555:("Jewry in Music"), which he did by requesting the resignation from the Conservatory's board of Wagner's editor, Brendel. Like Mendelssohn, Moscheles believed that music had reached its Golden Age during the period Bach to Beethoven, and was suspicious of (although not necessarily antagonistic towards) new directions such as those shown by Wagner, Liszt and Berlioz. Nevertheless, his personal relations with all of these (except perhaps Wagner) remained cordial. The Mendelssohn legacy in Britain meant that the Leipzig Conservatory had a high reputation amongst English musicians and amongst those who studied there during Moscheles's time were
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430:. His comments on meeting them were: "This is a family the like of which I have never known. Felix, a boy of fifteen is a phenomenon. What are all prodigies compared with him? ... He is already a mature artist. His elder sister Fanny is also extraordinarily gifted." Shortly afterwards he wrote: "This afternoon ... I gave Felix Mendelssohn his first lesson, without losing sight for a moment of the fact that I was sitting next to a master, not a pupil."
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merchant family. His first name was originally Isaac. His father played the guitar and was keen for one of his children to become a musician. Initially his hopes fixed on Ignaz's sister, but when she demurred, her piano lessons were transferred to her brother. Ignaz developed an early passion for the
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Much of what is known about
Moscheles's life is derived from the biography, with selections from his diaries and correspondence, written after his death by his wife, Charlotte, and published in Germany in 1872; an English edition appeared the following year. The book also gives lively portraits of
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More recently, with the modest but noticeable revival of interest in compositions by this composer and those of his colleagues, more of
Moscheles's works are being made accessible on compact disc, especially by small and independent record labels. All the completed piano concerti and fantasias for
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Thus began a relationship of extraordinary intensity which lasted throughout and beyond
Mendelssohn's life (he died in 1847). Moscheles was instrumental in bringing Felix to London for the first time in 1829 – Abraham entrusted Felix to his care for this visit. Moscheles had carefully prepared for
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in 1843 he was keen to attract his friend
Moscheles there as a colleague, promising him ample time in his schedules for concertising and music-making. After several years, Moscheles gladly accepted the position in 1846. He became a longstanding and prominent member of the Conservatory faculty,
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and the
Philharmonic Society, advising them of the talents of European musicians he encountered on his own concert-tours. When Smart himself toured Europe in 1825 looking for new music and musicians for the Society, Moscheles furnished Smart with a list of contacts and letters of introduction,
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Mendelssohn's great success in
England from 1829 until the end of his life also reflected well on his friend. Although Moscheles's music was now being looked on as a little old-fashioned, he was heavily in demand as a music teacher and included amongst his pupils many children of the rich and
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in 1814–15. His wife noted that he was a member of the congregation in Vienna, and that he wrote for the Vienna Jewish community an oratorio celebrating the peace. Throughout his life, like many other musicians of Jewish origin, he remained close to other musicians of similar descent such as
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In 1827, Moscheles acted as intermediary between the
Philharmonic Society and the dying Beethoven. He helped persuade the Society to send Beethoven desperately needed funds during the composer's illness. In return, Beethoven offered to write for the Society his (uncompleted)
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including both
Beethoven and Mendelssohn. In Prague, Moscheles's brother acted as Smart's guide. Smart visited the Mendelssohns in Berlin and was impressed with both Felix and Fanny. This eventually led to Mendelssohn's invitation to conduct at the Society on his 1829 visit.
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Although throughout this period
Moscheles continued to write music and travel on concert tours, he depended heavily on teaching for income, and this placed him under considerable stress. When therefore Mendelssohn established a
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it was whispered that the two old Grands in the pianoforte-room of the
Conservatorium were wont to rehearse Mendelssohn's D minor Concerto all alone by themselves, from 12.30 on Sunday night until cock-crow! Force of habit,
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was fired to become a piano virtuoso himself. But Moscheles found an especially warm welcome in London, where in 1822 he was awarded an honorary membership of the London Academy of Music (later to become the
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Moscheles notably reintroduced the harpsichord as a solo recital instrument. He also often performed in concert with Mendelssohn in London (and elsewhere) – one great favourite of both musicians were
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While in Vienna, Moscheles was able to meet his idol Beethoven, who was so impressed with the young man's abilities that he entrusted him with the preparation of the piano score of his opera
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it. In London, apart from becoming a regular and successful performer as well as a musical adviser for the soirées of the Rothschilds, he had become an invaluable aid for
476:'s biography of Beethoven into English. He was an early exponent of the piano recital – the concert of music for piano alone, the innovation of which is disputed between
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After his Viennese period there followed for Moscheles a sensational series of European concert tours – it was after hearing Moscheles play at Carlsbad that the boy
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in 1832. He never disavowed his Jewish origins and frequently took his family to visit his relatives in Prague, all of whom had retained their Jewish allegiances.
