320:
775:
107:
726:, but he starts a love relationship on his own, in which Maluma quits Costello's harem. The love story demonstrates love as a quite late cultural achievement of mankind. In addition, Karin Gayer emphasizes the significance of Pitar's and Maluma's love against the religious component in defining the love story and its positioning within the storyline as another concept "of the beginning and the end".
1410:, but the author is not interested in paleoanthropologic precisenesses, he is interested in mirroring our society, in exposing human behavior in a satirical matter. Therefore, king Costello resembles an alpha of a band of chimpanzees (or a classical manager?), and quick-witted Akshaya with her social connections reminds us the assertiveness of female bonobos (or a modern career woman?).”
367:. Several members of the band are killed, including Costello, thus enabling Re to assume power. Pitar and Maluma decide to leave the band, stating, "We should leave in time, leave Re and his new Reich, which, when I'm taking into account Thorn's previous reign, would be the Third over here." Pitar and Maluma head toward the savanna, an action which alludes to both the
1406:
Verhaltensweisen. Und da ähnelt der königsgleiche
Costello wohl dem Alphatier einer Schimpansenherde (oder einem klassischen Manager?), und die schlagfertige Akshaya mit ihren sozialen Bindungen erinnert an die Durchsetzungskraft der Bonoboweibchen (oder einer modernen Karrierefrau?)"—“Of course there were no chimpanzees or bonobos at the time of the
601:. An aggressive character, he perceives Pitar as an enemy because of Pitar's perceived support for the band's leader. He repeatedly defies Costello but does not dare to start an open revolt. The attack of the sabre-toothed cat, which kills Costello and some other members of the band, enables Re to become the leader at the end of the novel.
1272:“Die Liebesgeschichte (...) ist geschickt und unaufdringlich eingeflochten (...) wodurch sich im ersten und letzten Kapitel eine zweite Deutung von Anfang und Ende ergibt.” (“The love story (...) is embedded neatly and inconspicuously (...) which leads to a second interpretation of the Beginning and the End.)”
1405:
Gayer, Karin. Online review. "NatĂĽrlich gab es zur Zeit der
Australopithecinen keine Schimpansen oder Bonobos, wie wir sie heute kennen. Aber dem Autor geht es auch nicht um paläoanthropologische Genauigkeiten, sondern um eine Spiegelung unserer Gesellschaft, um ein satirisches Bloßlegen menschlicher
834:
precisenesses—he is interested in mirroring our society, in exposing human behavior". She compares
Costello with the alpha of a community of chimpanzees and a classical manager, and Akshaya with bonobo females and a modern-day career woman. With regard to these underlying comparisons, Gayer says, "On
838:
The multitudinous allusions to well-known and lesser-known books, movies and sayings cause contradicting receptions. While Heinz
Gerstinger and Ingrid Reichel explicitly highlight the comical effect of the insinuations, the German critic Steffen Roye regards them as sometimes "exaggerated" and says,
741:
which contains one single and linear storyline. However, it is subdivided into seven chapters, each standing for a narrated day. The satirical character of the book stems from the underlying grotesque scenario, the speeches of Pitar and his fellow hominids, the mentioning of artifacts which have not
785:
thinks the book is a "history of the awakening of the spirit of mankind". The author has the events glided "into the playful by his gently irony". Several reviewers underline the narrative's ironic and satirical aspect, including the names of the characters, Latin quotations and idioms as well as
660:
from an ironic point of view. Mankind's evolution from the ape-like
Australopithecus afarenses to modern society with history, technology and cultural expression is compressed into only seven days. The strong allusion to faith is contrasted by numerous references to scientific insights. With the
1419:
Gayer, Karin. Online review. "Auf einer anderen Ebene fällt die stete begriffliche
Vermengung und Durchmischung von Affen- und Menschenartigen auf, eine Verquickung, die nachdenklich stimmt und dem Leser die mitunter berechtigte Frage stellt, wo wir, die wir uns fĂĽr doppelt sapiens halten, uns
230:—in addition to the prize money the organizer of the award, the Viennese publishing house FZA, offers to the winner to publish a 100-page book. Hence Ebner wrote and finalized his narrative within four months. The book was published in the October of the same year with the German title
695:. On the basis of examples in today's chimpanzee and bonobo societies, Klaus Ebner introduced both patriarchal and matriarchal characters in the novel, Costello and Akshaya. Some of the female characters are very strong and self-conscious, such as Akshaya, who is so firm that even Costello
34:
1395:
Reichel, Ingrid: “Es lebe die Satire!” In: Etcetera (ISSN 1682-9115) Nr. 36, St. Pölten 2009, p. 76: “für
Menschen mit Humor, für Denkende (...), für Darwinisten, auf keinen Fall für Kreationisten, weniger für Gläubige, eher für Atheisten, … Fundamentalisten scheiden völlig
295:
to civilization: “Hence I decided to shed some light on the darkness, to light a candle following the motto Let there be light and so on.” His linguistic capacity, thoughts and speech correspond to those of modern man, and he also is knowledgeable about history, politics,
217:
Ebner first considered writing a novel in which prehistoric characters have present-day knowledge and a modern language in 2006. Believing that this topic would not suffice for a long novel, he initially did not pursue the idea. In
February 2008 Ebner won the
363:, but when Maluma falls in love with Pitar she breaks off her relationship with him. On each day, the characters discover new insights and artefacts, but seek rest from their exhaustion by the seventh day. This repose, however, is disrupted by the attack of a
835:
another level we are struck by the permanent notional commingling of the simian and the human, a composition which leaves us pensive and asks the legitimate question where we, who consider ourselves sapiens in a double sense, should finally classify man."
