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333:(Temple of the Supreme Being), as churches were outlawed during the Terror. Pleyel became a naturalized French citizen and thus came to be known as Citoyen (citizen) Pleyel. With his involvement in artistic propaganda and loyalism to the new regime, Pleyel can be seen as the ultimate musical champion of Strasbourg republicanism.
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in Lower
Austria, the son of a schoolmaster named Martin Pleyl. Despite the fact that some sources claim that he had 37 siblings, he was the eighth and last child of his father's first marriage to Anna Theresia née Forster and he had eight more half siblings from his father's second marriage to Maria
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reminisced about playing Pleyel in his childhood in the 1930s: "When I was ten years old, my family string quartet played a lot of Pleyel since it was the only thing easy enough to keep us going. My cello part consisted of unending stretches of quarter notes played on open strings." Pleyel continues
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a total of seven times, due to his foreign status, his recent purchase of a château, and his ties with the
Strasbourg Cathedral. He was subsequently labeled a "Royalist collaborator". The outcome of the committee's attentions could easily have been imprisonment or even execution. With prudent
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wrote, "What composer ever created more of a craze than Pleyel? Who enjoyed a more universal reputation or a more absolute domination of the field of instrumental music? Over more than twenty years, there was no amateur or professional musician who did not delight in his genius."
207:. The cathedral was extremely appealing to Pleyel as it possessed a full orchestra, a choir, and a large budget devoted to performances. After establishing himself in France, Pleyel voluntarily called himself by the French version of his name, Ignace. While he was the assistant
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of London (1791) said that Pleyel "is becoming even more popular than his master , as his works are characterized less by the intricacies of science than the charm of simplicity and feeling." In the mid twentieth century, the harpsichord builder
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Pleyel moved to Paris in 1795. In 1797, he set up a business as a music publisher ("Maison Pleyel"), which among other works produced a complete edition of Haydn's string quartets (1801), as well as the first miniature scores for study (the
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opportunism, Pleyel preserved his future by composing several pieces in honor of the new republic, all of which were written in
Strasbourg around the time of the Terror. Those pieces, with dates of publication and details:
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Pleyel retired in 1824 and moved to the countryside about 50 km outside Paris. He died in 1831, apparently quite aware that his own musical style had been fully displaced by the new
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to be known today as a composer of didactic music. Generations of beginning violin and flute students, for example, learn to play the numerous duets he wrote for those instruments.
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at
Strasbourg Cathedral, he wrote more works than during any other period in his musical career (1783–1793). At the cathedral, he would organize concerts that featured his
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In addition to composing the above works for the
Strasbourg public, Pleyel also contributed to the Parisian music scene during the Revolution. One example is
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219:. In 1788, Pleyel married Françoise-Gabrielle Lefebvre, the daughter of a Strasbourg carpet weaver. The couple had four children, the eldest being their son
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Played on the 1842 Pleyel piano, the 1837 Erard piano and a copy of
Buchholtz piano from ca 1825–1826 made by Paul McNulty. Label: Fryderyk Chopin Institute
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Arthur
Schoonderwoerd. Fryderyk Chopin. Mazurkas, Valses & other dances. Early Piano series. CD 7. Played on Pleyel piano 1836. Label: Alpha Classics.
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247:. In this capacity Pleyel inadvertently played the role of his teacher's rival, as Haydn was at the same time leading the concert series organized by
564:, in which Chopin performed his first—and also his last—Paris concerts. In September 2009 a replica of the 1830 model of Pleyel's piano was built by
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abolished musical performances in church as well as public concerts. Seeking alternative employment, Pleyel traveled to London, where he led the "
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Les
Allemands, les Hollandais, les Scandinaves. Histoire de la formation de la population française: Les étrangers en France sous l'ancien régime
357:, "musical library"). The publishing business lasted for 39 years and published about 4,000 works during this time, including compositions by
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439:, and several operas. Many of these works date from the Strasbourg period; Pleyel's production tailed off after he had become a businessman.
