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820:. While they have several sons, their daughter Yuki (池坊保子, b. 1965)) currently officially the Headmaster designate, will become the next headmaster under the name Ikenobō Senkō IV (四代目 池坊 専好), breaking with the previous tradition that only a son can be named as successor to be head priest at the temple.
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sliding doors. Around it is a small water pond and garden. It has a large auditorium on the main floor and the museum is located there as well. It also contains exhibition space and classrooms and serves as a centre for communication, studies, and workshops for teachers and students, and a
301:, 1486) and the famous manuscript about ikebana by Ikenobō Senno (Senno Kuden, 1542) were written. Senno, the founder of Ikenobō kadō, originated ikebana that was imbued with meaning (kadō or way of flowers). Previously, tatehana had more of a connection to the spiritual practice of
218:
era (1462), Unzen
Taigyoku wrote, “at the invitation of Shunko, Senkei made a floral arrangement in a golden vase and denizens of Kyoto with refined tastes vied to see his work”. This written record marks the starting point for 550 years of recorded
179:. It means "bellybutton stone". It is said that it was the foundation stone of the original temple. Because this temple existed before the transfer of the national capital to Kyoto in 794, it has been claimed to be the center of the city.
131:, to arrange stems in an upright or standing manner), rather than casually placing them in a vase. An earlier attitude of passive appreciation developed into a more deeply considered approach. Early forms of Ikebana referred to as
194:
from that time contain many passages that describe the appreciation of flowers used in this way. In the early 7th century Ono no Imoko, a former
Japanese envoy to China, became a Buddhist priest and started setting up flowers.
436:
223:
history. Additional historical documentation of Senkei’s work includes only one entry, on
October 2, in the Nekizan Nichiroku journal describing how moved he was by the extraordinary beauty of
417:
171:; priest's lodge, monk's living house attached to a Buddhist temple) was built and became the home of succeeding generations of Buddhist priests. This gave rise to the name
679:
is the free style. Although any kind of material and vessel may be used, certain guidelines should still be observed to give the arrangement a sense of balance and effect.
411:. After his death, an at times violent feud broke out between his two main disciples Daijuin Ishin and Anryūbō Shūgyoku about the direction of the school.
127:. In Japan people tried to give deeper meaning to the thoughts accompanying flower arranging. In other words, they wished to arrange flowers (
282:
Use of the family name Ikenobō was granted by the
Emperor of the time. Succeeding generations of head priests of the temple used this name.
852:
is located next to the temple and is a two-storey structure built in the traditional style. It holds mainly exhibition space laid out with
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meaning orthodox or traditional style. Mannerism again began to appear. Efforts to break away from mannerism were not successful until the
99:
186:(794-1192), apart from altar offerings, the practice of enjoying flowers displayed beautifully in a vase became popular.
250:
279:. Aristocrats and monks vied with each other in demonstrating their skills, offering flowers in honor of the festival.
942:
629:, developed in 1977 by 45th generation Headmaster Ikenobō Sen'ei, presents a bright, modern feeling. Two main parts,
238:
910:
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coordination point for local chapters or those wishing to found a new one. Chapters exist throughout the world.
340:, are preserved at the Manshuin Temple in Kyoto) the Yomei-bunko library of the Ninnaji Temple in Kyoto, the
607:
were the result. These styles were influenced by the importation of
European culture, beginning during the
285:
Toward the end of the
Muromachi period the earlier simple way of setting flowers in a vase developed into
297:, flowers), a more complex style of ikebana. During this period the oldest extant manuscript of ikebana (
111:
teaching, dating from a time shortly after that of Ikenobō Senkei. It shows various arranging styles of
309:
198:
According to a 15th-century manuscript, the two of the most popular flower arrangers of the time were
525:(positive), were used in arranging the work. These would later develop into three main parts, called
637:, respond to each other with contrasting yet harmonious qualities. A third part of the arrangement,
470:(投入花), a more informal style of arrangement, had been practiced even during the earlier period when
265:(late 13th -16th century), flower arranging contests were held at the imperial court on the day of
1042:
123:
The custom of placing flowers on the altar began when
Buddhism was introduced to Japan by way of
665:
341:
203:
766:, or headmaster, has been hereditary in the male line in the Ikenobō family for centuries.
