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provides a contrast which intensifies the generally dark and sombre character of the lassan. This procedure is directly reversed in the Friska. Although the principal key of the Friska is F-sharp major, Liszt chooses to begin in the tonic minor key, F-sharp minor, which is sustained until bar 51. For practical reasons of notation (i.e., the prolongation of the tonic minor key), Liszt chooses the key signature of F-sharp minor, until the arrival of the main theme in F-sharp major. This time, the use of the more serious minor tonality is used as a contrast to the arrival of the playful and jubilant main theme of the Friska.
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accused Liszt of using his own theme for the piece without adding promised attribution, after
Ehrlich played it for Liszt in 1846. The memoirs contain an 1864 letter from Liszt, in which the composer acknowledges Eckhardt's influences while making no claim to the melodies; only that his task "as a
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Liszt planned his choice of keys in a remarkably symmetrical fashion. Although the lassan's principal key is C-sharp minor (with the appropriate key signature used throughout) the work opens on the tonic major chord, C-sharp major. However, by bar 6, the minor tonality is established. This device
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also wrote a famous cadenza for his interpretation. Liszt himself wrote several cadenzas for his pupils' performances of the piece, but they were rarely performed. Other pianists have arranged their own versions of the
Rhapsody with changes beyond that of simply adding a cadenza, most notably
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gaining momentum as the Friska's main theme (in F-sharp major) is approached. At this point, the Friska begins its journey of ever-increasing energy and pianistic bravura, still underpinned by alternating tonic and dominant harmonies. Modulations are limited almost exclusively to the
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is soon established as the home key. From this point on, the composer modulates freely, particularly to the tonic major and the relative major. The mood of the lassan is generally dark and melancholic, although it contains some playful and capricious moments.
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186:, rhythmic spontaneity and direct, seductive expression. These elements would eventually play a significant role in Liszt's compositions. Although this prolific composer's works are highly varied in style, a relatively large part of his output is
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In both the original piano solo form and in the orchestrated version this composition has enjoyed widespread use in animated cartoons. Its themes have also served as the basis of several popular songs.
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513:). Before the final whirlwind of sound, a moment of calm prevails in the key of F-sharp minor, recalling another of the lassan's themes, and is followed by the instruction,
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holds enormous appeal for audiences, with its simple alternating tonic and dominant harmonization, its energetic, toe-tapping rhythms, and breathtaking "pianistics".
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The
Hungarian-born composer and pianist Franz Liszt was strongly influenced by the music heard in his youth, particularly Hungarian folk music, with its unique
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The title of this rhapsody is slightly misleading, as the introductory theme is
Romanian, rather than Hungarian. This theme was found in one of Liszt's
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octaves, which ascend and then descend to cover almost the entire range of the keyboard and bringing the
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made an orchestral transcription, the performance of which was originally intended to be filmed as part of a series entitled
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The
Hungarian Rhapsody No. 2 has been prominently used in animated cartoons and popular media, most famously in the
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The orchestral version of the
Rhapsody produced by Liszt and Doppler is scored for an orchestra consisting of a
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826:"Kids Learning At Home? Teach Them About These 4 Pieces Of Classical Music While They Watch Cartoons"
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rhapsodist is merely limited to turning them into works as close as possible to their true essence."
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composed a cadenza that has since become famous for its originality, musicality and playfulness, and
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858:", 5th edition; St. Martin's Press, New York, 1954; Library of Congress Catalog Number 54-11819
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Most unusual in this composition is the composer's invitation for the performer to perform a
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playing the first 4 minutes of
Hungarian Rhapsody No. 2, recorded in 1919 by
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Hungarian
Rhapsody #2, Lassan & Friska CC-licensed free recording
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Offering an outstanding contrast to the serious and dramatic
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in 1929 where he has to deal with an animated piano.
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786:Ungarische Rhapsodie Nr. 2 für großes Orchester
669:Academy Award for Best Short Subject: Cartoons
252:sketchbooks. In his memoirs, Austrian pianist
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457:The piece consists of two distinct sections.
