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Hard and soft techniques

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248: 2031: 2041: 401: 194: 502:" and "Yawara" made the principle of Jū the all-pervading one in methods cataloged under these terms. That principle was rooted in the concept of pliancy or flexibility, as understood in both a mental and a physical context. To apply the principle of Jū, the exponent had to be both mentally and physically capable of adapting himself to whatever situation his adversary might impose on him. 510:
counterattack. This second aspect of the principle of Jū makes allowance for situations in which yielding is impossible because it would lead to disaster. In such cases "resistance" is justified. But such opposition to the enemy's actions is only momentary and is quickly followed by an action based on the first aspect of Jū, that of yielding.
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move around it or draw it into over commitment, in counter offense a soft technique may appear as a slip or a vault or simply using the momentum of a technique against the user. Soft techniques in offense would usually only include feints and pulling motions but the definition and categorization may change from one art form to another.
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There are two aspects of the principle of Jū that are in constant operation, both interchangeable and inseparable. One aspect is that of "yielding", and is manifest in the exponent's actions that accept the enemy's force of attack, rather than oppose him by meeting his force directly with an equal or
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Hard styles typically use a penetrating, linear "external force" whereas soft styles usually use a circular, flowing "internal force" where the energy of the technique goes completely through the opponent for hard/external strikes while the energy of the technique is mostly absorbed by the opponent
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Soft techniques can be used in offense but are more likely to appear in defense and counter offense. Much like hard techniques they are effected by foot work and skeletal alignment. Where a hard technique in defense often aims to interrupt the flow of attack; a soft technique aims to misdirect it,
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disciplines. Acting according to the principle of Jū, the classical warrior could intercept and momentarily control his enemy's blade when attacked, then, in a flash, could counter-attack with a force powerful enough to cleave armor and kill the foe. The same principle of Jū permitted an unarmed
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Hard techniques can be used in offense, defense, and counter-offense. They are affected by footwork and skeletal alignment. For the most part, hard techniques are direct. The key point of a hard technique is interrupting the flow of attack: in counter-offense they look to break the attack and in
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The principle of Jū is incomplete at this point because yielding is essentially only a neutralization of the enemy's force. While giving way to the enemy's force of attack there must instantly be applied an action that takes advantage of the enemy, now occupied with his attack, in the form of a
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greater force, when it is advantageous to do so. It is economical in terms of energy to accept the foe's force by intercepting and warding it off without directly opposing it; but the tactic by which the force of the foe is dissipated may be as forcefully made as was the foe's original action.
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meets force with force, either with a linear, head-on force-blocking technique, or by diagonally cutting the strike with one's force. Although hard techniques require greater strength for successful execution, it is the mechanics of the technique that accomplish the defense. Examples are:
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In Classical Fencing, other techniques appear in all forms of swordplay which fall into the soft category, the most obvious being the disengage where the fencer or swordsman uses the pressure of their opponent to disengage and change lines on their opponent giving them an advantage in the
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In addition to describing a physical technique applied with minimal force, "soft" also sometimes refers to elements of a discipline which are viewed as less purely physical; for example, martial arts that are said to be
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With martial arts styles such as T'ien Ti Tao Ch'uan-shu P'ai the soft style is also in keeping with the Taoist philosophy, the idea that the technique can also be applied in mental terms as well as physical.
283:— a moving mass can seem weightless. Soft techniques — throws, armlocks, etc. — might resemble hard martial art techniques, yet are distinct because their application requires minimal force. (see 205:
is deflecting the attacker’s force to their disadvantage, with the defender exerting minimal force and requiring minimal strength. With a soft technique, the defender uses the attacker's
