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of view, in the overall organisation of the different movements or the spatial distribution of the various instruments, but is also apparent in the music itself (themes, harmonies and rhythms mirroring, complementing or opposing each other). According to Stuart
Jefferies, "A passage may be conceived as a symmetrical shape of notes on paper and only later given musical substance. He loves symmetrical musical figures such as palindromes or fan-shaped phrases".
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825:), a violin concerto he had commissioned from Dutilleux. According to the composer, it is based on a process of continual growth and renewal: "All in all the piece grows somewhat like a tree, for the constant multiplication and renewal of its branches is the lyrical essence of the tree. This symbolic image, as well as the notion of a seasonal cycle, inspired my choice of 'L'arbre des songes' as the title of the piece."
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1619:"It is especially the ideas of time and memory, more specifically involuntary memory that the internationally acclaimed French composer Henri Dutilleux finds attractive. Dutilleux often refers to Proust's influence on his music. Furthermore, they both believe in direct experience and communication as the essential function of the work of art"
672:, how a series of subtle and gradual changes can radically transform a structure. A different section of the orchestra dominates each of the first four movements before the fifth brings them all together. As a result, it can be considered as a concerto for orchestra. It quickly achieved celebrity and, following its premiĂšre by
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was ambiguous. While he always paid attention to developments in contemporary music and incorporated some serialist techniques into his work, he also criticized the more radical and intolerant aspects of the movement: "What I reject is the dogma and the authoritarianism which manifested themselves in
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CIRM â Centre
National de CrĂ©ation Musicale, 2006 "Les MĂ©taboles furent commandĂ©es en 1959 par le chef George Szell Ă Henri Dutilleux Ă l'occasion du quarantiĂšme anniversaire de l'Orchestre de Cleveland, qui en assura la crĂ©ation le 14 janvier 1965 sous la direction du commanditaire. L'Ćuvre connut
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Dutilleux allowed only a small fraction of his work to be published. He often expressed a wish to write more chamber music, notably a second string quartet, a piece for clarinet and ensemble, one for solo double bass, and more piano préludes. He long considered composing an opera but abandoned that
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that serve as atonal pitch centers; and "reverse variation", whereby a theme is revealed gradually, appearing in its complete form only after a few partial, tentative expositions. His music also displays a strong sense of structure and symmetry. This is particularly obvious from an "external" point
2038:"This modest outputâmodest in quantity, though not in qualityâis nonetheless deceptive. His biographer Caroline Potter reports, 'Dutilleux has said that, contrary to what may be assumed by glancing at his catalogue, he actually writes a great deal, but uses only a small percentage of the material.
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said, "Because
Dutilleux was a perfectionist and self-critical to a fault, his output was small. He wrote barely a dozen major works in his career, destroyed much of his early music and often revised what he had written. His early work was clearly derivative of Ravel, Debussy and Roussel; but his
40:
655:(1959), the orchestra is divided into two groups: a small one at the front with instruments taken from the various sections (brass, woodwind, strings and percussion) and a bigger one at the back consisting of the rest of the orchestra. Although this brings to mind the Baroque
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I always doubt my work. I always have regrets. That's why I revise my work so much and, at the same time, I regret not being more prolific. But the reason I am not more prolific is because I doubt my work and spend a lot of time changing it. It's paradoxical, isn't it?
810:. In this composition, Dutilleux attempted to translate into musical terms the opposition between emptiness and movement the painting conveys. It employs a string section of only lower-register instruments: cellos and basses, no violins or violas.
715:(1976). It consists of seven movements, some of which are linked by short "parentheses". The parentheses' function is to recall material that has already been heard and to introduce fragments that will be fully developed later. It is based on a
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said of
Dutilleux, "His production is rather small but every note has been weighed with golden scales... It's just perfect â very haunting, very beautiful. Thereâs some kind of sadness in his music which I find very touching and arresting."
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commented, "Dutilleux represented a generation of musicians with roots almost back into the 19th century; certainly his music can be seen in a direct line from that of his great predecessors
Debussy and Ravel." In an obituary in
1812:"In the meantime other cellists had Dutilleux's concerto in their repertoire and several other recordings are now available. Tout un monde lointain... is a splendid work and probably one of the composer's finest achievements"
610:, whom he married in 1946. He renounced most of the works he composed before it because he did not believe them to be representative of his mature standards, considering many of them to be too derivative to have merit.
1800:"Tout un monde lointain... un des plus beaux concertos pour violoncelle de la seconde moitié du XXe siÚcle qui... s'est trouvé hissé au premier rang, celui des concertos de Chostakovitch, Penderecki, Britten..."
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paid tribute to him as "one of the very rare contemporary composers" whose music became part of the repertoire in his lifetime, predicting that "is work will remain intensely present after his death".
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described him as "the outstanding French composer between
Messiaen and Boulez", adding that he "achieved a wholly individual synthesis of ear-catching colours and harmonies with formal rigour."
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Several major musicians and conductors championed
Dutilleux's works, notably Stern, Sacher, Mutter, Fleming, Ozawa, Munch, Szell, Rostropovich, Simon Rattle, and the Juilliard String Quartet.
1952:
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659:, the approach is different: in this piece, the smaller ensemble acts as a mirror or ghost of the bigger one, sometimes playing similar or complementary lines, sometimes contrasting ones.
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A perfectionist with a strong sense of artistic integrity, he allowed only a small number of his works to be published; what he did publish he often repeatedly revised. In his own words:
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1488:"This use of pivot chords (or pivot notes) is a constant of Dutilleux's mature style, and provides a point of reference for the listener within an essentially atonal context" (
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770:'s 70th birthday in 1976, on a request by Rostropovich to write compositions for cello solo using his name spelt out in musical notes as the theme eS-A-C-H-E-Re (
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in age, he was little affected by either, though he took an interest in their work. But his voice, marked by sensuously handled harmony and color, was his own."
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1773:"The great Russian cellist Mstislav Rostropovich commissioned Dutilleux to write Tout un monde lointain, now an important work in the cello repertoire."
1607:"Baudelaire's poetry inspired the cello concerto Tout un monde lointain...; all five movements feature a Baudelaire epigraph at the head of the score."
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presenter and critic, recalled in June 2013 an interview with
Dutilleux in which he told Cowan that his personal favourite among his own works was
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2062:"... je voudrais combler les lacunes de mon Ćuvre; ce que je nâai pas fait ou trop peu. Par exemple, jâai peu dâoeuvres de musique de chambre"
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from 1961 to 1970. He was appointed to the staff of the
Conservatoire National Supérieur de Musique in 1970 and was composer-in-residence at
2080:"Classique d'aujourd'hui, blog d'actualité de la musique classique et contemporaine: Le grand compositeur français Henri Dutilleux est mort"
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Dutilleux pushes the boundaries even further than Bartok, making use of all types of symmetry, retrograde (as in the opening of his quartet
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1991:
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later music, though influenced by Bartok and
Stravinsky, was entirely original and often seemedâin its scaleâmore German than French."
