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in his childhood inspired him to start drawing manga, and how he feels like he “is always chasing after a castle in the sky”. From a young age, he read various manga series, and he drew manga during breaks in elementary school. However, after his father ridiculed a manga he drew in 4th grade, Sorachi
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Sorachi's characterisation of women has been considered by academic reviewers as a subversion of stereotypical female archetypes in fiction, particularly through the rejection of conventional behaviours of women in manga. He mentioned that he dislikes the trope of typical mangas with “unnaturally”
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series to
Sorachi's uniquely humorous characters and satirisation of contemporary themes. It has been described by Sorachi as “Gently painting the life of a loser, a really likeable kind of humanity and reality”, stating that the appeal of the manga's characters are due to their relatable, flawed
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during which the manga consisted mostly of shorter stories to establish the characters and the world they were situated in, as
Sorachi wanted to minimise the potential overlap of the two texts. However, following the first year of serialisation, Sorachi stated that he grew more comfortable with
202:
Sorachi entered a university in
Hokkaido, studying a degree in advertising. He recounted feeling unsure of his career path while enrolled at university, considering following his interests in both architecture and creating computer graphics. After graduating, Sorachi considered himself to be a
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had only printed the minimum number of volumes and still considered the sales to be “poor”. Sorachi believed that the manga was unlikely to become popular, and recounted other people also telling him that the manga would not surpass the printing of two
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with the intention of portraying a “female lead who could throw up but still make people think she’s adorable”. However, Sorachi later realised that such characters were also unrealistic, though considered her character as a creative “challenge”.
394:. Critics consider Tōshirō’s character to be the “embodiment of values and virtues” within the manga, and is a major supporting character. Sorachi stated that he initially wanted to make Hijikata the main character, but instead decided to create
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volumes. However, interest in the manga slowly increased, to the extent that
Sorachi found he did not have “any fresh material to use” after the release of the third volume. He later stated that he was overjoyed when the manga was adapted into an
190:
Sorachi has commented that he prefers using analog writing implements as opposed to creating digital art; his most used writing utensil being the calligraphy brush pen. He also uses felt-tip and permanent markers, and a round-nib and G-pen.
187:, Japan. Sorachi has stated that his pen name is derived from the Sorachi prefecture in Hokkaido, but Hideaki is a part of his real name. He has an older sister, and occasionally shares stories about her in the end notes of manga volumes.
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that was airing at the time. However, he felt that his creativity would be limited by the genre of historical fiction and thus decided to incorporate the shinsengumi as side characters in a science-fiction and comedy manga.
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movie releases. In these appearances, a cast member will read out a letter written by
Sorachi, about the stages of production or effort which went into creating the movie, frequented by sudden, comical one-liners.
436:, both the manga and the anime, in a short comedy segment, often on the subject of writing and working as a manga artist. His character is drawn as a humanoid gorilla wearing a yellow shirt with the Japanese
155:, for which he won the Tenkaichi Honourable Mention Manga Award in 2002. Sorachi's distinctive sense of humour and writing style has been the subject of academic research papers. As of February 2018, the
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Critics have also complimented
Sorachi's distinctive sense of humour, often satirising Japanese pop culture, or frequent use of vulgar language and toilet humour. Smith has considered
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characters, including the protagonist
Tanjiro, which were then offered to those attending the film's release. Sorachi wrote that the cards were acknowledging the success of the movie
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extending the storyline of the manga to include more serious themes and dramatic moments, whilst keeping his uniquely comedic and fantastical characterisation of modern Japan.
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nature. Smith has described the series as an “Edo-era comedy decked out in science fiction trappings and alternative historical versions of famous characters”.
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Sorachi stated that reading
Wanpakku Comics had the greatest influence on his work as a manga artist, though was also inspired by popular series such as
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1087:映画『銀魂2』公式 . (20 June 2019) 連載を終えた #空知先生 がチーズ蒸しパンにならないことを願っています。15年間お疲れ様でした。この素晴らしい作品に出会わせてくれて、そして実写化まで許可してくださって、本当に本当にありがとうございました！！！ . Twitter.