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In his own time, Pleyel's reputation rested at least in part on the undemanding character of his music. A reviewer writing in the
483:(2005) describes a "craze for his music c. 1780–1800", and quotes a number of contemporary witnesses to this surge. For instance
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Patrick
Schneyder. Franz Liszt. Mazeppa. Early piano series. CD 10. Played on Pleyel piano 1846. Label: Alpha Classics.
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Like Haydn, Pleyel made a fortune during his time in London. On his return to
Strasbourg, he bought a large house, the
126:, born 13 years later, Pleyel benefited in his study from the sponsorship of aristocracy, in this case Count Ladislaus
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74:), and was educated there; in his mid-twenties he moved to France, and was based in France for the rest of his life.
1098:"Science" was often used at the time to mean "sophisticated knowledge", rather than in its more narrow modern sense.
548:(1788–1855), a piano virtuoso who became his father's business partner as of 1815. The firm provided pianos used by
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Pleyel's fame even reached the then-remote musical regions of America. There was a Pleyel Society on the island of
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Dictionnaire de biographie des hommes célèbres de l'Alsace depuis les temps les plus reculés jusqu'à nos jours
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227:, née Moke (1811–1875), the future wife of Camille, became one of the most accomplished pianists of her time.
130:(1746–1786). Pleyel evidently had a close relationship with Haydn, who considered him to be a superb student.
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by Stephen Birkett of the University of Waterloo; includes pictures of Pleyel and of historical Pleyel pianos
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309:("Hymn sung in the Temple of Reason") for choir with piano accompaniment. (1793 or 1794; dates disputed)
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in 1793 and 1794, life in France became dangerous for many, including Pleyel. He was brought before the
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for Count Erdődy, although this is not known for certain. Among his early publications was a set of six
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Bibliographie de l'histoire de Paris pendant la révolution française. Monuments, moeurs et institutions
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66:; 18 June 1757 – 14 November 1831) was an Austrian composer, music publisher and piano builder of the
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Collection of over 200 early printed and manuscript scores in the University of Iowa Digital Library
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Sonata in B minor, Ballade in F minor, Polonaises, Mazurkas. Karol Kurpinski. Polonaise in D minor.
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Most of these compositions debuted at the Strasbourg Cathedral, which was known at the time as the
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tunebooks. Pleyel's work is twice represented in the principal modern descendant of these books,
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251:. Although the two composers were rivals professionally, they remained on good terms personally.
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and in Vienna. Pleyel apparently also wrote at least part of the overture of Haydn's opera
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Played on a copy of the 1830 Pleyel piano made in 2010 by Paul McNulty. Label: Passacaille
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and liturgical music. After Richter's death in 1789, Pleyel assumed the function of full
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In 1807, Pleyel became a manufacturer of pianos; for more on the Pleyel piano firm, see
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Played on the 1848 Pleyel and the 1838 Erard pianos. Label: Fryderyk Chopin Institute
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Attracted to the benefits associated with an organist position, Pleyel moved to
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303:") for solo and three-voice choir with piano accompaniment. (19 February 1794)
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Pleyel visited Vienna on business in 1805, meeting his now elderly mentor
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Benton, Rita (1966). "London Music in 1815, as Seen by Camille Pleyel",
849:. Vol. 21 (11th ed.). Cambridge University Press. p. 840.
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Pleyel is one instance of the phenomenon of a composer (others include
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315:("Hymn to the Supreme Being") two part cantata (performed 8 June 1794)
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In the early 1780s, Pleyel visited Italy, where he composed an opera (
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Honegger, Geneviève (1987). "Pleyel à Strasbourg durant La Terreur".
1157:"I Międzynarodowy Konkurs Chopinowski na Instrumentach Historycznych"
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452:, Op. 56a, was probably composed not by Haydn — but by Ignaz Pleyel.
