312:. Throughout the 1950s, her works tended to be centered compositions. In 1957, Frankenthaler began to experiment with linear shapes and more organic, sun-like, rounded forms. In the 1960s, her style shifted towards the exploration of symmetrical paintings, as she began to place strips of colors near the edges of her paintings. Her style grew to be more simplified. She began to make use of single stains and blots of solid color against white backgrounds, often in the form of geometric shapes. Beginning in 1963, Frankenthaler began to use acrylic paints rather than oil paints because they allowed for both opacity and sharpness when put on the canvas. By the 1970s, she had done away with the soak stain technique entirely, preferring thicker paint that allowed her to employ bright colors almost reminiscent of
320:
45:
316:. Throughout the 1970s, Frankenthaler explored the joining of areas of the canvas through the use of modulated hues, and experimented with large, abstract forms. Her work in the 1980s was characterized as much calmer, with its use of muted colors and relaxed brushwork. "Once one's true talent begins to emerge, one is freer in a way but less free in another way, since one is a captive of this necessity and deep urge".
479:
watercolors or for the lightness of their work, but, more importantly, because both of them had liberated their oil paintings by treating them like watercolors, which was what
Frankenthaler began to do... In CĂ©zanneâs case this transposition of techniques also encouraged him to leave uncovered areas of white canvas between patches of thinned-down oil. This was especially interesting to Frankenthaler too.
279:
340:
519:(1961) depicts a large area of blue paint on the canvas, with breaks in the color that are left white. A rectilinear brown square encompasses the blue, balancing both the cool tones of the blue with the warmth of the brown, and the gestural handling of the paint with the strong linearity of the square.
372:
also said to be the ultimate fusing of image and canvas, drawing attention to the flatness of the painting itself. The major disadvantage of this method, however, is that the oil in the paints will eventually cause the canvas to discolor and rot away. The technique was adopted by other artists, notably
440:
A really good picture looks as if it's happened at once. It's an immediate image. For my own work, when a picture looks labored and overworked, and you can read in itâwell, she did this and then she did that, and then she did thatâthere is something in it that has not got to do with beautiful art to
371:
Frankenthaler often painted onto unprimed canvas with oil paints that she heavily diluted with turpentine, a technique that she named "soak stain." This allowed for the colors to soak directly into the canvas, creating a liquefied, translucent effect that strongly resembled watercolor. Soak stain was
358:
was used to describe the work of
Frankenthaler. In general, this term refers to the application of large areas, or fields, of color to the canvas. This style was characterized by the use of hues that were similar in tone or intensity, as well as large formats and simplified compositions, all of which
262:
in 1958; the couple divorced in 1971. Both born of wealthy parents, they were known as "the golden couple" and for their lavish entertaining. She gained two stepdaughters from him, Jeannie
Motherwell and Lise Motherwell. Jeannie Motherwell studied painting at Bard College and the Art Students League
157:
painter. She was a major contributor to the history of postwar
American painting. Having exhibited her work for over six decades (early 1950s until 2011), she spanned several generations of abstract painters while continuing to produce vital and ever-changing new work. Frankenthaler began exhibiting
529:
tells the story of an abstract, interior world, idealized in ways that a landscape never could be. The work is almost entirely gestural, save for the incorporation of the number "100" two times in the center of the image. When asked about the process of creating this work, Frankenthaler stated that
478:
Watercolor... expands the brightness and flatness of plein-air painting because it visibly reveals these qualities in the whiteness of its support, which always makes its presence felt due to the insubstantiality of its covering. Marin and CĂ©zanne were important to
Frankenthaler not only for their
302:
because of her focus on forms latent in nature, Frankenthaler is identified with the use of fluid shapes, abstract masses, and lyrical gestures. She made use of large formats on which she painted, generally, simplified abstract compositions. Her style is notable in its emphasis on spontaneity, as
662:
Critics have not unanimously praised Ms. Frankenthaler's art. Some have seen it as thin in substance, uncontrolled in method, too sweet in color and too "poetic." But it has been far more apt to garner admirers like the critic
Barbara Rose, who wrote in 1972 of Ms. Frankenthaler's gift for "the
538:
Frankenthaler recognized a need to continually challenge herself to develop as an artist. For this reason, in 1961, she began to experiment with printmaking at the
Universal Limited Art Editions (ULAE), a lithographic workshop in West Islip, Long Island. Frankenthaler collaborated with
749:). Miles McEnery Gallery, a New York-based contemporary art gallery which exhibited Color-Field and Abstract Expressionist paintings, showcased a range of her work in 2009 "Helen Frankenthaler," December 10, 2009 â January 23, 2010). In 2016 her work was included in the exhibition
631:, with the heads of notable women artists including Frankenthaler collaged over the heads of Christ and his apostles. This image, addressing the role of religious and art historical iconography in the subordination of women, became "one of the most iconic images of the
441:
me. And I usually throw these out, though I think very often it takes ten of those over-labored efforts to produce one really beautiful wrist motion that is synchronized with your head and heart, and you have it, and therefore it looks as if it were born in a minute.
953:, and others reflected a trend in which the NEA was supporting work "of increasingly dubious quality. Is the council, once a helping hand, now beginning to spawn an art monster? Do we lose art ... in the guise of endorsing experimentation?"
672:
The New York-based Helen
Frankenthaler Foundation, established and endowed by the artist during her lifetime, is dedicated to promoting greater public interest in and understanding of the visual arts. In 2021 the foundation created
497:, her first professionally exhibited work, Frankenthaler made use of the soak stain technique. The work itself was painted after a trip to Nova Scotia, which partly questions the extent of its non-representational status. Although
254:, who is credited with helping her understand pictorial composition, as well as influencing her early cubist-derived style. Upon her graduation in 1949, she studied privately with Australian-born painter Wallace Harrison, and with
231:, Frankenthaler absorbed the privileged background of a cultured and progressive Jewish intellectual family that encouraged all three daughters to prepare themselves for professional careers. Her nephew is the artist/photographer
1476:
700:
and other family members on the board exploited the Helen
Frankenthaler Foundation âto advance their own personal interests and careersâ and were committed to completely shutting down the foundation in the near future.
2500:
2175:
1286:
777:
2554:
501:
is not a direct depiction of the Nova Scotia coastline, elements of the work suggest a kind of seascape or landscape, like the strokes of blue that join with areas of green. Much like
945:, she wrote that, while "censorship and government interference in the directions and standards of art are dangerous and not part of the democratic process," controversial grants to
4278:
380:(1924â2010), and launched the second generation of the color field school of painting. Frankenthaler often worked by laying her canvas out on the floor, a technique inspired by
765:
of New York 1945-1965", Phyllis
Harriman Gallery, Art Students League of NY; curated by Will Corwin.; 2020: "9th Street Club", Gazelli Art House, London; curated by Will Corwin
566:, a series of six woodcut prints. To create woodcuts with a resonance similar to Frankenthaler's painterly style, she painted her plans onto the wood itself, making maquettes.
4104:
3066:
2166:
613:
Frankenthaler did not consider herself a feminist: "For me, being a 'lady painter' was never an issue. I don't resent being a female painter. I don't exploit it. I paint."
5032:
4165:
4211:
4009:
663:
freedom, spontaneity, openness and complexity of an image, not exclusively of the studio or the mind, but explicitly and intimately tied to nature and human emotions.
4068:
5052:
4114:
2547:
1997:
405:
exhibition that he curated in 1964. Through Greenberg she was introduced to the New York art scene. Under his guidance she spent the summer of 1950 studying with
4124:
1629:
1865:
4271:
4129:
2796:
933:
in 1989, she argued government funding for the arts was "not part of the democratic process" and was "beginning to spawn an art monster". According to the
2518:
4232:
4201:
4149:
2540:
4139:
1910:
2315:
4992:
4206:
4004:
3059:
2508:
2477:
5047:
4930:
4925:
4920:
4915:
4910:
4264:
4144:
4119:
2054:
5002:
4099:
1714:
5057:
4109:
5082:
4977:
2353:
2092:
4134:
3052:
2812:
2634:
1023:
618:
2612:
158:
her large-scale abstract expressionist paintings in contemporary museums and galleries in the early 1950s. She was included in the 1964
5077:
4972:
2563:
2117:
937:, "Frankenthaler did take a highly public stance during the late 1980s 'culture wars' that eventually led to deep budget cuts for the
713:, New York, in the fall of 1951. Her first major museum show, a retrospective of her 1950s work with a catalog by the critic and poet
2486:
795:, Florida, showcased Frankenthaler's work in the collection alongside Julie Mehretu, Jules Olitski, and Louis Morris, among others.
298:
Active as a painter for nearly six decades, Frankenthaler passed through many phases and stylistic shifts. Initially associated with
2198:
772:
mounted an exhibition of her works on paper from the final stages of her opus titled "Helen Frankenthaler; Late Works 1990 - 2003".
5042:
2600:
1577:
5072:
4982:
4967:
2700:
2467:
1822:
387:
Frankenthaler preferred to paint in privacy. If assistants were present, she preferred them to be inconspicuous when not needed.
1358:
Dorofeyeva, L. V. (November 1975). "Obtaining of measles virus haemagglutinin from strain L-16 grown in primary cell cultures".
558:
was inspired by two sources: the first was an exhibition of fifteenth century woodcuts that Frankenthaler saw on display at the
2246:
2021:
1308:
1069:
757:. On October 6, 2019, Frankenthaler was included in Sparkling Amazons: Abstract Expressionist Women of the 9th St. Show at the
1892:
Bitter Family Feud Revealed in Lawsuit Against the Helen Frankenthaler Foundation, Accuses Board of âGrabstract Expressionismâ
1772:
1503:
737:, Berlin), and "Helen Frankenthaler: a Painting Retrospective," The Modern Art Museum of Fort Worth (1989â90; traveled to the
4628:
2759:
2690:
2606:
2411:
2335:
1531:
595:
961:
Frankenthaler died on December 27, 2011, at the age of 83 in Darien, Connecticut, following a long and undisclosed illness.