339:
to help them descend more often from the trees, thus exposing them to a higher risk of being attacked by predators on the ground. A rivalry emerges between
Costello and another band member, Re, who not only questions the leading abilities of the present
197:
leader
Costello and his rival Re. Over the course of the story, Pitar invents tools, discovers the use of fire, and falls in love with Maluma. The seventh day marks a turning point in the storyline, as the members of the band separate from one another.
902:(German) Gamsjäger, Sonja. “Gespräch mit Autoren. Dr. Sonja Gamsjäger im Gespräch mit den Autoren Martin Dragosits und Klaus Ebner”. In: Arovell-Kulturzeitschrift. Musik&Literatur&Kunst. Nr. 72. Gosau-Salzburg-Wien, 2009. p. 16-18.
249:
subject. The author had already addressed topics of religious faith before, in the short stories “Der Schreiber von Aram (The Scribe of Aram)” and “Momentaufnahme (Snapshot)”, and frequently used a satirical style for his narratives.
749:
states in the title of his book review that Ebner has the characters of his story "talk as if they were modern-day juveniles". When it comes to allusions, a number of them consist of quotes, usually from classical Latin writers.
753:
Ebner's writing style is rich in detail, as Ingrid Reichel states, and she pinpoints the "artist of the word". Similar judgments have been made by other critics when they reviewed the preceding works by Ebner, such as
406:) and signifies “the indomitable”. Akshaya is a female character with a firm personality, and belongs to the band although she often acts as an antepole in regard to Costello. In a certain sense she represents the
817:
drop out entirely”. Another aspect is identified by Karin Gayer when pinpointing the parallel evolution of the patriarchal hierarchy in the narrated society and the alluded social matriarchy, the first resembling
647:“Þ”, pronounced as “θ”. Thorn is the eldest of the clan and considered a sage. He appears only in the first two chapters, at the end of which he dies. From a dynastic point of view, he was Costello's predecessor.
681:
is one of the earliest primates. Through scientific references and a distinct ironic tone, Ingrid Reichel makes it clear in her review that the book cannot be taken in by any religion or fundamentalism.
566:
is the goddess of the mind. Among the clan's women, Manisha has a similar role as Lao has among the men. She easily holds her own in discussions with the males, and her reasoning is witty and logical.
633:
is a female band member with a distinctive strength of character. When the band is constructing their first windshield, she pushes a fervent discussion about labor law and commences a strike.
798:. Similarly to other reviewers who had written about Ebner's earlier books, she highlights the sophisticated use of a detail-rich language which is "steeped in subtle and sensitive humor".
454:: English-Italian surname. Costello is the patriarch of the band. Keen on remaining in power, he recognizes that Pitar's ideas might help him prevail. For this reason he supports Pitar.
516:. The character Lao quotes Chinese philosophers and is a friend of Pitar. When he leaves the band after the attack of the sabre-tooth, he goes in the direction of East Africa and Asia.
