhibitions
601:River Lledr
261:Christiania
205:watercolors
168:romanticist
105:Nationality
61:Christiania
4786:Categories
4319:Chassériau
4294:Aivazovsky
4002:Rubinstein
3987:Mussorgsky
3936:Wieniawski
3921:Paderewski
3763:Moszkowski
3546:Vörösmarty
3536:Shevchenko
3390:Longfellow
3314:Batyushkov
3309:Baratynsky
3278:Espronceda
3145:Mickiewicz
3140:Malczewski
3107:Wordsworth
3092:M. Shelley
3047:de Quincey
2912:Günderrode
2796:Baudelaire
2676:Wanderlust
2513:Lake Poets
1997:Associated
1709:References
1507:Haverkamp
1236:Copenhagen
1214:, and the
928:modernists
907:Kristiania
863:who said:
857:watercolor
708:Dimensions
647:Caernarvon
547:Dimensions
459:Jørgen Moe
255:Early life
53:1825-03-13
4759:Modernism
4419:Kiprensky
4379:Géricault
4364:Friedrich
4354:Delacroix
4329:Constable
4309:Bonington
4299:Bierstadt
4251:Senancour
4226:Schelling
4181:Lamennais
4176:Khomyakov
4141:Coleridge
4136:Chaadayev
4043:Stanković
4038:Mokranjac
3957:Balakirev
3916:Moniuszko
3865:Donizetti
3860:Cherubini
3758:Meyerbeer
3743:Marschner
3718:Beethoven
3631:Moscheles
3565:Musicians
3551:Wergeland
3516:Orbeliani
3471:Grundtvig
3375:Hawthorne
3344:Zhukovsky
3339:Vyazemsky
3324:Lermontov
3283:Gutiérrez
3242:Radičević
3206:Herculano
3130:Krasiński
3072:Radcliffe
3042:Coleridge
3017:E. Brontë
3012:C. Brontë
2942:Jean Paul
2937:Hölderlin
2826:Lamartine
2763:Magalhães
2753:Guimarães
2661:Pantheism
2651:Nostalgia
2503:Indianism
2451:Movements
2382:Countries
2182:Hans Gude
2157:Hans Dahl
1868:Aschehoug
1860:Hans Gude
1816:New Haven
1797:March 16,
1242:Stockholm
1239:Rotterdam
1230:Amsterdam
1088:Fishermen
1075:, (1882).
935:Hans Gude
924:con amore
903:Symbolism
744:Hans Gude
731:Karlsruhe
685:Hans Gude
632:Hans Gude
596:plein-air
524:Hans Gude
490:Hans Gude
475:Hans Gude
420:Hans Gude
396:Rhineland
363:Hans Gude
241:Nils Gude
221:Karlsruhe
188:seascapes
113:Education
108:Norwegian
37:Hans Gude
25:Hans Gude
4771:Category
4587:Dahlhaus
4572:Blanning
4539:Scholars
4509:Tropinin
4504:Tidemand
4494:Stattler
4489:Scheffer
4389:Głowacki
4359:Edelfelt
4314:Bryullov
4256:Snellman
4231:Schiller
4221:Rousseau
4201:Michelet
4146:Constant
4116:Belinsky
4089:Sibelius
4033:Konjović
4007:Scriabin
3977:Lyapunov
3911:Lipiński
3880:Spontini
3870:Paganini
3814:Goldmark
3605:Thalberg
3600:Schubert
3580:Bruckner
3541:Topelius
3531:Runeberg
3521:Prešeren
3491:Leopardi
3456:Frashëri
3446:Eminescu
3426:Andersen
3334:Tyutchev
3319:Karamzin
3293:Zorrilla
3288:Saavedra
3186:Castilho
3174:Portugal
3165:Słowacki
3067:Polidori
2997:Barbauld
2932:Hoffmann
2887:Brentano
2801:Bertrand
2622:Romantic
2458:Ancients
2432:Scotland
1999:painters
1932:March 9,
1910:March 9,
1886:29047091
1765:citation
1743:March 9,
1677:, p. 105
1573:, p. 104
1103:Høifjell
933:—
919:Holter's
871:—
791:Chiemsee
742:—
716:Location
655:Atlantic
651:Holyhead
630:—
578:and the
555:Location
488:—
473:—
468:Tidemand
418:—
400:Prussian
376:, (1850)
361:—
139:Movement
134:Painting
4612:Lovejoy
4547:Abraham
4469:Richard
4459:Préault
4384:Girodet
4266:Thoreau
4211:Novalis
4196:Mazzini
4191:Maistre
4166:Hazlitt
4151:Emerson
4131:Carlyle
4121:Berchet
4064:Berwald
4059:Bennett
4028:Hristić
3982:Medtner
3962:Borodin
3952:Arensky
3875:Rossini
3850:Bellini
3829:Joachim
3802:Hungary
3783:Strauss
3711:Germany
3677:Berlioz
3646:Voříšek
3641:Smetana
3619:Czechia
3573:Austria
3506:Maturin
3501:Manzoni
3476:Heliade
3451:Foscolo
3421:Alfieri
3416:Abovian
3370:Emerson
3329:Pushkin
3268:Bécquer
3201:Garrett
3155:Potocki
3102:Southey
3062:Maturin
3032:Carlyle
2989:Britain
2962:Novalis
2917:Gutzkow
2865:Germany
2831:Mérimée
2816:Gautier
2743:Barreto
2738:Azevedo
2718:Alencar
2698:Writers
2617:Byronic
2553:Purismo
2407:Germany
2389:Denmark
2321:Related
1199:1894 –
884:Ahlbeck
853:gouache
657:storm.