5037:
2659:
1891:
903:
1093:
5067:
5062:
4997:
4987:
3075:
2449:
184:'s paintings. Her work has been the subject of several retrospective exhibitions, including a 1989 retrospective at the
5007:
4374:
2342:
874:
769:
654:
and what was possible." On the other hand, some critics called her work "merely beautiful." Grace Glueck's obituary in
562:, the second being a mulberry tree that grew outside of Tyler's studio. In 1995, the pair collaborated again, creating
2472:
3194:
3022:
2695:
2443:
2390:
2373:
2365:
2327:
2281:
1981:
1673:
1434:
1637:
5022:
2679:
1604:
832:
742:
677:. In July 2021, the foundation award the first round of grants totaling $ 5.1 million. The recipients included the
509:(1958) seems to refer to a very specific, external environment, but it is also abstract. The same can be said for
5017:
4674:
2664:
1405:
938:
587:
1137:
1003:
3423:
3011:
2224:
915:
722:
359:
are qualities descriptive of Frankenthaler's work from the 1960s onward. The color field artists differed from
258:
in 1950. She met Clement Greenberg in 1950 and had a five-year relationship with him. She married the painter
5012:
4892:
860:
2506:
Helen Frankenthaler "Contemporary Experience Lecture" The Baltimore Museum of Art: Baltimore, Maryland, 1970
2438:, edited by Kristine Stiles and Peter Selz, Berkeley: University of California Press, 1996, pp. 28â30.
1914:
1664:
The Party's Over Now: Reminiscences of the fiftiesâNew York's artists, writers, musicians, and their friends
399:(1909â1994), an art and literary critic with whom she had a personal friendship and who included her in the
4750:
2310:
1745:
927:
She was a presidential appointee to the National Council on the Arts, which advises the NEA's chairman. In
879:
216:
2505:
4684:
4542:
2844:
2684:
843:
826:
590:
from 1985 to 1992. Her other awards include First Prize for Painting at the first Paris Biennial (1959);
3335:
1044:
3377:
2710:
2705:
837:
734:
607:
559:
401:
347:
327:
267:
160:
1345:
821:
4897:
4557:
2849:
1722:
746:
1214:
865:
792:
5027:
4826:
3503:
3159:
3006:
2839:
2804:
2473:
Video: Helen Frankenthaler at Turner Contemporary, Margate by Laura Bushell on Artinfo 4 March 2014
1000:
897:
810:
761:
in Westchester County, NY. which ran until January 26, 2020; *2019: "Postwar Women: alumnae of the
718:
530:
she began by painting the numbers, and that a sort of symbolic, idealized garden grew out of that.
19:"Frankenthaler" redirects here. For the French wine grape that is also known as Frankenthaler, see
2348:
1550:
Elderfield, John (1989). "After a "Breakthrough": On the 1950s Paintings of Helen Frankenthaler".
525:, from 1956, is an interior landscape, meaning it depicts the images of the artist's imagination.
4063:
3706:
3199:
3129:
1392:
854:
682:
603:
288:
1954:
1020:
432:
It was all there. I wanted to live in this land. I had to live there, and master the language.
4435:
4425:
4287:
3680:
3576:
3413:
2644:
804:
689:
678:
583:
410:
360:
299:
189:
154:
134:
1689:
4882:
4567:
4337:
3890:
3628:
3560:
3444:
3284:
3279:
3274:
3269:
3204:
3149:
3119:
2778:
2579:
2532:
1798:
891:
758:
710:
632:
455:
278:
188:
in New York City, and been exhibited worldwide since the 1950s. In 2001, she was awarded the
4256:
3044:
2118:"Every Sound Is a Shape of Time: Selections from PAMM's Collection âą PĂ©rez Art Museum Miami"
4962:
4957:
4811:
4694:
3508:
3392:
3356:
3289:
3244:
3219:
2241:"Helen Frankenthaler, Abstract Painter Who Shaped a Movement, Dies at 83" by GRACE GLUECK,
1866:"Helen Frankenthaler Foundation Awards $ 5.1 Million in Climate Grants to Art Institutions"
1581:
848:
738:
730:
355:
319:
266:
In 1994, Frankenthaler married Stephen M. DuBrul, Jr., an investment banker who served the
212:
185:
138:
1232:
599:
546:
In 1976, Frankenthaler began to work within the medium of woodcuts. She collaborated with
8:
4872:
4791:
4754:
4669:
4603:
4312:
3848:
3659:
3428:
3299:
3249:
3209:
3124:
2945:
2654:
1936:
970:
950:
782:
762:
726:
303:
Frankenthaler herself stated, "A really good picture looks as if it's happened at once."
196:
142:
84:
941:
and a ban on grants to individual artists that still persists. In a 1989 commentary for
4781:
4481:
4058:
4053:
3952:
3781:
3765:
3685:
3675:
3529:
3304:
2975:
2735:
1662:
1559:
1202:
975:
929:
574:, a print that employed one hundred and two different colors and forty-six woodblocks.
247:
100:
4806:
4786:
4740:
4593:
4170:
4048:
3711:
3550:
3259:
3214:
3189:
3144:
3134:
2900:
2895:
2527:
2439:
2407:
2386:
2369:
2361:
2338:
2331:
2323:
2293:
2277:
2029:
1977:
1669:
1527:
1430:
1375:
1367:
1304:
1117:
Babington, Jacklyn (2005). "Against the grain: the woodcuts of Helen Frankenthaler".
909:
754:
624:
614:
591:
396:
308:
306:
Frankenthaler's official artistic career was launched in 1952 with the exhibition of
283:
259:
165:
123:
110:
2491:
2078:
1998:"Abstract Expressionist Women Of The 9th St Show Comes To The Katonah Museum Of Art"
339:
4720:
4715:
4511:
4445:
4358:
3838:
3607:
3534:
3351:
3229:
3174:
3154:
3104:
2970:
2880:
2751:
2501:
Helen Frankenthaler in the National Gallery of Australia's Kenneth Tyler Collection
2403:
2378:
1500:
885:
693:
547:
4801:
2167:"Helen Frankenthaler: Innovative painter who took abstract art in a new direction"
4821:
4815:
4689:
4623:
4613:
4516:
4496:
4465:
4343:
4237:
3973:
3869:
3864:
3817:
3812:
3755:
3597:
3498:
3408:
3325:
3320:
3264:
3254:
3164:
3114:
3031:
2955:
2834:
2674:
2638:
2512:
2357:
2319:
2304:, and Helen Frankenthaler: five painters and the movement that changed modern art
2274:
2266:
1840:
1521:
1507:
1426:
1027:
1007:
815:
714:
651:
540:
463:
381:
228:
181:
168:
that introduced a newer generation of abstract painting that came to be known as
467:
4847:
4654:
4618:
4598:
4572:
4552:
4486:
4399:
4348:
3994:
3942:
3874:
3786:
3760:
3716:
3690:
3649:
3581:
3361:
3184:
2965:
2950:
2870:
2669:
2629:
2297:
1030:, at the "Connecticut Women's Hall of Fame" website, retrieved January 30, 2010
946:
639:
377:
292:
4196:
2381:, "Killing Men and Dying Women". In: Orton, Fred and Pollock, Griselda (eds),
250:
in Vermont. While at Bennington, Frankenthaler studied under the direction of
4951:
4887:
4867:
4852:
4745:
4730:
4699:
4608:
4562:
4521:
4450:
4379:
4353:
4332:
4175:
4083:
3978:
3947:
3926:
3895:
3843:
3791:
3633:
3459:
3449:
3418:
3382:
3330:
2980:
2875:
2743:
2584:
2301:
2033:
1371:
981:
697:
417:
243:
239:
232:
208:
96:
4877:
4760:
4679:
4664:
4659:
4638:
4633:
4547:
4491:
4460:
4455:
4430:
4409:
4389:
4327:
4317:
4302:
3916:
3833:
3807:
3623:
3555:
3294:
3239:
2935:
2920:
2915:
2890:
2885:
2649:
2574:
2395:
1462:
643:
447:
406:
373:
255:
219:
judge. Her mother, Martha (Lowenstein), had emigrated with her family from
177:
44:
26:
For the German/Italian wine grape that is also known as Frankenthaler, see
20:
2425:
1976:. Denver New Haven: Denver Art Museum Yale University Press. p. 175.
570:
took nearly three years to complete. Frankenthaler then went on to create
4862:
4577:
4384:
4322:
4307:
4227:
4180:
4078:
3999:
3968:
3921:
3900:
3454:
3169:
3109:
2985:
2940:
2930:
2905:
2854:
2468:
Archives of American Art, Smithsonian Institution: Oral History Interview
2434:
2289:
2141:
1070:"Helen Frankenthaler, Abstract Painter Who Shaped a Movement, Dies at 83"
251:
227:, were six and five years older, respectively. Growing up on Manhattan's
224:
169:
1823:"Elizabeth A. T. Smith Named Director of Helen Frankenthaler Foundation"
1721:. Washington, D.C.: National Museum of Women in the Arts. Archived from
363:
in their attempted erasure of emotional, mythic, and religious content.
4796:
4725:
4526:
4506:
4073:
3654:
3524:
3387:
3224:
3139:
2990:
2727:
2523:
1563:
1379:
513:(1956), a work based on a boat ride Frankenthaler took down the Rhine.
471:
27:
1911:"Painted on 21st Street - March 8 - April 13, 2013 - Gagosian Gallery"
1602:
1268:
Carmean, E.A. Jr. (1978). "On Five Paintings by Helen Frankenthaler".
1197:. Encyclopedia of the Sixties: A Decade of Culture and Counterculture.
778:
Action, Gesture, Paint: Women Artists and Global Abstraction 1940-1970
4842:
4501:
4440:
3234:
3179:
2925:
2462:
223:
to the United States as an infant. Helen's two sisters, Marjorie and
173:
1445:
822:
The Governor Nelson A. Rockefeller Empire State Plaza Art Collection
721:
in 1960. Subsequent solo exhibitions include "Helen Frankenthaler,"
4857:
4776:
4735:
4404:
2960:
2350:
New York School Abstract Expressionists Artists Choice by Artists,
2829:
1896:
1328:
1172:
602:(1986); and Distinguished Artist Award for Lifetime Achievement,
313:
220:
1833:
1303:(Fourth ed.). New York: Thames & Hudson. p. 328.
610:
as an Associate member, and became a full Academician in 1994.
586:
in 2001. She served on the National Council on the Arts of the
2562:
2519:
Helen Frankenthaler in the Utah Museum of Fine Arts Collection
420:
in 1950. She had this to say about seeing Pollock's paintings
4286:
3074:
1636:. The Solomon R. Guggenheim Foundation (SRGF). Archived from
2452:, for the Archives of American Art - Smithsonian Institution
1603:
Kennedy, Mark for The Associated Press (December 27, 2011).
