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473:, which became more common than religious scenes. Bourgeois portraiture had an emblematic character which emphasised the class, profession and position of the individual in society. Frequently, however, these works also constitute penetrating psychological studies. The mature phase of the school of the Ionian Islands echoes the social developments as well as the changes that had occurred in the visual arts. Portraits began to lose their emblematic character. The early rigid poses were then succeeded by more relaxed attitudes. Other subjects from the school of the Ionian Islands included genre scenes, landscapes, and still lifes.
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465:. Paintings began to have a three-dimensional perspective and the compositions became more flexible using Western realism, departing from the traditional representations that embodied Byzantine spirituality. Such changes were also reflected on the technique of oil painting on canvas which replaced the Byzantine technique of egg tempera on panel. Subjects included secular
255:, which were not part of Ottoman Greece, from the middle of the 17th century until the middle of the 19th century. The center of Greek art migrated urgently to the Ionian Islands but countless Greek artists were influenced by the school including the ones living throughout the Greek communities in the Ottoman Empire and elsewhere in the world.
1090:. Three important Encyclopedias were published within the last thirty years cataloging painters and artists. The books feature records of artists from the Fall of the Byzantine Empire until the onset of modern Greece. It is the first time in history Greek painters were listed on this magnitude and scale. The work is similar to
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393:-ruled mainland Greece, and the vicinity and the cultural relationships with neighboring Italy, resulted in the creation of the first modern art movement in Greece. Another reason for the regional blossoming of arts is the migration of artists from the rest of the Greek world, and especially
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The
Heptanese was characterized by the influx of countless artists to the Ionian Islands. The early school shared characteristics with the late Cretan school. The Greek community continued to prefer the Greek style over traditional Renaissance Baroque-influenced oil paintings.
958:
was another exponent of the prevailing neoclassical architectural trend. Some of his most important works are the
Capodistria Mansion, the Ionian Bank, the former Ionian Parliament, the churches of St. Sophia and All Saints and the little church of Mandrakina.
1997:
1020:(1844–1891), and many others seem to distance themselves from the Heptanese school principles and are influenced by more modern Western European artistic movements. The liberation of Greece has transferred the Greek cultural centre from the Heptanese to
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Greece and the
European Union have digitally archived hi-resolution paintings, frescoes, and other works of art after the fall of Constantinople (1450-1830). The government also features biographical details and an index of artistic works. The
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but the style evolved into the Stile di pittura Ionico or stile Ionico in
English Ionian style. The movement featured a mixture of brilliant artists. They took risks in creating art that escaped tradition. Some examples of paintings include:
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traveled to Venice and the Ionian
Islands. Countless works were sold throughout the Greek community and Heptanese painting was the prevalent style in Greek communities. Many works were sent to the two major Greek monasteries
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The encyclopedias feature thousands of frescos, paintings, and other artistic works. The books illustrate hundreds of painters. Regrettably, the three volumes are currently available in Greek and are entitled
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Art in the
Heptanese shifted towards Western styles by the end of the 17th century with the gradual abandonment of strict Byzantine conventions and techniques. Artists were now increasingly influenced by the
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2214:
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influenced Greek art far less. The art of Greece included influences from all over the world
Belgium, France, Germany, and Spain. Some Greek art also exhibited Ottoman characteristics. Several of
1232:
875:. Only a part of it was saved. It is exhibited today at the local museum. Other contemporary artists of Doxaras were Ieronymos Stratis Plakotos (c.1662-1728), also from Zakynthos, and the
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1146:
cataloged portable icons, church frescoes, and or any other artistic works. It is the first time in history a systematic record was accumulated in Greece representing the period.
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985:
861:) in which he addressed the need for Greek art to depart from the Byzantine art towards western European art. His article even today is the subject of much discussion in Greece.