201:
The characters' contemporary language and Pitar's thorough knowledge of modern-day history, philosophy and science add to the grotesque humor of the novel, while his two friends quote
1458:
359:
One of the subplots of the novel details the budding love between Pitar and Maluma, a female member of the band. Costello perceives the group of females as his personal
237:
The novel consists of seven chapters, "Day 1" to "Day 7", with the action of each chapter occurring on consecutive days. The chapters refer to the seven days of the
1386:
Reichel, Ingrid: “Es lebe die Satire!” In: Etcetera (ISSN 1682-9115) Nr. 36, St. Pölten 2009, p. 76: “(...) von einem sensiblen und feinen Humor durchwachsen (...)”
379:
mentions in her review that the love story of Pitar and Maluma, and its positioning within the text, offers "a second interpretation of the beginning and the end".
843:. In her review, Ingrid Reichel invites the publisher to add a glossary to a new edition. The author subsequently released such a glossary on his own website.
839:"As the story develops, it becomes more and more like a revue." The numerous expressions in foreign languages, especially in Latin, remain untranslated in the
1356:
Gerstinger, Heinz. “Review on Hominide”. In: Literarisches Österreich Nr. 1/09, Vienna 2009, p. 21-22: “(...) durch sanfte Ironie ins Spielerische gleiten.”
1347:
Gerstinger, Heinz. “Review on Hominide”. In: Literarisches Österreich Nr. 1/09, Vienna 2009, p. 21-22: "Geschichte vom Erwachen des menschlichen Geistes."
348:
to settle disputes peacefully. Costello, however, considers the parliament to be a forum in which he can consolidate his power, citing famous speeches by
434:. The novel presents Bongo as a clownish, male juvenile who teases the other members of the band but is protected from backlashes by his youth and humor.
1120:, p. 96: “Wir sollten rechtzeitig wegkommen, von Re und seinem neuen Reich, das, wenn ich Thorns frühere Herrschaft einrechnete, hier das dritte war.”
1138:
Gamsjäger, Sonja: “Gespräch mit Autoren”. In: Arovell-Kulturzeitschrift. Musik&Literatur&Kunst. Nr. 72. Gosau-Salzburg-Vienna 2009, p. 16-18.
1066:, p. 9: "“lso beschloss ich, ein wenig Klarheit ins Dunkel zu bringen, meinen Leuten eine Kerze anzuzünden, nach der Devise, es werde Licht und so.”
552:, representing curvy and smooth shapes. She becomes the loving companion of Pitar. Through Maluma, Pitar discovers the power and the sweets of love.
1528:
916:
958:
209:
publisher FZA Verlag in October 2008. Between 2008 and 2010, several Austrian and German critics and writers published reviews of the novel.
1151:
923:
1455:
1482:
1513:
1051:
372:
470:: A female character who belongs to Costello's harem. Together with Djamila she woos the clan leader. Her name stems from the
1533:
1248:
1008:
880:
866:
140:
193:, the novel takes place in seven days. As the protagonist Pitar leads his band to civilization, tension arises between the
1100:
906:
1518:
1024:. In: Literarisches Österreich nr. 1 (2008), page 27., and Götz, Hermann. “Lob dem Quickie”, critic review of the book
912:(German) Gerstinger, Heinz. “Review on Hominide”. In: Literarisches Österreich. Nr. 01/09. Vienna, 2009. p. 21-22.
1523:
1260:
987:
1470:
279:, an extinct, mostly tree-dwelling hominid that existed before the use of tools and fire. The story is told through
344:
but also desires Costello's females. To alleviate the escalating debate of authority, Pitar tries to implement a
619:
is a male member of the band with an ecological attitude. Rhododendron is only a supporting actor in the story.
238:
190:
498:, the word is Chinese for "firm, solid" or "old". It is also an allusion to either or both the philosopher
1438:
Roye, Steffen. Online review. “Die Erzählung wird mit fortschreitender Handlung dadurch zur Nummernrevue.”
1312:. In: etcetera, St. Pölten 2009, p 76: “K. Ebner erweist sich als Sprachkönner und Liebhaber fürs Detail.”
826:. In addition, she points out the strength of the women characters. She declares that at the time of the
1503:
1281:
See Gerstinger, Heinz. “Review on Hominide”. In: Literarisches Österreich Nr. 1/09, Vienna 2009, p. 21.
275:
1080:
Gerstinger, Heinz. “Review on Hominide”. In: Literarisches Österreich Nr. 1/09, Vienna 2009, p. 21-22.
699:
from her. While political power is controlled by the males, the social structure seems matrifocal and
356:; the other members ruin this noble idea with their lack of discipline and ostentatious indifference.