1322:
1320:
416:
The first Jackson Pollock show Frankenthaler saw was at the
2432:
Helen Frankenthaler in Interview with Henry Geldzahler, in
1841:"Grants For Clean, Efficient Energy in Visual Arts Museums"
1630:"Collection Online Helen Frankenthaler - Guggenheim Museum"
1409:
1429:
in conjunction with The Museum of Modern Art, Fort Worth,
1317:
600:
New York City Mayor's Award of Honor for Arts and Culture
709:
Frankenthaler's first solo exhibition took place at the
681:, the Santa Rosa Indian Museum and Cultural Center, the
153:(December 12, 1928 â December 27, 2011) was an American
2426:
Helen Frankenthaler: Painting History, Writing painting
2368:. p. 16; p. 37; pp. 142â145, York 1986.
1799:"Mission - Foundation - Helen Frankenthaler Foundation"
1523:
Helen Frankenthaler: Painting History, Writing Painting
1292:
1166:
1164:
1162:
1160:
1158:
207:
Helen Frankenthaler was born on December 12, 1928, in
2055:"20 London art events in 2020 to leave the house for"
2797:
Heresies: A Feminist Publication on Art and Politics
2261:
Fierce Poise: Helen Frankenthaler and 1950s New York
1773:"Abstract Artist Helen Frankenthaler Dies At Age 83"
1658:
Grace Glueck says in the NYT this quote comes from:
1263:
1261:
1259:
1257:
1255:
1253:
717:, a curator at the Museum of Modern Art, was at the
554:(1977), a woodcut that used eight different colors.
5033:
Members of the American Academy of Arts and Letters
2085:
1155:
3036:
2478:Roberta Smith, "Two Artists Who Embraced Freedom"
2165:
1661:
922:
1605:"Abstract Painter Helen Frankenthaler Dies At 83"
1580:. National Endowment for the Arts. Archived from
1250:
667:
4949:
2312:After Mountains and Sea: Frankenthaler 1956-1959
1682:
791:, a collections-focused group exhibition at the
775:In 2023 her work was included in the exhibition
620:Some Living American Women Artists / Last Supper
5053:United States National Medal of Arts recipients
2487:Helen Frankenthaler Artwork Examples on AskART.
2450:'Oral history Interview with Barbara Rose, 1968
1707:
650:which, Louis said later, was a "bridge between
1423:Helen Frankenthaler A Paintings Retrospective,
4272:
3060:
2548:
2222:
1519:
1450:on the 1950s paintings of Helen Frankenthaler
1067:
1063:
1061:
1059:
1057:
1055:
1053:
2635:Elizabeth A. Sackler Center for Feminist Art
2322:(New York : Guggenheim Museum, ©1998.)
2079:"Helen Frankenthaler: Late Works, 1990â2003"
1903:
1743:
1040:
1038:
1036:
550:. The first piece they created together was
2813:Why Have There Been No Great Women Artists?
2613:New York School of Applied Design for Women
2306:. New York: Little, Brown and Company, 2018
2216:
2196:
2022:"New York Galleries: What to See Right Now"
1393:'Color Field' Artists Found a Different Way
202:
4279:
4265:
3067:
3053:
2564:Feminist art movement in the United States
2555:
2541:
2435:Theories and Documents of Contemporary Art
1549:
1465:". sharecom.ca. Retrieved December 8, 2008
1357:
1112:
1110:
1108:
1106:
1104:
1102:
1050:
606:(1994). In 1990, she was elected into the
43:
2492:"Frankenthaler's New Way of Making Art",
1796:
1578:"Lifetime Honors: National Medal of Arts"
1477:"Helen Frankenthaler, Back to the Future"
1192:
1135:
1116:
1047:, Britannica, Retrieved 24 December 2014.
1033:
395:One of her most important influences was
4993:American people of German-Jewish descent
2601:American Association of University Women
1858:
1764:
1298:
338:
318:
277:
5048:People from Provincetown, Massachusetts
2400:Frankenthaler: Works on Paper 1949-1984
1545:
1543:
1455:
1267:
1188:
1186:
1099:
685:, and the Yale University Arts Center.
334:
195:Frankenthaler had a home and studio in
5003:Art Students League of New York alumni
4950:
1971:
1965:
1230:
1226:
1224:
768:In 2021, a decade after her death the
533:
273:
263:in New York and had several exhibits.
5058:Honorary members of the Royal Academy
4629:Pennsylvania Academy of the Fine Arts
4260:
4030:
3737:
3480:
3086:
3048:
3035:
2760:WACK! Art and the Feminist Revolution
2607:National Association of Women Artists
2536:
2223:Frankenthaler, Helen (17 July 1989).
2052:
1659:
1170:
596:Pennsylvania Academy of the Fine Arts
5083:21st-century American women painters
4978:20th-century American women painters
2701:The Women's Building (San Francisco)
2660:National Museum of Women in the Arts
2199:"Painter took art in new directions"
2142:"Blue Jump âą PĂ©rez Art Museum Miami"
1770:
1694:The Frost Art Museum Drawing Project
1540:
1474:
1183:
904:University of Michigan Museum of Art
577:
543:in 1961 to create her first prints.
2383:Avant-Gardes and Partisans Reviewed
1570:
1221:
1068:Glueck, Grace (December 27, 2011).
176:, she was influenced by Greenberg,
13:
2691:Women's Art Resources of Minnesota
2253:
1913:. Gagosian Gallery. Archived from
1890:Daniel Cassady (9 November 2023),
1744:Gibson, Eric (December 27, 2011).
1596:
875:San Francisco Museum of Modern Art
770:New Britain Museum of American Art
658:summed up Frankenthaler's career:
436:Some of her thoughts on painting:
14:
5094:
5078:21st-century American printmakers
4973:20th-century American printmakers
4288:National Medal of Arts recipients
3195:Katharine Martha Houghton Hepburn
3023:Feminist movements and ideologies
2456:
2197:Boehm, Mike (December 28, 2011).
1719:Clara - Database of Women Artists
1501:list of artists in the exhibition
1326:
1138:"Frankenthaler at the Guggenheim"
287:(1952), on long-term loan to the
3076:Connecticut Women's Hall of Fame
1845:Frankenthaler Climate Initiative
1771:Rose, Joel (December 27, 2011).
833:Los Angeles County Museum of Art
743:Los Angeles County Museum of Art
675:Frankenthaler Climate Initiative
474:were important early influences:
5043:People from the Upper East Side
4675:Interlochen Center for the Arts
4340:, cultural programming division
2665:New York Feminist Art Institute
2417:
2385:. London: Redwood Books, 1996.
2360:(New York School Press, 2000.)
2235:
2225:"Did We Spawn an Arts Monster?"
2190:
2178:from the original on 2022-05-09
2158:
2134:
2110:
2071:
2046:
2014:
1990:
1974:Women of abstract expressionism
1947:
1929:
1884:
1815:
1803:www.frankenthalerfoundation.org
1790:
1737:
1652:
1622:
1513:
1494:
1468:
1439:
1415:
1398:
1386:
1351:
1339:
1280:
1195:Frankenthaler, Helen, 1928-2011
939:National Endowment for the Arts
923:National Endowment for the Arts
751:Women of Abstract Expressionism
688:In a 2023 lawsuit filed at the
588:National Endowment for the Arts
426:Number One,1950 (Lavender Mist)
411:Abstract Expressionist movement
5073:21st-century American painters
4983:Abstract expressionist artists
4968:20th-century American painters
3037:Awards for Helen Frankenthaler
3012:Women in the art history field
2696:Woman's Building (Los Angeles)
2463:Helen Frankenthaler Foundation
2429:. I.B.Tauris Publishers, 2007.
1129:
1087:
1013:
994:
916:Whitney Museum of American Art
798:
789:Every Sound Is a Shape of Time
725:, New York (1969; traveled to
723:Whitney Museum of American Art
704:
668:Helen Frankenthaler Foundation
483:
466:wrote that the watercolors of
422:Autumn Rhythm, Number 30, 1950
1:
4893:Oberlin Conservatory of Music
2680:Washington Women's Art Center
1829:. New York City. 9 July 2013.
988:
861:National Gallery of Australia
409:(1880â1966), catalyst of the
390:
238:Frankenthaler studied at the
4751:Lionel Hampton Jazz Festival
4375:Alvin Ailey Dance Foundation
2720:Exhibitions or installations
1475:Loos, Ted (April 27, 2003).
1094:Grace Glueck, NY Times, 1998
880:Solomon R. Guggenheim Museum
488:
366:
217:New York State Supreme Court
16:American painter (1928â2011)
7:
5038:Painters from New York City
4822:José Limón Dance Foundation
4685:Preservation Hall Jazz Band
4543:Andrew W. Mellon Foundation
2845:Women Artists in Revolution
2685:Women Artists in Revolution
1777:National Public Radio (NPR)
1412:. Retrieved August 17, 2010
964:
871:Portland Art Museum, Oregon
844:Museum of Fine Arts, Boston
827:Kalamazoo Institute of Arts
582:Frankenthaler received the
10:
5099:
5068:20th-century American Jews
5063:21st-century American Jews
4998:American women printmakers
4988:American abstract painters
4166:Cora Lee Bentley Radcliffe
3378:Elizabeth Hart Jarvis Colt
1746:"Pushing Past Abstraction"
1526:. I.B.Tauris. p. 32.
1425:Exhibition Catalog, p.12,
1335:. Oxford University Press.
1299:Chadwick, Whitney (2007).
1179:. Oxford University Press.
838:Metropolitan Museum of Art
608:National Academy of Design
560:Metropolitan Museum of Art
402:Post-Painterly Abstraction
348:Metropolitan Museum of Art
328:Metropolitan Museum of Art
268:Gerald Ford administration
161:Post-Painterly Abstraction
25:
18:
5008:Bennington College alumni
4906:
4898:School of American Ballet
4835:
4769:
4708:
4647:
4586:
4535:
4474:
4466:William "Smokey" Robinson
4418:
4367:
4295:
4220:
4189:
4158:
4092:
4041:
4037:
4031:
4026:
3987:
3961:
3935:
3909:
3883:
3857:
3826:
3800:
3774:
3748:
3744:
3738:
3733:
3699:
3668:
3642:
3616:
3590:
3569:
3543:
3517:
3491:
3487:
3481:
3476:
3437:
3401:
3370:
3344:
3313:
3130:Evelyn Longman Batchelder
3097:
3093:
3087:
3082:
3042:
3020:
2999:
2863:
2822:
2788:
2770:
2719:
2622:
2593:
2570:
2259:Alexander Nemerov. 2021.