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traveled to Sicily then
England. The art of the Heptanese school also influenced other Greek painters living outside of the Greek artistic epicenter. Athenian fresco painter
628:. Both painters belong to the late Cretan school and early Heptanese school. By the 1700s, artists were making bold changes to their artwork. This is visible in the
867:(1700/1706–1775), son of Panagiotis Doxaras continued the artistic legacy of his father. Between 1753 and 1754, he frescoed the ceiling of Saint Faneromeni Church, in
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were the predominant contributors. The three volumes were published in 1987, 1997, and 2010. The books feature many artists from the
Heptanese school during the
630:
1138:
periods in Greek art. The books feature artists and artwork up until the Modern Greek art period. Drakopoulou continues research for the institute until today.
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traditions with an increasing
Western European artistic influence and also saw the first significant depiction of secular subjects. The school was based in the
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founded in 1870 a private school of painting in Corfu and is considered as the most important landscape painter of the Heptanese school along with
825:. Later Doxaras traveled to Venice to study painting. He abandoned Byzantine iconography to dedicate himself to western art. He used the works of
683:. Stile di pittura Ionico or stile Ionico. The Ionian style defines the art of the Heptanese school which would be traditionally viewed as the
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was experimenting with his Greek style. One notable painting of Christ is part of the iconostasis at Saint Demetrios Church. Zakynthos painter
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The early Heptanese school was influenced by Flemish, French, Italian and German engravings. Artists representative of that era were
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were the early proponents of the Heptanese school. Heptanese art was characterized by art modeled after Italian, Dutch, and
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2207:
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1812:
1793:Λάμπρου, Σπ.: Συμπληρωματικαί ειδήσεις περί του ζωγράφου Παναγιώτου Δοξαρά Ν. *Ελληνομνήμων ή Σύμμικτα Ελληνικά, τ. 1, 1843
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Post-Byzantium The Greek Renaissance : 15th-18th Century Treasures from the Byzantine & Christian Museum, Athens
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1032:. In the new school many artists were invited to teach such as the Italian Raffaello Ceccoli (fl.1839-1852), the French
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Some examples of the new western influenced art can be seen on the frescoed ceilings of churches which were known as
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2136:Οι Εικονες της Ελληνικης Αδελφοτητας της Βενετιας απο το 16ο εως το Πρωτο Μισο του 20ου Αιωνα: Αρχειακη Τεκμηριωση
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were not the major driving force of the new Greek art movement. Some of the proponents of the school included
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890:(1767–1834) continued to paint according to western European standards and were particularly known for their
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943:, a sculptor, architect and painter produced the marble bust of Countess Helen Mocenigo, a portrait of
758:. By the 1800s the school evolved and could sustain portrait painters. Some of the painters included
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697:. It exhibited characteristics of the Late Cretan school but is representative of the stile Ionico.
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excelled in portrait painting and is considered an outstanding exponent of pictorial art in Greece.
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The early Heptanese school was heavily characterized by paintings modeled after engravings such as
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1918:
Greek Painters after the Fall of Constantinople (1450-1830). Volume 2: Kavallaros - Psathopoulos
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1802:Δοξαράς, Παναγιώτης: Περί ζωγραφίας, εκδ. Σπ. Π. Λάμπρου, εν Αθήναις, 1871; Αθήνα (Εκάτη 1996)
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2141:
The Icons of the Greek Brotherhood of Venice from 1600 to First Half of the 20th Century
1951:
Greek Painters after the Fall of Constantinople (1450–1830). Volume 3: Averkios - Joseph
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1885:
Greek Painters after the Fall of Constantinople (1450-1830). Volume 1: Averkios - Iosif
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in 1819, considered to be one of the first to practice the art of engraving in Greece.
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occupation. The relative freedom that the Heptanesian people enjoyed compared with the
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59:
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1953:]. Athens, Greece: Center for Modern Greek Studies, National Research Foundation.
910:
902:(1820–1862) are generally considered to be the last painters of the Heptanese school.
