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Horns of Alexander

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66:, which themselves followed from Egyptian iconography of Ammon as a ram-headed god or, in his Greek-form, a man with ram horns. The complete imagery may have represented a hybrid depiction that combined the naturalistic face of Zeus' portraiture with Ammon's horns depicting the Egyptian deity in order to signify the emergence of a new political system that encompassed the world, across regions such as Greece, Egypt, Asia, and so forth. Depictions of Alexander with the rams two horns appear under his successors, although there is not yet evidence of such depictions during his own lifetime. 17: 36:. Alexander's horns came with connotations of political and/or religious legitimacy, including indications of his status as a god, and these representations of Alexander under his successors carried implications of their divine lineage or succession from his reign. Mediums of expression of the horns of Alexander included coinage, sculpture, medallions, textiles, and literary texts, such as in the tradition of the 215:
King Alexander bowed, and worshipping said: “Oh God, master of kings and judges, you who raise up kings and dismiss their power, I perceive with my mind that you made me great among all kings, and that you caused horns to grow on my head, so that I may gore with them the kingdoms of the world. Give
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In the medieval Islamic period and in light of the widely held understanding that the Quran was depicting Alexander as being two-horned, Alexander would widely be referred to as the "Two-Horned One" and his name often merged with that phrase. In Arabic-language Alexander traditions, Alexander was
189:, Alexander's father is an Egyptian priest named Nechtanebus who sports a set of ram horns. After his death, Alexander is described as "the horned king" (βασιλέα κερασφόρον) by an oracle instructing Ptolemy, a general of Alexander, on where to bury him. This statement was repeated in the 264:
whose biography was also derivative from that of Alexander's. Contemporary scholars also view Dhu al-Qarnayn as Alexander the Great. The choice of name for Alexander as the Two Horned One draws on motifs depicting Alexander as being two-horned in late antiquity.
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in the third century AD, who wrote "Alexander wished to be thought the son of Ammon and to be modeled with horns (κερασφόρος) by sculptors, so eager was he to outrage the beautiful face of a man by a horn." Roughly in the same period, the grammarian
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in the 1st century BC, after which numismatic representations of a two-horned Alexander ceased. Representations would continue in the form of literature, sculptures, and other artistic expressions continued.
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me the power from the heavens of your sanctity so that I may receive strength greater than the kingdoms of the world, and I will humiliate them and glorify your name forever, oh Lord!
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that has been dated to between the fourth to seventh centuries. In addition, a sculpture depicting a two-horned Alexander has been discovered at a transept basilica at the site of
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C.W. Doufikar-Aerts, Faustina (2016). "A Hero Without Borders: 2 Alexander the Great in the Syriac and Arabic Tradition". In Cupane, Carolina; Krönung, Bettina (eds.).
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De Callatay, Francois (2018). "The coinages of Alexander the Great and the République des médailles". In Meadows, Andrew; Duyrat, Frédérique; Glenn, Simon (eds.).
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variously called "Dhu l-Qarnayn", "al-Iskandar Dhūl-qarnayn", or sometimes just "Dhūlqarnayn". One example is the ninth-century Hispano-Arabic legend known as the
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The second reference occurs later, as God speaks to Alexander and tells him that he gave him two horns to use them as a weapon against other worldly kingdoms;
700:. Cultures of Eschatology / edited by Veronika Wieser, Vincent Eltschinger and Johann Heiss. Berlin: De Gruyter Oldenbourg. pp. 637–639. 554: 224:
I made you great among all kings, and I caused horns of iron to grow on your head, so that you may gore with them the kingdoms of the world.
921:. A history of Persian literature / founding editor - Ehsan Yarshater. London New York Oxford New Delhi Sydney: I.B. Tauris. p. 500. 877:
Chism, Christine (2016). "Facing The Land Of Darkness: Alexander, Islam, And The Quest For The Secrets Of God". In Stock, Markus (ed.).
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A life-sized marble head of Alexander with Ammon's ram horns is known from the second half of the second century and is stored at the
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At some point in late antiquity, Alexander the Great would come to be depicted as a Christian. This is figured prominently in the
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Artworks in late antiquity commonly depicted Alexander with horns. Examples of these are found in a gold penchant stored at the
953: 302:, is a 15th-century Hispano-Arabic legend which also identifies Dhu al-Qarnayn with Alexander and refers to him by that name. 117:
In April 2024, the discovery of a bronze fitting depicting a two-horned Alexander with wavy hair was announced, discovered in
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literature. Rarely was anyone other than Alexander depicted with the two horns as this was considered unique to his imagery.