1510:Retrieved August 17, 2010
1452:Retrieved August 17, 2010
1348:Retrieved August 17, 2010
1289:Retrieved August 17, 2010
1096:Retrieved August 17, 2010
1010:Retrieved August 17, 2010
747:Detroit Institute of Arts
692:, Frankenthalerâs nephew
130:
116:
106:
92:
73:
54:
42:
35:
4212:Regina Winters-Toussaint
4010:Elizabeth George Plouffe
3504:Adrianne Baughns-Wallace
3160:Charlotte Perkins Gilman
3007:List of feminist artists
2805:The Feminist Art Journal
2093:"Action, Gesture, Paint"
1972:Marter, Joan M. (2016).
1193:Tolley-Stokes, Rebecca.
1171:Brookeman, Christopher.
956:
898:Utah Museum of Fine Arts
811:Art Institute of Chicago
203:Early life and education
5023:Jewish American artists
4069:Clara Hill (suffragist)
4064:Sarah Lee Brown Fleming
3707:Martha Minerva Franklin
3200:Isabella Beecher Hooker
2711:Women's Studio Workshop
2706:Women's Interart Center
2623:Venues or organizations
2494:The Wall Street Journal
2448:Helen Frankenthaler in
1937:"Miles McEnery Gallery"
1750:The Wall Street Journal
1395:Retrieved 3 August 2010
1329:"Colour field painting"
1301:Women, Art, and Society
1001:National Gallery of Art
855:National Gallery of Art
683:Studio Museum in Harlem
604:College Art Association
598:, Philadelphia (1968);
361:abstract expressionists
289:National Gallery of Art
5018:Hunter College faculty
4827:The Presser Foundation
4807:Ford's Theatre Society
4436:Philippe de Montebello
4426:Florence Knoll Bassett
4115:Khalilah L. Brown-Dean
3681:Patricia Goldman-Rakic
3577:Dotha Bushnell Hillyer
3414:Constance Baker Motley
2850:Women's Caucus for Art
2771:Films or documentaries
2645:Feminist Art Coalition
2515:Accessed June 26, 2012
2146:PĂ©rez Art Museum Miami
2122:PĂ©rez Art Museum Miami
1520:Alison Rowley (2007).
1237:Jewish Women's Archive
1173:"Frankenthaler, Helen"
866:PĂ©rez Art Museum Miami
805:Art Gallery of Ontario
793:PĂ©rez Art Museum Miami
731:Orangerie Herrenhausen
690:New York Supreme Court
679:Museo de Arte de Ponce
665:
584:National Medal of Arts
481:
461:
434:
351:
331:
300:abstract expressionism
295:
190:National Medal of Arts
164:exhibition curated by
155:abstract expressionist
135:Abstract expressionism
4883:Michael Tilson Thomas
4338:National Public Radio
3891:Margaret Bourke-White
3629:Mary Townsend Seymour
3561:Miriam Therese Winter
3445:Jane Hamilton-Merritt
3285:Harriet Beecher Stowe
3280:Hilda Crosby Standish
3275:Smiths of Glastonbury
3270:Virginia Thrall Smith
3205:Emeline Roberts Jones
3150:Katharine Seymour Day
3120:Beatrice Fox Auerbach
2779:!Women Art Revolution
2580:Feminist art movement
2309:Helen Frankenthaler,
1959:Miles McEnery Gallery
1955:"Helen Frankenthaler"
1406:Colour Field Painting
1233:"Helen Frankenthaler"
1045:"Helen Frankenthaler"
1021:"Helen Frankenthaler"
892:Spencer Museum of Art
759:Katonah Museum of Art
711:Tibor de Nagy Gallery
660:
633:feminist art movement
476:
456:Harry N. Abrams, Inc.
438:
430:
418:Betty Parsons Gallery
342:
322:
281:
49:Frankenthaler in 1956
5013:Dalton School alumni
4812:Fisk Jubilee Singers
4695:Viktor Schreckengost
4125:Callie Gale Heilmann
3535:Maria Miller Stewart
3509:Mary Goodrich Jenson
3393:Laura Wheeler Waring
3290:Gladys Tantaquidgeon
3245:Theodate Pope Riddle
3220:Rachel Taylor Milton
2288:Ninth Street Women:
2174:. January 12, 2012.
2053:Dazed (2020-01-15).
1660:Gruen, John (1972).
1448:After a Breakthrough
900:, Salt Lake City, UT
849:Museum of Modern Art
739:Museum of Modern Art
623:(1972) appropriated
356:color field painting
335:Color field painting
213:Alfred Frankenthaler
186:Museum of Modern Art
139:color field painting
4873:Joseph P. Riley Jr.
4792:Olivia de Havilland
4755:University of Idaho
4670:Wilhelmina Holladay
4395:Helen Frankenthaler
4313:Mikhail Baryshnikov
4130:Jerimarie Liesegang
3849:Augusta Lewis Troup
3660:Glenna Collett-Vare
3603:Helen Frankenthaler
3429:Mabel Osgood Wright
3336:MarĂa ColĂłn SĂĄnchez
3300:Hannah Bunce Watson
3250:Edna Negron Rosario
3210:Barbara B. Kennelly
3125:Emma Fielding Baker
2911:Helen Frankenthaler
2655:Lesbian Art Project
2524:Helen Frankenthaler
2271:Helen Frankenthaler
2097:Whitechapel Gallery
2081:. 11 February 2021.
1715:"Mary Beth Adelson"
1690:"Mary Beth Edelson"
971:Lyrical abstraction
951:Robert Mapplethorpe
783:Whitechapel Gallery
763:Art Students League
727:Whitechapel Gallery
556:Essence of Mulberry
552:Essence of Mulberry
534:Prints and woodcuts
274:Style and technique
197:Darien, Connecticut
151:Helen Frankenthaler
143:lyrical abstraction
85:Darien, Connecticut
68:New York City, U.S.
37:Helen Frankenthaler
4782:Richard M. Sherman
4482:Austin City Limits
4059:Catherine Flanagan
4054:Frances Ellen Burr
3953:Regina Rush-Kittle
3782:Isabelle M. Kelley
3766:Maggie Wilderotter
3686:Barbara McClintock
3676:Jewel Plummer Cobb
3530:Catherine Roraback
3305:Chase G. Woodhouse
2976:Carolee Schneemann
2736:Three Weeks in May
2511:2015-06-01 at the
2496:, November 8, 2008
2356:2007-09-29 at the
2347:Marika Herskovic,
2318:2007-09-29 at the
2243:The New York Times
2229:The New York Times
2026:The New York Times
1725:on 10 January 2014
1506:2022-10-02 at the
1481:The New York Times
1310:978-0-500--20393-4
1074:The New York Times
1026:2010-02-17 at the
1006:2020-04-06 at the
976:Wash (visual arts)
943:The New York Times
930:The New York Times
857:, Washington, D.C.
656:The New York Times
617:'s feminist piece
568:The Tales of Genji
564:The Tales of Genji
505:, Frankenthaler's
354:In 1960, the term
352:
332:
296:
248:Bennington College
101:Bennington College
4945:
4944:
4939:
4938:
4787:Robert B. Sherman
4741:Henry Z. Steinway
4594:Louis Auchincloss
4254:
4253:
4250:
4249:
4246:
4245:
4233:Melissa Bernstein
4202:Laura Cruickshank
4171:Jennifer Rizzotti
4150:Teresa C. Younger
4049:Josephine Bennett
4022:
4021:
4018:
4017:
3729:
3728:
3725:
3724:
3712:Carolyn M. Mazure
3551:Florence Griswold
3472:
3471:
3468:
3467:
3357:Madeleine L'Engle
3260:Susan Saint James
3215:Clare Boothe Luce
3190:Katharine Hepburn
3145:Prudence Crandall
3135:Catharine Beecher
3029:
3028:
2901:Mary Beth Edelson
2896:Elaine de Kooning
2744:The Sister Chapel
2412:978-0-8076-1103-6
2406:(February 1985),
2379:Pollock, Griselda
2336:978-0-8109-6911-7
2294:Elaine de Kooning
2203:Los Angeles Times
1634:Guggenheim Museum
1533:978-1-84511-518-0
1446:John Elderfield,
1333:Oxford Art Online
1270:Art International
1177:Oxford Art Online
1142:The New Criterion
935:Los Angeles Times
910:Walker Art Center
755:Denver Art Museum
753:organized by the
648:Mountains and Sea
625:Leonardo da Vinci
615:Mary Beth Edelson
592:Temple Gold Medal
578:Awards and legacy
503:Mountains and Sea
499:Mountains and Sea
495:Mountains and Sea
397:Clement Greenberg
309:Mountains and Sea
284:Mountains and Sea
260:Robert Motherwell
211:. Her father was
166:Clement Greenberg
148:
147:
124:Mountains and Sea
111:Abstract painting
77:December 27, 2011
65:December 12, 1928
5090:
4721:N. Scott Momaday
4716:Morten Lauridsen
4604:Paquito D'Rivera
4512:Tabernacle Choir
4446:Lawrence Halprin
4359:Barbra Streisand
4281:
4274:
4267:
4258:
4257:
4140:Marilyn Ondrasik
4039:
4038:
4028:
4027:
3839:Barbara Franklin
3746:
3745:
3735:
3734:
3608:Rosalind Russell
3489:
3488:
3478:
3477:
3352:Edythe J. Gaines
3230:Ellen Ash Peters
3175:Estelle Griswold
3155:Fidelia Fielding
3105:Mary Jobe Akeley
3095:
3094:
3084:
3083:
3069:
3062:
3055:
3046:
3045:
3033:
3032:
2971:Rachel Rosenthal
2946:Georgia O'Keeffe
2881:Louise Bourgeois
2752:The Dinner Party
2557:
2550:
2543:
2534:
2533:
2404:George Braziller
2286:Gabriel, Mary.
