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is a restful and cheering book. We recommend it earnestly to any one who may be suffering from a glut of the 'feminism' of the current
English imitations of Maupassant." Beith's cautiously adopted pen name was redundant for its original purpose of camouflage in case of failure, but he decided to
324:(1907), appeared while he was still teaching at the school. He used the pen-name Ian Hay to save himself embarrassment in his professional capacity if the book failed. He offered the work to a succession of publishing firms, but it was rejected. Finally he paid a firm ÂŖ50 to publish the book.
44:
459:, running to a total of more than 8,000 words. Under the title of "The New America" they described American life and outlook for the better understanding of British readers. The paper commissioned a second series of such articles, published under the collective title "
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remarked that as a playwright Ian Hay was a name to conjure with. Between the First and Second World Wars, Beith had eight plays produced of which he was the sole author, and a further eleven written in collaboration with others. His co-authors were
654:) "War is hell, and all that, but it has a good deal to recommend it. It wipes out all the small nuisances of peace-time." He either invented or popularised the phrase "nothing to write home about", denoting something mediocre or unexceptional.
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was published; its success and that of several more novels enabled him to give up teaching in 1912 to be a full-time writer. During the First World War, Beith served as an officer in the army in France. His good-humoured account of army life,
304:
and Fettes. Unable to secure a permanent position teaching
Classics he returned to Cambridge and spent what a biographer called "a laborious year in acquiring sufficient knowledge of chemistry and physics to fit him for a Senior Mastership".
467:
in that period, these articles were signed. The by-line was "Ian Hay"; it was public knowledge that Hay was a pen-name, and that it belonged to Beith, but he chose to go on maintaining a distinction between the author and the soldier.
476:
After the war Beith continued to write novels, but they did not achieve the great popularity of his earlier books. He became interested in the theatre, and wrote a succession of plays, several of which had notably long runs.
192:
After the war, Beith's novels did not achieve the popularity of his earlier work, but he made a considerable career as a dramatist, writing light comedies, often in collaboration with other authors including
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After leaving the War Office, Beith published several volumes of war histories, but his habitual light and witty prose was widely thought unsuited to so grave a subject. In 1947 his only serious play,
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as "an attempt to give an informal history of the
British infantry soldier in peace and war". Like his novels and plays, the book was published under his customary pen-name. The work so impressed the
445:
was making in neutral
America, Beith was sent to Washington to join the information bureau of the British War Mission. His biographer Patrick Murray writes, " energy and success were rewarded by a
318:. After four years at Durham, Beith taught for six years at Fettes, as master of one of the lower forms. He spent much of his leisure time in writing. His first novel, the schoolboy romance
430:
called it "a book which was read eagerly not only by the civilian public but also found its way into countless dugouts and redoubts in France, Mesopotamia, Palestine and
Salonika."
160:(17 April 1876 – 22 September 1952), was a British schoolmaster and soldier, but is best remembered as a novelist, playwright, essayist, and historian who wrote under the
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1917:
189:, published in 1915, was a best-seller. On the strength of this, he was sent to work in the information section of the British War Mission in Washington, D.C.
414:, describing with wry humour life in his battalion. It became one of the most popular books of the time, with multiple editions in Britain (including a 1940
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constituency. He was unable to contest the seat as there was no general election until 1918, when the
Unionists did not oppose the sitting member, a
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Among Beith's later works were several war histories, which were not as well received as his comic fiction and plays. His one serious play,
1932:
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in 1902 as junior science master; he also coached the rugby and boating crews. Durham was the model for
Marbledown School in his 1936 play
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in 1843. Like his father, Beith had a lifelong pride in his
Scottish ancestry; he did not share his father's political views, and was a
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In 1912, Beith resigned from Fettes, to work full-time as an author. In April the following year he was chosen as prospective
1231:, rev. Katherine Mullin, Oxford Dictionary of National Biography, Oxford University Press, 2004, retrieved 23 February 2013
571:(1930) were adapted by other writers. In all, Beith's work featured in one of these ways in 25 films between 1921 and 1940.