335:
leader of the clan, Costello, who has taken command from the recently deceased Thorn. The band builds
308:
scenario. Pitar's close friends are Carpediem, who enunciates Latin phrases and quotes the writers of
1218:
Reichel, Ingrid: “Es lebe die Satire!” In: Etcetera (ISSN 1682-9115) Nr. 36, St. Pölten 2009, p. 76.
790:. Ingrid Reichel points out the perfect publication date, just in time for the 150th anniversary of
661:
evolution of mankind starting in Central Africa, Lucy is the name given to the first skeleton of an
686:
495:
805:, Ingrid Reichel states that the novel is a book for “readers with humor, for reasoners (…), for
572:
The protagonist's name stems from Sanskrit and means "father"; its intonation lies on the second
523:
671:
would be the hominid species to tame fire. Orrorin and ToumaĂŻ represent two of the oldest-known
802:
689:
ancient societies, very little can be said about a society of a species, which is as remote as
301:
280:
1107:”. Kultur Online, Verein artCore, Bregenz (AT)/Binz (CH) 10.07.2009. Retrieved on 2009-07-14.
420:
and language and is also used for place names in several African countries, also alluding to
219:
1508:
488:
is a follower of Re and acts as his speaker, also challenging and ridiculing Pitar's ideas.
417:
1373:. In: Literarisches Ă–sterreich Nr. 1/08, Vienna 2008, p. 27-28; Ratz, Wolfgang. Review on
8:
534:. Lucy is the mother of most children in the band. At the end of the book she leaves for
309:
288:
202:
924:
Darwins Nightmare – Klaus Ebner lässt seine „Hominiden“ reden wie junge Leute von heute.
300:
and literature. Intermittent comments made by Pitar concerning a particular prospect or
1369:. In: Schreibkraft (ISSN 1606-7169) Nr. 18, Graz 2009, p. 66; Rafael, Julia. Review on
909:”. In: Kultur Online, Verein artCore, Bregenz/Binz 10.07.2009. Retrieved on 2010-07-28.
710:
story between Pitar and Maluma. While the society of the band is depicted as driven by
640:
375:. Only odd-numbered chapters narrate the love story, which bookmarks the novel. Writer
313:
284:
718:, the relationship between Pitar and Maluma leads them to break away from traditional
1479:
1256:
1244:
1241:
The Myth of Matriarchal Prehistory: Why An Invented Past Will Not Give Women a Future
1004:
983:
876:
862:
831:
819:
711:
630:
545:
471:
421:
410:
form of governance by daring to disagree with the alpha and making her own decisions.
349:
135:
787:
696:
657:
319:
234:. The publisher introduced the work to the public with a public reading in Vienna.
782:
723:
691:
577:
558:: This name stems from the Hindi and Sanskrit languages, signifying "the wise". In
431:
364:
20:
719:
1486:
1474:
1462:
1104:
677:
644:
626:
481:
461:
353:
341:
830:, neither chimpanzees nor bonobos existed, but "the author is not interested in
448:. Carpediem is Pitar's closest friend and uses Latin quotations and expressions.
840:
814:
791:
742:
yet been invented, and the numerous allusions to world history and literature.
700:
608:
513:
388:
368:
262:
186:
460:: A female character who belongs to Costello's harem. Her name stems from the
1497:
755:
703:, corresponding to the image of prehistoric societies exhibited by scholars.
587:
485:
1097:
959:
Invitation of publisher FZA to the public reading. Retrieved on 2009-03-22.
667:
616:
504:
292:
178:
1467:
813:, to a lesser extent for people of faith, but rather for atheists, … and
810:
549:
535:
426:
376:
223:
174:
47:
774:
598:
509:
441:
407:
345:
297:
266:
246:
919:” In: Etcetera. Nr. 36. St. Pölten, 2009. p. 76. ISSN 1682-9115.
806:
795:
715:
612:
590:
336:
332:
328:
305:
304:
that has not been invented or developed yet add to the humor of the
672:
573:
559:
531:
403:
177:. Taking place millions of years ago, it is a fictional story of a
1037:
Carbonell, Eudald; MoyĂ , Salvador; Sala, Robert; Corbella, Josep:
895:
Carbonell, Eudald; MoyĂ , Salvador; Sala, Robert; Corbella, Josep.
786:
the parallelism between the seven days of Creation and scientific
738:
563:
499:
444:", literally meaning "pluck the day", which stems from a poem by
387:
In a conversation with the Viennese regional leader of publisher
270:
182:
112:
33:
982:
Published by the literary magazine “die Rampe 2/94”, Linz 1994,
1429:
Roye, Steffen. Online review. “(...) gehörig übertrieben (...)”