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579:), and in short interludes that recall material used in earlier movements and/or introduce ideas that will be fully developed later.
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371:. He worked for a year as a medical orderly in the army and returned to Paris in 1940, where he worked as a pianist, arranger and
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2013:
633:), keeps its momentum (thirdâ"a continuous melodic line that never goes back on itself"), and finally slowly fades out (fourthâa
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called Dutilleux "the Laura Ashley of music; tasteful, unfaultable, but hardly ever daring ... Personally, I canât stick him."
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always in mind when writing Timbres, espace, mouvement, and later added the title of the painting as a subtitle to his work."
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2529:; Dutilleux, Henri (February 1994). "Progressive Growth: Roger Nichols Talks to Henri Dutilleux about His Life and Music".
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2104:"Nor is the cycle meant as a swan songâthe composer has expressed interest in returning to the string quartet genre" (
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1901:"Correspondances... Je suis heureux que cette Ćuvre soit beaucoup jouĂ©e en ce moment, vingt fois dans le monde!"
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945:(originally for baritone and piano). He played them in a concert at the HĂŽtel de Lauzun in Dutilleux's presence.
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909:, Japan in September 2007. The American premiĂšre of this partial version took place in November 2007 with the
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880:. This work received a very enthusiastic reception and has been programmed several times since its premiĂšre.
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Some of Dutilleux's trademarks include very refined orchestral textures; complex rhythms; a preference for
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BBC Philharmonic website, "Latest Concerts from the Manchester Student Music Network" Saturday 25 November
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movements and has a perfectly symmetrical structure: music slowly emerges from silence (first movementâa
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451:, his wife who died in 2009. His tombstone is made of grey granite and bears the epitaph "Compositeur".
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rapidement la célébrité et fut reprise dans les grandes villes nord-américaines puis en France."
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2370:"Décret du 31 décembre 2003 portant élévation aux dignités de grand'croix et de grand officier"
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751:, extreme registers, contrasting dynamics...), resulting in a difficult, elaborate work.
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Rae, Caroline. 2000. "Henri Dutilleux and Maurice Ohana: Victims of an Exclusion Zone?"
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wrote that "Mr. Dutilleuxâs position in French music was proudly solitary. Between
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766:(1976â1982) for solo cello. The latter was originally composed on the occasion of
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567:. It also shows a concern for the concepts of time and memory, both in its use of
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691:, who commissioned a cello concerto from him. Rostropovich premiĂšred the work,
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2705:. Boston: Boston Symphony Orchestra (29 November) (archive from 19 July 2011).
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2767:" Brigham Young University Hawaii: Fine Arts website (accessed 19 June 2008).
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Dutilleux's music was influenced by art and literature, such as the works of
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137:. Among the leading French composers of his time, his work was rooted in the
2712:. Aldershot (UK) and Brookfield (Vermont, USA): Ashgate Publishing Company.
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Henri Dutilleux, MystĂšre et MĂ©moire des Sons: Entretiens avec Claude Glayman
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Henri Dutilleux: MusicâMystery and Memory: Conversations with Claude Glayman
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The Marie-Josée Kravis Prize for New Music at the New York Philharmonic 2011
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893:. It consists of four pieces and an instrumental interlude on two poems by
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524:. Dutilleux was greatly enamoured of vocalists, especially the jazz singer
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231:. In addition to composing, he worked as the Head of Music Production for
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but did not complete his entire residency in Rome due to the outbreak of
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924:. The expanded version was premiered at the Festival dâAuvers-sur-Oise.
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Proust's memory concept in Dutilleux's Sonata for Oboe and Piano (1947)
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701:), in 1970. It is considered one of Dutilleux's major achievements.
133:; 22 January 1916 â 22 May 2013) was a French composer of late
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1371:"Dutilleux, Henri (1916â2013) â CimetiĂšres de France et d'ailleurs"
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833:
544:
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Dutilleux's music extends the legacies of French composers such as
2830:
2683:"Henri Dutilleux: 'Le Temps l'Horloge,' for Soprano and Orchestra"
2324:"A novelist, a botanist, a TV writer, a missionary and a composer"
931:
transcribed three of his early vocal works for bassoon and piano:
680:, was performed in several North American cities, then in France.
497:
that period." Dutilleux refused to be associated with any school.
2192:
1589:"A great lover of painting, Dutilleux claimed to have van Gogh's
1195:"Henri Dutilleux | Biography, Albums, & Streaming Radio"
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Paul Tortelier: a self-portrait, in conversation with David Blum
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from 1945 to 1963. He served as professor of composition at the
520:
in the brass section, which seems to indicate the influence of
291:
67:
920:
In 2010, Dutilleux added a third movement to his chamber work
443:. He died on 22 May 2013 in Paris, aged 97, and was buried in
3465:
2823:
1569:
1435:
1152:
Prix MIDEM Classique de Cannes (for his entire oeuvre) â 2007
1110:
Grand Prix National de Musique (for his entire oeuvre) â 1967
956:
Those who commissioned works from Dutilleux include Szell (
840:(for oboe, harpsichord, double bass and percussion, 1991),
501:
333:. There, between 1933 and 1938, he attended the classes of
2189:"Henri Dutilleux, Leading French composer, Dies at Age 97"
191:
Works were commissioned from him by such major artists as
1027:
868:
and orchestra inspired by poems and letters by Van Gogh,
613:
After the Piano Sonata, Dutilleux started working on his
2513:"Henri Dutilleux's Search for Lost Time (and the Clock)"
1566:"Henri Dutilleux â Oeuvre (biography, works, resources)"
3574:
Academic staff of the Ăcole Normale de Musique de Paris
2566:, concerto pour violoncelle en présence du compositeur"
2476:. Aldershot (Hants) and Burlington (Vermont): Ashgate.
708:
for the first time in more than 20 years and wrote the
913:. The complete work was unveiled on 7 May 2009 at the
3407:
798:). He then returned to orchestral works in 1978 with
1984:"Henri Dutilleux fĂȘtĂ© au Festival d'Auvers-sur-Oise"
1953:"" Le Temps l'horloge " de Dutilleux, enfin complet"
1755:
1004:
After Dutilleux's death, the composer and conductor
739:. Each movement emphasizes various special effects (
2724:Potter, Caroline (Spring 2006). "Dutilleux at 90".
