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333:, tries to find a reason to be loved. Sam's cousin Mary Catherine considers leaving New York for California after her boyfriend Charlie tells her about a promising job offer in Los Angeles. When Mary finds out she is pregnant, her decision to stay or leave becomes complicated. Sam also meets Mississippi, an aspiring singer who is trying to make it in the city and works at a
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In New York City, Sam Wexler is a writer on the verge of turning 30 and is unsuccessfully trying to get his first novel published. On the subway, he meets foster care child
Rasheen and decides to take the boy in for a few days. Meanwhile, Sam's best friend Annie, a woman struggling with hair loss due
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Sam's attempt to return the young
Rasheen to the social services fails when the boy is determined not to re-enter the foster care program. Sam subsequently tries to adopt the boy, but botches the application process in a fashion that ends in his brief arrest. Rasheen is finally placed with a new
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wrote though the film is "frequently funny and occasionally brilliant", the subplot with
Rasheen is underdeveloped and "treats Rashaan like a puppy, a token of Sam’s worthiness as a person." Morris lamented that Radnor "raises the possibility of a better, more complicated film about guilt and
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foster family, but Sam keeps tabs on his new situation, including providing the boy with drawing materials when he learns of his artistic abilities. Sam also works on bringing
Mississippi into his life, with several setbacks, but at movie's end it appears that their relationship is in place.
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438:, a list of the most "liked" unproduced film scripts. Radnor had actors read for roles, wrote revisions, and sought financing for two years. Radnor received financing in April 2009 and began shooting in July 2009 in
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The film went into limited theatrical release on March 4, 2011, opening in theaters in New York City and Los
Angeles. The film grossed $ 216,110 in the United States. One month after its US theatrical release,
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praised the production values and the performance of Ă…kerman, but wrote "the characters are uniformly annoying, their stories insubstantial and the tone one of smug contentment." Writing for the
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presents people at that juncture - right before they take the leap. It's an observant and heartfelt film, with turns of dialogue that show that writer-director Josh Radnor really can write."
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praised the film and wrote, "There's a point in life where being young starts to get old, but being adult seems like too much of a risk, and
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assigned the film a score of 45 out of 100 based on 21 critics, indicating "mixed or average reviews".
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bought the North
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knockoffs of recent years, even if a few of its riffs seem hazardously off-key."
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Radnor wrote the film while working on the first and second seasons of the
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ambition and self-doubt", but stops short of exploring these themes.
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in the
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where it did comparatively better, grossing $ 551,472.
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Swart, Sharon; McClintock, Pamela (January 25, 2010).
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Sundance Film
Festival Audience Award: U.S. Dramatic
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in his directorial debut. The film features Radnor,
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1337:"How Sundance 2011 Could Shape Next Year's Oscars"
1283:"'Happythankyoumoreplease': A Mouthful, But Tasty"
1311:"'Happythankyoumoreplease' review: navigating 30"
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1250:"Movie review: 'Happythankyoumoreplease'"
983:"Twentysomethings tale will open Gen Art"
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1222:Anderson, John (January 23, 2010).
1010:"How I Met Your City, the Real One"
881:"Josh Radnor on His Sundance Debut"
744:Kung, Michelle (January 21, 2010).
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1701:The Birth of a Nation
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962:on December 26, 2010
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1757:The Persian Version
1749:Cha Cha Real Smooth
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177:Running time
1621:Quinceañera
1502:El Mariachi
1320:January 16,
1294:January 16,
1266:January 16,
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1171:January 16,
1140:November 1,
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930:February 4,
897:January 21,
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783:January 17,
757:January 21,
722:January 21,
689:The Numbers
645:Josh Radnor
397:Dana Barron
352:Josh Radnor
246:New Yorkers
222:Josh Radnor
83:Josh Radnor
52:Josh Radnor
43:Josh Radnor
39:Directed by
1788:2010 films
1782:Categories
1538:Love Jones
1134:Metacritic
919:Daily News
671:References
664:Nominated
649:Nominated
618:Nominated
512:Metacritic
487:opened in
436:Black List
420:Production
372:as Charlie
216:is a 2010
202:Box office
181:99 minutes
165:2011-03-04
150:2010-01-20
113:Production
49:Written by
1341:IndieWire
1202:0362-4331
837:March 30,
715:IndieWire
660:Kate Mara
584:Category
571:Accolades
502:Reception
387:as Sam #2
385:Tony Hale
376:Zoe Kazan
364:Kate Mara
242:Tony Hale
234:Zoe Kazan
230:Kate Mara
205:$ 951,016
104:Edited by
79:Kate Mara
74:Zoe Kazan
69:Tony Hale
1685:Whiplash
1645:Precious
1419:AllMovie
1260:Archived
1081:DVD Talk
994:March 9,
778:Deadline
360:as Annie
331:alopecia
194:Language
156:Sundance
57:Starring
1228:Variety
832:Variety
805:Variety
590:Result
557:of the
533:Variety
477:Gen Art
460:Release
428:sitcom
335:cabaret
197:English
186:Country
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148: (
115:company
1768:(2024)
1760:(2023)
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1733:Minari
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1717:Burden
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1367:UPROXX
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578:Award
240:, and
154: (
960:(PDF)
949:(PDF)
886:Extra
551:Allen
489:Spain
1765:Dìdi
1741:CODA
1397:IMDb
1374:2024
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1322:2023
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1268:2023
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1198:ISSN
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628:Won
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345:Cast
270:Plot
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547:NPR
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