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external links, and converting useful links where appropriate into
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1123:""70. To Tytus Wojciechowski in Poturzyń. Paris, 12 December 1831"
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Played on the 1848 Pleyel piano. Label: Fryderyk Chopin Institute
479:) who was very famous in his own time but currently is obscure.
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Played on the original 1843 upright Pleyel piano. Label: NIFCCD
134:
141:, (1776) performed in the marionette theater at the palace of
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Anna née Placho. While still young, he probably studied with
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was founded by Ignace Pleyel and continued by Pleyel's son
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of the Ignaz Pleyel Museum (in German); includes biography
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The dates of the composition were originally given in the
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1st International Chopin Competition on Period Instruments
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Pleyel was prolific, composing at least 42 symphonies, 70
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1036:. Scarecrow Presspublication-place=Lanham. p. 466.
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Chopin, Bach, Mozart, Beethoven: at Chopin’s home piano.
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Recent scholarship has suggested that the theme for the
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768:"Internationale Ignaz Joseph Pleyel Gesellschaft (IPG)"
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Viviana Sofronitsky, Sergei Istomin. Frederyk Chopin.
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Played on the 1845 Pleyel piano. Label: Piano Classics
325:") for soloists, choir, and orchestra (10 August 1794)
152:
Pleyel's first professional position may have been as
91:
His birthplace in Ruppersthal, Lower Austria, now the
1982:
1141:. New York: Alfred A. Knopf. p. 158 – via
812:. Vol. 3. New York: Macmillan. 1910. p. 773
268:, about 35 km south of the city, between nearby
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naxos.com/composerinfo/Ignaz_Joseph_Pleyel/22774.htm
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Piano Concertos No 1 & 2. Version for one piano.
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Among Pleyel's apprentice work from this time was a
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1016:Benton, Rita (1979). "Pleyel as Music Publisher",
616:Played on a copy of the 1830 Pleyel piano made by
1265:may not follow Knowledge's policies or guidelines
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30:"Pleyel" redirects here. For the piano firm, see
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1074:(London: Macmillan, 1980), vol. 11, pp. 753–756.
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784:. Kirchengemeinde Ruppersthal. 1784. p. 263
171:) and works commissioned by the king of Naples,
1398:Pianola Institute Factsheet – The Pleyela Piano
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1067:The New Grove Dictionary of Music and Musicians
27:Austrian composer and piano builder (1757–1831)
1356:, a Paris concert hall built in the late 1920s
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1032:Cooper, John Michael; Kinnett, Randy (2013).
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1019:Journal of the American Musicological Society
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307:Hymne de Pleyel chanté au Temple de la Raison
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2067:19th-century French male classical pianists
2042:18th-century French male classical pianists
1349:21st century update on pianos & company
1212:. Ann Arbor, Michigan: Steglein Publishing.
553:
1484:
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1428:Karadar Classical Music Dictionary article
1413:soudoplatoff.net/pianos/piano.php?cpno=278
70:. He grew up in Austria (then part of the
1328:International Music Score Library Project
1319:International Music Score Library Project
1301:Learn how and when to remove this message
1210:Ignaz Pleyel: Six String Quartets, Opus 1
809:Grove's Dictionary of Music and Musicians
602:. Beranger. Chansons. Pleyel 1845 piano.
231:French Revolution and The Reign of Terror
1393:Pleyel page at the Michael Haydn project
1382:Pleyel in the grand piano – photoarchive
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1111:(New York: October House, 1969), p. 162.
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1034:Historical Dictionary of Romantic Music
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114:, and from 1772 he became the pupil of
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1315:List of Pleyel works by Benton number
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552:, who considered Pleyel pianos to be
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2087:Emigrants from the Holy Roman Empire
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995:. All were in revolutionary Year II.
587:Ballades Nos 1–4/Impromptus Nos 1–4.
195:, France, in 1783 to work alongside
2077:Austrian Classical-period composers
1423:classical-composers.org/comp/pleyel
782:"Kirchenbuch Ruppersthal 1733–1784"
665:Complete works for cello and piano.