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as "of the right stuff and happy-go-lucky, their good feeling saved from insipidity by its seasoning of piquant humour".
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was an immediate success, and was still selling forty years later. It was a critical as well as a commercial success:
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669:, on 22 September 1952 after several weeks' illness. His wife outlived him; there were no children of the marriage.
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Beith was intermittently involved with the cinema. While in the US in 1917 he had served as technical adviser to
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stick with it; he remained "Ian Hay" in all his published work thereafter. Between 1908 and 1914 he followed
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1566:, A & C Black, 1920â2008; online edition, Oxford University Press, December, retrieved 23 February 2013
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ed. Cresswell, Julia, Oxford
University Press, 2009. Oxford Reference. 2010, retrieved 23 February 2013
253:. Both Beith's parents were of Scottish descent; his paternal grandfather was a Presbyterian clergyman,
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218:(1947), was politely reviewed but had a short run. In the same year he co-wrote a comedy,
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retained a policy of anonymity until 1967. Before that, a by-line was a rare distinction.
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Fleming. Beith senior was a cotton merchant, magistrate, and leading member of the local
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565:(1935). For several more films of the period, Beith's original plays such as
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for "its lightness and deftness". Among his best-known coinages are (from
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453:." While in the US, Beith contributed a series of six long articles to
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650:) "What do you mean, funny? Funny-peculiar or funny ha-ha?" and (from
547:. Between the wars he wrote or co-wrote original screenplays, such as
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639:(co-written with Stephen King-Hall), which ran for 702 performances.
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The Glory that was Grub Street â Impressions of
Contemporary Authors
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1283:"Maj.-Gen. J. H. Beith â 'Ian Hay', Novelist and Playwright'",
590:, that he appointed Beith Director of Public Relations at the
392:. He was in France in April 1915, one of the first 100,000 of
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The History of the King's Bodyguard for Scotland (1676â1950)
396:. In 1915 he married Helen Margaret Speirs, was promoted to
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On the outbreak of war in 1914, Beith joined the army as a
1797:(fourteenth ed.). London: Sir Isaac Pitman and Sons.
510:. His longest running plays in the inter-war years were
209:, retiring in 1941 shortly before his 65th birthday.
1650:, British Film Institute, retrieved 26 February 2013
1638:, British Film Institute, retrieved 26 February 2013
1626:, British Film Institute, retrieved 26 February 2013
1614:, British Film Institute, retrieved 26 February 2013
1602:, British Film Institute, retrieved 26 February 2013
1590:, British Film Institute, retrieved 26 February 2013
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Morris, Michael. "Ian Hay's centenary is unmarked",
205:
Beith served as Director of Public Relations at the
441:. Later that year, on the strength of the impact
178:, Beith became a schoolmaster. In 1907 his novel
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629:, London. The play was a biographical study of
1403:"Ian Hay Tells of New English Literary Spirit"
1375:"General Election, 1918 â Unopposed Returns",
900:ROF, the Story of the Royal Ordnance Factories
522:(with Seymour Hicks, 1923; 262 performances),
1918:Commanders of the Order of the British Empire
1309:"Ian Hay's First School â Days at Ladybarn",
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224:, which ran for more than 700 performances.