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In 1726, he wrote the famous although controversial and much-debated theoretical text
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259:
2096:]. Athens: Journal of the Christian Archaeological Society ChAE 20 Period Delta.
570:'s Greek-style paintings heavily influenced the new image of the Heptanese school.
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Three artists carried the art of the Heptanese school outside of the Greek world.
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2147:. Athens: Ministry of Culture Publication of the Archaeological Bulletin No. 81.
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1920:]. Athens: Center for Modern Greek Studies, National Research Foundation.
1887:]. Athens: Center for Modern Greek Studies, National Research Foundation.
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2078:
2004:
Dictionary of Greek artists Painters, Sculptors, Engravers, 16th-20th century
1981:]. Athens, GR: The Foundation of the Baron Michael Tositsa. p. 150.
1913:Έλληνες Ζωγράφοι μετά την Άλωση (1450-1830). Τόμος 2: Καβαλλάρος - Ψαθόπουλος
1612:
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413:. The main representatives of the fusion of Heptanese and Cretan schools are
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An Icon of the Panagia Glykophilousa from Kephalonia in the Byzantine Museum
1364:
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conducted massive research in the field. He is considered the 20th century
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322:. In the 1800s the Heptanese school featured prominent portrait painters
162:
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1999:Λεξικό Ελλήνων Καλλιτεχνών Ζωγράφοι, Γλύπτες, Χαράκτες, 16ος-20ός Αιώνας
2107:. Athens, Greece: Hellenic Ministry of Culture Onassis Cultural Center.
1925:
1892:
1390:
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559:
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1946:Έλληνες Ζωγράφοι μετά την Άλωση (1450–1830). Τόμος 3: Αβέρκιος - Ιωσήφ
1880:Έλληνες Ζωγράφοι μετά την Άλωση (1450-1830). Τόμος 1: Αβέρκιος - Ιωσήφ
1763:
2163:
2089:Εικόνα Παναγίας Γλυκοφιλούσας από την Κεφαλονιά στο Βυζαντινό Μουσείο
2070:
Il Danese Paladino in a Late Seventeenth-century Icon by Elias Moskos
1751:
1592:
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or Heptanese from the 17th to the 19th century were under successive
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2164:"Digital Thesaurus of Primary Sources for Greek history and Culture"
2068:
2022:
1979:
The Icons of the Tositsa Mansion The Collection of Evangelou Averoff
1969:
1911:
1878:
1024:. Particularly important for that was the foundation in 1837 of the
660:
also began to influence the evolution of the Greek style. His work
2024:
Working Drawings of Icon Painters after the Fall of Constantinople
1074:
The Heptanese school features countless works of art and artists.
466:
409:, had been the main cultural center of Greece, giving rise to the
30:
This article is about the school of painting. For other uses, see
1123:
876:
734:
709:
147:
131:
111:
2187:
1729:
1727:
975:
that specialised in watercolours. Another well-known painter is
2607:
Saint Spyridon, John the Baptist, Saint Peter, and Saint George
1835:
1833:
1127:
1096:
Lives of the Most Excellent Painters, Sculptors, and Architects
1021:
814:
152:
116:
1637:
1775:
1724:
834:
829:
as his guide. He later frescoed the ceiling of the church of
394:
237:
236:
as the leading school of Greek post-Byzantine painting after
101:
2118:. London And New York: Rutledge Taylor & Francis Group.
1830:
550:. Two other notable engravers from the Sadeler family were
1739:
1625:
106:
894:
that emphasizes the emotional background of the subject.
638:
introduced a more refined technique. He influenced the
778:
each feature artistic catalogs with over 100 paintings.
612:
Virgin Glykofilousa with the Akathist Hymn (Tzangarolas)
2030:. Athens, Greece: Leventis Gallery & Benaki Museum.
