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House of Wax (1953 film)

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though many theaters were not equipped to make use of it and defaulted to the standard monophonic optical soundtrack. Previously, films with stereo sound were only produced to be shown in specialty cinemas, such as the Toldi in Budapest and the Telecinema in London. As of 2013, no copy of the original three-channel stereo soundtrack is known to exist, and only the monophonic soundtrack and a separate sound-effects-only track are believed to have survived, but a new stereo soundtrack has been synthesized from the available source material. The initial 3D screenings of the 88-minute film included an intermission, which was necessary to change the reels because each of the theater's two projectors was dedicated to one of the stereoscopic images.
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It didn’t mean anything to him. But he made a good picture, a good thriller. He was largely responsible for the success of the picture. The 3D tricks just happened—there weren’t a lot of them. Later on, they threw everything at everybody." Some modern critics feel de Toth's inability to see depth is what makes the film superior since he was more concerned with telling a thrilling story and getting believable performances from the actors than simply tossing things at the camera.
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see the museum and indicates he may be interested in buying Burke out when he gets back from Egypt in three months. Growing impatient, Burke suggests burning down the museum to collect its twenty-five thousand dollar insurance money. To Jarrod's horror, Burke then starts a fire, which spreads rapidly, and the duo fight while Jarrod's work is destroyed. Burke gets the better of Jarrod and leaves him for dead as the building explodes.
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the morgue, including Burke and Cathy. She is then confronted by Jarrod, having feigned the disability that required the use of his wheelchair and wearing a wax-made mask to conceal his disfigured face that identifies him as the murderer, and is kidnapped by him, intending to use her body to recreate his long-lost Marie Antoinette wax figure.
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found the film "disappointing", writing: "This picture, apart entirely from the fact that it is baldly, unbelievably antique in its melodramatic plot and style, shows little or no imagination in the use of stereoscopic images and nothing but loudness and confusion in the use of so-called stereoscopic
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Topping the box office charts for five weeks and earning an estimated $ 5.5 million in rentals from the North American box office alone, the film was one of the biggest hits of 1953. It was originally available with a stereophonic three-track magnetic soundtrack to accompany its stereoscopic imagery,
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recalled: "It’s one of the great Hollywood stories. When they wanted a director for film, they hired a man who couldn’t see 3D at all! André de Toth was a very good director, but he may not have been suited to direct a 3D movie. He’d go to the rushes and say 'Why is everybody so excited about this?'
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called the film "a first-class thriller of its kind", and "the best 3-D picture yet made", though the reviewer felt that "the added value of depth is not significant enough to warrant the annoyance of viewing the proceedings through the polaroid glasses, and that the picture would have been as much
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The same night, Sue arrives at the museum after hours to meet with Scott, but Jarrod had sent him on an errand when he heard she was coming. Finding the place vacant, Sue’s suspicion is confirmed when she uncovers the horrifying truth that the wax figures are actually wax-coated corpses stolen from
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Wallace receives a letter that indicates Jarrod had miraculously survived the fire, though he is now bound to a wheelchair and his hands are crippled, leaving him unable to sculpt. Jarrod gives Wallace a proposition to invest in his new wax museum, which will feature statues made by his assistants,
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also hated the film, writing that he thought it had "set the movies back about forty-nine years. It could have set them back further if there had been anything earlier to set them back to", and concluding that "when Mr. Price started clumping around and choking ladies with knots that wouldn't pass
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of historical figures that have met grisly demises. However, his business partner, Matthew Burke, is frustrated over Jarrod refusing to make more sensational exhibits, like those that draw crowds to their competitors, and wants to end their partnership. Wealthy art critic Sidney Wallace arrives to
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With Jarrod presumed dead, Burke is able to get all of the insurance money for himself. A disfigured man in a cloak strangles him and stages the murder as an act of suicide, and a few weeks later the same man murders Burke's fiancée, Cathy Gray. Her unemployed roommate, Sue Allen, comes home and
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wax figure, as she strongly resembles his earlier one. Believing Cathy's body was used to create the figure, Sue talks to Detective Lieutenant Tom Brennan. He agrees to investigate Jarrod and his museum, while Sergeant Jim Shane recognizes Averill as criminal Carl Hendricks, who is wanted for
629:. In what may be the film's cleverest and most startling 3D effect, the shadowy figure of one of the characters seems to spring up out of the theater audience and run into the screen. As director Andre de Toth was blind in one eye, he was unable to experience stereo vision or 3D effects. 928:, who had been playing secondary character parts and occasional sympathetic leads since the late 1930s. After this high-profile role, he was in high-demand for the rest of his career to play fiendish villains, mad scientists, and other deranged characters in genre films such as 772:
wrote: "It's supposed to be a horror movie and it's horrible alright... The novelty has some appeal especially through its long shots into depths, but there is also a feeling of limitations once what novelty there passes. Then it is we go back to the gaga script devised by
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featured in one of the displays. Arriving just in time to apprehend Igor and save Scott, the police break into Jarrod's workshop; he attempts to fight them off, but is ultimately killed after being knocked into the workshop's vat of boiling wax and Sue is saved.