16:Composition by Hungarian Composer Franz Liszt
886:, Dover Publications, Inc., New York, 1972;
872:, Dover Publications, Inc., New York, 1973;
1078:No. 18 (Ungarische Ausstellung in Budapest)
643:rendition of the composition for his album
299:. Unsourced material may be challenged and
150:. Unsourced material may be challenged and
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496:harmonies quickly increase in volume, the
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1068:No. 16 (Budapest Munkácsy-Festlichkeiten)
924:International Music Score Library Project
854:Grove's Dictionary of Music and Musicians
745:International Music Score Library Project
436:An orchestrated version performed by the
319:Learn how and when to remove this message
170:Learn how and when to remove this message
90:Hungarian Rhapsody No. 2 in C-sharp minor
69:Learn how and when to remove this message
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197:Composed in 1847 and dedicated to Count
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32:This article includes a list of general
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783:Liszt, Franz; Schreker, Franz (1933).
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715:. Munich: G. Henle Verlag. p. V.
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767:Franz Schreker: A Cultural Biography
297:adding citations to reliable sources
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148:adding citations to reliable sources
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1120:Hungarian Rhapsodies by Franz Liszt
1100:List of compositions by Franz Liszt
711:Eckhardt, Mária (2005). "Preface".
628:. This arrangement is published by
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740:"Hungarian Rhapsody No.2, S.244/2"
448:Problems playing these files? See
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38:it lacks sufficient corresponding
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884:Five Centuries of Keyboard Music"
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484:. It opens quietly in the key of
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824:Hitt, Jen (April 8, 2020).
789:. Vienna: Universal Edition
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811:accessed February 21, 2012
771:Cambridge University Press
713:Ungarische Rhapsodie Nr. 2
524:, there is a crescendo of
478:The second section is the
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1013:No. 5 (Héroïde-élégiaque)
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520:. Finally, in the key of
363:rendition by Bernd Krüger
1033:No. 9 (Pesther Carneval)
920:Hungarian Rhapsody No. 2
422:Hungarian Rhapsody No. 2
395:Hungarian Rhapsody No. 2
370:Hungarian Rhapsody No. 2
345:Hungarian Rhapsody No. 2
194:being an ideal example.
1063:No. 15 (Rákóczi-Marsch)
565:and A (doubling on the
438:United States Navy Band
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244:Sources of the melodies
53:more precise citations.
912:Classical music portal
440:'s Concert Band (9:05)
388:on an 1851 Erard piano
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978:Hungarian Rhapsodies
870:Music for the Piano"
765:Christopher Hailey,
293:improve this section
192:Hungarian Rhapsodies
144:improve this section
98:Hungarian Rhapsodies
410:Sergei Rachmaninoff
233:Sergei Rachmaninoff
653:In popular culture
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229:Marc-André Hamelin
190:in character, the
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1125:1847 compositions
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1038:No. 10 (Preludio)
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882:John Gillespie: "
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460:The first is the
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585:in D, three
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536:Arrangements
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291:Please help
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142:Please help
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100:by composer
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982:Franz Liszt
942:archive.org
793:4 September
637:Gábor Szabó
526:prestissimo
184:gypsy scale
102:Franz Liszt
51:introducing
1114:Categories
807:Jurek, T.
695:References
673:Bugs Bunny
581:in F, two
450:media help
112:Background
34:references
849:Eric Blom
639:played a
635:In 1975,
620:In 1933,
595:bass drum
587:trombones
554:clarinets
280:does not
240:in 1953.
131:does not
835:June 27,
671:and the
603:triangle
583:trumpets
575:bassoons
561:♭
503:dominant
490:dominant
615:strings
599:cymbals
591:timpani
577:, four
573:), two
542:piccolo
515:Cadenza
511:A major
507:mediant
470:triad,
301:removed
286:sources
225:cadenza
152:removed
137:sources
94:S.244/2
47:improve
1083:No. 19
1073:No. 17
1058:No. 14
1053:No. 13
1048:No. 12
1043:No. 11
890:
876:
851:ed.: "
675:short
661:short
613:, and
552:, two
548:, two
546:flutes
544:, two
518:ad lib
481:friska
463:lassan
250:Weimar
218:friska
214:lassan
36:, but
1023:No. 7
1018:No. 6
1008:No. 4
1003:No. 3
998:No. 2
993:No. 1
940:from
931:from
751:6 May
646:Macho
579:horns
550:oboes
498:tempo
494:tonic
888:ISBN
874:ISBN
864:and
837:2020
795:2023
753:2024
641:jazz
611:harp
569:and
492:and
361:MIDI
284:any
282:cite
261:Form
135:any
133:cite
980:by
868:: "
685:in
556:in
295:by
146:by
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