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Gaullier-Bougassas, Catherine; Doufikar-Aerts, Faustina (2022). "Alexander the Great in Medieval Literature".
211:. The horns of Alexander are referenced twice in this text. The first appears in a prayer on Alexander's part; 628:. AAR reflection and theory in the study of religion. New York (N.Y.): Oxford University Press. p. 77. 837:"Modelling Prophets: Alexander the Great as a Proto-Sufi Saint-King in Thaʿlabi's Lives of the Prophets" 651:"Narratives of "the Companions of the Cave," Moses and His Servant, and Dhū 'l-Qarnayn in Sūrat al-Kahf" 311: 194: 190: 94: 812:
Islamic legends concerning Alexander the Great: taken from two medieval Arabic manuscripts in Madrid
503:. Ancient Narrative. Groningen: Barkhuis Publishing Groningen University Library. pp. 393–394. 963: 289: 208: 159: 917:
Casari, Mario (2023). "The Alexander Legend in Persian Literature". In Ashtiany, Mohsen (ed.).
748:"The Chronological Problems of the Qur'ān: The Case of the Story of Ḏū L-Qarnayn (q 18:83-102)" 86: 958: 102: 101:. The popular practice of representing Alexander with horns among sculptors was described by 836: 968: 257: 111: 85:
from 275 to 268 BC. It was not for another two centuries that this practice was revived by
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Empires and scriptural authorities in medieval Christian, Islamic and Buddhist communities
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were the earliest produce coinage of Alexander with the rams horns. This continued under
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Mapping frontiers across medieval Islam: geography, translation, and the ʿAbbāsid Empire
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appears, which literally means "The Two Horned One". Islamic commentators most commonly
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The History of Alexander the Great: Being the Syriac Version of the Pseudo-Callisthenes
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The two-horned imagery of the Syriac Alexander Legend draws together elements from the
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with two horns on his head, a form of expression that was associated originally as the
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Horned bust of Alexander from Cyprus (left); horned coin portrait of Alexander (right)
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Persian narrative poetry in the classical era, 800-1500: romantic and didactic genres
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of 1 Kings 22:11/2 Chronicles 18:10, Micah 4:13, and the two-horned ram in Daniel 8.
186: 38: 844: 662: 441: 280:, meaning "Story of the Two-Horned One", whom it identifies as Alexander. Another 67: 16: 789:. Brill's companions to the Byzantine world. Leiden Boston: Brill. p. 202. 650: 333: 249: 151: 63: 33: 848: 666: 193:
of the Alexander Romance in the 5th century as well as in the seventh-century
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Narrative, Imagination and Concepts of Fiction in Late Antique Hagiography
555:"Ansigtet fra en af historiens største herskere fundet på sjællandsk mark" 771: 747: 787:
Fictional storytelling in the medieval Eastern Mediterranean and beyond
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Transactions and Proceedings of the American Philological Association
167: 147: 129:, an emperor that believed himself to be the reincarnated Alexander. 126: 107: 696:
Wieser, Veronika; Eltschinger, Vincent; Heiss, Johann, eds. (2020).