1907:
1706:
Glyn Pursglove, "Concert Review: Dutilleux, Bartok"
435:
The gravestone of Henri Dutilleux and GeneviĂšve Joy
418:, in 2006 he was the 16th composer featured in the
2787:Henri Dutilleux's page at Theodore Presser Company
2582:
1877:"L'arbre des songes, concerto for⊠| Details"
1502:
1335:"Le compositeur français Henri Dutilleux est mort"
1158:Honorary Fellowship (for his entire oeuvre) â 2008
754:Dutilleux also published various works for piano (
640:In 1953, Dutilleux wrote the music for the ballet
171:("The tree of dreams"); a string quartet known as
3083:
1829:Simon Marin's liner notes (Erato CD 0630-14068-2)
1234:"Henri Dutilleux, Modernist Composer, Dies at 97"
382:Dutilleux worked as Head of Music Production for
3599:International Rostrum of Composers prize-winners
3500:
2629:"Om te onthou: Marcel Proust en Henri Dutilleux"
2525:
2467:
2220:"Henri Dutilleux, French composer, dies aged 97"
1724:
1689:
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19:"Dutilleux" redirects here. For other uses, see
2820:"Henri Dutilleux (biography, works, resources)"
1666:The Living Composers Project: "Henri Dutilleux"
883:Dutilleux's last major work was the song cycle
290:Henri Dutilleux was born on 22 January 1916 in
3559:Honorary members of the Royal Academy of Music
2166:"Famed French composer Dutilleux dies aged 97"
1874:
1228:
905:. The first three songs were premiĂšred at the
854:(for violin and orchestra, 2002, dedicated to
704:After the cello concerto, Dutilleux turned to
270:(2005). When describing him, the music critic
3069:
2846:
2650:"Portrait: L'humble fierté d'Henri Dutilleux"
1825:
1823:
1821:
1296:
1276:(1 ed.). London: Heinemann. p. 53.
1264:
801:Timbres, espace, mouvement ou la nuit etoilée
625:) and builds towards a fast climax (secondâa
500:Dutilleux's music contains distant echoes of
243:, and was twice composer in residence at the
3569:Academic staff of the Conservatoire de Paris
2077:
1685:
1683:
1681:
1625:
848:(for Rostropovich's 70th birthday, 1997) and
516:. He often calls for Ray Robinson-style cup
306:. He was also a cousin of the mathematician
2428:"Applaudir: Entretien avec Henri Dutilleux"
2217:
1840:"Henri Dutilleux : Entree de cristal."
1563:
1224:
1222:
1220:
844:(for orchestra and children voices, 1997),
731:âFâGâCâD) that highlights the intervals of
475:. Among his favourite pieces, he mentioned
298:. He was the great-grandson of the painter
241:Conservatoire National Supérieur de Musique
3579:Royal Philharmonic Society Gold Medallists
3076:
3062:
2853:
2839:
2626:
2468:Dutilleux, Henri; Glayman, Claude (2003).
2425:
2186:
2063:
1902:
1818:
1620:
935:(from the early cycle for voice and piano
836:, string orchestra and percussion, 1989),
684:is one of his most often performed works.
668:for orchestra (1965) explores the idea of
439:For many years, Dutilleux had a studio on
38:
3589:French military personnel of World War II
2560:Peters, Jean-François (10 January 2007).
2073:
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375:. In 1942, he conducted the choir of the
3584:Commanders of the Order of Saint-Charles
2815:Website of the Dutilleux Centenary, 2016
2647:
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1364:
1362:
1217:
591:
430:
394:in 1995 and 1998. His students included
177:("Thus the night"); and two symphonies:
2627:Swart, Bernarda; Spies, Bertha (2007).
2603:10.1093/gmo/9781561592630.article.08428
2507:
1981:
1913:
1455:
1453:
1425:"'Obsessionnel', the third movement of
598:List of compositions by Henri Dutilleux
454:
318:, and piano with Victor Gallois at the
259:
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1933:from the original on 23 September 2015
1801:
1608:
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1169:Marie-Josée Kravis Prize for New Music
1116:(Japan â for his entire oeuvre) â 1994
3604:Ernst von Siemens Music Prize winners
3057:
2834:
2450:
2254:. gramophone.co.uk (22 January 1916).
2086:from the original on 17 November 2015
1963:from the original on 26 February 2023
1883:from the original on 17 November 2015
1813:
1675:(accessed 19 June 2008), paragraph 2.
1633:"Work of the week â Henri Dutilleux:
1407:from the original on 21 December 2021
1359:
1087:
606:(1946â1948), written for the pianist
128:
3554:Recipients of the Praemium Imperiale
3472:
2396:"Dutilleux centenary on BBC Radio 3"
2245:Obituary: Henri Dutilleux â composer
2180:
1450:
1126:Prix MIDEM Classique de Cannes (for
949:project because he could not find a
927:In 2011, with Dutilleux's approval,
235:for 18 years. He also taught at the
3609:Grand Cross of the Legion of Honour
2860:
2710:Henri Dutilleux: His Life and Works
2348:Nomination by Sovereign Ordonnance
1994:from the original on 7 January 2016
1347:from the original on 10 August 2017
1314:from the original on 11 August 2016
13:
3634:21st-century French male musicians
3629:20th-century French male musicians
2674:
2455:Dutilleux â Caplet Works for cello
2426:Costantino, CĂ©dric (11 May 2006).
1875:Robert Adelson (5 November 1985).
1776:"London Symphony Orchestra â 2009"
1530:(undated) (accessed 19 June 2008).
1141:Grand-Croix de la LĂ©gion d'honneur
1105:International Rostrum of Composers
467:but is also clearly influenced by
14:
3645:
2771:
2760:, new series, 212 (April): 22â30.
2648:Wasselin, Christian (July 2007).
2330:from the original on 22 June 2013
1539:Jeffries, Stuart. 28 April 2005.
1246:from the original on 24 July 2020
1205:from the original on 16 July 2013
1133:France : Grand'Croix of the
504:, as can be heard in the plucked
388:Ăcole Normale de Musique de Paris
237:Ăcole Normale de Musique de Paris
3614:Burials at Montparnasse Cemetery
3539:21st-century classical composers
3534:20th-century classical composers
3481:
3453:
3441:
3429:
3417:
3039:
3038:
2451:Culot, Hubert (September 2008).