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deaf and mute Igor and alcoholic Leon Averill. He hopes to recreate his favorite pieces from his old museum, but will also concede to popular taste by including a chamber of horrors showcasing historical acts of violence, including Burke's apparent suicide.
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as a disfigured sculptor who repopulates his destroyed wax museum by murdering people and using their wax-coated corpses as displays. The film premiered in New York on April 10, 1953 and had a general release on April 25, making it the first 3D film with
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wax figure resembles Cathy. Jarrod overhears her and claims he based the figure on photos of Cathy he saw in the newspaper. He then hires Scott, who is a sculpting protégé of Wallace, as an assistant and asks Sue to model for a new
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wrote that, as a 3D film, it was "a smoother effort than its predecessors, obviously made with more care and less tiring to the eyes", but that, "n all but technical respects, the film is a childish and inept piece of work."
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stumbles upon the murderer. After being briefly chased by him, Sue makes it to safety at the home of her friend, Scott Andrews. That night, the murderer steals Cathy's body from the local morgue.
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breaking parole. Averill is then taken in by Shane for being in possession of a pocketwatch belonging to a missing deputy city attorney, though he professes that it was found by him.
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The police, having learned about everything from a guilt-ridden Averill, race to the museum as Scott returns and battles Igor, who attempts to decapitate the former using a
307:'s single-strip StereoVision 3D format were used for this release. Another major re-release occurred during the 3D revival of the early 1980s. Warner Bros. released a loose 1232:
Gary Don Rhodes (1997). Lugosi. His Life in Films, on Stage, and in the Hearts of Horror Lovers. Jefferson, North Carolina: McFarland. Pg. 198. ISBN 978-0-78640257-1.
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as a bonus. A 3D Blu-ray disc of the film was released in the U.S. on October 1, 2013, to celebrate its 60th anniversary. Like the earlier DVD, the Blu-ray includes
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sound. The impression we get is that its makers were simply and solely interested in getting a flashy sensation on the screen just as fast as they could."
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from a story which served one of the early talking films and one is inclined to shudderingly ask: Are we to go through all that again?"
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is a 3-D horror delight that combines the atmospheric eerieness of the wax museum with the always chilling presence of Vincent Price."
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was in dire need of cash, arranged for him to stand outside the theater wearing a cape and dark glasses and holding a leash with actor
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Jones also portrays the likeness of Jarrod's wax figure of Joan of Arc, which he would later recreate using Cathy's corpse
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of a chiller if shown in the standard 2-D form, and probably even a greater thriller if shown on a wide screen."
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was re-released to theaters in 3D with a full advertising campaign. Newly struck prints of the film in
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as Sue Allen, Scott's friend who becomes suspicious of Jarrod's talent following the murder of Cathy
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In New York City during the early 1900s, Professor Henry Jarrod is a talented sculptor who runs a
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as Detective Lieutenant Tom Brennan, a detective on the murder case involving the House of Wax
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on April 16, 1953. It played at midnight with a number of celebrities in the audience,
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as Professor Henry Jarrod, a disfigured sculptor and the proprietor of the House of Wax
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Oliver Blake as the pompous patron with a pocketwatch at the House of Wax (uncredited)
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as Bruce Allison, Jarrod's friend who brings Wallace to the House of Wax (uncredited)
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Kirk also portrays the likeness of Jarrod's long-lost wax figure of Marie Antoinette
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was set in circa 1902, the two films have many similarities in plot and dialogue.