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for composition. At this time he changed his first name from "Isaac" to "Ignaz". He was one of the leading virtuosi resident in Vienna during the 1814–1815
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Moscheles never ceased to promote the music of Beethoven and gave many recitals of his music: in 1832 he conducted the London premiere of Beethoven's
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His children, two sons and three daughters, were all baptised at birth and he and his wife were baptised in 1832. They were parents to the painters
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his era and of his musical contemporaries. The diaries themselves are lost. Another important source is the correspondence between Moscheles and
491:'s concerti for multiple keyboard instruments. On these occasions Mendelssohn and Moscheles were renowned for vying with each other in impromptu
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that continued to be studied by advanced students even as Moscheles's music fell into eclipse. There are also some song settings.
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in London on 14 March 1839, three years after Liszt had performed it for an invited audience in Paris.
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The Conservatory became in effect a shrine to Mendelssohn's musical legacy. The critic and pianist
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Moscheles died in Leipzig on 10 March 1870, nine days after attending his last rehearsal with the
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on folk songs. The main theme of the finale of his fourth piano concerto is based on the tune "
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synagogue in 1825. Nonetheless, after he settled in England, Moscheles became a member of the
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has also recorded the first six and included a pair of variations not recorded by Shelley.
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after the latter's snide attack on Mendelssohn (and Meyerbeer) in his notorious article
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Among his 142 opus numbers, Moscheles wrote a number of symphonic works. Apart from an
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Jewry in Music: Entry to the Profession from the Enlightenment to Richard Wagner
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and Moscheles. Moscheles gave the first fully public performance of Beethoven's
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that has been recorded), and a large number of works for piano solo, including
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in 1808. His abilities were such that he was able to study in the city under
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and started work on his Piano Concerto No. 4 (Op. 64). On an excursion to
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Dickens, Journalism, Music: 'Household Words' and 'All the Year Round'
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Before that, however, in 1824, he had accepted an invitation to visit
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Through his Dickens descendants, he is a great-grandfather of Admiral
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Academic staff of the University of Music and Theatre Leipzig
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Letters of Felix Mendelssohn to Ignaz and Charlotte Moscheles
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612:". Moscheles also left several chamber works (including a
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Ignaz Moscheles and the Changing World of Musical Europe
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Ignaz Moscheles and the Changing World of Musical Europe
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It thus fell to Moscheles to lead the counter-attack on
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aristocratic classes. He was also appointed "Pianist to
223:. Among the virtuosi of the 1820s, Hummel, Kalkbrenner,
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Moscheles, C. (tr. A. D. Coleridge), vol. 1, pp. 71–2.
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After his father's early death, Moscheles settled in
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www.periodpiano.com/Stock/images/large/Moscheles.htm
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122:; 23 May 1794 – 10 March 1870) was a
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363:and a great-great-great-great-grandfather of actor
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1222:. Vol. 18 (11th ed.). 1911. p. 890.
400:. Moscheles was also a student of Muzio Clementi.
104:Klara Popper (Lieben) and Joachim Moises Moscheles
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2328:Honorary members of the Royal Academy of Music
956:The Other Dickens: A Life of Catherine Hogarth
863:Kroll (2014), pp. 8–9; Conway (2011), p. 129.
403:In March 1823, Moscheles paid a long visit to
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1088:"Beethoven's Hammerklavier Sonata – Part Two"
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926:Bledsoe, Robert Terrell (9 February 2012).
752:Moscheles, Charlotte, tr. A. D. Coleridge,
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744:: CS1 maint: location missing publisher (
711:: CS1 maint: location missing publisher (
529:teaching piano there for several decades.