2045:
2026:
The Andreas Xyngopoulos Portfolio at the Benaki Museum
712:
began to paint a shared theme relating to the life of
296:. Greek art was no longer limited to the traditional
2132:
1909:
1769:
1757:
1712:
1706:
997:
288:. The early 1700s were influenced by Greek painters
1104:
Vite dei Pittori, Scultori, ed Architetti Napolitani
397:, to the Heptanese to escape Ottoman rule. From the
2161:
2038:
Icons, the Velimezis Collection: Catalogue Raisonné
1910:Hatzidakis, Manolis; Drakopoulou, Evgenia (1997).
558:. By the 1700s, Greek art continued to evolve but
2115:Encyclopedia of Greece and the Hellenic Tradition
2655:
687:. By the middle of the 1700s Zakynthos painter
671:Angel Holding Symbols of the Passion (Kallergis)
2229:
1995:
2215:
1661:archive.gr – Διαδρομές στην Νεοελληνική Τέχνη
1572:
1062:. Among the first students of the school was
247:in 1669. Like the Cretan school, it combined
182:
979:, who was almost restricted to portraiture.
737:where he had a successful active workshop.
2188:National Gallery of Athens official website
1942:
1855:
1733:
1643:
1112:Έλληνες Ζωγράφοι μετά την Άλωση (1450-1830)
856:
2519:Virgin Glykofilousa with the Akathist Hymn
2222:
2208:
2034:
1876:
1839:
1781:
1631:
1579:
1565:
905:
631:Virgin Glykofilousa with the Akathist Hymn
536:was influenced by an engraving created by
189:
175:
2085:
2020:
1967:
1745:
1116:Greek painters after the fall (1450-1830)
2599:A Scene from the Life of John Chrysostom
2066:
2046:Acheimastou Potamianou, Myrtalē (1998).
1718:
909:
839:
785:
723:A Scene from the Life of John Chrysostom
699:
679:. The terminology solely lies with the
666:
607:
572:
480:
357:
334:. Other artists of the school included
2133:Tselenti-Papadopoulou, Niki G. (2002).
2100:
2052:. Athens, Greece: Ministry of Culture.
2049:Icons of the Byzantine Museum of Athens
990:is best known for his watercolours and
14:
2656:
2111:
871:. Regrettably, it was destroyed by an
2203:
2162:Eugenia Drakopoulou (June 11, 2022).
1709:, pp. 198–203, 304–317, 408–423.
1677:
1675:
1656:
1654:
1652:
2166:. Institute for Neohellenic Research
741:finished major works in Naples. and
662:Angel Holding Symbols of the Passion
2073:. Crete, Greece: Cretica Chronica.
947:and a portrait of Ioannis Romanos.
882:The Zakynthos priests and painters
720:created a notable painting called
476:
24:
1971:Οι Εικόνες του Αρχοντικού Τοσίτσα
1672:
1649:
998:End of the Heptanese school period
447:
401:in the mid-15th century until its
25:
2690:
2643:Institute of Neohellenic Research
2179:
1770:Hatzidakis & Drakopoulou 1997
1758:Hatzidakis & Drakopoulou 1997
1707:Hatzidakis & Drakopoulou 1997
1144:Institute of Neohellenic Research
1088:Institute of Neohellenic Research
1008:Later Heptanese painters such as
694:Vision of Constantine (Stavarkis)
405:in the 17th century, Crete, also
2543:Angel Holding the Body of Christ
2041:. Athens, Greece: Museum Benaki.
2006:]. Athens, Greece: Melissa.
1363:
1321:
1303:
1285:
1267:
1249:
1231:
1210:
1189:
1171:
1156:
704:Saint John the Baptist (Doxaras)
675:The Greeks grew out of the term
581:His oil paintings modeled after
47:
1862:. Santa Barbara, CA: ABC-CLIO.
1849:
1805:
1796:
1787:
781:
691:created his own version of the
544:also adopted Sadeler's work in
2591:Entry of Christ into Jerusalem
2086:Katselakì, Andromache (1999).