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In an interview with QuickJapan, Sorachi details the romantic appeal of the shinsengumi as characters and in
Japanese pop culture:
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Jones, H. (2013). Manga Girls: Sex, Love, Comedy and Crime in Recent Boys’ Anime and Manga. In B. Steger & A. Koch (Eds.),
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Sorachi has stated that he does not use social media, including
Twitter, as he “intend to eliminate stress through manga”.
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Warner Bros Japan. (2021). 原作者・空知英秋先生が描いた「（たぶん？）最後の＜万事屋＞イラスト」が、第四週目の入場者プレゼントになることが決定！！＜炭治郎&柱イラストカード＞集合ビジュアルも解禁‼
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412:, you witness humanity under extreme conditions, and it brings out the good and the bad of humanity. I like that.”
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312:. He also mentioned that watching various variety shows and historical films served as creative inspiration for
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Costumes for the Shinsengumi characters in the live-action movie "Gintama 2: Rules are Made to be Broken".
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as a “strong main character . . . who’s not part of an organisation” to make the series more memorable.
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Hideaki Sorachi received an honourable mention for the 71st Tenkaichi Manga award for his debut work,
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anime. Sorachi has also appeared in a life-sized suit of this character for promotional interviews on
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375:. This characterisation was then further developed and adapted through the audience reception of
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Valdez, N. (2020). Gintama Creator Offering Demon Slayer Art for Fans Watching the Final Movie.
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What Do Manga Depict? Understanding Contemporary Japanese Comics and the Culture of Japan
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which began serialization in 2003 and ended in 2019. He has also written numerous
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Sorachi's inspiration for the initial characterisation of the shinsengumi in
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https://comicbook.com/anime/news/gintama-creatir-demon-slayer-movie-art/
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Valdez, N. (2017). ‘Saiki K’ Anime Teases Upcoming ‘Gintama’ Crossover.
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https://comicbook.com/anime/news/gintama-manga-sales-record-55-million/
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Sorachi, unemployed after graduating university, was able to live off
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Manga Girl Seeks Herbivore Boy: Studying Japanese Gender at Cambridge
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Sorachi, H. (2006). Gintama Official Character Book – Gin Channel!.
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cute female leads, and therefore created the character of Kagura in
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is considered to be Sorachi’s rendition of the popular protagonist
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1151:""One Piece" And "Gintama" Authors Measure Up In Exhibit Comments"
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https://comicbook.com/anime/news/saiki-k-gintama-crossover-anime/
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Lee, R. (2011). Romanticising Shinsengumi in Contemporary Japan.
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440:俺 (I, me). Sorachi voices this character himself in the Japanese
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https://twitter.com/gintama_film/status/1141532636420067329?s=21
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1072:"Don't complain about your job at home, do it somewhere else"
554:. The second season of the anime adaptation of Shūichi Asō's
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decided to give up on his dream of becoming a manga artist.
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Valdez, N. (2018). ‘Gintama’ Manga Hits New Sales Record.
970:(in Japanese). Otashuppan. October 2009. pp. 22–41.
404:“As for historical periods that see great changes, like
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https://wwws.warnerbros.co.jp/gintamamovie/news/?id=38
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Demon Slayer -Kimetsu no Yaiba- The Movie: Mugen Train
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Movie: Gintama The Final, Our Stage. JumpFesta2020.
1070:Takamatsu, Shinji (director) (27 September 2007).
864:. (27834637) . ProQuest Dissertations Publishing.
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277:Researchers have credited the popularity of the
194:In an interview, Sorachi described how watching
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1179:"10 Best Times Gintama Referenced Other Anime"
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921:https://www.youtube.com/watch?v=HGnLsfJMH6g
627:— one shot, 2010 (featured in volume 38 of
617:— one shot, 2008 (featured in volume 24 of
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607:— one shot, 2003 (featured in volume 2 of
597:— one shot, 2002 (featured in volume 1 of
1099:Warner Bros Channel. (2020, 24 January).
783:Shōnen Jump. (2002). Weekly Shōnen Jump.
647:— light novels, 2006 – 2013 (illustrator)
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917:Hideaki Sorachi draws! “Gintoki Sakata”.
915:Jump Comics Channel. (2021, 8 January).
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175:Aerial photograph of Takikawa, Hokkaido.
