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the first to define hip hop as a culture introducing the many aspects of the art form such as fashion, music, dance, the arts and most importantly the language. For instance, on the cover the headliner included the tag "All
Literature was Produced to Meet Street Comprehension!" which proved their loyalty not only to the culture but also to the streets. Most interviews were written verbatim which included their innovative broken English style of writing. Some of the early charts were written in the graffiti format tag style but was made legible enough for the masses.
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937:(anti-women) lyrics and many music videos depicted women in a sexualized fashion. The negation of female voice and perspective is an issue that has come to define mainstream hip hop music. The recording industry is less willing to back female artists than their male counterparts, and when it does back them, often it places emphasis on their sexuality over their musical substance and artistic abilities. Since the turn of the century, female hip hop artists have struggled to get mainstream attention, with only a few, such as older artists like the female duo
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A lot of rap songs contain references to strengthening the
African American community promoting social causes. Social workers have used hip hop to build a relationship with at-risk youth and develop a deeper connection with the child. Hip hop has the potential to be taught as a way of helping people see the world more critically, be it through forms of writing, creating music, or social activism. The lyrics of hip hop have been used to learn about literary devices such as metaphor, imagery, irony, tone, theme, motif, plot, and point of view.
615:, which discussed the realities of life in the housing projects. "Young black Americans coming out of the civil rights movement have used hip hop culture in the 1980s and 1990s to show the limitations of the movement." Hip hop gave young African Americans a voice to let their issues be heard; "Like rock-and-roll, hip hop is vigorously opposed by conservatives because it romanticizes violence, law-breaking, and gangs". It also gave people a chance for financial gain by "reducing the rest of the world to consumers of its social concerns."
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255:, in alternation, the made-up words "hip" and "hop" in a way that mimicked the rhythmic cadence of marching soldiers. Cowboy later worked the "hip hop" cadence into his stage performance. The group frequently performed with disco artists who would refer to this new type of music by calling them "hip hoppers". The name was originally meant as a sign of disrespect, but soon came to identify this new music and its broader culture. Therefore, the words chosen are probably not related to contemporary definitions for either "
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constrained due to its unavailability to the average person. Hip hop has begun making inroads with more than black artists. There are number of other minority artists who are taking center stage as many first generation minority children come of age. One example is rapper
Awkwafina, an Asian-American, who raps about being Asian as well as being female. She, like many others, use rap to express her experiences as a minority not necessarily to "unite" minorities together but to tell her story.
3224:, an American magazine catering to the youth with an emphasis on hip hop. It featured articles on what is like to be a part of the hip hop community, promoted up-coming albums, bringing awareness to the projects that the artist was involved in, and also included posters of trending celebrities within the world of Hip Hop. The magazine was published monthly and mainly concerning rap, Hip Hop and R&B music. Word Up magazine was highly popular, it was even mentioned in the popular song by
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citizenship and belonging, but also reveals the need to go beyond such struggles and celebrate the redemption of the black individual through tradition." The problem may not be that female rappers do not have the same opportunities and recognition as their male counterparts; it may be that the music industry that is so defined by gender biases. Industry executives seem to bet on the idea that men won't want to listen to female rappers, so they are given fewer opportunities.
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375:. It focused on emceeing (or MCing) over house parties and neighborhood block party events, held outdoors. Hip hop music has been a powerful medium for protesting the impact of legal institutions on minorities, particularly police and prisons. Historically, hip hop arose out of the ruins of a post-industrial and ravaged South Bronx, as a form of expression of urban Black and Latino youth, whom the public and political discourse had written off as marginalized communities.
2283:"Chopping" is dissecting the song that you are sampling so that you "chop" out the part or parts of the song, be that the bassline, rhythm guitar part, drum break, or other music, you want to use in the beat. Looping is known as melodic or percussive sequence that repeats itself over a period of time, so basically a producer will make an even-number of bars of a beat (e.g., four bars or eight bars) repeat itself or "loop" of a full song length. This loop provides an
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disadvantaged cities neighborhoods that have traditionally been a source of shame, and glorifying them in lyrics and graffiti. This has potentially been one of the ways that hip hop has become regarded as a "local" rather than "foreign" genre of music in so many countries around the world in just a few decades. Nevertheless, sampling and borrowing from a number of genres and places is also a part of the hip hop milieu, and an album like the surprise hit
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adolescents and half of the South
African population is under 21. Some of the large Kwaito artists have sold more than 100,000 albums, and in an industry where 25,000 albums sold is considered a gold record, those are impressive numbers. Kwaito allows the participation and creative engagement of otherwise socially excluded peoples in the generation of popular media. South African hip hop has made an impact worldwide, with performers such as
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embraced the ideals that effectively disenfranchise black female artists, many others choose to employ forms of resistance that counteract these negative portrayals of women in hip hop and offer a different narrative. These artists seek to expand ways of traditional thinking through different ways of cultural expression. In this effort they hope to elicit a response to female hip hop artists not with a misogynist
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3619:(true and "real") African-American artistic and cultural form since its emergence in inner-city Bronx neighborhoods in the 1970s. Some music critics, scholars and political commentators have denied hip hop's authenticity. Advocates who claim hip hop is an authentic music genre state that it is an ongoing response to the violence and discrimination experienced by black people in the United States, from the
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the "tagger" may be subject to arrest and prosecution for the criminal act. Whether legal or not, the hip hop culture considers tagging buildings, trains, bridges and other structures as visual art, and consider the tags as part of a complex symbol system with its own social codes and subculture rules. Such art is in some cases now subject to federal protection in the US, making its erasure illegal.
3488:. Jal is one of the few South Sudanese music artists to have broken through on an international level with his unique form of hip hop and a positive message in his lyrics. Jal has attracted the attention of mainstream media and academics with his story and use of hip hop as a healing medium for war-afflicted people in Africa and he has also been sought out on the international lecture fora such as
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3693:, "Jewels Brought from Bondage: Black Music and the Politics of Authenticity", Gilroy asserts that these elements influence the production of and the interpretation of black cultural activities. What Gilroy calls the "Black Atlantic" music's rituals and traditions are a more expansive way of thinking about African-American "blackness", a way that moves beyond contemporary debates around
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and dropout rates, music remains the most dependable medium of expression. Hip Hop is thus to modern day as Negro
Spirituals are to the plantations of the old South: the emergent music articulates the terrors of one's environment better than written, or spoken word, thereby forging an "unquestioned association of oppression with creativity is endemic" to African American culture".
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3381:, creating beats, or rapping. The diversification process stems from the appropriation of hip hop culture by other ethnic groups. There are many varying social influences that affect hip hop's message in different nations. It is frequently used as a musical response to perceived political and/or social injustices. In South Africa the largest form of hip hop is called
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3685:, allowing artists to articulate and perform their diasporic citizenship to international audiences and establish conversations with other diasporic communities." For Paul Gilroy, hip hop proves an outlet of articulation and a sonic space in which African Americans can exert control and influence that they often lack in other sociopolitical and economic domains.
2103:. As it is a way of creating hip hop music, it can be categorized under the production element of hip hop, though it does sometimes include a type of rapping intersected with the human-created beat. It is generally considered to be part of the same "Pillar" of hip hop as DJing—in other words, providing a musical backdrop or foundation for MC's to rap over.
1731:(also known as emceeing, MCing, spitting (bars), or just rhyming) refers to "spoken or chanted rhyming lyrics with a strong rhythmic accompaniment". Rapping typically features complex wordplay, rapid delivery, and a range of "street slang", some of which is unique to the hip hop subculture. While rapping is often done over beats, either done by a DJ, a
3916:, as objects rather than other human beings and the presence of male dominance in hip hop extends back to the birth of the genre. However, many female hip hop artists have also emerged in shedding light on both their personal issues and the misrepresentations of women in hip hop music and culture. These artists include but are not limited to
2386:, is complex. Source material include the spirituals of slaves arriving in the new world, Jamaican dub music, the laments of jazz and blues singers, patterned cockney slang and radio deejays hyping their audience using rhymes. Hip hop has a distinctive associated slang. It is also known by alternate names, such as "Black English", or "
592:'s house parties gained popularity and later moved to outdoor venues to accommodate more people. Hosted in parks, these outdoor parties became a means of expression and an outlet for teenagers, where "instead of getting into trouble on the streets, teens now had a place to expend their pent-up energy." Tony Tone, a member of the
1434:, these arts were developed by urban communities to enable people to make a statement, whether political or emotional and participate in community activities. These practices spread globally around the 1980s as fans could "make it their own" and express themselves in new and creative ways in music, dance and other arts.
2018:, DJ Kool Herc describes the "B" in B-boy as short for breaking, which at the time was slang for "going off", also one of the original names for the dance. However, early on the dance was known as the "boing" (the sound a spring makes). Dancers at DJ Kool Herc's parties saved their best dance moves for the percussion
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others from many different locations have tried to make an impact and raise awareness of HIV in the hip hop community. Many artists have made songs as sort of PSA's to raise awareness of HIV for hip hop listeners, some songs that raise awareness are Salt N Pepa – Let's Talk About AIDS, Coolio – Too Hot and more.
423:", a performance where men tried to outdo each other in originality of their language and tried to gain the favor of the listeners. The basic elements of hip hop—boasting raps, rival "posses" (groups), uptown "throw-downs", and political and social commentary—were all long present in African American music.
3266:. Many individual cities have also produced their own local hip hop newsletters, while hip hop magazines with national distribution are found in a few other countries. The 21st century also ushered in the rise of online media, and hip hop fan sites now offer comprehensive hip hop coverage on a daily basis.
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and through the UDEF powered by
Silverback Open. Other b-boys have begun to accept using the term breakdance, but only if the term b-boying is too difficult to communicate to the general public. Regardless of such, b-boys and b-girls still exist to showing lack of support to jams and events that they
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New York tourists from abroad took the publication back home with them to other countries to share it, creating worldwide interest in the culture and new art form. It had a printed distribution of 50,000, a circulation rate of 200,000 with well over 25,000 subscribers. The "Hip Hop Hit List" was also
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Hip Hop lyrics have also been known for containing swear words. In particular, the word "bitch" is seen in countless songs, from NWA's "A Bitch Iz a bitch" to Missy Elliot's "She is a Bitch". It is often used in the negative connotation of a woman who is a shallow "money grubber". Some female artists
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devices. In the 1980s and 1990s, beat makers and producers used the new electronic and digital instruments that were developed, such as samplers, sequencers, drum machines, and synthesizers. From the 1970s to the 2010s, various beat makers and producers have used live instruments, such as drum kit or
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Not all countries have embraced hip hop, where "as can be expected in countries with strong local culture, the interloping wildstyle of hip hop is not always welcomed". This is somewhat the case in
Jamaica, the homeland of the culture's father, DJ Kool Herc. However, despite hip hop music produced on
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were selling in such high numbers meant that black teens were no longer hip hop's sole buying audience. As a result, gangsta rap became a platform for artists who chose to use their music to spread political and social messages to parts of the country that were previously unaware of the conditions of
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Scholars argue that hip hop can have an empowering effect on youth. While there is misogyny, violence, and drug use in rap music videos and lyrics, hip hop also displays many positive themes of self-reliance, resilience, and self-esteem. These messages can be inspiring for a youth living in poverty.
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The "B" in B-boy or B-girl also stands simply for break, as in break-boy or -girl. Before the 1990s, B-girls' presence was limited by their gender minority status, navigating sexual politics of a masculine-dominated scene, and a lack of representation or encouragement for women to participate in the
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One of the most common forms of graffiti is tagging, or the act of stylizing the unique name or logo of oneself. Tagging began in
Philadelphia and New York City and has expanded worldwide. Spray painting public property or the property of others without their consent can be considered vandalism, and
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While hip hop music has been criticized as a music that creates a divide between western music and music from the rest of the world, a musical "cross pollination" has taken place, which strengthens the power of hip hop to influence different communities. Hip hop's messages allow the under-privileged
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These two dissenting understandings of hip hop's scope and influence frame debates that revolve around hip hop's possession of or lack of authenticity. Anticipating the market arguments of Tate and others, both Gilroy and
Weheliye assert that hip hop has always had a different function than Western
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Tanzanian artists such as
Professor Jay and the group Afande Sele are notable for their contributions to this genre of hip hop music and the awareness they have spread for HIV. American writer, activist and hip hop artist Tim'm T. West who was diagnosed with AIDS in 1999, formed queer hip hop group
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The hip hop community has been a major factor in educating its listeners on HIV/AIDS, a disease that has affected the community very closely. One of the biggest artists of early hip hop, Eazy-E, a member of N.W.A, had died of AIDS in 1995. Since then many artists, producers, choreographers and many
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criticized the genre. "The reason why rap is under attack is because it exposes all the contradictions of American culture ... What started out as an underground art form has become a vehicle to expose a lot of critical issues that are not usually discussed in American politics. The problem here is
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as well as graphic depictions of violence and sex in hip hop music videos and songs makes it hard to broadcast on television stations such as MTV, in music video form, and on radio. As a result, many hip hop recordings are broadcast in censored form, with offending language "bleeped" or blanked out
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Beats are such an integral part of rap music that many producers have been able to make instrumental mixtapes or albums. Even though these instrumentals have no rapping, listeners still enjoy the inventive ways the producer mixes different beats, samples and instrumental melodies. Examples of these
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DAWs have made it possible for more people to be able to make beats in their own home studio, without going to a recording studio. Beat makers who own DAWs do not have to buy all the hardware that a recording studio needed in the 1980s (huge 72 channel audio consoles, multitrack recorders, racks of
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In the early years of hip hop, the DJs were the stars, as they created new music and beats with their record players. While DJing and turntablism continue to be used in hip hop music in the 2010s, the star role has increasingly been taken by MCs since the late 1970s, due to innovative, creative MCs
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states that hip hop is really a voice of people who are marginalized in modern society. He argues that the "worldwide spread of hip hop as a market revolution" is actually global "expression of poor people's desire for the good life", and that this struggle aligns with "the nationalist struggle for
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since the category was added in 1995. In addition, African American female hip hop artists have been recognized even less in the industry. Salt-N-Pepa felt when they were establishing themselves as a successful group, they had to prove doubters wrong, stating that "being women in hip hop at a time
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In "Phonographies", Weheyliye explains how new sound technologies used in hip hop encourage "diasporic citizenship" and African-American cultural and political activities. Gilroy states that the "power of music in developing black struggles by communicating information, organizing consciousness,
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states that the market-driven, commodity form of commercial hip hop has uprooted the genre from the celebration of African-American culture and the messages of protest that predominated in its early forms. Tate states that the commodification and commercialization of hip hop culture undermines the
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However, while the pervasive oppressive conditions of the Bronx were likely to produce another group of disadvantaged youth, he questions whether they would be equally interested, nonetheless willing to put in as much time and energy into making music as Grandmaster Flash, DJ Kool Herc, and Afrika
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Since the age of slavery, music has long been the language of African American identity. Because reading and writing were forbidden under the auspices of slavery, music became the only accessible form of communication. Hundreds of years later, in inner-city neighborhoods plagued by high illiteracy
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music to New York during the 1970s. Jamaican hip hop artists often rap in both Brooklyn and Jamaican accents. Jamaican hip hop subject matter is often influenced by outside and internal forces. Outside forces such as the bling-bling era of today's modern hip hop and internal influences coming from
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Artists now use brands as a means of supplemental income to their music or are creating and expanding their own brands that become their primary source of income. As Harry Elam explains, there has been a movement "from the incorporation and redefinition of existing trends to actually designing and
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Many black rappers—including Ice-T and Sister Souljah—contend that they are being unfairly singled out because their music reflects deep changes in society not being addressed anywhere else in the public forum. The white politicians, the artists complain, neither understand the music nor desire to
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The producer could even mix and layer different methods, such as combining a sampled disco drum break with a drum machine track and some live, newly recorded percussion parts or a live electric bass player. A beat created by a hip hop producer may include other parts besides a drum beat, such as a
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and Cindy Campbell hosted the first hip hop party in the Bronx, sparking the rise of the genre. Hip hop culture has spread to both urban and suburban communities throughout the United States and subsequently the world. These elements were adapted and developed considerably, particularly as the art
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As a result, lyrics of rap songs have often been treated as "confessions" to a number of violent crimes in the United States. It is also considered to be the duty of rappers and other hip hop artists (DJs, dancers) to "represent" their city and neighborhood. This demands being proud of being from
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Kwaito is a political and party-driven genre, as performers use the music to express their political views, and also to express their desire to have a good time. Kwaito is a music that came from a once hated and oppressed people, but it is now sweeping the nation. The main consumers of Kwaito are
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marketing firm with offices in NYC's Tribeca district. At the age of 21, Vincent Carroll employed a staff of 15 and assisted in launching some of the culture's biggest and brightest stars (the Fugees, Nelly, the Outzidaz, feat. Eminem and many more). Later other publications spawned up including:
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The periodical began as the first Rap record chart and tip sheet for DJs and was distributed through national record pools and record stores throughout the New York City Tri-State area. One of the founding publishers, Charles Carroll noted, "Back then, all DJs came into New York City to buy their
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He also credits mass communication with creating a global cultural hip hop scene. As a result, the youth are influenced by the American hip hop scene and start their own forms of hip hop. Patterson believes that revitalization of hip hop music will occur around the world as traditional values are
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Those who create these beats are known as either beat makers or producers, however producers are known to have more input and direction on the overall the creation of a song or project, while a beat maker just provides or creates the beat. As Dr. Dre has said before "Once you finish the beat, you
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of early hip hop, a reference to the prolific African American record producer, conductor, arranger, composer, musician and bandleader. One of the most influential beat makers was J. Dilla, a producer from Detroit who chopped samples by specific beats and would combine them together to create his
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for a DJ dance event. The MC would introduce the DJ and try to pump up the audience. The MC spoke between the DJ's songs, urging everyone to get up and dance. MCs would also tell jokes and use their energetic language and enthusiasm to rev up the crowd. Eventually, this introducing role developed
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In the developing world, hip hop has made a considerable impact in the social context. Despite the lack of resources, hip hop has made considerable inroads. Due to limited funds, hip hop artists are forced to use very basic tools, and even graffiti, an important aspect of the hip hop culture, is
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In exchange for giving artists free wardrobes, Hilfiger found its name mentioned in both rhyming verses of rap songs and their 'shout-out' lyrics, in which rap artists chant out thanks to friends and sponsors for their support. Hilfiger's success convinced other large mainstream American fashion
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As hip hop has a seen a shift in the means by which its artists express their masculinity, from violence and intimidation to wealth-flaunting and entrepreneurship, it has also seen the emergence of rapper branding. The modern-day hip hop artist is no longer limited to music serving as their sole
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Clothing, hair and other styles have been a big part of hip hop's social and cultural impact since the 1970s. Although the styles have changed over the decades, distinctive urban apparel and looks have been an important way for rappers, breakdancers and other hip hop community members to express
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Hip hop texts are rich in imagery and metaphors and can be used to teach irony, tone, diction, and point of view. Hip hop texts can be analyzed for theme, motif, plot, and character development. Both Grand Master Flash and T.S. Eliot gazed out into their rapidly deteriorating societies and saw a
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offered new innovations in the genre. The album, released in 2004, sold over 4 million copies worldwide, has been noted by critics for its manipulation of samples, many pulled from pop culture, where West would speed up or slow down the original beat, a trend that became popular as a result. For
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pioneered the use of DJing percussion "breaks" in hip hop music. Beginning at Herc's home in a high-rise apartment at 1520 Sedgwick Avenue, the movement later spread across the entire borough. On August 11, 1973, graffiti artist and breakdancer Cindy Campbell organized a hip hop "back to school"
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By joining forces, the artist and the corporation are able to jointly benefit from each other's resources. Hip Hop artists are trend-setters and taste-makers. Their fans range from minority groups who can relate to their professed struggles to majority groups who cannot truly relate but like to
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Breaking, also called B-boying/B-girling or breakdancing, is a dynamic, rhythmic style of dance which developed as one of the major elements of hip hop culture. Like many aspects of hip hop culture, breakdance borrows heavily from many cultures, including 1930s-era street dancing, Brazilian and
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in that it is performed in time to the beat of the music. The use of the word "rap" to describe quick and slangy speech or witty repartee long predates the musical form. MCing is a form of expression that is embedded within ancient African and Indigenous culture and oral tradition as throughout
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has irked older hip hop fans and artists. They see the genre losing its community-based feel that focused more on black empowerment than wealth. The commercialization of the genre stripped it of its earlier political nature and the politics and marketing plans of major record labels have forced
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have made great strides since the hip hop industry first began. By producing music and an image that did not cater to the hyper-sexualized stereotypes of black women in hip hop, these women pioneered a revitalized and empowering image of black women in hip hop. Though many hip hop artists have
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According to scholar Joseph Schloss, the essentialist perspective of hip hop conspicuously obfuscates the role that individual style and pleasure plays in the development of the genre. Schloss notes that Hip Hop is forever fossilized as an inevitable cultural emergent, as if "none of hip-hop's
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A non-profit organization out of New York City called Hip Hop 4 Life, strives to educate the youth, especially the low income youth about social and political problems in their areas of interest, which includes hip hop. Hip Hop 4 Life has held many events around the New York City area to raise
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It has also been argued that rap music formed as a "cultural response to historic oppression and racism, a system for communication among black communities throughout the United States". This is due to the fact that hip hop culture reflected the social, economic, and political realities of the
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The rappers provide the "cool, hip" factor while the corporations deliver the product, advertising, and financial assets. Tommy Hilfiger, one of the first mainstream designers to actively court rappers as a way of promoting his street wear, serves a prototypical example of the hip hip/fashion
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The Carroll Brothers were also consultants to the many record companies who had no idea how to market hip hop music. Vincent Carroll, the magazine's creator-publisher, went on to become a huge source for marketing and promoting the culture of hip hop, starting Blow-Up Media, the first hip hop
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In hip hop, since the beginning of MCing, there have been producers who work in the studio, behind the scenes, to create the beats for MCs to rap over. Producers may find a beat they like on an old funk, soul, or disco record. They then isolate the beat and turn it into a loop. Alternatively,
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songs—the part most suited to dance, usually percussion-based—were isolated and repeated for the purpose of all-night dance parties. This form of music playback, using hard funk and rock, formed the basis of hip hop music. Campbell's announcements and exhortations to dancers would lead to the
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would add their street number to their nickname, "bomb" (cover) a train with their work, and let the subway take it—and their fame, if it was impressive, or simply pervasive, enough—"all city". Julio 204 never rose to Taki's fame because Julio kept his tags localized to his own neighborhood.
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Hip hop sounds and styles differ from region to region, but there are also instances of fusion genres. Hip hop culture has grown from the avoided genre to a genre that is followed by millions of fans worldwide. This was made possible by the adaptation of music in different locations, and the
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The appearance of music videos changed entertainment: they often glorified urban neighborhoods. The music video for "Planet Rock" showcased the subculture of hip hop musicians, graffiti artists, and b-boys/b-girls. Many hip hop-related films were released between 1982 and 1985, among them
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all tapped into hip hop culture and gave very little in return. Moving into the new millennium, hip hop fashion consisted of baggy shirts, jeans, and jerseys. As names like Pharrell and Jay-Z started their own clothing lines and still others like Kanye West linked up with designers like
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refused to hear Broward County's appeal. Professor Louis Gates testified on behalf of The 2 Live Crew, arguing that the material that the county alleged was profane actually had important roots in African-American vernacular, games, and literary traditions and should be protected.
3657:, and other genres that were developed in the African-American community and which were quickly adopted and then increasingly controlled by white music industry executives, hip hop has remained largely controlled by African American artists, producers and executives. In his book,
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magazine featured remarks from managing director Frederic Rouzaud about whether the brand's identification with rap stars could affect their company negatively. His answer was dismissive: "That's a good question, but what can we do? We can't forbid people from buying it. I'm sure
3901:, as it depicts women as individuals who must rely on men. The portrayal of women in hip hop lyrics and videos tends to be violent, degrading, and highly sexualized. There is a high frequency of songs with lyrics that are demeaning towards women, and depict sexual violence or
3480:-born Tamil hip hop artist claims, "I'm just trying to build some sort of bridge, I'm trying to create a third place, somewhere in between the developed world and the developing world.". Another music artist using hip hop to provide a positive message to young Africans is
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says, "I don't think graffiti is hip hop. Frankly I grew up with disco music. There's a long background of graffiti as an entity unto itself," and Fargo says, "There is no correlation between hip hop and graffiti, one has nothing to do with the other." Hip hop pioneer
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argues that "Hip hop, as with any number of African-American cultural forms before it, offers a range of compelling and contradictory significations to Jamaican artist and audiences. From "modern blackness" to "foreign mind", transnational cosmopolitanism to militant
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on the mixer. The result of mixing two records is a unique sound created by the seemingly combined sound of two separate songs into one song. Although there is considerable overlap between the two roles, a DJ is not the same as a record producer of a music track.