2402:from the original on 14 May 2016
2304:from the original on 23 May 2013
2226:from the original on 23 May 2013
2199:from the original on 22 May 2020
2146:from the original on 12 May 2015
2016:. Pascal Gallois. Archived from
1982:Paulino, Romain (27 June 2010).
1381:from the original on 3 July 2017
1333:Pierre Gervasoni (22 May 2013).
828:Dutilleux's later works include
602:Dutilleux numbered as Op. 1 his
508:strings at the beginning of his
3529:French male classical composers
2801:on The Living Composers Project
2633:Tydskrif vir Geesteswetenskappe
2388:
2362:
2342:
2316:
2286:
2257:
2238:
2211:
2158:
2142:. Altamusica.com. 23 May 2013.
2132:
2098:
2056:
2032:
2006:
1975:
1945:
1919:
1895:
1868:
1832:
1806:
1794:
1767:
1734:
1698:
1659:
1613:
1601:
1583:
1578:(1974â76) or in mirror symmetry
1557:
1533:
1514:
1482:
1119:Monaco : Commander of the
889:, written for American soprano
764:3 strophes sur le nom de Sacher
1704:Seen and Heard International:
1419:
1393:
1326:
1290:
1258:
1187:
1149:(for his entire oeuvre) â 2005
907:Saito Kinen Festival Matsumoto
164:("A whole distant world") and
1:
3624:21st-century French composers
3619:20th-century French composers
3564:Conservatoire de Paris alumni
3085:Ernst von Siemens Music Prize
1927:"The Classical Music Network"
1175:
1147:Ernst von Siemens Music Prize
302:and grandson of the composer
268:Ernst von Siemens Music Prize
3549:Prix de Rome for composition
2963:Sonatine for Flute and Piano
2639:(2): 243â258. Archived from
2620:UK public library membership
2078:Bruno Serrou (22 May 2013).
1725:Dutilleux & Glayman 2003
1690:Dutilleux & Glayman 2003
1477:Dutilleux & Glayman 2003
1445:Nichols & Dutilleux 1994
1180:
687:In the 1960s, Dutilleux met
617:(1951). It consists of four
135:20th-century classical music
7:
3003:Deux sonnets de Jean Cassou
2218:Tom Service (22 May 2013).
2140:"La Chronique d'Altamusica"
2082:. Brunoserrou.blogspot.be.
1107:(for Symphony No. 1) â 1955
1014:The conductor and composer
942:Deux sonnets de Jean Cassou
122:Henri Paul Julien Dutilleux
54:Henri Paul Julien Dutilleux
16:French composer (1916â2013)
10:
3650:
3594:Pupils of Maurice Emmanuel
3524:French classical composers
2907:Timbres, espace, mouvement
2581:Potter, Caroline (2013) .
2564:Tout un monde lointain...
2488:. Originally published as
2418:
2326:. bbc.co.uk. 9 June 2013.
2264:"Henri Dutilleux obituary"
2187:Brian Wise (22 May 2013).
1302:"Henri Dutilleux obituary"
1163:Royal Philharmonic Society
966:Timbres, espace, mouvement
915:Théùtre des Champs-Elysées
595:
18:
3091:
3035:
3019:
2987:
2971:
2948:
2939:Tout un monde lointain...
2916:
2877:
2868:
2822:(in French and English).
1568:(in French and English).
1546:24 September 2016 at the
999:
911:Boston Symphony Orchestra
858:). In 2003, he completed
804:, inspired by Van Gogh's
161:Tout un monde lointain...
109:
95:
79:
49:
37:
30:
3132:Dietrich Fischer-Dieskau
2708:Potter, Caroline. 1997.
2493:. Paris: Belfond. 1993.
1711:29 November 2014 at the
1621:Swart & Spies (2007)
1429:, uses a note row. ..."
699:A whole distant world...
512:and his frequent use of
205:Juilliard String Quartet
3544:French ballet composers
2595:Oxford University Press
2350:n° 13454 of 13 May 1998
1375:www.landrucimetieres.fr
1369:Sarka-SPIP, Collectif.
962:Tout un monde lointainâŠ
694:Tout un monde lointainâŠ
447:, in the same grave as
420:Rheingau Musik Festival
329:before leaving for the
285:
258:Among Dutilleux's many
245:Tanglewood Music Center
2461:MusicWeb International
2355:7 January 2016 at the
2269:11 August 2016 at the
2049:22 August 2013 at the
1752:, accessed 26 May 2013
1715:, accessed 26 May 2013
1495:7 January 2016 at the
1401:"Mezzo Voce interview"
1121:Order of Saint-Charles
1082:Tout un monde lointain
953:that appealed to him.
878:Aleksandr Solzhenitsyn
589:
571:(notably from BartĂłk,
436:
331:Conservatoire de Paris
3519:Musicians from Angers
3354:Pierre-Laurent Aimard
3168:Karlheinz Stockhausen
3108:Mstislav Rostropovich
1403:. Youtube.com. 2010.
870:Prithwindra Mukherjee
760:Figures de résonances
689:Mstislav Rostropovich
592:Compositional history
584:
528:and the great French
445:Montparnasse Cemetery
434:
201:Mstislav Rostropovich
3342:Christoph Eschenbach
3264:Nikolaus Harnoncourt
3204:H. C. Robbins Landon
2871:List of compositions
2792:27 June 2015 at the
2763:Swart, Bernarda. . "
2511:(30 November 2007).
2250:17 June 2013 at the
1748:21 July 2011 at the
933:Regards sur l'Infini
830:MystĂšre de l'instant
794:is D in French; see
635:theme and variations
492:His attitude toward
486:Pelléas et Mélisande
481:late string quartets
455:Influences and style
353:(history of music).
130:[ÉÌÊidytijĂž]
114:List of compositions
3222:Harrison Birtwistle
3114:Herbert von Karajan
2813:Dutilleux Centenary
2680:May, Thomas. 2007.
2576:on 3 December 2013.
2438:on 25 November 2008
2298:The Daily Telegraph
2020:on 17 November 2015
1929:. ConcertoNet.com.
1782:on 20 December 2010
1647:on 19 December 2014
1541:"Contentious, moi?"
1479:, pp. 110â111.
1464:9 June 2011 at the
1300:(21 January 2013).
1128:The Shadows of Time
1061:The Daily Telegraph
1055:The Daily Telegraph
1006:Laurent Petitgirard
990:The Shadows of Time
864:, a song cycle for
842:The Shadows of Time
678:Cleveland Orchestra
320:Douai Conservatoire
21:Dutilleux (surname)
3300:Anne-Sophie Mutter
3258:Reinhold Brinkmann
3150:Witold LutosĆawski
3027:Constant Dutilleux
3010:Le temps l'horloge
2932:Sur le mĂȘme accord
2925:L'arbre des songes
2643:on 26 August 2009.