24:
952:, 2nd ed. (Rixheim: Sutter, 1909).
899:, 2nd ed. (Paris: Champion, 1921).
560:. It also ran a concert hall, the
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2102:French Classical-period composers
2097:Burials at Père Lachaise Cemetery
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1064:Hill, Cecil. "Masonic music", in
991:, and 10 August 1794 was 23
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2127:Austrian male classical pianists
2057:19th-century classical composers
2037:18th-century classical composers
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1966:
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1453:Copy of a Pleyel piano from 1830
1403:annales.org/archives/x/lyon.html
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683:Tomasz Ritter. Fryderyk Chopin.
2122:French male classical composers
2072:18th-century Austrian composers
1502:List of Classical-era composers
1447:The Piano in Polish Collections
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568:which is now in the collection
983:. 19 February 1794 was 1
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572:in Warsaw and was used in the
526:Pleyel pianos and Salle Pleyel
445:Variations on a Theme by Haydn
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1:
2062:19th-century French composers
2047:18th-century French composers
1236:. Paris: Imprimerie Nouvelle.
1224:. Paris: Librairie Delagrave.
981:French revolutionary calendar
691:
656:Dina Yoffe. Fryderyk Chopin.
585:Yuan Sheng. Frederic Chopin.
579:
400:for a final time and hearing
840:"Pleyel, Ignaz Joseph"
455:Pleyel also wrote music for
149:, from about the same time.
46:Ignaz (Ignace) Joseph Pleyel
7:
2082:Austrian classical pianists
1324:Free scores by Ignaz Pleyel
1222:Histoire de la Marseillaise
638:Chopin Evening Around 1831
423:in music. He was buried in
323:The Revolution of August 10
10:
2158:
2107:Composers of masonic music
987:; 8 June 1791 was 20
861:"The Danish Haydn Project"
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289:Committee of Public Safety
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1370:Web site on Pleyel pianos
1121:Chopin, Frédéric (1931).
604:Early Piano series. CD 5.
570:Fryderyk Chopin Institute
463:Reputation and assessment
2142:String quartet composers
1408:soudoplatoff.org/musique
331:Temple de l'Être Suprême
319:La Révolution du 10 août
846:Encyclopædia Britannica
387:Wolfgang Amadeus Mozart
379:Johann Ladislaus Dussek
213:symphonies concertantes
77:
2137:Pupils of Joseph Haydn
1899:Common practice period
1139:Voynich, Ethel Lillian
1109:The Modern Harpsichord
1107:Zuckermann, Wolfgang.
804:"Pleyel, Ignaz Joseph"
705:"Ignace Joseph Pleyel"
606:Label: Alpha Classics.
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425:Père Lachaise Cemetery
313:Hymne à l'Être Suprême
283:With the onset of the
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95:
42:
1862:Turkish music (style)
1516:First Viennese School
724:Benton, Rita (2001).
612:. Felix Mendelssohn.
485:François-Joseph Fétis
383:Johann Nepomuk Hummel
375:Johann Baptist Cramer
355:Bibliothèque musicale
348:Pleyel as businessman
259:Château d'Ittenwiller
241:Professional Concerts
186:
112:Johann Baptist Wanhal
90:
40:
2092:Immigrants to France
1909:Age of Enlightenment
1387:Salle Pleyel Renewed
1360:Sheet music editions
1337:has compositions by
1271:improve this article
1186:Revue de musicologie
1022:, 32:1, pp. 125–140.
867:on 27 September 2007
367:Ludwig van Beethoven
338:Le Jugement de Pâris
249:Johann Peter Salomon
205:Strasbourg Cathedral
187:Strasbourg Cathedral
179:Strasbourg 1783–1795
147:Das abgebrannte Haus
2117:Composers for piano
1821:Classical orchestra
1283:footnote references
1208:(2005). "Preface".
