594:, Alex Young wrote, " sounded very much like the aggressive female rock that was getting airplay at the time." Speaking of the comparisons to Morissette, Heap said, "I've never liked her. I just don’t think she is very real. But what gets me about the comparison is that people who don't like her will see this 'Imogen-Alanis' thing and then stay away from my music, not even give me a chance. That really is the worst thing about those lazy comparisons." In regard to the comparisons to Amos, Heap stated, "When Tori first came out, they would say she sounded like
527:
605:, Joe Jackson wrote of the record that there was "something fascinating" about Heap, noting that "the real power and poetry probably stems from her semi-strangulated cries, the rush of crushed chords on the keyboard, the way her voice soars without restraint. Imogen has already been largely dismissed by many critics. I suspect that in time she will make them eat their words." Jackson added that tracks such as "Sleep", "Useless", and "Getting Scared" "define their own space, to a great degree". Tom Demalon of
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in its production. "Whatever" is addressed to an ex-lover of Heap's. "Angry Angel" is an "aggressive" song about Heap's own experimentation with recreational drug use from a young age which features "saw-edged" guitar riffs, while the instrumentation of "Candlelight" is built around an old family
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as "tragic". Heap stated that "Sleep", the album's closer, was her favorite track from the album. "Sleep" is a "spare" song featuring piano and violin, written about "the split second when you wake up and everything is absolutely perfect, and then, you remember what you have to do and nothing is
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as "A spare, creepy tune anchored by a thudding drum-machine beat, chaotic piano and blasts of industrial noise". It was written by Heap about a "revenge fantasy" about a former roommate and friend who betrayed her trust by telling people one of Heap's intimate secrets about her childhood trauma
217:
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wrote that the album was "a potent sonic cocktail that moves from chunky grooves to classical hybrids and careens back to sinewy guitar riffs" and "a soulful, intoxicating blend of pop", adding that its songs "aim for impact".
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that, according to her, "turned out to be real". "Sweet
Religion" is a song about Heap deifying a former lover, while "Oh Me, Oh My" is a song about Heap's attempts to look for God on which she "wails soulfully".
582:, Thomas Conner wrote, "Heap has all the restraint Alanis Morissette didn't bother to learn...Her use of plunky piano makes tunes like 'Sweet Religion' shadow even a few Tori Amos standards." In a review for
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was barely promoted by Almo Sounds, and sold few units. However, the album received moderate airplay on radio stations throughout the US. Heap's contract was discontinued following the dissolution of Almo.
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written when Heap was 17 years old about her music technology teacher at the BRIT School. "Rake It In" is written as a screed against record companies; "Useless" was described by
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as "A compelling album chock-full of engaging melodies delivered in a memorable voice," naming "Angry Angel", "Candlelight", and "Come Here Boy" as highlights. Eric Hiss of
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started with "Come Here Boy" when Heap was 15 years old. Parts of the album were recorded in the United States and
Jamaica. Heap originally recorded the album solely with
337:, "Shine", "Come Here Boy", and "Oh Me, Oh My". Some critics dismissed the record upon its release as derivative of the work of fellow singer-songwriters such as
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record with largely confessional lyricism, addressing themes ranging from adolescent drug use and revenge to perseverance and religion. The album's title is an
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The album's lead single, "Getting Scared", was released in 1997, and appeared on the soundtracks for the 1998 horror film
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album. Of the album, Heap stated, "Everything I’ve been through since I was a kid had to be confronted in these songs."
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The album spawned several singles, including "Getting Scared", which was featured on the soundtrack of the horror film
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with) after realizing, according to her, that it was "over-done" and that there was "too much going on". The title of
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was compared by several critics to the work of other female singer-songwriters, most notably
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as Heap's seventh-best song. Farrell referred to "Getting Scared" as the "star pupil" of
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The album's opener, "Getting Scared", is a "vengeful" track described by Gil
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and Fil Eisler. It was first produced and recorded solely by Heap and
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piano in Heap's father's house. "Come Here Boy" is a "sensual" piano
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In 2018, "Getting Scared" was identified by
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1294:"Useless" contains a sample of "Liquid Days", written by
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is the debut studio album by
British singer-songwriter
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and re-recorded the album six months later alongside
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1845:"Imogen Heap can reach for highest stars"
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1552:"Imogen Heap Gets Personal On Debut LP"
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1311:All credits adapted from liner notes.
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1932:"Album Review: Imogen Heap - Ellipse"
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391:I Still Know What You Did Last Summer
334:I Still Know What You Did Last Summer
300:. It was released on 16 June 1998 by
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1619:Roberts, Michael (7 December 2006).
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1993:Interscope Geffen A&M Records
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2293:Albums produced by Guy Sigsworth
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16:1998 studio album by Imogen Heap
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1956:West, Naomi (14 October 2010).