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as Sergeant Jim Shane, Tom's partner on the murder case involving the House of Wax
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Sue attends the grand opening of the museum with Scott and is troubled by how the
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in 2014, deeming it "culturally, historically, or aesthetically significant".
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Among the foregrounded uses of 3D in the film were scenes featuring fights,
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meeting, I took off my glasses once and for all, put on my hat, and left."
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was positive, writing: "This picture will knock 'em for a ghoul. Warners'
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Coe, Richard L. (April 24, 1953). "'House of Wax' or Fun at the Morgue".
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Ghouls, Gimmicks, and Gold: Horror Films and the American Movie Business
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as Sidney Wallace, a wealthy art critic who invests in the House of Wax
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Mary Lou Holloway as Millie, a patron at the House of Wax (uncredited)
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sound to be presented in a regular theater and the first color
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did to sound, the Warners have repeated in third dimension."
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3-D Movies: A History and Filmography of Stereoscopic Cinema
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as the scrubwoman who discovers Burke's corpse (uncredited)
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Early reviews of the film were mostly mixed to negative.
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as Carl Hendricks alias Leon Averill, Jarrod's alcoholic
1508:. 3D Blu-ray (June 03, 2013). Retrieved August 24, 2013 1399:
Crowther, Bosley (April 19, 1953). "Cacophony in 3-D".
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Shirley Whitney as one of Millie's friends (uncredited)
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who is present at the grand opening of the House of Wax
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Jack Woody as the junior morgue attendant (uncredited)
1223:, Cinefantastique website; accessed November 1, 2016. 990:). A reissue of this format was released through the 1001: 536:
Joanne Brown as one of Millie's friends (uncredited)
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as Matthew Burke, Jarrod's scheming business partner
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This release included 909:Learn how and when to remove this message 642:The film premiered in Los Angeles at the 483:Riza Royce as Ma Flannigan, who runs the 1432: 1398: 1050:– a 2005 film that is a loose remake of 698:released in theaters on April 27, 1953. 554: 263:A remake of the studio's own 1933 film, 1470:"House of Wax (1953) - Rotten Tomatoes" 1214:"House of Wax (1953) – A Retrospective" 1998: 1600:at 3D Expo - with Paul Picerni Q&A 1194:from the original on December 17, 2014 1164:from the original on December 25, 2020 1138:from the original on February 11, 2021 972:The film was released in 2D on DVD by 1620: 1323:. Duke University Press. p. 18. 