2267:Elderfield, John
2248:
2245:, DEC. 27, 2011
2239:
2233:
2232:
2220:
2214:
2213:
2211:
2209:
2194:
2188:
2187:
2185:
2183:
2169:
2162:
2156:
2155:
2153:
2152:
2138:
2132:
2131:
2129:
2128:
2114:
2108:
2107:
2105:
2103:
2089:
2083:
2082:
2075:
2069:
2068:
2066:
2065:
2050:
2044:
2043:
2041:
2040:
2018:
2012:
2011:
2009:
2008:
1994:
1988:
1987:
1969:
1963:
1962:
1951:
1945:
1944:
1933:
1927:
1926:
1924:
1922:
1907:
1901:
1888:
1882:
1881:
1879:
1877:
1862:
1856:
1855:
1853:
1851:
1837:
1831:
1830:
1819:
1813:
1812:
1810:
1809:
1794:
1788:
1787:
1785:
1783:
1768:
1762:
1761:
1759:
1757:
1741:
1735:
1734:
1732:
1730:
1711:
1705:
1704:
1702:
1700:
1686:
1680:
1679:
1668:. Viking Press.
1667:
1656:
1650:
1649:
1647:
1645:
1626:
1620:
1619:
1617:
1615:
1600:
1594:
1593:
1591:
1589:
1584:on July 21, 2011
1574:
1568:
1567:
1547:
1538:
1537:
1517:
1511:
1498:
1492:
1491:
1489:
1487:
1472:
1466:
1461:Fenton, Terry. "
1459:
1453:
1443:
1437:
1419:
1413:
1402:
1396:
1390:
1384:
1383:
1355:
1349:
1343:
1337:
1336:
1324:
1315:
1314:
1296:
1290:
1284:
1278:
1277:
1265:
1248:
1247:
1245:
1243:
1228:
1219:
1218:
1212:
1208:
1206:
1198:
1190:
1181:
1180:
1168:
1153:
1152:
1150:
1148:
1133:
1127:
1126:
1114:
1097:
1091:
1085:
1084:
1082:
1080:
1065:
1048:
1042:
1031:
1019:Web page titled
1017:
1011:
998:
888:, Louisville, KY
886:Speed Art Museum
694:Frederick Iseman
572:Madame Butterfly
548:Kenneth E. Tyler
507:Basque Landscape
459:
376:(1912â1962) and
119:
80:
64:
62:
47:
33:
32:
5098:
5097:
5093:
5092:
5091:
5089:
5088:
5087:
5028:Jewish painters
4948:
4947:
4946:
4941:
4940:
4935:
4902:
4831:
4816:Fisk University
4765:
4704:
4690:Gregory Rabassa
4643:
4624:Wynton Marsalis
4614:Leonard Garment
4582:
4531:
4517:Leonard Slatkin
4497:Suzanne Farrell
4470:
4414:
4363:
4344:Claes Oldenburg
4291:
4285:
4255:
4242:
4238:Barbara Summers
4216:
4207:Carla Squatrito
4185:
4154:
4088:
4033:
4014:
4005:Martha Langevin
3983:
3974:Anika Noni Rose
3957:
3931:
3905:
3879:
3870:Jennifer Lawton
3865:Beatrix Farrand
3853:
3822:
3818:Faith Middleton
3813:Annie Leibovitz
3796:
3770:
3756:Anne M. Mulcahy
3740:
3721:
3695:
3664:
3638:
3612:
3598:Martha Coolidge
3586:
3565:
3539:
3513:
3499:Emily Barringer
3483:
3464:
3433:
3409:Dorrit Hoffleit
3397:
3366:
3340:
3326:Caroline Hewins
3321:Helen M. Feeney
3309:
3265:Lydia Sigourney
3255:Margaret Rudkin
3165:Dorothy Goodwin
3115:Marian Anderson
3089:
3078:
3073:
3038:
3030:
3025:
3016:
2995:
2956:Louise Nevelson
2859:
2835:Guerrilla Girls
2818:
2784:
2766:
2715:
2675:tArt Collective
2639:Brooklyn Museum
2618:
2589:
2566:
2561:
2513:Wayback Machine
2459:
2423:Alison Rowley,
2420:
2358:Wayback Machine
2320:Wayback Machine
2275:Harry N. Abrams
2256:
2254:Further reading
2251:
2240:
2236:
2221:
2217:
2207:
2205:
2195:
2191:
2181:
2179:
2172:The Independent
2164:
2163:
2159:
2150:
2148:
2140:
2139:
2135:
2126:
2124:
2116:
2115:
2111:
2101:
2099:
2091:
2090:
2086:
2077:
2076:
2072:
2063:
2061:
2051:
2047:
2038:
2036:
2020:
2019:
2015:
2006:
2004:
1996:
1995:
1991:
1984:
1970:
1966:
1953:
1952:
1948:
1935:
1934:
1930:
1920:
1918:
1917:on 4 March 2016
1909:
1908:
1904:
1889:
1885:
1875:
1873:
1864:
1863:
1859:
1849:
1847:
1839:
1838:
1834:
1821:
1820:
1816:
1807:
1805:
1797:exhibit-e.com.
1795:
1791:
1781:
1779:
1769:
1765:
1755:
1753:
1742:
1738:
1728:
1726:
1713:
1712:
1708:
1698:
1696:
1688:
1687:
1683:
1676:
1657:
1653:
1643:
1641:
1640:on 3 March 2016
1628:
1627:
1623:
1613:
1611:
1601:
1597:
1587:
1585:
1576:
1575:
1571:
1548:
1541:
1534:
1518:
1514:
1508:Wayback Machine
1499:
1495:
1485:
1483:
1473:
1469:
1460:
1456:
1444:
1440:
1427:Harry N. Abrams
1420:
1416:
1403:
1399:
1391:
1387:
1360:Acta Virologica
1356:
1352:
1344:
1340:
1325:
1318:
1311:
1297:
1293:
1285:
1281:
1266:
1251:
1241:
1239:
1229:
1222:
1210:
1209:
1200:
1199:
1191:
1184:
1169:
1156:
1146:
1144:
1136:Wilkin, Karen.
1134:
1130:
1115:
1100:
1092:
1088:
1078:
1076:
1066:
1051:
1043:
1034:
1028:Wayback Machine
1018:
1014:
1008:Wayback Machine
999:
995:
991:
967:
959:
925:
906:, Ann Arbor, MI
882:, New York City
829:, Kalamazoo, MI
816:Centre Pompidou
801:
733:, Hanover; and
707:
670:
629:The Last Supper
580:
541:Tatyana Grosman
536:
491:
486:
464:John Elderfield
460:
445:
393:
382:Jackson Pollock
369:
337:
276:
242:under muralist
229:Upper East Side
205:
182:Jackson Pollock
117:
99:
88:
82:
78:
69:
66:
60:
58:
50:
38:
31:
24:
17:
12:
11:
5:
5096:
5086:
5085:
5080:
5075:
5070:
5065:
5060:
5055:
5050:
5045:
5040:
5035:
5030:
5025:
5020:
5015:
5010:
5005:
5000:
4995:
4990:
4985:
4980:
4975:
4970:
4965:
4960:
4943:
4942:
4937:
4936:
4934:
4933:
4928:
4923:
4918:
4913:
4907:
4904:
4903:
4901:
4900:
4895:
4890:
4885:
4880:
4875:
4870:
4865:
4860:
4855:
4850:
4848:Clint Eastwood
4845:
4839:
4837:
4833:
4832:
4830:
4829:
4824:
4819:
4809:
4804:
4799:
4794:
4789:
4784:
4779:
4773:
4771:
4767:
4766:
4764:
4763:
4758:
4748:
4743:
4738:
4733:
4728:
4723:
4718:
4712:
4710:
4706:
4705:
4703:
4702:
4697:
4692:
4687:
4682:
4677:
4672:
4667:
4662:
4657:
4655:William Bolcom
4651:
4649:
4645:
4644:
4642:
4641:
4636:
4631:
4626:
4621:
4619:Ollie Johnston
4616:
4611:
4606:
4601:
4599:James DePreist
4596:
4590:
4588:
4584:
4583:
4581:
4580:
4575:
4573:Vincent Scully
4570:
4565:
4560:
4558:Frederick Hart
4555:
4553:Carlisle Floyd
4550:
4545:
4539:
4537:
4533:
4532:
4530:
4529:
4524:
4519:
4514:
4509:
4504:
4499:
4494:
4489:
4487:Beverly Cleary
4484:
4478:
4476:
4472:
4471:
4469:
4468:
4463:
4458:
4453:
4448:
4443:
4438:
4433:
4428:
4422:
4420:
4416:
4415:
4413:
4412:
4407:
4402:
4400:Judith Jamison
4397:
4392:
4387:
4382:
4377:
4371:
4369:
4365:
4364:
4362:
4361:
4356:
4351:
4349:Itzhak Perlman
4346:
4341:
4335:
4330:
4325:
4320:
4315:
4310:
4305:
4299:
4297:
4293:
4292:
4284:
4283:
4276:
4269:
4261:
4252:
4251:
4248:
4247:
4244:
4243:
4241:
4240:
4235:
4230:
4224:
4222:
4218:
4217:
4215:
4214:
4209:
4204:
4199:
4193:
4191:
4187:
4186:
4184:
4183:
4178:
4173:
4168:
4162:
4160:
4156:
4155:
4153:
4152:
4147:
4145:Pamela Selders
4142:
4137:
4132:
4127:
4122:
4120:Glynda C. Carr
4117:
4112:
4107:
4105:Patricia Baker
4102:
4096:
4094:
4090:
4089:
4087:
4086:
4081:
4076:
4071:
4066:
4061:
4056:
4051:
4045:
4043:
4035:
4034:
4024:
4023:
4020:
4019:
4016:
4015:
4013:
4012:
4007:
4002:
3997:
3995:Marian Chertow
3991:
3989:
3985:
3984:
3982:
3981:
3976:
3971:
3965:
3963:
3959:
3958:
3956:
3955:
3950:
3945:
3943:Kristen Griest
3939:
3937:
3933:
3932:
3930:
3929:
3924:
3919:
3913:
3911:
3907:
3906:
3904:
3903:
3898:
3893:
3887:
3885:
3881:
3880:
3878:
3877:
3875:Marian Salzman
3872:
3867:
3861:
3859:
3855:
3854:
3852:
3851:
3846:
3841:
3836:
3830:
3828:
3824:
3823:
3821:
3820:
3815:
3810:
3804:
3802:
3798:
3797:
3795:
3794:
3789:
3787:Denise Nappier
3784:
3778:
3776:
3772:
3771:
3769:
3768:
3763:
3761:Martha Parsons
3758:
3752:
3750:
3742:
3741:
3731:
3730:
3727:
3726:
3723:
3722:
3720:
3719:
3717:Helen L. Smits
3714:
3709:
3703:
3701:
3697:
3696:
3694:
3693:
3691:Joan A. Steitz
3688:
3683:
3678:
3672:
3670:
3666:
3665:
3663:
3662:
3657:
3652:
3650:Dorothy Hamill
3646:
3644:
3640:
3639:
3637:
3636:
3631:
3626:
3620:
3618:
3614:
3613:
3611:
3610:
3605:
3600:
3594:
3592:
3588:
3587:
3585:
3584:
3582:Clarice McLean
3579:
3573:
3571:
3567:
3566:
3564:
3563:
3558:
3553:
3547:
3545:
3541:
3540:
3538:
3537:
3532:
3527:
3521:
3519:
3515:
3514:
3512:
3511:
3506:
3501:
3495:
3493:
3485:
3484:
3474:
3473:
3470:
3469:
3466:
3465:
3463:
3462:
3457:
3452:
3447:
3441:
3439:
3435:
3434:
3432:
3431:
3426:
3424:Lillian Vernon
3421:
3416:
3411:
3405:
3403:
3399:
3398:
3396:
3395:
3390:
3385:
3380:
3374:
3372:
3368:
3367:
3365:
3364:
3362:Susanne Langer
3359:
3354:
3348:
3346:
3342:
3341:
3339:
3338:
3333:
3328:
3323:
3317:
3315:
3311:
3310:
3308:
3307:
3302:
3297:
3292:
3287:
3282:
3277:
3272:
3267:
3262:
3257:
3252:
3247:
3242:
3237:
3232:
3227:
3222:
3217:
3212:
3207:
3202:
3197:
3192:
3187:
3185:Alice Hamilton
3182:
3177:
3172:
3167:
3162:
3157:
3152:
3147:
3142:
3137:
3132:
3127:
3122:
3117:
3112:
3107:
3101:
3099:
3091:
3090:
3080:
3079:
3072:
3071:
3064:
3057:
3049:
3043:
3040:
3039:
3027:
3026:
3021:
3018:
3017:
3015:
3014:
3009:
3003:
3001:
2997:
2996:
2994:
2993:
2988:
2983:
2978:
2973:
2968:
2966:M. C. Richards
2963:
2958:
2953:
2951:Barbara Kruger
2948:
2943:
2938:
2933:
2928:
2923:
2918:
2913:
2908:
2903:
2898:
2893:
2888:
2883:
2878:
2873:
2871:Alison Bechdel
2867:
2865:
2861:
2860:
2858:
2857:
2852:
2847:
2842:
2840:The Waitresses
2837:
2832:
2826:
2824:
2820:
2819:
2817:
2816:
2809:
2801:
2792:
2790:
2786:
2785:
2783:
2782:
2774:
2772:
2768:
2767:
2765:
2764:
2756:
2748:
2740:
2732:
2723:
2721:
2717:
2716:
2714:
2713:
2708:
2703:
2698:
2693:
2688:
2682:
2677:
2672:
2670:SOHO20 Gallery
2667:
2662:
2657:
2652:
2647:
2642:
2632:
2630:A.I.R. Gallery
2626:
2624:
2620:
2619:
2617:
2616:
2610:
2604:
2597:
2595:
2591:
2590:
2588:
2587:
2582:
2577:
2571:
2568:
2567:
2560:
2559:
2552:
2545:
2537:
2531:
2530:
2521:
2516:
2503:
2498:
2489:
2484:
2480:New York Times
2475:
2470:
2465:
2458:
2457:External links
2455:
2454:
2453:
2446:
2430:
2419:
2416:
2415:
2414:
2393:
2376:
2345:
2343:978-0892071975
2307:
2298:Grace Hartigan
2284:
2264:
2255:
2252:
2250:
2249:
2234:
2215:
2189:
2157:
2133:
2109:
2084:
2070:
2045:
2028:. 2019-11-20.
2013:
1989:
1982:
1964:
1946:
1943:. 18 May 2021.
1928:
1902:
1883:
1872:. 29 July 2021
1857:
1832:
1814:
1789:
1763:
1736:
1706:
1681:
1674:
1651:
1621:
1595:
1569:
1539:
1532:
1512:
1493:
1467:
1454:
1438:
1421:Carmean, E.A.
1414:
1397:
1385:
1350:
1338:
1327:Anfam, David.
1316:
1309:
1291:
1279:
1249:
1220:
1211:|website=
1182:
1154:
1128:
1098:
1086:
1049:
1032:
1012:
992:
990:
987:
986:
985:
978:
973:
966:
963:
958:
955:
947:Andres Serrano
924:
921:
920:
919:
913:
907:
901:
895:
894:, Lawrence, KS
889:
883:
877:
872:
869:
863:
858:
852:
846:
841:
835:
830:
824:
819:
813:
808:
800:
797:
706:
703:
669:
666:
640:Kenneth Noland
579:
576:
535:
532:
490:
487:
485:
482:
443:
392:
389:
378:Kenneth Noland
368:
365:
346:(1969) at the
336:
333:
326:(1957) at the
293:Washington, DC
275:
272:
204:
201:
146:
145:
132:
128:
127:
120:
114:
113:
108:
107:Known for
104:
103:
94:
90:
89:
83:
81:(aged 83)
75:
71:
70:
67:
56:
52:
51:
48:
40:
39:
36:
15:
9:
6:
4:
3:
2:
5095:
5084:
5081:
5079:
5076:
5074:
5071:
5069:
5066:
5064:
5061:
5059:
5056:
5054:
5051:
5049:
5046:
5044:
5041:
5039:
5036:
5034:
5031:
5029:
5026:
5024:
5021:
5019:
5016:
5014:
5011:
5009:
5006:
5004:
5001:
4999:
4996:
4994:
4991:
4989:
4986:
4984:
4981:
4979:
4976:
4974:
4971:
4969:
4966:
4964:
4961:
4959:
4956:
4955:
4953:
4932:
4929:
4927:
4924:
4922:
4919:
4917:
4914:
4912:
4911:Complete list
4909:
4908:
4905:
4899:
4896:
4894:
4891:
4889:
4888:John Williams
4886:
4884:
4881:
4879:
4876:
4874:
4871:
4869:
4868:Jessye Norman
4866:
4864:
4861:
4859:
4856:
4854:
4853:Milton Glaser
4851:
4849:
4846:
4844:
4841:
4840:
4838:
4834:
4828:
4825:
4823:
4820:
4817:
4813:
4810:
4808:
4805:
4803:
4802:JesĂșs Moroles
4800:
4798:
4795:
4793:
4790:
4788:
4785:
4783:
4780:
4778:
4775:
4774:
4772:
4768:
4762:
4759:
4756:
4752:
4749:
4747:
4746:George Tooker
4744:
4742:
4739:
4737:
4734:
4732:
4731:Roy Neuberger
4729:
4727:
4724:
4722:
4719:
4717:
4714:
4713:
4711:
4707:
4701:
4700:Ralph Stanley
4698:
4696:
4693:
4691:
4688:
4686:
4683:
4681:
4678:
4676:
4673:
4671:
4668:
4666:
4663:
4661:
4658:
4656:
4653:
4652:
4650:
4646:
4640:
4637:
4635:
4632:
4630:
4627:
4625:
4622:
4620:
4617:
4615:
4612:
4610:
4609:Robert Duvall
4607:
4605:
4602:
4600:
4597:
4595:
4592:
4591:
4589:
4585:
4579:
4576:
4574:
4571:
4569:
4566:
4564:
4563:Anthony Hecht
4561:
4559:
4556:
4554:
4551:
4549:
4546:
4544:
4541:
4540:
4538:
4534:
4528:
4525:
4523:
4522:George Strait
4520:
4518:
4515:
4513:
4510:
4508:
4505:
4503:
4500:
4498:
4495:
4493:
4490:
4488:
4485:
4483:
4480:
4479:
4477:
4473:
4467:
4464:
4462:
4459:
4457:
4454:
4452:
4451:Al Hirschfeld
4449:
4447:
4444:
4442:
4439:
4437:
4434:
4432:
4429:
4427:
4424:
4423:
4421:
4417:
4411:
4408:
4406:
4403:
4401:
4398:
4396:
4393:
4391:
4388:
4386:
4383:
4381:
4380:Rudolfo Anaya
4378:
4376:
4373:
4372:
4370:
4366:
4360:
4357:
4355:
4354:Harold Prince
4352:
4350:
4347:
4345:
4342:
4339:
4336:
4334:
4333:Lewis Manilow
4331:
4329:
4326:
4324:
4321:
4319:
4316:
4314:
4311:
4309:
4306:
4304:
4301:
4300:
4298:
4294:
4289:
4282:
4277:
4275:
4270:
4268:
4263:
4262:
4259:
4239:
4236:
4234:
4231:
4229:
4226:
4225:
4223:
4219:
4213:
4210:
4208:
4205:
4203:
4200:
4198:
4195:
4194:
4192:
4188:
4182:
4179:
4177:
4176:Lhakpa Sherpa
4174:
4172:
4169:
4167:
4164:
4163:
4161:
4157:
4151:
4148:
4146:
4143:
4141:
4138:
4136:
4133:
4131:
4128:
4126:
4123:
4121:
4118:
4116:
4113:
4111:
4108:
4106:
4103:
4101:
4100:Enola G. Aird
4098:
4097:
4095:
4091:
4085:
4084:Emily Pierson
4082:
4080:
4077:
4075:
4072:
4070:
4067:
4065:
4062:
4060:
4057:
4055:
4052:
4050:
4047:
4046:
4044:
4040:
4036:
4029:
4025:
4011:
4008:
4006:
4003:
4001:
3998:
3996:
3993:
3992:
3990:
3986:
3980:
3979:Tina Weymouth
3977:
3975:
3972:
3970:
3967:
3966:
3964:
3960:
3954:
3951:
3949:
3948:Ruth A. Lucas
3946:
3944:
3941:
3940:
3938:
3934:
3928:
3927:Joyce Yerwood
3925:
3923:
3920:
3918:
3915:
3914:
3912:
3908:
3902:
3899:
3897:
3896:Carolyn Miles
3894:
3892:
3889:
3888:
3886:
3882:
3876:
3873:
3871:
3868:
3866:
3863:
3862:
3860:
3856:
3850:
3847:
3845:
3844:Linda Lorimer
3842:
3840:
3837:
3835:
3832:
3831:
3829:
3825:
3819:
3816:
3814:
3811:
3809:
3806:
3805:
3803:
3799:
3793:
3792:Patricia Wald
3790:
3788:
3785:
3783:
3780:
3779:
3777:
3773:
3767:
3764:
3762:
3759:
3757:
3754:
3753:
3751:
3747:
3743:
3736:
3732:
3718:
3715:
3713:
3710:
3708:
3705:
3704:
3702:
3698:
3692:
3689:
3687:
3684:
3682:
3679:
3677:
3674:
3673:
3671:
3667:
3661:
3658:
3656:
3653:
3651:
3648:
3647:
3645:
3641:
3635:
3634:Anne Stanback
3632:
3630:
3627:
3625:
3622:
3621:
3619:
3615:
3609:
3606:
3604:
3601:
3599:
3596:
3595:
3593:
3589:
3583:
3580:
3578:
3575:
3574:
3572:
3568:
3562:
3559:
3557:
3554:
3552:
3549:
3548:
3546:
3542:
3536:
3533:
3531:
3528:
3526:
3523:
3522:
3520:
3516:
3510:
3507:
3505:
3502:
3500:
3497:
3496:
3494:
3490:
3486:
3479:
3475:
3461:
3460:Florence Wald
3458:
3456:
3453:
3451:
3450:Sophie Tucker
3448:
3446:
3443:
3442:
3440:
3436:
3430:
3427:
3425:
3422:
3420:
3419:Rosa Ponselle
3417:
3415:
3412:
3410:
3407:
3406:
3404:
3400:
3394:
3391:
3389:
3386:
3384:
3383:Annie Dillard
3381:
3379:
3376:
3375:
3373:
3369:
3363:
3360:
3358:
3355:
3353:
3350:
3349:
3347:
3343:
3337:
3334:
3332:
3331:Donna Lopiano
3329:
3327:
3324:
3322:
3319:
3318:
3316:
3312:
3306:
3303:
3301:
3298:
3296:
3293:
3291:
3288:
3286:
3283:
3281:
3278:
3276:
3273:
3271:
3268:
3266:
3263:
3261:
3258:
3256:
3253:
3251:
3248:
3246:
3243:
3241:
3238:
3236:
3233:
3231:
3228:
3226:
3223:
3221:
3218:
3216:
3213:
3211:
3208:
3206:
3203:
3201:
3198:
3196:
3193:
3191:
3188:
3186:
3183:
3181:
3178:
3176:
3173:
3171:
3168:
3166:
3163:
3161:
3158:
3156:
3153:
3151:
3148:
3146:
3143:
3141:
3138:
3136:
3133:
3131:
3128:
3126:
3123:
3121:
3118:
3116:
3113:
3111:
3108:
3106:
3103:
3102:
3100:
3096:
3092:
3085:
3081:
3077:
3070:
3065:
3063:
3058:
3056:
3051:
3050:
3047:
3041:
3034:
3024:
3019:
3013:
3010:
3008:
3005:
3004:
3002:
2998:
2992:
2989:
2987:
2984:
2982:
2981:Cindy Sherman
2979:
2977:
2974:
2972:
2969:
2967:
2964:
2962:
2959:
2957:
2954:
2952:
2949:
2947:
2944:
2942:
2939:
2937:
2934:
2932:
2929:
2927:
2924:
2922:
2919:
2917:
2914:
2912:
2909:
2907:
2904:
2902:
2899:
2897:
2894:
2892:
2889:
2887:
2884:
2882:
2879:
2877:
2876:Lynda Benglis
2874:
2872:
2869:
2868:
2866:
2864:Notable women
2862:
2856:
2853:
2851:
2848:
2846:
2843:
2841:
2838:
2836:
2833:
2831:
2828:
2827:
2825:
2821:
2814:
2810:
2807:
2806:
2802:
2799:
2798:
2794:
2793:
2791:
2787:
2781:
2780:
2776:
2775:
2773:
2769:
2762:
2761:
2757:
2754:
2753:
2749:
2746:
2745:
2741:
2738:
2737:
2733:
2730:
2729:
2725:
2724:
2722:
2718:
2712:
2709:
2707:
2704:
2702:
2699:
2697:
2694:
2692:
2689:
2686:
2683:
2681:
2678:
2676:
2673:
2671:
2668:
2666:
2663:
2661:
2658:
2656:
2653:
2651:
2648:
2646:
2643:
2640:
2636:
2633:
2631:
2628:
2627:
2625:
2621:
2614:
2611:
2608:
2605:
2602:
2599:
2598:
2596:
2592:
2586:
2585:Women artists
2583:
2581:
2578:
2576:
2573:
2572:
2569:
2565:
2558:
2553:
2551:
2546:
2544:
2539:
2538:
2535:
2529:
2525:
2522:
2520:
2517:
2514:
2510:
2507:
2504:
2502:
2499:
2497:
2495:
2490:
2488:
2485:
2483:
2481:
2476:
2474:
2471:
2469:
2466:
2464:
2461:
2460:
2451:
2447:
2445:
2444:0-520-20253-8
2441:
2437:
2436:
2431:
2428:
2427:
2422:
2421:
2413:
2409:
2405:
2401:
2397:
2396:Wilkin, Karen
2394:
2392:
2391:0-7190-4398-0
2388:
2384:
2380:
2377:
2375:
2374:0-87099-477-8
2371:
2367:
2366:0-9677994-0-6
2363:
2359:
2355:
2352:
2351:
2346:
2344:
2340:
2337:
2333:
2329:
2328:0-8109-6911-4
2325:
2321:
2317:
2314:
2313:
2308:
2305:
2303:
2302:Joan Mitchell
2299:
2295:
2291:
2285:
2283:
2282:0-8109-0916-2
2279:
2276:
2272:
2268:
2265:
2262:
2258:
2257:
2247:
2244:
2238:
2230:
2226:
2219:
2204:
2200:
2193:
2177:
2173:
2168:
2161:
2147:
2143:
2137:
2123:
2119:
2113:
2098:
2094:
2088:
2080:
2074:
2060:
2056:
2049:
2035:
2031:
2027:
2023:
2017:
2003:
1999:
1993:
1985:
1983:9780300208429
1979:
1975:
1968:
1960:
1956:
1950:
1942:
1938:
1932:
1916:
1912:
1906:
1899:
1898:
1893:
1887:
1871:
1867:
1861:
1846:
1842:
1836:
1828:
1824:
1818:
1804:
1800:
1793:
1778:
1774:
1767:
1751:
1747:
1740:
1724:
1720:
1716:
1710:
1695:
1691:
1685:
1677:
1675:0-916366-54-5
1671:
1666:
1665:
1655:
1639:
1635:
1631:
1625:
1610:
1606:
1599:
1583:
1579:
1573:
1565:
1561:
1557:
1553:
1546:
1544:
1535:
1529:
1525:
1524:
1516:
1509:
1505:
1502:
1497:
1482:
1478:
1471:
1464:
1458:
1451:
1449:
1442:
1436:
1435:0-8109-1179-5
1432:
1428:
1424:
1418:
1411:
1407:
1401:
1394:
1389:
1381:
1377:
1373:
1369:
1365:
1361:
1354:
1347:
1342:
1334:
1330:
1323:
1321:
1312:
1306:
1302:
1295:
1288:
1283:
1275:
1271:
1264:
1262:
1260:
1258:
1256:
1254:
1238:
1234:
1227:
1225:
1216:
1204:
1196:
1189:
1187:
1178:
1174:
1167:
1165:
1163:
1161:
1159:
1143:
1139:
1132:
1124:
1120:
1113:
1111:
1109:
1107:
1105:
1103:
1095:
1090:
1075:
1071:
1064:
1062:
1060:
1058:
1056:
1054:
1046:
1041:
1039:
1037:
1029:
1025:
1022:
1016:
1009:
1005:
1002:
997:
993:
984:
983:
982:Sunset Corner
979:
977:
974:
972:
969:
968:
962:
954:
952:
948:
944:
940:
936:
932:
931:
917:
914:
912:, Minneapolis
911:
908:
905:
902:
899:
896:
893:
890:
887:
884:
881:
878:
876:
873:
870:
867:
864:
862:
859:
856:
853:
850:
847:
845:
842:
839:
836:
834:
831:
828:
825:
823:
820:
817:
814:
812:
809:
806:
803:
802:
796:
794:
790:
786:
784:
780:
779:
773:
771:
766:
764:
760:
756:
752:
748:
744:
740:
736:
735:Kongresshalle
732:
728:
724:
720:
719:Jewish Museum
716:
712:
702:
699:
698:Clifford Ross
696:claimed that
695:
691:
686:
684:
680:
676:
664:
659:
657:
653:
649:
645:
641:
636:
634:
630:
626:
622:
621:
616:
611:
609:
605:
601:
597:
593:
589:
585:
575:
573:
569:
565:
561:
557:
553:
549:
544:
542:
531:
528:
524:
520:
518:
514:
512:
508:
504:
500:
496:
480:
475:
473:
469:
465:
457:
453:
452:Frankenthaler
449:
442:
437:
433:
429:
427:
423:
419:
414:
412:
408:
404:
403:
398:
388:
385:
383:
379:
375:
364:
362:
357:
349:
345:
341:
329:
325:
324:Western Dream
321:
317:
315:
311:
310:
304:
301:
294:
290:
286:
285:
280:
271:
269:
264:
261:
257:
253:
249:
245:
244:Rufino Tamayo
241:
240:Dalton School
236:
234:
233:Clifford Ross
230:
226:
222:
218:
214:
210:
209:New York City
200:
198:
193:
191:
187:
183:
179:
175:
171:
167:
163:
162:
156:
152:
144:
140:
136:
133:
129:
126:
125:
121:
115:
112:
109:
105:
102:
98:
97:Dalton School
95:
91:
86:
76:
72:
57:
53:
46:
41:
34:
29:
22:
4878:Frank Stella
4761:Andrew Wyeth
4680:Erich Kunzel
4665:Roy DeCarava
4660:Cyd Charisse
4639:Dolly Parton
4634:Tina Ramirez
4568:John Ruthven
4548:Ray Bradbury
4492:Rafe Esquith
4461:Ming Cho Lee
4456:George Jones
4431:Trisha Brown
4410:Mike Nichols
4394:
4390:Kirk Douglas
4328:Horton Foote
4318:Benny Carter
4303:Maya Angelou
4110:Donna Berman
3917:Rebecca Lobo
3834:Rosa DeLauro
3808:Anne Garrels
3624:Helen Keller
3602:
3556:Eileen Kraus
3295:Betty Tianti
3240:Sarah Porter
2936:Jane Kaufman
2921:Nancy Graves
2916:Mary Garrard
2910:
2891:Judy Chicago
2886:Norma Broude
2803:
2795:
2789:Publications
2777:
2758:
2750:
2742:
2734:
2726:
2650:Hera Gallery
2575:Feminist art
2493:
2479:
2433:
2424:
2418:Bibliography
2399:
2382:
2349:
2311:
2287:
2270:
2260:
2242:
2237:
2228:
2218:
2206:. Retrieved
2202:
2192:
2180:. Retrieved
2171:
2160:
2149:. Retrieved
2145:
2136:
2125:. Retrieved
2121:
2112:
2100:. Retrieved
2096:
2087:
2073:
2062:. Retrieved
2058:
2048:
2037:. Retrieved
2025:
2016:
2005:. Retrieved
2002:artdaily.com
2001:
1992:
1973:
1967:
1958:
1949:
1940:
1931:
1919:. Retrieved
1915:the original
1905:
1895:
1886:
1874:. Retrieved
1869:
1860:
1848:. Retrieved
1844:
1835:
1826:
1817:
1806:. Retrieved
1802:
1792:
1782:December 27,
1780:. Retrieved
1776:
1766:
1756:December 27,
1754:. Retrieved
1749:
1739:
1727:. Retrieved
1723:the original
1718:
1709:
1697:. Retrieved
1693:
1684:
1663:
1654:
1642:. Retrieved
1638:the original
1633:
1624:
1614:December 27,
1612:. Retrieved
1608:
1598:
1588:December 27,
1586:. Retrieved
1582:the original
1572:
1555:
1551:
1522:
1515:
1496:
1484:. Retrieved
1480:
1470:
1463:Morris Louis
1457:
1447:
1441:
1422:
1417:
1400:
1388:
1363:
1359:
1353:
1341:
1332:
1300:
1294:
1282:
1273:
1269:
1242:December 27,
1240:. Retrieved
1236:
1231:Belz, Carl.