1973:Η Συλλογή του Ευαγγέλου Αβέρωφ
809:. A pioneer in the change was
506:. Some of the engravers were
32:Ionian School (disambiguation)
13:
1:
2669:Culture of the Ionian Islands
2575:The Deposition from the Cross
1996:Komini-Dialeti, Dora (1997).
1943:Drakopoulou, Evgenia (2010).
1618:
313:The Deposition from the Cross
2487:The Miracle of the Holy Belt
2035:Hatzidakis, Nano M. (1998).
1877:Hatzidakis, Manolis (1987).
1856:Thomopoulos, Elaine (2021).
423:Dimitrios and George Moschos
203:Heptanese school of painting
7:
2664:Heptanese school (painting)
2231:Heptanese school (painting)
2067:Alevizou, Denise C (2018).
1339:
1118:. Eugenia Drakopoulou and
1069:
932:sculptor of modern Greece.
664:defines the new movement.
18:Heptanese School (painting)
10:
2695:
2511:Adoration of the Shepherds
2495:Virgin and Child on Bronze
1444:Ancient Greek architecture
1149:
1030:Athens School of Fine Arts
1001:
886:(1741–1813) and his pupil
844:Matthew the Evangelist by
652:. Around the same period
577:The Fall of Man (Poulakis)
530:. For example, Poulaki's
369:, Byzantine museum, Athens
353:
29:
2633:Hellenic Institute Venice
2625:
2430:
2364:
2283:
2237:
2021:Vassilaki, Maria (2015).
1968:Vassilaki, Maria (2012).
1608:National Gallery (Athens)
1541:Modern Greek architecture
924:The sculptor and painter
857:
270:. Notable works include
224:'; also known as the
210:
2514:(Tzangarolas, 1688–1700)
2101:Kakavas, George (2002).
1243:Nikolaos Xydias Typaldos
1010:Nikolaos Xydias Typaldos
403:conquest by the Ottomans
2562:(N. Doxaras, 1725–1775)
2321:Konstantinos Kontarinis
2112:Speake, Graham (2021).
1454:Ancient Greek sculpture
1163:"Archangel Michael" by
1086:. He helped shape the
906:Later Heptanese artists
603:Konstantinos Kontarinis
461:rather than from their
2618:(Kantounis, 1790–1834)
2615:Lamentation of Christ
2610:(Koutouzis, 1750–1813)
2578:(Stavrakis, 1729-1786)
2570:(Stavrakis, 1750–1800)
2554:(Stavarkis, 1729–1786)
2498:(E. Moskos, 1650–1687)
2490:(Poulakis, 1640–1692))
2482:(E. Moskos, 1664–1666)
2458:(Poulakis, 1640–1692))
2450:(I. Moskos, 1665–1721)
2417:Christodoulos Kalergis
2392:Georgios Kastrofylakas
2365:Outside Ionian Islands
1551:Contemporary Greek art
1275:Portrait of an erudite
921:
915:Descent from the Cross
848:
798:
705:
672:
613:
578:
540:. Zakynthian painter
486:
399:Fall of Constantinople
370:
363:Liturgy of St Spyridon
2679:Icon-painting schools
2551:Vision of Constantine
2506:(Poulakis, 1660–1692)
2447:Constantine and Helen
2442:(Poulakis, 1640–1692)
2439:The Archangel Michael
2331:Stephanos Tzangarolas
1507:Post-Byzantine Greece
1449:Ancient Greek pottery
1100:Bernardo de' Dominici
1084:Bernardo de' Dominici
913:
892:realistic portraiture
843:
819:Byzantine iconography
789:
703:
670:
636:Stephanos Tzangarolas
611:
576:
485:Noah's Ark (Poulakis)
484:
442:Stephanos Tzangarolas
361:
344:Stephanos Tzangarolas
226:Ionian Islands school
2296:Gerasimos Pitsamanos
2238:Principal proponents
1813:"Culture: Fine Arts"
1646:, pp. 250, 258.