950:, who had her first credited role in 1527:. 3D Blu-ray. Retrieved May 31, 2020 1480:from the original on January 5, 2019 1307:, McFarland & Company, 1989 p 42 1297: 1284: 887:adding citations to reliable sources 854: 799: 710: 2051:American films set in New York City 1415: 13: 1433:McCarten, John (April 18, 1953). " 1108:from the original on June 23, 2018 795: 14: 2112: 1534: 1026:Speculative fiction/Horror portal 1018: 1004: 859: 803: 578:' answer to the surprise 3D hit 2041:Films directed by Andre de Toth 1543:essay by Jack Theakston on the 1511: 1492: 1426: 1409: 1392: 1371: 1354: 1337: 1310: 1280:. January 13, 1954. p. 10. 924:revitalized the film career of 566:Filmed under the working title 282:from a major American studio. 2046:Films scored by David Buttolph 1267: 1235: 1226: 1206: 1176: 1150: 1120: 1090: 958:in the TV comedy horror spoof 408:as Cathy Gray, Sue's roommate 1: 2096:English-language horror films 1083: 967: 550: 2101:English-language crime films 2086:1950s English-language films 1591:AFI Catalog of Feature Films 1102:AFI Catalog of Feature Films 705: 7: 1243:"National Boxoffice Survey" 1073:List of 3D films of the era 997: 946:(1971). Supporting actress 937:The Masque of the Red Death 10: 2117: 2026:1950s mystery horror films 1504:September 6, 2020, at the 637: 510:Eddie Parks as the senior 16:1953 film by AndrĂ© de Toth 2036:Remakes of American films 2021:1950s serial killer films 1655: 1381:The Monthly Film Bulletin 1317:Hefferman, Kevin (2004). 1251:. May 27, 1953. p. 3 1078:Vincent Price filmography 1038:– the 1933 film of which 1035:Mystery of the Wax Museum 992:Warner Archive Collection 984:Mystery of the Wax Museum 979:Mystery of the Wax Museum 943:The Abominable Dr. Phibes 850: 745:The Monthly Film Bulletin 595:Mystery of the Wax Museum 431:as Scott's unnamed mother 266:Mystery of the Wax Museum 232: 224: 216: 208: 198: 163: 153: 143: 133: 119: 83: 73: 60: 50: 40: 35:Theatrical release poster 28: 23: 2056:Films set in wax museums 1274:"Top Grossers of 1953". 1219:August 31, 2009, at the 1058:Terror in the Wax Museum 562:advertisement from 1953. 183:April 25, 1953 172:April 10, 1953 1842:Thunder Over the Plains 1832:The Stranger Wore a Gun 1662:Two Girls on the Street 1518:House of Wax 3D Blu-ray 725:is the post-midcentury 375: 325: 2071:Films about mannequins 2061:Films set in the 1900s 1692:Six Weeks of Happiness 1545:National Film Registry 1450:Cite journal requires 1292:The World of 3D Movies 731:. What the freres and 563: 527:assistant (uncredited) 514:attendant (uncredited) 320:National Film Registry 2091:Films about sculptors 1812:Last of the Comanches 1612:retrospective article 1523:June 3, 2020, at the 1388:(233): 84. June 1953. 1367:: 62. April 18, 1953. 674:among them. Producer 598:, which was based on 590:two-color Technicolor 558: 311:of the film in 2005. 1972:Gold for the Caesars 1772:Slattery's Hurricane 1350:: 6. April 15, 1953. 883:improve this section 507:surgeon (uncredited) 2066:Horror film remakes 1499:House of Wax (1953) 1474:Rotten Tomatoes.com 1419:The Washington Post 1405:: Section 2, p. X1. 