1005:( 1929, with Stephen King-Hall) (filmed in
657:Beith died in the Hillbrow Nursing Home in
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1247:Complimentary Dinner to Mr J. A. Beith",
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343:with five more novels, characterised by
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356:(i.e. Conservative) candidate for the
300:, he held temporary teaching posts at
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404:. He compiled a book, published as
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1948:Military personnel from Manchester
1873:National Portrait Gallery (London)
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1701:"Embassy Theatre, Swiss Cottage",
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882:The Unconquered Isle (Malta, GC)
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1133:(1951, with L. du Garde Peach),
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740:The Lighter Side of School Life
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463:" in March 1918. Unusually for
433:In 1916, Beith was awarded the
1908:20th-century British novelists
1751:"F. Graham Cootes (1879â1960)"
1705:, 12 February 1947, p. 6; and
1675:"'Ian Hay' as Major-General",
1336:"Major-General J. Hay Beith",
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1117:(1947, with Stephen King-Hall)
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1061:(1932, with Anthony Armstrong)
1053:(1931, with Stephen King-Hall)
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1938:Burials at Brookwood Cemetery
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1351:The Times Literary Supplement
1229:"Beith, John Hay (1876â1952)"
1130:The White Sheep of the Family
642:Beith's prose was praised by
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528:(1924; 319 performances) and
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376:Cover of American edition of
331:The Times Literary Supplement
257:, one of the founders of the
111:Schoolmaster, soldier, writer
1475:Hay, Ian. "America at War",
1235:UK public library membership
290:St John's College, Cambridge
288:. From Fettes he went up to
27:British writer and historian
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1953:British Army major generals
1832:(public domain audiobooks)
1560:"Beith, Maj.-Gen. John Hay"
1033:(1930, with P G Wodehouse),
888:The Post Office went to War
284:, for whom the young Beith
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1496:Successes and Difficulties
997:(1929, with P G Wodehouse)
991:(1928, with P G Wodehouse)
977:(1923, with Seymour Hicks)
652:The First Hundred Thousand
584:Secretary of State for War
534:(1936; 662 performances).
516:(1919; 414 performances),
443:The First Hundred Thousand
406:The First Hundred Thousand
378:The First Hundred Thousand
187:The First Hundred Thousand
135:Drama, novels, non-fiction
1851:Works by or about Ian Hay
1793:Gaye, Freda, ed. (1967).
1600:"Keep Your Seats, Please"
1455:The Call and the Response
1392:, 23 September 1952, p. 3
1353:, 24 October 1907, p. 325
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1287:, 23 September 1952, p. 8
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1362:Election Intelligence",
1313:, 29 October 1934, p. 10
1069:(1933, with A E W Mason)
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574:In 1938 Beith published
1826:Works by John Hay Beith
1753:. Encyclopedia Virginia
1738:(subscription required)
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1690:The Manchester Guardian
1568:(subscription required)
1338:The Manchester Guardian
1311:The Manchester Guardian
1251:, 6 November 1886, p. 8
1249:The Manchester Guardian
1025:(1930, with Guy Bolton)
832:The Great Wall of India
720:, 1911 (illustrated by
550:Keep Your Seats, Please
437:for his conduct in the
421:Les premiers cent mille
402:mentioned in dispatches
259:Free Church of Scotland
1300:, 17 March 1939, p. 38
1296:"The Durham Contest",
1066:A Present from Margate
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1588:"The Little American"
1519:, 27 March 1918, p. 5
1512:, 26 March 1918, p. 5
1505:, 25 March 1918, p. 5
1498:, 23 March 1918, p. 7
1491:, 22 March 1918, p. 5
1484:, 21 March 1918, p. 5
1462:The Army, Old and New
1201:, 21 April 1976, p. 5
995:Baa, Baa, Black Sheep
631:Harriet Beecher Stowe
621:was presented at the
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1943:People from Rusholme
1709:. "At the Theatre",
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1457:, 20 July 1917, p. 5
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1443:, 18 July 1917, p. 5
1436:, 17 July 1917, p. 5
1429:, 16 July 1917, p. 9
1366:, 2 April 1913, p. 8
1146:Notes and references
989:A Damsel in Distress
876:America Comes Across
411:Blackwood's Magazine
176:Cambridge University
1780:. London: Sampson.
1578:Gaye, pp. 1528â1552
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950:Tilly of Bloomsbury
588:Leslie Hore-Belisha
544:The Little American
513:Tilly of Bloomsbury
298:second class degree
1749:Gunter, Donald W.
1636:"The Middle Watch"
1537:, 31 December 2012
1408:The New York Times
1030:Leave It to Psmith
1022:A Song of Sixpence
982:The Sport of Kings
923:Cousin Christopher
858:The King's Service
802:The Poor Gentleman
734:A Knight on Wheels
674:Brookwood Cemetery
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525:The Sport of Kings
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1546:"News in Brief",
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1227:Murray, Patrick.