1490:Byzantine Iconoclasm
1357:History of Greek art
1220:Ioannis Kapodistrias
1204:Spyridon Prosalentis
1014:Spyridon Prosalentis
896:Dionysios Kallivokas
879:Stefanos Pazigetis.
791:Birth of Virgin Mary
760:Gerasimos Pitsamanos
332:Gerasimos Pitsamanos
2535:Virgin Glykofilousa
2522:(Tzangarolas, 1700)
2382:Dionysios of Fourna
2316:Demetrios Stavrakis
2311:Stylianos Stavrakis
2301:Spyridon Sperantzas
2275:Efstathios Karousos
1784:, pp. 189–190.
1748:, pp. 375–384.
1736:, pp. 272–274.
1293:Carnival in Kerkyra
981:Spyridon Skarvellis
934:Ioannis Kalosgouros
739:Efstathios Karousos
731:Spyridon Sperantzas
689:Stylianos Stavrakis
641:Virgin Glykofilousa
599:Stylianos Stavrakis
587:Efstathios Karousos
556:Aegidius Sadeler II
542:Demetrios Stavrakis
528:Francesco Villamena
438:Konstantinos Tzanes
348:Spyridon Sperantzas
340:Efstathios Karousos
308:Virgin Glykofilousa
220:'school of the
2638:Manolis Hatzidakis
2559:Assumption of Mary
2538:(Karantinos, 1723)
2530:(P. Doxaras, 1700)
2474:(E. Tzanes, 1662))
2466:(E. Tzanes, 1659))
2422:Defterevon Sifnios
2412:Antonios Skordilis
2407:Emmanuel Skordilis
2291:Andreas Karantinos
2270:Spyridon Ventouras
2265:Nikolaos Kallergis
2260:Nikolaos Koutouzis
2255:Nikolaos Kantounis
2245:Panagiotis Doxaras
1842:, pp. 73–132.
1666:2007-09-27 at the
1634:, pp. 96–132.
1467:Greco-Buddhist art
1411:Protogeometric art
1297:Charalambos Pachis
1279:Nikolaos Koutouzis
1261:Nikolaos Kantounis
1257:Chemist Nikopoulos
1225:Charalambos Pachis
1183:Charalambos Pachis
1165:Panagiotis Doxaras
1120:Manolis Hatzidakis
1076:Manolis Hatzidakis
1064:Theodoros Vryzakis
1028:that preceded the
1026:Athens Polytechnic
1018:Charalambos Pachis
1012:(1826/1828–1909),
992:Markos Zavitsianos
977:Georgios Samartzis
969:Charalambos Pachis
945:Nikolaos Mantzaros
926:Pavlos Prosalentis
922:
919:Nikolaos Kantounis
888:Nikolaos Kantounis
884:Nikolaos Koutouzis
873:earthquake in 1953
849:
846:Nikolaos Kantounis
811:Panagiotis Doxaras
799:
776:Nikolaos Koutouzis
772:Nikolaos Kantounis
768:Nikolaos Koutouzis
764:Nikolaos Kantounis
718:Spyridon Ventouras
706:
673:
658:Nikolaos Kallergis
654:Panagiotis Doxaras
650:Andreas Karantinos
614:
595:Spyridon Ventouras
591:Nikolaos Kallergis
579:
568:Panagiotis Doxaras
504:Flemish engravings
487:
463:Byzantine heritage
419:Spyridon Ventouras
415:Michael Damaskinos
371:
367:Panagiotis Doxaras
336:Spyridon Ventouras
328:Nikolaos Koutouzis
324:Nikolaos Kantounis
319:Assumption of Mary
294:Panagiotis Doxaras
290:Nikolaos Kallergis
60:Nikolaos Kantounis
55:Ascension of Jesus
27:School of painting
2674:Baroque paintings
2651:
2650:
2602:(Ventouras, 1797)
2567:The Prophet Jonah
2546:(Kallergis, 1732)
2351:Theodore Poulakis
2341:Demetrios Nomikos
2306:Stylianos Devaris
1988:978-960-93-3497-6
1960:978-960-7916-94-5
1772:, pp. 76–77.