1127:Tytus Woyciechowski
926:Music & Letters
726:"Pleyel family (i)"
593:Freddy Eichelberger
519:Wolfgang Zuckermann
344:) on 5 March 1793.
197:Franz Xaver Richter
41:Ignaz Joseph Pleyel
1438:2009-12-26 at the
730:Grove Music Online
297:La Prise de Toulon
217:maître de chapelle
209:maître de chapelle
201:maître de chapelle
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169:Ifigenia in Aulide
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1980:
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1230:Tourneux, Maurice
1043:978-0-8108-7230-1
939:Sitzmann, Édouard
747:978-1-56159-263-0
627:Janusz Olejniczak
495:off the coast of
301:capture of Toulon
237:French Revolution
72:Holy Roman Empire
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465:
450:Johannes Brahms
437:string quartets
433:
417:
350:
285:Reign of Terror
261:
243:" organized by
233:
181:
158:string quartets
102:
98:He was born in
85:
80:
58:
49:
35:
28:
23:
22:
15:
12:
11:
5:
2155:
2145:
2144:
2139:
2134:
2129:
2124:
2119:
2114:
2109:
2104:
2099:
2094:
2089:
2084:
2079:
2074:
2069:
2064:
2059:
2054:
2049:
2044:
2039:
2034:
2029:
2014:
2013:
2001:
1978:
1977:
1975:
1974:
1964:
1949:Romantic music
1946:
1938:
1937:
1934:
1933:
1931:
1930:
1929:
1928:
1927:
1926:
1921:
1916:
1901:
1895:
1893:
1889:
1888:
1886:
1885:
1880:
1878:Notes inégales
1874:
1872:
1868:
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1865:
1864:
1859:
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1828:
1826:String quartet
1823:
1817:
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1811:
1810:
1808:
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1802:
1797:
1792:
1787:
1782:
1777:
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1707:
1702:
1697:
1695:Martín y Soler
1692:
1687:
1682:
1677:
1672:
1667:
1662:
1657:
1652:
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1637:
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1459:
1450:
1442:
1430:
1425:
1420:
1415:
1410:
1405:
1400:
1395:
1390:
1389:with biography
1384:
1379:
1373:
1367:
1357:
1351:
1346:
1341:
1331:
1321:
1309:
1308:
1263:external links
1258:
1256:
1249:
1243:
1242:External links
1240:
1239:
1238:
1226:
1214:
1202:
1173:
1172:
1148:
1113:
1100:
1091:
1076:
1057:
1042:
1024:
1009:
997:
972:
954:
931:
916:
912:Tiersot (1915)
901:
878:
852:
837:, ed. (1911).
835:Chisholm, Hugh
823:
795:
773:
759:
746:
716:
695:
693:
690:
689:
688:
681:
678:
675:
668:
661:
654:
647:
624:
607:
590:
581:
578:
556:non plus ultra
527:
524:
514:Morning Herald
464:
461:
432:
431:Pleyel's music
429:
416:
413:
391:Georges Onslow
371:Muzio Clementi
349:
346:
327:
326:
316:
310:
304:
245:Wilhelm Cramer
232:
229:
180:
177:
139:Die Fee Urgele
84:
81:
79:
76:
26:
9:
6:
4:
3:
2:
2154:
2143:
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2138:
2135:
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2123:
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2112:Erdődy family
2110:
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2012:
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2000:
1990:
1989:
1986:
1973:
1969:
1965:
1963:
1955:
1954:
1951:
1950:
1944:
1943:
1942:Baroque music
1935:
1925:
1922:
1920:
1917:
1915:
1912:
1911:
1910:
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1760:Saint-Georges
1758:
1756:
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1601:
1598:
1596:
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1591:
1590:C. P. E. Bach
1588:
1586:
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1579:
1576:
1574:
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1556:
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1371:
1368:
1365:
1361:
1358:
1355:
1352:
1350:
1347:
1345:
1344:Pleyel pianos
1342:
1340:
1336:
1332:
1329:
1325:
1322:
1320:
1316:
1313:
1312:
1305:
1302:
1294:
1284:
1280:
1279:inappropriate
1276:
1272:
1266:
1264:
1257:
1248:
1247:
1235:
1231:
1227:
1223:
1219:
1215:
1211:
1207:
1203:
1200:(1): 113–119.