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1414:2: The Law is Surely There to be Broken
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466:) used to be his assistant, as well as
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1402:The Final Chapter: Be Forever Yorozuya
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560:also featured a crossover with
1053:Sorachi, H. (2010). Gin Tama,
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990:Sorachi, H. (2013). Gin Tama,
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811:New Voices (Sydney, N.S.W.), 4
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576:Demon Slayer: Kimetsu no Yaiba
557:The Disastrous Life of Saiki K
493:marking the 360th chapter for
133:is the pen name of a Japanese
1:
1478:The King of Fighters All Star
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353:coincided with the airing of
243:volumes completely sold out,
1177:Ahmad, Suzail (2021-10-22).
720:"Character Book 1 Interview"
273:Writing style and influences
207:", and sent his first work,
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1510:Manga artists from Hokkaido
934:Sorachi, H (2008). Gin Tama
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453:Crossovers and appearances
263:2005 Jump Festa Anime Tour
137:, most well known for his
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1373:Shirogane no Tamashii-hen
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1061:. ISBN 978-1-4215-2817-5.
687:Sorachi, Hideaki (2009).
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639:— manga series, 2003–2019
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840:(pp. 23-82). Lit Verlag.
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570:Gintama: The Very Final
472:Akaboshi: Ibun Suikoden
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1005:銀魂公式キャラクターブック2 「銀魂五年生
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16:Japanese manga artist
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1003:Sorachi, H. (2009).
261:was featured in the
131:, born May 25, 1979)
1464:Jump Ultimate Stars
1007:. (pp. 194 - 195)
938:(p. 26). Viz Media.
762:on February 5, 2008
1471:J-Stars Victory VS
1248:Anime News Network
860:Smith, A. (2020).
532:Weekly Shōnen Jump
497:and the 180th for
489:Weekly Shōnen Jump
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1042:978-1-4215-1360-7
1017:978-4-08-874805-4
819:10.21159/nv.04.08
702:978-1-4215-1623-3
689:Gin Tama, Vol. 10
501:. The author for
309:GeGeGe no Kitarou
196:Castle in the Sky
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87:Notable work
81:2002–present
72:Manga artist
39:May 25, 1979
1500:1979 births
1449:Other media
1156:Crunchyroll
1134:23 November
994:. Shueisha.
967:Quick Japan
919:. Youtube.
663:Shōnen Jump
552:Dragon Ball
486:chapter in
470:(author of
460:(author of
337:shinsengumi
299:Dragon Ball
58:Nationality
1494:Categories
1432:Characters
1366:Porori-hen
813:, 68–187.
674:References
499:Sket Dance
480:Sket Dance
463:Sket Dance
68:Occupation
35:1979-05-25
1395:The Movie
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1197:Comicbook
1076:Gin Tama.
1059:Viz Media
1034:Viz Media
1032:(pg. 2).
875:Comicbook
751:2004年新年2号
693:Viz Media
658:Dandelion
605:Shirokuro
595:Dandelion
541:One Piece
521:One Piece
504:One Piece
484:crossover
406:Bakumatsu
392:Moeyo Ken
372:Moeyo Ken
224:Dandelion
209:Dandelion
153:Dandelion
149:one-shots
100:Signature
1359:Gintama.
1352:Gintama°
1343:Enchōsen
1336:Gintama'
1315:Season 1
1310:Episodes
1305:Chapters
1123:The Star
1009:Shueisha
904:Shueisha
766:June 18,
756:Shueisha
523:for the
250:tankōbon
245:Shueisha
240:tankōbon
185:Hokkaido
181:Takikawa
62:Japanese
50:Hokkaido
1286:Gintama
1055:Vol. 19
992:Vol. 50
936:, Vol.6
734:Sep 23,
636:Gintama
629:Gintama
625:Bankara
619:Gintama
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384:Gintama
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333:Gintama
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52:, Japan
46:Sorachi
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1030:Vol. 3
1015:
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668:artist
652:Awards
550:, and
547:Naruto
482:had a
218:Career
1387:Films
1298:Media
589:Works
519:from
438:kanji
255:anime
161:Japan
139:manga
122:空知 英秋
1164:2021
1136:2010
1038:ISBN
1013:ISBN
972:ISBN
768:2009
736:2020
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515:and
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