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When you've been here in the Desert a few years you find yourself talking to yourself ... After a few more years you find yourself talking to the lizards ... Then in another couple of years you find the lizards talking to you ... When you find yourself stealing their amazing tales you are about ready
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Oliver moved back to the Palms house after the death of Alice Oliver from tuberculosis (age 39) on 9 January 1935, and raised his two daughters with a succession of housekeepers. He soon met Ruth Dayton whilst engaged in his San Diego World's Fair project (see below). "She amused Harry from the start
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A 'dobe house is fireproof, if built right, and one story high; earthquake proof, dust proof, sound proof, heat and cold proof, rat and termite proof, oh, and yes, bullet proof and almost proof against bad design, due to the thickness of its walls and damned if they don't take on more character with
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In 1910 Oliver traveled from
California to Minnesota to wed Alice Elizabeth Fernlund (1896?–1935) who bore him two daughters, Amy Fern and Mary Alice. When Oliver homesteaded in the desert in 1929 (see below) he spent much time there, as well as at remote locations for his movie work. This removal
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where Oliver worked as a burro-driver for the U.S. Forest
Service. In 1910 Oliver returned to Minnesota to wed Alice Elizabeth Fernlund, "a pretty little Minnesota bear trapper" who later bore him two daughters, Amy Fern and Mary Alice. Oliver and Alice returned to the chicken ranch in Santa
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opened in June 1922 and was a great success. The owner said, "Every piece of wood which was used in this structure was thrown into fire first with the result that we never had to paint it and it got more beautiful as the years went by." It was since remodeled and renamed the Great Scot.
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Notes: "'From his book, Desert rough cuts, a haywire history of the Borego Desert.' ... Includes several quotations from various sources, and Manana , a poem by S. Omar Barker. Printed and bound to resemble a book of matches, with the leaves stapled in place of matches." Series: Tumbleweeds
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The Old Mirage
Salesman: a Whimsical Desert Digest of Refreshing Nonsense Heralding the life of the Southwest's Foremost Story-telling Desert Rat, Harry Oliver, 1888–1999 , Editor, Humorist, Historian, Publicist, Pioneer, Philosopher, Prospector, Showman, Builder, Hermit, and
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for good, relocating to
Thousand Palms, California where he built Old Fort Oliver (see below). His daughters' families spent a great deal of time at the Fort; some descendants, like granddaughter Betty Jo, told of happily "growing up" there.
765:, the corporate symbol of that firm. It was built at the Willat Studio film lot around 1921, then moved about 200 feet (61 m) south of Beverly Drive on Western Blvd. The design was reproduced in the widely-spread bakery cottages around
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Of his family, Oliver said, "My sister Amy Silver died giving birth to twins. My other sister
Francis was a bright little brown-eyed newspaper woman in the good old days {circa World War I}. My (older) brother Fred was a
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families decided to build a restaurant at the corner of Boyce and Los Feliz in
Hollywood. They commissioned a design from Oliver, who constructed the Storybook Style building aided by movie studio carpenters. This
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environment, he associated with trappers, timbermen and steamboat men, and became an expert canoesman, guide, and muskrat hunter while a very young man. His father, Frederick Oliver, ran a general store in
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houses for himself and his family, both because he liked the esthetic effect, and because the building materials were extremely inexpensive. The first of these was La
Ballona Rancho (named after nearby
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notes: "'We have whiskey & we have whisky.' Printed and bound to resemble a book of matches, with the leaves stapled in place of matches." Don
Hildredth listed as contributor.
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told me that M.G.M.'s
European offices rent their copies of Viva Villa to all the countries of the world. They rent the film when the people of a country get "REVOLUTION HUNGRY."
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In 1936–1937 Oliver decided he needed to spend more time with his daughters. He pulled them out of school and together they traveled all over
California, visiting all the
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learned a bit from Harry Oliver (and not the other way around). One of Oliver's specialties was recreating really believable exterior locations on the back lot ...
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Designing and building structures occupied portions of both the professional and personal life of Oliver. For illustrations of some of these, see the
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newspaper wrote, "Defending himself, Oliver says the Government stocks trout streams for fisherman, why shouldn't I stock the desert with peglegs?"
