63:
22:
133:
565:
to allow the attributes of an object to provide even more individuality than modernism. Modernity trapped form within the bounds of limited function; hypermodernity posits that function is now evolving so rapidly, it must take its reference point from form itself. Both positive and negative societal
576:
rejected the idea of the past as a reference point and curated objects from the past for the sole purpose of freeing form from function. In postmodernism, truth was ephemeral as the focus was to avoid non-falsifiable tenets. Postmodernity described a total collapse of modernity and its faith in
523:. In hypermodernism the function of an object has its reference point in the form of an object rather than function being the reference point for form. In other words, it describes an epoch in which
621:); supermodernity operates extraneously of meta-truth. Instead, attributes are extracted from objects of the past based on their present relevance. Since attributes are both true and false, a
959:
714:
625:
is not necessary including falsifiability. Supermodernity curates useful attributes from modern and postmodern objects in order to escape nihilistic postmodern
567:
741:
151:
92:
734:
426:
471:
323:
999:
1066:
727:
355:
283:
834:
438:
187:
169:
114:
49:
85:
35:
433:
535:
557:
Objects that do exist in the present are only extant due to some useful attribute in the hypermodern era.
464:
268:
750:
385:
263:
991:
75:
1025:
508:
79:
71:
503:
has been replaced by its own attributes. The new attribute-driven world is driven by the rise of
1030:
975:
550:
Hypermodernity emphasizes a hyperbolic separation between past and present due to the fact that:
312:
273:
662:
457:
417:
96:
539:
421:
350:
328:
308:
303:
983:
657:
626:
8:
967:
500:
369:
365:
293:
41:
147:
1061:
942:
804:
395:
360:
298:
247:
509:
convergence between technology and biology and more importantly information and matter
531:
527:
1007:
917:
897:
814:
610:
318:
288:
927:
907:
877:
872:
852:
715:
Gilles
Lypovetsky interviewed by Denis Failly for his book "le bonheur paradoxal"
445:
922:
892:
887:
882:
847:
842:
824:
630:
618:
512:
343:
333:
278:
227:
1055:
932:
912:
902:
857:
794:
779:
769:
719:
667:
614:
594:
573:
520:
390:
218:
203:
1040:
1035:
867:
789:
516:
338:
242:
237:
637:
862:
809:
764:
652:
622:
400:
937:
799:
504:
784:
695:
L'essere contro l'umano. Preludi per una filosofia della surmodernitĂ
602:
598:
562:
524:
496:
211:
819:
590:
606:
492:
554:
The past oriented attributes and their functions around objects.
641:
Non-Places: Introduction to an
Anthropology of Supermodernity
617:"), and postmodernity was intent upon their destruction (
960:
Postmodernism, or, the
Cultural Logic of Late Capitalism
577:
progress and improvement in empowering the individual.
605:focused upon the creation of great truths (or what
142:
may be too technical for most readers to understand
499:. Hypermodernism stipulates a world in which the
1053:
84:but its sources remain unclear because it lacks
749:
735:
465:
515:to overcome natural limitations. It rejects
50:Learn how and when to remove these messages
742:
728:
511:. Hypermodernism finds its validation in
472:
458:
188:Learn how and when to remove this message
170:Learn how and when to remove this message
154:, without removing the technical details.
115:Learn how and when to remove this message
513:emphasis on the value of new technology
1054:
1000:The Dictionary of Fashionable Nonsense
585:If distinguished from hypermodernity,
723:
152:make it understandable to non-experts
702:Eidolon: simulacre et hypermodernité
697:, Edises, Napoli, 2010 (in Italian).
126:
56:
15:
13:
14:
1078:
708:
688:Hypermodern Explained to Children
580:
545:
439:Social construction of technology
31:This article has multiple issues.
570:and increased personal choice.
131:
61:
20:
673:
491:) is a type, mode, or stage of
39:or discuss these issues on the
679:S. Charles and G. Lipovetsky,
495:that reflects an inversion of
1:
434:Social construction of gender
428:Social construction of nature
7:
646:
10:
1083:
1067:Criticism of postmodernism
751:Criticism of postmodernism
690:, Liber, 2007 (in French).
597:and relies upon plausible
1018:
951:
833:
757:
1026:Grievance studies affair
992:Explaining Postmodernism
70:This article includes a
1031:Postmodernism Generator
704:, Paris, Balland, 2024.
