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The most significant thing about this bureaucratic leviathan is that it is completely captive to the political Left. Its principal purpose today is to advance the radical Left's agenda for the cultural revolution that has already completed its "long march" through the universities and is currently in
323:
Hilton Kramer's clear, incisive style and combative temperament made him one of the most influential critics of his era, writing for two decades at The New York Times and as a chief art critic at The New
Criterion for almost 10 years. He was known for his devastating, blunt, and quotable reviews
285:
with a sneer, a giggle, modernism without any animating faith in the nobility and pertinence of its cultural mandate." He was incisive in his distinction between modernism and postmodernism, referring to the age of postmodernism as "this age of irony and institutionalized subversion." He has
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for what he saw as a preoccupation with gender and ethnic identity. He wrote that the biennials "seem to be governed by a positive hostility toward — a really visceral distaste for — anything that might conceivably engage the eye in a significant or pleasurable visual experience."
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the process of annexing many other institutions of cultural life—the art museums, for example, where the revolution has made enormous inroads in programs and acquisitions, and in the policies of the foundations, corporations, and agencies of government that support museums.
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review was titled "This
Whitney Biennial Is As Boring As Ever." The critic sarcastically described an artwork in the show, "It is said to be a great hit with the schoolchildren who are marched through the Whitney for the purposes of cultural enlightenment."
268:
as a "psychological event." He argued that such an understanding "denied the aesthetic efficacy of painting itself and attempted to remove art from the only sphere in which it can be truly experienced, which is the aesthetic sphere." He took issue with
375:'s 1970 Marlborough Gallery exhibit in New York City signified a change from his lyrical abstraction to a rambunctious personal late style, Kramer disapproved calling Guston a "stumblebum."
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column, initially called "Times Watch" - focused on his former employer, the New York Times - and later expanded to "Media Watch", was published weekly from 1993 to
November 1997.
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no longer has any serious function to perform, and its continued existence is little more than an act of nostalgia... Surely it is time to disband."
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Kramer fought against what he considered to be leftist political bias in art criticism, and what he perceived as the aesthetic
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Kramer contended that federal funding of the arts favored political correctness over artistic merit. He wrote in 1993:
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exhibition review of a Great
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contrasted this with ideals he found in modernism: "the discipline of truthfulness, the rigor of honesty."
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http://www.newcriterion.com/articles.cfm/Art---its-institutions--notes-on-the-culture-war-4795
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Terry
Teachout at the Wall Street Journal April 12 2012 When Criticism is No Laughing Matter
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characteristic of many 20th century working artists and art critics. The frustration with
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Jed Perl at The New
Republic April 11 2012 How Hilton Kramer Got Lost in the Culture Wars
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Hilton Kramer & the critical temper; Roger
Kimball; The New Criterion, May 2012
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811:"Kramer, Hilton. "ART VIEW." The New York Times. July 8, 1979, Section D, Page 25"
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The
Twilight of the Intellectuals: Culture and Politics in the Era of the Cold War
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s policies led to his resignation from the newspaper in 1982. He co-founded (with
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615:"Hilton Kramer, Art Critic and Champion of Tradition in Culture Wars, Dies at 84"
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exhibitions at the
Whitney Museum of American Art, New York City. A 1977
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In 1952, Kramer took issue with the prevailing understanding of
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Hilton Kramer dies at 84; polarizing but widely read art critic
327:"the more Minimal the art, the more maximum the explanation."
127:
281:. Kramer characterized postmodernism in the visual arts as "
257:(1999), he defended the anti-Communist views of art critic
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The
Survival of Culture: Permanent Values in a Virtual Age
311:
Hilton Kramer died of heart failure on March 27, 2012, in
1195:
Postmodernism, or, the Cultural Logic of Late Capitalism
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Syracuse University College of Arts and Sciences alumni
883:
Obituary: Hilton Kramer, art critic and neoconservative
779:"Art View - This Whitney Biennial Is As Boring As Ever"
509:
Obituary: Hilton Kramer, art critic and neoconservative
330:"Every day grows more amnesiac about its recent past."
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about artists, institutions and work he found lacking.
507:
https://www.wsws.org/en/articles/2012/05/kram-m03.html
715:"Art View - The New Line: Minimalism is Americanism"
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into a Jewish immigrant family, and was educated at
479:The Triumph of Modernism: The Art World, 1985-2005
368:in December 1952, as “intellectually fraudulent.”
122:(March 25, 1928 – March 27, 2012) was an American
195:, and from 1965 to 1982, as chief art critic for
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651:"Feared and Fearless: Hilton Kramer, 1928-2012"
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1235:The Dictionary of Fashionable Nonsense
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682:"When Criticism is No Laughing Matter"
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1307:People from Gloucester, Massachusetts
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926:Kramer of federal funding of the arts
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589:Kramer of federal funding of the arts
1372:National Humanities Medal recipients
777:Kramer, Hilton (February 27, 1977).
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1312:Jewish American non-fiction writers
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1352:Columbia College (New York) alumni
916:OPEN EVENT: Hilton Kramer Memorial
854:On The Paintings of Bert Carpenter
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680:Teachout, Terry (April 12, 2012).