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recognizes hip hop as "the world's favorite youth culture" in which "just about every country on the planet seems to have developed its own local rap scene." Through its international travels, hip hop is now considered a "global musical epidemic". According to
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occupation or source of income. By the early 1990s, major apparel companies " realized the economic potential of tapping into hip hop culture ... Tommy Hilfiger was one of the first major fashion designer who actively courted rappers as a way of promoting his
2374:'s "Donuts". Some hip hop records come in two versions: a beat with rapping over it, and an instrumental with just the beat. The instrumental in this case is provided so that DJs and turntablists can isolate breaks, beats and other music to create new songs.
2110:. This helps the beatboxer to make their beatboxing loud enough to be heard alongside a rapper, MC, turntablist, and other hip hop artists. Beatboxing was popular in the 1980s with prominent artists like the Darren "Buffy, the Human Beat Box" Robinson of the
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suggested to Philips that the misunderstanding of "Cop Killer" and the attempts to censor it had racial overtones: "The Supreme Court says it's OK for a white man to burn a cross in public. But nobody wants a black man to write a record about a cop killer."
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For inner-city youth, participating in hip hop culture became a way of dealing with the hardships of life as minorities within America, and an outlet to deal with the risk of violence and the rise of gang culture. MC Kid Lucky mentions that "people used to
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The result – which sometimes renders the remaining lyrics unintelligible or contradictory to the original recording – has become almost as widely identified with the genre as any other aspect of the music, and has been parodied in films such as
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MCing and rapping performers moved back and forth between the predominance of toasting songs packed with a mix of boasting, 'slackness' and sexual innuendo and a more topical, political, socially conscious style. The role of the MC originally was as a
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By 1984, youth worldwide were embracing the hip hop culture. The hip hop artwork and "slang" of U.S. urban communities quickly found its way to Europe, as the culture's global appeal took root. This was especially notable in the United Kingdom, where
3812:" which favors music written and performed by the individual artist (as seen in some famous singer-songwriter-led rock bands) and is against 2000s (decade)-era hip hop, which these critics argue give too large a role to record producers and digital
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For women, artists such as Missy Elliott, Lil' Kim, Young M.A. and others are providing mentorship for new female MCs. In addition, there is a vibrant scene outside the mainstream that provides an opportunity for women and their music to flourish.
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The symbiotic relationship has also stretched to include car manufacturers, clothing designers and sneaker companies, and many other companies have used the hip hop community to make their name or to give them credibility. One such beneficiary was
3816:. Hip hop is seen as being too violent and explicit, in comparison with rock. Some contend that the criticisms have racial overtones, as these critics deny that hip hop is an art form and praising rock genres that prominently feature white males.
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is the group most frequently associated with the founding of gangsta rap. Their lyrics were more violent, openly confrontational, and shocking than those of established rap acts, featuring incessant profanity and, controversially, use of the word
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Encompassing graffiti art, MCing/rapping, DJing and b-boying, hip hop became the dominant cultural movement of the minority-populated urban communities in the 1980s. The 1980s also saw many artists make social statements through hip hop. In 1982,
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and MTV have added a significant amount of hip hop to their play list. Run DMC became the first African American group to appear on MTV. With the emergence of the Internet, a number of online sites began to offer hip hop related video content.
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2537:. Rappers are starting to question the government's power and its oppressive role in some societies. Rap music has been a tool for political, social, and cultural empowerment outside the United States. Members of minority communities—such as
1828:. According to the article Julio had been writing for a couple of years when Taki began tagging his own name all around the city. Taki also states in the article that Julio "was busted and stopped." Writers following in the wake of Taki and
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Due to hip hop's commercial success in the late 1990s and early 2000s, many of these words have been assimilated into the cultural discourse of several different dialects across America and the world and even to non-hip hop fans. The word
2177:, give advice to rappers, vocalists, MCs and other artists, give suggestions to performers on how to improve their flow and develop a unique personal style. Some producers work closely with the audio engineer to provide ideas on mixing,
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As his name was mentioned in the song lyrics of his hip hop customers, his profile quickly rose. Arabo expanded his brand to include gem-encrusted watches that retail for hundreds of thousands of dollars, gaining so much attention that
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After realizing her friends were making music but not getting television exposure other than what was seen on Video Music Box, Darlene Lewis (model/lyricist), along with Darryl Washington and Dean Carroll, brought hip hop music to the
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Bambaataa. He thus concludes that Hip Hop was a result of choice, not fate, and that when individual contributions and artistic preferences are ignored, the genre's origin becomes overly attributed to collective cultural oppression.
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Hip hop has made a considerable social impact since its inception in the 1970s. "Hip hop has also become relevant to the field of education because of its implications for understanding language, learning, identity, and curriculum."
2726:", which is often regarded as the first gangsta rap song, in 1986. After the national attention that Ice-T and N.W.A created in the late 1980s and early 1990s, gangsta rap became the most commercially lucrative subgenre of hip hop.
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to switch between the two records. Cindy produced and funded this party that became the "Birth of Hip Hop", thus she has been called the Mother of Hip Hop and the First Lady of Hip Hop. Kool Herc's turntablist style became known as
2899:, which featured the group's two members holding a guitar tuner and two sticks as the Twin Towers exploded behind them despite the fact that it was created months before the actual event. The group, having politically radical and
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that film directors play in making a movie. The record producer recruits and selects artists (rappers, MCs, DJs, beatboxers, and so on), plans the vision for the recording session, coaches the performers on their songs, chooses
509:", all released in 1979. Herc and other DJs would connect their equipment to power lines and perform at venues such as public basketball courts and at 1520 Sedgwick Avenue, Bronx, New York, now officially a historic building.
117:. Hip-hop culture has historically been shaped and dominated by African American men, though female hip hop artists have contributed to the art form and culture as well. Hip hop culture is characterized by the key elements of
1158:, Sweden, nongovernmental organizations (NGOs) incorporate graffiti and dance to engage disaffected immigrant and working class youths. Hip hop has played a small but distinct role as the musical face of revolution in the
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were also among the first ways the mainstream public were introduced to hip hop graffiti. Graffiti remains part of hip hop, while crossing into the mainstream art world with exhibits in galleries throughout the world.
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The underground movement of turntablism has also emerged to focus on the skills of the DJ. In the 2010s, there are turntablism competitions, where turntablists demonstrate advanced beat juggling and scratching skills.
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Due to the success of the music genre, starting in the 2000s, more industries and brands began to cooperate with hip-hop artists, who until then had been considered too scandalous for mainstream marketing. Similar to
3940:, tend to have less advantages and opportunities than male artists. Moreover, female artists have received significantly less recognition in hip hop. Only one female artist has won Best Rap Album of the Year at the
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establish themselves as artists and entrepreneurs, more young black people have hopes of achieving their goals. The lens through which one views the genre's commercialization can make it seem positive or negative.
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Weheliye notes, "Popular music, generally in the form of recordings, has and still continues to function as one of the main channels of communication between the different geographical and cultural points in the
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at these parties were all artistic variations on the competition and one-upmanship of street gangs. Sensing that gang members' often violent urges could be turned into creative ones, Afrika Bambaataa founded the
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have tried to reclaim the word and use it as a term of empowerment. Regardless, the hip hop community has recently taken an interest in discussing the use of the word "bitch" and whether it is necessary in rap.
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and the super-rich employers get richer". Ironically, this commercialization coincides with a decline in rap sales and pressure from critics of the genre. Even other musicians, like Nas and KRS-ONE have claimed
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older culture and reusing it in a new context or a new format is called "flipping" in hip hop culture. Hip hop music follows in the footsteps of earlier African-American-rooted and Latino musical genres such as
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filed a trademark-infringement lawsuit against him for putting diamonds on the faces of their watches and reselling them without permission. Arabo's profile increased steadily until his June 2006 arrest by the
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displaying their skills within the media. It declined in popularity along with b-boying in the late 1980s, but has undergone a resurgence since the late 1990s, marked by the release of "Make the Music 2000" by
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The relationship between graffiti and hip hop culture arises both from early graffiti artists engaging in other aspects of hip hop culture, Graffiti is understood as a visual expression of rap music, just as
1484:, who helped popularize hip hop in the 1970s through the isolation and extending of "breaks" – the parts of albums that focused solely on the percussive beat. In addition to developing Herc's techniques, DJs
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was an early innovator in this type of strategy. With merchandise such as dolls, commercials for soft drinks and numerous television show appearances, Hammer began the trend of rap artists being accepted as
2780:," was considered controversial particularly with the track "Soulja's Story." The song depicted a narrative of a young black man seeking revenge after being brutalized by police officers. This portrayal of
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was a Puerto Rican graffiti writer, one of the first graffiti writers in New York City. He was a member of the "Savage Skulls" gang, and started writing his nickname in his neighborhood as early as 1968.
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made beats, rhythm, and musical sounds using their mouth, lips, tongue, voice, and other body parts. "Human Beatbox" artists would also sing or imitate turntablism scratching or other instrument sounds.
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Very few female artists have been recognized in hip hop, and the most popular, successful and influential artists, record producers, and music executives are males. Women who are in rap groups, such as
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South Africa and is a voice for the voiceless; a term that U.S. hip hop is often referred to. Kwaito is even perceived as a lifestyle, encompassing many aspects of life, including language and fashion.
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form. The few B-girls who participated despite facing gender discrimination carved out a space for women as leaders within the breaking community, and the number of B-girls participating has increased.
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was published in the 1980s. It contained the first rap music record chart. It was put out by two brothers from Newark, New Jersey, Vincent and Charles Carroll (who was also in a hip hop group known as
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records but most of them did not know what was hot enough to spend money on, so we charted it." Jae Burnett became Vincent Carroll's partner and played an instrumental role in its later development.
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forms spread to new continents and merged with local styles in the 1990s and subsequent decades. Even as the movement continues to expand globally and explore myriad styles and art forms, including
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from a pre-existing record. This means that a producer will take a portion or a "sample" of a song and reuse it as an instrumental section, beat or portion of their song. Some examples of this are
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In the 2000s, with the rise of new media platforms such as online music streaming services, fans discovered and downloaded or streamed hip hop music through social networking sites beginning with
2497:, helps describe the phenomenon of how hip hop has spread rapidly around the world. Patterson argues that mass communication is controlled by the wealthy, the government, and major businesses in
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Not only the particular words, but also the choice of which language in which rap is widely debated topic in international hip hop. In Canada, the use of non-standard variants of French, such as
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4064:. This has perpetuated a culture in hip hop that is prejudiced towards queer and trans people, making it a tough culture for queer artists to participate in. Despite this prejudice, some queer/
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arguments. As such, Gilroy states that music has been and remains a central staging ground for debates over the work, responsibility, and future role of black cultural and artistic production.
3322:, the clothes got tighter, more classically fashionable, and expensive. Artists like West also began to stray away from wearing the jerseys and began wearing what was called "preppy" clothing.
2189:), micing of artists, and so on. The producer may independently develop the "concept" or vision for a project or album, or develop the vision in collaboration with the artists and performers.
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Hip hop culture has had extensive coverage in the media, especially in relation to television; there have been a number of television shows devoted to or about hip hop, including in Europe ("
2091:, in which a singer imitates drums and other percussion instruments with her or his voice. It is primarily concerned with the art of creating beats or rhythms using the human mouth. The term
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argues that the commercialization of hip hop is a negative and pervasive phenomenon, writing that "what we call hiphop is now inseparable from what we call the hip hop industry, in which the
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8273:"Cover Story: 'Arnold Schwarzenegger blew away dozens of cops as the Terminator. But I don't hear anybody complaining.': A Q & A with Ice-T about rock, race and the 'Cop Killer' furor"
2576:" poets of the modern era, who use imagery and create a mood to criticize society. As quoted in their work "Promoting Academic Literacy with Urban Youth Through Engaging Hip Hop Culture":
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Early hip hop may have reduced inner-city gang violence by providing an alternative means of expression to physical violence. However, with the emergence of commercial and crime-related
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Ice-T suggested that the furor over the song was an overreaction, telling journalist Chuck Philips "... they've done movies about nurse killers and teacher killers and student killers.
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Graffiti is the most controversial of hip hop's elements, as a number of the most notable graffiti pioneers say that they do not consider graffiti to be an element of hip hop, including
263:", although that pair of words in conjunction had been swirling in the public lexicon since at least the 1950s, with older folks describing the parties of the youth as "hippity hops".
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2941:, the phenomenon of companies using hip-hop collaborations for commercial purposes without fully understanding and supporting the culture involved is referred to as "streetwashing".
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However, in the late 1980s, music industry executives realized that they could capitalize on the success of "gangsta rap". They made a formula that created "a titillating buffet of
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Hip hop magazines describe hip hop's culture, including information about rappers and MCs, new hip hop music, concerts, events, fashion and history. The first hip hop publication,
1032:. While hip hop music now appeals to a broader demographic, media critics argue that socially and politically conscious hip hop has been largely disregarded by mainstream America.
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and glorified violence." This type of rap was marketed to the new fan base: white males. They ignored the depictions of a harsh reality to focus on the sex and violence involved.
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The exact roles of a producer depend on each individual, but some producers work with DJs and drum machine programmers to create beats, coach the DJs in the selection of sampled
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guttural. Some of it does. Most does not. Most white listeners don't care; they hear black voices in a litany of discontent, and tune out. Yet rap plays the same role today as
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staff. Politicians and businesspeople maligned and ignored the hip hop movement. Most hip hop artists performed in their local communities and recorded in underground scenes.
316:, also did much to further popularize the term. The first use of the term in print, referring specifically to the culture and its elements, was in a January 1982 interview of
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from old records to the art form means that much of the culture has revolved around the idea of updating classic recordings, attitudes, and experiences for modern audiences.
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to Public Enemy's world tour, hip hop spread to Latin America and became a mainstream culture. Hip hop has been cut, mixed and adapted as it the music spreads to new areas.
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album chart. Beastie Boys were also one of the first white hip hop artists and a highly influential band in the history of hip hop, ranked as No.12 most influential band by
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then began using the term when referring to this new "disco rap" music. Bill Alder, an independent consultant, once said, "There was hardly ever a moment when rap music was
9341:
109:, New York City. Pioneered from Black American street culture, that had been around for years prior to its more mainstream discovery, it later reached other groups such as
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mixed with American hip hop music, and ultimately a global exchange process will develop that brings youth around the world to listen to a common musical form of hip hop.
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With Hip-Hop starting to grab traction, the early 2000s was a turning point for the genre that influenced the sound, lifestyle and the fashion of the decade. At the time,
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7825:. Hip hop has also become relevant to the field of education because of its implications for understanding language, learning, identity, and curriculum."Emery Petchauer:
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s David Kiley argue that the discussion of products within hip hop culture may actually be the result of undisclosed product placement deals. Such critics allege that
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The equipment consisted of numerous speakers, turntables, and one or more microphones. By using this technique, DJs could create a variety of music, but according to
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2867:, which was criticized for what many viewed as an exploitative depiction of women, particularly images of a man swiping a credit card between a stripper's buttocks.
2390:". Academics suggest its development stems from a rejection of the racial hierarchy of language, which held "White English" as the superior form of educated speech.
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is noted for his beatboxing skills. He is holding the mic close to his mouth, a technique beatboxers use to imitate deep basslines and bass drums, by exploiting the
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3457:, radical remixology to outright mimicry, hip hop in Jamaica embodies the myriad ways that Jamaicans embrace, reject, and incorporate foreign yet familiar forms."
2737:". These lyrics were placed over rough, rock guitar-driven beats, contributing to the music's hard-edged feel. The first blockbuster gangsta rap album was N.W.A's
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3793:, have criticized current hip hop artists for being more concerned with image than substance. Critics have stated that 2010s hip hop artists are contributing to
2805:. The song was intended to speak from the viewpoint of a criminal getting revenge on racist, brutal cops. Ice-T's rock song infuriated government officials, the
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1394:, although not rappers, have been accused of cultural appropriation and commercializing hip hop. Katy Perry, a white woman, was criticized for her hip hop song "
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party with her brother featured as the deejay. Kool Herc extended the beat of a record by using two record players, isolating the percussion "breaks" by using a
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3197:). They knew the art form very well and noticed the need for a hip hop magazine. DJs and rappers did not have a way to learn about rap music styles and labels.
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3726:, originally held views against mainstream rap. However, recent interviews indicate they have changed their ways to a certain extent. However, rappers like
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became influential. Starting in the mid- to late 1990s, hip hop culture embraced some major designers and established a new connection with classic fashion.
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4795:"Hip-hop is the most listened to genre in the world, according to Spotify analysis of 20 billion tracks | News | Culture | The Independent"
4053:, and let's talk about all these fucking shows that they have on MTV that is promoting homosexuality, that my kids can't watch this shit," and rap artist
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has also questioned the connection between hip hop and graffiti, saying, "You know what bugs me, they put hip hop with graffiti. How do they intertwine?"
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In the early-to-mid 1980s, there wasn't an established hip hop music industry, as exists in the 2020s, with record labels, record producers, managers and
3432:, the sounds of hip hop are derived from American and Jamaican influences. Jamaican hip hop is defined both through dancehall and reggae music. Jamaican
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is widely regarded as the first hip hop motion picture, which featured prominent figures within the New York graffiti scene during that period. The book
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By 1979, hip hop music had become a mainstream genre. It spread across the world in the 1990s with controversial "gangsta" rap. Herc also developed upon
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cross borders. While the music may be from a foreign country, the message is something that many people can relate to- something not "foreign" at all.
701:. "Planet Rock" is widely regarded as a turning point; fusing electro with hip hop, it was "like a light being switched on", resulting in a new genre.
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4239:, were key themes. Socially and politically conscious hip hop has long been disregarded by mainstream America in favor of its media-baiting sibling,
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have to produce the record." The process of making beats includes sampling, "chopping", looping, sequencing beats, recording, mixing, and mastering.
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Steingo, Gavin (July 2005). "South African Music after Apartheid: Kwaito, the "Party Politic," and the Appropriation of Gold as a Sign of Success".
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540:, a loose confederation of street-dance crews, graffiti artists, and rap musicians. By the late 1970s, the culture had gained media attention, with
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Gross, Daniel D.; Walkosz, Barbara. "Language Boundaries and Discourse Stability: "Tagging" as a Form of Graffiti Spanning International Borders".
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As top rappers grow wealthier and start more outside business ventures, this can indicate a stronger sense of black aspiration. As rappers such as
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Johnson, Gaye Theresa. "On Blackness, Humanity, and The Art of Rap." The Huffington Post. TheHuffingtonPost.com, June 12, 2012. Web. June 2, 2014.
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rappers and hip hop artists have become successful and popular in the 2010s. One of the more notable members of the LGBT community in hip hop is
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Hip hop has been criticized by rock-centric critics who state that hip hop is not a true art form and who state that rock and roll music is more
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describes has little place in hip hop's mainstream artists music. The push toward materialism and market success by contemporary rappers such as
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Organizations and facilities are providing spaces and programs for communities to explore making and learning about hip hop. An example is the
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1101:, hip hop is "now the center of a mega music and fashion industry around the world" that crosses social barriers and cuts across racial lines.
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of hip hop that reflects the violent culture of inner-city American black youths. The genre was pioneered in the mid-1980s by rappers such as
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for example is particularly prolific. There are also a number of words which predate hip hop, but are often associated with the culture, with
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and testing out or deploying ... individual or collective" forms of African-American cultural and political actions. In the third chapter of
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that the White House and wanna-be's like Bill Clinton represent a political system that never intends to deal with inner city urban chaos,"
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and turned it into commercialized pop music. In particular, seminal figures in the early underground, politically motivated music, such as
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agencies and led to calls for censorship and boycotts of the album. Despite facing backlash, Tupac remained unapologetic about addressing
2232:, who won producer of the year credits in 1983, 1984, and 1985. Known for the creation of sample and sample loops, Blow was considered the
1283:" in that it has changed so much over the years to cater to the consumer that it has lost the essence for which it was originally created.
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takes place in commercial rap music, and that lyrical references to products are actually paid endorsements. In 2005, a proposed plan by
2561:, where poet and author George Eliot Clarke has taught the potential power of hip hop music to promote social change. Greg Thomas of the
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Even when hip hop is transplanted to other countries, it often retains its "vital progressive agenda that challenges the status quo." In
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Morrell, Ernest. Duncan-Andrade, Jeffrey. "Promoting Academic Literacy with Urban Youth Through Engaging Hip Hop Culture". p. 10, 2003.
4681:"Today in Hip Hop History: Kool Herc's Party At 1520 Sedgwick Avenue 45 Years Ago Marks The Foundation Of The Culture Known As Hip Hop"
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Beatboxers can create their beats just naturally, but many of the beatboxing effects are enhanced by using a microphone plugged into a
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innovators had been born, a different group of poor black youth from the Bronx would have developed hip-hop in exactly the same way".
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to create beats, producers use electric and acoustic instruments on some songs. Pictured is an electric bass player at a hip hop show.
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on BET. The commercialization has made hip hop less edgy and authentic, but it also has enabled hip hop artists to become successful.
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A second key musical element in hip hop music is emceeing (also called MCing or rapping). Emceeing is the rhythmic spoken delivery of
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8099:"Cover Story: The Uncivil War: The battle between the Establishment and supporters of rap music reopens old wounds of race and class"
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became the first international hit hip hop artist not native to America. From the 1980s onward, television made hip hop global. From
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to collect and make accessible the historical artifacts of hip hop culture and to ensure their preservation for future generations.
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filed a lawsuit against Broward County Sheriff Nick Navarro, because Navarro wanted to prosecute stores that sold the group's album
1735:, it can also be done without accompaniment. It can be broken down into different components, such as "content", "flow" (rhythm and
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Hip hop music has been censored on radio and TV due to the explicit lyrics of certain genres. Many songs have been criticized for
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style Tracy 168 dubbed "wildstyle" would come to define the art. The early trend-setters were joined in the 1970s by artists like
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to Paris use hip hop in their communities to address environmental justice, policing and prisons, media justice, and education.".
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where a number of looters stole DJ equipment from electronics stores. As a result, the hip hop genre, barely known outside of the
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rackmount effects units), because 2010-era DAWs have everything they need to make beats on a good quality, fast laptop computer.
816:" (officially credited to Grandmaster Flash and The Furious Five), a song that foreshadowed the socially conscious statements of
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The lyrical content of many early rap groups focused on social issues, most notably in the seminal track "The Message" (1982) by
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While there were early items synonymous with hip hop that crossed over into the mainstream culture, like Run-DMC's affinity for
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6020:"Hip Hop Pioneer Doug E. Fresh & Soca Sensation Machel Montano To Host 26th Int'l Reggae & World Music Awards (IRAWMA)"
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301:, one of the first so-called rap records, was a monster hit ('Rapper's Delight' by the Sugar Hill Gang on Sugarhill Records)."
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television show. There, rappers had opportunities to be interviewed and have their music videos played. This pre-dated MTV or
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syncopated, rhymed spoken accompaniment now known as rapping. He dubbed his dancers "break-boys" and "break-girls", or simply
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Motion live entertainment. Stylo, Saada. "The Northside research Project: Profiling Hip Hop artistry in Canada", p. 10, 2006.
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history verbal acrobatics or jousting involving rhymes were common within the Afro-American and Latino-American community.
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Schloss, J. G. & Chang, J..Making Beats: The Art of Sample-Based Hip-Hop. Middletown: Wesleyan University Press, 2014.
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design companies, like Ralph Lauren and Calvin Klein, to tailor lines to the lucrative market of hip hop artists and fans.
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Traditionally, a DJ will use two turntables simultaneously and mix between the two. These are connected to a DJ mixer, an
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from a funk or disco song, dialogue from a spoken word record or movie, or rhythmic "scratching" and "punches" done by a
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became known for “flashing” during the breaks, flashing being the section of two albums where only the drums are played.
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Women artists have also been at the forefront of the hip hop movement since its inception in the Bronx. Nevertheless, as
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against each other instead of fighting". Inspired by DJ Kool Herc, Afrika Bambaataa created a street organization called
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Brooks, S. and T. Conroy. "Hip Hop Culture in a Global Context: Interdisciplinary and Cross-Categorical Investigation."
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Travis, Raphael; Deepak, Anne (2011). "Empowerment in Context: Lessons from Hip Hop Culture for Social Work Practice".
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Elan, Priya. "It's Time to Drop the 'bitch' from Hip-hop." Theguardian.com, September 19, 2012. Retrieved June 2, 2014.
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Lane, Nadia (March 30, 2011). "Libyan Rap Fuels Rebellion". CNN iReport. Cable News Network. Retrieved August 16, 2011.
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Deep Dickollective who got together to rap about the HIV pandemic among queer black men and LGBTQ activism in hip hop.
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Rap has a bad reputation in white circles, where many people believe it consists of obscene and violent anti-white and
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Some academics, including Ernest Morrell and Jeffrey Duncan-Andrade, compare hip hop to the satirical works of great "
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artist uses his artwork to make a satirical social statement on censorship: "Don't blame yourself ... blame hip hop!"
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642:" became the first major single containing hip hop elements by a white group or artist to hit number one on the U.S.