322:, with a parry, the defender guides or checks the attacker’s blow away from themself, attempting to cause the attacker to over commit to their blow and allow an easy 232:(1) The defender leads the attack by redirecting the attacker's forces against them, or away from the defender — instead of meeting the attack with a 299:, the defender guides or checks the attacker's sword away from themself, rather than endure the force of a direct block; it likely is followed by 259:(2) The soft technique usually is applied when the attacker is off-balance, thus the defender achieves the "maximum efficiency" ideal posited by 217:(tai sabaki) and the attacker off balance; a seamless movement then affects the appropriate soft technique. In some styles of martial art like 341:
when the attacker (uke) pushes towards the defender (tori), the tori drops under the uke, whilst lifting the uke over themself, effecting the
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is meeting the force with no resistance, like a projectile glancing off a surface without damaging it. Another example could be: an
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offense they are direct and committed blows or throws. Hard techniques use muscle more than soft techniques.
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Soft techniques are also characterized as being circular in nature and considered internal (using
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throw with one of their legs. The technique is categorized as a "front sacrifice technique" in
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styles. The push from the uke can be direct, or it can be a response to a push from the tori.
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about how the two concepts of "Hard/Soft" and "External/Internal" apply to their styles.
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against them, by leading the attack(er) in a direction to where the defender will be
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check/block to an attacker's arm, which re-directs the incoming energy of the blow.
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equates the terms while maintaining several finer shades of distinction.
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Regardless of origins and styles, "hard and soft" can be seen as simply
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How forcefully a defender martial artist counters the force of an attack
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technique denote how forcefully a defender martial artist counters the
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Among styles that this terminology is applied to, traditional
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front sacrifice throw used against a front-pushing attacker
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1777:Taekwondo 1759:Muay Thai 1694:freestyle 1690:Wrestling 1685:Taekwondo 1561:Krav Maga 1473:Angampora 1441:Wing Chun 1399:Krav Maga 1389:Kajukenbo 1351:Vale Tudo 1226:Taekwondo 1191:Muay Thai 1181:Kun Khmer 1111:Mongolian 1101:freestyle 1081:Wrestling 1040:Para judo 1018:Grappling 871:Grappling 809:Chokehold 739:Indonesia 496:unbalance 410:does not 295:, with a 253:tomoenage 219:Wing Chun 95:), hence 43:. In the 1994:Muaythai 1744:Ju-jitsu 1617:Tricking 1601:Chanbara 1503:Unifight 1456:Eclectic 1431:Taekkyon 1379:Bartitsu 1261:Internal 1151:Capoeira 1133:Striking 1061:Pehlwani 1008:Sparring 970:Training 958:Shooting 903:Stand-up 891:Takedown 844:Footwork 834:Headbutt 796:Unarmed 681:Timeline 613:archived 543:See also 439:May 2012 320:Pugilism 238:Yielding 211:momentum 97:Goju-ryu 2045:Outline 1979:Fencing 1934:Fencing 1869:Jujutsu 1819:Fencing 1670:Fencing 1546:Jujutsu 1531:Bokator 1526:Banshay 1460:hybrids 1426:Systema 1384:Hapkido 1286:Tai chi 1241:Vovinam 1186:Lethwei 1091:Cornish 1046:Jujutsu 1003:Randori 953:Archery 913:Weapons 786:Vietnam 759:Okinawa 749:Ireland 744:Italian 686:Records 676:History 533:tai chi 500:Jūjutsu 487:Bujutsu 431:removed 416:sources 378:hapkido 374:tai chi 351:jujutsu 339:Jujutsu 324:riposte 301:riposte 293:Fencing 285:kuzushi 277:catties 269:tai chi 113:Jujutsu 2035:Portal 1989:Karate 1974:Boxing 1944:Karate 1929:Boxing 1897:Kurash 1874:Karate 1859:Boxing 1829:Karate 1814:Boxing 1787:Aikido 1749:Karate 1722:Savate 1680:Karate 1665:Boxing 1493:Shooto 1269:Aikido 1221:Savate 1171:Karate 1146:Boxing 1026:Barróg 854:Flying 829:Ground 824:Clinch 781:Russia 729:Europe 575:  382:aikido 267:. The 242:Aikido 172:Karate 89:: 87:pinyin 75:) and 69:: 67:pinyin 1999:Sambo 1907:Sambo 1889:Wushu 1792:Wushu 1772:Sambo 1717:Glima 1622:Wuxia 1404:MCMAP 1374:Arnis 1206:Sanda 1166:Dambe 1141:Bando 1121:shoot 1086:catch 1066:Sambo 896:Throw 886:Sweep 864:Stomp 814:Punch 766:Korea 754:Japan 734:India 724:China 591:c.f. 311:bind. 297:parry 281:Taiji 273:taels 234:block 207:force 109:ju-ho 105:go-ho 37:armed 33:force 1984:Judo 1939:Judo 1864:Judo 1824:Judo 1764:Sumo 1707:Budō 1675:Judo 1096:folk 1076:Sumo 1036:Judo 978:Kata 921:Duel 876:Hold 849:Kick 573:ISBN 491:Budō 461:The 414:any 412:cite 380:and 349:and 347:judo 337:and 335:Judo 326:and 303:and 265:judo 209:and 165:kick 163:low 117:Judo 72:yìng 51:and 39:and 29:soft 27:and 25:hard 1116:oil 425:by 333:In 318:or 314:In 291:In 225:or 92:róu 19:In 2062:: 1696:, 1458:/ 477:, 466:Ju 390:Jū 384:. 376:, 370:ki 366:Qi 287:) 251:A 170:A 159:A 150:A 134:. 85:, 82:jū 65:, 62:gō 1700:) 1692:( 1603:) 1599:( 1363:/ 1305:/ 1042:) 1038:( 652:e 645:t 638:v 581:. 483:) 473:柔 469:( 452:) 446:( 441:) 437:( 433:. 419:. 330:. 307:. 138:" 77:柔 57:硬

Index

martial arts
force
armed
unarmed combat
East Asian martial arts

pinyin

pinyin
Goju-ryu
Shorinji Kempo
Jujutsu
Judo
biomechanics
internal styles
kickboxing
kick
Karate
Tai sabaki

force
momentum
advantageously positioned
Wing Chun
pushing hands
sticky hands
block
Aikido

Kano Jigoro

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