150:, was established in 2006 to “encourage and assist Ph.D. candidates, post-docs, and junior faculty in all fields of musical scholarship to travel anywhere in the world to carry out the necessary work for their dissertation or other research. The Fund honors the
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offertories" (1982), "Is mode real?" (1992), "Anomalous modalities" (1996), “Language Models and
Musical Analysis,” and “Puccini’s Turandot: The End of the Great Tradition,”
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Orlando di Lasso in der
Musikgeschichte, hrsg. v. Bernhold Schmid. München: Verlag der Bayerischen Akademie der Wissenschaften, 1996, SS. 221—242.
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William
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in musicology. His dissertation was on “The
Background of the South Indian Raga System.” Powers taught at
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and whose interests are wider still, but always with the communicative aspects of music at their base.”
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scholar and distinguished longtime AMS member whose publications have ranged from music and language to
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Harold Powers (1980). Koskoff, Ellen (ed.). "Language Models and
Musical Analysis".
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traditions (especially Indian music); this allowed him to reevaluate the concept of
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Powers, Harold Stone (January 29, 2004). Sadie, Stanely; Tyrrell, John (eds.).
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Born in New York City on August 5, 1928, he earned his B.Mus. in piano from
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from 1961 to 1973 before returning to
Princeton where he was named the
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Journal of the
American Musicological Society XXXIV (1981), pp.428-70.
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225:"Harold Powers, versatile scholar of music, dies at 78 - 4/2/2007"
89:. Powers returned to India several times to study music there on
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for two years before continuing at
Princeton where he received a
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Basler
Jahrbuch für historische Musikpraxis 16 (1992), pp.9-52.
112:. He did this in a number of articles, including “Mode” in the
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337:(1). Champaign, Illinois: Society for Ethnomusicology: 1–60.
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The Harold Powers World Travel Fund, administered by the
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in 1950 and an MFA in composition and musicology from
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Ashbrook, William; Powers, Harold (April 23, 1991).
116:(1980), a landmark of scholarship on the subject, "
366:Puccini's Turandot: The End of the Great Tradition
179:Studies in Music History: Essays for Oliver Strunk
29:(August 5, 1928 – March 15, 2007) was an American
131:Powers was the first foreigner to perform at the
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270:The New Grove Dictionary of Music and Musicians
19:For the Lieutenant Governor of California, see
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172:The Background of the South Indian Rāga-System
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100:Powers was known for intensive study of both
389:Sriram Venkatakrishnan (December 9, 2010).
114:New Grove Dictionary of Music and Musicians
258:Cambridge: Harvard University Press, 1985.
272:(2nd ed.). Oxford University Press.
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16:American musicologist and music theorist
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124:" (1981), "Modal representations in
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469:University of Pennsylvania faculty
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417:. American Musicological Society.
411:"Harold Powers World Travel Fund"
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85:in 1995 and in 2001 assumed
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484:Pupils of Edward T. Cone
479:American music theorists
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120:and modal categories in
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209:. Oxford Music Online.
181:(Princeton, NJ, 1968)
122:Renaissance polyphony
256:Contemplating Music.
55:Princeton University
204:"Powers, Harold S."
158:to Indian music to
51:Syracuse University
27:Harold Stone Powers
133:Tyagaraja Aradhana
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229:www.princeton.edu
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118:Tonal types
106:world music
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189:References
152:polymathic
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396:The Hindu
160:Puccini
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177:(ed.)
67:Madras
45:Career
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