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894:Peaceful Invasion
838:David and Destiny
814:Their Name Liveth
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362:coalition Liberal
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1924:
1921:
1919:
1916:
1914:
1911:
1909:
1906:
1904:
1901:
1899:
1896:
1894:
1891:
1889:
1886:
1885:
1883:
1874:
1870:
1867:
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1852:
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1842:
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1827:
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1822:
1818:
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1796:
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1783:
1779:
1774:
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1752:
1745:
1735:
1734:
1728:
1722:Gaye, p. 1535
1719:
1712:
1708:
1704:
1698:
1691:
1685:
1678:
1672:
1666:(1962), p. 36
1665:
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1625:
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1596:
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1561:
1556:
1549:
1543:
1536:
1532:
1527:
1520:
1518:
1513:
1511:
1510:Home Troubles
1506:
1504:
1499:
1497:
1492:
1490:
1485:
1483:
1478:
1472:
1465:
1463:
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1339:
1333:
1327:Adcock, p. 98
1324:
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1299:
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1200:
1194:
1190:
1184:
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1177:
1172:
1165:
1164:Edgar Wallace
1159:
1155:
1150:
1149:
1138:
1132:
1131:
1127:
1124:
1123:
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1116:
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880:
877:
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868:
865:
864:Stand at Ease
862:
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852:
848:
845:
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836:
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827:
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664:
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649:
645:
640:
638:
637:
632:
628:
627:Swiss Cottage
624:
620:
613:
608:
599:
597:
596:major-general
593:
589:
585:
581:
577:
572:
570:
569:
564:
563:
558:
557:
552:
551:
546:
545:
540:
535:
533:
532:
527:
526:
521:
520:
515:
514:
509:
505:
504:Edgar Wallace
501:
497:
493:
492:Seymour Hicks
489:
485:
480:
469:
466:
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458:
457:
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448:
444:
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348:
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327:
323:
322:
317:
316:
311:
310:Durham School
308:Beith joined
306:
303:
299:
295:
291:
287:
283:
279:
275:
271:
266:
264:
260:
256:
252:
248:
244:
240:
225:
223:
222:
217:
216:
210:
208:
204:
201:. During the
200:
196:
190:
188:
183:
182:
177:
173:
168:
166:
163:
159:
156:
152:
142:
138:
134:
130:
126:
122:
118:
114:
110:
106:
102:
98:
94:
90:
86:
77:
73:
69:
65:
61:17 April 1876
53:
49:
45:
40:
33:
30:
19:
1794:
1777:
1755:. Retrieved
1744:
1732:
1727:
1718:
1711:The Observer
1710:
1702:
1697:
1689:
1684:
1676:
1671:
1663:
1660:Ralph Arnold
1655:
1643:
1631:
1619:
1607:
1595:
1583:
1574:
1563:
1555:
1547:
1542:
1534:
1526:
1516:
1509:
1502:
1495:
1488:
1481:
1476:
1471:
1461:
1454:
1447:
1440:
1433:
1426:
1421:
1416:
1406:
1397:
1389:
1384:
1376:
1371:
1363:
1358:
1350:
1345:
1337:
1332:
1310:
1305:
1297:
1292:
1284:
1248:
1243:
1199:The Guardian
1198:
1193:
1175:
1171:
1158:
1136:
1128:
1122:Hattie Stowe
1120:
1112:
1104:
1096:
1088:
1080:
1074:Admirals All
1072:
1064:
1056:
1048:
1036:
1028:
1020:
1000:
994:
988:
980:
972:
964:
956:
948:
928:
922:
916:
911:
905:
899:
893:
887:
881:
875:
869:
863:
857:
849:
843:
837:
831:
823:
813:
807:
801:
793:
787:
782:Paid in Full
781:
775:
769:
763:
757:
751:
745:
739:
733:
727:
715:
709:
703:
695:
680:Bibliography
671:
656:
651:
647:
643:
641:
634:
619:Hattie Stowe
618:
616:
579:
575:
573:
566:
562:The 39 Steps
560:
559:(1928), and
556:Tommy Atkins
554:
548:
542:
541:on the film
536:
529:
523:
517:
511:
478:
475:
464:
454:
442:
432:
425:
409:
405:
383:
377:
351:
344:
340:
335:
329:
325:
319:
313:
307:
302:Charterhouse
267:
263:Conservative
246:
236:
219:
215:Hattie Stowe
213:
211:
191:
186:
179:
169:
164:
150:
148:
127:20th century
80:(1952-09-22)
29:
1893:1952 deaths
1888:1876 births
1707:Trewin, J C
1564:Who Was Who
1090:Housemaster
908:, 1939â1945
851:Housemaster
752:Carrying On
710:A Man's Man
663:Petersfield
648:Housemaster
531:Housemaster
500:A E W Mason
424:in France.