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after retiring from Hollywood, he may have built another adobe house for himself, but documentation on this is sparse. And when he finally moved to
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of films from the 1920s and 1930s. Besides his outstanding work in Hollywood, he is now best remembered for his humorous writings about the
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abstract: Comments on work as an art director in silent and sound moving pictures. Oliver recalls his work on various pictures, including
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which he scattered around area hillsides and gullies, so that rockhounds and tourists might think themselves on the track of the fabulous
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newspaper, often at irregular intervals, between 1946–1965, until his health and optimism failed. In 1967 he gave his operation to ex-
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Besides his work on film sets, Oliver's known professional designs date from the 1920s onward. The elaborate gingerbread
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until the fourth grade, that's when dad put me to work in a small town print shop in hopes that I would learn to spell."
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Oliver homesteaded in Borrego from 1929. He gained media attention by carving and weathering dozens of wooden
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film studios. In 1980 it was still standing at the corner of National and Exposition Blvd. in Los Angeles.
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to art director. A complete record of all his films is probably not available, but here is a partial list:
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from his Los Angeles home put great strains on the marriage, which seems to have ended around 1929.
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Harry Oliver ... was noted for his atmospheric settings and controlled environments. In fact the
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with small theaters. "One day a movie company came to town with an opening, and I got the job."
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Bill Powers, who produced two more issues and reprinted a few old issues, then abandoned the
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locales, "and Harry kept his daughters busy writing history theses on everything they saw."
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By 1941 the daughters were grown and married with children of their own, and Oliver left
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U.S. Geological Survey Geographic Names Information System: Old Fort Oliver (historical)
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established a small vacation colony at Borrego Springs, more remote and modest than the
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magazine). He later collected and expanded on these stories for his own publications (
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Oliver worked on various Hollywood productions from around 1911 to 1941, rising from
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area homesteaders. In the following decades, Hollywood and Los Angeles artists and
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1251:. Los Angeles: Oral History Program, University of California. 1969. p. 42.
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Ghost Town, which Oliver was consulted upon but was not formally involved with.
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Oliver's formal education was scanty. He said, "I attended public school in
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Inspired by the characters and liars of Borrego, Oliver wrote a series of
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forever and disappeared, possibly returning to sea. While it lasted, the
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In 1946–1947, Oliver designed and supervised the construction of the
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early naturalistic cinema; early expressionist cinema; Western humor
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persona in 1916, when he was introduced to life in California's
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247:) and Frederick William Oliver (born in England). Raised in a
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1037:. And immediately after the war, he started producing the
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In 1935, Oliver was engaged to design, direct and produce
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Desert Rough Cuts; a Haywire History of the Borego Desert
980:.) His desert stories also appeared in magazines such as
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Harry's parents soon settled down on a chicken ranch in
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Recollections of Harry Oliver, Oral History Transcript
1185:. Los Angeles: Ward Ritchie Press. 1938. p. 64.
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in 1909. He worked as a scenic painter for the first
839: Gaudy productions have been staged in this
1143:. Palm Springs, CA: Printery. 1952. p. 111.
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1358:, Palm Springs, CA: The Printery. pp. 111.
1230:. San Diego: Ash Ranch Press. 1989. p. 17.
1161:– compiled by his daughters, Amy and Mary Oliver
1029:(just north of Palm Springs) three weeks after
137:(April 4, 1888 – July 4, 1973) was an American
1317:. Indio, CA: Desert Printing Co. p. 203.
1168:. Corona, CA: Green Lantern Print Shop. 1941.
754:in 1934 and converted to a private residence.
1372:, 1000 Palms, CA (self-published periodical).
1208:. San Diego: Don Hildreth. 1987. p. 19.
1071:Oliver produced 44 'quarterly' issues of his
757:Another of Oliver's designs was the original
801:). Gold Gulch was a 21-acre (85,000 m)
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903:Oliver seems to have started adopting his
243:, April 4, 1888, to Mary Simmons (born in
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735:(1921), "perhaps the ultimate example of
654:, also known as The Witch's House (1921).