2590:Grove Music Online
2584:"Dutilleux, Henri"
2562:"Henri Dutilleux,
2283:(22 January 1916).
1671:9 May 2006 at the
1635:Le temps l'horloge
1239:The New York Times
1161:Gold Medal of the
1156:Cardiff University
1137:(31 December 2003)
1114:Praemium Imperiale
1094:Grand Prix de Rome
1088:Awards and honours
994:Le temps l'horloge
974:Sur le mĂȘme accord
970:L'arbre des songes
903:Charles Baudelaire
886:Le temps l'horloge
874:Rainer Maria Rilke
856:Anne-Sophie Mutter
851:Sur le mĂȘme accord
823:The Tree of Dreams
819:L'arbre des songes
561:Charles Baudelaire
514:syncopated rhythms
437:
425:KomponistenportrÀt
356:Dutilleux won the
349:(composition) and
300:Constant Dutilleux
264:Grand Prix de Rome
260:awards and honours
217:Anne-Sophie Mutter
168:L'arbre des songes
3405:
3404:
3294:Brian Ferneyhough
3234:Helmut Lachenmann
3192:Hans Werner Henze
3174:Leonard Bernstein
3051:
3050:
2727:The Musical Times
2618:(subscription or
2612:978-1-56159-263-0
2570:Classiquenews.com
2532:The Musical Times
2432:Classiquenews.com
2294:"Henri Dutilleux"
2064:Costantino (2006)
1903:Costantino (2006)
1564:Jacques Amblard.
1526:3 August 2012 at
1096:(for his cantata
1016:Esa-Pekka Salonen
960:), Rostropovich (
308:Jean-Louis Koszul
119:
118:
44:Dutilleux in 2004
3641:
3494:
3486:
3485:
3484:
3474:
3458:
3457:
3456:
3446:
3445:
3444:
3434:
3433:
3432:
3422:
3421:
3420:
3413:
3378:Georges Aperghis
3372:Tabea Zimmermann
3366:Rebecca Saunders
3288:Daniel Barenboim
3228:Maurizio Pollini
3102:Olivier Messiaen
3096:Benjamin Britten
3078:
3071:
3064:
3055:
3054:
3042:
3041:
2890:Symphony No. 2 (
2855:
2848:
2841:
2832:
2831:
2827:
2751:
2740:10.2307/25434358
2704:
2702:
2700:
2694:
2688:. Archived from
2687:
2669:
2667:
2665:
2656:. Archived from
2644:
2623:
2616:
2586:
2577:
2572:. Archived from
2556:
2522:
2518:The Boston Globe
2504:
2487:
2472:. Translated by
2464:
2447:
2445:
2443:
2434:. Archived from
2412:
2411:
2409:
2407:
2392:
2386:
2385:
2383:
2381:
2376:on 6 August 2016
2372:. Archived from
2366:
2360:
2346:
2340:
2339:
2337:
2335:
2320:
2314:
2313:
2311:
2309:
2290:
2284:
2261:
2255:
2242:
2236:
2235:
2233:
2231:
2215:
2209:
2208:
2206:
2204:
2184:
2178:
2177:
2175:
2173:
2162:
2156:
2155:
2153:
2151:
2136:
2130:
2128:
2126:
2124:
2118:
2112:. Archived from
2111:
2102:
2096:
2095:
2093:
2091:
2075:
2066:
2060:
2054:
2041:
2036:
2030:
2029:
2027:
2025:
2014:"Pascal Gallois"
2010:
2004:
2003:
2001:
1999:
1979:
1973:
1972:
1970:
1968:
1949:
1943:
1942:
1940:
1938:
1923:
1917:
1911:
1905:
1899:
1893:
1892:
1890:
1888:
1872:
1866:
1865:
1863:
1861:
1855:
1849:. Archived from
1844:
1836:
1830:
1827:
1816:
1810:
1804:
1798:
1792:
1791:
1789:
1787:
1778:. Archived from
1771:
1765:
1759:
1753:
1738:
1732:
1722:
1716:
1702:
1696:
1687:
1676:
1663:
1657:
1656:
1654:
1652:
1643:. Archived from
1629:
1623:
1617:
1611:
1605:
1599:
1587:
1581:
1580:
1561:
1555:
1537:
1531:
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1321:
1319:
1294:
1288:
1287:
1262:
1256:
1255:
1253:
1251:
1226:
1215:
1214:
1212:
1210:
1191:
1135:LĂ©gion d'honneur
1065:
980:(Symphony No. 2
807:The Starry Night
796:Sacher hexachord
789:
788:
779:
778:
730:
729:
724:
723:
573:Benjamin Britten
557:Vincent van Gogh
360:in 1938 for his
351:Maurice Emmanuel
328:
276:Olivier Messiaen
157:; concertos for
132:
127:
86:
63:
61:
42:
28:
27:
3649:
3648:
3644:
3643:
3642:
3640:
3639:
3638:
3499:
3498:
3497:
3487:
3482:
3480:
3477:
3473:sister projects
3470:at Knowledge's
3468:Henri Dutilleux
3464:
3454:
3452:
3442:
3440:
3436:Classical music
3430:
3428:
3418:
3416:
3408:
3406:
3401:
3390:George Benjamin
3324:Friedrich Cerha
3318:Aribert Reimann
3282:Henri Dutilleux
3246:Arditti Quartet
3087:
3082:
3052:
3047:
3031:
3015:
2996:Correspondances
2983:
2967:
2944:
2912:
2873:
2864:
2862:Henri Dutilleux
2859:
2818:
2805:Henri Dutilleux
2799:Henri Dutilleux
2794:Wayback Machine
2778:Henri Dutilleux
2774:
2734:(1894): 51â58.
2723:
2698:
2696:
2695:on 19 July 2011
2692:
2685:
2681:
2677:
2675:Further reading
2672:
2663:
2661:
2660:on 16 July 2011
2654:Scenes Magazine
2617:
2613:
2545:10.2307/1002977
2539:(1812): 87â90.
2509:Eichler, Jeremy
2501:
2489:
2484:
2441:
2439:
2421:
2416:
2415:
2405:
2403:
2394:
2393:
2389:
2379:
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2363:
2357:Wayback Machine
2347:
2343:
2333:
2331:
2322:
2321:
2317:
2307:
2305:
2300:. 22 May 2013.