1199:
1195:
1192:
1187:
1181:
1180:
1179:
1178:
1162:
1158:
1152:
1144:
1140:
1136:
1132:
1128:
1124:
1117:
1110:
1104:
1095:
1089:, p. vii
1088:
1083:
1081:
1073:
1072:Stanley Sadie
1069:
1068:
1061:
1053:
1049:
1045:
1039:
1035:
1028:
1021:
1020:
1013:
1006:
1001:
994:
990:
986:
982:
976:
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965:
963:
961:
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951:
945:
940:
935:
928:
927:
920:
913:
908:
906:
898:
892:
887:
882:
866:
862:
856:
848:
847:
841:
836:
830:
828:
811:
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783:
777:
769:
763:
749:
743:
739:
735:
731:
727:
720:
706:
700:
696:
686:
682:
679:
676:
673:
672:4 Impromptus.
669:
666:
662:
659:
655:
652:
648:
646:
642:
635:
631:
628:
625:
623:
619:
615:
611:
608:
605:
599:
594:
591:
588:
584:
583:
577:
575:
571:
567:
563:
558:
557:
551:
547:
543:
542:Pleyel et Cie
537:
533:
532:Pleyel et Cie
523:
520:
515:
510:
508:
507:
502:
498:
497:Massachusetts
494:
489:
486:
482:
478:
474:
470:
460:
458:
453:
451:
447:
446:
440:
438:
428:
426:
422:
412:
410:
409:Pleyel et Cie
405:
403:
399:
394:
392:
388:
384:
380:
376:
372:
368:
364:
360:
356:
345:
343:
342:Étienne Méhul
339:
334:
332:
324:
320:
317:
314:
311:
308:
305:
302:
298:
295:
294:
293:
290:
286:
281:
279:
275:
271:
265:
260:
257:
252:
250:
246:
242:
238:
235:In 1791, the
228:
226:
222:
218:
214:
210:
206:
202:
198:
194:
185:
176:
174:
170:
165:
163:
159:
155:
154:Kapellmeister
150:
148:
144:
140:
136:
131:
129:
125:
121:
117:
113:
106:
101:
94:
93:Pleyel Museum
89:
75:
73:
69:
64:
55:
47:
39:
33:
32:Pleyel et Cie
19:
18:Ignace Pleyel
2132:Piano makers
1947:
1940:
1842:Galant music
1729:
1457:Paul McNulty
1446:
1354:Salle Pleyel
1339:Ignaz Pleyel
1297:
1291:January 2024
1288:
1273:by removing
1260:
1233:
1221:
1209:
1197:
1184:
1176:
1175:
1164:. Retrieved
1160:
1151:
1134:
1116:
1108:
1103:
1094:
1087:Keefe (2005)
1065:
1060:
1033:
1027:
1017:
1012:
1000:
975:
949:
934:
924:
919:
896:
881:
869:. Retrieved
865:the original
855:
844:
814:. Retrieved
807:
798:
786:. Retrieved
776:
762:
751:. Retrieved
729:
719:
708:. Retrieved
699:
637:
618:Paul McNulty
566:Paul McNulty
562:Salle Pleyel
541:
539:
536:Salle Pleyel
513:
511:
504:
490:
466:
454:
443:
441:
434:
418:
406:
395:
359:Adolphe Adam
354:
351:
337:
335:
330:
328:
318:
312:
306:
296:
282:
280:department.
270:Saint-Pierre
253:
234:
225:Marie Pleyel
216:
208:
190:
168:
166:
151:
146:
138:
132:
116:Joseph Haydn
97:
45:
44:
2032:1831 deaths
2027:1757 births
1660:Hoffmeister
1630:Dittersdorf
1189: [
942: [
914:, p. .