1760:, pp. 53–56.
1589:
1588:
1465:
1439:Ancient Greek art
1434:Archaic Greek art
1406:Mycenaean pottery
1239:Portrait of a man
1199:Dimitrios Galanos
1179:Virgin with Child
973:Angelos Giallinas
583:Leonardo da Vinci
552:Raphael Sadeler I
547:The Prophet Jonah
524:Hendrick Goltzius
516:Hieronymus Wierix
492:Theodore Poulakis
260:Theodore Poulakis
219:
211:Επτανησιακή Σχολή
199:
198:
16:(Redirected from
2686:
2594:(Karousos, 1780)
2583:The Holy Trinity
2471:Saint Onuphrius
2402:Ioannis Kornaros
2397:Michael Prevelis
2250:Nikolaos Doxaras
2224:
2217:
2210:
2201:
2200:
2191:
2190:
2175:
2173:
2171:
2158:
2146:
2129:
2108:
2097:
2082:
2063:
2042:
2031:
2017:
1992:
1964:
1939:
1906:
1873:
1843:
1837:
1828:
1827:
1825:
1824:
1815:. Archived from
1809:
1803:
1800:
1794:
1791:
1785:
1779:
1773:
1767:
1761:
1755:
1749:
1743:
1737:
1734:Drakopoulou 2010
1731:
1722:
1716:
1710:
1704:
1698:
1697:
1695:
1694:
1685:. Archived from
1679:
1670:
1658:
1647:
1644:Thomopoulos 2021
1641:
1635:
1629:
1603:Modern Greek art
1581:
1574:
1567:
1536:Modern Greek art
1518:Heptanese school
1463:
1374:Greek Bronze Age
1367:
1344:
1343:
1333:Dionysios Tsokos
1325:
1315:Dionysios Vegias
1307:
1289:
1271:
1253:
1235:
1214:
1193:
1175:
1160:
1058:and his father,
1057:
1049:Stefanos Lantsas
1042:
989:
961:Dionysios Vegias
957:
942:
900:Dionysios Tsokos
898:(1806–1877) and
865:Nikolaos Doxaras
860:
859:
821:from the Cretan
795:Nikolaos Doxaras
634:. Corfu artist
512:Adriaen Collaert
477:Heptanese school
459:Flemish painters
431:
300:dominant in the
232:) succeeded the
214:
212:
191:
184:
177:
51:
41:Heptanese school
37:
36:
21:
2694:
2693:
2689:
2688:
2687:
2685:
2684:
2683:
2654:
2653:
2652:
2647:
2621:
2527:The Holy Family
2455:The Fall of Man
2426:
2372:Georgios Markou
2360:
2346:Spiridione Roma
2279:
2233:
2228:
2195:Corfu Fine Arts
2186:
2185:
2182:
2169:
2167:
2155:
2144:
2126:
2060:
2014:
1989:
1961:
1936:
1903:
1870:
1852:
1847:
1846:
1840:Hatzidakis 1987
1838:
1831:
1822:
1820:
1811:
1810:
1806:
1801:
1797:
1792:
1788:
1782:Hatzidakis 1987
1780:
1776:
1768:
1764:
1756:
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1744:
1740:
1732:
1725:
1717:
1713:
1705:
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1692:
1690:
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1680:
1673:
1668:Wayback Machine
1659:
1650:
1642:
1638:
1632:Hatzidakis 1987
1630:
1626:
1621:
1585:
1556:
1555:
1531:
1523:
1522:
1508:
1500:
1499:
1480:
1479:Medieval Greece
1472:
1471:
1459:Hellenistic art
1424:
1416:
1415:
1375:
1342:
1335:
1326:
1317:
1308:
1299:
1290:
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1227:
1215:
1206:
1194:
1185:
1176:
1167:
1161:
1152:
1072:
1051:
1047:and the Greeks
1045:Ludwig Thiersch
1036:
1034:Pierre Bonirote
1006:
1000:
983:
951:
949:Ioannis Chronis
936:
908:
817:who was taught
813:(1662–1729), a
784:
747:Georgios Markou
743:Spiridione Roma
714:John Chrysostom
619:The Fall of Man
500:Emmanuel Tzanes
479:
455:Italian Baroque
450:
448:Artistic styles
425:
407:ruled by Venice
356:
273:The Fall of Man
268:Emmanuel Tzanes
195:
63:
35:
28:
23:
22:
15:
12:
11:
5:
2692:
2682:
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2515:
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2479:Jacob’s Ladder
2475:
2467:
2463:The Holy Towel
2459:
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2425:
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2377:Iakovos Moskos
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1080:Giorgio Vasari
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1002:Main article:
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996:
907:
904:
858:Περί ζωγραφίας
831:Saint Spyridon
827:Paolo Veronese
783:
780:
625:Jacob’s Ladder
478:
475:
449:
446:
434:Manolis Tzanes
375:Ionian Islands
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2284:Other artists
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2165:
2160:
2156:
2154:960-214-221-9
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2137:
2131:
2127:
2125:9781135942069
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2059:9789602149119
2055:
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2044:
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2039:
2033:
2029:
2028:
2025:
2019:
2015:
2013:9789602040355
2009:
2005:
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1994:
1990:
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1935:960-7916-00-X
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1902:960-7916-01-8
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1871:
1869:9781440854927
1865:
1861:
1860:
1859:Modern Greece
1854:
1853:
1841:
1836:
1834:
1819:on 2008-12-29
1818:
1814:
1808:
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1721:, p. 10.
1720:
1719:Alevizou 2018
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1689:on 2010-03-31
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1613:Benaki Museum
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1546:Munich School
1544:
1542:
1539:
1537:
1534:
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1530:Modern Greece
1527:
1526:
1519:
1516:
1514:
1513:Cretan school
1511:
1510:
1504:
1503:
1496:
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1485:Byzantine art
1483:
1482:
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1455:
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1429:Geometric art
1427:
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1420:
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1409:
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1404:
1402:
1401:Mycenaean art
1399:
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1043:, the German
1040:
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1016:(1830–1895),
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1004:Munich school
995:
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987:
982:
978:
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966:
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935:
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853:On painting
823:Leos Moskos
756:Mount Sinai
752:Mount Athos
646:Kephalonian
644:painted by
538:Jan Sadeler
471:bourgeoisie
426: [
163:Romanticism
158:Neoclassism
2658:Categories
2503:Noah's Ark
1823:2007-08-01
1693:2007-07-29
1619:References
1391:Minoan art
1380:Aegean art
1218:Murder of
965:Cephalonia
564:Damaskinos
560:Tintoretto
533:Noah's Ark
520:Jan Wierix
285:Noah's Ark
81:Literature
2079:0454-5206
1593:Greek art
1464:see also:
1060:Vikentios
869:Zakynthos
726:in 1797.
467:portraits
249:Byzantine
127:Zakynthos
122:Kefalonia
2387:Makarios
2170:June 11,
1664:Archived
1349:a series
1347:Part of
1340:See also
1070:Research
379:Venetian
245:Ottomans
76:Painting
2626:Related
1150:Gallery
1124:Baroque
877:Corfiot
803:ourania
735:Trieste
710:Lefkada
648:artist
469:of the
391:Ottoman
387:English
354:History
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112:Lefkada
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383:French
153:Rococo
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68:Topics
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2172:2022
2149:ISBN
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