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244:(National Trust, Uppark House and Garden, West Sussex) dated to the 1660s. The gallery depicted is an imaginary gallery with three allegorical figures who are admiring a canvas of the 'Last Judgement'. On a table by a window are placed pieces of sculpture, a globe, and other objects. The contrast between the precious objects on the table and the 'Last Judgement' in the foreground illustrates the idea of vanitas: the ultimate vanity of earthly pleasures.
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Gallery paintings depict large rooms in which many paintings and other precious items are displayed in elegant surroundings. The earliest works in this genre depicted art objects together with other items such as scientific instruments or peculiar natural specimens. The genre became immediately
170:, which were a source of perspectival effects. Playing with elements such as columns, pilasters and windows he created imaginary, monumental constructions. The architectural features with their perspectival exaggeration as well as the use of
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Janssens' paintings are often both signed and dated, with dates ranging from 1646 to 1661. Like his teacher van der Laemen he was specialized in dance scenes, set inside a house or on an outside terrace. This is where he got the nickname
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Janssens also painted many architectural paintings usually of imaginary palaces, temples and art galleries. He based himself on existing buildings, including the house of Rubens in
Antwerp, as well as on prints of
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105:. These works contributed to the development of the genre of the conversation piece in the Low Countries. His representations of elegant companies and balls and the works of
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119:), were significant for the formation of the genre. In this last work, Rubens showed how a garden could be used as a setting for amorous dalliance and courtship.
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known for his compositions depicting elegant companies engaging in dance, music or play, which were of influence on the development of the genre of the
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Marr, Alexander (2010) 'The
Flemish 'Pictures of Collections' Genre: An Overview', Intellectual History Review, 20: 1, 5 — 25
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depict persons engaging in excessive drinking and apparently dissolute behaviour and ostensibly carry a moralistic message.
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Janssens contributed to the genre of the 'gallery paintings'. The 'gallery paintings' genre is native to
Antwerp where
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He married
Catharina van Dooren in 1650. He took on four pupils including Jacob Lafosse (III) in 1651–52.
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Seventeenth
Century Flemish Garland Paintings. Still Life, Vision and the Devotional Image
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were the first artists to create paintings of art and curiosity collections in the 1620s.
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The
Collector's Cabinet: Flemish Paintings from New England Private Collections
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Grove Art Online. Oxford Art Online. Oxford
University Press. Web. 8 May. 2014
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He frequently painted these works in collaboration with other artists such as
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Dungeon interior with elegant figures, with
Wilhelm Schubert van Ehrenberg
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268:(current whereabouts unknown) borrowed extensively from Janssens'
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His work was of influence on later
Flemish genre painters such as
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Biographical details of
Christoffel Jacobsz van der Laemen
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in 1636–1637. He was first registered as a master in the
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quite popular and was followed by other artists such as
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Group of people in the St. Rumbold's Church in Mechelen
428:"Charles II (1630-1686) Dancing at a Ball at Court"
140:The Prodigal Son Dining with a Music-Making Party
122:One of Hieronymus Janssens' dance pieces depicts
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415:Jetty E. van der Sterre. "Janssens, Hieronymus."
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469:A Picture Gallery with Fashionable Visitors
320:A picture gallery with fashionable visitors
212:A Picture Gallery with Fashionable Visitors
137:Some of his elegant company scenes such as
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242:Picture Gallery with Fashionable Visitors
344:Nicolas Lancret: Dance Before a Fountain
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199:Frans Francken the Younger
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92:The game of "Main chaude"
72:of Antwerp in 1643–1644.
519:Flemish Baroque painters
219:Jan Brueghel the Younger
187:Jacobus Ferdinandus Saey
126:dancing with his sister
436:. Inventory no. 400525.
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42:– 1693, Antwerp) was a
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266:Presenting the newborn
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109:, in particular his
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394:E. de Wilde (ed.),
359:Hieronymus Janssens
235:Gillis van Tilborch
153:Architectural works
70:Guild of Saint Luke
28:Hieronymus Janssens
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304:The Louvre
103:The dancer
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36:Den danser
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