881:. Toronto Buffalo London: University of Toronto Press. p. 62. 445: 256:. Second most frequently tied to Dhu al-Qarnayn was a figure named 229: 125:. The artifact is dated to ~200 AD during the reign of the emperor 879:
Alexander the Great in the Middle Ages: transcultural perspectives
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to be the son of Zeus Ammon, allowing him to therefore have the
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A Byzantine Image of Alexander: Literature Manifested in Stone
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A Byzantine Image of Alexander: Literature Manifested in Stone
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The reference to the horns of Alexander are also found in the
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of Naukratis reported that one of Alexander's contemporaries,
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Journal of the International Qur'anic Studies Association
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According to legend, Alexander went on pilgrimage to the
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Bowden, Hugh (2023), Ogden, Daniel (ed.), "Religion",
784: 254:associated Dhu al-Qarnayn with Alexander the Great 940: 725:. London New York: I.B. Tauris. pp. 97–98. 408:, Cambridge University Press, pp. 237–242, 284:was produced in the eleventh century within the 598:. Oxford University Press. pp. 91–92, 139. 406:The Cambridge Companion to Alexander the Great 378:"Marble head of Zeus Ammon | Roman | Imperial" 28:represent an artistic tradition that depicted 814:. Albany, NY: State Univ. of New York Press. 501:The Alexander romance in Persia and the East 488:. Oxford University Press. pp. 137–146. 482:Tesei, Tommaso (2023). "Alexander's Horns". 54:, the sanctuary of the Greco-Egyptian deity 523: 58:in 331 BC. There, he was pronounced by the 613:. Cambridge University Press. p. 257. 200: 626:Studying the Qur'ān in the Muslim Academy 623: 904:Literature: A World History, Volumes 1-4 648: 526:Alexander the Great: A Linked Open World 498: 427: 166:from the reign of the Byzantine emperor 15: 809: 578: 359: 941: 916: 834: 403: 45: 876: 745: 720: 608: 596:The Syriac Legend of Alexander's Gate 593: 485:The Syriac Legend of Alexander's Gate 481: 286:Ara'is al-majalis fi Qisas al-anbiya' 178: 477: 475: 473: 471: 399: 397: 355: 353: 351: 349: 910: 870: 13: 689: 14: 980: 810:Zuwiyya, Zachary D., ed. (2001). 468: 394: 346: 268: 132: 74:and more prominently the king of 552: 895: 828: 803: 778: 739: 714: 649:Griffith, Sidney (2022-03-15). 642: 617: 602: 587: 428:Anderson, Andrew Runni (1927). 835:Dabiri, Ghazzal (2023-11-08), 572: 546: 517: 492: 421: 382:The Metropolitan Museum of Art 370: 150:in addition to a cameo at the 137: 1: 954:Alexander the Great in legend 752:Rivista degli studi orientali 538:: CS1 maint: date and year ( 339: 173: 170:during the seventh century. 7: 843:, Brill, pp. 253–282, 317: 305: 10: 985: 949:Alexander the Great in art 906:. Wiley. pp. 534–535. 499:Stoneman, Richard (2012). 312:Ethiopic Alexander Romance 248:, a figure by the name of 195:Syriac Pseudo-Callisthenes 185:In the α recension of the 95:National Museum of Denmark 849:10.1163/9789004685758_013 667:10.5913/jiqsa.6.2021.a005 624:Daneshgar, Majid (2020). 579:Stewart, Charles (2018). 360:Stewart, Charles (2018). 583:. pp. 147–148, 188. 528:. Ausonius. p. 203. 235: 746:Tesei, Tommaso (2011). 594:Tesei, Tommaso (2023). 209:Syriac Alexander Legend 202:Syriac Alexander Legend 160:Katalymata ton Plakoton 721:Zadeh, Travis (2017). 609:Budge, Ernest (1889). 