1194:
1176:
1145:. Retrieved
1141:
1131:
1122:
1118:
1089:
1079:December 27,
1077:. Retrieved
1073:
1015:
996:
980:
960:
942:
934:
928:
926:
788:
787:
785:in London.
776:
774:
767:
750:
741:, New York;
715:Frank O'Hara
708:
687:
674:
671:
661:
655:
647:
644:Morris Louis
637:
628:
619:
612:
581:
571:
567:
563:
555:
551:
545:
537:
526:
522:
521:
517:Swan Lake #2
516:
515:
510:
506:
502:
498:
494:
492:
477:
468:Paul CĂ©zanne
462:
458:1975, p. 85)
451:
448:Barbara Rose
439:
435:
431:
425:
421:
415:
407:Hans Hofmann
400:
394:
386:
374:Morris Louis
370:
353:
343:
323:
307:
305:
297:
282:
265:
256:Hans Hofmann
246:and also at
237:
206:
194:
178:Hans Hofmann
159:
150:
149:
122:
118:Notable work
79:(2011-12-27)
21:Gouais blanc
4963:2011 deaths
4958:1928 births
4863:Rita Moreno
4578:Twyla Tharp
4385:Johnny Cash
4323:Chuck Close
4308:Eddy Arnold
4228:Sara Bronin
4197:Lisa Cortés
4181:Suzy Whaley
4079:Helena Hill
4000:Nell Newman
3969:Lucia Chase
3922:Jane Pauley
3901:Indra Nooyi
3455:Ann Uccello
3170:Ella Grasso
3110:Anni Albers
2986:Alma Thomas
2941:Lee Krasner
2931:Lila Katzen
2906:Suzi Ferrer
2855:Where We At
2808:(1972â1977)
2800:(1977â1992)
2747:(1974â1978)
2290:Lee Krasner
2208:December 5,
2182:October 22,
1752:. Dow Jones
1558:(1): 8â11.
1486:December 5,
1147:October 23,
799:Collections
705:Exhibitions
484:Major works
454:(New York:
252:Paul Feeley
170:color field
4952:Categories
4797:Hank Jones
4726:Craig Noel
4527:Tommy Tune
4507:Ron Howard
4135:Kica Matos
4074:Elsie Hill
3655:Joan Joyce
3525:Laura Nyro
3388:Margo Rose
3225:Alice Paul
3140:Jody Cohen
2991:June Wayne
2728:Womanhouse
2594:Precursors
2482:, 12/29/11
2263:. Penguin.
2151:2023-08-23
2127:2024-09-04
2064:2022-11-23
2039:2022-11-23
2007:2022-11-23
1921:3 February
1808:2018-03-22
1729:10 January
1699:11 January
1644:3 February
1366:(6): 497.
1346:Britannica
989:References
918:, New York
851:, New York
840:, New York
729:, London;
472:John Marin
391:Influences
172:. Born in
61:1928-12-12
28:Trollinger
4843:Bob Dylan
4502:Buddy Guy
4441:Uta Hagen
3235:Ann Petry
3180:Mary Hall
2926:Eva Hesse
2034:0362-4331
1609:Salon.com
1372:0001-723X
1213:ignored (
1203:cite book
1119:Artonview
807:, Toronto
638:In 1953,
489:Paintings
367:Technique
174:Manhattan
93:Education
4858:Maya Lin
4777:Stan Lee
4736:Les Paul
4405:Yo-Yo Ma
2961:Yoko Ono
2815:" (1971)
2509:Archived
2354:Archived
2316:Archived
2273:, 1989,
2176:Archived
2102:19 April
1876:2 August
1870:Artforum
1850:2 August
1827:Observer
1504:Archived
1287:Tate bio
1276:: 28â32.
1125:: 22â27.
1024:Archived
1004:Archived
965:See also
646:saw her
444:â
428:(1950):
424:(1950),
131:Movement
4290:(2000s)
2830:subRosa
1897:ARTnews
1564:4381078
818:, Paris
781:at the
652:Pollock
511:Lorelei
350:in 2022
330:in 2022
314:Fauvism
221:Germany
2823:Groups
2763:(2007)
2755:(1979)
2739:(1977)
2731:(1972)
2615:(1892)
2609:(1889)
2603:(1881)
2442:
2410:
2389:
2372:
2364:
2341:
2334:
2326:
2280:
2032:
1980:
1894:
1672:
1562:
1530:
1433:
1378:
1370:
1307:
745:; and
344:Stride
225:Gloria
180:, and
87:, U.S.
4931:2010s
4926:2000s
4921:1990s
4916:1980s
4032:2020s
3739:2010s
3482:2000s
3088:1990s
3000:Lists
2687:(WAR)
2059:Dazed
1941:Ocula
1560:JSTOR
957:Death
4836:2009
4770:2008
4709:2007
4648:2006
4587:2005
4536:2004
4475:2003
4419:2002
4368:2001
4296:2000
4221:2024
4190:2023
4159:2022
4093:2021
4042:2020
3988:2019
3962:2018
3936:2017
3910:2016
3884:2015
3858:2014
3827:2013
3801:2012
3775:2011
3749:2010
3700:2009
3669:2008
3643:2007
3617:2006
3591:2005
3570:2003
3544:2002
3518:2001
3492:2000
3438:1999
3402:1998
3371:1997
3345:1996
3314:1995
3098:1994
2528:IMDb
2440:ISBN
2408:ISBN
2387:ISBN
2370:ISBN
2362:ISBN
2339:ISBN
2332:ISBN
2324:ISBN
2278:ISBN
2210:2013
2184:2018
2104:2023
2030:ISSN
1978:ISBN
1923:2016
1878:2021
1852:2021
1784:2011
1758:2011
1731:2014
1701:2014
1670:ISBN
1646:2016
1616:2011
1590:2011
1552:MoMA
1528:ISBN
1488:2013
1431:ISBN
1410:Tate
1380:1998
1376:PMID
1368:ISSN
1305:ISBN
1244:2011
1215:help
1149:2015
1081:2011
868:, FL
642:and
527:Eden
523:Eden
470:and
215:, a
74:Died
55:Born
4814:, (
2526:at
1408:".
635:."
627:âs
493:In
446:In
4954::
2402:,
2398:.
2330:,
2300:,
2296:,
2292:,
2269:.
2227:.
2201:.
2170:.
2144:.
2120:.
2095:.
2057:.
2024:.
2000:.
1957:.
1939:.
1868:.
1843:.
1825:.
1801:.
1775:.
1748:.
1717:.
1692:.
1632:.
1607:.
1554:.
1542:^
1479:.
1374:.
1364:19
1362:.
1331:.
1319:^
1274:22
1272:.
1252:^
1235:.
1223:^
1207::
1205:}}
1201:{{
1185:^
1175:.
1157:^
1140:.
1123:44
1121:.
1101:^
1072:.
1052:^
1035:^
949:,
594:,
450:,
413:.
384:.
291:,
270:.
235:.
199:.
192:.
141:,
137:,
4818:)
4757:)
4753:(
4280:e
4273:t
4266:v
3068:e
3061:t
3054:v
2811:"
2641:)
2637:(
2556:e
2549:t
2542:v
2231:.
2212:.
2186:.
2154:.
2130:.
2106:.
2067:.
2042:.
2010:.
1986:.
1961:.
1925:.
1900:.
1880:.
1854:.
1811:.
1786:.
1760:.
1733:.
1703:.
1678:.
1648:.
1618:.
1592:.
1566:.
1556:2
1536:.
1490:.
1404:"
1382:.
1313:.
1246:.
1217:)
1151:.
1083:.
63:)
59:(
30:.
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