301:Cruz. Oliver worked odd jobs, including
163:devoted to the Southwest. He was born in
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19:For other people named Harry Oliver, see
1347:Oliver, Harry, with Sandy Walker (1941)
1166:99 Days in the Desert, with Sandy Walker
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270:circus, Oliver moved with his family to
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1315:A Kiss for the Desert From Harry Oliver
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812:replica which undoubtedly inspired the
266:After working as a bill-poster for the
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42:Harry Oliver on the battlefield set of
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239:Harold Griffith Oliver was born in
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178:work as art director on the films
16:American film director (1888-1973)
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1228:Whiskey Joe: a Story with a Moral
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1401:Harry Oliver Fandom Center site
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1053:Desert rat; a 1949 publication
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660:Harry Oliver architecture page
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94:Art director, artist, humorist
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409:Ben-Hur: A Tale of the Christ
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1416:"King of the Desert Rats"
1406:Harry Oliver In Hollywood
1313:Stohler, Betty J (1978).
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860:sales buyer for years."
1356:The Old Mirage Salesman
974:The Old Mirage Salesman
571:Vanessa: Her Love Story
323:Robert Birchard, 1999,
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835:July 14, 2007, at the
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941:Riverside Enterprise
821:Arabian Nights Stage
724:Harry Oliver, 1946,
710:he built his famous
634:Harry Oliver, 1962,
174:He is known for his
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767:Southern California
696:San Juan Capistrano
611:Little Orphan Annie
577:Mark of the Vampire
403:Little Annie Rooney
241:Hastings, Minnesota
217:Mark of the Vampire
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67:Hastings, Minnesota
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829:Indio, California
814:Knotts Berry Farm
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539:The Band Plays On
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147:art director
135:Harry Oliver
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122:phantomranch
79:(1973-07-04)
77:July 4, 1973
43:
30:Harry Oliver
1441:1973 deaths
1436:1888 births
1364:PN6161 O664
949:local color
883:, numerous
851:Family life
806:mining camp
759:Van de Kamp
748:Culver City
585:Make a Wish
563:Viva Villa!
557:David Harum
519:White Woman
505:Movie Crazy
345:The Sparrow
336:set dresser
332:set painter
291:Stetson hat
272:Puget Sound
235:Early years
211:Viva Villa!
184:(1927) and
1430:Categories
1302:References
1200:F868.B6 O5
997:New Mexico
959:Henry Luce
905:Desert Rat
892:Tinseltown
870:Gold Gulch
810:ghost town
791:Gold Gulch
694:Moving to
619:The Outlaw
465:Lucky Star
437:7th Heaven
431:The Gaucho
276:Washington
249:Tom Sawyer
181:7th Heaven
161:broadsheet
145:nominated
91:Occupation
61:1888-04-04
45:7th Heaven
1257:215402298
885:Gold Rush
795:San Diego
650:Oliver's
497:City Girl
485:Lightnin'
459:The River
367:Down Home
245:Minnesota
176:Hollywood
102:1914–1965
1396:AllMovie
1278:See also
1263:WorldCat
1242:WorldCat
1236:55485733
1220:WorldCat
1214:55485678
1174:10520796
1149:52028502
1062:—
917:literati
877:missions
833:Archived
803:old west
763:windmill
722:—
632:—
511:Scarface
423:Sparrows
321:—
226:(1937).
214:(1934),
208:(1932),
205:Scarface
202:(1926),
199:Sparrows
196:(1925),
139:humorist
1323:4599789
1307:Sources
1267:Ben Hur
1191:6679949
1157:1954389
1111:5577299
932:peglegs
845:Baghdad
843:–
823:at the
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702:–
280:Seattle
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115:Website
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350:1919:
342:1914:
99:Period
86:, U.S.
69:, U.S.
1009:Stage
676:Palms
667:adobe
126:/hofc
107:Genre
1387:IMDb
1319:OCLC
1269:and
1253:OCLC
1232:OCLC
1223:west
1210:OCLC
1187:OCLC
1170:OCLC
1153:OCLC
1145:LCCN
1132:help
1107:OCLC
1089:DRSB
1085:DRSB
1077:DRSB
986:Todo
841:faux
808:and
776:and
719:age.
392:aka
124:.net
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