614:at the
572:British
442:memoirs
372:Gude's
358:accept.
209:gouache
4637:Wellek
4617:de Man
4602:Janion
4592:Ferber
4567:Berlin
4562:Beiser
4557:Barzun
4552:Abrams
4529:Wiertz
4514:Turner
4464:Révoil
4449:Palmer
4439:Martin
4434:Leutze
4409:Janmot
4369:Fuseli
4324:Church
4216:Quinet
4206:Müller
4161:Goethe
4156:Fichte
4079:Franck
4021:Serbia
3972:Glinka
3945:Russia
3931:Tausig
3926:Stolpe
3906:Chopin
3894:Poland
3855:Busoni
3819:Heller
3788:Wagner
3723:Brahms
3697:Onslow
3687:Halévy
3655:France
3636:Reicha
3626:Dvořák
3595:Mahler
3590:Hummel
3585:Czerny
3481:Isaacs
3461:Geijer
3395:Lowell
3385:Irving
3365:Cooper
3360:Bryant
3302:Russia
3237:Njegoš
3232:Kostić
3227:Jakšić
3220:Serbia
3150:Norwid
3125:Fredro
3117:Poland
3087:Seward
2977:Uhland
2967:Schwab
2957:Mörike
2947:Kleist
2902:Goethe
2897:Fouqué
2846:Nodier
2841:Nerval
2836:Musset
2788:France
2778:Varela
2773:Taunay
2758:Macedo
2706:Brazil
2656:Ossian
2583:Themes
2422:Poland
2417:Norway
2399:France
1884:
1874:
1848:
1830:
1734:
1245:Vienna
1233:Berlin
1139:(1898)
1124:(1883)
1105:, 1857
1056:(1878)
1037:(1872)
1022:(1858)
989:, 1848
974:, 1846
880:Baltic
815:Vienna
803:Munich
698:Medium
682:Artist
537:Medium
521:Artist
337:and a
149:Awards
83:Berlin
4723:Bacon
4632:Rosen
4627:Ricks
4622:Nancy
4582:Blume
4577:Bloom
4499:Stroy
4484:Saleh
4479:Runge
4429:Lampi
4414:Jones
4404:Hayez
4339:Corot
4304:Blake
4271:Tieck
4261:Staël
4186:Larra
4171:Hegel
4126:Burke
4084:Grieg
4074:Field
4069:Elgar
4052:Other
3885:Verdi
3843:Italy
3834:Liszt
3824:Hubay
3809:Erkel
3793:Weber
3778:Spohr
3738:Loewe
3728:Bruch
3692:Méhul
3682:Fauré
3672:Auber
3667:Alkan
3526:Raffi
3496:Mácha
3486:Lenau
3436:Botev
3409:Other
3261:Spain
3196:Dinis
3082:Scott
3057:Keats
3037:Clare
3027:Byron
3022:Burns
3002:Blake
2987:Great
2972:Tieck
2927:Heine
2922:Hauff
2856:Vigny
2851:Staël
2811:Dumas
2733:Assis
2728:Alves
2713:Abreu
2666:Rhine
2569:Ultra
2412:Japan
1755:[
1250:Notes
1071:, or
952:Works
888:Rügen
750:them
592:Wales
588:Conwy
586:near
500:Wales
313:, by
265:judge
4597:Frye
4524:Ward
4519:Veit
4474:Rude
4424:Koch
4399:Gude
4394:Goya
4344:Dahl
4334:Cole
3662:Adam
3610:Wolf
3353:U.S.
3252:Zmaj
2882:Beer
2821:Hugo
2768:Reis
2748:Dias
2612:Hero
2547:Post
2508:Jena
2478:Dark
1934:2008
1912:2008
1882:OCLC
1872:ISBN
1864:Oslo
1846:ISBN
1828:ISBN
1799:2008
1771:link
1745:2008
1732:ISBN
1189:and
899:mock
886:and
868:art.
855:and
782:and
693:1868
690:Year
649:and
563:Oslo
532:1863
529:Year
398:and
197:oils
72:Died
43:Born
4094:Sor
3967:Cui
3400:Poe
2533:Pre
2528:Neo
1120:or
1052:or
1018:or
729:in
4788::
4749:←
1922:,
1896:,
1880:,
1870:,
1866::
1826:,
1822::
1818:,
1785:.
1781:.
1767:}}
1763:{{
1720:,
1644:^
1611:^
1578:^
1515:^
1296:^
1279:^
1258:^
1218:.
1210:,
913::
825:.
786:.
778:,
774:,
770:,
766:,
762:,
758:,
754:,
622::
590:.
561:,
251:.
182:.
85:,
63:,
4762:→
2367:e
2360:t
2353:v
1981:e
1974:t
1967:v
1801:.
1773:)
55:)
51:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