889: [
622:BIS Records
596: [
421:Romanticism
262: [
173:Ferdinand I
162:Opus number
103: [
100:Ruppersthal
83:Early years
2021:Categories
1904:Classicism
1892:Background
1871:Techniques
1847:Intermezzo
1805:Zingarelli
1710:Mysliveček
1605:Boccherini
1595:J. C. Bach
1578:J. Stamitz
1573:C. Stamitz
1317:: at the
1166:2021-06-19
1129:]. In
1125:[i.e.
871:1 November
816:1 November
753:2021-06-19
710:2022-07-06
692:References
634:B000026D1L
580:Recordings
501:shape note
427:in Paris.
274:Eichhoffen
193:Strasbourg
143:Eszterháza
122:. As with
120:Eisenstadt
1999:Biography
1919:Economics
1852:Pastorale
1800:Wranitzky
1720:Paisiello
1705:L. Mozart
1610:Cherubini
1553:Cannabich
1521:Beethoven
1509:Composers
1275:excessive
1052:841206059
993:Thermidor
643:. Label:
620:. Label:
493:Nantucket
473:Meyerbeer
469:Cherubini
459:rituals.
402:Beethoven
164: 1.
124:Beethoven
1962:Category
1939: ←
1755:Sacchini
1725:Piccinni
1680:Kreutzer
1675:Koželuch
1655:M. Haydn
1650:Gyrowetz
1620:Clementi
1615:Cimarosa
1600:G. Benda
1536:Schubert
1436:Archived
1376:Web site
1366:Editions
1232:(1900).
1220:(1915).
1161:iccpi.eu
989:Prairial
645:Opus 111
477:Thalberg
278:Bas-Rhin
1985:Portals
1952:→
1924:Physics
1785:Traetta
1765:Salieri
1750:Rosetti
1685:Krommer
1568:Richter
1364:Artaria
1330:(IMSLP)
1326:at the
1269:Please
1261:use of
1177:Sources
1133:(ed.).
985:Ventôse
788:29 July
546:Camille
457:masonic
415:Old age
276:in the
221:Camille
203:at the
59:German:
50:French:
1972:Portal
1835:Genres
1795:Wanhal
1790:Viotti
1735:Reicha
1730:Pleyel
1715:Neruda
1690:Kuhlau
1665:Hummel
1645:Gossec
1635:Dussek
1625:Czerny
1563:Fränzl
1531:Mozart
1070:, ed.
1050:
1040:
744:
640:Pleyel
632:
475:, and
404:play.
389:, and
299:("The
256:moated
199:, the
160:, his
137:opera
135:puppet
128:Erdődy
1780:Spohr
1775:Soler
1770:Sarti
1700:Méhul
1670:Kraus
1640:Gluck
1526:Haydn
1362:from
1193:]
946:]
893:]
600:]
481:Keefe
448:, by
398:Haydn
266:]
107:]
1745:Rode
1740:Ries
1585:Abel
1558:Fils
1548:Beck
1333:The
1048:OCLC
1038:ISBN
873:2009
818:2009
790:2022
742:ISBN
630:ASIN
534:and
272:and
78:Life
1914:Art
1455:by
1277:or
734:doi
118:in
2023::
1198:73
1196:.
1191:fr
1159:.
1079:^
1046:.
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948:.
944:fr
904:^
895:.
891:fr
843:.
826:^
806:.
740:.
732:.
728:.
636:,
598:fr
576:.
509:.
471:,
411:.
393:.
385:,
381:,
377:,
373:,
369:,
365:,
361:,
321:("
264:fr
223:.
175:.
105:de
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1987::
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1478:t
1471:v
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1298:(
1293:)
1289:(
1285:.
1267:.
1169:.
1145:.
1054:.
1007:.
875:.
820:.
792:.
770:.
756:.
736::
713:.
48:(
34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