288:(Book of Prophets) of 226: 218: 87:Mithridates VI Eupator 21: 295:Hadīth Dhī ʾl-Qarnayn 222: 213: 103:Clement of Alexandria 19: 300:Leyenda de Alejandro 298:, also known as the 112:Ephippus of Olynthus 430:"Alexander's Horns" 46:Classical antiquity 30:Alexander the Great 553:Koch, Kristoffer. 329:Hadith Dhulqarnayn 324:Gates of Alexander 282:Qissat Dhulqarnayn 277:Qissat Dhulqarnayn 191:Armenian recension 180:Alexander Romances 144:Walters Art Museum 26:Horns of Alexander 22: 928:978-1-78673-664-2 888:978-1-4426-4466-3 858:978-90-04-68575-8 821:978-1-58684-132-4 796:978-90-04-28999-4 732:978-1-78453-739-5 707:978-3-11-059774-5 635:978-0-19-006754-0 510:978-94-91431-04-3 415:978-1-108-88834-9 258:Sa'b Dhu Marathid 187:Alexander Romance 39:Alexander Romance 976: 933: 932: 914: 908: 907: 899: 893: 892: 874: 868: 867: 866: 865: 832: 826: 825: 807: 801: 800: 782: 776: 775: 758:(1/4): 457–464. 743: 737: 736: 718: 712: 711: 693: 687: 686: 646: 640: 639: 621: 615: 614: 606: 600: 599: 591: 585: 584: 576: 570: 569: 567: 566: 550: 544: 543: 537: 529: 521: 515: 514: 496: 490: 489: 479: 466: 465: 425: 419: 418: 401: 392: 391: 389: 388: 374: 368: 367: 357: 984: 983: 979: 978: 977: 975: 974: 973: 964:Hellenistic art 939: 938: 937: 936: 929: 915: 911: 900: 896: 889: 875: 871: 863: 861: 859: 833: 829: 822: 808: 804: 797: 783: 779: 744: 740: 733: 719: 715: 708: 694: 690: 647: 643: 636: 622: 618: 607: 603: 592: 588: 577: 573: 564: 562: 551: 547: 531: 530: 522: 518: 511: 497: 493: 480: 469: 426: 422: 416: 402: 395: 386: 384: 376: 375: 371: 358: 347: 342: 320: 308: 292:(d. 1036). The 271: 238: 205: 183: 176: 140: 135: 121:, an island of 68:Ptolemy I Soter 48: 12: 11: 5: 982: 972: 971: 966: 961: 956: 951: 935: 934: 927: 909: 894: 887: 869: 857: 827: 820: 802: 795: 777: 738: 731: 713: 706: 688: 661:(1): 146–147. 641: 634: 616: 601: 586: 571: 545: 516: 509: 491: 467: 446:10.2307/282906 420: 414: 393: 369: 366:. p. 147. 344: 343: 341: 338: 337: 336: 334:Horns of Moses 331: 326: 319: 316: 307: 304: 270: 269:Medieval Islam 267: 262:Himyarite king 260:, a fictional 250:Dhu al-Qarnayn 237: 234: 204: 199: 182: 177: 175: 172: 152:British Museum 139: 136: 134: 133:Late antiquity 131: 64:Horns of Ammon 47: 44: 34:Horns of Ammon 9: 6: 4: 3: 2: 981: 970: 967: 965: 962: 960: 957: 955: 952: 950: 947: 946: 944: 930: 924: 920: 913: 905: 898: 890: 884: 880: 873: 860: 854: 850: 846: 842: 838: 831: 823: 817: 813: 806: 798: 792: 788: 781: 773: 769: 765: 761: 757: 753: 749: 742: 734: 728: 724: 717: 709: 703: 699: 692: 684: 680: 676: 672: 668: 664: 660: 656: 652: 645: 637: 631: 627: 620: 612: 605: 597: 590: 582: 575: 560: 556: 549: 541: 535: 527: 520: 512: 506: 502: 495: 487: 486: 478: 476: 474: 472: 463: 459: 455: 451: 447: 443: 439: 435: 431: 424: 417: 411: 407: 400: 398: 383: 379: 373: 365: 364: 356: 354: 352: 350: 345: 335: 332: 330: 327: 325: 322: 321: 315: 313: 303: 301: 297: 296: 291: 287: 283: 279: 278: 266: 263: 259: 255: 251: 247: 243: 233: 231: 225: 221: 217: 212: 210: 203: 198: 196: 192: 188: 181: 171: 169: 165: 161: 157: 153: 149: 145: 130: 128: 124: 120: 115: 113: 109: 104: 100: 96: 91: 88: 84: 80: 77: 73: 69: 65: 61: 57: 53: 43: 41: 40: 35: 31: 27: 18: 959:Dhul-Qarnayn 918: 912: 903: 897: 878: 872: 862:, retrieved 840: 830: 811: 805: 786: 780: 755: 751: 741: 722: 716: 697: 691: 658: 654: 644: 625: 619: 610: 604: 595: 589: 580: 574: 563:. 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Index


Alexander the Great
Horns of Ammon
Alexander Romance
Siwa Oasis
Zeus Ammon
Oracle
Horns of Ammon
Ptolemy I Soter
Egypt
Thrace
Lysimachus
Arsinoe II
Mithridates VI Eupator
National Museum of Denmark
Copenhagen
Clement of Alexandria
Athenaeus
Ephippus of Olynthus
Zealand
Denmark
Caracalla
Walters Art Museum
Baltimore
British Museum
London
Katalymata ton Plakoton
Cyprus
Heraclius
Alexander Romance

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