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1205:www.karadar.com/Dictionary/moscheles.html
1194:www.classical-composers.org/comp/moschele
1188:International Music Score Library Project
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628:piano and orchestra are available on the
16:Bohemian pianist and composer (1794–1870)
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130:and composer. He was based initially in
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580:List of compositions by Ignaz Moscheles
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340:, also a painter, married the composer
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677:Anon. (1898). "Edward Dannreuther" in
37:Moscheles, from a portrait by his son
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1228:Piano Concerto No.3 in G minor Op.58
953:Nayder, Lillian (15 February 2012).
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172:(then revolutionary) piano music of
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993:"The Wire – April 2021 (Issue 446)"
268:Moscheles married Charlotte Emden (
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1207:Karadar Classical Music Dictionary
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2283:19th-century Czech male musicians
1235:, Part 1 of 4: Allegro moderato.
1175:Works by or about Ignaz Moscheles
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379:Mendelssohn and the London period
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1033:Noorduin, Marten (17 May 2021).
902:"Rosen, Georg Friedrich Wilhelm"
244:, commissioned by his publisher
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759:Moscheles, Felix (ed.) (1888).
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235:were his most famous rivals.
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1152:C. Moscheles (1873), 2 vols.
959:. Cornell University Press.
638:Tasmanian Symphony Orchestra
568:Leipzig Gewandhaus Orchestra
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1290:List of Romantic composers
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119:[ˈɪɡnaːtsˈmɔʃələs]
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768:Moscheles, Felix (1899).
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254:O Mensch, hilf dir selber
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1213:"Moscheles, Ignaz"
1166:Works by Ignaz Moscheles
1134:Kroll (2014), pp. 174–5.
907:Neue Deutsche Biographie
807:. Boydell & Brewer.
683:39/688 (1 October 1898).
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2353:Male classical pianists
1219:Encyclopædia Britannica
877:Robert Eitner (1885), "
845:Kroll (2014), pp. 6–20.
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2358:Musicians from Leipzig
2159:Common practice period
1241:Philharmonia Hungarica
1196:Work List of Moscheles
1125:Conway (2011), p. 194.
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982:Conway (2011), p. 106.
900:Gregor Pelger (2005),
854:Conway (2011), p. 129.
687:Conway, David (2011).
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361:Gerald Charles Dickens
346:Henry Fielding Dickens
334:Friedrich August Rosen
307:Rothschilds in England
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1116:Anon. (1898), p. 647.
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250:Fine mit gottes Hülfe
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155:Early life and career
115:German pronunciation:
111:Isaac Ignaz Moscheles
54:Isaac Ignaz Moscheles
2196:Romantic nationalism
2142:War of the Romantics
1045:(caab005): 129–145.
801:Kroll, Mark (2014).
720:Kroll, Mark (2014).
515:Moscheles in Leipzig
482:Hammerklavier Sonata
472:, and he translated
348:, the son of author
209:Alexander Variations
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2109:Musical nationalism
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932:. A&C Black.
827:Kroll (2014), 1–3
754:Life of Moscheles
731:978-1-843-83935-4
698:978-1-107-01538-8
632:label, played by
507:The Leipzig years
319:Church of England
287:Felix Mendelssohn
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461:Windsor Castle
445:Tenth Symphony
394:Muzio Clementi
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1811:Rachmaninoff
1740:
1566:Gretchaninov
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1093:12 September
1091:. Retrieved
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144:Conservatory
110:
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78:(1870-03-10)
18:
2268:1870 deaths
2263:1794 births
2164:Romanticism
1946:Tchaikovsky
1881:R. Schumann
1876:C. Schumann
1861:Saint-Saëns
1756:Niedermeyer
1646:Leoncavallo
1616:Kalkbrenner
1391:Bortkiewicz
1245:Othmar Mága
1039:Early Music
659:Mendelssohn
365:Harry Lloyd
338:Jelka Rosen
330:Georg Rosen
221:Kalkbrenner
64:23 May 1794
2303:Czech Jews
2257:Categories
2152:Background
2053:Intermezzo
1986:Wieniawski
1966:Vieuxtemps
1931:R. Strauss
1856:Rubinstein
1781:Paderewski
1751:Mussorgsky
1746:Moszkowski
1721:Mercadante
779:References
646:Ian Hobson
642:Piers Lane
614:piano trio
602:variations
578:See also:
60:1794-05-23
1766:Offenbach
1741:Moscheles
1736:Moniuszko
1731:Meyerbeer
1686:Marschner
1671:MacDowell
1486:Donizetti
1431:Cherubini
1421:Chaminade
1346:Beethoven
1331:Balakirev
1321:Atterberg
1299:musicians
1061:0306-1078
774:. London.