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criticized young hip hop artists from the 2010s, stating that they have taken a music genre with extensive roots in
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as a vital genre, and established Los Angeles as a legitimate rival to hip hop's long-time capital, New York City.
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8935:"National Geographic: Images of Animals, Nature, and Cultures | Story on Emmanuel Jal in National Geographic"
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and b-girls. According to Herc, "breaking" was also street slang for "getting excited" and "acting energetically"
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Hess, Mickey, ed. "Hip Hop In America: A Regional Guide". Santa Barbara, California: Greenwood Press, 2010. Print
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1591:, who developed strong rapping skills. However, a number of DJs have gained stardom nonetheless in recent years.
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Gangsta rap also played an important part in hip hop becoming a mainstream commodity. Considering albums such as
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4212:, hip hop has since expanded worldwide. Its expansion includes events like Afrika Bambaataa's 1982 releasing of
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surpassed them with 32.2 million in sales. While sampling has always been a central part of hip hop music,
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and hip hop film, the four foundational elements provide coherence and a strong foundation for hip hop culture.
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3928:. Despite the success of them and others, female rappers remain proportionally few in the mainstream industry.
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in the 1970s alongside the other elements of hip hop. Breakdancing is typically done with the accompaniment of
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DJing and turntablism are the techniques of manipulating sounds and creating music and beats using two or more
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The Concise Guide to Hip-Hop Music: A Fresh Look at the Art of Hip-Hop, from Old-School Beats to Freestyle Rap
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The Concise Guide to Hip-Hop Music: A Fresh Look at the Art of Hip-Hop, from Old-School Beats to Freestyle Rap
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The Concise Guide to Hip-Hop Music: A Fresh Look at the Art of Hip-Hop, from Old-School Beats to Freestyle Rap
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7074:"Grandmaster Flash Says Graffiti Is Not A Part Of Hip-Hop – And Graffiti Pioneers Agree – InFlexWeTrust"
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Hip hop music has spawned dozens of subgenres which incorporate hip hop music production approaches, such as
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are the creative outlets that collectively make up hip hop culture and its revolutionary aesthetic. Like the
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by David Toop "At its worst the technique could turn the night into one endless and inevitably boring song".
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Weheliye, Alexander G.. Phonographies: Grooves in Sonic Afro-modernity. Durham: Duke University Press, 2005.
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was recorded in locations all across the world and features sounds from a different country on every track.
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2581:"wasteland." Both poets were essentially apocalyptic in nature as they witnessed death, disease, and decay.
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offers courses at both the undergraduate and graduate level studying the feminist and assertive nature of
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4041:". Many rappers and hip hop artists have advocated homophobia and/or transphobia. These artists include
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in Regina, Saskatchewan, Canada. Many dance studios and colleges now offer lessons in hip hop alongside
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did in 1960, giving voice to the hopes and angers of a generation, and a lot of rap is powerful writing.
1955:, showing off technical skills, trying to out-do a rival dancer, and displaying tongue-in-cheek bravado.
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Hartwig Vens. "Hip-hop speaks to the reality of Israel". WorldPress. November 20, 2003. March 24, 2008.
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3228:– Juicy "it was all a dream, use to read WordUp magazine". Word Up magazine was a part of pop culture.
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Motley, Carol; Henderson, Geraldine (2008). "The Global Hip-Hop Diaspora: Understanding The Culture".
3010:. He created jewelry pieces from precious metals that were heavily loaded with diamond and gemstones.
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wrote that Herc's innovation "laid the foundations for hip hop", also noting that "it was another DJ,
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7167:"Grandmaster Flash Commits Hip-Hop Heresy, Claims Graffiti Is Not Part Of The Culture – Complex"
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as the first to use the term "hip hop" as it relates to the culture. Bambaataa, former leader of the
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10083:"The Influence of Rap and Hip-Hop Music: An Analysis on Audience Perceptions of Misogynistic Lyrics"
7702:"Roc the Mic Right: The Language of Hip Hop Culture. Taylor & Francis, 2006. September 27, 2010"
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3076:, who previously included references to "Cris", ceased all mentions and purchases of the champagne.
2346:, also known as DAWs, became more common in the 2010s for producers. Some of the most used DAWs are
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motor. DJs were often avid record collectors, who would hunt through used record stores for obscure
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10446:. New York: Sister Outsider EntertainmentNew York: Sister Outsider Entertainment. pp. 147–148.
7321:"Earl 'Snakehips' Tucker". Drop Me off in Harlem. Kennedy Center. 2003. Retrieved January 31, 2010.
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recorded the song "Pass the Courvoisier". Simmons insists that no money changed hands in the deal.
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Fitzpatrick, Rob, "The 101 strangest records on Spotify: Warp 9 – It's A Beat Wave," May 14, 2014
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awareness for HIV and other problems surrounding these low income children and their communities.
785:", introduced socially conscious themes from a Sci-Fi perspective, paying homage to music pioneer
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themselves. As the hip hop music genre's popularity increased, so did the effect of its fashion.
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and literary circles. Studies of hip hop linguistics are now offered at institutions such as the
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section of the song, getting in front of the audience to dance in a distinctive, frenetic style.
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as an industry has also been strongly supported by old-school/ golden-era legends such as Herc,
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Many hip hop artists from the developing world come to the United States to seek opportunities.
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During the 1980s, hip hop also embraced the creation of rhythm by using the human body, via the
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Why White Kids Love Hip Hop: Wankstas, Wiggers, Wannabes and the New Reality of Race in America
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4013:. Hip hop song lyrics contain offensive, homophobic slurs (most popularly the pejorative term "
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7846:. The Andy Warhol Foundation for the Visual Arts. Paper Number 21994 01Feb2008. Archived from
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Strode, Tim, and Tim Wood. "The Hip Hop Reader". New York: Pearson Education Inc., 2008. Print
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to pay rappers to advertise McDonald's products in their music was leaked to the press. After
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481:. The approach used by Herc was soon widely copied, and by the late 1970s, DJs were releasing
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As the name was getting established, the words were a signature part of some songs. The song "
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rappers to craft their music and images to appeal to white, affluent and suburban audiences.
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Clay, Andreana (2003). "Keepin' it Real: Black Youth, Hip-Hop Culture, and Black Identity".
10192:"Cash rules everything around me: the high price of sustaining hip hop community in Chicago"
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Hartwig Vens argues that hip hop can also be viewed as a global learning experience. Author
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While some brands welcome the support of the hip hop community, one brand that did not was
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has endorsed a line of headphones and other audio gear called "beats", which bear his name.
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Weheliye, Alexander. "Hip-Hop Pts. 1–3." Kresge Hall, Evanston. October 17, 2013. Lecture.
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7829:, Vol. 79, No. 2 (June 2009), pp. 946–978". New York: St. Martin's Press, 2008, pp. 21–23.
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towards women. Videos often portray idealized female bodies and depict women as being the
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still feel a strong disapproval of the rap industry, especially through mainstream media.
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10131:"Independent Lens . HIP-HOP: Beyond Beats & Rhymes . Misogyny & Homophobia | PBS"
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9207:"HIV testing and conspiracy beliefs regarding the origins of HIV among African Americans"
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3661:, Weheliye describes the political and cultural affiliations that hip hop music enables.
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was the only television channel likely to play hip hop, but in recent years the channels
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9937:(October 2009). "Misogyny in rap music: a content analysis of prevalence and meanings".
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Alridge, D.; Steward, J. "Introduction: Hip Hop in History: Past, Present, and Future".
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Johnson, Imani Kai (2014). "From blues women to b-girls: performing badass femininity".
6552:] Effect On Society As It Struggles With Alarming Sales Decline – The ShowBuzz"
4566:"Hip to the Game – Dance World vs. Music Industry, The Battle for Hip Hop's Legacy"
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have been influenced by hip hop and many South Korean artists perform hip hop music. In
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To record the finished beats or beat tracks, beat makers and producers use a variety of
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The tools needed to make beats in the late 1970s were funk, soul, and other music genre
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was used as a form of expression by political activists. In addition, gangs such as the
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have defied the odds by impressing online hip hop taste-makers and even reggae critics.
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and fuses heavy pop music elements, but there is an extended rap by Harry near the end.
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Neumann, Fredreich (2000). "Hip hop: Origins, Characteristics and Creative Processes".
4853:"Grandmaster Flash and the Furious Five Inducted into the Rock and Roll Hall of Fame".
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3979:, are most notorious for having continuously celebrated and promoted drug trafficking,
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gangsters. Critics have also stated that hip hop music promotes drug use and violence.
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The track also helped popularize the 808, which became a cornerstone of hip hop music;
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5646:"The Message From Last Night: Hip-Hop is Rock 'n' Roll, and the Hall of Fame Likes It"
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are successful deals. Although product placement deals were not popular in the 1980s,
2003:/b-girling, locking and popping, all of which trace their origins to the early 1970s.
1543:, a process facilitated by the introduction of new turntable technologies such as the
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into longer sessions of spoken, rhythmic wordplay, and rhyming, which became rapping.
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10101:""WHERE MY GIRLS AT?" Negotiating Black Womanhood in Music Videos by Rana A. Emerson"
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disenfranchised youth. In the 2010s, hip hop lyrics are starting to reflect original
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9579:"Afrika Bambaataa interview on Hip Hop, street gangs and the 5th element of Hip-Hop"
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hear what's going on in the devastated communities that gave birth to the art form.
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and also one of the best-selling festivals in advance. Picture of Blockfest in 2017.
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Although it is not described as one of the four core elements that make up hip hop,
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recordings. DJs helped to introduce rare records and new artists to club audiences.
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In the 1970s, an underground urban movement known as "hip hop" began to form in the
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7996:"Hip-Hop Revolution In The Flesh. xi. Palgrave Macmillan, 2009. September 27, 2010"
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6304:"CNN.com – WorldBeat – Hip-hop music goes global – January 15, 2001"
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to air nearly-uncensored videos. The show was exemplified by music videos such as "
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2455:) has powerful symbolic implications for Canadian language politics and debates on
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published an article ("'Taki 183' Spawns Pen Pals") about another graffiti writer,
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have often been criticized for commercializing hip hop and cultural appropriation.
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the island lacking widespread local and international recognition, artists such as
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Yes Yes Y'All: The Experience Music Project Oral History of Hip Hop's First Decade
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6945:. The American Heritage Dictionary of the English Language, Fourth Edition. 2009.
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lyrical content, said the cover meant to symbolize the destruction of capitalism.
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feel represent the culture as a sport, form of entertainment and as well through
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548:", commenting on the local phenomenon and mentioning influential figures such as
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276:"I said a hip, hop, the hippie the hippie to the hip hip hop, and you don't stop"
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Trapp, Erin (2005). "The Push and Pull of Hip-Hop: A Social Movement Analysis".
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Motley, Carol (2007). "The global hip-hop Diaspora: Understanding the culture".
8849:"Reggae Music 101 – Learn More About Reggae Music – History of Reggae"
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is another important element. In music, record producers play a similar role in
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890:. These films expanded the appeal of hip hop beyond the boundaries of New York.
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The Hip-Hop Generation: Young Blacks and the Crisis in African American Culture
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College Undergraduate Research / Scholarly Commons / University of Pennsylvania
9071:"Promoting Academic Literacy with Urban Youth through Engaging Hip-Hop Culture"
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2416:) and are only used briefly. One particular example is the rule-based slang of
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Marshall, Wayne, "Bling-Bling ForRastafari: How Jamaicans Deal With Hip-Hop",
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since their inception in the United States during the late 1980s–early 1990s.
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sparked the first major controversy regarding hip hop lyrics when their song "
2625:' character Dr. Evil – performing in a parody of a hip hop music video ("
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saw widespread looting, arson, and other citywide disorders especially in the
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11287:"Authenticity Within Hip-Hop and Other Cultures Threatened with Assimilation"
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Wayne Marshall, "Bling-bling for Rastafari: How Jamaicans deal with hip hop".
8559:"MC Hammer To Perform At Reds Game, Will Hopefully Refrain From Hurting Them"
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7543:"Jay Z and Kanye West feat. Otis Redding's Otis – Discover the Sample Source"
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As well, the hip hop music community has been criticized with accusations of
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638:". The new style influenced Harry, and Blondie's later hit single from 1981 "
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and wordplay, delivered at first without accompaniment and later done over a
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Hip Hop: The Illustrated History of Breaking Dancing, Rap Music and Graffiti
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Conscious Women Rock the Page: Using Hip-hop Fiction to Incite Social Change
8680:
Black Cultural Traffic: Crossroads in Global Performance and Popular Culture
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4218:, which tried to establish a more global harmony. In the 1980s, the British
4080:. Other successful queer hip hop/rap artists include female bisexual rapper
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to such an event, as the main backing track used was the break from Chic's "
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7239:"New York graffiti artists triumph over developer who destroyed their work"
6548:"Rap Criticism Grows Within Own Community, Debate Rages Over It's [
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judge labeled the album obscene and illegal to sell. However, in 1992, the
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in the early 1990s, the emphasis in lyrics shifted to drugs, violence, and
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10377:"Addict Rap?: The Shift from Drug Distributor to Drug Consumer in Hip Hop"
9222:
7193:"Grandmaster Flash Says Graffiti Art Isn't Hip-Hop – The Urban Daily"
3882:. Between 1987 and 1993, over 400 hip hop songs had lyrics that described
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as a whole, a function that exceeds the constraints of market capitalism.
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2545:—use rap as a platform to protest racism, poverty, and social structures.
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8642:"Here Are 30 Things That Prove Hip-Hop in the 2000s Was Wildly Different"
6234:"Here Are 30 Things That Prove Hip-Hop in the 2000s Was Wildly Different"
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Hip hop music artists and advocates have stated that hip hop has been an
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A silhouette shows a man break dancing. One of the 4 elements of hip hop.
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1504:", which has become one of the key sounds associated with hip hop music.
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Documenting the Black Experience: Essays on African American History ...
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8192:"Popular Culture and Social Control: The Moral Panic on Music Labeling."
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9863:"Study Says Hip-Hop Listeners More Prone To Drug Use, Aggression – MTV"
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The hip hop music genre and its subculture has been criticized for its
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became the dominant force in hip hop music, there were many songs with
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The Bronx hip hop scene emerged in August 1973 when brother–sister duo
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This article is about the culture in general. For the music genre, see
9898:"The Negative Influence of Gangster Rap And What Can Be Done About It"
7995:
6710:"It's Time To Stop Stereotyping White Rappers As Outsiders In Hip-Hop"
5375:
5032:. Durham, North Carolina: Duke University Press. pp. Chapter 21.
4703:
4630:
3441:
the use of anti-colonialism and marijuana or "ganja" references which
994:
became the first gangsta rap album to enter the charts at number one.
976:. Early proponents of gangsta rap included groups and artists such as
689:". Instead of simply rapping over disco beats, Bambaataa and producer
293:— a Bronx DJ who put out the single "The Positive Life" in 1981 – and
168:
Hip hop is simultaneously a new and old phenomenon; the importance of
13319:
12554:
12482:
12347:
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12292:
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11938:
8383:"Hiphop-Marketing: Die meisten Marken machen Streetwashing | W&V"
7473:
Icons of hip hop: an encyclopedia of the movement, music, and culture
6280:. Worldmusic.nationalgeographic.com. October 17, 2002. Archived from
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2998:, a diamond merchant from New York. Jacob Arabo's clientele included
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2459:. In the United States rappers choose to rap in English, Spanish, or
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records where they would rap to the beat. Influential tunes included
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106:
10346:"Can Hip-Hop Separate Itself From The Drug Culture It Helped Build?"
10285:"Salt-N-Pepa Reflect On Longevity in Hip Hop: "There Was No Plan B""
7887:
7603:"Introduction to DAWs (Digital Audio Workstations) « EarSketch"
5082:
4153:. Statements consisting only of original research should be removed.
3945:
when it wasn't that many women, we felt like we had more to prove."
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10772:
8599:"hip-hop (cultural movement) – Britannica Online Encyclopedia"
6682:
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4057:, who has said publicly, " will never accept transgender rappers."
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11405:
Bad Boy: The Influence of Sean "Puffy" Combs on the Music Industry
11380:
Droppin' Science: Critical Essays on Rap Music and Hip Hop Culture
10887:"Preventing violence through hip hop: an evolutionary perspective"
6636:"Bling Bling and Going Pop Consumerism and Co-Optation in Hip-Hop"
3547:
and 9th Wonder has also taught a "Hip Hop Sampling Soul" class at
3531:
teaching hip hop lectures at Harvard University. Hip hop producer
2463:, depending on their own backgrounds and their intended audience.
1843:
is an influential graffiti artist who began painting in the 1970s.
1519:, and various electronic music equipment such as a microphone and
898:
grew its own voice and style from the 1980s, with rappers such as
12432:
12397:
12382:
12272:
12242:
11701:
9719:"Grandmaster Caz: I Don't Respect a Single New Rapper's Lyricism"
7823:
It's Bigger Than Hip Hop: the Rise of the Post-hip-hop Generation
7728:
It's Bigger Than Hip Hop: the Rise of the Post-hip-hop Generation
6205:"Kanye West Released His 'College Dropout' Debut LP 18 Years Ago"
4255:
4181:
4076:
in 2012 and has released critically acclaimed albums and won two
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uses hip hop to heal war-torn African youth. Jal pictured at the
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1523:. The DJ mixes the two albums currently in rotation and/or does "
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288:"And you hip-hop, and you don't stop, just blast off, sure shot."
260:
229:
217:
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118:
11430:
Black Noise: Rap Music and Black Culture in Contemporary America
9745:"AOL Radio Stations | Free Internet Radio | AOL Radio"
9003:
Xu, An Rong; Namkung, Victoria; Lyons, Eve (December 16, 2017).
8427:, BusinessWeek Online, April 6, 2005. Retrieved January 5, 2007.
7641:(4th rev. ed.). Princeton, NJ: Princeton University Press.
356:
328:. The term gained further currency in September of that year in
12850:
12392:
12110:
11911:
11638:
11544:
Born in the Bronx: A Visual Record of the Early Days of Hip Hop
11114:(October–December 2005). "The Problem of Maturity in Hip Hop".
5443:
4030:
3937:
3859:
3854:
and its negative impacts on women in African-American culture.
3839:
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has been successful as a solo performer and as a member of the
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2186:
2120:
2006:
1371:
1363:
1113:
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1029:
1008:
786:
750:
10316:"Rap Culture's Evolution from Glorifying to Decrying Drug Use"
8826:
8691:
Arthur, Damien (2006), "Hip Hop Consumption and Masculinity",
8215:"How '2Pacalypse Now' Marked The Birth Of A Rap Revolutionary"
6179:"Eminem and The Beatles: The Top-Selling Artists of the 2000s"
2047:. Early acts made up of "mainly Latino Americans" include the
1527:" by moving one of the record platters while manipulating the
1085:
performs her signature piece "Let Them Eat Chaos" at the 2017
12377:
12367:
12177:
11970:
11948:
9606:"Afrika Bambaataa on James Brown, Sampling and Hip Hop Today"
8092:
8090:
8088:
7148:
7146:
6533:
6531:
4349:
4193:
4018:
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3504:
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3217:
Another popular hip hop magazine that arose in the 1980s was
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2864:
2831:
2734:
2729:
2719:
2715:
2675:
overturned the obscenity ruling from Judge Gonzalez, and the
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2448:
2277:
2252:' "Footsteps in the Dark Pts. 1 and 2" being sampled to make
2213:
or by hiring a drumkit percussionist to play acoustic drums.
1736:
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1339:
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1116:
that preys on adolescents wherever nobody knows their name."
998:
985:
977:
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408:
202:
182:
149:. From hip hop culture emerged a new genre of popular music,
10199:
PhD Dissertation, University of Illinois at Urbana-Champaign
6895:
6893:
5809:"Early hip-hop's greatest drum machine just got resurrected"
5492:, ed. Alan Light, 350-7. New York: Three Rivers Press, 1999.
4772:
2476:
2035:, and was later given more focus in fictional films such as
792:
673:", which became the first certified gold rap song. In 1982,
454:
11177:
Race Rebels: Culture, Politics, and the Black Working Class
10613:"Azealia Banks, a Young Rapper Taking Cues From the Street"
9658:
8063:"Appeals Court Voids Obscenity Ruling on 2 Live Crew Album"
7888:"Hiphop-festivaali Blockfest myytiin loppuun ennätysajassa"
7749:"'Franglais' controversy just paranoia, says Dead Obies MC"
7513:"Ice Cube's It Was a Good Day – Discover the Sample Source"
5955:"From the fringe: The Hip hop culture and ethnic relations"
4201:
4197:
4096:
3646:
2851:
told The Times. Until its discontinuation on July 8, 2006,
2633:) – performs an entire verse that is blanked out. In 1995,
2421:
1977:
1615:
1560:
443:
194:
186:
11670:
11062:
A Brief History of Rhyme and Bass: Growing Up With Hip Hop
10652:"Rapper Angel Haze Explains Pansexuality In Her Own Words"
8085:
7143:
6528:
4745:
Can't Stop Won't Stop: A History of the Hip-Hop Generation
3362:
2667:
because of its obscene and vulgar lyrics. In June 1990, a
1069:". This tactic became known as the "chipmunk soul sound."
714:
both described the machine as hip hop's equivalent to the
567:
at the time, grew at an astounding rate from 1977 onward.
11243:
Kolbowski, Silvia (Winter 1998). "Homeboy Cosmopolitan".
9492:
Tate, Greg. "Hip-hop Turns 30: Whatcha Celebratin' For?"
7892:
6890:
6554:. Showbuzz.cbsnews.com. February 17, 2010. Archived from
6516:
Wayne Marshall, "Nu Whirl Music, Blogged in Translation?"
5081:
SpearIt, Muslim Hip Hop in the age of Mass Incarceration
4046:
3436:
brought the sound systems, technology, and techniques of
3177:
3007:
2989:
billboard at a festival sponsored by the soda pop company
2874:
2873:'s "Gotta Give the Peeps What They Need" was censored on
2766:
1468:
turntables or other sound sources, such as tapes, CDs or
957:
400:, who created its signature flourish in 1977 or 1978" – "
392:" – an essential element of modern hip hop. Music critic
9517:
9515:
7660:
7658:
6606:"Previewing the BET Awards: Where Are the Lady Rappers?"
6417:
Schwartz, Mark. "Planet Rock: Hip Hop Supa National" in
6137:. Miami University Department of English. Archived from
4062:
lesbian, gay, bisexual, and transgender (LGBT) community
3669:
dynamism of the genre for African-American communities.
1851:
Bubble lettering held sway initially among writers from
1761:
1594:
Famous DJs include Grandmaster Flash, Afrika Bambaataa,
544:
magazine printing an article titled "B Beats Bombarding
523:
Street gangs were prevalent in the poverty of the South
9361:
9359:
9274:
9036:
Journal of Ethnic and Cultural Diversity in Social Work
8381:
Boulaghmal, Ismail; PolfuĂź, Jonas (November 30, 2022).
8186:
8184:
3334:"consume the fantasy of living a more masculine life".
2673:
United States Court of Appeals for the Eleventh Circuit
2553:
Hip hop lyricism has gained a measure of legitimacy in
2099:, then known as beatboxes. It was first popularized by
2095:
is derived from the mimicry of the first generation of
737:
Other groundbreaking records released in 1982 include "
10798:"Foundations of Funk: The Birth of a Genre | Features"
10574:
9539:
The Black Atlantic: Modernity and Double Consciousness
8827:"Ah Yeah: The History and Meaning of a Rap Expression"
7573:"What does "chopping" mean? – Future Producers forums"
7118:. Edinburgh: Accidental Media, 2004. Documentary film.
7110:
7108:
6791:
55.1 (2010): 3–8. UW WorldCat. Retrieved June 2, 2014.
6657:
The Black Atlantic: Modernity and Double Consciousness
5030:
Life and Death on the New York Dance Floor, 1980 -1983
4235:
during the early 1990s, violence, drugs, weapons, and
4045:, who in an interview claimed, "We need to go step to
2907:
pulled the album until a new cover could be designed.
2769:
Assistant Director Milt Ahlerich, strongly expressing
2382:
The development of hip hop linguistics, including own
1298:
As the hip hop genre has changed since the 1980s, the
205:
to become one of the most practiced genres worldwide.
10871:
Watkins, S. Craig. "Why Hip-Hop Is Like No Other" in
9633:"KRS-One: Real Men Don't Exist in Mainstream Hip-Hop"
9533:
9531:
9512:
9375:"Why are rap lyrics being used as evidence in court?"
9144:"Cornell University Library Annual Report, 2007–2008"
7655:
7460:
Prophets of the Hood: Politics and Poetics in Hip Hop
7416:
Women & Performance: A Journal of Feminist Theory
7068:
7066:
5102:"The Birth of Hip Hop, The Forum – BBC World Service"
3766:
2910:
2819:
because of the controversy surrounding "Cop Killer".
1784:, Blade, Fargo, Cholly Rock, Fuzz One, and Coco 144.
9356:
8818:
8181:
5527:
4274:
3700:
2830:. But I don't hear anybody complaining about that."