2292:
2291:
2287:
2271:Wayback Machine
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2252:Wayback Machine
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2169:
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2149:
2147:
2138:
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2133:
2122:
2120:
2119:on 19 July 2011
2116:
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2099:
2089:
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2076:
2069:
2061:
2057:
2051:Wayback Machine
2039:
2037:
2033:
2023:
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2012:
2011:
2007:
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1750:Wayback Machine
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1673:Wayback Machine
1664:
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1626:
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1614:
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1602:
1592:La Nuit étoilée
1588:
1584:
1562:
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1548:Wayback Machine
1538:
1534:
1519:
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1497:Wayback Machine
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1466:Wayback Machine
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1295:
1291:
1284:
1270:Tortelier, Paul
1263:
1259:
1249:
1247:
1232:(23 May 2013).
1227:
1218:
1208:
1206:
1193:
1192:
1188:
1183:
1178:
1098:L'Anneau du Roi
1090:
1063:
1033:An obituary in
1002:
937:Quatre mélodies
861:Correspondances
846:Slava's Fanfare
790:in German, and
786:
785:
776:
775:
727:
726:
721:
720:
662:His next work,
657:concerto grosso
649:Second Symphony
600:
594:
473:Igor Stravinsky
457:
441:Ăle Saint-Louis
412:Kenneth Hesketh
365:L'anneau du roi
322:
288:
266:(1938) and the
139:Impressionistic
125:
105:
91:
88:
84:
75:
65:
64:22 January 1916
59:
57:
56:
55:
45:
33:
32:Henri Dutilleux
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3403:
3402:
3400:
3399:
3393:
3387:
3381:
3375:
3369:
3363:
3357:
3351:
3345:
3339:
3333:
3330:Mariss Jansons
3327:
3321:
3315:
3312:Michael Gielen
3309:
3303:
3297:
3291:
3285:
3279:
3276:Alfred Brendel
3273:
3267:
3261:
3255:
3252:Mauricio Kagel
3249:
3243:
3237:
3231:
3225:
3219:
3216:Claudio Abbado
3213:
3207:
3201:
3198:Heinz Holliger
3195:
3189:
3183:
3180:Peter Schreier
3177:
3171:
3165:
3162:Andrés Segovia
3159:
3156:Yehudi Menuhin
3153:
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3138:Elliott Carter
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2772:External links
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2527:Nichols, Roger
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1856:on 9 June 2017
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1089:
1086:
1068:Philip Hensher
1026:wrote for the
1001:
998:
929:Pascal Gallois
710:string quartet
644:("The Wolf").
615:First Symphony
593:
590:
522:big band music
510:First Symphony
483:and Debussy's
456:
453:
343:Paul Tortelier
296:Maine-et-Loire
287:
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272:Paul Griffiths
151:Flute Sonatine
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3562:
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3555:
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3527:
3525:
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3492:
3491:
3479:
3478:
3475:
3469:
3461:
3451:
3449:
3439:
3437:
3427:
3425:
3415:
3414:
3411:
3397:
3394:
3391:
3388:
3385:
3384:Olga Neuwirth
3382:
3379:
3376:
3373:
3370:
3367:
3364:
3361:
3358:
3355:
3352:
3349:
3346:
3343:
3340:
3337:
3334:
3331:
3328:
3325:
3322:
3319:
3316:
3313:
3310:
3307:
3304:
3301:
3298:
3295:
3292:
3289:
3286:
3283:
3280:
3277:
3274:
3271:
3270:Wolfgang Rihm
3268:
3265:
3262:
3259:
3256:
3253:
3250:
3247:
3244:
3241:
3240:György Kurtåg
3238:
3235:
3232:
3229:
3226:
3223:
3220:
3217:
3214:
3211:
3210:György Ligeti
3208:
3205:
3202:
3199:
3196:
3193:
3190:
3187:
3186:Luciano Berio
3184:
3181:
3178:
3175:
3172:
3169:
3166:
3163:
3160:
3157:
3154:
3151:
3148:
3145:
3142:
3139:
3136:
3133:
3130:
3127:
3126:Pierre Boulez
3124:
3121:
3120:Rudolf Serkin
3118:
3115:
3112:
3109:
3106:
3103:
3100:
3097:
3094:
3093:
3090:
3086:
3079:
3074:
3072:
3067:
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3056:
3046:
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3034:
3028:
3025:
3024:
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3018:
3012:
3011:
3007:
3005:
3004:
3000:
2998:
2997:
2993:
2992:
2990:
2986:
2980:
2977:
2976:
2974:
2970:
2964:
2961:
2959:
2958:
2957:Ainsi la nuit
2954:
2953:
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2947:
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2758:
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2722:
2719:
2718:1-85928-330-6
2715:
2711:
2707:
2691:
2684:
2679:
2678:
2659:
2655:
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2646:
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2542:
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2528:
2524:
2520:
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2514:
2510:
2506:
2502:
2500:2-7144-2971-8
2496:
2492:
2485:
2483:0-7546-0899-9
2479:
2475:
2474:Roger Nichols
2471:
2466:
2462:
2458:
2456:
2449:
2437:
2433:
2429:
2424:
2423:
2401:
2397:
2391:
2375:
2371:
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2354:
2351:
2345:
2329:
2325:
2319:
2303:
2299:
2295:
2289:
2282:
2281:
2276:
2275:Roger Nichols
2272:
2268:
2265:
2260:
2253:
2249:
2246:
2241:
2225:
2222:. bbc.co.uk.
2221:
2214:
2198:
2194:
2190:
2183:
2167:
2161:
2145:
2141:
2135:
2115:
2108:
2101:
2085:
2081:
2074:
2072:
2065:
2059:
2052:
2048:
2045:
2035:
2019:
2015:
2009:
1993:
1989:
1985:
1978:
1962:
1958:
1954:
1948:
1932:
1928:
1922:
1915:
1910:
1904:
1898:
1882:
1878:
1871:
1852:
1848:
1841:
1835:
1826:
1824:
1822:
1815:
1809:
1803:
1802:Peters (2007)
1797:
1781:
1777:
1770:
1763:
1762:Wasselin 2007
1758:
1751:
1747:
1744:
1737:
1730:
1726:
1721:
1714:
1710:
1707:
1701:
1695:
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1674:
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1628:
1622:
1616:
1610:
1604:
1598:
1594:
1593:
1586:
1579:
1577:
1576:Ainsi la nuit
1571:
1567:
1560:
1554:
1553:
1549:
1545:
1542:
1536:
1529:
1528:archive.today
1525:
1522:
1517:
1510:
1505:
1498:
1494:
1491:
1485:
1478:
1473:
1467:
1463:
1460:
1456:
1454:
1447:, p. 87.