1377:. In: Literarisches Ă–sterreich Nr. 2/08, Vienna 2008, p. 20-21.
1338:. In: Literarisches Ă–sterreich Nr. 1/08, Vienna 2008, p. 27-28.
926:” In: Verstärker Online. Berlin, 2010. Retrieved on 2010-07-28.
823:
445:
391:, Ebner revealed the hidden meanings of his characters' names.
206:
580:". Pitar narrates the story of which he is the main character.
1039:
Sapiens. El llarg camĂ dels homĂnids cap a la intel·ligència.
399:
360:
227:
76:
1468:
k360 Culture Service's announcement of the book presentation
1325:. In: Literarisches Ă–sterreich Nr. 2/08, Vienna 2008, p. 21.
1052:
Book announcement by the publisher. Retrieved on 2009-06-25.
897:
Sapiens. el llarg camĂ dels homĂnids cap a la intel·ligència
1154:". Klaus Ebner's Official Website. Retrieved on 2009-06-25.
707:
611:
for "rose tree", a genus of flowering plants in the family
194:
1450:
594:
1308:Reichel, Ingrid. “Es lebe die Satire!” Review on
969:Reichel, Ingrid. “Es lebe die Satire!” Review on
822:communities and the second representing those of
1495:
1129:Gamsjäger, Sonja: “Gespräch mit Autoren”, p. 17.
327:Although it is difficult to convince his fellow
1020:See Rafael, Julia. “Critic review” of the book
745:Steffen Roye from the German literary magazine
283:by the protagonist, Pitar. In deliberating his
205:and Chinese sayings. The book was published by
586:: Italian for "king", also an allusion to the
1456:Literra announcement of the book presentation
331:to follow him, Pitar manages to persuade the
261:takes place several million years ago in the
1146:
1144:
801:Despite many explicit allusions to several
241:. In comparison with other works of Ebner,
1214:
1212:
1210:
1208:
1028:. In: Schreibkraft nr. 18 (2009), page 66.
769:
32:
1152:Glossary of foreign language expressions
1141:
1092:
1090:
1088:
1086:
1076:
1074:
1072:
773:
323:Grass savanna in Northern Central Africa
318:
1205:
685:While scholars know of patriarchal and
1496:
973:. In: etcetera, St. Pölten 2009, p 76.
941:
939:
1529:Prehistoric people in popular culture
1083:
1069:
886:
643:and is the denomination of the rune
312:, and Lao, who frequently refers to
173:is a short novel by Austrian writer
1041:Edicions 62, Barcelona 2000, p. 50.
936:
665:found. The characters mention that
13:
1003:, Edition Nove, Neckenmarkt 2007,
875:, Klagenfurt: Wieser Verlag 2016.
851:
14:
1545:
1444:
597:. Re is Costello's opponent and
253:
189:. Referencing the seven days of
105:
1432:
1423:
1413:
1399:
1389:
1380:
1359:
1350:
1341:
1328:
1315:
1302:
1293:
1284:
1275:
1266:
1233:
1221:
1193:
1181:
1169:
1157:
1132:
1123:
1110:
846:
651:
530:specimen discovered in 1974 in
1420:eigentlich einordnen sollten."
1098:Schöne neue Welt der Hominiden
1056:
1044:
1031:
1014:
993:
976:
963:
952:
907:Schöne neue Welt der Hominiden
899:. Edicions 62, Barcelona 2000.
1:
1514:Austrian philosophical novels
1451:FZA-Verlag (publishing house)
1299:Roye, Steffen. Online review.
1243:. Beacon Press, Boston 2000,
778:Klaus Ebner at a presentation
382:
212:
1534:21st-century Austrian novels
1255:. Routledge, New York 2000,
861:. Vienna: FZA Verlag, 2008.
484:for "bold or good adviser".
291:, Pitar decides to lead his
265:transitional region between
7:
1290:Gerstinger, Heinz. Page 21.
915:(German) Reichel, Ingrid. “
639:: This name stems from the
548:is an artificial word from
398:: The name originates from
245:is the first to be about a
10:
1550:
1321:Ratz, Wolfgang. Review on
528:Australopithecus afarensis
276:Australopithecus afarenses
273:. The main characters are
203:classical Roman literature
18:
1519:Austrian satirical novels
1334:Rafael, Julia. Review on
922:(German) Roye, Steffen. “
663:Australopitecus afarensis
464:meaning "the pretty one".