2611:
of the soundtrack, or replaced with "clean" lyrics.
1999:. Breakdancing includes four dance styles: rocking,
1535:
The development of DJing was also influenced by new
1166:, whose anti-government songs fueled the rebellion.
11353:
Hip-Hop Revolution: The Culture and Politics of Rap
10713:"The rapper taking on hip hop's 'homophobic space'"
9450:""Tha Realness": In Search of Hip-Hop Authenticity"
9123:"Patrick Douthit a.k.a. 9th Wonder, Cover to Cover"
8937:. worldmusic.nationalgeographic.com. Archived from
8927:
8751:. Southafrica.info. January 7, 2003. Archived from
8695:, Volume 8, Association for Consumer Research, 113.
8596:
7938:
7105:
6519:
6357:
The World's Most Local Pop Music Goes International
6107:
6091:
6089:
5164:"4 Reasons Cindy Campbell Is The Mother of Hip Hop"
4899:"Afrika Bambaataa talks about the roots of Hip Hop"
3808:. These critics are advocating a viewpoint called "
1547:, first sold in 1978, which had a precise variable
1500:
made further innovations with the introduction of "
11659:The Social Significance of Rap and Hip-Hop Culture
11644:Sugarhill Gang – Rapper's Delight (Official Video)
11427:
11377:
11350:
11116:Review of Education, Pedagogy and Cultural Studies
10035:
10033:
10031:
9528:
8682:. Ann Arbor: University of Michigan, 2005, p. 329.
7730:. New York: St. Martin's Press, 2008, pp. 106–108.
7102:. New York: St. Martin's Griffin, 2015, pp. 13–17.
7063:
5698:. Hess, Mickey, 1975–. Santa Barbara, California.
5077:
5075:
4825:"The Best Hip Hop Songs (On Spotify) Of June 2016"
4331:It is argued as to whether hip hop started in the
2922:packages featuring hip hop-design images (showing
2809:and various police advocacy groups. Consequently,
2145:A typical rap drum beat, written in drum notation.
1899:is viewed as a physical expression. The 1983 film
1327:cable show on Paragon cable, and then created the
1162:, one example being an anonymous Libyan musician,
11059:
9068:
8678:Elam, Harry Justin, Jr., and Kennell A. Jackson.
8640:Berry, Peter A. BerryPeter A. (August 12, 2020).
8242:"'2Pacalypse Now': 2Pac's Incendiary Debut Album"
8204:, Vol. 44 (First published online July 24, 2019).
8131:. Rap.about.com. October 31, 2009. Archived from
6232:Berry, Peter A. BerryPeter A. (August 12, 2020).
6124:
6122:
4739:
3874:have, primarily in the 1990s, rapped lyrics that
3795:cultural stereotyping of African-American culture
2443:, a mix of French and English, by groups such as
2408:are popularized by a single song (in this case, "
304:Hip hop pioneer and South Bronx community leader
13426:
10490:"Hip Hop and Homophobia: An Ingrained Ignorance"
10161:"Misogyny and the Evolution of Women in Hip Hop"
9817:"CNN.com – Hip-hop portrayal of women protested"
8886:Trinh, Jean. "Meet Awkwafina." The Daily Beast.
8380:
7638:The Princeton Encyclopedia of Poetry and Poetics
7169:. uk.complex.com. April 29, 2015. Archived from
6270:
6086:
5910:"The Most Influential Artists: #12 Beastie Boys"
5503:The Rap Attack: African Jive to New York Hip Hop
5195:"How the Block Party Became an Urban Phenomenon"
4733:
4060:Until the 2010s, hip hop music has excluded the
2893:was under fire for the cover art on their album
363:, who is also a record producer, manipulating a
10552:"Hip Hop Will Never Accept Transgender Rappers"
10028:
9887:Kelefa Sanneh, "The Rap Against Rockism." 2004.
9069:Morrell, Ernest; Duncan-Andrade, Jeffrey M. R.
7635:; et al., eds. (2012). "Hip-hop poetics".
6379:
5409:"The Story of Rapper's Delight by Nile Rodgers"
5072:
4416:
2404:being a notable example. Sometimes, terms like
2294:While hip hop music makes a significant use of
11563:Total Chaos: The Art and Aesthetics of Hip-Hop
9002:
7841:
7156:. New York: St. Martin's Griffin, 2015, p. 13.
7140:. New York: St. Martin's Griffin, 2015, p. 15.
6736:"5 pop stars who appropriated hip-hop culture"
6119:
6022:. Jamaicans.com. April 9, 2007. Archived from
4599:. Web Media Entertainment Gmbh. Archived from
4263:but with one that validates women's struggle.
1796:In America in the late 1960s, before hip hop,
1460:at a turntablism competition in France in 2006
781:"(1983), "a cornerstone of early 80s beat box
596:, stated that "hip hop saved a lot of lives".
63:Subculture including music, dance and graffiti
11686:
10588:. A&E Networks Television. Archived from
9929:
9814:
9790:"Taking Back the Music | CBN.com (beta)"
9690:"Kool Herc speaks on Hip Hop Culture in 2015"
9687:
8703:
8701:
8412:
8410:
8408:
8406:
8404:
8165:. Los Angeles Newspaper group. Archived from
7334:. Artsedge.kennedy-center.org. Archived from
6604:Shepherd, Julianne Escobedo (June 22, 2011).
5133:"All Rise for the National Anthem of Hip-Hop"
4374:"Honolulu Star-Bulletin 01 Sep 1988, page 23"
3994:
1044:had the top selling album of the 2000s until
11006:
9925:
9923:
9033:
8984:TALK: Emmanuel Jal: The music of a war child
8462:
8460:
7868:(in Finnish). Visit Tampere Matkailuneuvonta
7356:
5535:That's the joint! The hip-hop studies reader
5219:
5217:
3948:
3298:, it was not until its commercial peak that
3065:would be delighted to have their business."
1402:was also accused of cultural appropriation.
11649:Is Rap Finally Ready to Embrace It's Women?
11513:Rap Attack 2: African Rap to Global Hip Hop
11060:Corvino, Daniel; Livernoche, Shawn (2000).
9702:: CS1 maint: numeric names: authors list (
9576:
9076:. National Council of Teachers of English.
8152:
8150:
7266:
7264:
6982:"The Origin | Hip Hop Cultural Center"
6485:
6483:
6481:
6432:"Five Steez releases 'War for Peace' Album"
6413:
6411:
5742:"SamplesDB – Afrika Bambaataa's Track"
5605:
5603:
5601:
5574:
5474:: CS1 maint: numeric names: authors list (
4867:
4865:
4787:
4615:
3880:inferior to or otherwise dependent upon men
3819:
3623:that existed into the 19th century, to the
3068:In retaliation, many hip hop icons such as
2606:and sometimes violent messages. The use of
2185:vocal effects such as those popularized by
1135:argues that "the essence of hip hop is the
773:created the influential electro funk tune "
274:, released in 1979, begins with the phrase
11693:
11679:
11579:
8851:. Worldmusic.about.com. November 4, 2009.
8698:
8401:
7944:
7837:
7835:
6847:"The Star Press 30 Apr 2000, page Page 92"
6822:"The Star Press 30 Apr 2000, page Page 92"
6459:
6457:
6278:"Hip Hop: National Geographic World Music"
6057:
6055:
6053:
5726:: CS1 maint: location missing publisher (
5696:Hip hop in America : a regional guide
5677:
5675:
5673:
5671:
5624:"Bringing that beat back — on the E train"
5517:"Grand Master Mele Mel: Gun Show Part One"
5350:The guide to United States popular culture
3912:The misrepresentation of women, primarily
2813:refused to release Ice-T's upcoming album
2524:is the largest hip hop music event in the
1120:influence on style of behavior and dress.
415:. This spoken style was influenced by the
11541:
11242:
10823:Pelton, Tristan Michael (June 16, 2007).
10403:
10039:
9920:
9238:
8905:"An Itinerant Refugee in a Hip-Hop World"
8890:, March 14, 2013. Retrieved June 2, 2014.
8457:
8418:"Hip Hop Two-Step Over Product Placement"
8357:"Hip-hop's 'bling' culture is wooing USA"
6904:: The Art & Science of the Hip-Hop MC
6760:
6328:
6260:"Hip-Hop Culture Crosses Social Barriers"
5760:
5734:
5439:"Tenants Might Buy Birthplace of Hip-Hop"
5363:The Freshest Kids: A History of the B-Boy
5342:
5214:
5017:. Vol. 112, no. 23. p. 20.
4169:Learn how and when to remove this message
4017:") and sometimes violent threats towards
3842:. This photo shows her performing at the
3718:, along with traditional hip hop artists
2971:to promote the brand among hip hop fans,
2016:The Freshest Kids: A History of the B-Boy
1224:Learn how and when to remove this message
461:is a pioneer in developing hip hop music.
10543:
10313:
10244:
10189:
10089:from the original on September 28, 2015.
10056:Alma Mater Society of Queen's University
9447:
8716:
8466:
8147:
7844:"Global Culture and the American Cosmos"
7286:, 3rd ed., London: Serpent's Tail, 2000.
7261:
7217:
6603:
6478:
6408:
6370:, May 7, 2002. Retrieved April 16, 2008.
6227:
6225:
5957:. popular culture review. Archived from
5837:
5775:
5598:
5582:"A Rolling Shout-Out to Hip-Hop History"
5540:
5027:
4921:
4862:
4427:Know What I Mean? Reflections on Hip-Hop
4399:"The Press-Tribune 15 Sep 1988, page 15"
4180:
3829:
3574:
3459:
3408:
3361:
3348:marketing products as hip hop fashion".
3273:
3203:
3029:
2977:
2914:
2838:The White House administrations of both
2589:
2507:
2501:nations and countries around the world.
2475:
2289:
2191:
2140:
2068:
2005:
1939:
1931:
1835:
1760:
1711:
1565:
1447:
1235:
1204:Relevant discussion may be found on the
1112:, hip hop is "custom-made to combat the
1076:
956:
791:
569:
453:
355:
78:
11478:
11452:
11375:
11221:
11198:
11082:
10549:
10220:"Past Winners Search | GRAMMY.com"
10212:
10171:from the original on September 25, 2018
9585:from the original on September 24, 2014
8899:
8773:
8627:
8436:
8354:
8301:
8270:
8156:
8096:
8060:
7975:from the original on September 15, 2018
7832:
7773:"Chiac: A pride or a threat to French?"
7475:, Volume 1, Greenwood Publishing Group.
7413:
7303:from the original on September 17, 2011
7270:
7236:
6576:
6454:
6424:
6306:. CNN. January 15, 2001. Archived from
6131:"Media coverage of the Hip-Hop Culture"
6113:
6061:
6050:
5806:
5681:
5668:
5640:
5634:
5556:. New York City: Basic Books. pp.
5403:
5401:
5291:
5257:"Investigations: Birthplace Of Hip Hop"
5223:
5161:
5013:Kenon, Marci (May 6, 2000). "Hip-Hop".
5006:
4540:"The Boston Globe 27 Jul 1992, page 52"
4515:"The Boston Globe 27 Jul 1992, page 52"
4490:"Chicago Tribune 09 Jun 1985, page 282"
3543:have taught hip hop history classes at
2130:
2014:According to the 2002 documentary film
1480:. One of the first few hip hop DJs was
649:—the song itself is usually considered
13427:
11323:
11281:
11228:. New York City: Basic Civitas Books.
11110:
11033:Chang, Jeff (November–December 2007).
10844:
10822:
10777:Oxford African American Studies Center
10753:from the original on February 17, 2019
10723:from the original on February 17, 2019
10662:from the original on February 17, 2019
10649:
10610:
10562:from the original on December 11, 2015
10531:from the original on December 11, 2015
10512:
10487:
10469:from the original on December 11, 2015
10437:
10435:
10374:
10265:from the original on September 2, 2016
10245:Lawrence, Novotny (October 24, 2014).
10208:from the original on January 12, 2016.
10141:from the original on November 16, 2018
9991:
9716:
9630:
9603:
9176:"Rapper Eazy E hospitalized with AIDS"
8719:"TIMEeurope Magazine | Viewpoint"
8538:from the original on September 3, 2011
8121:
8042:from the original on December 10, 2008
7699:
7631:
7553:from the original on December 19, 2015
7523:from the original on November 14, 2015
7409:
7407:
7359:"Breaking Down Limits Through Hip Hop"
6763:"How Will Swift Handle the Criticism?"
6761:Mannering, Lindsay (August 18, 2014).
6257:
6064:"Where Did All The Female Rappers Go?"
5878:"Billboard 200 – Week of May 19, 2012"
5807:Baldwin, Roberto (February 14, 2014).
5621:
5192:
5130:
4645:
4590:
2784:and retaliation sparked outrage among
2410:Put Your Hands Where My Eyes Could See
1147:and the mistreated to be heard. These
743:Grandmaster Flash and the Furious Five
693:created an electronic sound using the
613:Grandmaster Flash and the Furious Five
286:contains a rapping part with the line
245:Grandmaster Flash and the Furious Five
13387:LGBT representations in hip hop music
11674:
11560:
11348:
11330:(2nd ed.). St. Louis, Missouri:
11253:
11170:
11142:
11032:
10966:
10885:Pim, Joám Evans (September 2, 2018).
10872:
10710:
10692:from the original on January 16, 2019
10518:
10500:from the original on January 12, 2016
10456:
10356:from the original on December 5, 2020
10326:from the original on January 16, 2021
10040:Granovsky, John (November 23, 2018).
10016:from the original on January 12, 2016
9725:from the original on December 7, 2018
9639:from the original on January 26, 2018
9156:from the original on October 29, 2013
8749:"Kwaito: much more than music –"
8639:
8493:
8283:from the original on January 12, 2016
8239:
8073:from the original on November 6, 2013
8029:
7965:"Is hip hop driving the Arab Spring?"
7583:from the original on December 8, 2015
7494:from the original on January 12, 2016
7249:from the original on December 3, 2017
7195:. theurbandaily.com. April 29, 2015.
7076:. inflexwetrust.com. April 29, 2015.
6489:
6472:
6418:
6231:
6222:
6202:
6176:
6153:"2000s Hip-Hop – Black Music Scholar"
5788:from the original on January 24, 2018
5776:Anderson, Jason (November 27, 2008).
5609:
5267:from the original on August 7, 2011.
5193:Thomas, Briana A. (August 10, 2022).
5060:from the original on January 14, 2017
5012:
4959:
4953:
4941:from the original on February 7, 2018
4873:"Keith Cowboy – The Real Mc Coy"
4678:
4593:"Crazy Legs – The Revolutionary"
4563:
3294:or the Wu-Tang Clan's championing of
2807:National Rifle Association of America
2795:Controversy surrounded Ice-T's song "
1690:, Touch-Chill-Out, DJ Red Alert, and
1350:White and Latino pop rappers such as
1072:
335:in a profile of Bambaataa written by
11507:
11425:
10931:
10441:
9908:from the original on August 23, 2015
9855:
9808:
9782:
9779:, StarPulse.com, September 19, 2011.
9688:blackmagik363 (September 19, 2015).
9612:from the original on October 8, 2020
9506:
9420:
9303:
9204:
9015:from the original on August 19, 2018
8961:"Emmanuel Jal uses music as therapy"
8797:from the original on August 18, 2011
8565:from the original on August 18, 2016
8556:
8496:"Is Hip-Hop's Jeweler on the Rocks?"
8494:Sales, Nancy Jo (October 31, 2007).
8467:Williams, Corey (November 1, 2006).
8202:American Journal of Criminal Justice
8109:from the original on January 4, 2014
7797:"Latinos in Hip Hop & Reggaeton"
7708:from the original on October 8, 2020
7392:from the original on October 8, 2020
7047:. Independence.co.uk. Archived from
7010:, Cambridge University Press, p. 90.
6667:, 1993. Retrieved December 11, 2013.
6645:, 2003. Retrieved December 11, 2013.
6044:
6006:
5838:Richards, Chris (December 2, 2008).
5693:
5546:
5398:
5162:Winfrey, Dr Adia (August 12, 2017).
4909:from the original on January 3, 2014
4835:from the original on October 3, 2016
4721:from the original on October 8, 2020
4118:
3627:of the 20th century and the ongoing
3120:
2268:" being sampled to create the song "
1173:
1169:
753:, "Hip Hop, Be Bop (Don't Stop)" by
465:DJs such as Grand Wizzard Theodore,
15:
10884:
10631:from the original on March 16, 2017
10432:
10295:from the original on April 25, 2019
10080:
9306:"Tim'm West: Reading & Q&A"
9255:from the original on April 27, 2019
9101:North Carolina Central University.
9083:from the original on March 11, 2014
8587:. 2010. Retrieved January 31, 2010.
8469:"'Jacob the Jeweler' pleads guilty"
8437:Johnson, Ben (September 11, 2008).
8157:Ritchie, Ryan (February 28, 2007).
8129:"Gangsta Rap – What Is Gangsta Rap"
7947:Journal of African American History
7794:
7404:
7379:
6203:Allah, Sha Be (February 10, 2022).
5890:from the original on March 28, 2013
5433:
5112:from the original on March 13, 2017
5094:
4847:
4564:Brown, Lauren (February 18, 2009).
4440:"The Guardian 07 Jul 1984, page 10"
2209:producers may create a beat with a
1240:Rapper, entrepreneur and executive
726:became the first rap LP to top the
13:
11535:
11402:
11306:10.1111/j.1460-2466.1999.tb02821.x
11047:from the original on March 5, 2017
10743:"14 LGBTQ Rappers Owning The Game"
10650:Karlan, Sarah (November 5, 2013).
10550:Ziegler, Lauren (April 30, 2015).
10519:Grant, Japhy (February 27, 2009).
10488:Turner, Mitchell (July 15, 2015).
10226:from the original on April 3, 2016
10062:from the original on July 24, 2021
9823:from the original on July 15, 2010
9796:from the original on March 4, 2016
9792:. www1.cbn.com. October 17, 2013.
9770:"Ice-T Slams Modern Hip-Hop Music"
9541:. Cambridge, MA: Harvard UP, 1993.
9285:from the original on April 5, 2019
9141:
8824:
8717:Robinson, Simon (April 11, 2004).
8471:. Associated Press. Archived from
8336:from the original on April 9, 2022
8240:Smith, Nadine (November 9, 2023).
8002:from the original on July 14, 2012
7993:
7237:Gabbatt, Adam (November 9, 2017).
7220:ETC: A Review of General Semantics
6984:. Originhiphop.com. Archived from
6949:from the original on March 4, 2007
6337:from the original on June 24, 2008
6177:Kreps, Daniel (December 9, 2009).
6128:
5858:from the original on April 6, 2018
5819:from the original on June 16, 2018
5769:
5694:Hess, Mickey (November 25, 2009).
5656:from the original on April 9, 2009
5456:from the original on July 27, 2011
5386:from the original on June 11, 2011
5227:(2005). "How Hip Hop Came to Be".
5174:from the original on April 4, 2019
4985:
4805:from the original on April 4, 2016
4691:from the original on April 2, 2019
4661:from the original on July 28, 2017
4623:"Elements | Universal Zulu Nation"
4591:Walker, Jason (January 31, 2005).
4465:"Burton Mail 12 Jul 1984, page 16"
3893:Hip hop music frequently promotes
3767:Commercialization and stereotyping
3695:essentialist and anti-essentialist
3445:believe bring them closer to God.
3351:
2911:Product placement and endorsements
2677:Supreme Court of the United States
2298:old records, using turntables and
1769:can, a common tool used in modern
14:
13471:
13445:African-American cultural history
11599:
10611:Ortved, John (February 1, 2012).
10457:Heigl, Alex (November 17, 2015).
10420:from the original on July 6, 2021
10314:Gonzales, Matt (March 2, 2020) .
9669:from the original on July 2, 2017
8915:from the original on May 12, 2011
8855:from the original on May 11, 2011
8609:from the original on May 11, 2011
8445:from the original on May 10, 2011
7920:"Hip-Hop: The "Rapper's Delight""
7900:from the original on July 2, 2019
7675:"Dr. Renford R. Reese's Homepage"
7299:. Scribd.com. December 19, 2009.
6769:from the original on May 27, 2018
6742:from the original on May 27, 2018
6716:from the original on May 27, 2018
6616:from the original on June 7, 2014
6438:. August 23, 2012. Archived from
6331:"Planet Rock by Robert Christgau"
6329:Christgau, Robert (May 7, 2002).
6074:from the original on June 4, 2014
5988:from the original on May 14, 2011
5979:
5952:
5622:Zimmer, Amy (February 20, 2006).
5514:
5361:Kool Herc, in Israel (director),
5143:from the original on May 20, 2013
5131:Hermes, Will (October 29, 2006).
5083:https://ssrn.com/abstract=2767194
5054:"Zulu Nation: History of Hip-Hop"
4679:Allah, Sha Be (August 11, 2018).
4568:. Movmnt Magazine. Archived from
3777:In 2012, hip hop and rap pioneer
3701:Traditional vs. progressive views
3545:North Carolina Central University
2228:An early beat maker was producer
1812:used graffiti to mark territory.
473:refined and developed the use of
13405:
13404:
10960:
10925:
10878:
10865:
10838:
10816:
10790:
10765:
10735:
10711:Blake, Jimmy (August 31, 2018).
10704:
10674:
10643:
10604:
10481:
10450:
10396:Virginia Commonwealth University
10368:
10338:
10307:
10277:
10238:
10183:
10153:
10123:
10093:
10074:
9992:Morgan, Marcyliena (July 2005).
9985:
9890:
9881:
9763:
9737:
9710:
9681:
9651:
9624:
9597:
9570:
9557:
9544:
9499:
9486:
9477:
9468:
9441:
9414:
9390:
9368:
9344:from the original on May 7, 2019
9326:
9312:
9304:West, Tim'm (November 4, 2013).
9297:
9267:
9205:AS, Bohnert; CA, Latkin (2009).
9198:
9186:from the original on May 7, 2019
9168:
9135:
9115:
9095:
9062:
9027:
8996:
8993:on Video Link on TED, July 2009.
8977:
8953:
8893:
8880:
8867:
8841:
8809:
8779:
8767:
8741:
8710:
8685:
8672:
8659:
8633:
8621:
8590:
8577:
8550:
8520:
8487:
8430:
8374:
8355:Devaney, Polly (June 24, 2004).
8348:
8318:
8295:
8271:Philips, Chuck (July 19, 1992).
8233:
8207:
8097:Philips, Chuck (July 19, 1992).
8054:
8030:Ebert, Roger (August 11, 1995).
8023:
8014:
7987:
7957:
7912:
7880:
7854:
7815:
7788:
7765:
7742:
7733:
7720:
7693:
7667:
7625:
7595:
7565:
7535:
7505:
7478:
7465:
7452:
7422:
7373:
7357:O'Connor, Ryan (December 2010).
7350:
7324:
7315:
7289:
7276:
7230:
7211:
7199:from the original on May 6, 2015
7185:
7159:
7130:
7121:
7092:
7080:from the original on May 3, 2015
7037:
7026:
7013:
7000:
6974:
6961:
6935:
6922:
6909:
6864:
6839:
6814:
6794:
6781:
6754:
5505:. Boston: South End Press, 1984.
4875:. March 17, 2006. Archived from
4711:"KRS-One's 40 Year's of Hip Hop"
4277:
4123:
3773:Stereotypes of African Americans
3474:Maya Arulpragasm (A.K.A. M.I.A.)
3464:Arabic hip hop artist Klash Loon
3125:
2855:ran a late-night segment titled
2466:
1178:
1081:British hip hop artist and poet
830:Black Steel in the Hour of Chaos
216:, as well as from websites like
20:
11515:(2nd ed.). New York City:
11263:(1st ed.). New York City:
10999:
9815:Rose Arce CNN (March 4, 2005).
7677:. Csupomona.edu. Archived from
6906:, Chicago Review Press, p. xii.
6728:
6702:
6670:
6648:
6628:
6597:
6570:
6540:
6510:
6495:
6466:
6373:
6349:
6322:
6296:
6196:
6170:
6145:
6098:
6062:Nielson, Erik (March 4, 2014).
6038:
6012:
6000:
5973:
5946:
5928:
5902:
5870:
5831:
5800:
5744:. samplesdb.com. Archived from
5687:
5615:
5519:. AllHipHop.com. Archived from
5508:
5495:
5482:
5427:
5411:. RapProject.tv. Archived from
5368:
5355:
5312:
5285:
5249:
5186:
5155:
5124:
5046:
5021:
4979:
4929:"Real Hip Hop Vs. Fake Hip Hop"
4891:
4817:
4761:
4672:
4584:
4557:
4342:
4293:List of hip hop music festivals
3610:
3579:
2627:Hard Knock Life (Ghetto Anthem)
2432:to the end or middle of words.
1921:
968:With the commercial success of
941:to more contemporary ones like
697:drum machine and sampling from
491:King Tim III (Personality Jock)
11384:. Philadelphia, Pennsylvania:
10442:Hall, Marcella Runell (2008).
9577:streetgangs (August 5, 2006).