1446:
1441:
1439:
1432:
1431:Potter (2013)
1428:
1422:
1406:
1402:
1396:
1380:
1376:
1372:
1365:
1363:
1346:
1342:
1341:
1336:
1329:
1313:
1309:
1308:
1303:
1299:
1298:Roger Nichols
1293:
1285:
1283:0-434-78860-0
1279:
1275:
1271:
1267:
1261:
1245:
1241:
1240:
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1139:
1136:
1132:
1129:
1125:
1123:(13 May 1998)
1122:
1118:
1115:
1112:
1109:
1106:
1102:
1099:
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1091:
1085:
1083:
1079:
1075:
1071:
1069:
1062:
1057:
1056:
1051:
1049:
1048:Roger Nichols
1045:
1044:
1038:
1037:
1031:
1029:
1025:
1020:
1017:
1012:
1009:
1007:
997:
995:
991:
987:
983:
979:
978:Charles Munch
975:
971:
967:
963:
959:
954:
952:
946:
944:
943:
938:
934:
930:
925:
923:
922:Les citations
918:
916:
912:
908:
904:
900:
899:Robert Desnos
896:
892:
891:Renée Fleming
888:
887:
881:
879:
875:
871:
867:
863:
862:
857:
853:
852:
847:
843:
839:
838:Les Citations
835:
831:
826:
824:
820:
816:
811:
809:
808:
803:
802:
797:
793:
783:
773:
769:
765:
761:
757:
752:
750:
746:
742:
738:
734:
718:
714:
713:Ainsi la nuit
711:
707:
706:chamber music
702:
700:
696:
695:
690:
685:
683:
679:
675:
671:
670:metamorphosis
667:
666:
660:
658:
654:
650:
645:
643:
638:
636:
632:
631:moto perpetuo
628:
624:
620:
616:
611:
609:
608:GeneviĂšve Joy
605:
599:
588:
583:
580:
578:
574:
570:
566:
565:Marcel Proust
562:
558:
553:
550:
547:; the use of
546:
542:
538:
533:
531:
527:
526:Sarah Vaughan
523:
519:
515:
511:
507:
503:
498:
495:
490:
488:
487:
482:
478:
474:
470:
466:
462:
452:
450:
446:
442:
433:
429:
427:
426:
421:
417:
414:. Invited by
413:
409:
405:
401:
400:Francis Bayer
397:
396:GĂ©rard Grisey
393:
389:
385:
380:
378:
374:
373:music teacher
370:
366:
363:
359:
354:
352:
348:
344:
340:
336:
332:
326:
321:
317:
313:
310:. He studied
309:
305:
304:Julien Koszul
301:
297:
293:
283:
281:
280:Pierre Boulez
277:
273:
269:
265:
261:
256:
254:
253:Massachusetts
250:
246:
242:
238:
234:
230:
226:
225:Renée Fleming
222:
218:
214:
210:
206:
202:
198:
194:
193:Charles Munch
189:
187:
186:
180:
176:
175:
174:Ainsi la nuit
170:
169:
163:
162:
156:
152:
148:
144:
140:
136:
131:
123:
115:
112:
108:
101:
100:
98:
94:
90:Paris, France
82:
78:
73:
69:
52:
48:
41:
36:
29:
26:
22:
3493:from Commons
3488:
3467:
3281:
3144:Gidon Kremer
3037:
3008:
3001:
2994:
2979:Piano Sonata
2955:
2937:
2930:
2923:
2905:
2898:
2891:
2861:
2808:Schott Music
2755:
2731:
2725:
2709:
2697:. Retrieved
2690:the original
2662:. Retrieved
2658:the original
2653:
2641:the original
2636:
2632:
2588:
2574:the original
2569:
2563:
2536:
2530:
2516:
2490:
2469:
2460:
2454:
2440:. Retrieved
2436:the original
2431:
2404:. Retrieved
2390:
2378:. Retrieved
2374:the original
2364:
2344:
2332:. Retrieved
2318:
2306:. Retrieved
2297:
2288:
2280:The Guardian
2278:
2259:
2240:
2228:. Retrieved
2213:
2201:. Retrieved
2182:
2170:. Retrieved
2160:
2148:. Retrieved
2134:
2121:. Retrieved
2114:the original
2100:
2088:. Retrieved
2058:
2034:
2022:. Retrieved
2018:the original
2008:
1996:. Retrieved
1987:
1977:
1965:. Retrieved
1956:
1947:
1935:. Retrieved
1921:
1914:Eichler 2007
1909:
1897:
1885:. Retrieved
1879:. AllMusic.
1870:
1858:. Retrieved
1851:the original
1847:Symetrie.com
1846:
1834:
1814:Culot (2008)
1808:
1796:
1784:. Retrieved
1780:the original
1769:
1757:
1736:
1720:
1700:
1661:
1649:. Retrieved
1645:the original
1641:Schott Music
1634:
1627:
1615:
1603:
1590:
1585:
1575:
1573:
1559:
1552:The Guardian
1550:
1535:
1516:
1504:
1484:
1472:
1426:
1421:
1409:. Retrieved
1395:
1383:. Retrieved
1374:
1349:. Retrieved
1338:
1328:
1316:. Retrieved
1307:The Guardian
1305:
1292:
1273:
1260:
1248:. Retrieved
1237:
1207:. Retrieved
1189:
1127:
1097:
1081:
1072:
1060:
1053:
1052:
1043:The Guardian
1041:
1034:
1032:
1021:
1013:
1010:
1003:
993:
989:
981:
973:
969:
965:
961:
957:
955:
947:
940:
936:
932:
926:
921:
919:
895:Jean Tardieu
884:
882:
859:
849:
845:
841:
837:
829:
827:
822:
818:
812:
805:
799:
791:
781:
771:
763:
759:
755:
753:
737:major second
712:
703:
698:
692:
686:
681:
674:George Szell
663:
661:
652:
646:
641:
639:
619:monothematic
612:
604:Piano Sonata
601:
585:
581:
554:
549:pedal points
534:
499:
491:
484:
458:
438:
423:
408:Jacques HĂ©tu
404:Alain Gagnon
384:Radio France
381:
369:World War II
364:
358:Prix de Rome
355:
347:Henri BĂŒsser
316:counterpoint
289:
257:
233:Radio France
221:Simon Rattle
197:George Szell
190:
184:
179:No. 1 (1951)
172:
167:
160:
155:Piano Sonata
121:
120:
85:(2013-05-22)
25:
3514:2013 deaths
3509:1916 births
3360:Beat Furrer
3348:Per NÞrgÄrd
3336:Peter GĂŒlke
3306:Klaus Huber
2988:Vocal music
2972:Piano music
2917:Concertante
2453:"CD Review
2150:16 November
2090:16 November
2024:16 November
1967:16 November
1937:16 November
1887:16 November
1860:25 November
1727:, pp.