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at this time was very simple. Only two main branches (or flowers), one of which was called
21:
8:
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as a style with severn main parts later developed into the modern standard nine part
72:
817:
486:, the most formal style, was used for rites and ceremonies. The townspeople favored
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The
Rokkaku-dō in Kyoto is the site of the birth and earliest development of
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643:, is often added as a finishing touch. Following a period of development of
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76:
490:, which presented the natural beauty of flowers without complicated rules.
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275:, the seventh day of the seventh lunar month). These contests were called
954:
324:(立花) style (also meaning standing flowers, but with more complexity than
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986:"Headmaster Designate Senko Ikenobo | IKENOBO ORIGIN OF IKEBANA"
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reached a high point of its early history. Paintings depicting the
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Monastery, first recorded the name Senkei in his journal called
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gradually became more complex and mannered. The birth of the
80:
972:"Headmaster Sen'ei Ikenobo | IKENOBO ORIGIN OF IKEBANA"
272:
28:
arrangement by the 40th headmaster Ikenobō Senjō, from the
214:. In an entry dated February 25 of the third year of the
544:
style developed over a long period, with many schools of
207:
1000:"Chapters & Groups | IKENOBO ORIGIN OF IKEBANA"
583:(1868–1912), Ikenobō Senshō set down the regulations of
497:(How to arrange flowers in Nageire style), and in 1697,
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150:
shape of the temple. Rokkaku-dō temple was founded by
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655:has become popular in the twenty-first century.
107:, believed to be the oldest extant manuscript of
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509:influenced the development of early work in the
493:In 1684, Toichiya Taemon, a merchant, wrote the
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913:. Ikebana International. 2005. Archived from
687:There are three main recognised styles (様式):
312:(late 16th century) brought a renaissance in
175:. In the temple grounds, one stone is called
966:
964:
890:
320:masters named Senkō I and II, completed the
167:) where Prince Shōtoku bathed, a small hut (
955:"Ikenobō | Japanese floral art school"
935:Kenkyusha's New Japanese-English Dictionary
782:35th Ikenobō Senkō III (三代 池坊専好), 1680-1734
773:32nd Ikenobō Senkō II (二代 池坊専好), 1575?-1658
770:31st Ikenobō Senkō I (初代 池坊専好), 1536?-1621
71:It was founded in the 15th century by the
961:
827:
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647:the new principals were also applied to
505:Works) by Ikenobō Sen'yō was published.
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206:. Unzen Taigyoku, a monk belonging to a
98:
20:
791:38th Ikenobō Senjun (池坊専純)〔reappointed〕
407:brought new interest into the world of
316:as part of a cultural renaissance. Two
119:) wide-mouth (right) and upright styles
75:monk Senno. The school is based at the
1035:
842:and behind it the modern headquarters.
809:44th Ikenobō Sen'i (池坊専威), ?-1944
572:, in which the traditional methods of
245:arrangement by Ikenobō Senkō II (from
803:42nd Ikenobō Senshō (池坊専正), 1840-1908
812:45th Ikenobō Sen'ei (池坊専永), b. 1933
806:43rd Ikenobō Senkei (池坊専啓), ?-?
800:41st Ikenobō Senmyō (池坊専明), ?-?
785:36th Ikenobō Senjun (池坊専純), ?-?
776:33rd Ikenobō Senzon (池坊専存), ?-?
54:is the oldest and largest school of
836:originated from. Next to it is the
797:40th Ikenobō Senjō (池坊専定), ?-?
794:39th Ikenobō Senkō (池坊専弘), ?-?
788:37th Ikenobō Sen'i (池坊専意), ?-?
779:34th Ikenobō Senyō (池坊専養), ?-?
83:. The name is derived from a pond (
13:
1027:Ikenobō Ikebana Society of America
832:Rokkaku-dō temple in Kyoto, where
614:
595:(1912–1926). The styles of modern
478:was a style of decoration for the
14:
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937:, Kenkyusha Limited, Tokyo 1991,
501:(Collected Paintings of Historic
154:in the 6th century to enshrine a
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392:) was established at this time.