9387:, CBC Radio, January 15, 2014.
9320:"The Deliberate Revolutionary"
9132:. Accessed September 30, 2010.
8302:Serpick, Evan (July 9, 2006).
8061:Philips, Chuck (May 8, 1992).
7827:Review of Educational Research
7008:Poetic Rhythm: An Introduction
6577:Diawara, Manthia (July 2009).
6258:Walker, Carol (May 13, 2006).
5982:"Grandmaster Flash: Interview"
5320:"The History of Hip Hop Music"
4960:Chang, Jeff (April 10, 2016).
4532:
4507:
4482:
4457:
4432:
4391:
4366:
4325:
4039:Punks Jump Up to Get Beat Down
3507:, South Korea, Koreans b-boy.
3484:, a former child soldier from
2548:
2331:electric bass on some tracks.
1057:example, West's debut single "
557:New York City blackout of 1977
1:
11349:Ogbar, Jeffrey O. G. (2007).
10969:American Behavioral Scientist
10934:American Behavioral Scientist
10903:10.1080/17400201.2018.1535474
10859:10.1016/j.jbusres.2007.06.020
10521:"Hip Hop's Homophobic Haters"
9747:. Spinner.com. Archived from
9103:Christopher Martin biography.
9005:"Seoul's Bumping B-Boy Scene"
7922:. America.gov. Archived from
6789:American Behavioral Scientist
6394:10.1016/j.jbusres.2007.06.020
6262:. America.gov. Archived from
5488:Kenner, Rob. "Dancehall", in
4992:Encyclopedia of Popular Music
4359:
4246:Black female artists such as
4001:Homophobia in hip hop culture
2585:
2322:, and relatively inexpensive
2058:
1061:" used a sped-up sample from
380:DJ Clive "Kool Herc" Campbell
13392:Feminist activism in hip hop
11625:Resources in other libraries
11460:(2nd ed.). London, UK:
11376:Perkins, William E. (1995).
11092:. Cambridge, Massachusetts:
11010:; Fricke, Jim, eds. (2002).
10847:Journal of Business Research
10773:"Hip Hop's Early Influences"
9112:Accessed September 30, 2010.
9048:10.1080/15313204.2011.594993
8693:Gender and Consumer Behavior
8669:. Oxford: Berg, 2011, p. 13.
7896:(in Finnish). July 2, 2019.
7762:, CBC Radio, August 1, 2014.
6874:. Mca.org.au. Archived from
6583:. Harvard University Press.
4429:, Basic Civitas Books, p. 6.
4308:Hip hop and social injustice
4033:'s "Nobody Move", rap group
3761:
3510:
3208:The German hip hop magazine
3184:
3172:" in 1984). For many years,
2826:blew away dozens of cops as
1720:performs in Las Vegas for a
949:, reaching platinum status.
527:, and much of the graffiti,
235:
7:
13382:Partner violence in hip hop
11700:
11580:Fitzgerald, Tamsin (2008).
11434:. Middletown, Connecticut:
11260:The VIBE History of Hip-Hop
10946:10.1177/0002764203046010005
9631:djvlad (January 27, 2015).
9128:September 23, 2010, at the
8875:Social and Economic Studies
8557:Bois, Jon (June 25, 2010).
7388:. Oxford University Press.
6872:"Music and Human Evolution"
5490:The Vibe History of Hip-hop
5352:Popular Press, 2001. p. 386
5088:September 18, 2016, at the
4859:(April 2, 2007), pp. 36–37.
4270:
4149:the claims made and adding
3138:to comply with Knowledge's
2881:". After the attack on the
2877:, removing the words "free
2773:'s resentment of the song.
2618:Austin Powers in Goldmember
2493:, a sociology professor at
2484:performing in San Francisco
2377:
2029:Breaking was documented in
1750:
33:to comply with Knowledge's
10:
13476:
11359:University Press of Kansas
10891:Journal of Peace Education
10384:Journal of Hip Hop Studies
10375:Smiley, Calvin J. (2017).
10010:10.1215/00382876-104-3-425
9659:"Pro Breaking Tour – UDEF"
9275:"Afropop Worldwide | Home"
9211:AIDS Patient Care and STDs
8032:"Reviews: Dangerous Minds"
7127:Chang, Jeff, 2005. p. 111.
6663:December 27, 2014, at the
6641:December 27, 2014, at the
5940:December 21, 2016, at the
5626:. Metro.us. Archived from
5587:November 14, 2015, at the
5229:The Rough Guide to Hip-Hop
4962:"How Hip-Hop Got Its Name"
3998:
3995:Homophobia and transphobia
3952:
3823:
3770:
3704:
3553:Cornell University Library
3355:
3269:
2471:
2344:Digital audio workstations
2244:Most beats in hip hop are
2134:
2062:
1983:Breaking took form in the
1925:
1754:
1705:
1574:mixing with two turntables
1441:
1405:
1302:cultural "tradition" that
346:
65:
13450:Jamaican-American history
13400:
13312:
13271:
13246:
13071:
13006:
12846:Bosnian and Herzegovinian
12819:
12707:
12585:
12574:
12540:
12471:
12460:
12336:
12311:
12221:
12210:
12129:
12082:
11878:
11867:
11859:Bristol underground scene
11826:
11753:
11710:
11620:Resources in your library
11542:Kugelberg, Johan (2007).
11493:10.1080/03007760500105172
11481:Popular Music and Society
11436:Wesleyan University Press
11128:10.1080/10714410500339020
11064:. Tinicum, Pennsylvania:
10853:(3). Elsevier Inc.: 244.
10190:Muhammad, Kareem (2010).
9979:January 12, 2011, at the
9865:. mtv.com. Archived from
8966:November 1, 2012, at the
8597:Encyclopædia Britannica.
8439:"Cover Story: Frock Band"
8423:January 13, 2009, at the
7799:. Upliftt. Archived from
7033:Oxford English Dictionary
6678:"Man And The Music Mania"
5553:How We Got Here: The '70s
4303:List of hip hop musicians
4114:
3949:Glorification of drug use
3876:portray women as sex toys
3537:Christopher "Play" Martin
2664:As Nasty As They Wanna Be
2535:socially conscious themes
1968:, and the dance moves of
1742:Rapping is distinct from
1640:Pete Rock & CL Smooth
133:; other elements include
11294:Journal of Communication
11222:Kitwana, Bakari (2005).
11199:Kitwana, Bakari (2002).
11094:Harvard University Press
10981:10.1177/0002764205277427
10394:: VCU Scholars Compass (
9998:South Atlantic Quarterly
9953:10.1177/1097184X08327696
9717:djvlad (April 7, 2015).
9604:djvlad (April 6, 2015).
9398:"How M.I.A. Made 'Kala'"
8989:August 18, 2012, at the
8877:55:1&2 (2006):49–74.
7487:Dr. Dre interview (2012)
7462:, Duke University Press.
7365:(8): 3–6. Archived from
5537:, Routledge, 2004. p. 2.
5376:"The History Of Hip Hop"
4318:
3971:scenes, alongside their
3820:Marginalization of women
3535:and former rapper-actor
3151:may contain suggestions.
3136:may need to be rewritten
3116:
2272:", released in 2011, by
1936:B Boy executing a freeze
1701:
1670:and the inventor of the
1579:such as Kurtis Blow and
1437:
1187:This article or section
1099:U.S. Department of State
1035:
952:
656:
351:
145:, hip hop language, and
72:Hip hop (disambiguation)
46:may contain suggestions.
31:may need to be rewritten
11664:March 21, 2019, at the
11582:Hip-Hop and Urban Dance
11386:Temple University Press
11324:Nelson, George (2005).
10582:"Frank Ocean Biography"
9380:August 8, 2014, at the
8585:Encyclopædia Britannica
8197:August 3, 2019, at the
8190:Deflem, Mathieu. 2019.
7778:August 6, 2014, at the
7754:August 5, 2014, at the
7332:"Drop Me Off in Harlem"
7006:Attridge, Derek, 2002,
6362:April 18, 2008, at the
4743:; DJ Kool Herc (2005).
4021:people, such as rapper
3907:object of male pleasure
3527:and ballet, as well as
2885:on September 11, 2001,
2765:" earned a letter from
2287:for an MC to rap over.
2266:Try a Little Tenderness
1951:, often involves dance
1855:, though the elaborate
1674:style of mixing music,
1632:Boogie Down Productions
1476:that is plugged into a
1024:AmeriKKKa's Most Wanted
667:self-titled debut album
13440:African-American music
11458:Rough Guide to Hip Hop
11035:"It's a Hip-hop World"
10042:"Emo rap needs to end"
9775:July 28, 2013, at the
9403:June 22, 2013, at the
7045:"Hip-Hop, The history"
6943:"Rapping – definition"
6712:. September 26, 2017.
5778:"Slaves to the rhythm"
5028:Lawrence, Tim (2016).
4298:List of hip hop genres
4189:
3884:violence towards women
3847:
3595:by Anglo-Tamil rapper
3465:
3425:
3374:
3358:List of hip hop genres
3345:
3283:
3214:
3111:mainstream pitchpeople
3050:. A 2006 article from
3039:
2990:
2933:
2926:and based on the film
2776:Tupac's first album, "
2758:Straight Outta Compton
2748:Straight Outta Compton
2740:Straight Outta Compton
2688:
2651:
2599:
2583:
2529:
2485:
2303:
2260:". Another example is
2205:
2146:
2081:
2053:New York City Breakers
2011:
1956:
1937:
1844:
1773:
1725:
1575:
1494:Grand Wizzard Theodore
1461:
1250:Artists and Repertoire
1245:
1244:emphasizes his wealth.
1094:
1004:Straight Outta Compton
965:
884:, and the documentary
800:
775:Al-Naafiysh (The Soul)
669:featuring the single "
586:
479:cutting and scratching
462:
442:, where the breaks of
417:African American style
368:
241:Keith "Cowboy" Wiggins
87:
70:. For other uses, see
12560:Alternative reggaeton
11839:Universal Zulu Nation
11654:Hip-Hop/R&B Music
11546:. Rizzoli, New York.
11426:Rose, Tricia (1994).
10352:. December 18, 2019.
10111:on September 21, 2011
9940:Men and Masculinities
9223:10.1089/apc.2009.0061
9108:July 3, 2010, at the
8314:on November 24, 2006.
7434:crazylegsworkshop.com
7297:"history of Graffiti"
6899:Edwards, Paul, 2009,
6808:May 20, 2013, at the
6266:on February 28, 2010.
6157:blackmusicscholar.com
6068:National Public Radio
4184:
3899:hegemonic masculinity
3833:
3826:Misogyny in rap music
3771:Further information:
3629:racial discrimination
3575:Values and philosophy
3463:
3422:Tribeca Film Festival
3412:
3365:
3340:
3277:
3207:
3033:
2981:
2918:
2824:Arnold Schwarzenegger
2683:
2639:
2593:
2578:
2559:University of Toronto
2511:
2479:
2370:'s "Tutenkhamen" and
2338:equipment, typically
2293:
2204:in a recording studio
2195:
2144:
2072:
2009:
1943:
1935:
1839:
1806:La Familia Michoacana
1764:
1715:
1672:Chopped & Screwed
1569:
1545:Technics SL-1200 MK 2
1451:
1286:However, in his book
1239:
1191:synthesis of material
1149:cultural translations
1080:
960:
795:
606:Universal Zulu Nation
583:Universal Zulu Nation
573:
518:KC The Prince of Soul
457:
359:
82:
13325:Contemporary R&B
13134:Minneapolis/St. Paul
11584:. Heineman Library.
11561:Chang, Jeff (2008).
11357:. Lawrence, Kansas:
10592:on December 11, 2015
10459:"Howls & Echoes"
9421:Wood, Joann (2004).
8888:Newsweek/Daily Beast
8791:south african hiphop
8508:on November 30, 2009
8326:"The Coup Cover Art"
8308:Entertainment Weekly
8304:"MTV: Play It Again"
7842:Patterson, Orlando.
7803:on November 14, 2015
7607:earsketch.gatech.edu
7369:on January 26, 2011.
6690:on February 28, 2014
6558:on December 21, 2007
6355:Christgau, Robert. "
6135:Ethics in Journalism
5980:Flash, Grandmaster.
5523:on January 18, 2007.
5437:(January 15, 2008).
4654:KRS-ONE – 9 Elements
4633:on December 22, 2016
4603:on February 15, 2010
4285:United States portal
4192:Having its roots in
4099:, gay rapper/singer
3985:consumption of drugs
3973:derivative subgenres
3191:The Hip Hop Hit List
3088:'s promotion of his
2743:, released in 1988.
2340:multitrack recorders
2328:multitrack recording
2258:Today Was a Good Day
2131:Beatmaking/producing
2087:is the technique of
1911:and the documentary
1559:records and vintage
1539:techniques, such as
429:Master of Ceremonies
398:Grandwizard Theodore
373:Bronx, New York City
101:that was created by
84:DJ Grandmaster Flash
13460:Musical subcultures
11929:Chopped and screwed
11834:Five-Percent Nation
11205:Perseus Books Group
11089:In Search of Africa
11066:Xlibris Corporation
10081:Cundiff, Gretchen.
10047:The Queen's Journal
8941:on October 27, 2009
8903:(August 19, 2007).
8829:. Roovet News Media
8528:"Bubbles and bling"
8475:on November 3, 2007
8221:. November 12, 2016
7850:on January 4, 2009.
7785:, October 11, 2012.
7613:on December 8, 2015
7440:on October 11, 2018
7386:Oxford Music Online
7051:on January 25, 2011
6580:In Search of Africa
6506:(documentary film).
6141:on January 6, 2009.
5916:. November 25, 2020
5748:on January 12, 2016
5595:, February 12, 2006
5533:Forman M; M. Neal,
5415:on January 26, 2013
4423:Dyson, Michael Eric
3539:from hip hop group
3226:The Notorious B.I.G
3100:'s commercial with
3092:headphone line and
2887:Oakland, California
2669:U.S. district court
2563:University of Miami
2539:Algerians in France
1947:, an early form of
1887:, Kel, NOC 167 and
1739:), and "delivery".
1486:Grandmaster Flowers
1470:digital audio files
1288:In Search Of Africa
1104:National Geographic
1087:Treefort Music Fest
1054:The College Dropout
988:whose second album
851:and Buffy from the
843:. Pioneers such as
777:", while Warp 9's "
716:Fender Stratocaster
594:Cold Crush Brothers
172:tracks, beats, and
115:Caribbean Americans
11403:Ro, Ronin (2001).
11319:on March 18, 2009.
11265:Three Rivers Press
11172:Kelly, Robin D. G.
11154:St. Martin's Press
10617:The New York Times
10556:Howls & Echoes
10494:Howls & Echoes
10405:10.34718/ZBWC-RN03
10392:Richmond, Virginia
10291:. April 23, 2019.
9847:has generic name (
9565:The Black Atlantic
9496:, January 4, 2005.
9009:The New York Times
8909:The New York Times
7726:Asante, Molefi K.
7458:Perry, I. (2004).
7430:"Rock Steady Crew"
6988:on August 22, 2010
6442:on August 27, 2012
6421:, pp. 361–72.
5650:The New York Times
5644:(March 13, 2007).
5630:on August 5, 2008.
5593:The New York Times
5450:The New York Times
5324:Acesandeighths.com
5294:The World of Music
5261:History Detectives
4627:new.zulunation.com
4190:
4134:possibly contains
4091:rapper and singer
4027:Where the Hood At?
3981:gangster lifestyle
3886:, including rape,
3848:
3712:Old-school hip hop
3691:The Black Atlantic
3641:state that unlike
3639:Alexander Weheliye
3557:Hip Hop Collection
3466:
3426:
3375:
3284:
3239:Hip Hop Connection
3215:
3040:
2991:
2934:
2905:Their record label
2883:World Trade Center
2753:West Coast hip hop
2722:. Ice-T released "
2604:anti-establishment
2600:
2530:
2495:Harvard University
2486:
2406:what the dilly, yo
2304:
2250:The Isley Brothers
2206:
2147:
2137:Hip hop production
2082:
2012:
1966:Russian folk dance
1962:Asian Martial arts
1957:
1938:
1845:
1774:
1744:spoken word poetry
1726:
1576:
1462:
1262:In an article for
1246:
1201:to the main topic.
1195:verifiably mention
1189:possibly contains
1095:
1073:Global innovations
966:
801:
757:, "Magic Wand" by
587:
463:
369:
341:St. Martins' Press
272:The Sugarhill Gang
88:
13422:
13421:
13308:
13307:
12570:
12569:
12456:
12455:
12206:
12205:
11786:Feminist activism
11635:Hip hop (culture)
11611:Hip hop (culture)
11606:Library resources
11591:978-1-4329-1378-6
11572:978-0-4650-0909-1
11553:978-0-7893-1540-3
11526:978-1-85242-243-1
11471:978-1-84353-263-7
11445:978-0-8195-6275-3
11418:978-0-7434-2823-1
11407:. New York City:
11395:978-1-56639-362-1
11368:978-0-7006-1547-6
11341:978-0-14-028022-7
11313:(PDF 1448.9
11274:978-0-609-80503-9
11235:978-0-465-03746-9
11214:978-0-465-02979-2
11203:. New York City:
11191:978-0-684-82639-4
11180:. New York City:
11152:. New York City:
11103:978-0-674-44611-3
11075:978-1-4010-2851-0
11025:978-0-306-81184-5
11014:. New York City:
10804:. August 16, 2016
10688:. April 3, 2007.
10322:: DrugRehab.com.
10052:Kingston, Ontario
9935:Kubrin, Charis E.
9521:Weheliye (2005),
9509:, pp. 39–40.
9505:See for instance
9448:Williams (2007).
9411:, March 19, 2013.
9279:Afropop Worldwide
9121:Duke University.
8974:, August 8, 2012.
8787:"african hip hop"
8755:on March 17, 2010
8667:Fashion and Music
8630:, pp. 28–29.
8332:. July 29, 2014.
8159:"Eazy to be hard"
8036:Chicago Sun-Times
7971:. July 24, 2011.
7926:on April 22, 2010
7681:on April 14, 2010
7648:978-0-691-15491-6
7471:Hess, M. (2007).
7380:Schloss, Joseph.
7116:Just to Get a Rep
6502:Michael Wanguhu.
6382:Business Research
6368:The Village Voice
6333:. village voice.
6310:on March 26, 2010
6284:on April 16, 2009
6129:Butler, Brendan.
6009:, pp. 53–55.
5984:. Prefixmag.com.
5961:on April 14, 2010
5684:, pp. 237–76
5567:978-0-465-04195-4
4879:on March 17, 2006
4799:independent.co.uk
4754:978-0-312-30143-9
4179:
4178:
4171:
4136:original research
4095:, lesbian rapper
3959:Drug use in music
3787:underground music
3781:, from the group
3739:World BBoy Series
3631:faced by blacks.
3296:Clarks' Wallabees
3166:
3165:
3140:quality standards
2996:Jacob the Jeweler
2967:made a deal with
2957:product placement
2811:Time Warner Music
2799:" from the album
2706:Gangsta rap is a
2698:Los Angeles Times
2491:Orlando Patterson
2457:Canadian identity
2312:record turntables
2196:Hip hop producer
1976:, and California
1791:Grandmaster Flash
1585:Grandmaster Flash
1506:Grandmaster Flash
1490:Grandmaster Flash
1360:Machine Gun Kelly
1265:The Village Voice
1234:
1233:
1226:
1170:Commercialization
1110:The Village Voice
1097:According to the
507:Christmas Rappin'
467:Grandmaster Flash
331:The Village Voice
103:African Americans
97:is a culture and
61:
60:
35:quality standards
13467:
13455:1970s neologisms
13413:
13408:
13407:
13275:
13250:
13112:Washington, D.C.
13075:
13010:
12823:
12711:
12589:
12583:
12582:
12578:
12543:
12475:
12469:
12468:
12464:
12408:Na mele paleoleo
12340:
12315:
12225:
12219:
12218:
12214:
12133:
12086:
11882:
11876:
11875:
11871:
11745:
11738:
11731:
11724:
11717:
11704:
11695:
11688:
11681:
11672:
11671:
11595:
11576:
11557:
11530:
11504:
11475:
11449:
11433:
11422:
11399:
11383:
11372:
11356:
11345:
11320:
11318:
11308:. Archived from
11291:
11278:
11250:
11239:
11218:
11195:
11167:
11139:
11112:Gordon, Lewis R.
11107:
11084:Diawara, Manthia
11079:
11056:
11054:
11052:
11029:
10993:
10992:
10964:
10958:
10957:
10929:
10923:
10922:
10882:
10876:
10869:
10863:
10862:
10842:
10836:
10835:
10833:
10831:
10820:
10814:
10813:
10811:
10809:
10794:
10788:
10787:
10785:
10783:
10769:
10763:
10762:
10760:
10758:
10739:
10733:
10732:
10730:
10728:
10708:
10702:
10701:
10699:
10697:
10686:villagevoice.com
10678:
10672:
10671:
10669:
10667:
10647:
10641:
10640:
10638:
10636:
10608:
10602:
10601:
10599:
10597:
10578:
10572:
10571:
10569:
10567:
10547:
10541:
10540:
10538:
10536:
10516:
10510:
10509:
10507:
10505:
10485:
10479:
10478:
10476:
10474:
10454:
10448:
10447:
10439:
10430:
10429:
10427:
10425:
10407:
10381:
10372:
10366:
10365:
10363:
10361:
10342:
10336:
10335:
10333:
10331:
10320:Orlando, Florida
10311:
10305:
10304:
10302:
10300:
10281:
10275:
10274:
10272:
10270:
10242:
10236:
10235:
10233:
10231:
10216:
10210:
10209:
10207:
10196:
10187:
10181:
10180:
10178:
10176:
10157:
10151:
10150:
10148:
10146:
10127:
10121:
10120:
10118:
10116:
10107:. Archived from
10097:
10091:
10090:
10078:
10072:
10071:
10069:
10067:
10037:
10026:
10025:
10023:
10021:
9989:
9983:
9972:
9927:
9918:
9917:
9915:
9913:
9902:web.stanford.edu
9894:
9888:
9885:
9879:
9878:
9876:
9874:
9869:on April 4, 2016
9859:
9853:
9852:
9846:
9842:
9840:
9832:
9830:
9828:
9812:
9806:
9805:
9803:
9801:
9786:
9780:
9767:
9761:
9760:
9758:
9756:
9751:on June 28, 2013
9741:
9735:
9734:
9732:
9730:
9714:
9708:
9707:
9701:
9693:
9685:
9679:
9678:
9676:
9674:
9655:
9649:
9648:
9646:
9644:
9628:
9622:
9621:
9619:
9617:
9601:
9595:
9594:
9592:
9590:
9574:
9568:
9561:
9555:
9550:Weheliye (205),
9548:
9542:
9535:
9526:
9519:
9510:
9503:
9497:
9490:
9484:
9481:
9475:
9472:
9466:
9465:
9463:
9461:
9445:
9439:
9438:
9436:
9434:
9418:
9412:
9394:
9388:
9372:
9366:
9363:
9354:
9353:
9351:
9349:
9334:"Hip Hop 4 Life"
9330:
9324:
9323:
9316:
9310:
9309:
9301:
9295:
9294:
9292:
9290:
9271:
9265:
9264:
9262:
9260:
9242:
9202:
9196:
9195:
9193:
9191:
9172:
9166:
9165:
9163:
9161:
9155:
9148:
9142:Kenney, Anne R.
9139:
9133:
9119:
9113:
9099:
9093:
9092:
9090:
9088:
9082:
9075:
9066:
9060:
9059:
9031:
9025:
9024:
9022:
9020:
9000:
8994:
8981:
8975:
8959:Jane Stevenson,
8957:
8951:
8950:
8948:
8946:
8931:
8925:
8924:
8922:
8920:
8897:
8891:
8884:
8878:
8871:
8865:
8864:
8862:
8860:
8845:
8839:
8838:
8836:
8834:
8822:
8816:
8813:
8807:
8806:
8804:
8802:
8783:
8777:
8771:
8765:
8764:
8762:
8760:
8745:
8739:
8738:
8736:
8734:
8725:. Archived from
8714:
8708:
8705:
8696:
8689:
8683:
8676:
8670:
8665:Miller, Janice.
8663:
8657:
8656:
8654:
8652:
8637:
8631:
8625:
8619:
8618:
8616:
8614:
8594:
8588:
8581:
8575:
8574:
8572:
8570:
8561:. SBNation.com.