1692:, pp.
1651:16 November
1609:Potter 2013
1597:Potter 2013
1509:Potter 2013
1490:Potter 2007
1411:16 November
1318:16 November
1266:Blum, David
1209:16 November
1078:BBC Radio 3
1024:Tom Service
1022:The critic
986:Seiji Ozawa
972:), Mutter (
901:and one by
815:Isaac Stern
780:in German,
768:Paul Sacher
623:passacaglia
577:Jehan Alain
506:double bass
469:BĂ©la BartĂłk
416:Walter Fink
377:Paris Opera
339:Noël Gallon
323: [
239:and at the
229:Seiji Ozawa
213:Paul Sacher
209:Isaac Stern
83:22 May 2013
3503:Categories
3396:Unsuk Chin
2878:Orchestral
2593:. Oxford:
2107:"May 2007"
1176:References
1036:Gramophone
968:), Stern (
917:in Paris.
817:premiered
756:3 Préludes
596:See also:
569:quotations
422:'s annual
392:Tanglewood
96:Occupation
60:1916-01-22
3424:Biography
2900:MĂ©taboles
2892:le Double
2664:26 August
2622:required)
1988:ResMusica
1743:MĂ©taboles
1427:MĂ©taboles
1181:Citations
1103:UNESCO's
1074:Rob Cowan
1066:s critic
982:Le double
958:MĂ©taboles
897:, one by
813:In 1985,
749:harmonics
745:glissandi
741:pizzicato
717:hexachord
682:MĂ©taboles
665:MĂ©taboles
653:Le double
651:, titled
537:atonality
532:singers.
494:serialism
477:Beethoven
449:GeneviĂšve
262:were the
188:(1959).
185:Le Double
141:style of
3044:Category
2790:Archived
2748:25434358
2699:14 April
2400:Archived
2359:(French)
2353:Archived
2328:Archived
2302:Archived
2267:Archived
2248:Archived
2224:Archived
2197:Archived
2144:Archived
2123:14 April
2084:Archived
2047:Archived
1992:Archived
1961:Archived
1957:Le Monde
1931:Archived
1881:Archived
1746:Archived
1709:Archived
1669:Archived
1544:Archived
1524:Archived
1493:Archived
1462:Archived
1405:Archived
1379:Archived
1345:Archived
1340:Le Monde
1312:Archived
1272:(1984).
1244:Archived
1203:Archived
1199:AllMusic
1130:) â 1999
1100:) â 1938
951:libretto
834:cymbalum
787:♮
777:♭
728:♯
722:♯
676:and the
545:tonality
541:modality
166:violin,
102:Composer
74:, France
3410:Portals
3020:Related
2949:Chamber
2553:1002977
2442:19 June
2419:Sources
2406:11 June
1385:11 June
984:), and
866:soprano
647:In his
642:Le loup
627:scherzo
530:chanson
461:Debussy
362:cantata
312:harmony
159:cello,
143:Debussy
126:French:
3448:France
3398:(2024)
3392:(2023)
3386:(2022)
3380:(2021)
3374:(2020)
3368:(2019)
3362:(2018)
3356:(2017)
3350:(2016)
3344:(2015)
3338:(2014)
3332:(2013)
3326:(2012)
3320:(2011)
3314:(2010)
3308:(2009)
3302:(2008)
3296:(2007)
3290:(2005)
3284:(2004)
3278:(2004)
3272:(2002)
3266:(2002)
3260:(2001)
3254:(2000)
3248:(1999)
3242:(1998)
3236:(1997)
3230:(1996)
3224:(1995)
3218:(1994)
3212:(1993)
3206:(1992)
3200:(1991)
3194:(1990)
3188:(1989)
3182:(1988)
3176:(1987)
3170:(1986)
3164:(1985)
3158:(1984)
3152:(1983)
3146:(1982)
3140:(1981)
3134:(1980)
3128:(1979)
3122:(1978)
3116:(1977)
3110:(1976)
3104:(1975)
3098:(1974)
2746:
2716:
2609:
2551:
2497:
2480:
2380:8 June
2334:9 June
2308:23 May
2230:22 May
2203:23 May
2172:22 May
2168:. 2013
1998:26 May
1786:1 July
1499:, 53).
1351:22 May
1280:
1250:24 May
1171:â 2011
1165:â 2008
1143:â 2004
1076:, the
1000:Legacy
939:) and
876:, and
762:) and
575:, and
410:, and
292:Angers
227:, and
203:, the
183:No. 2
68:Angers
3490:Media
3460:Music
2824:IRCAM
2757:Tempo
2744:JSTOR
2693:(PDF)
2686:(PDF)
2549:JSTOR
2117:(PDF)
2110:(PDF)
1854:(PDF)
1843:(PDF)
1694:33â34
1570:IRCAM
1084:....
1064:'
832:(for
733:fifth
543:over
518:mutes
465:Ravel
327:]
249:Lenox
147:Ravel
110:Works
2782:IMDb
2714:ISBN
2701:2009
2666:2008
2607:ISBN
2495:ISBN
2478:ISBN
2444:2008
2408:2017
2382:2016
2336:2013
2310:2013
2232:2013
2205:2013
2193:WQXR
2174:2013
2152:2015
2125:2009
2092:2015
2026:2015
2000:2013
1969:2015
1939:2015
1889:2015
1862:2017
1788:2013
1653:2015
1413:2015
1387:2017
1353:2013
1320:2015
1278:ISBN
1252:2013
1211:2015
992:and
964:and
784:is B
774:is E
735:and
629:and
563:and
539:and
502:jazz
471:and
463:and
337:and
335:Jean
286:Life
278:and
181:and
153:and
145:and
80:Died
50:Born
2780:at
2736:doi
2732:147
2599:doi
2541:doi
2537:135
2273:by
2042:" (
1028:BBC
996:).
976:),
637:).
479:'s
345:),
247:in
3505::
2742:.
2730:.
2652:.
2637:47
2635:.
2631:.
2605:.
2597:.
2587:.
2568:.
2547:.
2535:.
2515:.
2459:.
2430:.
2398:.
2296:.
2277:,
2195:.
2191:.
2070:^
1990:.
1986:.
1959:.
1955:.
1845:.
1820:^
1729:58
1680:^
1639:.
1572:.
1452:^
1437:^
1377:.
1373:.
1361:^
1343:.
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