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1691:"The 10 Best Imogen Heap Songs"
2313:Albums produced by Imogen Heap
2298:Albums recorded at RAK Studios
2288:Albums produced by David Kahne
1958:"Imogen Heap: fully connected"
1930:Young, Alex (23 August 2009).
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1246:"Kidding" (live hidden track)
394:and for the 1999 comedy film
1806:"Imogen Heap: "I Megaphone""
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448:quite the same after that."
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1880:"I Megaphone - Imogen Heap"
1460:Roland Herrington – mixing
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1906:"The pre-Christmas crunch"
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1315:Performers and musicians
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663: — Standard edition
1444:(tracks 2, 4, 6, 8, 10)
1429:(tracks 2, 4, 6, 8, 10)
1408:(tracks 2, 4, 6, 8, 10)
1387:(tracks 3, 5, 7, 9, 11)
1336:Eshan Khadaroo – drums
641:Following its release,
349:Development and release
259:Released: 30 March 1998
84:The Barn (Philadelphia)
78:Quad Studios (New York)
1209:featuring Imogen Heap)
637:Commercial performance
221:Japanese reissue cover
2135:Telemiscommunications
1936:Consequence of Sound
1660:"The Heap Treatment"
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1423:(tracks 2, 4, 8, 10)
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457:Professional ratings
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361:of British pop duo
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1850:The Standard-Times
1777:The New York Times
1595:on 6 December 2020
1562:on 19 January 2022
1490:Chaz – photography
1347:(tracks 2–5, 7, 9)
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616:The Standard-Times
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452:Critical reception
328:of "Imogen Heap".
189:Speak for Yourself
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1987:. Album booklet.
1749:. 26 January 2010
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1188:"Feeling Strange"
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403:Virtual Sexuality
343:Alanis Morissette
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2128:My Secret Friend
2121:First Train Home
2107:Goodnight and Go
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2053:Studio albums
2051:
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2015:
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2008:
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1621:"Imogen Heap"
1615:
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1508:Also written
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1415:– production
1414:
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1399:(tracks 2, 4)
1391:(tracks 2, 4)
1385:– production
1384:
1381:
1372:– production
1371:
1370:Guy Sigsworth
1368:
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1328:Randy Jackson
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1261:Total length:
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1229:Urban Species
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1207:Urban Species
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877:"Candlelight"
876:
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858:
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851:"Angry Angel"
850:
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701:Guy Sigsworth
699:
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650:Track listing
647:
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462:Review scores
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371:Guy Sigsworth
368:
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318:Guy Sigsworth
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306:Guy Sigsworth
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156:Guy Sigsworth
154:
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2215:
2167:Just for Now
2080:
2073:
2066:
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2059:
1984:
1979:
1967:. Retrieved
1961:
1951:
1939:. Retrieved
1935:
1925:
1913:. Retrieved
1909:
1899:
1887:. Retrieved
1883:
1854:. Retrieved
1848:
1813:. Retrieved
1809:
1780:. Retrieved
1776:
1751:. Retrieved
1744:
1735:
1723:. Retrieved
1719:
1710:
1698:. Retrieved
1694:
1669:. Retrieved
1663:
1630:. Retrieved
1624:
1597:. Retrieved
1593:the original
1586:
1576:
1564:. Retrieved
1560:the original
1555:
1516:
1515:
1510:
1509:
1504:
1404:Dave Stewart
1343:Andy Kravitz
1310:
1296:Philip Glass
1282:
1281:
1272:
1271:
1121:
1032:
903:"Rake It In"
659:
654:
642:
640:
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395:
389:
387:
378:
359:Dave Stewart
354:
352:
332:
330:
310:Dave Stewart
292:
291:
290:
236:I Megaphone
235:
187:
179:
178:
151:Dave Stewart
54:16 June 1998
39:Studio album
18:
2244:Whatcha Say
2145:Other songs
2061:I Megaphone
2044:Discography
2033:Imogen Heap
1989:Almo Sounds
1985:I Megaphone
1910:Tulsa World
1782:25 November
1700:30 November
1599:27 November
1517:I-Megaphone
1457:– mastering
1440:Andy Wright
1413:Nik Kershaw
1406:– producer
1383:David Kahne
1322:Imogen Heap
1300:David Byrne
1290:Gert Wilden
1205:"Blanket" (
1153:"Aeroplane"
1142:Producer(s)
1122:I Megaphone
1093:"Whatever "
1053:Producer(s)
1033:I Megaphone
954:Nik Kershaw
746:David Kahne
680:Producer(s)
660:I Megaphone
643:I Megaphone
631:I Megaphone
611:I Megaphone
579:Tulsa World
566:I Megaphone
537:I Megaphone
415:I Megaphone
410:Composition
379:I Megaphone
367:David Kahne
355:I Megaphone
320:. It is an
314:David Kahne
302:Almo Sounds
298:Imogen Heap
293:I Megaphone
180:I Megaphone
165:Imogen Heap
146:David Kahne
142:Imogen Heap
73:RAK Studios
44:Imogen Heap
24:I Megaphone
2267:Categories
2153:Hallelujah
1941:6 December
1915:5 December
1889:5 December
1856:6 December
1815:5 December
1671:5 December
1632:4 December
1566:5 December
1528:References
1511:iMegaphone
1468:(track 11)
1455:Greg Calbi
1363:Production
1064:"Airplane"
825:Fil Eisler
816:"Whatever"
609:described
363:Eurythmics
167:chronology
2224:Frou Frou
1753:9 January
1725:9 January
1695:Stereogum
1665:Hot Press
1462:(track 1)
1450:(track 1)
1417:(track 9)
1397:, mixing
1378:(track 1)
1374:(track 1)
1338:(track 1)
1307:Personnel
1174:Sigsworth
1162:Sigsworth
1139:Writer(s)
1050:Writer(s)
969:"Useless"
714:Sigsworth
677:Writer(s)
626:Stereogum
596:Kate Bush
570:Tori Amos
553:Tori Amos
375:Frou Frou
339:Tori Amos
2188:Thriller
2114:Headlock
1969:23 April
1884:AllMusic
1720:AllMusic
1626:Westword
1556:MTV News
1354:– drums
1345:– drums
1232:Raw Deal
607:AllMusic
476:AllMusic
434:trip hop
136:Producer
75:(London)
59:Recorded
51:Released
41: by
2229:Details
2195:I'm God
2092:Singles
2075:Ellipse
1330:– bass
1265:1:07:58
995:"Sleep"
981:Stewart
924:Stewart
863:Stewart
799:Stewart
787:"Shine"
591:Ellipse
383:anagram
326:anagram
256:"Shine"
232:Singles
193:(2005)
184:(1998)
2217:Cradle
2212:Acacia
2181:Spooky
2160:Canvas
2082:Sparks
1475:Design
1249:
1191:
1145:Length
1099:
1096:
1056:Length
998:
972:
941:
912:Eisler
880:
854:
790:
764:
731:
683:Length
551:) and
470:Rating
467:Source
439:ballad
417:is an
381:is an
107:Length
67:Studio
1746:Scoop
1496:Notes
1273:Notes
1136:Title
1112:57:18
1047:Title
1023:48:42
1007:Kahne
950:Kahne
889:Kahne
837:Kahne
802:Kahne
773:Kahne
674:Title
557:right
234:from
124:Label
92:Genre
1971:2016
1943:2020
1917:2020
1891:2020
1858:2020
1817:2020
1784:2020
1755:2021
1727:2021
1702:2020
1673:2020
1634:2020
1601:2020
1568:2020
1298:and
1255:4:31
1252:Heap
1238:5:47
1220:Heap
1197:4:38
1194:Heap
1180:4:20
1171:Heap
1159:Heap
1102:3:55
1085:4:20
1079:Heap
1070:Heap
1013:3:46
1004:Heap
987:5:19
978:Heap
961:3:58
947:Heap
930:3:50
921:Heap
909:Heap
895:4:39
886:Heap
869:4:45
860:Heap
843:3:44
834:Heap
822:Heap
808:4:40
796:Heap
779:5:05
770:Heap
753:4:03
737:Heap
720:4:53
711:Heap
697:Heap
601:For
572:and
549:left
369:and
341:and
316:and
129:Almo
62:1997
1514:or
1243:15.
1202:14.
1185:13.
1150:12.
1132:No.
1090:13.
1061:12.
1043:No.
992:11.
966:10.
670:No.
426:MTV
2269::
1995:).
1960:.
1934:.
1908:.
1882:.
1866:^
1847:.
1825:^
1808:.
1792:^
1775:.
1763:^
1743:.
1718:.
1693:.
1681:^
1662:.
1642:^
1623:.
1609:^
1585:.
1554:.
1536:^
935:9.
900:8.
874:7.
848:6.
813:5.
784:4.
758:3.
725:2.
688:1.
406:.
116:42
112:48
2246:"
2242:"
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2226:(
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2214:(
2197:"
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2119:"
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2102:"
2098:"
2025:e
2018:t
2011:v
1991:(
1973:.
1945:.
1919:.
1893:.
1860:.
1819:.
1786:.
1757:.
1729:.
1704:.
1675:.
1636:.
1603:.
1570:.
1520:.
559:)
555:(
547:(
114::
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