8554:
8548:
8547:
8545:
8543:
8524:
8518:
8517:
8515:
8513:
8504:. Archived from
8491:
8485:
8484:
8482:
8480:
8464:
8455:
8454:
8452:
8450:
8434:
8428:
8414:
8399:
8398:
8396:
8394:
8378:
8372:
8371:
8369:
8367:
8352:
8346:
8345:
8343:
8341:
8322:
8316:
8315:
8310:. Archived from
8299:
8293:
8292:
8290:
8288:
8268:
8257:
8256:
8254:
8252:
8237:
8231:
8230:
8228:
8226:
8211:
8205:
8188:
8179:
8178:
8176:
8174:
8169:on March 4, 2007
8154:
8145:
8144:
8142:
8140:
8125:
8119:
8118:
8116:
8114:
8094:
8083:
8082:
8080:
8078:
8058:
8052:
8051:
8049:
8047:
8027:
8021:
8018:
8012:
8011:
8009:
8007:
7991:
7985:
7984:
7982:
7980:
7961:
7955:
7954:
7942:
7936:
7935:
7933:
7931:
7916:
7910:
7909:
7907:
7905:
7884:
7878:
7877:
7875:
7873:
7862:"Blockfest 2016"
7858:
7852:
7851:
7839:
7830:
7819:
7813:
7812:
7810:
7808:
7792:
7786:
7769:
7763:
7746:
7740:
7737:
7731:
7724:
7718:
7717:
7715:
7713:
7697:
7691:
7690:
7688:
7686:
7671:
7665:
7662:
7653:
7652:
7629:
7623:
7622:
7620:
7618:
7609:. Archived from
7599:
7593:
7592:
7590:
7588:
7579:. July 7, 2007.
7577:Future Producers
7569:
7563:
7562:
7560:
7558:
7539:
7533:
7532:
7530:
7528:
7509:
7503:
7502:
7501:
7499:
7482:
7476:
7469:
7463:
7456:
7450:
7449:
7447:
7445:
7436:. Archived from
7426:
7420:
7419:
7411:
7402:
7401:
7399:
7397:
7377:
7371:
7370:
7363:NthWORD Magazine
7354:
7348:
7347:
7345:
7343:
7338:on July 18, 2010
7328:
7322:
7319:
7313:
7312:
7310:
7308:
7293:
7287:
7280:
7274:
7268:
7259:
7258:
7256:
7254:
7234:
7228:
7227:
7215:
7209:
7208:
7206:
7204:
7189:
7183:
7182:
7180:
7178:
7163:
7157:
7150:
7141:
7134:
7128:
7125:
7119:
7112:
7103:
7096:
7090:
7089:
7087:
7085:
7070:
7061:
7060:
7058:
7056:
7041:
7035:
7030:
7024:
7019:Edwards (2009),
7017:
7011:
7004:
6998:
6997:
6995:
6993:
6978:
6972:
6967:Edwards (2009),
6965:
6959:
6958:
6956:
6954:
6939:
6933:
6928:Edwards (2009),
6926:
6920:
6915:Edwards (2009),
6913:
6907:
6897:
6888:
6887:
6885:
6883:
6868:
6862:
6861:
6859:
6857:
6843:
6837:
6836:
6834:
6832:
6818:
6812:
6798:
6792:
6785:
6779:
6778:
6776:
6774:
6758:
6752:
6751:
6749:
6747:
6738:. May 11, 2017.
6732:
6726:
6725:
6723:
6721:
6706:
6700:
6699:
6697:
6695:
6686:. Archived from
6674:
6668:
6652:
6646:
6632:
6626:
6625:
6623:
6621:
6601:
6595:
6594:
6574:
6568:
6567:
6565:
6563:
6544:
6538:
6535:
6526:
6523:
6517:
6514:
6508:
6507:
6499:
6493:
6487:
6476:
6470:
6464:
6461:
6452:
6451:
6449:
6447:
6436:The Jamaica Star
6428:
6422:
6415:
6406:
6405:
6377:
6371:
6353:
6347:
6346:
6344:
6342:
6326:
6320:
6319:
6317:
6315:
6300:
6294:
6293:
6291:
6289:
6274:
6268:
6267:
6255:
6249:
6248:
6246:
6244:
6229:
6220:
6219:
6217:
6215:
6200:
6194:
6193:
6191:
6189:
6174:
6168:
6167:
6165:
6163:
6149:
6143:
6142:
6126:
6117:
6111:
6105:
6102:
6096:
6093:
6084:
6083:
6081:
6079:
6059:
6048:
6042:
6036:
6035:
6033:
6031:
6016:
6010:
6004:
5998:
5997:
5995:
5993:
5977:
5971:
5970:
5968:
5966:
5953:Reese, Renford.
5950:
5944:
5932:
5926:
5925:
5923:
5921:
5906:
5900:
5899:
5897:
5895:
5874:
5868:
5867:
5865:
5863:
5840:"What's an 808?"
5835:
5829:
5828:
5826:
5824:
5804:
5798:
5797:
5795:
5793:
5773:
5767:
5764:
5758:
5757:
5755:
5753:
5738:
5732:
5731:
5725:
5717:
5691:
5685:
5679:
5666:
5665:
5663:
5661:
5638:
5632:
5631:
5619:
5613:
5607:
5596:
5578:
5572:
5571:
5544:
5538:
5531:
5525:
5524:
5512:
5506:
5499:
5493:
5486:
5480:
5479:
5473:
5465:
5463:
5461:
5447:
5435:Lee, Jennifer 8.
5431:
5425:
5424:
5422:
5420:
5405:
5396:
5395:
5393:
5391:
5372:
5366:
5359:
5353:
5346:
5340:
5339:
5337:
5335:
5330:on June 18, 2017
5326:. Archived from
5316:
5310:
5309:
5289:
5283:
5282:
5280:
5278:
5273:
5253:
5247:
5246:
5221:
5212:
5211:
5209:
5207:
5190:
5184:
5183:
5181:
5179:
5168:National Monitor
5159:
5153:
5152:
5150:
5148:
5128:
5122:
5121:
5119:
5117:
5098:
5092:
5079:
5070:
5069:
5067:
5065:
5050:
5044:
5043:
5025:
5019:
5018:
5010:
5004:
5003:
5001:
4999:
4983:
4977:
4976:
4974:
4972:
4957:
4951:
4950:
4948:
4946:
4925:
4919:
4918:
4916:
4914:
4895:
4889:
4888:
4886:
4884:
4869:
4860:
4851:
4845:
4844:
4842:
4840:
4821:
4815:
4814:
4812:
4810:
4791:
4785:
4784:
4782:
4780:
4775:on April 4, 2019
4771:. Archived from
4765:
4759:
4758:
4737:
4731:
4730:
4728:
4726:
4707:
4701:
4700:
4698:
4696:
4676:
4670:
4669:
4668:
4666:
4649:
4643:
4642:
4640:
4638:
4629:. Archived from
4619:
4613:
4612:
4610:
4608:
4588:
4582:
4581:
4579:
4577:
4572:on April 3, 2010
4561:
4555:
4554:
4552:
4550:
4536:
4530:
4529:
4527:
4525:
4511:
4505:
4504:
4502:
4500:
4486:
4480:
4479:
4477:
4475:
4461:
4455:
4454:
4452:
4450:
4436:
4430:
4420:
4414:
4413:
4411:
4409:
4395:
4389:
4388:
4386:
4384:
4370:
4353:
4346:
4340:
4329:
4287:
4282:
4281:
4280:
4174:
4167:
4163:
4160:
4154:
4151:inline citations
4127:
4126:
4119:
3858:artists such as
3844:Ottawa Bluesfest
3720:Afrika Bambaataa
3683:African diaspora
3338:collaborations:
3161:
3158:
3152:
3129:
3121:
3090:Beats by Dr. Dre
3046:champagne maker
3025:money laundering
2944:Critics such as
2782:police brutality
2724:6 in the Mornin'
2702:
2543:Turks in Germany
2526:Nordic countries
2089:vocal percussion
2078:proximity effect
2049:Rock Steady Crew
1668:Screwed Up Click
1604:DJ Charlie Chase
1458:record turntable
1300:African-American
1257:hypermasculinity
1229:
1222:
1218:
1215:
1209:
1182:
1181:
1174:
1067:Through the Fire
1059:Through the Wire
982:6 in the Mornin'
837:vocal percussion
779:Light Years Away
675:Afrika Bambaataa
575:Afrika Bambaataa
499:Rapper's Delight
365:record turntable
326:East Village Eye
318:Afrika Bambaataa
306:Afrika Bambaataa
278:. The 1980 hit "
268:Rapper's Delight
143:entrepreneurship
111:Latino Americans
56:
53:
47:
24:
16:
13475:
13474:
13470:
13469:
13468:
13466:
13465:
13464:
13425:
13424:
13423:
13418:
13411:
13396:
13362:Music sequencer
13304:
13273:
13267:
13248:
13242:
13241:
13207:Outside the US:
13204:
13200:Native American
13073:
13067:
13008:
13002:
12821:
12815:
12709:
12703:
12587:
12577:Regional scenes
12576:
12566:
12541:
12536:
12473:
12462:
12452:
12338:
12332:
12313:
12307:
12278:Psychedelic rap
12223:
12212:
12202:
12131:
12125:
12084:
12078:
12039:Progressive rap
11880:
11869:
11863:
11822:
11749:
11743:
11736:
11729:
11722:
11715:
11706:
11702:
11699:
11666:Wayback Machine
11631:
11630:
11629:
11614:
11613:
11609:
11602:
11592:
11573:
11565:. Basic Books.
11554:
11538:
11536:Further reading
11533:
11527:
11472:
11446:
11419:
11396:
11369:
11342:
11327:Hip-Hop America
11312:
11289:
11285:(Autumn 1999).
11283:McLeod, Kembrew
11275:
11236:
11215:
11192:
11164:
11104:
11076:
11050:
11048:
11026:
11008:Ahearn, Charlie
11002:
10997:
10996:
10965:
10961:
10930:
10926:
10883:
10879:
10870:
10866:
10843:
10839:
10829:
10827:
10825:"Rap/Hip Hop •"
10821:
10817:
10807:
10805:
10796:
10795:
10791:
10781:
10779:
10771:
10770:
10766:
10756:
10754:
10741:
10740:
10736:
10726:
10724:
10709:
10705:
10695:
10693:
10680:
10679:
10675:
10665:
10663:
10648:
10644:
10634:
10632:
10609:
10605:
10595:
10593:
10580:
10579:
10575:
10565:
10563:
10548:
10544:
10534:
10532:
10527:. Queerty Inc.
10517:
10513:
10503:
10501:
10486:
10482:
10472:
10470:
10455:
10451:
10440:
10433:
10423:
10421:
10379:
10373:
10369:
10359:
10357:
10344:
10343:
10339:
10329:
10327:
10312:
10308:
10298:
10296:
10283:
10282:
10278:
10268:
10266:
10259:
10243:
10239:
10229:
10227:
10218:
10217:
10213:
10205:
10194:
10188:
10184:
10174:
10172:
10159:
10158:
10154:
10144:
10142:
10129:
10128:
10124:
10114:
10112:
10105:gas.sagepub.com
10099:
10098:
10094:
10079:
10075:
10065:
10063:
10038:
10029:
10019:
10017:
9990:
9986:
9981:Wayback Machine
9931:Weitzer, Ronald
9928:
9921:
9911:
9909:
9896:
9895:
9891:
9886:
9882:
9872:
9870:
9861:
9860:
9856:
9844:
9843:
9834:
9833:
9826:
9824:
9813:
9809:
9799:
9797:
9788:
9787:
9783:
9777:Wayback Machine
9768:
9764:
9754:
9752:
9743:
9742:
9738:
9728:
9726:
9715:
9711:
9695:
9694:
9686:
9682:
9672:
9670:
9657:
9656:
9652:
9642:
9640:
9629:
9625:
9615:
9613:
9602:
9598:
9588:
9586:
9575:
9571:
9563:Gilroy (1993),
9562:
9558:
9549:
9545:
9536:
9529:
9520:
9513:
9504:
9500:
9491:
9487:
9482:
9478:
9473:
9469:
9459:
9457:
9446:
9442:
9432:
9430:
9419:
9415:
9405:Wayback Machine
9395:
9391:
9382:Wayback Machine
9373:
9369:
9364:
9357:
9347:
9345:
9332:
9331:
9327:
9318:
9317:
9313:
9302:
9298:
9288:
9286:
9273:
9272:
9268:
9258:
9256:
9203:
9199:
9189:
9187:
9174:
9173:
9169:
9159:
9157:
9153:
9146:
9140:
9136:
9130:Wayback Machine
9120:
9116:
9110:Wayback Machine
9100:
9096:
9086:
9084:
9080:
9073:
9067:
9063:
9032:
9028:
9018:
9016:
9001:
8997:
8991:Wayback Machine
8982:
8978:
8968:Wayback Machine
8958:
8954:
8944:
8942:
8933:
8932:
8928:
8918:
8916:
8898:
8894:
8885:
8881:
8872:
8868:
8858:
8856:
8847:
8846:
8842:
8832:
8830:
8823:
8819:
8814:
8810:
8800:
8798:
8785:
8784:
8780:
8772:
8768:
8758:
8756:
8747:
8746:
8742:
8732:
8730:
8729:on May 16, 2010
8715:
8711:
8706:
8699:
8690:
8686:
8677:
8673:
8664:
8660:
8650:
8648:
8638:
8634:
8626:
8622:
8612:
8610:
8595:
8591:
8582:
8578:
8568:
8566:
8555:
8551:
8541:
8539:
8534:. May 8, 2006.
8526:
8525:
8521:
8511:
8509:
8492:
8488:
8478:
8476:
8465:
8458:
8448:
8446:
8435:
8431:
8425:Wayback Machine
8415:
8402:
8392:
8390:
8379:
8375:
8365:
8363:
8353:
8349:
8339:
8337:
8324:
8323:
8319:
8300:
8296:
8286:
8284:
8269:
8260:
8250:
8248:
8246:uDiscover Music
8238:
8234:
8224:
8222:
8213:
8212:
8208:
8199:Wayback Machine
8189:
8182:
8172:
8170:
8155:
8148:
8138:
8136:
8135:on May 14, 2011
8127:
8126:
8122:
8112:
8110:
8095:
8086:
8076:
8074:
8059:
8055:
8045:
8043:
8028:
8024:
8019:
8015:
8005:
8003:
7992:
7988:
7978:
7976:
7963:
7962:
7958:
7943:
7939:
7929:
7927:
7918:
7917:
7913:
7903:
7901:
7886:
7885:
7881:
7871:
7869:
7860:
7859:
7855:
7840:
7833:
7820:
7816:
7806:
7804:
7795:Anthony, John.
7793:
7789:
7780:Wayback Machine
7770:
7766:
7756:Wayback Machine
7747:
7743:
7738:
7734:
7725:
7721:
7711:
7709:
7698:
7694:
7684:
7682:
7673:
7672:
7668:
7663:
7656:
7649:
7630:
7626:
7616:
7614:
7601:
7600:
7596:
7586:
7584:
7571:
7570:
7566:
7556:
7554:
7541:
7540:
7536:
7526:
7524:
7511:
7510:
7506:
7497:
7495:
7484:
7483:
7479:
7470:
7466:
7457:
7453:
7443:
7441:
7428:
7427:
7423:
7412:
7405:
7395:
7393:
7382:"Hip Hop Dance"
7378:
7374:
7355:
7351:
7341:
7339:
7330:
7329:
7325:
7320:
7316:
7306:
7304:
7295:
7294:
7290:
7281:
7277:
7269:
7262:
7252:
7250:
7243:Theguardian.com
7235:
7231:
7216:
7212:
7202:
7200:
7191:
7190:
7186:
7176:
7174:
7165:
7164:
7160:
7152:Edwards, Paul,
7151:
7144:
7136:Edwards, Paul,
7135:
7131:
7126:
7122:
7114:Gerard, Peter,
7113:
7106:
7098:Edwards, Paul,
7097:
7093:
7083:
7081:
7072:
7071:
7064:
7054:
7052:
7043:
7042:
7038:
7031:
7027:
7018:
7014:
7005:
7001:
6991:
6989:
6980:
6979:
6975:
6966:
6962:
6952:
6950:
6941:
6940:
6936:
6927:
6923:
6914:
6910:
6898:
6891:
6881:
6879:
6878:on July 6, 2011
6870:
6869:
6865:
6855:
6853:
6845:
6844:
6840:
6830:
6828:
6820:
6819:
6815:
6810:Wayback Machine
6799:
6795:
6786:
6782:
6772:
6770:
6759:
6755:
6745:
6743:
6734:
6733:
6729:
6719:
6717:
6708:
6707:
6703:
6693:
6691:
6676:
6675:
6671:
6665:Wayback Machine
6653:
6649:
6643:Wayback Machine
6633:
6629:
6619:
6617:
6602:
6598:
6591:
6575:
6571:
6561:
6559:
6546:
6545:
6541:
6536:
6529:
6524:
6520:
6515:
6511:
6501:
6500:
6496:
6488:
6479:
6471:
6467:
6462:
6455:
6445:
6443:
6430:
6429:
6425:
6416:
6409:
6378:
6374:
6364:Wayback Machine
6354:
6350:
6340:
6338:
6327:
6323:
6313:
6311:
6302:
6301:
6297:
6287:
6285:
6276:
6275:
6271:
6256:
6252:
6242:
6240:
6230:
6223:
6213:
6211:
6201:
6197:
6187:
6185:
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6099:
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6087:
6077:
6075:
6060:
6051:
6043:
6039:
6029:
6027:
6026:on May 12, 2011
6018:
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6001:
5991:
5989:
5978:
5974:
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5951:
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5942:Wayback Machine
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5589:Wayback Machine
5579:
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5100:
5099:
5095:
5090:Wayback Machine
5080:
5073:
5063:
5061:
5056:. Zulu Nation.
5052:
5051:
5047:
5040:
5026:
5022:
5011:
5007:
4997:
4995:
4986:Larkin, Colin.
4984:
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4128:
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4117:
4003:
3997:
3961:
3953:Main articles:
3951:
3888:sexual violence
3834:Hip hop artist
3828:
3822:
3814:sound recording
3775:
3769:
3764:
3724:Grandmaster Caz
3709:
3707:Progressive rap
3703:
3613:
3582:
3577:
3551:. In 2007, the
3549:Duke University
3513:
3400:HipHop Pantsula
3360:
3354:
3352:Diversification
3305:Brands such as
3300:hip hop fashion
3272:
3195:The Nastee Boyz
3187:
3162:
3156:
3153:
3143:
3130:
3119:
2965:Russell Simmons
2913:
2786:law enforcement
2771:law enforcement
2763:Fuck tha Police
2704:
2690:
2655:Luther Campbell
2588:
2551:
2474:
2469:
2380:
2336:sound recording
2200:behind a large
2160:audio engineers
2155:sound recording
2151:music producing
2139:
2133:
2067:
2061:
1974:Michael Jackson
1930:
1924:
1873:Fab Five Freddy
1867:, Daze, Blade,
1759:
1753:
1710:
1704:
1688:Mix Master Mike
1676:Funkmaster Flex
1498:Grandmaster Caz
1456:manipulating a
1446:
1440:
1408:
1292:Manthia Diawara
1281:hip hop is dead
1230:
1219:
1213:
1210:
1203:
1193:which does not
1183:
1179:
1172:
1075:
1038:
955:
896:British hip hop
767:Malcolm McLaren
720:Licensed to Ill
679:Soulsonic Force
659:
354:
349:
310:Lovebug Starski
291:Lovebug Starski
238:
222:Worldstarhiphop
163:hip hop theater
147:hip hop fashion
75:
64:
57:
51:
48:
38:
25:
12:
11:
5:
13473:
13463:
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13457:
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13309:
13306:
13305:
13303:
13302:
13297:
13292:
13291:
13290:
13279:
13277:
13274:South American
13269:
13268:
13266:
13265:
13260:
13254:
13252:
13244:
13243:
13240:
13239:
13234:
13229:
13224:
13219:
13214:
13205:
13203:
13202:
13197:
13192:
13190:Asian American
13187:
13186:
13185:
13180:
13170:
13169:
13168:
13163:
13158:
13148:
13147:
13146:
13141:
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13126:
13116:
13115:
13114:
13109:
13104:
13099:
13094:
13082:United States:
13080:
13079:
13077:
13074:North American
13069:
13068:
13066:
13065:
13060:
13055:
13050:
13045:
13040:
13035:
13030:
13025:
13020:
13014:
13012:
13009:Middle Eastern
13004:
13003:
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13000:
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12990:
12985:
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12509:
12508:
12507:
12497:
12496:
12495:
12493:Florida breaks
12490:
12488:Baltimore club
12479:
12477:
12466:
12458:
12457:
12454:
12453:
12451:
12450:
12445:
12440:
12438:Urban Pasifika
12435:
12430:
12425:
12420:
12418:Romany hip hop
12415:
12410:
12405:
12400:
12395:
12390:
12385:
12380:
12375:
12373:Hip hop galsen
12370:
12365:
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12355:
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12309:
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12295:
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12280:
12275:
12270:
12268:New jack swing
12265:
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12195:
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12169:
12168:
12163:
12158:
12153:
12151:Brooklyn drill
12143:
12137:
12135:
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12123:
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11651:
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11641:
11628:
11627:
11622:
11616:
11615:
11604:
11603:
11601:
11600:External links
11598:
11597:
11596:
11590:
11577:
11571:
11558:
11552:
11537:
11534:
11532:
11531:
11525:
11517:Serpent's Tail
11505:
11487:(3): 333–357.
11476:
11470:
11454:Shapiro, Peter
11450:
11444:
11423:
11417:
11400:
11394:
11373:
11367:
11346:
11340:
11321:
11300:(4): 134–150.
11279:
11273:
11257:, ed. (1999).
11251:
11240:
11234:
11219:
11213:
11196:
11190:
11168:
11163:978-0312373177
11162:
11140:
11122:(4): 367–389.
11108:
11102:
11080:
11074:
11057:
11043:(163): 58–65.
11040:Foreign Policy
11030:
11024:
11003:
11001:
10998:
10995:
10994:
10959:
10924:
10897:(3): 325–344.
10877:
10864:
10837:
10815:
10789:
10764:
10734:
10703:
10682:"Girls to Men"
10673:
10642:
10603:
10573:
10542:
10511:
10480:
10449:
10431:
10367:
10337:
10306:
10276:
10257:
10237:
10222:. grammy.com.
10211:
10182:
10152:
10122:
10092:
10073:
10027:
10004:(3): 425–444.
9984:
9919:
9889:
9880:
9854:
9807:
9781:
9762:
9736:
9709:
9680:
9650:
9623:
9596:
9569:
9556:
9543:
9537:Gilroy, Paul.
9527:
9511:
9498:
9485:
9476:
9467:
9440:
9413:
9389:
9367:
9355:
9325:
9311:
9296:
9266:
9197:
9167:
9134:
9114:
9094:
9061:
9026:
8995:
8976:
8952:
8926:
8911:. p. 20.
8892:
8879:
8866:
8840:
8825:Golden, Gene.
8817:
8808:
8778:
8766:
8740:
8709:
8697:
8684:
8671:
8658:
8632:
8620:
8603:Britannica.com
8589:
8576:
8549:
8519:
8486:
8456:
8441:. SILive.com.
8429:
8416:Kiley, David.
8400:
8373:
8361:Marketing Week
8347:
8317:
8294:
8258:
8232:
8206:
8180:
8163:Press Telegram
8146:
8120:
8084:
8053:
8022:
8013:
7986:
7956:
7937:
7911:
7879:
7853:
7831:
7821:Asante, M. K.
7814:
7787:
7771:MJ Deschamps,
7764:
7741:
7732:
7719:
7692:
7666:
7654:
7647:
7633:Greene, Roland
7624:
7594:
7564:
7534:
7504:
7477:
7464:
7451:
7421:
7403:
7372:
7349:
7323:
7314:
7288:
7275:
7260:
7229:
7210:
7184:
7173:on May 3, 2015
7158:
7142:
7129:
7120:
7104:
7091:
7062:
7036:
7025:
7012:
6999:
6973:
6960:
6934:
6921:
6908:
6889:
6863:
6851:Newspapers.com
6838:
6826:Newspapers.com
6813:
6802:New York Times
6793:
6780:
6753:
6727:
6701:
6669:
6647:
6627:
6596:
6589:
6569:
6539:
6527:
6518:
6509:
6504:Hip-Hop Colony
6494:
6477:
6465:
6453:
6423:
6407:
6388:(3): 243–244.
6372:
6348:
6321:
6295:
6269:
6250:
6221:
6195:
6169:
6144:
6118:
6106:
6097:
6085:
6049:
6047:, p. 192.