765:, London.
740:cite book
707:cite book
606:fantasias
541:probably.
174:Beethoven
101:Parent(s)
88:Charlotte
2232:Category
2209: ←
2088:Symphony
1951:Thalberg
1916:Spontini
1891:Sibelius
1886:Scriabin
1871:Schubert
1866:Sarasate
1831:Respighi
1826:Reinecke
1786:Paganini
1696:Massenet
1691:Masarnau
1676:Madetoja
1621:Kreisler
1611:Kalivoda
1556:J. Gomis
1541:Glazunov
1536:Giuliani
1426:Chausson
1416:Chadwick
1406:Bruckner
620:and the
594:symphony
586:overture
497:Thalberg
493:cadenzas
409:Somerset
128:virtuoso
124:Bohemian
93:Children
2222:→
2184:Science
2063:Mazurka
2038:Ballade
1971:Voříšek
1941:Tárrega
1936:Taneyev
1896:Smetana
1851:Rossini
1806:Puccini
1801:Prudent
1761:Nielsen
1726:Méreaux
1701:Medtner
1666:Lysenko
1636:Lachner
1601:Joachim
1581:Herbert
1501:Farrenc
1466:Delibes
1441:Crusell
1386:Borodin
1376:Berwald
1366:Berlioz
1356:Bennett
1351:Bellini
1336:Bazzini
1316:Arensky
1233:YouTube
1190:(IMSLP)
1186:at the
1177:at the
667:god-son
652:Sources
618:sonatas
526:Leipzig
413:Bristol
315:Hamburg
313:, in a
303:Eskeles
246:Artaria
241:Fidelio
201:Salieri
165:Bohemia
136:Leipzig
2242:Portal
2179:Poetry
2031:Genres
1976:Wagner
1956:Tobias
1821:Reicha
1796:Popper
1776:Pacini
1771:Onslow
1681:Mahler
1661:Lumbye
1626:Kuhlau
1606:Joplin
1596:Hummel
1586:Hérold
1576:Halévy
1561:Gounod
1546:Glinka
1526:Franck
1521:Foster
1491:Dvořák
1481:d'Indy
1471:Delius
1451:Czerny
1436:Chopin
1411:Busoni
1396:Brahms
1371:Bertin
1361:Bériot
1059:
963:
936:
811:
728:
695:
622:études
592:and a
590:ballet
547:Wagner
282:Vienna
272:,1837)
225:Cramer
217:Hummel
193:Vienna
161:Prague
132:London
126:piano
85:Spouse
67:Prague
2169:Chess
2001:Ysaÿe
1981:Weber
1961:Verdi
1911:Spohr
1906:Sousa
1791:Paine
1706:Méhul
1656:Loewe
1651:Liszt
1631:Kuula
1591:Holst
1571:Grieg
1551:Gomes
1531:Franz
1516:Foote
1511:Field
1506:Fauré
1496:Elgar
1476:Denza
1401:Bruch
1381:Bizet
1341:Beach
1326:Auber
1311:Alkan
574:Music
478:Liszt
428:Fanny
424:Felix
326:Felix
233:Weber
2058:Lied
1996:Wolf
1846:Rode
1836:Ries
1816:Raff
1641:Lalo
1306:Adam
1095:2023
1057:ISSN
961:ISBN
934:ISBN
898:Cf.
875:Cf.
809:ISBN
746:link
726:ISBN
713:link
693:ISBN
604:and
588:, a
559:and
489:Bach
426:and
405:Bath
396:and
297:and
231:and
229:Herz
219:and
150:Life
73:Died
50:Born
43:1860
1901:Sor
1446:Cui
1231:on
1168:at
1047:doi
881:",
669:),
524:at
407:in
280:in
2259::
1216:.
1086:.
1055:.
1043:49
1041:.
1037:.
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916:).
904:,
868:^
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673:.
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113:(
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58:(
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