1294:, Delphi, 1992 p 32 1188:Library of Congress 988:standard definition 769:The Washington Post 316:Library of Congress 247:is a 1953 American 2081:Warner Bros. films 1922:The Two-Headed Spy 1892:The Indian Fighter 1647:Films directed by 1604:Hollywood Gothique 1579:TCM Movie Database 1402:The New York Times 1364:Harrison's Reports 994:on June 23, 2020. 815:. You can help by 758:The New York Times 738:Harrison's Reports 648:Broderick Crawford 602:'s three-act play 564: 460:Reggie Rymal as a 2031:American 3D films 2016:1953 horror films 1993: 1992: 1952:Morgan the Pirate 1932:Day of the Outlaw 1912:Monkey on My Back 1872:The Bounty Hunter 1802:Springfield Rifle 1782:Man in the Saddle 1722:None Shall Escape 1682:Wedding in Toprin 1212:Steve Biodrowski 974:Warner Home Video 961:The Addams Family 919: 918: 911: 837:review aggregator 833: 832: 711:Initial reception 644:Paramount Theatre 600:Charles S. Belden 543:Grace Lee Whitney 290:Columbia Pictures 240: 239: 2108: 1986: 1976: 1966: 1956: 1946: 1936: 1926: 1916: 1906: 1896: 1886: 1876: 1866: 1856: 1846: 1836: 1826: 1816: 1806: 1796: 1786: 1776: 1766: 1756: 1746: 1736: 1726: 1716: 1712:Passport to Suez 1706: 1696: 1686: 1676: 1666: 1641: 1634: 1627: 1618: 1617: 1528: 1515: 1509: 1496: 1490: 1489: 1487: 1485: 1466: 1460: 1459: 1453: 1448: 1446: 1438: 1430: 1424: 1423: 1413: 1407: 1406: 1396: 1390: 1389: 1378:"House of Wax". 1375: 1369: 1368: 1358: 1352: 1351: 1344:"House of Wax". 1341: 1335: 1334: 1314: 1308: 1301: 1295: 1288: 1282: 1281: 1271: 1265: 1264: 1258: 1256: 1239: 1233: 1230: 1224: 1210: 1204: 1203: 1201: 1199: 1180: 1174: 1173: 1171: 1169: 1154: 1148: 1147: 1145: 1143: 1124: 1118: 1117: 1115: 1113: 1094: 1028: 1023: 1022: 1014: 1009: 1008: 1007: 914: 907: 903: 900: 894: 863: 855: 828: 825: 807: 800: 678:, knowing actor 495:medical examiner 357:Marie Antoinette 259:and released by 190: 188: 179: 177: 33: 21: 20: 2116: 2115: 2111: 2110: 2109: 2107: 2106: 2105: 1996: 1995: 1994: 1989: 1979: 1969: 1959: 1949: 1942:Man on a String 1939: 1929: 1919: 1909: 1899: 1889: 1879: 1869: 1859: 1849: 1839: 1829: 1819: 1809: 1799: 1789: 1779: 1769: 1759: 1749: 1739: 1729: 1719: 1709: 1699: 1689: 1679: 1669: 1659: 1651: 1645: 1610:Cinefantastique 1537: 1532: 1531: 1525:Wayback Machine 1516: 1512: 1506:Wayback Machine 1497: 1493: 1483: 1481: 1468: 1467: 1463: 1451: 1449: 1440: 1439: 1431: 1427: 1414: 1410: 1397: 1393: 1377: 1376: 1372: 1360: 1359: 1355: 1343: 1342: 1338: 1331: 1315: 1311: 1302: 1298: 1290:Eddie Sammons, 1289: 1285: 1273: 1272: 1268: 1254: 1252: 1241: 1240: 1236: 1231: 1227: 1221:Wayback Machine 1211: 1207: 1197: 1195: 1182: 1181: 1177: 1167: 1165: 1156: 1155: 1151: 1141: 1139: 1132:Box Office Mojo 1126: 1125: 1121: 1111: 1109: 1096: 1095: 1091: 1086: 1024: 1017: 1010: 1005: 1003: 1000: 986:as a bonus (in 970: 956:Morticia Addams 915: 904: 898: 895: 880: 864: 853: 841:Rotten Tomatoes 829: 823: 820: 813:needs expansion 798: 796:Later reception 753:Bosley Crowther 713: 708: 668:Shelley Winters 640: 553: 548: 447:Charles Bronson 378: 328: 285:Man in the Dark 280:3D feature film 236:$ 23.75 million 201: 194: 186: 184: 180: (New York) 175: 173: 166: 128:Peverell Marley 126: 115: 65: 64:"The Wax Works" 36: 17: 12: 11: 5: 2114: 2104: 2103: 2098: 2093: 