6037:
6011:
5999:
5972:
5945:
5927:
5901:
5869:
5830:
5799:
5768:
5759:
5733:
5704:
5686:
5667:
5633:
5614:
5597:
5573:
5566:
5539:
5526:
5507:
5494:
5481:
5426:
5397:
5367:
5354:
5341:
5311:
5284:
5248:
5241:
5225:Shapiro, Peter
5213:
5185:
5154:
5137:New York Times
5123:
5093:
5071:
5045:
5039:978-0822362029
5038:
5020:
5005:
4978:
4952:
4920:
4890:
4861:
4846:
4816:
4786:
4760:
4753:
4732:
4702:
4671:
4644:
4614:
4583:
4556:
4544:Newspapers.com
4531:
4519:Newspapers.com
4506:
4494:Newspapers.com
4481:
4469:Newspapers.com
4456:
4444:Newspapers.com
4431:
4415:
4403:Newspapers.com
4390:
4378:Newspapers.com
4364:
4363:
4361:
4358:
4355:
4354:
4341:
4323:
4322:
4320:
4317:
4316:
4315:
4310:
4305:
4300:
4295:
4289:
4288:
4272:
4269:
4177:
4176:
4131:
4129:
4122:
4116:
4113:
4101:Kevin Abstract
3999:Main article:
3996:
3993:
3950:
3947:
3914:women of color
3903:sexual assault
3824:Main article:
3821:
3818:
3768:
3765:
3763:
3760:
3702:
3699:
3612:
3609:
3581:
3578:
3576:
3573:
3555:established a
3512:
3509:
3455:pan-Africanism
3450:Wayne Marshall
3414:South Sudanese
3387:post-apartheid
3356:Main article:
3353:
3350:
3315:Tommy Hilfiger
3282:at a 2009 show
3271:
3268:
3186:
3183:
3164:
3163:
3133:
3131:
3124:
3118:
3115:
3048:Louis Roederer
2985:in front of a
2912:
2909:
2849:Sister Souljah
2828:the Terminator
2792:in his music.
2778:2Pacalypse Now
2682:
2657:and his group
2587:
2584:
2550:
2547:
2473:
2470:
2468:
2465:
2379:
2376:
2320:audio consoles
2237:unique sound.
2135:Main article:
2132:
2129:
2063:Main article:
2060:
2057:
1926:Main article:
1923:
1920:
1822:New York Times
1755:Main article:
1752:
1749:
1706:Main article:
1703:
1700:
1652:Jam Master Jay
1442:Main article:
1439:
1436:
1407:
1404:
1325:First Exposure
1232:
1231:
1186:
1184:
1177:
1171:
1168:
1074:
1071:
1037:
1034:
954:
951:
910:, followed by
822:It's like That
658:
655:
618:In late 1979,
495:Sugarhill Gang
378:Jamaican-born
353:
350:
348:
345:
322:Michael Holman
243:, a member of
237:
234:
105:, starting in
62:
59:
58:
28:
26:
19:
9:
6:
4:
3:
2:
13472:
13461:
13458:
13456:
13453:
13451:
13448:
13446:
13443:
13441:
13438:
13436:
13433:
13432:
13430:
13415:
13414:
13403:
13402:
13399:
13393:
13390:
13388:
13385:
13383:
13380:
13378:
13375:
13373:
13370:
13368:
13365:
13363:
13360:
13358:
13355:
13353:
13350:
13346:
13343:
13341:
13340:Record player
13338:
13336:
13333:
13332:
13331:
13328:
13326:
13323:
13321:
13318:
13317:
13315:
13311:
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13127:
13125:
13122:
13121:
13120:
13117:
13113:
13110:
13108:
13105:
13103:
13102:New York City
13100:
13098:
13095:
13093:
13090:
13089:
13088:
13085:
13084:
13083:
13078:
13076:
13070:
13064:
13061:
13059:
13056:
13054:
13051:
13049:
13048:Saudi Arabian
13046:
13044:
13041:
13039:
13036:
13034:
13031:
13029:
13026:
13024:
13021:
13019:
13016:
13015:
13013:
13011:
13005:
12999:
12996:
12994:
12991:
12989:
12986:
12984:
12981:
12979:
12976:
12974:
12971:
12969:
12966:
12964:
12961:
12959:
12956:
12954:
12951:
12949:
12946:
12944:
12941:
12939:
12936:
12934:
12931:
12929:
12926:
12924:
12921:
12919:
12916:
12914:
12911:
12909:
12906:
12904:
12901:
12899:
12896:
12894:
12891:
12889:
12886:
12884:
12881:
12879:
12876:
12874:
12871:
12869:
12866:
12862:
12859:
12857:
12854:
12853:
12852:
12849:
12847:
12844:
12842:
12839:
12837:
12834:
12832:
12829:
12828:
12826:
12824:
12818:
12812:
12809:
12807:
12804:
12802:
12799:
12797:
12794:
12792:
12789:
12787:
12784:
12782:
12779:
12777:
12774:
12772:
12769:
12767:
12764:
12762:
12759:
12757:
12754:
12750:
12747:
12746:
12745:
12742:
12740:
12737:
12735:
12732:
12730:
12727:
12725:
12722:
12720:
12717:
12716:
12714:
12712:
12706:
12700:
12697:
12695:
12692:
12690:
12687:
12685:
12682:
12680:
12679:South African
12677:
12675:
12672:
12670:
12667:
12663:
12662:Port Harcourt
12660:
12659:
12658:
12655:
12653:
12650:
12648:
12645:
12643:
12640:
12638:
12635:
12633:
12630:
12628:
12625:
12623:
12620:
12618:
12615:
12613:
12610:
12608:
12605:
12603:
12600:
12598:
12595:
12594:
12592:
12590:
12584:
12581:
12579:
12573:
12561:
12558:
12557:
12556:
12553:
12551:
12548:
12547:
12545:
12539:
12533:
12530:
12528:
12525:
12523:
12520:
12518:
12515:
12513:
12510:
12506:
12503:
12502:
12501:
12498:
12494:
12491:
12489:
12486:
12485:
12484:
12481:
12480:
12478:
12476:
12470:
12467:
12465:
12459:
12449:
12446:
12444:
12443:Vigilante rap
12441:
12439:
12436:
12434:
12431:
12429:
12426:
12424:
12421:
12419:
12416:
12414:
12413:Nuyorican rap
12411:
12409:
12406:
12404:
12401:
12399:
12396:
12394:
12391:
12389:
12386:
12384:
12381:
12379:
12376:
12374:
12371:
12369:
12366:
12364:
12361:
12359:
12356:
12354:
12351:
12349:
12346:
12345:
12343:
12341:
12335:
12329:
12326:
12324:
12321:
12320:
12318:
12316:
12310:
12304:
12301:
12299:
12296:
12294:
12291:
12289:
12286:
12284:
12281:
12279:
12276:
12274:
12271:
12269:
12266:
12264:
12261:
12259:
12256:
12254:
12251:
12249:
12246:
12244:
12241:
12239:
12236:
12234:
12231:
12230:
12228:
12226:
12220:
12217:
12215:
12213:Fusion genres
12209:
12199:
12196:
12194:
12191:
12189:
12186:
12184:
12181:
12179:
12176:
12174:
12171:
12167:
12164:
12162:
12159:
12157:
12154:
12152:
12149:
12148:
12147:
12144:
12142:
12139:
12138:
12136:
12134:
12128:
12122:
12119:
12117:
12114:
12112:
12109:
12105:
12102:
12101:
12100:
12097:
12095:
12092:
12091:
12089:
12087:
12081:
12075:
12072:
12070:
12067:
12065:
12062:
12060:
12057:
12053:
12050:
12048:
12045:
12044:
12042:
12040:
12037:
12033:
12030:
12029:
12028:
12025:
12021:
12018:
12017:
12016:
12013:
12011:
12008:
12006:
12003:
12001:
11998:
11994:
11991:
11990:
11989:
11986:
11984:
11981:
11977:
11974:
11973:
11972:
11969:
11967:
11966:Freestyle rap
11964:
11962:
11959:
11955:
11952:
11951:
11950:
11947:
11945:
11942:
11940:
11937:
11935:
11932:
11930:
11927:
11925:
11924:Chipmunk soul
11922:
11918:
11915:
11914:
11913:
11910:
11908:
11905:
11903:
11900:
11896:
11893:
11892:
11891:
11888:
11887:
11885:
11883:
11877:
11874:
11872:
11866:
11860:
11857:
11855:
11852:
11850:
11847:
11845:
11842:
11840:
11837:
11835:
11832:
11831:
11829:
11825:
11819:
11816:
11814:
11811:
11809:
11806:
11804:
11801:
11799:
11796:
11794:
11791:
11787:
11784:
11782:
11779:
11778:
11777:
11774:
11772:
11769:
11767:
11764:
11762:
11759:
11758:
11756:
11752:
11746:
11741:
11739:
11734:
11732:
11727:
11725:
11720:
11718:
11713:
11712:
11709:
11705:
11696:
11691:
11689:
11684:
11682:
11677:
11676:
11673:
11667:
11663:
11660:
11657:
11655:
11652:
11650:
11647:
11645:
11642:
11640:
11636:
11633:
11632:
11626:
11623:
11621:
11618:
11617:
11612:
11607:
11593:
11587:
11583:
11578:
11574:
11568:
11564:
11559:
11555:
11549:
11545:
11540:
11539:
11528:
11522:
11518:
11514:
11510:
11506:
11502:
11498:
11494:
11490:
11486:
11482:
11477:
11473:
11467:
11463:
11459:
11455:
11451:
11447:
11441:
11437:
11432:
11431:
11424:
11420:
11414:
11410:
11406:
11401:
11397:
11391:
11387:
11382:
11381:
11374:
11370:
11364:
11360:
11355:
11354:
11347:
11343:
11337:
11333:
11332:Penguin Books
11329:
11328:
11322:
11316:
11311:
11307:
11303:
11299:
11295:
11288:
11284:
11280:
11276:
11270:
11266:
11262:
11261:
11256:
11252:
11248:
11247:
11241:
11237:
11231:
11227:
11226:
11220:
11216:
11210:
11206:
11202:
11197:
11193:
11187:
11183:
11179:
11178:
11173:
11169:
11165:
11159:
11155:
11151:
11150:
11145:
11144:Hager, Steven
11141:
11137:
11133:
11129:
11125:
11121:
11117:
11113:
11109:
11105:
11099:
11095:
11091:
11090:
11085:
11081:
11077:
11071:
11067:
11063:
11058:
11046:
11042:
11041:
11036:
11031:
11027:
11021:
11017:
11016:Da Capo Press
11013:
11009:
11005:
11004:
10990:
10986:
10982:
10978:
10974:
10970:
10963:
10955:
10951:
10947:
10943:
10939:
10935:
10928:
10920:
10916:
10912:
10908:
10904:
10900:
10896:
10892:
10888:
10881:
10875:, p. 63.
10874:
10868:
10860:
10856:
10852:
10848:
10841:
10830:September 24,
10826:
10819:
10808:September 24,
10803:
10799:
10793:
10782:September 24,
10778:
10774:
10768:
10752:
10748:
10744:
10738:
10722:
10718:
10714:
10707:
10691:
10687:
10683:
10677:
10661:
10657:
10653:
10646:
10630:
10626:
10622:
10618:
10614:
10607:
10591:
10587:
10586:Biography.com
10583:
10577:
10561:
10557:
10553:
10546:
10530:
10526:
10522:
10515:
10499:
10495:
10491:
10484:
10468:
10464:
10460:
10453:
10445:
10438:
10436:
10419:
10415:
10411:
10406:
10401:
10397:
10393:
10389:
10385:
10378:
10371:
10355:
10351:
10347:
10341:
10325:
10321:
10317:
10310:
10294:
10290:
10286:
10280:
10264:
10260:
10258:9780786472673
10254:
10250:
10249:
10241:
10225:
10221:
10215:
10204:
10200:
10193:
10186:
10170:
10166:
10162:
10156:
10140:
10136:
10132:
10126:
10110:
10106:
10102:
10096:
10088:
10084:
10077:
10061:
10057:
10053:
10049:
10048:
10043:
10036:
10034:
10032:
10015:
10011:
10007:
10003:
9999:
9995:
9988:
9982:
9978:
9975:
9970:
9966:
9962:
9958:
9954:
9950:
9946:
9942:
9941:
9936:
9932:
9926:
9924:
9907:
9903:
9899:
9893:
9884:
9868:
9864:
9858:
9850:
9845:|author=
9838:
9822:
9818:
9811:
9795:
9791:
9785:
9778:
9774:
9771:
9766:
9750:
9746:
9740:
9724:
9720:
9713:
9705:
9699:
9691:
9684:
9668:
9664:
9660:
9654:
9638:
9634:
9627:
9611:
9607:
9600:
9584:
9580:
9573:
9566:
9560:
9553:
9552:Phonographies
9547:
9540:
9534:
9532:
9524:
9523:Phonographies
9518:
9516:
9508:
9502:
9495:
9494:Village Voice
9489:
9480:
9471:
9455:
9451:
9444:
9428:
9424:
9417:
9410:
9409:Rolling Stone
9406:
9402:
9399:
9393:
9386:
9383:
9379:
9376:
9371:
9362:
9360:
9343:
9339:
9335:
9329:
9321:
9315:
9307:
9300:
9284:
9280:
9276:
9270:
9254:
9250:
9246:
9241:
9236:
9232:
9228:
9224:
9220:
9217:(9): 759–63.
9216:
9212:
9208:
9201:
9185:
9181:
9177:
9171:
9152:
9145:
9138:
9131:
9127:
9124:
9118:
9111:
9107:
9104:
9098:
9079:
9072:
9065:
9057:
9053:
9049:
9045:
9042:(3): 203–22.
9041:
9037:
9030:
9014:
9010:
9006:
8999:
8992:
8988:
8985:
8980:
8973:
8969:
8965:
8962:
8956:
8940:
8936:
8930:
8914:
8910:
8906:
8902:
8896:
8889:
8883:
8876:
8870:
8854:
8850:
8844:
8828:
8821:
8812:
8796:
8792:
8788:
8782:
8775:
8770:
8754:
8750:
8744:
8728:
8724:
8720:
8713:
8704:
8702:
8694:
8688:
8681:
8675:
8668:
8662:
8647:
8643:
8636:
8629:
8624:
8608:
8604:
8600:
8593:
8586:
8580:
8564:
8560:
8553:
8537:
8533:
8532:The Economist
8529:
8523:
8507:
8503:
8502:
8497:
8490:
8474:
8470:
8463:
8461:
8449:September 19,
8444:
8440:
8433:
8426:
8422:
8419:
8413:
8411:
8409:
8407:
8405:
8388:
8384:
8377:
8362:
8358:
8351:
8335:
8331:
8327:
8321:
8313:
8309:
8305:
8298:
8282:
8278:
8274:
8267:
8265:
8263:
8247:
8243:
8236:
8220:
8216:
8210:
8203:
8200:
8196:
8193:
8187:
8185:
8168:
8164:
8160:
8153:
8151:
8134:
8130:
8124:
8108:
8104:
8100:
8093:
8091:
8089:
8072:
8068:
8064:
8057:
8041:
8037:
8033:
8026:
8017:
8001:
7997:
7990:
7974:
7970:
7966:
7960:
7952:
7948:
7941:
7925:
7921:
7915:
7899:
7895:
7894:
7889:
7883:
7867:
7866:Visit Tampere
7863:
7857:
7849:
7845:
7838:
7836:
7828:
7824:
7818:
7802:
7798:
7791:
7784:
7781:
7777:
7774:
7768:
7761:
7757:
7753:
7750:
7745:
7736:
7729:
7723:
7707:
7703:
7696:
7680:
7676:
7670:
7661:
7659:
7650:
7644:
7640:
7639:
7634:
7628:
7612:
7608:
7604:
7598:
7582:
7578:
7574:
7568:
7552:
7548:
7544:
7538:
7522:
7518:
7514:
7508:
7493:
7489:
7488:
7481:
7474:
7468:
7461:
7455:
7439:
7435:
7431:
7425:
7417:
7410:
7408:
7391:
7387:
7383:
7376:
7368:
7364:
7360:
7353:
7337:
7333:
7327:
7318:
7307:September 19,
7302:
7298:
7292:
7285:
7279:
7272:
7267:
7265:
7248:
7244:
7240:
7233:
7225:
7221:
7214:
7198:
7194:
7188:
7172:
7168:
7162:
7155:
7149:
7147:
7139:
7133:
7124:
7117:
7111:
7109:
7101:
7095:
7079:
7075:
7069:
7067:
7050:
7046:
7040:
7034:
7029:
7022:
7016:
7009:
7003:
6992:September 19,
6987:
6983:
6977:
6970:
6964:
6948:
6944:
6938:
6931:
6925:
6918:
6912:
6905:
6903:
6896:
6894:
6882:September 19,
6877:
6873:
6867:
6852:
6848:
6842:
6827:
6823:
6817:
6811:
6807:
6804:
6803:
6797:
6790:
6784:
6768:
6764:
6757:
6741:
6737:
6731:
6715:
6711:
6705:
6689:
6685:
6684:
6679:
6673:
6666:
6662:
6659:
6658:
6654:Paul Gilroy,
6651:
6644:
6640:
6637:
6634:Imani Perry,
6631:
6615:
6611:
6607:
6600:
6592:
6590:9780674034242
6586:
6582:
6581:
6573:
6557:
6553:
6551:
6543:
6534:
6532:
6522:
6513:
6505:
6498:
6492:, p. 60.
6491:
6486:
6484:
6482:
6474:
6469:
6460:
6458:
6441:
6437:
6433:
6427:
6420:
6414:
6412:
6403:
6399:
6395:
6391:
6387:
6383:
6376:
6369:
6365:
6361:
6358:
6352:
6336:
6332:
6325:
6309:
6305:
6299:
6283:
6279:
6273:
6265:
6261:
6254:
6239:
6235:
6228:
6226:
6210:
6206:
6199:
6184:
6183:Rolling Stone
6180:
6173:
6158:
6154:
6148:
6140:
6136:
6132:
6125:
6123:
6115:
6110:
6101:
6092:
6090:
6073:
6069:
6065:
6058:
6056:
6054:
6046:
6041:
6025:
6021:
6015:
6008:
6003:
5987:
5983:
5976:
5960:
5956:
5949:
5943:
5939:
5936:
5931:
5915:
5911:
5905:
5889:
5885:
5884:
5879:
5873:
5857:
5853:
5849:
5845:
5841:
5834:
5818:
5814:
5810:
5803:
5787:
5783:
5779:
5772:
5763:
5747:
5743:
5737:
5729:
5723:
5715:
5711:
5707:
5705:9780313343223
5701:
5697:
5690:
5683:
5678:
5676:
5674:
5672:
5655:
5652:. p. 3.
5651:
5647:
5643:
5637:
5629:
5625:
5618:
5612:, p. 62.
5611:
5606:
5604:
5602:
5594:
5590:
5586:
5583:
5577:
5569:
5563:
5559:
5555:
5554:
5549:
5543:
5536:
5530:
5522:
5518:
5515:Brown, Mike.
5511:
5504:
5501:Toop, David.
5498:
5491:
5485:
5477:
5471:
5455:
5451:
5445:
5440:
5436:
5430:
5414:
5410:
5404:
5402:
5385:
5381:
5377:
5371:
5364:
5358:
5351:
5345:
5329:
5325:
5321:
5315:
5307:
5303:
5299:
5295:
5288:
5270:
5266:
5262:
5258:
5252:
5244:
5242:9781843532637
5238:
5234:
5230:
5226:
5220:
5218:
5202:
5201:
5196:
5189:
5173:
5169:
5165:
5158:
5142:
5138:
5134:
5127:
5111:
5107:
5103:
5097:
5091:
5087:
5084:
5078:
5076:
5059:
5055:
5049:
5041:
5035:
5031:
5024:
5016:
5009:
4994:(4th edition)
4993:
4989:
4982:
4967:
4963:
4956:
4940:
4936:
4935:
4930:
4924:
4908:
4904:
4900:
4894:
4878:
4874:
4868:
4866:
4858:
4857:
4850:
4834:
4831:. July 2016.
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4750:
4747:. Macmillan.
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4186:Mary J. Blige
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4132:This section
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4087:
4083:
4082:Azealia Banks
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4078:Grammy Awards
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3963:The hip hop,
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3956:
3946:
3943:
3942:Grammy Awards
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3919:
3918:Queen Latifah
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3675:popular music
3670:
3667:
3664:In contrast,
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3659:Phonographies
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3170:H.I.P. H.O.P.
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3137:
3134:This section
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3122:
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3112:
3107:
3103:
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3082:Vitamin Water
3080:'s deal with
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3053:The Economist
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2816:Home Invasion
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2790:social issues
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2101:Doug E. Fresh
2098:
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2017:
2008:
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1991:playing on a
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1989:hip hop music
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1981:
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1820:In 1971, the
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1810:Savage Nomads
1807:
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1802:Savage Skulls
1799:
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1600:DJ Jazzy Jeff
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1587:'s crew, the
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864:
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845:Doug E. Fresh
842:
839:technique of
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733:
732:Spin Magazine
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695:Roland TR-808
692:
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681:released the
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361:DJ Jazzy Jeff
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68:Hip hop music
55:
45:
41:
36:
32:
29:This article
27:
23:
18:
17:
13409:
13357:Hip hop skit
13352:Drum machine
13313:Other topics
13206:
13107:Philadelphia
13081:
12550:Funk carioca
12500:Ghetto house
12358:Boomba music
12248:Hip hop soul
12161:Sample drill
12156:Jersey drill
11983:Instrumental
11610:
11581:
11562:
11543:
11512:
11484:
11480:
11462:Rough Guides
11457:
11429:
11409:Pocket Books
11404:
11379:
11352:
11326:
11310:the original
11297:
11293:
11259:
11244:
11224:
11200:
11176:
11148:
11119:
11115:
11088:
11061:
11049:. Retrieved
11038:
11011:
11000:Bibliography
10975:(11): 1493.
10972:
10968:
10962:
10940:(10): 1354.
10937:
10933:
10927:
10894:
10890:
10880:
10867:
10850:
10846:
10840:
10828:. Retrieved
10818:
10806:. Retrieved
10801:
10792:
10780:. Retrieved
10776:
10767:
10757:February 16,
10755:. Retrieved
10746:
10737:
10727:February 16,
10725:. Retrieved
10716:
10706:
10696:February 17,
10694:. Retrieved
10685:
10676:
10666:February 17,
10664:. Retrieved
10655:
10645:
10635:February 16,
10633:. Retrieved
10616:
10606:
10594:. Retrieved
10590:the original
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10564:. Retrieved
10555:
10545:
10533:. Retrieved
10524:
10514:
10502:. Retrieved
10493:
10483:
10471:. Retrieved
10465:. Advocate.
10463:Advocate.com
10462:
10452:
10443:
10422:. Retrieved
10387:
10383:
10370:
10358:. Retrieved
10349:
10340:
10328:. Retrieved
10309:
10297:. Retrieved
10289:HotNewHipHop
10288:
10279:
10267:. Retrieved
10247:
10240:
10228:. Retrieved
10214:
10198:
10185:
10173:. Retrieved
10164:
10155:
10143:. Retrieved
10134:
10125:
10113:. Retrieved
10109:the original
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10076:
10064:. Retrieved
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10018:. Retrieved
10001:
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9987:
9944:
9938:
9910:. Retrieved
9901:
9892:
9883:
9871:. Retrieved
9867:the original
9857:
9825:. Retrieved
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9798:. Retrieved
9784:
9765:
9753:. Retrieved
9749:the original
9739:
9727:. Retrieved
9712:
9683:
9671:. Retrieved
9663:Udeftour.org
9662:
9653:
9641:. Retrieved
9626:
9614:. Retrieved
9599:
9587:. Retrieved
9572:
9564:
9559:
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9546:
9538:
9522:
9501:
9493:
9488:
9479:
9470:
9458:. Retrieved
9453:
9443:
9431:. Retrieved
9426:
9416:
9408:
9396:Judy Rosen,
9392:
9384:
9370:
9346:. Retrieved
9338:idealist.org
9337:
9328:
9314:
9299:
9287:. Retrieved
9278:
9269:
9257:. Retrieved
9214:
9210:
9200:
9188:. Retrieved
9179:
9170:
9158:. Retrieved
9137:
9117:
9097:
9087:February 12,
9085:. Retrieved
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9039:
9035:
9029:
9017:. Retrieved
9008:
8998:
8979:
8971:
8955:
8943:. Retrieved
8939:the original
8929:
8917:. Retrieved
8908:
8901:Sisario, Ben
8895:
8887:
8882:
8874:
8869:
8857:. Retrieved
8843:
8831:. Retrieved
8820:
8811:
8799:. Retrieved
8790:
8781:
8774:Steingo 2005
8769:
8757:. Retrieved
8753:the original
8743:
8731:. Retrieved
8727:the original
8722:
8712:
8692:
8687:
8679:
8674:
8666:
8661:
8649:. Retrieved
8645:
8635:
8628:Kitwana 2005
8623:
8611:. Retrieved
8602:
8592:
8584:
8579:
8567:. Retrieved
8552:
8540:. Retrieved
8531:
8522:
8510:. Retrieved
8506:the original
8499:
8489:
8477:. Retrieved
8473:the original
8447:. Retrieved
8432:
8391:. Retrieved
8386:
8376:
8364:. Retrieved
8360:
8350:
8340:November 10,
8338:. Retrieved
8329:
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8312:the original
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8297:
8285:. Retrieved
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8235:
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8218:
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8201:
8171:. Retrieved
8167:the original
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8123:
8111:. Retrieved
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8075:. Retrieved
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8056:
8044:. Retrieved
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8004:. Retrieved
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7968:
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7940:
7928:. Retrieved
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7902:. Retrieved
7891:
7882:
7870:. Retrieved
7865:
7856:
7848:the original
7826:
7822:
7817:
7805:. Retrieved
7801:the original
7790:
7783:Beyond Words
7782:
7767:
7759:
7744:
7735:
7727:
7722:
7710:. Retrieved
7700:Alim, Samy.
