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Helen
Merritt and Nanako Yamada, Guide to Modern Japanese Woodblock Prints: 1900-1975 (Honolulu: University of Hawaii Press, 1992), 41.
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styles from the age of 12. In 1880 he received a professorship at the Kyoto School of
Painting. Following the publication of the
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album in 1892, he became a member of the Art
Committee of the imperial court and in 1919 a member of the
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Jack
Hillier, The Art of the Japanese Book, vol. 2 (London: Sotheby's, 1987), 800, 969.
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112:(景年花鳥畫譜), published in 1892, is an album with an extensive series of bird-and-flower (
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Louise Norton Brown, Book
Illustration in Japan (New York: Routledge, 1924), 198–201.
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and print designer of the late 19th and early 20th centuries, part of the
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His works are part of many museum collections throughout the world.
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https://www.davidsongalleries.com/artists/modern/imao-keinen/
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Illustration of two red birds and a white flower, from the
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54:今尾 景年
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
_Keinen_kacho_gafu_(serietitel_op_object),_RP-P-2004-508D-7.jpg)