156:
146:
134:
126:
118:
100:
90:
82:
71:
63:
53:
43:
31:
1524:Novels set in prehistory
1251:, and Stearns, Peter N.
930:
905:(German) Gayer, Karin. “
729:
19:Not to be confused with
1253:Gender in World History
770:Reception and criticism
369:expulsion from paradise
1480:Reading in Second Life
999:Published in the book
779:
762:or Julia Rafael about
678:Aegyptopithecus zeuxis
416:: Originates from the
324:
281:first-person narration
777:
706:Another theme is the
526:, the skeleton of an
322:
222:in the categories of
220:Wiener Werkstattpreis
1239:See Eller, Cynthia.
947:Gespräch mit Autoren
809:, on no account for
656:The novel addresses
538:with Lao and Maluma.
373:Out of Africa theory
1365:See Götz, Hermann.
917:Es lebe die Satire!
722:. Pitar is not the
494:: Depending on the
310:Classical Antiquity
289:natural environment
151:Auf der Kippe
54:Original title
28:
16:Book by Klaus Ebner
1485:2011-07-22 at the
1473:2011-10-08 at the
1461:2011-07-21 at the
1103:2010-06-13 at the
945:Gamsjäger, Sonja:
832:paleoanthropologic
780:
641:Germanic languages
422:Adriano Celentanos
325:
314:Chinese philosophy
26:
1504:Austrian novellas
1249:978-0-8070-6792-5
1009:978-3-85251-197-9
887:Secondary sources
881:978-3-99029-206-8
867:978-3-9502299-7-4
712:sexual attraction
675:ancestors, while
629:for "companion".
522:: An allusion to
472:Semitic languages
365:saber-toothed cat
350:Winston Churchill
239:biblical Creation
191:biblical Creation
166:
165:
141:978-3-9502299-7-4
122:Print (paperback)
101:Publication place
1541:
1439:
1436:
1430:
1427:
1421:
1417:
1411:
1408:Australopithecus
1403:
1397:
1393:
1387:
1384:
1378:
1363:
1357:
1354:
1348:
1345:
1339:
1332:
1326:
1319:
1313:
1306:
1300:
1297:
1291:
1288:
1282:
1279:
1273:
1270:
1264:
1237:
1231:
1225:
1219:
1216:
1203:
1197:
1191:
1185:
1179:
1173:
1167:
1161:
1155:
1148:
1139:
1136:
1130:
1127:
1121:
1114:
1108:
1094:
1081:
1078:
1067:
1060:
1054:
1048:
1042:
1035:
1029:
1018:
1012:
1001:Lose (Destinies)
997:
991:
980:
974:
967:
961:
956:
950:
943:
894:
828:Australopithecus
783:Heinz Gerstinger
692:Australopithecus
615:. The character
588:ancient Egyptian
502:, author of the
474:meaning "woman".
157:Followed by
147:Preceded by
111:
109:
108:
92:Publication date
36:
29:
25:
21:Hominids (novel)
1549:
1548:
1544:
1543:
1542:
1540:
1539:
1538:
1494:
1493:
1487:Wayback Machine
1475:Wayback Machine
1463:Wayback Machine
1447:
1442:
1437:
1433:
1428:
1424:
1418:
1414:
1404:
1400:
1394:
1390:
1385:
1381:
1367:Lob dem Quickie
1364:
1360:
1355:
1351:
1346:
1342:
1333:
1329:
1320:
1316:
1307:
1303:
1298:
1294:
1289:
1285:
1280:
1276:
1271:
1267:
1238:
1234:
1226:
1222:
1217:
1206:
1198:
1194:
1186:
1182:
1174:
1170:
1162:
1158:
1149:
1142:
1137:
1133:
1128:
1124:
1115:
1111:
1105:Wayback Machine
1096:Gayer, Karin. “
1095:
1084:
1079:
1070:
1061:
1057:
1049:
1045:
1036:
1032:
1019:
1015:
998:
994:
981:
977:
968:
964:
957:
953:
944:
937:
933:
892:
889:
854:
852:Primary sources
849:
815:fundamentalists
803:world religions
772:
732:
654:
482:Old High German
462:Arabic language
432:forest antelope
385:
354:Abraham Lincoln
263:Central African
256:
215:
119:Media type
106:
104:
93:
39:
24:
17:
12:
11:
5:
1547:
1537:
1536:
1531:
1526:
1521:
1516:
1511:
1506:
1490:
1489:
1477:
1465:
1453:
1446:
1445:External links
1443:
1441:
1440:
1431:
1422:
1412:
1398:
1388:
1379:
1358:
1349:
1340:
1327:
1314:
1301:
1292:
1283:
1274:
1265:
1232:
1220:
1204:
1192:
1180:
1168:
1156:
1140:
1131:
1122:
1116:Ebner, Klaus:
1109:
1082:
1068:
1062:Ebner, Klaus:
1055:
1043:
1030:
1013:
992:
975:
962:
951:
934:
932:
929:
928:
927:
920:
913:
910:
903:
900:
888:
885:
884:
883:
871:Ebner, Klaus.