613:Grimes, William (March 27, 2012).
559:Grimes, William (March 27, 2012).
14:
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1342:The Nation (U.S. magazine) people
1327:American critics of postmodernism
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713:Kramer, Hilton (March 26, 1978).
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255:The Twilight of the Intellectuals
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179:Kramer worked as the editor of
16:American art critic and essayist
1347:People from Damariscotta, Maine
892:The critic who makes them cower
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770:
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649:Cohen, David (April 11, 2012).
420:The Future of the European Past
1322:The New York Times journalists
723:. pp. D29. Archived from
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524:Woo, Elaine (March 28, 2012).
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401:The Revenge of the Philistines
169:New School for Social Research
88:New School for Social Research
1:
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1337:The New York Observer people
787:. p. 77. Archived from
237:) the conservative magazine
133:
7:
921:the legacy of Hilton Kramer
201:. He also published in the
10:
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986:Criticism of postmodernism
386:The Age of the Avant-Garde
1367:Indiana University alumni
1362:Harvard University alumni
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351:American Abstract Artists
204:Art and Antiques Magazine
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145:Gloucester, Massachusetts
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36:Gloucester, Massachusetts
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21:
1261:Grievance studies affair
1227:Explaining Postmodernism
886:World Socialist Web Site
472:The New Criterion 21 (9)
447:. Chicago: Ivan R. Dee (
429:. Chicago: Ivan R. Dee.
378:
306:
1266:Postmodernism Generator
687:The Wall Street Journal
599:Remembering Esta Kramer
422:. Chicago: Ivan R. Dee.
1055:Stuckism International
460:Remembering the Gulag
210:The New York Observer
1317:American art critics
1219:Fashionable Nonsense
791:on February 10, 2024
758:on February 10, 2024
727:on February 10, 2024
627:on December 19, 2022
439:2002 (coedited with
414:1997 (coedited with
97:Art critic, essayist
1203:Higher Superstition
909:Wall Street Journal
298:Kramer faulted the
157:Columbia University
149:Syracuse University
143:Kramer was born in
76:Columbia University
67:Syracuse University
1040:Post-postmodernism
823:on January 3, 2024
816:The New York Times
784:The New York Times
720:The New York Times
620:The New York Times
229:The New York Times
198:The New York Times
165:Indiana University
161:Harvard University
84:Indiana University
80:Harvard University
1284:
1283:
912:, March 27, 2012.
879:, March 28, 2012.
876:Los Angeles Times
531:Los Angeles Times
333:Kramer dismissed
259:Clement Greenberg
240:The New Criterion
153:bachelor's degree
117:
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102:Years active
71:Bachelor's degree
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1243:Cynical Theories
1211:Dead White Males
1050:Remodernist film
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900:, June 28, 1995.
864:The New York Sun
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468:Gulag: A History
358:Harold Rosenberg
356:Kramer regarded
335:Whitney Biennial
313:Harpswell, Maine
300:Whitney Biennial
250:Gulag: A History
55:Harpswell, Maine
50:
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1276:Sokal affair
1271:Science wars
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1178:Windschuttle
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1025:Neomodernism
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825:. Retrieved
821:the original
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795:February 10,
793:. Retrieved
789:the original
782:
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762:February 10,
760:. Retrieved
756:the original
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731:February 10,
729:. Retrieved
725:the original
718:
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698:February 10,
696:. Retrieved
692:the original
685:
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665:February 10,
663:. Retrieved
659:the original
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631:February 10,
629:. Retrieved
625:the original
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570:. Retrieved
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49:(2012-03-27)
1302:2012 deaths
1297:1928 births
1045:Remodernism
1000:Altermodern
946:Appearances
888:May 3, 2012
827:January 22,
655:artcritical
213:. Kramer's
113:Esta Kramer
73:in English)
1291:Categories
1035:Post-irony
494:References
487:1566637082
345:In a 1979
192:The Nation
187:art critic
167:, and the
139:Early life
124:art critic
105:1950s–2006
1020:Neomodern
849:biography
572:March 28,
283:modernism
134:Biography
63:Education
1163:Peterson
1133:Fukuyama
1128:Eagleton
1093:Bricmont
1078:Anderson
993:Concepts
897:The Hour
537:28 March
466:, 2003.
224:nihilism
128:essayist
1254:Related
1168:Scruton
1153:Lindsay
1143:Jameson
1118:Dennett
1113:Dawkins
1103:Chomsky
1070:Critics
458:2003, "
366:ARTnews
271:pop art
1246:(2020)
1238:(2006)
1230:(2004)
1222:(1997)
1214:(1995)
1206:(1994)
1198:(1991)
1158:Paglia
1148:Kramer
1123:Dussel
1088:Berman
1083:Benson
950:C-SPAN
485:
451:
433:
425:1999.
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399:1985.
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384:1973.
277:, and
175:Career
110:Spouse
1187:Works
1173:Sokal
1138:Hicks
1108:Crews
1098:Bunge
477:2006
379:Works
371:When
307:Death
253:. In
829:2024
797:2024
764:2024
733:2024
700:2024
667:2024
633:2024
574:2012
539:2012
483:ISBN
449:ISBN
431:ISBN
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