336:of Senkō II, a famous master of
125:emissaries to China in about 538
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348:headquarters. The arranging of
247:Rikka-no-Shidai Kyūjūsanpei-ari
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751:Ikenobō Senjō, depiction on a
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426:arrangement by Shūgyoku (from
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1:
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816:Sen'ei Ikenobō is married to
445:arrangement by Daijuin (from
428:Rikka-zu narabini Sunamono-zu
202:master Senkei and Ryu-ami, a
879:, school also based in Kyoto
7:
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251:Important Cultural Property
10:
1059:
724:(生花正風体), traditional style
702:(立花正風体), traditional style
576:were described in detail.
556:was firmly established in
271:(the festival of the star
94:
682:
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564:(One Hundred Examples of
521:(negative) and the other
447:Daijuin Rikka Sunamono-zu
48:
568:, 1820). He also edited
160:, the Goddess of Mercy.
672:free style arrangements
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310:Azuchi-Momoyama period
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157:Nyoirin Kannon Bosatsu
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103:Illustration from the
37:
1025:Official homepage of
1017:Official homepage of
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603:and modern styles of
395:After Senkō II died,
342:Tokyo National Museum
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299:Kao irai no Kadensho
105:Kaō irai no Kadensho
91:(聖徳太子) was bathing.
344:and the library of
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730:(生花新風体), new style
708:(立花新風体), new style
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255:
121:
38:
738:(自由花), free style
625:, a new style of
609:Meiji Restoration
499:Kodai Shōka Zukan
212:Hekizan Nichiroku
192:novels and essays
16:School of ikebana
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876:Saga Go-ryū
743:Headmasters
562:Soka Hyakki
548:other than
488:nageirebana
476:Nageirebana
468:Nageirebana
457:Nageirebana
30:Sōka Hyakki
921:2017-07-07
884:References
593:Taishō era
552:appeared.
277:Tanabata-e
204:tea master
79:temple in
77:Rokkaku-dō
911:"Ikenobo"
858:mats and
645:shimputai
623:Shimputai
616:Shimputai
581:Meiji era
403:style of
390:shoe-shin
303:Yorishiro
177:Heso-ishi
148:hexagonal
1037:Category
869:See also
754:kakemono
611:(1868).
601:moribana
589:shofutai
482:, while
326:tatehana
287:tatehana
268:Tanabata
133:tatehana
113:tatehana
87:) where
73:Buddhist
1019:Ikenobō
834:Ikenobō
640:ashirai
597:nageire
579:In the
566:Ikebana
558:Ikenobō
550:Ikenobō
546:ikebana
507:Nageire
480:zashiki
409:ikebana
405:ikebana
374:nagashi
370:mikoshi
346:ikenobō
338:ikenobō
330:Ikenobō
318:Ikenobō
314:ikebana
261:to the
221:ikebana
200:ikenobō
182:In the
173:ikenobō
144:Rokkaku
140:ikebana
117:ogibana
109:ikebana
95:History
60:, the
57:ikebana
42:Ikenobō
32:by the
941:
855:tatami
763:iemoto
736:Jiyūka
683:Styles
677:Jiyūka
670:Jiyūka
660:Jiyūka
388:, and
386:maeoki
328:) and
291:tateru
216:Kanshō
129:tateru
36:(1820)
861:shoji
718:(生花)
715:Shōka
696:(立花)
693:Rikka
649:Rikka
627:shōka
618:style
605:shōka
574:rikka
554:Shōka
542:shōka
515:Shōka
511:shōka
503:Shōka
484:rikka
472:rikka
463:style
461:Shōka
455:From
443:Rikka
424:Rikka
401:shōka
397:rikka
382:hikai
354:rikka
350:rikka
334:rikka
322:rikka
243:Rikka
234:style
232:Rikka
188:Poems
81:Kyoto
26:Shōka
939:ISBN
849:dōjō
846:The
839:dōjō
651:and
633:and
599:and
540:The
533:and
527:shin
358:shin
308:The
295:hana
273:Vega
631:shu
535:tai
531:soe
459:to
378:doe
366:uke
362:soe
208:Zen
165:ike
85:ike
64:of
1039::
963:^
892:^
635:yo
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169:bō
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49:池坊
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