2088: 2083: 2078: 2073: 2068: 2063: 2058: 2053: 2048: 2043: 2038: 2033: 2028: 2023: 2018: 2013: 2008: 1991: 1990: 1988: 1987: 1977: 1967: 1957: 1947: 1937: 1927: 1917: 1907: 1897: 1887: 1882:Riding Shotgun 1877: 1867: 1857: 1847: 1837: 1827: 1817: 1807: 1797: 1787: 1777: 1767: 1757: 1752:The Other Love 1747: 1737: 1727: 1717: 1707: 1697: 1687: 1677: 1672:The Five-Forty 1667: 1656: 1653: 1652: 1644: 1643: 1636: 1629: 1621: 1615: 1614: 1606: 1594: 1593: 1581: 1570: 1559: 1548: 1536: 1535:External links 1533: 1530: 1529: 1510: 1491: 1461: 1452:|journal= 1435:The New Yorker 1425: 1408: 1391: 1370: 1353: 1336: 1330:978-0822332152 1329: 1309: 1296: 1283: 1266: 1234: 1225: 1205: 1175: 1149: 1128:"House of Wax" 1119: 1098:"House of Wax" 1088: 1087: 1085: 1082: 1081: 1080: 1075: 1070: 1062: 1054: 1043: 1030: 1029: 1015: 999: 996: 969: 966: 917: 916: 867: 865: 858: 852: 849: 831: 830: 810: 808: 797: 794: 784:The New Yorker 764:Richard L. Coe 712: 709: 707: 704: 696:PathĂ© Newsreel 692:Shirley Thomas 639: 636: 552: 549: 547: 546: 540: 537: 534: 531: 528: 518: 515: 508: 501:Grandon Rhodes 498: 491:Frank Ferguson 488: 481: 475: 469: 458: 444: 438: 432: 426: 420: 414: 413: 412: 403: 402: 401: 392: 386: 379: 377: 374: 334:that features 327: 324: 288:, released by 238: 237: 234: 230: 229: 226: 222: 221: 218: 214: 213: 210: 206: 205: 202: 199: 196: 195: 193: 192: 181: 169: 167: 164: 161: 160: 155: 154:Distributed by 151: 150: 148:David Buttolph 145: 141: 140: 135: 131: 130: 121: 120:Cinematography 117: 116: 114: 113: 108: 103: 98: 93: 87: 85: 81: 80: 75: 71: 70: 68:Charles Belden 62: 58: 57: 52: 48: 47: 42: 38: 37: 34: 26: 25: 15: 9: 6: 4: 3: 2: 2113: 2102: 2099: 2097: 2094: 2092: 2089: 2087: 2084: 2082: 2079: 2077: 2074: 2072: 2069: 2067: 2064: 2062: 2059: 2057: 2054: 2052: 2049: 2047: 2044: 2042: 2039: 2037: 2034: 2032: 2029: 2027: 2024: 2022: 2019: 2017: 2014: 2012: 2011:1953 3D films 2009: 2007: 2004: 2003: 2001: 1984: 1983: 1978: 1974: 1973: 1968: 1964: 1963: 1958: 1954: 1953: 1948: 1944: 1943: 1938: 1934: 1933: 1928: 1924: 1923: 1918: 1914: 1913: 1908: 1904: 1903: 1898: 1894: 1893: 1888: 1884: 1883: 1878: 1874: 1873: 1868: 1864: 1863: 1858: 1854: 1853: 1848: 1844: 1843: 1838: 1834: 1833: 1828: 1824: 1823: 1818: 1814: 1813: 1808: 1804: 1803: 1798: 1794: 1793: 1788: 1784: 1783: 1778: 1774: 1773: 1768: 1764: 1763: 1758: 1754: 1753: 1748: 1744: 1743: 1738: 1734: 1733: 1728: 1724: 1723: 1718: 1714: 1713: 1708: 1704: 1703: 1698: 1694: 1693: 1688: 1684: 1683: 1678: 1674: 1673: 1668: 1664: 1663: 1658: 1657: 1654: 1650: 1649:Andre de Toth 1642: 1637: 1635: 1630: 1628: 1623: 1622: 1619: 1613: 1611: 1607: 1605: 1601: 1599: 1595: 1592: 1589: 1587: 1586: 1582: 1580: 1576: 1575: 1571: 1569: 1565: 1564: 1560: 1558: 1554: 1553: 1549: 1546: 1542: 1539: 1538: 1526: 1522: 1519: 1514: 1507: 1503: 1500: 1495: 1479: 1475: 1471: 1465: 1457: 1444: 1436: 1429: 1422:. p. 36. 