315:Housemaster
233:Early years
116:Nationality
89:Petersfield
1882:Categories
1845:Faded Page
1517:The Future
1434:Influences
1185:References
1098:The Gusher
602:Last years
592:War Office
488:Guy Bolton
472:Playwright
282:John Simon
243:Manchester
207:War Office
199:Guy Bolton
108:Occupation
68:Manchester
57:1876-04-17
1869:Portraits
1786:756844151
1703:The Times
1677:The Times
1648:"Ian Hay"
1548:The Times
1535:The Times
1477:The Times
1441:"Der Tag"
1422:The Times
1377:The Times
1364:The Times
1298:The Times
1285:The Times
1237:required)
1176:The Times
974:Good Luck
844:Lucky Dog
667:Hampshire
644:The Times
580:The Times
519:Good Luck
479:The Times
465:The Times
456:The Times
346:The Times
95:, England
93:Hampshire
70:, England
1847:(Canada)
1830:LibriVox
1082:The Frog
400:and was
354:Unionist
294:Classics
251:Liberals
239:Rusholme
172:Classics
162:pen name
100:Pen name
64:Rusholme
1871:in the
1853:at the
1803:5997224
1770:Sources
1757:24 June
1349:"Pip",
661:, near
398:captain
388:in the
334:said, "
165:Ian Hay
140:Subject
119:British
103:Ian Hay
18:Ian Hay
1801:
1784:
1514:; and
1459:; and
1137:
1125:(1947)
1109:(1939)
1101:(1937)
1093:(1936)
1041:(1931)
985:(1924)
969:(1922)
961:(1921)
953:(1919)
929:
902:, 1948
896:, 1946
890:, 1946
884:, 1943
878:, 1942
872:, 1941
866:, 1940
860:, 1938
854:, 1936
846:, 1934
840:, 1934
834:, 1933
828:, 1933
816:, 1931
810:, 1930
804:, 1928
798:, 1926
790:, 1925
784:, 1925
778:, 1924
772:, 1923
766:, 1921
760:, 1918
754:, 1917
748:, 1915
742:, 1914
736:, 1914
730:, 1913
712:, 1909
706:, 1908
700:, 1907
380:, 1916
286:fagged
124:Period
1151:Notes
938:Plays
685:Books
451:major
132:Genre
1864:IMDb
1799:OCLC
1782:OCLC
1759:2015
1015:1958
1013:and
1011:1940
1007:1930
659:Liss
506:and
197:and
85:Liss
75:Died
51:Born
1862:at
1843:at
1828:at
1819:at
697:Pip
447:CBE
341:Pip
336:Pip
326:Pip
321:Pip
247:nÊe
181:Pip
174:at
155:CBE
1884::
1662:.
1562:,
1533:,
1507:;
1500:;
1493:;
1486:;
1479:,
1452:;
1445:;
1438:;
1431:;
1424:,
1405:,
1318:^
1256:^
1206:^
1009:,
676:.
665:,
625:,
586:,
502:,
498:,
494:,
490:,
486:,
364:.
272:,
265:.
241:,
167:.
158:MC
153:,
91:,
87:,
66:,
1805:.
1788:.
1761:.
1521:.
1466:.
1017:)
724:)
59:)
55:(
20:)
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