561:Hypermodernity inverts
324:International relations
99:more precise citations.
820:Stuckism International
663:Hypermodernism (chess)
629:. Related authors are
418:Social constructionism
683:, Polity Press, 2006.
589:is a step beyond the
566:changes occur due to
530:is reversed from the
422:social constructivism
984:Fashionable Nonsense
519:and instead favours
968:Higher Superstition
568:hyper-individualism
805:Post-postmodernism
396:Post-postmodernism
248:Post-structuralism
72:list of references
1049:
1048:
681:Hypermodern Times
611:master narratives
601:truths. Whereas
507:and aspires to a
482:
481:
356:Political science
198:
197:
190:
180:
179:
172:
125:
124:
117:
54:
1074:
1008:Cynical Theories
976:Dead White Males
815:Remodernist film
744:
737:
730:
721:
720:
700:F. Schoumacher,
474:
467:
460:
429:
200:
199:
193:
186:
175:
168:
164:
161:
155:
135:
134:
127:
120:
113:
109:
106:
100:
95:this article by
86:inline citations
65:
64:
57:
46:
24:
23:
16:
1082:
1081:
1077:
1076:
1075:
1073:
1072:
1071:
1052:
1051:
1050:
1045:
1014:
947:
829:
753:
748:
711:
676:
649:
583:
548:
478:
446:Linguistic turn
427:
194:
183:
182:
181:
176:
165:
159:
156:
148:help improve it
145:
136:
132:
121:
110:
104:
101:
90:
76:related reading
66:
62:
25:
21:
12:
11:
5:
1080:
1070:
1069:
1064:
1047:
1046:
1044:
1043:
1038:
1033:
1028:
1022:
1020:
1016:
1015:
1013:
1012:
1004:
996:
988:
980:
972:
964:
955:
953:
949:
948:
946:
945:
940:
935:
930:
925:
920:
915:
910:
905:
900:
895:
890:
885:
880:
875:
870:
865:
860:
855:
850:
845:
839:
837:
831:
830:
828:
827:
825:Transmodernism
822:
817:
812:
807:
802:
797:
792:
787:
782:
777:
775:Hypermodernity
772:
767:
761:
759:
755:
754:
747:
746:
739:
732:
724:
718:
717:
710:
709:External links
707:
706:
705:
698:
691:
684:
675:
672:
671:
670:
665:
660:
658:Hypermodernism
655:
648:
645:
631:Terry Eagleton
619:deconstruction
615:metanarratives
587:supermodernity
582:
581:Supermodernity
579:
559:
558:
555:
547:
546:Hypermodernity
544:
540:constructivism
489:supermodernity
485:Hypermodernity
480:
479:
477:
476:
469:
462:
454:
451:
450:
449:
448:
443:
442:
441:
436:
431:
411:
410:
406:
405:
404:
403:
398:
393:
388:
380:
379:
375:
374:
373:
372:
363:
358:
353:
348:
347:
346:
344:Postpositivism
341:
336:
326:
321:
316:
306:
301:
296:
291:
286:
281:
276:
271:
266:
258:
257:
253:
252:
251:
250:
245:
240:
235:
233:Hypermodernity
230:
228:Deconstruction
222:
221:
215:
214:
207:
206:
196:
195:
178:
177:
139:
137:
130:
123:
122:
80:external links
69:
67:
60:
55:
29:
28:
26:
19:
9:
6:
4:
3:
2:
1079:
1068:
1065:
1063:
1060:
1059:
1057:
1042:
1039:
1037:
1034:
1032:
1029:
1027:
1024:
1023:
1021:
1017:
1010:
1009:
1005:
1002:
1001:
997:
994:
993:
989:
986:
985:
981:
978:
977:
973:
970:
969:
965:
962:
961:
957:
956:
954:
950:
944:
941:
939:
936:
934:
931:
929:
926:
924:
921:
919:
916:
914:
911:
909:
906:
904:
901:
899:
896:
894:
891:
889:
886:
884:
881:
879:
876:
874:
871:
869:
866:
864:
861:
859:
856:
854:
851:
849:
846:
844:
841:
840:
838:
836:
832:
826:
823:
821:
818:
816:
813:
811:
808:
806:
803:
801:
798:
796:
795:New sincerity
793:
791:
788:
786:
783:
781:
780:Metamodernism
778:
776:
773:
771:
770:Anti-anti-art
768:
766:
763:
762:
760:
756:
752:
745:
740:
738:
733:
731:
726:
725:
722:
716:
713:
712:
703:
699:
696:
692:
689:
685:
682:
678:
677:
669:
668:Metamodernism
666:
664:
661:
659:
656:
654:
651:
650:
644:
642:
639:
635:
632:
628:
624:
620:
616:
612:
608:
604:
600:
596:
595:postmodernism
593:emptiness of
592:
588:
578:
575:
574:Postmodernity
571:
569:
564:
556:
553:
552:
551:
543:
541:
537:
536:functionalism
533:
529:
526:
522:
521:postmodernism
518:
514:
510:
506:
502:
498:
494:
490:
486:
475:
470:
468:
463:
461:
456:
455:
453:
452:
447:
444:
440:
437:
435:
432:
430:
425:
424:
423:
419:
415:
414:
413:
412:
408:
407:
402:
399:
397:
394:
392:
391:Metamodernism
389:
387:
384:
383:
382:
381:
377:
376:
371:
367:
364:
362:
359:
357:
354:
352:
349:
345:
342:
340:
337:
335:
332:
331:
330:
327:
325:
322:
320:
317:
314:
313:Picture books
310:
307:
305:
302:
300:
297:
295:
292:
290:
287:
285:
282:
280:
277:
275:
272:
270:
267:
265:
262:
261:
260:
259:
255:
254:
249:
246:
244:
241:
239:
236:
234:
231:
229:
226:
225:
224:
223:
220:
219:Postmodernity
217:
216:
213:
209:
208:
205:
204:Postmodernism
202:
201:
192:
189:
174:
171:
163:
153:
149:
143:
140:This article
138:
129:
128:
119:
116:
108:
105:February 2010
98:
94:
88:
87:
81:
77:
73:
68:
59:
58:
53:
51:
44:
43:
38:
37:
32:
27:
18:
17:
1041:Sokal affair
1036:Science wars
1006:
998:
990:
982:
974:
966:
958:
943:Windschuttle
790:Neomodernism
774:
701:
694:
693:R. Colonna,
687:
686:S. Charles,
680:
674:Bibliography
640:
634:After Theory
633:
586:
584:
572:
560:
549:
538:in favor of
525:teleological
517:essentialism
488:
484:
483:
274:Architecture
264:Anthropology
243:Posthumanism
238:Hyperreality
232:
210:Preceded by
184:
166:
157:
141:
111:
102:
91:Please help
83:
47:
40:
34:
33:Please help
30:
810:Remodernism
765:Altermodern
653:Altermodern
623:truth value
591:ontological
401:Remodernism
284:Criminology
269:Archaeology
160:August 2021
97:introducing
1056:Categories
800:Post-irony
532:standpoint
505:technology
351:Psychology
329:Philosophy
309:Literature
304:Television
36:improve it
1062:Modernity
785:Neomodern
638:Marc Augé
627:tautology
603:modernism
599:heuristic
563:modernity
497:modernity
386:Criticism
378:Reactions
334:Anarchism
212:Modernism
42:talk page
928:Peterson
898:Fukuyama
893:Eagleton
858:Bricmont
843:Anderson
758:Concepts
647:See also
609:called "
370:Religion
366:Theology
294:Feminism
1019:Related
933:Scruton
918:Lindsay
908:Jameson
883:Dennett
878:Dawkins
868:Chomsky
835:Critics
607:Lyotard
528:meaning
493:society
409:Related
361:Theatre
339:Marxism
311: (
146:Please
93:improve
1011:(2020)
1003:(2006)
995:(2004)
987:(1997)
979:(1995)
971:(1994)
963:(1991)
923:Paglia
913:Kramer
888:Dussel
853:Berman
848:Benson
636:, and
613:" or "
501:object
420:" and
256:Fields
952:Works
938:Sokal
903:Hicks
873:Crews
863:Bunge
319:Music
289:Dance
78:, or
368:and
299:Film
542:.
534:of
279:Art
150:to
1058::
643:.
82:,
74:,
45:.
743:e
736:t
729:v
487:(
473:e
466:t
459:v
416:"
315:)
191:)
185:(
173:)
167:(
162:)
158:(
144:.
118:)
112:(
107:)
103:(
89:.
52:)
48:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.