1421: 1420: 1412: 1404: 1403: 1395: 1387: 1383: 1382: 1374: 1366: 1365: 1357: 1349: 1348: 1340: 1332: 1326: 1322: 1321: 1313: 1306: 1300: 1293: 1287: 1279: 1278: 1270: 1262: 1255:September 23, 1250: 1249: 1244: 1238: 1229: 1222: 1218: 1215: 1209: 1193: 1189: 1185: 1179: 1163: 1159: 1153: 1137: 1133: 1129: 1123: 1107: 1103: 1099: 1093: 1089: 1079: 1076: 1074: 1071: 1069:– a 1988 film 1068: 1067: 1063: 1061:– a 1973 film 1060: 1059: 1055: 1053: 1049: 1048: 1044: 1041: 1037: 1036: 1032: 1031: 1027: 1021: 1016: 1013: 1002: 995: 993: 989: 985: 981: 980: 975: 965: 963: 962: 957: 953: 949: 948:Carolyn Jones 945: 944: 939: 938: 933: 932: 927: 926:Vincent Price 923: 913: 910: 902: 899:November 2016 892: 888: 884: 878: 877: 873: 868:This section 866: 862: 857: 856: 848: 846: 842: 838: 827: 818: 814: 811:This section 809: 806: 802: 801: 793: 791: 786: 785: 780: 779:John McCarten 776: 771: 770: 765: 760: 759: 754: 750: 747: 746: 740: 739: 734: 730: 729: 724: 720: 719: 703: 699: 697: 693: 689: 685: 684:Steve Calvert 681: 677: 673: 672:Ginger Rogers 669: 665: 661: 657: 653: 649: 645: 635: 632: 631:Vincent Price 628: 624: 621:girls, and a 620: 615: 613: 609: 605: 604:The Wax Works 601: 597: 596: 591: 587: 583: 582: 577: 573: 569: 568:The Wax Works 561: 557: 544: 541: 538: 535: 532: 529: 526: 522: 521:Nedrick Young 519: 516: 513: 509: 506: 502: 499: 496: 492: 489: 486: 485:rooming house 482: 479: 476: 473: 470: 467: 463: 459: 456: 452: 448: 445: 442: 439: 436: 435:Paul Cavanagh 433: 430: 429:Angela Clarke 427: 424: 421: 418: 415: 410: 409: 407: 406:Carolyn Jones 404: 399: 398: 396: 393: 390: 389:Frank Lovejoy 387: 384: 383:Vincent Price 381: 380: 373: 370: 365: 361: 358: 353: 348: 344: 340: 337: 333: 323: 321: 317: 312: 310: 306: 302: 297: 295: 291: 287: 286: 281: 277: 272: 271:Vincent Price 268: 267: 262: 258: 257:Andre de Toth 254: 250: 246: 245: 235: 231: 227: 223: 219: 215: 212:United States 211: 207: 203: 197: 182: 171: 170: 168: 165:Release dates 162: 159: 156: 152: 149: 146: 142: 139: 136: 132: 129: 125: 122: 118: 112: 109: 107: 106:Carolyn Jones 104: 102: 99: 97: 96:Frank Lovejoy 94: 92: 91:Vincent Price 89: 88: 86: 82: 79: 76: 72: 69: 63: 59: 56: 53: 51:Screenplay by 49: 46: 45:Andre de Toth 43: 39: 32: 27: 22: 19: 1980: 1970: 1960: 1950: 1940: 1930: 1920: 1910: 1900: 1890: 1880: 1870: 1860: 1850: 1840: 1830: 1822:House of Wax 1821: 1820: 1810: 1800: 1790: 1780: 1770: 1760: 1750: 1740: 1730: 1720: 1710: 1700: 1690: 1680: 1670: 1660: 1609: 1598:House of Wax 1597: 1585:House of Wax 1584: 1574:House of Wax 1573: 1563:House of Wax 1562: 1552:House of Wax 1551: 1541:House of Wax 1513: 1494: 1484:February 18, 1482:. Retrieved 1473: 1464: 1443:cite journal 1428: 1417: 1411: 1400: 1394: 1385: 1379: 1373: 1362: 1356: 1345: 1339: 1319: 1312: 1304: 1303:R.M. Hayes, 1299: 1291: 1286: 1275: 1269: 1259:– via 1253:. Retrieved 1246: 1237: 1228: 1208: 1196:. Retrieved 1187: 1178: 1166:. Retrieved 1152: 1142:December 27, 1140:. Retrieved 1131: 1122: 1110:. Retrieved 1101: 1092: 1064: 1056: 1052:House of Wax 1051: 1047:House of Wax 1045: 1040:House of Wax 1039: 1033: 1012:1950s portal 983: 977: 971: 959: 952:House of Wax 951: 941: 940:(1964), and 935: 929: 922:House of Wax 921: 920: 905: 896: 881:Please help 869: 845:House of Wax 844: 834: 821: 817:adding to it 812: 788:muster at a 782: 775:Crane Wilbur 767: 756: 751: 743: 736: 726: 723:House of Wax 722: 716: 714: 700: 688:gorilla suit 664:Judy Garland 656:Eddie Cantor 652:Gracie Allen 641: 616: 612:House of Wax 611: 607: 603: 593: 585: 579: 576:Warner Bros. 572:House of Wax 571: 567: 565: 497:(uncredited) 472:Philip Tonge 417:Paul Picerni 395:Phyllis Kirk 366: 362: 349: 345: 341: 329: 313: 305:Chris Condon 301:House of Wax 300: 298: 294:House of Wax 293: 283: 276:stereophonic 264: 261:Warner Bros. 255:directed by 244:House of Wax 243: 242: 241: 200:Running time 158:Warner Bros. 124:Bert Glennon 111:Paul Picerni 101:Phyllis Kirk 55:Crane Wilbur 24:House of Wax 18: 1962:The Mongols 1902:Hidden Fear 1792:Carson City 1732:Dark Waters 1437:": 133–134. 