7695:
7683:. Retrieved
7679:the original
7669:
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7627:
7615:. Retrieved
7611:the original
7606:
7597:
7585:. Retrieved
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7546:
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7525:. Retrieved
7516:
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7496:, retrieved
7486:
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7472:
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7442:. Retrieved
7438:the original
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7415:
7394:. Retrieved
7385:
7375:
7367:the original
7362:
7352:
7340:. Retrieved
7336:the original
7326:
7317:
7305:. Retrieved
7291:
7283:
7282:David Toop,
7278:
7271:Shapiro 2007
7251:. Retrieved
7242:
7232:
7223:
7219:
7213:
7201:. Retrieved
7187:
7175:. Retrieved
7171:the original
7161:
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7132:
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7099:
7094:
7082:. Retrieved
7053:. Retrieved
7049:the original
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7032:
7028:
7020:
7015:
7007:
7002:
6990:. Retrieved
6986:the original
6976:
6968:
6963:
6951:. Retrieved
6937:
6929:
6924:
6916:
6911:
6900:
6880:. Retrieved
6876:the original
6866:
6854:. Retrieved
6850:
6841:
6829:. Retrieved
6825:
6816:
6801:
6796:
6788:
6783:
6771:. Retrieved
6756:
6744:. Retrieved
6730:
6718:. Retrieved
6704:
6694:February 28,
6692:. Retrieved
6688:the original
6681:
6672:
6656:
6650:
6630:
6618:. Retrieved
6610:Thirteen.org
6609:
6599:
6579:
6572:
6560:. Retrieved
6556:the original
6549:
6542:
6521:
6512:
6503:
6497:
6475:, p. 65
6468:
6446:December 28,
6444:. Retrieved
6440:the original
6435:
6426:
6385:
6381:
6375:
6367:
6351:
6339:. Retrieved
6324:
6312:. Retrieved
6308:the original
6298:
6286:. Retrieved
6282:the original
6272:
6264:the original
6253:
6241:. Retrieved
6237:
6212:. Retrieved
6208:
6198:
6186:. Retrieved
6182:
6172:
6160:. Retrieved
6156:
6147:
6139:the original
6134:
6114:Kitwana 2005
6109:
6100:
6076:. Retrieved
6067:
6040:
6028:. Retrieved
6024:the original
6014:
6002:
5990:. Retrieved
5975:
5963:. Retrieved
5959:the original
5948:
5930:
5920:November 16,
5918:. Retrieved
5913:
5904:
5892:. Retrieved
5881:
5872:
5860:. Retrieved
5843:
5833:
5821:. Retrieved
5812:
5802:
5790:. Retrieved
5781:
5771:
5762:
5750:. Retrieved
5746:the original
5736:
5695:
5689:
5682:Diawara 1998
5658:. Retrieved
5649:
5642:Pareles, Jon
5636:
5628:the original
5617:
5592:
5580:Jody Rosen,
5576:
5552:
5542:
5534:
5529:
5521:the original
5510:
5502:
5497:
5489:
5484:
5458:. Retrieved
5449:
5429:
5417:. Retrieved
5413:the original
5388:. Retrieved
5379:
5370:
5365:, QD3, 2002.
5362:
5357:
5349:
5344:
5332:. Retrieved
5328:the original
5323:
5314:
5300:(1): 51–63.
5297:
5293:
5287:
5275:. Retrieved
5260:
5251:
5233:Rough Guides
5228:
5204:. Retrieved
5198:
5188:
5176:. Retrieved
5167:
5157:
5145:. Retrieved
5136:
5126:
5114:. Retrieved
5105:
5096:
5062:. Retrieved
5048:
5029:
5023:
5014:
5008:
4998:February 22,
4996:. Retrieved
4991:
4981:
4969:. Retrieved
4965:
4955:
4943:. Retrieved
4932:
4923:
4911:. Retrieved
4902:
4893:
4881:. Retrieved
4877:the original
4854:
4849:
4837:. Retrieved
4828:
4819:
4807:. Retrieved
4798:
4789:
4777:. Retrieved
4773:the original
4763:
4744:
4735:
4723:. Retrieved
4714:
4705:
4693:. Retrieved
4684:
4674:
4665:December 22,
4663:, retrieved
4653:
4647:
4637:December 22,
4635:. Retrieved
4631:the original
4626:
4617:
4605:. Retrieved
4601:the original
4596:
4586:
4574:. Retrieved
4570:the original
4559:
4547:. Retrieved
4543:
4534:
4522:. Retrieved
4518:
4509:
4497:. Retrieved
4493:
4484:
4472:. Retrieved
4468:
4459:
4447:. Retrieved
4443:
4434:
4426:
4418:
4406:. Retrieved
4402:
4393:
4381:. Retrieved
4377:
4368:
4348:Also called
4344:
4327:
4265:
4245:
4230:
4225:Yo! MTV Raps
4223:
4213:
4191:
4165:
4156:
4133:
4109:Mykki Blanco
4059:
4055:Erick Sermon
4035:Brand Nubian
4004:
3965:hardcore rap
3962:
3955:Drug culture
3930:
3911:
3895:heterosexism
3892:
3849:
3803:
3783:Public Enemy
3776:
3732:
3716:DJ Kool Herc
3710:
3690:
3687:
3679:
3671:
3663:
3658:
3633:
3614:
3611:Authenticity
3605:
3601:
3590:
3587:
3583:
3580:Essentialism
3569:
3565:
3561:
3556:
3518:
3514:
3494:
3482:Emmanuel Jal
3471:
3467:
3447:
3443:Rastafarians
3427:
3424:in New York.
3418:Emmanuel Jal
3392:
3376:
3346:
3341:
3336:
3332:
3324:
3311:Calvin Klein
3307:Ralph Lauren
3304:
3289:
3285:
3261:
3255:
3249:
3243:
3237:
3234:
3230:
3219:
3216:
3209:
3199:
3190:
3188:
3167:
3154:
3145:You can help
3135:
3113:for brands.
3067:
3059:Dom PĂ©rignon
3051:
3041:
3012:
2992:
2973:Busta Rhymes
2947:Businessweek
2945:
2943:
2939:greenwashing
2935:
2927:
2894:
2871:Public Enemy
2869:
2844:Bill Clinton
2837:
2821:
2814:
2800:
2794:
2775:
2756:
2751:established
2746:
2745:
2738:
2728:
2705:
2696:
2689:
2684:
2662:
2652:
2640:
2616:
2613:
2601:
2579:
2571:
2552:
2531:
2503:
2487:
2438:
2434:
2429:
2425:
2414:Busta Rhymes
2405:
2401:
2395:
2392:
2381:
2364:
2360:
2352:Ableton Live
2333:
2305:
2282:
2262:Otis Redding
2243:
2239:
2234:Quincy Jones
2227:
2215:
2211:drum machine
2207:
2198:Chilly Chill
2164:
2148:
2105:
2092:
2083:
2042:
2036:
2030:
2028:
2024:
2015:
2013:
1982:
1958:
1928:Breakdancing
1922:Breakdancing
1912:
1906:
1900:
1893:
1869:Lee Quiñones
1850:
1846:
1821:
1819:
1795:
1775:
1741:
1727:
1718:Busta Rhymes
1696:
1648:Cypress Hill
1608:DJ Disco Wiz
1593:
1589:Furious Five
1577:
1553:direct drive
1541:beatmatching
1534:
1510:
1482:Kool DJ Herc
1463:
1424:graffiti art
1420:breakdancing
1409:
1400:Taylor Swift
1349:
1337:
1328:
1324:
1321:
1297:
1287:
1285:
1273:
1263:
1261:
1254:
1247:
1220:
1211:
1188:
1153:
1145:
1130:
1122:
1118:
1109:
1102:
1096:
1091:Boise, Idaho
1039:
1022:
1012:
1002:
996:
989:
967:
939:Salt N' Pepa
935:misogynistic
928:
924:London Posse
892:
885:
879:
875:Krush Groove
873:
867:
861:
858:
834:
826:Public Enemy
802:
796:Grandmaster
783:afrofuturism
763:Buffalo Gals
736:
724:Beastie Boys
711:
706:
703:
691:Arthur Baker
683:electro-funk
660:
644:
628:Nile Rodgers
620:Debbie Harry
617:
610:
598:
590:DJ Kool Herc
588:
554:
541:
522:
513:
511:
487:Fatback Band
477:, including
464:
459:DJ Kool Herc
434:
425:
406:
377:
370:
337:Steven Hager
329:
314:Black Spades
303:
295:DJ Hollywood
287:
275:
265:
253:scat singing
239:
207:
167:
158:DJ Kool Herc
155:
131:breakdancing
99:art movement
94:
90:
89:
76:
49:
40:You can help
30:
13377:Video vixen
13372:Synthesizer
13345:Turntablism
13330:Disc jockey
13263:New Zealand
13043:Palestinian
12938:Montenegrin
12729:Bangladeshi
12724:Azerbaijani
12463:Derivatives
12448:Zenji flava
12423:Songo-salsa
12353:Bongo flava
12233:Country rap
12121:Memphis rap
12104:Mafioso rap
12099:Gangsta rap
12074:Underground
12069:Turntablism
11993:Chicano rap
11895:Hipster hop
11890:Alternative
11509:Toop, David
11255:Light, Alan
10596:December 9,
10566:December 9,
10535:December 9,
10504:December 9,
10473:December 9,
10424:January 10,
10360:January 10,
10330:January 10,
10269:October 25,
10251:McFarland.
10115:October 11,
10020:October 11,
9947:(1): 3–29.
9912:October 11,
9819:. cnn.com.
9755:October 25,
9721:. YouTube.
9635:. YouTube.
9608:. YouTube.
9581:. YouTube.
9460:October 29,
9433:October 29,
9423:"Rap Music"
8972:Toronto Sun
8583:"Hip-hop",
8569:November 7,
8542:February 5,
8501:Vanity Fair
8479:November 1,
8393:December 1,
8389:(in German)
8366:December 1,
8173:January 26,
8077:November 5,
7994:Thomas, G.
7807:October 25,
7617:December 1,
7587:December 1,
7557:December 1,
7527:December 1,
7498:December 1,
7253:January 28,
6953:January 23,
5862:January 16,
5792:January 16,
5766:Toop, p.146
5548:Frum, David
5419:October 12,
5348:Browne, P.
5334:October 12,
5200:Smithsonian
4971:December 1,
4945:January 30,
4741:Chang, Jeff
4597:SixShot.com
4352:or emceeing
4313:Pop culture
4241:gangsta rap
4233:gangsta rap
4215:Planet Rock
4105:genderqueer
4089:androgynous
4070:Frank Ocean
4066:genderqueer
4011:transphobia
3977:subcultures
3934:Lauryn Hill
3856:Gangsta rap
3852:gender bias
3836:Lauryn Hill
3655:house music
3635:Paul Gilroy
3501:South Korea
3499:artists in
3486:South Sudan
3328:street wear
2969:Courvoisier
2920:Potato chip
2896:Party Music
2842:senior and
2840:George Bush
2659:2 Live Crew
2643:anti-female
2635:Roger Ebert
2621:, in which
2569:'s lyrics.
2549:Linguistics
2512:The annual
2499:Third World
2453:Radio Radio
2324:Portastudio
2230:Kurtis Blow
2223:turntablist
2044:Beat Street
1985:South Bronx
1970:James Brown
1865:Futura 2000
1537:turntablism
1444:Turntablism
1412:turntablism
1388:Miley Cyrus
1384:Post Malone
1368:Miley Cyrus
1356:Iggy Azalea
1329:On Broadway
1160:Arab Spring
1083:Kae Tempest
1042:The Beatles
1014:Eazy-Duz-It
991:Niggaz4Life
970:gangsta rap
947:Nicki Minaj
931:gangsta rap
900:She Rockers
869:Beat Street
814:The Message
810:Duke Bootee
769:. In 1983,
755:Man Parrish
739:The Message
687:Planet Rock
663:Kurtis Blow
602:break-dance
538:Zulu Nation
503:Kurtis Blow
299:underground
210:Blackplanet
127:turntablism
13429:Categories
13258:Australian
13237:Salvadoran
13173:West Coast
13119:Midwestern
13097:New Jersey
13087:East Coast
12933:Macedonian
12908:Portuguese
12801:Sri Lankan
12791:Philippine
12756:Indonesian
12699:Zimbabwean
12674:Senegalese
12512:Glitch hop
12505:Ghettotech
12474:Electronic
12363:Cumbia rap
12323:Trap metal
12258:Industrial
12173:Latin trap
12132:Trap music
12116:Horrorcore
12059:Snap music
12043:Religious
12010:Mumble rap
12005:Miami bass
11961:East Coast
11854:Golden age
11849:New school
11844:Old-school
11808:Production
11761:Battle rap
11744:Beatboxing
11182:Free Press
10873:Chang 2007
9692:. YouTube.
9019:August 19,
8919:January 7,
8833:October 5,
8707:Elam, 329.
8387:www.wuv.de
8330:Snopes.com
8287:January 2,
8113:January 2,
7712:October 8,
7547:WhoSampled
7517:WhoSampled
7396:October 2,
7284:Rap Attack
7226:(3): 274 .
7021:How to Rap
6969:How to Rap
6930:How to Rap
6917:How to Rap
6902:How to Rap
6856:August 17,
6831:August 17,
6490:Chang 2007
6473:Chang 2007
6419:Light 1999
6209:The Source
5823:January 4,
5610:Chang 2007
5390:August 29,
5380:Daveyd.com
5277:August 29,
5269:Transcript
4839:October 2,
4725:August 13,
4685:The Source
4607:August 27,
4360:References
4337:West Bronx
4220:Slick Rick
4210:soul music
4188:performing
4143:improve it
4093:Angel Haze
4029:", rapper
4007:homophobia
3864:Snoop Dogg
3748:Battle Rap
3744:capitalism
3714:performer
3705:See also:
3541:Kid-n-Play
3533:9th Wonder
3373:, Slovenia
3280:Snoop Dogg
3257:The Source
3094:Dr. Pepper
3074:Sean Combs
3000:Sean Combs
2961:McDonald's
2857:BET: Uncut
2802:Body Count
2797:Cop Killer
2712:Schoolly D
2623:Mike Myers
2586:Censorship
2445:Dead Obies
2424:, who add
2418:Snoop Dogg
2368:9th Wonder
2274:Kanye West
2116:Biz Markie
2093:beatboxing
2085:Beatboxing
2074:Biz Markie
2065:Beatboxing
2059:Beatboxing
2038:Wild Style
2032:Style Wars
1914:Style Wars
1908:Subway Art
1902:Wild Style
1881:Rammellzee
1680:Tony Touch
1624:Gang Starr
1620:DJ Premier
1612:DJ Scratch
1529:crossfader
1525:scratching
1502:scratching
1466:phonograph
1428:beatboxing
1410:DJing and
1396:Dark Horse
1392:Katy Perry
1352:Macklemore
1344:Kanye West
1333:Video Soul
1214:March 2009
1164:Ibn Thabit
1156:Gothenburg
1133:Jeff Chang
1126:Five Steez
1063:Chaka Khan
1050:Kanye West
916:Monie Love
887:Style Wars
863:Wild Style
849:Biz Markie
841:beatboxing
812:recorded "
671:The Breaks
636:Good Times
514:Rap Attack
475:breakbeats
437:break-beat
402:scratching
226:SoundCloud
139:beatboxing
52:March 2024
13320:Auto-Tune
13300:Colombian
13283:Brazilian
13222:Dominican
13178:Northwest
13139:Wisconsin
13092:Baltimore
12998:Ukrainian
12978:Slovenian
12943:Norwegian
12918:Icelandic
12913:Hungarian
12868:Bulgarian
12806:Taiwanese
12796:Singapore
12786:Pakistani
12776:Mongolian
12771:Malaysian
12684:Tanzanian
12642:Mauritian
12555:Reggaeton
12527:Freestyle
12483:Breakbeat
12348:Afroswing
12314:Rap metal
12293:Rap opera
12253:Hip house
12141:Afro trap
12094:Dirty rap
12047:Christian
12032:Conscious
12027:Political
11954:Crunkcore
11939:Cloud rap
11870:Subgenres
11798:Festivals
11501:143516850
11249:(83): 51.
11136:145308974
10989:146340783
10954:144706751
10919:216089506
10911:1740-0201
10747:Billboard
10625:0362-4331
10414:2331-5563
10398:): 1–24.
10299:April 25,
10230:March 29,
10165:RealClear
10066:August 7,
9994:"Sign In"
9961:145060286
9873:March 29,
9827:March 29,
9800:March 29,
9567:, p. 109.
9554:, p. 147.
9525:, p. 145.
9507:Rose 1994
9231:1087-2914
9056:144918145
8945:March 29,
8859:April 23,
8759:April 23,
8733:April 23,
8613:April 23,
8512:April 14,
8251:April 23,
8225:April 23,
8139:April 23,
7930:April 23,
7904:April 19,
7872:April 19,
7685:April 23,
7444:March 12,
7342:April 23,
7055:April 30,
6562:April 23,
6402:0148-2963
6341:April 23,
6314:April 23,
6288:April 23,
6188:April 27,
6162:April 27,
6045:Rose 1994
6030:April 23,
6007:Rose 1994
5992:April 23,
5965:April 26,
5883:Billboard
5852:1091-2339
5752:March 29,
5722:cite book
5714:609884046
5660:March 10,
5460:March 10,
5147:March 29,
5116:March 15,
5064:April 23,
5015:Billboard
4809:March 29,
4695:March 14,
4147:verifying
4086:pansexual
3806:authentic
3762:Reception
3752:Kid Capri
3666:Greg Tate
3625:lynchings
3617:authentic
3511:Education
3478:Sri Lanka
3434:Kool Herc
3416:musician
3371:Ljubljana
3185:Magazines
3149:talk page
3106:MC Hammer
3027:charges.
2987:Coca-Cola
2983:LL Cool J
2924:Lil Romeo
2861:Tip Drill
2653:In 1990,
2647:Bob Dylan
2608:profanity
2514:Blockfest
2461:Spanglish
2451:(such as
2441:Franglais
2356:Pro Tools
2348:FL Studio
2316:DJ mixers
2183:Autotuned
2167:basslines
2125:The Roots
2108:PA system
1997:PA system
1889:Lady Pink
1853:the Bronx
1830:Tracy 168
1814:Julio 204
1786:Lady Pink
1778:Lady Pink
1733:beatboxer
1692:DJ Q-Bert
1666:from the
1636:Pete Rock
1596:Mr. Magic
1581:Melle Mel
1572:Pete Rock
1513:amplifier
1478:PA system
1312:Lil Wayne
1308:Rick Ross
1270:Greg Tate
1206:talk page
1141:Cape Town
1065:'s song "
806:Melle Mel
798:Melle Mel
728:Billboard
699:Kraftwerk
661:In 1980,
645:Billboard
550:Kool Herc
542:Billboard
471:Jazzy Jay
440:deejaying
390:breakbeat
236:Etymology
174:basslines
141:, street
107:the Bronx
44:talk page
13412:Category
13335:DJ mixer
13288:BrasĂlia
13249:Oceanian
13212:Canadian
13151:Southern
13053:Tunisian
13038:Lebanese
13023:Egyptian
12953:Romanian
12873:Croatian
12861:Scottish
12836:Austrian
12831:Albanian
12822:European
12781:Nepalese
12761:Japanese
12719:Armenian
12689:Togolese
12669:Nigerien
12657:Nigerian
12652:Namibian
12647:Moroccan
12637:Malawian
12622:Ghanaian
12612:Botswana
12607:Beninese
12597:Algerian
12522:Illbient
12428:Scam rap
12403:Motswako
12388:Igbo rap
12339:Regional
12328:Nu metal
12303:Trip hop
12298:Rap rock
12283:Punk rap
12263:Jazz rap
12166:UK drill
12085:Hardcore
12064:Southern
12020:Chap hop
12015:Nerdcore
11917:Road rap
11902:Boom bap
11781:Feminism
11776:Activism
11737:Emceeing
11730:Graffiti
11716:Breaking
11662:Archived
11511:(1991).
11456:(2007).
11174:(1994).
11146:(1984).
11086:(1998).
11051:March 7,
11045:Archived
10751:Archived
10721:Archived
10717:BBC News
10690:Archived
10660:Archived
10656:BuzzFeed
10629:Archived
10560:Archived
10529:Archived
10498:Archived
10467:Archived
10418:Archived
10354:Archived
10324:Archived
10293:Archived
10263:Archived
10224:Archived
10203:Archived
10169:Archived
10139:Archived
10087:Archived
10060:Archived
10014:Archived
9977:Archived
9906:Archived
9837:cite web
9821:Archived
9794:Archived
9773:Archived
9729:June 23,
9723:Archived
9698:cite web
9673:June 23,
9667:Archived
9643:June 23,
9637:Archived
9616:June 23,
9610:Archived
9589:June 23,
9583:Archived
9401:Archived
9378:Archived
9342:Archived
9283:Archived
9253:Archived
9249:19663716
9184:Archived
9160:June 10,
9151:Archived
9126:Archived
9106:Archived
9078:Archived
9013:Archived
8987:Archived
8964:Archived
8913:Archived
8853:Archived
8801:July 11,
8795:Archived
8607:Archived
8563:Archived
8536:Archived
8443:Archived
8421:Archived
8334:Archived
8281:Archived
8277:LA Times
8219:VIBE.com
8195:Archived
8107:Archived
8103:LA Times
8071:Archived
8067:LA Times
8040:Archived
8000:Archived
7979:July 21,
7973:Archived
7969:BBC News
7898:Archived
7776:Archived
7752:Archived
7706:Archived
7581:Archived
7551:Archived
7521:Archived
7492:archived
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7390:Archived
7301:Archived
7247:Archived
7197:Archived
7078:Archived
7023:, p. 63.
6947:Archived
6932:, p. 81.
6806:Archived
6767:Archived
6740:Archived
6714:Archived
6683:BuzzFeed
6661:Archived
6639:Archived
6614:Archived
6360:Archived
6335:Archived
6072:Archived
5986:Archived
5938:Archived
5888:Archived
5856:Archived
5817:Archived
5786:Archived
5782:CBC News
5654:Archived
5585:Archived
5550:(2000).
5470:cite web
5454:Archived
5384:Archived
5306:41699313
5265:Archived
5206:June 20,
5178:April 4,
5172:Archived
5141:Archived
5110:Archived
5086:Archived
5058:Archived
4939:Archived
4934:HipHopDX
4907:Archived
4833:Archived
4803:Archived
4779:April 4,
4719:Archived
4689:Archived
4659:archived
4576:July 30,
4425:, 2007,
4271:See also
4237:misogyny
4159:May 2015
4074:came out
3846:in 2012.
3797:and are
3735:b-boying
3521:IMP Labs
3379:sampling
3367:Breaking
3222:magazine
3004:Lil' Kim
2953:shilling
2891:The Coup
2708:subgenre
2596:graffiti
2567:Lil' Kim
2555:academic
2378:Language
2296:sampling
2254:Ice Cube
2219:bassline
2217:sampled
2112:Fat Boys
2001:b-boying
1993:boom box
1945:Breaking
1897:breaking
1857:Brooklyn
1826:TAKI 183
1798:graffiti
1771:graffiti
1757:Graffiti
1751:Graffiti
1664:DJ Screw
1644:DJ Muggs
1517:speakers
1474:DJ mixer
1414:, MCing/
1380:Lil Pump
1019:Ice Cube
974:misogyny
943:Lil' Kim
853:Fat Boys
677:and the
651:new wave
577:with DJ
533:b-boying
367:in 2005.
191:rag-time
178:Sampling
170:sampling
135:graffiti
13435:Hip hop
13367:Sampler
13295:Chilean
13232:Mexican
13227:Haitian
13161:Memphis
13156:Atlanta
13129:Detroit
13124:Chicago
13058:Turkish
13033:Israeli
13028:Iranian
12988:Swedish
12983:Spanish
12968:Serbian
12963:Russian
12928:Italian
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12851:British
12841:Belgian
12739:Chinese
12734:Burmese
12694:Zambian
12627:Ivorian
12617:Gambian
12602:Angolan
12588:African
12433:Stronda
12398:Low bap
12383:Hiplife
12273:Pop rap
12243:Emo rap
12238:Electro
12224:General
12198:UK trap
11976:Jerkin'
11934:Chopper
11912:British
11881:General
11827:History
11813:Theater
11771:Fashion
11754:Culture
11703:Hip hop
11246:October
10525:Queerty
10135:pbs.org
9969:2028129
9427:History
9240:2788153
8646:XXL Mag
8046:June 9,
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6971:, p. x.
6919:, p. 3.
6773:May 26,
6746:May 26,
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6620:June 4,
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6078:June 5,
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4883:May 14,
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