869:
857:Ebner, Klaus.
853:
850:
848:
845:
792:Charles Darwin
771:
768:
731:
728:
653:
650:
649:
648:
634:
620:
602:
581:
567:
553:
539:
517:
514:Southeast Asia
489:
475:
465:
455:
449:
435:
430:and a kind of
418:African people
411:
402:(specifically
384:
381:
255:
252:
214:
211:
187:Central Africa
164:
163:
161:Vermells
158:
154:
153:
148:
144:
143:
138:
132:
131:
128:
124:
123:
120:
116:
115:
102:
98:
97:
94:
91:
88:
87:
84:
80:
79:
73:
69:
68:
65:
61:
60:
55:
51:
50:
45:
41:
40:
37:
15:
9:
6:
4:
3:
2:
1546:
1535:
1532:
1530:
1527:
1525:
1522:
1520:
1517:
1515:
1512:
1510:
1507:
1505:
1502:
1501:
1499:
1492:
1488:
1484:
1481:
1478:
1476:
1472:
1469:
1466:
1464:
1460:
1457:
1454:
1452:
1449:
1448:
1435:
1426:
1416:
1409:
1402:
1392:
1383:
1376:
1375:Auf der Kippe
1372:
1368:
1362:
1353:
1344:
1337:
1331:
1324:
1323:Auf der Kippe
1318:
1311:
1305:
1296:
1287:
1278:
1269:
1262:
1261:0-415-22310-5
1258:
1254:
1250:
1246:
1242:
1236:
1229:
1224:
1215:
1213:
1211:
1209:
1201:
1196:
1189:
1184:
1177:
1172:
1165:
1160:
1153:
1147:
1145:
1135:
1126:
1119:
1113:
1106:
1102:
1099:
1093:
1091:
1089:
1087:
1077:
1075:
1073:
1065:
1059:
1053:
1047:
1040:
1034:
1027:
1026:Auf der Kippe
1023:
1017:
1010:
1006:
1002:
996:
989:
988:3-85320-679-4
985:
979:
972:
966:
960:
955:
948:
942:
940:
935:
925:
921:
918:
914:
911:
908:
904:
901:
898:
891:
890:
882:
878:
874:
870:
868:
864:
860:
856:
855:
844:
842:
841:first edition
836:
833:
829:
825:
821:
816:
812:
808:
804:
799:
797:
794:'s theory of
793:
789:
784:
776:
767:
765:
761:
760:Auf der Kippe
757:
756:Wolfgang Ratz
751:
748:
743:
740:
736:
727:
725:
721:
717:
713:
709:
704:
702:
698:
694:
693:
688:
683:
680:
679:
674:
670:
669:
664:
659:
646:
642:
638:
635:
632:
628:
624:
621:
618:
614:
610:
606:
603:
600:
596:
592:
589:
585:
582:
579:
575:
571:
568:
565:
561:
557:
554:
551:
547:
543:
540:
537:
533:
529:
525:
521:
518:
515:
511:
507:
506:
501:
497:
493:
490:
487:
483:
479:
476:
473:
469:
466:
463:
459:
456:
453:
450:
447:
443:
442:seize the day
440:: Latin for "
439:
436:
433:
429:
428:
423:
419:
415:
412:
409:
405:
401:
397:
394:
393:
392:
390:
380:
378:
374:
370:
366:
362:
357:
355:
351:
347:
343:
338:
334:
330:
321:
317:
315:
311:
307:
303:
299:
294:
290:
286:
282:
278:
277:
272:
268:
264:
260:
254:Plot synopsis
251:
248:
244:
240:
235:
233:
229:
225:
221:
210:
208:
204:
199:
196:
192:
188:
184:
180:
176:
172:
171:
162:
159:
155:
152:
149:
145:
142:
139:
137:
133:
129:
125:
121:
117:
114:
103:
99:
95:
89:
85:
81:
78:
74:
70:
66:
62:
59:
56:
52:
49:
46:
42:
35:
30:
22:
1491:
1434:
1425:
1415:
1407:
1401:
1391:
1382:
1374:
1370:
1366:
1361:
1352:
1343:
1335:
1330:
1322:
1317:
1309:
1304:
1295:
1286:
1277:
1268:
1252:
1240:
1235:
1227:
1223:
1199:
1195:
1187:
1183:
1175:
1171:
1163:
1159:
1134:
1125:
1117:
1112:
1063:
1058:
1046:
1038:
1033:
1025:
1021:
1016:
1000:
995:
978:
970:
965:
954:
946:
896:
893:(in Catalan)
872:
858:
847:Bibliography
837:
827:
811:creationists
800:
788:hominization
781:
763:
759:
752:
746:
744:
734:
733:
705:
690:
684:
676:
668:Homo erectus
666:
662:
658:hominization
655:
652:Major themes
636:
622:
617:Rhododendron
605:Rhododendron
604:
583:
569:
555:
541:
527:
519:
512:who live in
505:Tao Te Ching
503:
491:
477:
467:
457:
451:
437:
425:
413:
395:
386:
358:
326:
274:
258:
257:
242:
236:
231:
216:
200:
185:who inhabit
169:
168:
167:
160:
150:
96:October 2008
57:
1509:2008 novels
739:short novel
701:matrilineal
550:synesthesia
536:East Africa
427:Bingo Bongo
408:matriarchal
377:Karin Gayer
333:patriarchal
247:prehistoric
224:short story
181:of extinct
175:Klaus Ebner
48:Klaus Ebner
1498:Categories
820:chimpanzee
807:darwinists
747:Verstärker
724:alpha male
714:in a male
697:retrocedes
687:matrifocal
599:antagonist
510:Lao people
496:intonation
383:Characters
346:parliament
337:windbreaks
298:philosophy
267:rainforest
213:Background
86:FZA Verlag
75:Satirical
38:Book cover
796:evolution
720:habitudes
716:hierarchy
613:Ericaceae
508:, or the
438:Carpediem
329:Hominidae
306:grotesque
83:Publisher
1483:Archived
1471:Archived
1459:Archived
1310:Hominide
1230:, p. 45.
1228:Hominide
1202:, p. 57.
1200:Hominide
1190:, p. 67.
1188:Hominide
1178:, p. 12.
1176:Hominide
1166:, p. 63.
1164:Hominide
1118:Hominide
1101:Archived
1064:Hominide
971:Hominide
949:, p. 16.
873:Hominide
859:Hominide
645:Thurisaz
574:syllable
560:Hinduism
532:Ethiopia
452:Costello
404:Sanskrit
371:and the
302:artifact
232:Hominide
207:Viennese
183:hominids
64:Language
58:Hominide
27:Hominid
824:bonobos
735:Hominid
673:hominin
591:sun god
564:Manisha
556:Manisha
500:Lao-Tzu
458:Djamila
396:Akshaya
389:Arovell
271:savanna
259:Hominid
243:Hominid
170:Hominid
113:Austria
1259:
1247:
1007:
986:
879:
865:
758:about
627:Hebrew
593:Re or
546:Maluma
542:Maluma
486:Konrad
478:Konrad
446:Horace
285:social
110:
67:German
44:Author
1396:aus.”
931:Notes
737:is a
730:Style
637:Thorn
609:Greek
578:Pitár
570:Pitar
468:Ischa
424:film
414:Bongo
400:Hindi
361:harem
342:alpha
228:essay
127:Pages
77:novel
72:Genre
1371:Lose
1336:Lose
1257:ISBN
1245:ISBN
1050:See
1022:Lose
1005:ISBN
984:ISBN
877:ISBN
863:ISBN
764:Lose
708:love
631:Ruth
623:Ruth
524:Lucy
520:Lucy
352:and
293:band
287:and
269:and
226:and
195:clan
179:band
136:ISBN
576:: "
492:Lao
130:100
1500::
1207:^
1143:^
1085:^
1071:^
938:^
766:.
625::
607::
595:Ra
584:Re
562:,
544::
480::
316:.
1263:.
1150:"
1011:.
990:.
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