1261:Archive.org 1168:November 1, 1160:. loc.gov. 1042:is a remake 931:The Tingler 728:Jazz Singer 680:Bela Lugosi 676:Alex Gordon 660:Rock Hudson 623:paddle ball 586:Bwana Devil 581:Bwana Devil 478:Ruth Warren 464:-utilizing 462:paddle ball 441:Dabbs Greer 423:Roy Roberts 352:Joan of Arc 336:wax figures 269:, it stars 253:horror film 228:$ 1 million 74:Produced by 41:Directed by 2006:1953 films 2000:Categories 1982:Play Dirty 1862:Tanganyika 1852:Crime Wave 1702:Semmelweis 1476:. Flixer. 1084:References 968:Home media 625:-wielding 551:Production 525:ex-convict 369:guillotine 332:wax museum 233:Box office 204:88 minutes 187:1953-04-25 176:1953-04-10 870:does not 824:July 2018 790:Cub Scout 733:Al Jolson 706:Reception 592:thriller 457:assistant 299:In 1971, 191: (US) 138:Rudi Fehr 134:Edited by 78:Bryan Foy 1568:AllMovie 1521:Archived 1502:Archived 1478:Archived 1217:Archived 1198:June 25, 1192:Archived 1162:Archived 1136:Archived 1112:June 22, 1106:Archived 998:See also 934:(1959), 839:website 560:Drive-in 217:Language 144:Music by 84:Starring 61:Based on 1762:Pitfall 1588:at the 1577:at the 1547:website 1347:Variety 1277:Variety 1248:Variety 1066:Waxwork 891:removed 876:sources 718:Variety 638:Release 619:can-can 608:Mystery 505:autopsy 503:as the 493:as the 249:mystery 220:English 209:Country 185: ( 174: ( 1985:(1968) 1975:(1963) 1965:(1961) 1955:(1960) 1945:(1960) 1935:(1959) 1925:(1958) 1915:(1957) 1905:(1957) 1895:(1955) 1885:(1955) 1875:(1954) 1865:(1954) 1855:(1954) 1845:(1953) 1835:(1953) 1825:(1953) 1815:(1953) 1805:(1952) 1795:(1952) 1785:(1951) 1775:(1949) 1765:(1948) 1755:(1947) 1745:(1947) 1742:Ramrod 1735:(1944) 1725:(1944) 1715:(1943) 1705:(1940) 1695:(1939) 1685:(1939) 1675:(1939) 1665:(1939) 1327:  851:Impact 670:, and 627:barker 512:morgue 466:barker 309:remake 225:Budget 686:in a 1557:IMDb 1486:2022 1456:help 1325:ISBN 1257:2019 1200:2020 1170:2016 1144:2020 1114:2018 874:any 872:cite 574:was 455:mute 451:deaf 376:Cast 326:Plot 314:The 1602:at 1566:at 1555:at 885:by 835:On 819:. 781:of 766:of 755:of 66:by 2002:: 1472:. 1447:: 1445:}} 1441:{{ 1386:20 1384:. 1245:. 1190:. 1186:. 1134:. 1130:. 1104:. 1100:. 964:. 666:, 662:, 658:, 654:, 650:, 570:, 296:. 1640:e 1633:t 1626:v 1488:. 1458:) 1454:( 1333:. 1263:. 1202:. 1172:. 1146:. 1116:. 912:) 906:( 901:) 897:( 893:. 879:. 826:) 822:( 453:- 251:- 189:) 178:)

Index


Andre de Toth
Crane Wilbur
Charles Belden
Bryan Foy
Vincent Price
Frank Lovejoy
Phyllis Kirk
Carolyn Jones
Paul Picerni
Bert Glennon
Peverell Marley
Rudi Fehr
David Buttolph
Warner Bros.
mystery
horror film
Andre de Toth
Warner Bros.
Mystery of the Wax Museum
Vincent Price
stereophonic
3D feature film
Man in the Dark
Columbia Pictures
Chris Condon
remake
Library of Congress
National Film Registry
wax museum

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